#I care about fictional people a normal amount
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People are so weird about xenofiction
"Who cares if they die! They're animals! It's nature. Them getting killed isn't a big deal because animals die in nature all the time"
If I watch an animal documentary and an animal dies in it I'll still feel sad? I can acknowledge it's natural for anything to die and still feel bad. Hell I feel bad when PLANTS die or get hurt.
It's just so weird to me that some people genuinely want fictional animal children to die or get hurt and think it's normal because "they're animals"
Idc if they're animals, the characters are kids
There's a difference between going "lol this character sucks I hope he dies" and not being serious, and genuinely wanting these characters(whose biggest crimes are following their parents and Fade's a lil shit ig lol I love him) to be harmed because "they deserve it"
It just says a lot about a person imo
While I feel this situation is more 'these characters remind me of people I don't like personally so they should therefore die!' vs. folks being dismissive of animal life, this argument is certainly applicable to the amount of times we've heard 'who cares? It's realism/how nature works!' in response to how eh we feel about the lionesses in My Pride being chill with their cubs being slaughtered.
And it's like I mentioned in another ask: yes, these characters may be fictional animals but we've also had irl readers say they relate to them or they feel some kind of connection to them because they share very similar circumstances so when folks are saying they should die horribly or be rendered disabled as a punishment (which is also very yikes)... It can have an impact. It doesn't matter if they're animals or not. oof - RJ
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As someone who listened to TMA by themselves about 6 months ago and therefore had no interaction with fandom until I’d finished it—I remember being absolutely shocked when I finally went on ao3 and tumblr to see fan content and saw how much people disliked Jon while praising Basira, Daisy, and Melanie without seeing any of the irony!
Jon is constantly questioning his humanity morals actions etc. while the others ostracize, insult, demean, and physically hurt (or let him get hurt in Basira’s case) him. And my point isn’t that they are irredeemable, evil characters but the amount of fics I’ve seen where Jon grovels and apologizes to them and the author clearly thinks he was mostly in the wrong just-
*takes a deep breath* okay I may project on him a lot BUT STILL. A LARGE PART of the show is:
1. about how people aren’t black and white all good or all evil, and how a person with honest good intentions (ie Jon, Basira, to a lesser extent Georgie and Martin) can unintentionally cause pain, and it doesn’t make it okay but it doesn’t make them a monster!!!
2. People who make bad decisions and who have hurt people in the past (ie Melanie, Daisy, also Jon) aren’t a lost cause and can improve with outside support, but they will suffer without it *points to S4 Jon without Martin* *points to Basira enabling Daisy pre-coffin* *points to Melanie’s recovery with Georgie*
Elias: Jon did something no one else has done before. He escaped The Buried.
Basira, who escaped The Stranger WHILE THEIR RITUAL WAS IN FULL SWING just by thinking her way out: 🤨
#I care about fictional people a normal amount#Jon sims apologist#the magnus archives#martin blackwood#basira hussain#daisy tonner#melanie king#georgie barker#tma s4#tma spoilers#tma s5#jmart#jonathan sims#long post
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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror
TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape
Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.
There are two things, I think, that are important to note as we start this conversation.
One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.
Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.
There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:
One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.
Two: The idea that Black characters and people deserve the pain they are experiencing.
Three: The disbelief or dismissal of the pain of Black characters and people.
You Better Start Believing In Ghost Stories- You’re In One
I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.
Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:
12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup
When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.
Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.
Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.
It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:
“They Shouldn’t Have Resisted”
Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:
“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”
Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.
Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.
You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.
My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?
Hippocratic Oath
Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:
If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.
I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.
As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.
“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”
Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:
“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”
If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.
What’s My Point?
My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.
There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.
There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.
“So I just can’t write anything?!”
Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.
The Black Guy Dies First
The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.
Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.
Black Horror/Black Thriller
We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.
Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.
“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”
For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!
In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.
The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.
The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.
Isn’t Violence Stereotypical or antiblack?
That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.
Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.
Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!
But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.
I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.
Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!
Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!
“But if Black violence bad, why rap?”
The short answer:
“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”
Marwhan Makhoul, Palestinian Poet
First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.
That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!
Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?
Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!
Conclusion
I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.
youtube
I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.
That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!
@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!
If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!
#creatingblackcharacters#long post#writing#writing black characters#black character design#black history#media history
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im sooo sick of seeing smut of minors normalized on this app..
There is an unbelievable amount of smut and weird posts about minor characters on here. ( e.g: the students at kyoto/jujustu high, the majority of haikyuu characters, project sekai, my here academia students and SO many more.)
(And also before another person gets on me about this, I am talking about the pre-timeskip era of these fandoms or shows because I know shows like Haikyuu! and MHA have a time-skip but, I am referring to before it because there is infact alot of smut or nsfw works of these characters pre-timeskip when they are underage.)
I feel like this shouldnt be a conversation that anyone should have to have because it should be obvious to everyone that it is NOT okay to write smut about CHILDREN.
And ive seen people try to excuse their actions by saying “oh well im younger than them so its okay!!” “theyre just fictional characters it isnt that deep!!”, neither of those things make it okay because they are still MINORS whether you think it’s okay or not.
It isnt that hard to not be a weirdo and some of you guys need to get that through your heads!!! and I dont care if you think im being ‘dramatic’ im just saying what i think is true.
and i’ve noticed its usually a bunch of big creators and they ALWAYS get away with it and everyone eats it up like its normal. As someone with a small following its weird no matter your following.
( P.S my tags are random just to get you’re attention please don’t pay them any mind >_< )
bye bye :P
#jjk smau#katsuki bakugo x reader#jjk texts#hinata shoyo x reader#touta matsuda x reader#mello x reader#takemichi x reader#megumi x reader#jeff the killer x reader#ken ryuguji x reader#mha x reader#jjk x reader#nina the killer x reader#jeffery woods x reader#kenma kozume x reader#todo aoi x reader#aoi todo x reader#creepypasta x reader#jeff the killer x y/n#ben drowned x y/n#misa amane x reader#death note fluff#fushiguro megumi x reader#choso x reader#haikyuu x reader#haruta shigemo x reader#ieiri shoko x reader#ijichi x reader#ino takuma x reader#inumaki toge x reader
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BEHIND HIS LENSE | 2/7 | TTIB SERIES | PREVIEW
Pairing: Photographer!Taehyung x PersonalAssistant!Reader
Warnings: +18, Yandere, manipulation, drugging, EXPLICIT NONCON; cunnilingus, rough sex, victim blaming, slut shaming, blackmailing, abuse of power, coercion.
Summary: After 4 long years of working for the extravagant photographer Vante, you decide to step down from your job after catching feelings for your boss, which you're sure he will never return.
But he's determined to show you that there's only one person he will consider his muse, and it's you.
I don't agree nor condone any of the actions made by any of the characters throughout the story, I also do not belive that any of the members of BTS would act this way or have this type of behaviour, this story it's fiction and it's written with the sole purpose of entertainment, please proceed with caution.
Word count: 0.8 k.
Just a quick preview of what's coming :)
In three days from now, you’ll be quitting the only job you’ve ever had.
You know you’re extremely lucky to have landed such a sought-after job with absolutely no experience at all, especially when you consider who you’re working for, but you had truly underestimated just how demanding this job was, the number of errands you do in a day will send a normal person into a coma. At first, things started to pile up pretty quickly, and eventually, you learned how to keep on top of things, becoming one of the best at what you do, but recently, there’s something that no matter how hard you tried to push it aside, you can’t seem to shake it off, and if the job was hard before that, this just had officially made it unbearable.
You’re falling in love with your boss.
At first it was nothing but a simple, innocent crush, to be fair, how can anyone blame you? Taehyung is an attractive man, and his charm rapidly made your 20-year-old-self infuriated, although that crush faded quite quickly (thanks to Taehyung’s insufferable attitude the first couple of months), these past couple of months have been messing with your head, quite frankly, you think you’re going insane with the amount of overthinking you’ve been doing, but there’s things you can’t make up, especially since other people have been noticing too.
It all started with a simple comment, your best friend had planted the seed into your brain.
“Wow, since when did you get a raise?” Sohee’s eyes nearly pop out of their sockets while she makes grabby hands at your new bag, you hand it out to her, and she touches it like it’s made of glass “How in the hell did you afford a brand-new Flamenco bag? I thought you said you were saving up for a new apartment!” Her tone is so high that you needed a second to digest what she just said, which leaves you more confused than you already are.
“What are you even talking about? If you think I bought this bag than I’ll have to reconsider all these years of friendship” You tried to joke around but Sohee doesn’t seem to be taking this lightly.
“How the hell did you get a 4-thousand-dollars bag then? You didn’t tell me you had a sugar daddy!” You almost faint when hearing the actual price of your new bag, but before she can say anything even more stupid, you quickly try to cover her mouth, but she swats your hand easily.
“Can you stop? I didn’t know it was this expensive!” She raises one of her brows at you and you feel the need to explain yourself “I don’t have a sugar daddy dumbass; Taehyung gave it to me the other day after a photoshoot” Sohee’s mouth opens so wide you have to restrain yourself to not laugh and cause an even bigger scene at the company’s cafeteria.
“Are you kidding me? Are you fucking him or something?” You gave Sohee a nasty look that she couldn’t care less about “I think the nicest thing Namjoon has ever done for me is saying ‘Please’ or ‘Thank you’, and he doesn’t even do that often, how the hell did you get your boss to give you a damn designer bag?” Her fixation over a bag is starting to get in your nerves, so you try to explain the situation to her.
“It was during a photoshoot like three days ago, he shot the new Loewe campaign and during a break I said that the color of this bag is very pretty, he asked if I liked the bag and I said yes because it was the biggest one where I could definitely fit everything I needed on it, he just nodded and by the end of the shoot he came to me with the bag on his hand telling me it was for me, I asked him why would he gave it to me and he just said ‘It matches your blouse’, kind of dumb if you ask me” Sohee was truly in a state of shock by the end of you explanation, and you didn’t know what to even say to her about that.
She’s speechless for a few seconds before she looks at you with an accusing stare.
“Wait a second, didn’t you tell me once that he made you send the girls he fucks a designer bag when he’s trying to fuck them?” Her eyebrows are almost reaching her hairline, and you don’t even know how to defend yourself because that was true.
“Yeah, but that doesn’t mean anything-” Sohee shuts you up with a single look, and you are forced to face the reality.
“Y/N, wake up, that man wants something from you, and it’s not anything casual if he’s giving you these types of gifts, we’ll let it slide this time” You scoff at her ‘we’ but she ignores you, “But if this keeps happening, you have two options, tell him to back off, or” Her tone was starting to piss you off, and you didn’t know if it was because she was being truly annoying, or because deep down you knew that she was right, “you can get more out of him, not just a designer bag”.
#bts yandere#TTIB series#yandere taehyung#bts fanfiction#taehyung x reader#kim taehyung x reader#kim taehyung x y/n#yandere bts#bts angst#bts x reader
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Okay because I keep seeing these posts, I am just gonna cartwheel in here and say something.
It is not inappropriate to be attracted to real people.
Like, entirely setting aside the question of if you think a fantasy character block men is hot, if you are looking at the photos of a real streamer and you've got hearts in your eyes, I can't overemphasize how normal that is. You're good. Don't worry about it.
These people are funny, and they have good voices, and we watch them be entertaining for hours at a time. This is prime real estate for a little crush. And having a crush is fine, the question is about your behaviour once you have a crush.
I am seeing people thinking that having a crush on a streamer means they're dangerously parasocial, or somehow predatory, or abusive, and that ever breathing a word of it is basically sexual harassment. And like, no. Being attracted to real people is not weird. That's arguably less weird than being attracted to fictional characters. The only question is like, once you know that you want to smooch the real person, how do you then treat that person and the people around you?
Seeing a photo of a famous person and thinking "oh hell yeah I want to hold their hand": this is a celebrity crush. I am aroace and I've spent enough time in some people's streams that I start to go "oh man I wonder if they'd like if if we played D&D together" (medusa-flirting). This has happened to regular people looking at attractive famous people probably since someone in the cave man clan was a particularly good hunter and got praise for it. Thoughts in your head don't hurt people. This is fine.
Seeing clips of a famous person and having sexual thoughts about them: this is still a celebrity crush. Your average boring office worker does this with movie stars. Half the people on the bus are doing this with instagram influencers. Runnning a nice r-rated movie in your head is fine, and doesn't hurt anyone. Thoughts in your head still dont' hurt people. This is still fine.
Collecting photos of a famous person and going GOD they're hot to your friends where the famous person won't see it: still a celebrity crush. There is a standing joke in I don't know how many healthy relationships that your partner gets a certain amount of freebies where you could totally cheat if it's Idris Elba, because it's IDRIS ELBA, that's not cheating that's just sense. You can aknowlege someone's sexiness to your friends, and even joke about it, and you're not being predatory, and you're not being inappropriate. Desire is not a crime. People can publically talk about being attracted to a person, and as long as they're not making it that person's problem, they're fine. Having a "hot people" tag on your blog with careful photos gathered from someone's public instagram where they deliberately posted photos of themselves looking hot? I can't over emphasize how fine this is. If people don't want to see hot people on their dash I guess they can unfollow? But you're literally being totally appropriate still.
Getting a nice private group chat with friends who like to talk abouta famous person and talking about how you'd like to knock him up: Look, what else are group chats as adults for? Are you seeing a trend here? As long as you are keeping your attraction to yourself and not making it other people's problem, as long as you're not bothering the real person with it, as long as you aknowledge to yourself that this is never going to happen and this is just a fun fantasy, this is just like, how attraction works. See pretty person, talk about pretty person, have fun with the fictional imaginings you're having— as long as you're not forcing this imagining on someone else, making it their problem, trying to make it real, as long as you know the difference between fiction and real life, you're fine.
Going up to someone's chat and talking about their dick: This is where you cross the line.
Putting NSFW work in someone's fan art tag. Wearing a shirt with porn on it to a meet and greet. Untagging your fanfic so that people who want to read g-rated works about someone are confronted with e-rated works. Asking one of their friends about their relationship status and if they smell good. This is the bad stuff. Don't do THAT. Keep it away from the real person.
The problem is not the attraction, the problem is forcing the attraction on other people. Like, use your brain. There's a segment of attraction that you can put on main, and then there's a segment that you can put on main but you'd better be sure that the person you're talking about is not going to see it, and then there's a segment you should keep for the group chat, but that's just a very basic sliding scale of "how sexual am I being" correlated with "how private am I being about this". If you want to run a full on porn video in your head starring Wilbur Soot, you're not bothering other people with that, you're not being inappropriate. That becomes inappropriate if you are a) putting that in tags where people who don't want to see the porn video would see it b) talking to Wilbur Soot about it. Those are the boundaries. Wait also c) talking to Wilbur Soot's friends about it, don't do that either.
If the person you're attracted to is an adult famous person, like, people being attracted to them is just part of the landscape. I promise an adult celebrity is not sitting in their room being traumatized because people might be thinking about them romantically or sexually. Putting it up in their faces? Bad. Very bad. I hate it. Don't do it. But I see people freaking out about thoughts. Thoughts aren't real. They do not exist in the real world. You can do what you fuckin' want in your thoughts and you are not hurting people.
Like I know we don't want to be inappropriate with streamers, but that doesn't mean that any sexual or romantic thoughts about them are forbidden, or that mild "GOD he's cute" or picspams on main are hurting people, or that off in a closed group of fellow adult enthusiasts you can't be like "so I think streamer would be submissive if I was domming him" and everyone can be like "oh you'd dom him so well". As long as you're keeping it away from people who are bothered by it, you're fine.
Attraction to real people is normal and how attraction works. You're not hurting people if you think they're cute. You're not hurting people if you want to fuck them, either, as long as you're not making them interact with that desire. This is just a simple matter of keeping the higher-rated material away from the people involved.
Attraction to real people isn't inappropriate. You're fine.
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We often can't help ourselves but to look at other people's experiences of abuse to see who has it worse, to put our own situation in some sort of context, to place ourselves in this big scale of how bad it was. We're used to comparing, because in abuse we are often compared to every fictional scenario of 'who has it worse', to make us shut up about our own situation, so if we have some real scenarios to compare ourselves to, we will. Even if we know it's bad to compare, that pain is pain, and all abuse is bad, we still wanna know where we are in this fictional scale of who had the most horrible abuse. The implication being, that only people who had it worst are allowed to complain about it and have symptoms.
And I think it's natural to a point, to want your experiences put into some sort of context, to be able to see how our experiences compare to others, and we're not necessarily doing it to make anyone else feel bad or shut anyone up. We don't believe in the hierarchy of 'who had it worse', we just want to know exactly where we are in the scale and to adjust our behaviour accordingly (we need to know our place in the hierarchy to know if we're allowed to complain and show symptoms.)
But the thing is, the consequences and the symptoms won't necessarily reflect the hierarchy. The damage from the abuse will sometimes come from the intensity and the perceived amount of trauma in the situation, but it will also come from what the abuse communicated to us, and what it taught us. Because if we were exposed to abuse, any kind, it is likely we all got communicated the exact same thing to us: you're not worthy of acceptance and love. You're not inherently deserving of happiness and care. You've deserved to be hurt, it's normal and natural for others to hurt you. You're a burden on others. You're unlovable. You can only exist in specific conditions where you're being consistently punished for being who you are. You're weak. You're supposed to be handling everything better. You're incapable of living a normal life. You're too sensitive and too emotional. You're a failure and you won't ever be able to deserve anything.
Whether these messages are communicated via violence, neglect, shaming, guilt-tripping, manipulation, exploitation, the consequences are the same. A person feeling deep shame about who they are, feeling alienated from human society, scared of being seen for who they are, scared of trusting others, desperate for positive attention but either ashamed or completely oblivious to how to get it without inviting further abuse into their life. Most of us have these consequences in common, despite the intensity or duration of abuse; and it's equally devastating for all of us.
We're taught to look for differences and levels of intensity of abuse, but the reality is that the hierharchy and scale are not real in any tangible or comparable ways; we all have much more in common than we have different between us. We're all cut off from feeling loved or safe, we're all alienated and struggling to feel like a part of society, we're all betrayed by our loved ones, we're all insecure in our personal relationships and identity, we're all struggling to keep any kind of faith in humanity. The scale was inflicted on us in order to silence us from speaking up about it; it created this mythical person who had it so much worse and is allowed to complain, while we're not, because we didn't have it as bad. But all of us had something cut off form us, and all of us should say it. We don't need to alienate ourselves from each other based on variety of abuse because we can speak in unison about how it affected us.
There's nobody who's 'not being abused bad enough to be allowed to complain' because all abuse alienates us from ourselves and our humanity, and it's going to be more similar to what everyone else abused is going trough, than it is from being treated in a normal and humane way.
#abuse#trauma#cptsd#aftermath of abuse#child abuse#domestic abuse#abusive parents#long term abuse#consequences of abuse#comparing abuse#comparing trauma#trying to see our experiences in context#but only ever in context of who had it worse#we never compare ourselves to those who had it better#because we weren't taught to do that
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This is a comment I just saw in the wild, and I need to know the real factualness/lack thereof of this from those who are more familiar with internet fandom history.
the evangelical prudishness of the early internet is completely separate from pro/anti ship dynamics. the idea of an anti was popularized in voltron fandom by teenagers who were uncomfortable being attacked by adults in "ship wars" for not liking a prominent ship between an adult and child. evangelicals are still being prudish and nasty online to this day and theyre not doing it with "anti, proshippers dni" in their bios
and to be clear i dont identify as pro or anti ship because im an adult with a job and a social life but i leaned so hard into the anti label as a teen as an effort to protect myself from harassment and grooming (and yes. adults were using proship dynamics to try to groom me. i experienced this from multiple people in multiple fandoms. it was not and is not an uncommon occurrence). if you think teen antis are prudish maybe consider why a child would feel the need to close themselves off and loudly proclaim their hatred of any complicated shipping dynamic. these kids don't stay this way forever, they grow up into adults with more complex viewpoints on sex and relationships because that's what happens to everyone as they age. the fact that most self proclaimed proshippers care more about prudishness (as though every teenager isn't a little bit of a fucking prude anyways) than they do about actual pedophilia and grooming. most proshippers arent trying to use it as an outlet to groom children but a considerable amount of them are and you have no fucking clue how terrifying it is to be a young teen and have adults falling all over themselves trying to convince you that it would actually be really normal for you to have phone sex with them
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"Ooh, I'm a secret third thing!"
You can just about always assume someone is a jackass if they start with this bilge.
Voltron fandom was a major spreader of antis, sure. The objection was to the two characters with the "I'm the hot one" anime eyes being shipped together instead of one of the hot ones and the one with the "I'm the douchey womanizer" anime eyes.
All of these characters look about the same age, just with different eye shape tropes. All are soldiers. Ages weren't confirmed for a while. When they eventually were, hot eyes and hot eyes were 18 or over and womanizer eyes was under or something. Not that it matters.
It's a bunch of crybabies with a juggernaut shitty ship bawwwwing that a better ship was fairly popular but not as juggernaut despite them sending many, many death threats.
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Most teens, in my experience, are drawn to cheesy Darker and Edgier extreme shit and get tamer as they age. No, they aren't all prudes. That's bugfuck insane to think. This person is a dumbass.
Adults trying to have phone sex with teens isn't actually that common, from what I've seen, and is clearly creepy in any era. This has nothing to do with fandom shipping.
I'm sorry they've had a shitty time, but this is either someone with a lot of trauma projecting or yet another attempt to drag irrelevant shit into the constant whining about other people's harmless fictional hobbies.
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aging yourself up or down in your dr (+ dating)
I actually refrained from talking on this topic on my tiktok since I knew I was going to get chased off the app and didn’t see a point in talking about it on tumblr since everybody here seems to be more open minded and mind their own business, until I saw multiple posts a few days ago here, where the op were shaming people for changing their age or changing the ages of people in their dr
those people definitely came from tiktok and I honestly hope this post reaches them as I didn’t want to directly interact with them
I think one of the posts was about how adults age ‘minors’ in their dr to date them is problematic, which made me laugh, because how is it problematic if they’re both the same age in their dr?
and the sad thing about that post is that the op said that they’re aware how shifting works and all that, but still finds it problematic and hopes people that do that never shift which is just… girly I hope YOU never shift because you don’t deserve it for shaming people trying to live their lives
I’m not going to go into details about the og posts, but they still have the outdated idea that if you shift for a character that is much younger than you here it’s ‘problematic’. once again: how is it problematic if you’re the same age in your dr?
and then they hit you with another outdated take ‘it’s problematic because you find them attractive here’ which is ridiculous because of so many reasons
1.many characters (especially anime characters) don’t act or look their age. if your perceived a character as an adult initially then found out they’re a minor, I simply don’t care. ages in fiction never matter, if your mind perceived x as a certain age then they’re that age idc; 99.99% people are attracted to a character for who they are, not their age
2.many people had crushes on characters when they were younger or the same age with that character and still like them. let’s boo them that their crush on the character didn’t die and their fav character didn’t age, acting like you’re not going to be in their place in a few years
‘not true I’ll stop liking my favorite character when I’m of age 😡’
okay sweetie keep telling yourself that, because I keep seeing people on tiktok that had this mentality: they liked an underage character when they were minors and wanted to shift for them, now they’re adults, haven’t shifted yet but STILL like that character and regret having said they’re gonna stop liking that character when they’re adults because it didn’t happen lol
3.people don’t always script that an underage person here will be their s/o, it just might happen. I’m actually going to use myself as an example for this: so here I’m an adult and I’m also aroace which I dislike because I always dreamed of a fantasy novel like romantic relationship, so I’m straight or bi in most of my drs so I can date. in my jujutsu kaisen dr, all the people in jujutsu tech are adults because I don’t like teens or kids and don’t wanna hangout with them. in my 30+ drs I only have 3 scripted s/os which are all adults here. I didn’t script an s/o for my jjk dr, because I want to focus more on friendships and training there (but secretly hoped choso would pick me, a girl can dream ok); a few weeks ago I channeled multiple people from my dr (yuuji, megumi, nobara, gojo, nanami and geto) and I received normal messages from all of them. I expected all of their answers, except yuuji’s answers which had romantic aspects to them. that made me realize that he might have a crush on me and maybe we’ll even date in my dr or something? who knows, I didn’t think too much about it so idk
so now if a character that’s underage here likes me in my dr, am I supposed to refuse them or shift out? lmao you’re delusional if you think I’m doing that
4.people that have never experienced adolescence love here. a lot of people dreamed of having that sweet experience of teenage romance that disney and an insane amount of shows and movies love to push, but instead their teen years were filled with abuse and hate. why shouldn’t they shift to experience what was taken from them here?
ALSO let’s switch this around: why is okay for minors to date adults in their dr, but not the other way around?
‘it’s not as bad 🤓☝🏻’
imma be the devil’s advocate and say it’s just as bad
do you genuinely think it’s okay to be a minor here and date an adult in your dr? like do you really think your s/o would feel comfortable being sexualized by a minor and dating a person that’s a minor in another reality? you lowkey forced your partner to become a pedo if you think about it 🙁 /jk
and also if you shift to a reality where you’re a minor and become of age there, you’re officially an adult and shouldn’t date minors anymore, even in your ‘original reality’ where you’re still a minor. please keep the same standards for yourself
#reality shifting#shifting#desired reality#dr#shifting rant#shifting discourse#anime shifting#shiftblr
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Oh great the newest Superman movie isn't out and Superman fans already have to tolerate horrible characterisation from Batman fans who ship them but don't care about Superman
Dear Anon, are you up to a real discussion?
First: how old are you? And I don't mean it in a condescending way, I'm just curious.
See, I turned 40 this year and I'm writing this while on break during my shift as a grocery cashier.
I'm in the fandom since I was in my early twenties, when I was a college student with a lot of free time and mental energy. Now I'm married with two children, a mortage, a potpourri of both physical and mental health issues... I swear I got so many commitments that sometimes I'm on the verge of a burnout.
Still, it's a pretty normal life with a pretty normal amount of stress, and I Iove what I've achieved. Only, the time for engage with fandoms and writing fanfics is now very short and very very cherished. Some days I wish I can turn back time and be carefree again, just for a little bit, so I would be able to truly enjoy the fandom life like before. Though I would do it in a different way: I wouldn't care in slightest about other people opinions.
Because now I can see it: such a waste of time and energy! Who cares about what some stranger enjoy to write or read in their spare time? Does this affect my life in any way? Nope! So why should I give it any fuck?
Why should you give any fuck to me and my personal view on some fictional characters and their dynamics?!
Anon, I'm giving you this advice with the same spirit of an old wise auntie: do yourself a huge favour and enjoy your time in the fandom without giving a shit about others' preferences. I should be a no one to you. Anyone should be no one to you. You are choosing to give us a relevance that we don't have and don't want, and I'm begging you to stop.
Do it for yourself, since nobody else is gonna do it for you.
That being said, if anyone is actually interested engaging a honest conversation, feel free to submit an ask. But since I'm really too old and tired for any kind of anon hate, I'm unabling the anonymous asks.
Sincerly,
A well seasoned, grey-haired, presbyopic veteran fangirl
#fandom#fandom discourse#dc comics#dc cinematic universe#superman#Superbat#clark kent#batman#bruce wayne#fanfictions#fanfiction discourse
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the annoyance with blk y/n and the stories she’s in is hilarious. her characteristics might be the problem one day or her side characters the next. it legit feels like we may never get to a balanced solution on what to do with our own representation since the wrong ppl always talk about it and create it. we have mean and shallow ppl who take over the conversation, ppl who really self hate but try and cover it up with “i just don’t want her to be a stereotype” and then the ones who probably love and support tyler perry movies.
the bottom line is the ppl who do write those niggafying, toxic (it’s a buzzword but that’s what they are) or smutty fics (not talking abt the actual good ones with a blk reader though 🧎🏽♀️) can do wtv they want and owe you nothing. that’s why they get so frustrated. i don’t think all the times those should be crucified for what they write when other groups of ppl (or our own) write all kinds of other crazy shit.
and.. i know a lot of ppl who don’t want to say it but y’all keep bringing up the smut and niggafying as the main problem, but i think it’s some of the ppl writing it and their underlings. it’s just no one wants to say anything.
an excerpt from a draft of mine
“a lot of ppl on here be weirdos or mean asl. so when someone block you don’t be like “oh what i did” “they that mad cause of my (internet—fictional—digital on screen) presence”
like nobody got time to go to your acc and say “i don’t like you” who cares. oddly some miserable ppl do actually but still. the lack of awareness is ridiculous. that’s why ppl don’t f with y’all.”
i was talking abt all of tumblr and every other app but it applies here.
from what i see on here, some are just straight up weird, cliquey, and chiesty (if that’s how you spell it) and that’s why ppl be so mad abt those types of books 💀. we also have to acknowledge the amount of overwhelming & honestly damaging blk yn fics (not to be confused with ppls screwed ideas of stereotypical) there are. i understand why ppl write them for personal reasons but when it comes to our own reflections of ourselves as blk women it’s almost hurtful to read some of the things people put “her” through. i mean even her with a white man that use aave and has cornrows is hurtful.. 😔 (i’m trolling now 💀) naw but fr. i personally don’t like reading blk women just being written for smut or going through crazy situations or kinda like.. i don’t wanna say unfulfilling but like.. idk i can’t think of the word. (edit: ppl write blk yn to be in unfulfilling situations) but girl i can watch a tyler perry movie for all that.
again. ppl write these stories for there own personal reasons, relate to them and enjoy them for those reasons as well. that’s why depending! on what it is i don’t think blk writers should be bombarded with hate like that. also ion think smut should be banned like y’all go to far can we just slow down on it … there are some nice ones out there i promise 🧎🏽♀️
but in all seriousness there are many other reasons why i feel toxic and smutty fics are popular for blk yn but i don’t think anyone cares to hear that and the conversion will prolly go back to nigga eren somehow which is crazy cause y’all be arguing over a fictional white man.
oh! 😒 i almost forgot 😒 the ppl who are against “ghetto” y/n to try and advocate for more fluffy or like.. normal (healing) stories and from what i see the ppl who are the most up in arms about it in my personal opinion seem to dislike certain parts of blkness that i appreciate personally and so i just straight up disregard their opinions. y/n doesn’t have to “act” (😒) blk but i see ppl get mad about her protecting her hair….. with a bonnet….
sigh, anyway but yeah we need more soft and sweet fics or just like calming ones? but someone gon have to write it! i don’t like this app or my writing all too much so i gave up a while ago.
just like many other blk writers….
gaspp! we should also do like a fluff challenge or sumn where writers do like fluff … march? girl idk so maybe that will trend and all the ppl who spend time arguing and going back and forth with ppl who write stories they don’t like can like idk look for other writers who write soft, normal, fun stories and reblog them or make a list of them. or maybe like possibly write their own stories too????
everyone says the smut fics gets the most likes and they do. that’s why you keep seeing them. so maybe support or refreakingblog the fics that are comforting to you so others can be as well.
i actually made this page to repost softer fics because i was tired of blocking certain tags so i can avoid heavy smut and subtly abuse fics. also pls leave the ppl who niggafy anime characters alone they will not be stopped. i mean we still have ppl who have been calling chris evans jamal since 2020.. calling him that to this date. married and all.
sigh… 2 more days until blk history month ends. maybe next year we can find a balance between “dramatic” and smutty fics and soft and slice of life ones for blk y/n next year. remember this is tumblr too and the ppl writing aren’t even getting paid for this but it’s for the ppl yk.
ppl who are respectful and reblog tho.
muah
#anime x black!reader#aot x black reader#x black fem reader#black reader#x black reader fluff#x black reader#black fanfiction#x black plus size reader#x fem black reader#gojo x black reader#jjk x black reader#eren x black fem!reader#x black oc#connie x black reader#x black y/n#eren x black reader fluff#eren x black reader#i’m so dramatic#rant#rant post#complaining#ramblings#im just a girl#i’m also just being very sarcastic and condescending because i’m so tired of the blk yn bull crap. lemme just read.#i said what i said
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saw your oc and not surprised that it’s a child. no wonder aoex fandom has so much pedos in it that have child characters. go and delete yourself
okay normally I don’t answer on those hate messages but this one is personal so I try my best to explain what happened to me somehow idk my English is not the best and I’m not used to talk about personal stuff online.
🌼
Hi! My name is Pax and I’m receiving hate messages since I started posting art of my favorite character from Blue Exorcist.
At first it was only on twitter. I started posting around a year ago and then people sent me messages like how they hate Arthur. I wasn’t used to be part of a fandom so I thought it was kinda normal. I just blocked the people and yes it became calmer after that. Then it started on tumblr too. I love to get questions where I can draw something in return but I also got anon questions that are just rude or weird. Luckily you can block anons too but somehow they always come back to me after a small amount of time and tbh idk what I do wrong.
I am ignoring, deleting and blocking those all the time. Don’t get me wrong I really don’t care much but saying stuff like I’m a pedo is WRONG just because I have a child OC. I’ve never drawn him in any romantic way and I’ll never do. I don’t even think about that. Why should I? OCs are often like own children and my oc Kingo is like my own son. He was originally created for a roleplay where Arthur decided to adopt him after a lot of things happened to him. They are only father and son and they love each other because Arthur is trying to be a really good dad like he always trying to do his best with no matter what he do. The point is Kingo became my OC after I got the diagnosis that I’d never be able to get own children after trying it for 4 years. It was my dream even if a lot of people couldn’t imagine how important it can be for a woman who really wants this. I build a house where everything should be safe for my future child. Getting this result of all my tests and my health conditions was a shock I’ll never get fully over it even if I pretend. My relationship broke after 8 years and I never felt so useless.
This is the reason why I created my OC Kingo. Not because I am a pedo or something wtf. It was because I found consolation in having a fictional son and that he has a family that cares about him. Thats why Kingo will always be a very special OC and I get very emotional when it comes to him.
I know I don’t need to explain myself and who the fuck is gonna read that text hmm but yes. Stop hating me I just wanna do art. Nothing more. You’re annoying go out and do something nice instead of hating each other ✨
#Please stop spreading hate#Our fandom is so small we need to stay together#blue exorcist#aoex#ao no exorcist#arthur auguste angel
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also thinking about troy and abed. they are so important to me. like. maybe you don’t need to “grow up” to find the person/people you want to spend your life with. maybe love is someone who you can watch tv with. people are difficult to understand and so are feelings and life isn’t a movie but maybe there’s someone out there who understands you. who will watch movies with you and dress up as your favorite characters with you. maybe growing up doesn’t have to mean being serious. you’ll find people you can be yourself around. maybe you’ll find someone you want to watch tv with forever. maybe that’s what friendship is. maybe that’s what love is.
best thing that happens to me in real life social interactions is when i bring up hit tv show community and abed nadir specifically out of nowhere and whoever i’m talking to is like “yeah you remind me of abed” this has happened more than once (at least three times, i think?) and it makes me very happy every time. me 🤝 the guy from my show: being autistic about movies and tv. anywho. thinking about community again. as per usual.
#the study group as a whole is so meaningful to me cause like. they’re all so weird in their own little ways and they’re a mess#but they love each other. they’re a family.#they get up to hijinks and mischief and have cartoonishly wacky misadventures together#and like. i just love the show so much cause it literally feels like a kids show in the sense that there’s usually some lesson#about friendship that the characters learn along the way. but it’s not a kids show. the characters are community college students#and that’s so important to me cause like. yeah#there’s still so much time to learn and grow.#it’s just really comforting to me being in my late teens with the impending doom of high school ending in. a year. and feeling like#i haven’t learned how to be a person yet. and i have friends that i care about a lot who are actually kind to me#but the latter is a new experience. being autistic#makes friendship weird. it is truly like#the most important thing to me. but i barely understand it. and with community#i really relate to abed. he understands movies and tv. he wants to understand people and friendship and life#but those things are hard to understand. movies and tv make sense#plots follow the similar structures. there’s a logic behind everything. characters have easily definable traits#even complicated stories follow certain rules. you can immerse yourself in fiction and suspend your disbelief and learn the logic#of a small neat world. real life isn’t like that. people are messy. we don’t follow a script#there isn’t a narrative purpose behind every action and every thing people say.#and interacting with people feels like you’re doing something wrong. but you can’t figure out why. (it’s autism)#anyway. trobed#man. those silly guys. the best friends ever. they mean everything to me.#i drink my coffee out of a troy and abed in the morning mug every day.#i think i lost the point of what i was saying but. to summarize: i love the show community#i love troy and abed’s friendship/relationship specifically. and i relate to abed a totally normal amount.#remy rambles#community tv
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The different morality systems at play within my own works is always really interesting to me. Cause like, it’s not the action itself, it’s how it’s framed.
Like, I’m just thinking about how despised and villainous MFR Philza is for his everything, but he never physically hurts Techno, unlike how Lambs ”sbi” bruise, bloody, poison, starve, nearly murder Lambs Philza and are still sympathetic. Just like MFR Philza, “sbi” also harm their victim’s loved ones, given MFR Piglin’s kidnapping/torture and Lambs Sbi kidnapping/murder. Lambs “sbi” also kill a lot of people, similar to MFR Phil’s Nether Massacre. And yet, the narrative weight is different, and we’re supposed to root for Lambs “sbi” bonding with Lambs Phil.
MFR Philza’s all encompassing surveillance to protect everyone is treated as a horrific violation of privacy with long lasting psychological consequences. Fault Tubbos’ all encompassing surveillance to protect everyone is treated as common sense. Both are dealing with actual massive threats. Fault’s threat is literally guaranteed to be non lethal in a way MFRs isn’t, even! Or in another direct comparison, both MFR and Fault Philza commit horrible massacres that leave Techno/Tommy (respectively) traumatized and convinced escape is impossible and at least a little catatonic. And both Phils are considered bad because of it, but unlike MFR, Fault Philza can come back from that. It’s considered a mistake that he can apologize for and they can move on from, because in Fault death doesn’t have quite the same weight. Sure it deviates from the pure action schlock of its genre by having some consideration for it, but giant death tolls are still normalized. Hell, Fault Tommy has killed like crazy but he’s poor little meow meow’d about it!
Perhaps it’s the culpability of it? Fault Tommy was heavily coerced into doing lots of murder. MFR Philza had a lot of agency in the Nether massacre, but Fault Philza’s Amnestic massacres are far more dubious given his sanity was being chemically bleached away. Lambs “sbi” don’t have the background context to actually understand typical morality, and so readers treat them far more sympathetically compared to MFR Philza who should have a modern morality system. Or what about Altars Techno, who LITERALLY EATS ORPHANS AND HAS FOR CENTURIES? And yet we just kinda gloss over that, potentially because gods in Altars are controlled and shaped by their worshipers, and so it’s unclear how much agency he had in the sacrifices (or in stopping them; again, was that a choice Altars Techno made? Or did Altars Tommy make that for him by his more innocent worship dictating it?). Or Fault Tommy kidnaps Techno like constantly, because he can’t control summonings, or Weight in Gold Philza is a giant bird so we forgive him for kidnapping Techno because he was only intending to eat him, but when MFR and Lords! Phils do it, it’s suddenly reprehensible?
Could be reader attachment to characters, since again moral weight is warped in fiction so it’s up to if it harms the reader. The MFR Nether massacre hits more than Fault’s Hallway massacre because the reader knows the characters being killed, compared to Fault’s faceless corpses. And then we only knew MFR Blaze and Squidkid like a chapter, compared to Fault Rosalind being there the entire first epoch before being brutally murdered by Tubbo. And she’s not even actually dead, but that’s treated with massive weight compared to multiple characters known a short amount of time, compared to hundreds npcs.
I think a lot of it is the ‘sell’. Like in a fake wrestling match, where the impact of the heel is determined by how much the target is supposedly hurt. Since it’s fiction right, it’s all artifice, we only care so much as the protagonists do. When MFR Techno goes absolutely catatonic for weeks after the Nether massacre, when he spends the entire rest of MFR in its shadow- that more than anything gives those deaths weight. Or within Fault itself, where Fault Philza is despised by Fault Tubbo because they watched him murder a bunch of people, but (like the readers) are far more forgiving of Fault Tommy’s murders because they like him and haven’t really been impacted by them (happen mostly off screen). And hell, for Weight in Gold Techno and Kristin and Phil doing a bunch of terrorism and murder is a bonding activity!
Like. This is why just stating war crimes lists or whatever doesn’t always tell you if the character is considered good or not, because it depends so much on the tone, genre, context, and character reactions. One story’s irredeemable villain is another’s protagonist’s Tuesday, you feel me?
#Random thoughts#fault au#dark sbi#sbi#dsmp#sbi au#mcyt#sbi fic#sleepy bois inc#philza#tommyinnit#technoblade#kristin#mumza#tubbo#sbi scp au#Mandatory family reunion#something to nom on
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*steeples fingers and stares at my tablet with gimlet eyes*
so. Road to NML. You mean to tell me that the reason the rest of the country, Congress, and the President himself decided to write Gotham off, blow the bridges, and isolate everyone left - all criminals and asylum lunatics and 'undesirables', of course - was in large part due to *checks notes* a satanic rock star's unnatural, irresistible charisma and cult-like media manipulations aimed at dooming the city for his own benefit?
and that in order to find out what actually happens to this villain, who disappears from the Batman and 'Tec storylines...I'd have to *checks notes* read Azrael's event issues?
....yeah, PASS. I only included JPV's book on my reading list when I absolutely had to (*cough* whenever Cass pops up *cough*), so it's off to the wiki summaries for me!
...but okay, on the one hand I find it very funny how thoroughly fandom has excised this demonic media influencer aspect from the collective consciousness of NML - or at least it had never made its way to me via either fic or fandom posts. I know how few people read comics in general in this fandom, and even for those who do, NML is a Beast that only a percentage have tackled (see: me just starting to pick away at it!), so honestly it's not that surprising.
and like it can easily be left out of the story and still leave it coherent lmao!! One can certainly argue things are in fact neater that way; certainly it's not something that would ever be kept (or at least not in the same form) if NML were adapted to another medium, except as perhaps a normal media demagogue (or a montage of them).
but on the other hand...hmm. Thinking about Hurricane Katrina hitting all of six years after the NML storyline played out. And the debate over whether funds should be used for reconstructing New Orleans and other massively damaged areas. And people around the country wondering if New Orleans would or should be rebuilt at all. Or if a vibrant, historic city would just be basically wiped off the map.
I know this is a conversation that happens everywhere and every time a major disaster wrecks a city. There are always huge fights over disaster aid and funding allocations of any kind.
but man. It's something to see this fictionalized depiction in such close proximity to a real life disaster that paralleled it so strongly, and to know that - yes, there are always people who Do Not Abandon Their Homes and work to reclaim them. Yes, massive amounts of aid (federal and otherwise) and federal reconstruction funding did get dispensed. Yes, people cared, and yes, we rebuilt.
so...maybe we do actually need the demonic social media influencer's evil powers in order to comic book logic explain how everyone in the country turned their backs on Gotham and created No Man's Land.
like - no, it's not necessary. the narrative would work without it. and yet...
the premise imagines - requires? - a significantly more callous, selfish populace. Still plausible and compelling! Possibly even stronger as a story since the turnaround for No Man's Land still hinges on winning the country over to open Gotham back up, let aid in, and rebuild. But. You do have to start from - kind of a bleaker take on humanity?
it also kind of reminds me of what scintillyyy pointed out a few weeks ago about Dick killing the Joker, and how actually there's an important comic book superpower interaction going on there, too, with Rancor present massively amplifying Dick's hate and anger to push him over the edge.
but so few people ever notice or remember that and it certainly isn't one of those things that gets transmitted via fandom osmosis. (It was news to me!!) People focus on Dick breaking down and letting loose solely due to being pushed too far.
and that's extremely compelling on its own! It is! Just like the no-satanic-Nick-Scratch NML.
just thinking about fandom's tendency to ellide the supernatural or powered influences that are canonically affecting a situation, in order to explore/focus on more purely humanistic explanations or motivations...that actually end up being darker than what we might reasonably expect from real life, or from a character's typical values.
like it's part wanting to brush off comic book nonsense, part wanting to dive into gritty realism (that's not always realistic), part not having all the information because of learning things secondhand so you construct the most reasonable explanation...idk it's just interesting.
anyway.
more importantly: Dick and Tim are adorable in 'Tec 727-729!! Especially love them trading off yelling each other's names in fear/alarm, and also trading off protecting each other - Dick's "You hurt that kid and you're gonna be eating through a tube!" and Tim's clever solo rescue of a thoroughly captive Dick via clever use of a voice modulator and a two-way radio. The Boys 😊
#hopscotching around between different time periods because violent FOMO yearning for different eras and interactions always strikes#post tag#comics reading tag
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this is random but i want to thank you for actually calling out the bad stuff lily’s done and talking about how her predatory actions show in her works (eg. all the incest stuff), without implying that everyone who creates works with such topics are predators
it feels rare to see that kind of nuance and compassion and as a survivor i appreciate it a lot
i have said before and will continued to do so: if all LO ever did for the internet was want to romance gardevoirs and write Stockholm, i wouldn't care about her at all. my tiping point was hearing about Brittany and Patch's experiences because that told me we're talking about an abusive and predatory person. a person who is willing to lie and use people like that so much, for so long, is not someone that should ever be trusted. then i looked more into her and it got worse. so much worse. then i made this blog and, somehow, someway, LO found the way to make it even worse than that. then Courtney came out, making way too much sense with how LO is, and now we're here. none of that is just fiction. i don't care about her fetishes or fantasies that she typed on a keyboard. i care about how she has treated people and how she could potentially harm others. i care about she pretending she doesn't have a incest fetish while pretending to normalize clearly incestuous undertones in her work. in her case, her fiction does reveal an uncomfortable amount who she is and what she actually thinks (the whole using Courtney buying a lock for her door after G confessed to mind raping CLO in her sleep in pokemadhouse, for example), so i understand wanting to bring it up, but that still is less important than just talking about who she is as a person.
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