#I cannot stress enough this is not arcane

[sheriff-caitlyn]

There is something inherently important about Caitlyn and Vi's respective natures and personalities that make them Piltover's Finest. Caitlyn was released Jan 2011, and Vi in December 2012, so Riot had plenty of time to make Vi a proper narrative foil to one of the original Champions. And yet it seems like the most important aspects of their characterisation are forgotten, glossed over, or outright ignored in how Caitlyn and Vi are depicted.

Caitlyn is Intention, Vi is Impulse.

The sniper rifle is a tool to handle problems from a long distance away; magnifying lenses on a hat help bring small details in to focus. Caitlyn focuses on a goal, and then looks at every step in the long and short term to achieve that goal. She has single-minded purpose but is able to cover a lot of ground, to have unique perspectives on and multiple opportunities for her desired end result because she has a view of the big picture. She sees how everything is connected, no matter how arbitrary. Every move she makes - socially, politically, nationally, and even on the Fields of Justice - is both deliberate and carefully-deliberated. She leaves nothing to chance. Everything is calculated. Her intention is what matters most; her intent is what makes her powerful, dangerous, unstoppable.

"The whole is greater than the sum of its parts."

"Me, miss? Not by a long shot."

"I have the tools for the job."

"Nowhere to hide."

"Go ahead. Run. I'll give you a five minute head start."

Fists are up close, personal; the gauntlets are hand-crafted, engineered by Vi's own hands to suit her own hands. Vi is reactionary, surrounding herself by the world, immersing herself in sound and sensation and situation and choosing to act in accordance with what feels the most urgent. Vi acts on whatever is closest to her reach or nearest to her immediate needs; she prefers short-term solutions because those are, in her mind, the most necessary solutions. Immediate needs should be met immediately. She doesn't look for the easiest solution, but she looks for the simplest one, the most expedient one. She is adaptive, and quick-witted, and capable of handing upsets and change step by step, without flinching. Vi's impulses guide her every step, trusting chance and circumstance and personal talent to back her up and make her next step possible. Her adaptability and her willingness to be personally-involved is the reason that her 'one foot in front of the other' style of action is so powerful.

"Sometimes you gotta make a door."

"One girl wrecking crew!"

"Let's get crackin'!"

"I like your smile. Makes a nice target."

"Plan? I don't need a plan."

Personified by their weapons of choice, these women are both forces of change in their respective cities. They are both incredibly effective on their own. Caitlyn had her plan and her rules and her methods that involved no-one but herself, and Vi was quick to repeatedly declare 'I'm my own backup'. They do not need each other in order to get things done, to have a wide positive impact on their community or for the people they care about.

And yet, they can do more together than they would apart.

Caitlyn can be distant from those she loves and those she is trying to save, can come across as cold and detached. She does not show her emotions well, if at all; she has more in common with the hextech rifle she carries than with other people. Caitlyn was capable of changing Piltover and becoming Sheriff all on her own, but she was not liked or respected by the people she was trying to save until she had a more-humanising force by her side. A short-sighted answer might be that Vi was so violent and dangerous it made the calmer Caitlyn more appealing by comparison, but that isn't the case at all.

Vi's past is lost to shadow, stolen by those in power who sculpted in misery, so to fight this aching void she surrounds herself with people who need help. She's used to being the underdog, to having the deck stacked against her, but she has built herself to be the strength of others, to fight on their behalf. She looks for joy and resistance in equal measure. Vi is smart, and intuitive, and has a very strong moral compass, even if - especially if - it causes her to clash with the powers that be, those in charge who don't do things they right way or for the right reason.

Both of them are raging against the world in their way. Both of them see potential in the world, for it and for everyone in it, to be better.

It is Caitlyn's intention and methodology that gives Vi the opportunity to do something bigger than the most-immediate threat in Zaun. It is Vi's impulse to send Piltover's trash back across the bay that connects her to Caitlyn, that gives Caitlyn the idea and means to encourage others and affect greater change. Like iron sharpening iron, the two of them improved each other as they began to interact. Of course they clashed when they first met, when Vi found Caitlyn too rigid and Caitlyn found Vi too reckless, but it was in these clashes that they learned to work together, to see from new perspectives. A sniper can't watch her own back. A boxer can't see beyond the ring. But together, they're more powerful than they would be apart. They've got each others' backs, they mitigate each others' weaknesses and boost each others' strengths, and they learn from each other.

Caitlyn is one of the few who can see, acknowledge, and respect the intelligence Vi is trying to hide, both in terms of Vi being an incredibly-talented engineer but also in Vi's social adeptness and comprehension of human motivations. It's Vi who can see Caitlyn's self-imposed isolation for what it is, and call her out on times when a more personal touch is necessary. Caitlyn has learned to be 'more human', to see the impact beyond just statistics and social change, to learn to accept other people into her life. Vi has had the chance to see that structure and morals can co-exist, that not every rule needs to be broken, that sometimes stillness and quietness can be productive.

Caitlyn and Vi are still their own people. Caitlyn will always lead with her intention, and Vi will always follow her impulse, but they'll do it together, mindful of each others' thoughts and methodologies. They've had years to turn their partnership into a kind of dance. It's not perfect, but they know each other so well, to the point of anticipation in movement and thought and action. Caitlyn - in purple, with her sniper rifle - and Vi - in pink, with her gauntlets - are the perfect team, and together they've brought Piltover into a (near-literal) Golden Age as well as been there to lead the city-state through disaster and reconstruction. They've even started making headway into helping those in Zaun, or at least inspiring others to step up and see them as a challenge to be equalled. They are Piltover's Finest, because they match and rival and equal each other, as foils, as partners, as symbols.

And that's something that Arcane absolutely failed to understand.

[solar-eclippse]

"We're all upset about cop!Vi"

No we're not, personally I love watching victims become perpetrators and characters becoming the very thing they sought to destroy

[rainysofsunshineao3]

Guys

my crazy - but tbh, is it really so crazy - theory is that baby lost her braids and middle finger setting off a bomb that either was something the same as the bridge in season 1 or something that totally gave Zaun their final edge against piltover trust.

Picture from this blog btw -> @yourhandsomestepdad

[franollie]

i was so wrapped up in jayce not understanding that i didn’t even consider the tragedy being in him understanding

[murdermeadow]

in brief, I'm so upset. I wish people understood. Jinx and Vi mean so much to me, I feel I know them and am intertwined with them at a personal level. they are my world because no other media has captured such deep and relatable siblinghood like this before. they are intrinsically intertwined and no one seems to understand that they never, ever, truly hated each other at their cores. all they want is the best for each other. but that feeling is shrouded in hatred by the actions the other took to survive, and do what they thought they could do help. Vi wanted to believe that her sister was dead because she couldn't accept the reality that her absence is what caused the sister she loved so much to spiral completely out of control. Jinx wanted to believe that her sister had completely abandoned her and wasn't worth reaching out towards, because if she haphazardly cauterized the wound then she'd never have to deal with it again. but the thing is that they can never get out of each other's minds, and lives. Vi is her protector, that is what she vowed. Jinx wants to do the same for her, but can never find just the right way. they are bound, forever. nothing and no one could truly tear them apart, no matter how awful things become. their hearts are magnetized, always drawn to the other, knowing that is where they belong. sisters until the end.

[cynical-canidae]

Me after Arcane finale showing up to Riot HQ to destroy the servers and prevent thousands from making the biggest mistake of their life (downloading League of Legends)

[gemstarstarlight]

Everyone go check out the arcane tag the lesbians are losing it

[quacaserous]

just finished arcane.... fortiche & riot games you might want to sleep with one eye open tonight ☺️

[sleebiebear]

this is my bi-monthly 'i miss arcane' post hi. i miss arcane. i am not ready for the person ill revert back into when s2 drops

[hauntingblue]

WE STILL GOT ARCANEEEEE

[sheriff-caitlyn]

[x]

[galedekarios]

elminster & gale

more datamined dialogue, this time idle banter between elminster and gale. as the dev notes indicate, these were supposed to take place at the beginning of act ii when elminster reveals the charge given to him by mystra for gale:

elminster: it took some doing, finding you. gale: well now you've found me, perhaps you can share your purpose. (node context: some impatience) elminster: have mercy on these old bones, m'boy. a short respite will not harm us.

elminster: i am glad to talk to you again, m'boy. even under such circumstances. (node context: sincere) gale: as am i. (node context: sincere) elminster: it is important to cherish everyone conversation as if it were the last - for it could very well be the last. (node context: considering that this may be the last time he ever sees gale)

elminster: it comes with age. along with some less-desirable traits... gale: please. i do not need to hear of your joint aches and privy sorties again. (node context: 'not this again') elminster: very well. not everyone finds such matters as fascinating as i do... (node context: slightly displeased grumble)

gale: you may be proven incorrect - time is not on my side, i fear. (node context: a little grim) elminster: i know what you mean. trust me - for the moment, all is well. or at least acceptable. (node context: reassuring) gale: oh to have but a thimbleful of your confidence at my disposal. (node context: wry)

once again, i find this (very, very sadly) seemingly cut content fascinating. it's very sad it wasn't included in the release version of the game because it shows the deeper bond that elminster and gale share despite gale's impatience and, as it's phrased here, not-this-again attitude. it speaks of knowing each other well, and of the affection between them from both sides.

we get to see this, too, in the gale origin. elminster's visit remains much the same as it is an origin tav playthrough, yet there are slight variation in how elminster treats gale (a softer voice, calling him 'dear boy', etc.).

and that affection he has for gale, gale holds for him, too:

"his disappointment cuts deeper even than mystra's." is so significant considering just who mystra is for gale. gale is hurt by having had elminster witness him as he is now. a shadow of who he used to be. he has disappointed him. he once more wasn't good enough.

elminster, who not only saw potential within him, but "plucked" him from obscurity and offered his guidance, who had become a mentor to him, and a figure to look to for guidance.

as a side note, i can't help but wonder if elminster was perhaps responsible-or at least helped-to have gale attend blackstaff academy:

Blackstaff Academy was a loosely organized group of elite apprentices and students who studied under the Blackstaff at Blackstaff Tower in the 14th and 15th centuries DR. The school was made up of an everchanging roster of about fifty apprentices and students to the Blackstaff, with new arrivals always ready to replenish the ranks as graduates moved on.[2] Acceptance to the Academy was predicated on either demonstrating extraordinary magical aptitude (those who could not cast arcane spells were very rarely admitted) or having a particularly compelling personal history. Joining the Academy was free, however monthly dues were required to continue attendance. These fees started at 10 gp per month and increased as a student gained seniority and required more advanced tutelage. In addition, it was a requirement that any new spell that was discovered or researched by an apprentice had to be added to Blackstaff Tower's library. [source]

anyhow. this bond between the two is also reflected in the aftermath of the visit. elminster sneakily breaks mystra's order, by having tara deliver a letter written by him to gale, trying to reassure gale and make him see that there is another way out of his predicament than the one mystra commands him to follow:

i cannot stress enough that elminster is ready to defy direct orders from mystra for gale. he obviously cares about him and his regreat at having not said more when he was there is palpable in his letter. gale acknowledges this as well:

to a lesser extent, the same is shown in a custom protag playthrough:

gale knows this isn't something elminster wanted to do and elminster himself admits as much, too. yet he is forced to, obligated to, by his status as chosen and the mission he was given by his goddess.

we can later ask gale about this once more:

and here we can also infer just why mystra sent elminster and not anyone else: "for mystra to have sent him... the severity of her bidding could not be clearer. or weigh more heavily on me."

it shows that this was a very much calculated choice-mystra must have been aware of the bond two of her chosen shared-and so it helps to achieve exactly what she intended it to: gale accepts the charge that he is given.

i think all in all, even though the situation is bad enough already as it is, this makes what was asked of elminster by mystra even worse.

[raven-at-the-writing-desk]

⭕️👋Hi I’m new, I really like your character analysis, world lore analysis etc,…I think they’re very accurate and provide more insight into the twisted wonderland world,

do you think NRC gets enough funding cause they’ve been losing to RSA for like almost 100 years now and the Magift incident where the recruiter’s and scouts probably didn’t really pay attention to most of the players cause of Malleus .I know they probably get funding and tuition and stuff from affluent parents who care about the quality of education & environment of their children but is that really enough? Is Crowley secret Stressed about funding cause of their losing streak to RSA???

I just wondered what your thoughts were on the matter

Hello and thank you very much ^^ It always warms my heart to hear that people enjoy my more analytical writings!

Now to answer your question, I don’t think NRC is hurting for money. Like, at all.

You did bring up a fair point about NRC’s almost a 100 year loss streak to RSA + the lack of interested Spelldrive/Magical Shift scouts in book 2, but that’s not enough of the big picture. RSA is only one rival magic school out of several. Just because NRC is not doing well against one other school doesn’t mean that NRC is suddenly deemed “lesser”—NRC is still considered a top arcane academy and eclipses other magical institutions like Noble Bell College. In regards to the pro recruiters, I don’t think it has a huge impact?? Sports is only one sector at NRC; they’re still doing relatively well outside of it (such as in academics, extracurriculars, and connections for internships) in the grand scheme of things. Things like not winning VDC and not being noticed by scouts seems to only really impact the career prospects of students who were interested in the entertainment/sports industries; I doubt that this would seriously hurt whatever funding NRC is receiving.

Night Raven College is a private school, so they are most likely receiving money from tuition and not the government. Though tuition is not explicitly mentioned in TWST (at least not that I am aware of), if we assume the average cost for one student to attend a British boarding school—for which NRC is modeled after—that means 25,000 pounds per person, PER YEAR. Let us assume that NRC had only 800 students (this is the rough estimate TWST provides us). That means, from one year’s worth of tuition alone, the school is raking in 20,000,000 pounds or 4,058,310,000 madol. Note that this is just money in, not yet factoring for expenditures, taxes, etc.

The school also receives 10% of Mostro Lounge’s proceeds, and while we cannot put an exact number to that, we do know that most menu items range from 600 to 1500 madol. The lounge must also make significant enough money to pay for its ingredients, nice silverware (something which Azul stresses to give customers a high class experience), and even provide pay to workers (Ruggie would not be doing labor for free and refers to his time at Mostro Lounge as “a job”; see: his Ceremonial Robes vignettes). While this doesn’t make up a large part of NRC’s money, it’s still a nice little bonus to account for.

NRC also has many, MANY wealthy students, including literal celebrities and royalty. In fact, the upper middle class to flat-out rich make up the majority of the main cast (close to like 70-75%). If this is also the case for the regular mob students, then there are many other ways for the school to get huge donations. In the main story alone, two significant donations are mentioned: Kalim's dad gave enough money for NRC to completely renovate Scarabia and the Shroud parents paid for all the damages caused to the school's buildings. Additionally, Crowley says that the Shrouds made "substantial contributions toward expanding [NRC's] facilities."

Please note that this is just donations from current students’ families. Think about potential donations coming from NRC alumni too!!

It should be noted that NRC has the financial power to spend liberally, and no one really says that this will put the school in a touch spot. For example, Crowley literally buys up Sam's entire stock of goods during Ghost Marriage... and if you know anything about Sam, it's that he can magically keep things "IN STOCK NOW!!" Crowley even indicates in one of his voice lines that he is in constant competitions to buy out Sam's stock and has scarcely managed to one-up him--so the fact that Crowley does buy out Sam during an event is meaningful and speaks to how much of the school's money he is throwing to save it. He also tells Sam to bill the school for the cost of the fairy dust in Fairy Gala.

Both times, Crowley complains about how he would rather not spend money, but he does so anyway. This in of itself does NOT prove that NRC is in need of money, this is just proof of Crowley's cheapness. (We see many other examples of this greed and stinginess of his; he guilts Yuu for spending money on them, constantly tries to get free food and souvenirs from his students, and cuts costs for Halloween candy.) If NRC were truly hurting financially though, then they would not be able to throw lavish events or donate back to the community, both of which still happen multiple times. For example, NRC holds a huge Halloween event every year in which they open their campus to outsiders. This event is entirely free and involves a budget large enough for each dorm to create intricate decorations and costumes for 800ish students. There is also enough money to throw a celebration party for the students at the end of it—and let’s remember, NRC has the money to afford five star ghost chefs to regularly cater, serve in the cafeteria, AND teach their Culinary Crucibles/Master Chef courses.

While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "understanding, cooperation, and subsistence of Sage's Island locals." This implies that the immediate community on the island also supports NRC in some ways. Perhaps it isn't financially, but it's clear that NRC still has social capital and a good reputation in spite of its losses to RSA.

In Port Fest, Crowley states that setup, food supplies, and all other expenses will be covered by the school. Half of the proceeds will then be donated to charity and the other half will be granted to the students to celebrate their hard work. Again, would NRC be giving away this money if they really needed it for the institution itself? They're not obligated to give money to the students, yet Crowley easily agreed when Azul asked for an incentive.

And let's not forget the school cultural festival, which was largely open for the public to attend. If they choose to spend on additional things (such as food and drink or VDC tickets, which are a "hot commodity"), that's on the individual. The school itself is hosting the event for free.

Yuu is offered a large sum of money (if the NRC tribe wins VDC)... and Ramshackle renovations (from Crowley) in book 5 in exchange for letting the boys host their training camp in their dorm. Look at how old and run-down Ramshackle is; there is no doubt that such repairs would be pretty expensive—but Crowley doesn't complain about the cost, he's not above bribing someone to make himself and his school look good.

Crowley caring about his reputation isn't new either, it's a pattern. We see him getting upset at NRC's loss in book 5 and lamenting bad publicity/being excited about good publicity in numerous events (Ghost Marriage, Wish Upon a Star, etc.) The school has been under his care for a long time, so naturally he will feel proud and/or slighted whenever NRC is involved.

This leads me to the conclusion that Crowley, the figurehead and headmaster of NRC, and his own personality quirks are being misconstrued as an indication that NRC is in a bad financial spot. His own fixation on triumphing over their rival school, acquiring and maintaining material goods for himself, and wanting positive attention do not reflect the state of the school. Notice how no one but Crowley whines about the financials and how while Crowley still complains about spending money, he has no qualms with spending lavishly himself on school events and holidays. This means NRC has money to spare, but Crowley is just stingy about how those funds are allocated.

[bookwyrminspiration]

Hey quil, I trust your book taste, can you give me some reccs perchance? I’m not picky, whatever your faves are

of course! you'll have seen some of these before in my dragon recs list, but I'll throw in some other ones too :)

A Chorus of Dragons by Jenn Lyons; My favorite book series of all time. I can't tell you what it's about because discovering that is part of the plot. Genuinely changed how I think about fantasy and writing. This post goes into a tiny bit more detail but I cannot stress enough it only covers like 2% of the story it makes me FERAL you just need to trust me and stick it out through the confusion (trigger warnings)

Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution by RF Kuang; young Robin is taken from his home in Canton to England when his family dies, his knowledge of Cantonese invaluable in a world where language, via silver bars, can literally become magic. The British Empire is working to collect all it can for its own gain, but as Robin grows up and learns more of how the world works, how it wants to use him, the more he finds it shouldn't be this way. A beautiful story on loss, oppression, imperialism, injustice, and language's role in identity. I cried.

The Memoirs of Lady Trent by Marie Brennan; Isabella, now an old woman, recounts how she became the most renowned dragon naturalist in the world--overcoming misogyny, maneuvering through politics, and more. Follow her from childhood to present day around the world, studying dragons in the field. This story has wonderful characters, critiques the "not like other girls" trope, has beautiful relationships (including platonic!), a lot of action and intrigue alongside the fascinating science, animalistic dragons, and!! SO many pictures! the artwork it's seriously incredible. Love this series

The Bone Houses by Emily Lloyd Jones; around Colbren, the dead don't stay dead. Ryn, a young gravedigger, agrees to take the mysterious visiting mapmaker, Ellis, to the abandoned castle, because she needs the money to support her two siblings and in hopes of stopping the worsening curse. Ellis, found near the woods as a babe, hopes to find some remnant or clue to who his family was, who he was. together, they must face the walking dead, find the abandoned castell where this all started, find the answers, and find themselves. I adored it's tone, characters, how it handled death and grief, everything. it reads like a fairytale in the best way

The Martian by Andy Weir; Mark Wattney's an astronaut on Mars when a storm hits, forcing the mission to return to earth prematurely--but he doesn't make it to the shuttle in time, they presume him dead, and leave devastated. now alone on Mars, Wattney's got to figure out how to survive--and how to get in contact with earth and let them know, hey, uh, I'm still here guys. one of my favorite hard sci-fi books of all time. Wattney is such an entertaining, intelligent guy; he'll have you laughing, then on the edge of your seat as Mars tries its best to kill him. this one also comes with a movie :)

Legendborn by Tracy Deonn; Bree's in an early-college program, grappling with the very recent death of her mother. when she stumbles into creatures that shouldn't exist, magic, it starts to look like her mom's death might not have been an accident. she finds a secret society of the descendants of king arthur + the round table, inheriting their powers to defend the world from a different plane--and Bree needs to find out what they know. but getting in is difficult as a Black girl, especially when their guard dog is convinced she's a demon. a beautiful story on grief, Black generational trauma, racism, identity, and more. we're eagerly awaiting book three this spring <3

The Locked Tomb by Tamsyn Muir; of course I had to include this one--tonally similar to ACOD in that you WILL be confused <3. The Emperor Undying needs necromancers; Gideon doesn't give a shit, but the girl she's been raised alongside, Harrowhark, the heir of the house on their far away planet, doesn't give a shit that Gideon doesn't give a shit. She contracts Gideon to serve as her guard, her cavalier, as Harrowhark travels to the Emperor's planet to compete to become one of his right hands. Except as the competition progresses, something's...wrong. fatally, lethally wrong. people keep turning up dead, and if they don't figure this out, they could be next.

I'll stop there, but I hope you find something you like on that list! If you (or anyone else) have any more specific requests or guidelines for recs, feel free to send them :)

[turnleftonlastlaughtlan]

SPOILERS ARCANE SEASON 2 ACT 2

ok, i am gonna admit it. Jayce did the right thing. Viktor had to die because the hexcore he was in contact with was cursed (as jayce’s says).

What bothers me tho is two things :

First i am still fucking mad at jayce. Do i understand him more? sure. but he did this. if not all he is the one that “saved” the real viktor by fusing him with hexcore, the very thing he sweared to vik to destroy. Viktor lived again, yes, but wasn’t himself for most of it, a puppet unaware of its strings. So so different form the quirky scientist or the determinated zaunite we knew. Jayce cursed Viktor by giving him “a new life” all for his foolishness and selfishness ( he couldn’t handle living a life without his lab partner). He is the perpetrator of what the remains of viktor has to suffer : dying again by the hand of a loved one ( one of the few or the very last remaining). Instead of saving Viktor, leaving him to die like the man he was, with the memory of WHO he really was, he condemned him to even more suffering than his fatal illness bought him.

i know he did it for the famous affection. i don’t care. Jinx didn’t want to kill her family but that doesn’t mean that she didn’t do it.

Second of all, as my favorite character dies again i am incredibly mad at how wonderfully they butchered him. The viktor of season one goes through changes, but he still remains him. The viktor i loved died in the bomb jinx threw at the council. From that point on is just a mere sketch of how he was. We only get a glimpse when he helps vander with “Sky”. His true sweet self. I cannot stress how it infuriates me that we DID NOT and CANNOT grive that man. Because he never really died hasn’t he? Not yet at least. I want closure, i want to be able to say that his story ended how it need to, not because his best friend decided that it was a good idea to fuse him to the thing he despised and then kill him off after he realized just how much he fucked up. Because yeah there wasn’t much of Vik left but is true self still saw Jayce hold the weapon made with the thing they created TOGETHER straight at his heart and shoot.

and he fucking didn’t deserved it. He didn’t want to be fucking jesus for god sake (or jesus sake suit yourself), he just wanted to help his people. His only mistake was experiment on HIMSELF using illegal drugs and without consulting jayce ( that we all know now would have understood). Him literally self harming himself to HOPE for a way out of his pain is his only mistake that resulted in the death of sky. Which was a fucking accident, other then that the man was doomed since birth without cause like a true zaunite. And hell did he paid enough for the death of sky.

i just know for a fact they are gonna revive him again and now that i have processed everything i am PRAYING they don’t. Because if they do it WILL NOT be Viktor, just and even more ugly and butchered imagine of what was is true self. Only to use him like an easy villan for the story.

let the man rest.

And if they do bring him back they better prepare a good ending or a proper goodbye for the true viktor.

[velvet-vox]

My Top 10 Favourite Male Villains of all time.

"How arrogant of you to think that any of us are anything but irrelevant". -John Greer, Person of Interest (2011-2016).

There comes a moment in a blog's life where some things are just long overdue, and while the argument could be made that this happened way too early, I'd say that as long as this helps me to find my groove, I am free to experiment as much as I want.

So..... Villains.

Gotta love them. As long as I do not meet them in real life. This post is in particular about male villains since I have one dedicated to their female counterparts in the pipeline so expect that to come soon enough and for this part to be rewritten. By the way, "villain" is a generalisation, I can totally put antivillains, antagonists or more general antiheroes in this list; your definition of "Bad Guy" can vary greatly and so can mine, someone like Walter White from Breaking Bad could have made it in here. My taste is very unusual, so prepare yourself for some unexpected picks.

Also, since these are meant to be some big celebratory posts, for the occasion I'll reveal my Italian heritage and translate every line of dialogue in Italian and publish it separately with a link, so that English readers who are learning Italian can exercise.

Here's also a follow up to this post, the first part of my top 30 favourite female antagonists of all time. Check it out, if you are curious to see more.

The bad girls

But first, some honourable mentions:

Oropo (Wakfu): Once you see the number 2 spot for both this list and the female villains list you might notice that I tend to gravitate towards characters with wasted potential more often than not, but while we're just talking about this guy, I cannot stress enough the amount of unceremonious mishandling that lies within his concepts and execution. Really needed two seasons of 25 episodes each to explore it to their maximum.

Tai Lung (Kung Fu Panda): I love him, but not as much as others, it's a matter of personal preference. He's an amazing antagonist, so even if he is just an honourable mention, I wouldn't call him a lesser villain by any stretch of the imagination; I once felt like he was too sympathetic for his movie's sake, but looking back at it again, he's actually moderately evil for a lot of reasons, even if Shifu is the main one.

Bill Chyper (Gravity Falls): It's been way too long since I watched Gravity Falls, I really can't give you an accurate opinion on this guy anymore.

Flintheart Glomgold (DuckTales 2017): That season 2 episode. If you know what I'm talking about, you KNOW. Also the music for that whole sequence was a banger, really driving home the deranged nature of that twist reveal.

Big Jack Horner (Puss in Boots The Last Wish): I feel like when people praise Jack for being a breath of fresh air in a stale environment, they often forget just how good of a villain he was in his own right without the larger industry wide void of truly devious antagonists that act out of pure malice.

The Wolf (Puss in Boots The Last Wish): Two villain entries from one movie? Of course it was gonna be The Last Wish, what else could it be? Honestly I don't even wanna talk about this guy, you need to experience the movie for yourself.

Rob (The Amazing World of Gumball): Everything I have to say about this guy gets talked about much better by the number 6 Spot on this list, but as it stands Rob was my first villain OTP and the guy who opened the box of Pandora for me on what an antagonist could and should be, since then my perception of villainy only widened and now I enjoy their role in a story in much different way.

And now, with that out of the way, let's finally start with the ranking of my personal favourite male villains of all time.

Major spoilers down below:

Number 10: Silco (Arcane)

This guy is the reason that brought me to specify who or what counted for this list as trying to simplify Silco into one specific group of characters is a challenge that can only end in a misunderstanding of what makes Silco such a complex and fascinating character with an amazing character arc, that ends with him not being redeemed, mind you, but allows the audience to grieve in such a way that would make a side character death jealous.

When writing an antagonistic character, Silco is my goal and high standard, and just for that he deserves all of my respect and endless praise.

Now, admittedly, Silco's arc takes a while to kick in, but it works out to his advantage by the end of it since you don't realise just how much you've grown to care for him until he's dead and you're left with the surprise.

10 out 10, the nation of Zaun would have been much better (worse) with him than with Vander.

Number 9: The Riddler (DC)

The Riddler is literally my ride or die villain, when I'm in the mood for him, he's literally my favourite antagonist ever; when I am not in the mood for him, I completely forget about his existence.

When compared to many other entries on this list, Riddler is definitely more on the pop culture side of antagonism, and when you've been around for almost a century, you tend to have many different versions of the same character written by different writers, so I wanted to highlight here my favourite versions of him:

Arkham Games: He's hilarious. He's not my ideal Riddler, but whenever he comes on screen, his whiny rat's ass voice stimulates my pheromones.

Batman The Animated Series: I've heard somewhere that this version of him is disappointing, and to that I'll say... yeah, but only when he wasn't on screen, because otherwise, he kind of slayed.

Matt Reeves The Batman: This is the version that rekindled my love for him after so long. Out of every interpretation of The Riddler throughout the years, this is the one version that treated Edward more as a character rather than an obstacle for Batman to overcome, and for that I'll be eternally grateful.

LEGO Batman The Videogame: My very first introduction to The Riddler and the Batman universe as a whole, this version has a permanent place in my heart , I love how much information and emotion you can get out of him by just looking at his mannerisms and quirks alone; unironically, being silent helps him reach that quote on quote idealised version of Riddler that I was talking about earlier.

Number 8: The Snatcher (A Hat In Time)

There are many things that can carry on a villain in a story, their evolution, stage presence, complexity, thematic contrast to their counterpart, and so on and so forth. While an antagonist can check off many of these boxes simultaneously (like the one pictured), there's one box that is almost impossible to truly nail perfectly: comedy.

You see, comedy is subjective, and when your main antagonist is also the funniest part of a given story, it becomes hard to also match a sense of gravity and menace that allows them to also be an imposing threat, even harder is to give said antagonist depth and a tragic backstory.

But somehow, out of nowhere, The Snatcher from A Hat In Time manages to simultaneously be the funniest character in his section of the game, carrie said energy throughout the whole experience even down to the DLC, simultaneously strikes the balance between being scary, wholesome, sympathetic and tragic, exude an insane amount of charisma, all while having a deeply disturbing backstory that touches on some heavy themes and re contextualises his actions into something more complicated and out of a broken man, everything I just said + he's the biggest bastard in his videogame and never repents nor does he have his actions called out.

Snatcher really has all the right cards that make a stationary character work and uses them to his maximum potential, and it works because his character arc throughout the game is more about becoming affectionate to Hat Kid than it is about redeeming himself.

Lastly, his voice actor, Luke Sizemore, aka Yungtown, really sells the performance of this devious soul eating worm and burns his catchphrases into your brain for the rest of eternity, much like his boss theme,

Your Contract Has Expired

A song that switches around being scary, epic, energetic and desperate in a short, yet perfectly paced amount of time. You need to listen to it regardless of if you've played the game or not.

Fool.

Number 7: Judge Claude Frollo (Hunchback of Notre Dame)

You can never say no to a classic.

There's nothing that I could say that hasn't already been said by thousands of videos on YouTube, but I'll try anyway: you see, Frollo is the reason why we need a new term to identify certain villains that aren't "sympathetic" but still make you feel some sort of human emotion and a form of "I wish someone could give you the care you need to fix your life", I guess the term empathetic exists, but when do you really see it used?

Now, don't get me wrong, Frollo is absolutely not sympathetic in the slightest, he wants to r##e a Romani woman that's way younger than him, but you can still feel that he's very troubled about it in the Hellfire scene and has definitely a lot of unidentified issues and internalised bigotry that could be worked through, even if it's too late to work through them right now.

In general, I feel like people forget that the main reason why past Disney villains worked had to do more with their human traits juxtaposed to their malice rather than just their plain wickedness, otherwise the Horned King from the Black Cauldron would be top of the Disney villains league and that couldn't be further from the truth.

We should really strive towards writing more villains like Frollo, less omnipotent beings that end up falling flat because they don't have much thematic relevance aside from being a threat (Bill Chyper works because he represents Ego and he's used sparingly) and more average vicious individuals who use their power and influence to get what they want.

All in all, if you've seen The Hunchback of Notre Dame, then you know why this guy is here, but just to cite a couple of repeated points, the Hellfire scene is perfect. It's immaculate. It's unreproducible; there will never be another scene like this coming out of the House of Mouse or animation ever again, the excessive amount of stars and elements that came together to create this gothic classic is so vast that it's literally a miracle.

Frollo is truly the personification of the dark, twisted side of humanity peaking through the door and into your mind, from which he shall never escape as his performance still remains perfect to this very day.

Number 6: The Spot (Spider-man across the Spiderverse)

"You've hit me with a bagel!" It's still the greatest villain origin story of all time. There's truly something maniacal about this reveal, like the entire universe was shattered and reality was shocked at the mere realization that while Miles was having his coming of age moment back in the first film, this guy was having his normal life completely and utterly shattered by a combination of both our heroes stepping up to do the right thing and our doofus lack of foresight and self reflection; all of this stuff is hilarious and completely made up for the film but good god they did such an amazing job tying all the elements together in an unexpected way that makes sense and parallels the journey that our protagonist faced in the first movie.

Like with Rob from The Amazing World of Gumball, and a little bit like number 2 on this list, I just really enjoy the concept of turning background characters who had no relevance whatsoever into the big bad of the story who's been there all along and the heroes (and the audience) just couldn't notice.

With The Spot in particular, there's that sense of satisfaction of turning the wasted potential of a villain who has been underestimated for literal decades and treated as a "villain of the week" (God do I love the meta narrative of this movie) into an actual competent, well written antagonist that is aware of his reputation and strives towards bettering himself and his powers.

He's also the funniest character of his movie too and the voice acting of Jason Schwartzman only accentuates his mannerisms and pettyness.

He also has the coolest usage of portals I have ever seen and his whole "There's a hole inside all of us" metaphor is simultaneously hilarious and very deep personal information that can only be understood if you put yourself into his shoes.

I can't wait for Beyond the Spiderverse to come out and see how his arc resolves, more importantly, I wonder if he's going to rank higher in the future.

Number 5: Lord Shen (Kung Fu Panda)

"Happiness must be taken. And I'll take mine"

.....

What a character.

What a movie.

You cause so much pain and suffering, because you don't understand the people around you, and then those people banish you, and you can't understand why, so you start to believe that they hated you.

They never loved you, so you keep causing pain and suffering but it's not that easy anymore; the guilt starts to resurface, all those bodies keep piling up, but you can't stop because then it would have all been for nothing; so you keep chasing those dreams of grandeur because that's all you have left; the emptiness in your heart can no longer be filled by love, so you try to fill it with something else.

You try to fill it with power. You try to fill it with glory. You try to take everything else for yourself so that you can fill that cup, but it doesn't work, because that cup has no bottom.

And so you're left... with yourself.

And the damage you've done. But now it's different; you've failed. You are left with nothing. Nothing.

And so you outrage, for the last time... And then it all ends. Forever. And you've finally come to accept this, after all....... Who could ever love you?

Number 4: Spamton G Spamton (Deltarune)

You know, in retrospect, it's kind of insane what Toby Fox managed to achieve when creating Spamton.

Not only because Spamton feels like the most insane combination of ideas ever conceived, but also because Toby Fox created such a complex character with such a complicated language and personality and then not only shafted it all aside for the players to go out of their way to interact, but also made all of this in what are officially 2 or 3 cutscenes at most (4 if you consider his shop encounter as one) and only one of them being truly mandatory.

You spend so little time with Spamton, and most of that time is spent fighting him, and yet by the end of it you've become enlightened by the knowledge of him, that after a while... you forget how scary it all was.

All the memes comparing Spamton with Turbo are 100% correct and justified, Spamton truly is Turbo but better; you go through an insane rollercoaster of emotions with this character that you are left absolutely dumbfounded when it all comes to a stop and you go back to play the rest of chapter 2 normally.

His insane mannerisms and mood swings are pretty funny at first, but once you peel back the layers a bit they reveal a pretty realistic and sad portrayal of mental illness, mania and hysteria coupled with an unhealthy amount of social distancing, loneliness, and abandonment issues, that reinforce into your brain the idea of someone lacking proper healthcare and needing to be locked away from society for their (society) own good, simulating the vicious cycle that Spamton lives by: nobody wants to help him but he's still expected to act like a regular individual despite the amount of hardships he's facing and the lack of a support system keeping him from falling back into his bad habits.

I'll admit, I've considered putting Spamton in place of the Number 3 spot on this list; but then I've realised that on an objective level, the next entry totally deserves to be ranked above Spamton; plus, with at least 5 more chapters of Deltarune on our way, whose to say that one of the next gremlins won't be able to dethrone even the number 1 spot?

Drumroll for our top 3:

Nox, the Watchmaker (Wakfu)

There will never be another experience in my life as cathartic as watching the first season of Wakfu for the first time ever again.

On a later rewatch, the initial problems that you've noticed throughout the first half of the season and a little bit in the second half become too apparent to ignore, but the first time everything that goes from the ball tournament to the finale is one of the best paced arcs of television, and everything that happens when the team reaches the Sadida kingdom is just peak Wakfu.

And the king, the culprit, the crown jewel of properly paced stories and arcs is no other than the sad clockwork dilf himself: Noximilliem Coxen the Watchmaker.

Arguably, the greatest sympathetic villain of all time. There has never been another case of a character who has committed such vile, unspeakable crimes, and yet still managed to make me root for them while simultaneously not putting down the heroes.

And let's not be mistaken here, Nox is pretty evil:

Aside from the generic murder, Nox also defiled and stitched together the corpses of multiple victims and turned them into his obedient puppets in order to commit even more murder and genocide in order to achieve his goals.

Also, this is one of the funniest crimes Nox has committed: he abused his dog. It's really not that hilarious nor is it that important in the context of the show, but if you look back at it from an outside perspective then it's really like: Oh yeah. That happened too. Lol.

One of the best parts of his entire arc is his defeat. The "20 minutes" scene deserves a "One Villainous Scene" coverage video to forever immortalise it amongst the greatest. Everything from the music, the subversiveness, the cinematography, the voice acting and just the general art direction of it is worthy of an Eminem award at the Oscars, there's genuinely nothing wrong with this scene, it's truly immaculate.

Words alone cannot do justice to the treacherous, gut wrenching emotional rollercoaster that is experiencing his story for the first time. An hour long video essay would only serve to cover the basics and fundamentals, while for the real deal you need to watch the first season of Wakfu for yourself.

Number 2:

Bradford Buzzard (DuckTales 2017)

And now it's the perfect time to pull out my final wild card, the hole of the sink of my autism, the masterpiece of wasted potential that is Bradford Buzzard from the DuckTales remake of 2017.

When you'll also see the number 2 spot on my villainesses list, you'll come to realise that this spot is more of the "I really wish I could put this at number one but I can't because objectively he doesn't deserve it and the majority of things I love about him in canon were probably an afterthought and in fanon were never plausible to begin with."

And that's how I feel about Bradford Buzzard, an antagonist I spent more time thinking about than probably anybody else on the Earth.

The show runners were so genius for this: we are going to create an original character that will probably struggle to maintain a foot print on the franchise due to the way the Duck verse works, we'll give him an insanely cool backstory and motivation, all coupled with interesting character traits and ideology, we'll make him the ultimate foil to Scrooge McDuck that has been working with him for literal decades, we'll make him the one who has got the closest to isolating Scrooge and destroying his family, and THEN we'll turn him into a generic anime villain that shoots lasers and fumbles his own plan and loses because of insane plot armour and contrivance. Good job writers.

Anyway, I should probably make the case for why this guy ranks so highly in my mind to the point of almost taking the podium for my most liked villain of all time, especially when compared to the stiff competition that we just went through.

Now, part of it is just because this is a personal top 10 and so I can put whoever I want in whatever order I want. But also, with Bradford in particular, there's a personal aspect of relatability, various interests, and passions all coming together to make him stand out in my brain.

The thing is, I've had a pretty strong connection to Disney's Duck's comic books my entire life, even if my love for them came dwindling over time, so when I finally started watching the Reboot and it was amazing, all of that buried passion and love finally re emerged back to the surface, turning me into an annoying super fan. But while season 1 and 2 were great, season 3 actually gave me something to latch on for the rest of time even after the show had ended: the character of Bradford Buzzard.

You see, DuckTales, both in the shows and comics, always had a plethora of villains; from the crazy, megalomaniacal millionaires, to witches, demons, and other mythological creatures, to power hungry aliens, to straight up super-villains. But while all of that is true, there has never been another villain, aside from Magica, Glomgold and Rockerduck at traits, that was built specifically as the anti Scrooge McDuck, and even further, there has never been another antagonist who challenged the very core ideas and concepts of the entire franchise.

Bradford is like the Frank Grimes of DuckTales: just a regular, average, real world guy who's fed up with the nonsensical constant state at which their fictional universe operates and seeks to correct it in the most logical way possible. And while Frank was ultimately a victim of a world in which he couldn't conform, Bradford's outrageous and extreme plans and methods put him on everybody's hit list until he was left all alone, but not before indirectly causing every major disaster throughout the reboot's runtime.

A cold, calculating, machiavellian mastermind whose impact and presence secretly permeates the show, right till the very end.

Shame he wasn't written better.

And now, for the one and only,

Number 1:

Qilby (Wakfu)

Qilby is the biggest example of an anomaly that you could ever observe in a work of fiction. The first time experiencing a story is the most important and impactful moment of that story, as every future rewatch won't be as good as the first. In particular, this is an important aspect of twist villains, as they can only surprise you the first time, since at future rewatches the twist becomes predictable.

Furthermore, if the twist ends up ruining the character that was established up to this point, or it doesn't make any sense, then the story is kind of ruined and it only gets worse on future rewatches, since now you know that everything that you are seeing right now is ultimately worthless and doesn't provide any value.

So why do we love twist villains and keep churning them out? Well, you see, it's a matter of execution. A bad guy introduced in an unconventional manner is much more memorable than one introduced in a straightforward way; the twist can also serve to showcase different aspects of the character before becoming an obvious obstacle, be it quirks, interests, personality in casual settings, or cunning.

Let's not beat around the bush.

If Nox is the single greatest sympathetic villain of all time, then Qilby is by far the greatest twist villain of all time, and the crazy thing is, that he surprises you two times in a row, at first by revealing himself as more evil than you could ever imagine, and then, by outing himself as more complex than you could have ever anticipated.

Let me paint you the picture: you just finished the first season of Wakfu, and you are still pretty fresh of the hype surrounding Nox, so you think to yourself "Oh, now every future antagonist is ruined because nothing could ever top the emotional gut punch that I just went through. Whatever, I'm going to stick around just to see if the story gets worse" and you start the second season.

So far, everything is normal, even better of the first season in terms of engagement value, but you can't help but feel the lack of a Nox like figure inside of the story, but at this point, you just accept it.

Then the final six episodes roll around and OH MY GOD WHAT IS HAPPENING, HAS THE WHOLE SHOW JUST GONE INSANE?

Somehow, in some mystical, french, magical way, the season 2 finale is arguably even better than the ending of season 1 despite the fight having less buildup and introducing a lot of brand new characters and an entirely irrelevant faction into his conflict.

The entirety of the scene in Emrumb is some of the best writing I have ever experienced in any work of fiction, and the music accompanying it only accentuates the repressed dopamine being released after various episodes of filler, all of them important for this moment to be as impactful as it is.

Qilby is also just a great, tragic character, that is simultaneously an unforgivable bastard that tried to kill his family and doomed his entire race for a family trip, and a sad, nihilistic man still trying to reconcile his love for his family and his need for knowledge and discovery; his curse never truly allows him to move on or relate to others but his ego and need for his forgetful brothers attention just pushes him even further into resentment, ending up damaging himself and those around him, until he's finally isolated again by the vary people he harmed and showed his love towards.

He's as good as the evil secret sibling trope can get and I never get tired of watching him on screen. His reveal scene to Adamai still gives me the chills to this very day and demonstrated me just how good the surprise villain concept can get when it's executed correctly.

Just an all around great show.