BABY? HONEY? BOYFRIEND SHOT? Jikook you're too much!
This episode was truly the best way to end the show, maybe even the best episode of the series. (Neck in neck with episode 2 of course) The way they enjoyed it so much but were also so sad it was over. The hot tension all around, the soft boyfriends mood who can't stop flirting and name calling each other with the most low-key couple-like sweet names. They could not stop laughing, they could not stop touching and they couldn't stop being hilarious without even trying.
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SK Spotify daily chart end of November 2023 :
Jimin
Jungkook
Jimin
Jungkook
Jimin
Jimin
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It would be such a full circle moment if Jimin posted the boyfriend photo (which won't happen). Would almost be like a soft launch of some sort.
Not the underwear too?? Gosh I love my little gay freaks!! (didn't understand why Jimin would quote their 'yet another inner joke meme' right at that moment but I've learned to not question their inner workings)
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Sorry but i have to be pretty one last time and say that I kinda had enough of seeing so much from the crew around or even in Jikook's shots and angles. It breaks the fourth wall a little too much and ruins the whole bubble idea. Ok I'm done lol
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Returning to the issue at hand, the "seeing the beds for the first time" scene keeps getting funnier and funnier. As if they don't already have designated sides of the bed 😏
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Ah the never ending bickering gives me life. Peep the half korean half english talk when they playfully get on each others nerves 👀😂
I better not speak on the scuzzi jacuzzi shenanigans cause otherwise.. Let's just say the photo speaks for itself..
NO YOU KNOW WHAT IMMA SPEAK. We all know that jacuzzi time is always intimate, relaxing and personal for people that's why I wish Jikook had enjoyed it fully without cameras. Yes I'm pissed on their behalf, that they had to film the whole thing with 382929 different angles. lol
His face is literally saying "oh so you're really gonna make me do it huh? if I was in your place I would've folded immediately and would've never let you go through with it!!" 😂
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No one ever:
Jikook every 2sec : HONEY OH HONEY
(I was actually listening to the song while writing this and idk why it's so funny to me even tho it's a sad love ballad)
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They must've loved getting the chance to at least see one episode of the show, plus the idea of watching it together..
Jungkook being so entertained by it meanwhile Jimin being mortified about half of the things that happened. HILARIOUS
HAHAHHAHAHA all parties were concerned if they'd be able to pull it off, I can't
BEST BELIEVE they're always gonna find a way to touch. Consciously or unconsciously.
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This show made me realize that my favourite thing ever is Jk making food for Jimin, then making him hysterically laugh and therefore getting to hear Jimin's adorable giggles.
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"Hello it is I the one and only, the only one who can touch Jimin's head ble ble ble ble" - JK
Jk was like: How can you imagine Jimin without me in your dream? Are you crazy? What is this delusional dream world you live in Jin hyung??
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Tbh it's so meaningful and a huge thing saying that these trips were literally the best trips of your life. I think the statement almost went over people's heads.
I can't get enough of Jimin looking pretty and cuddly and Jungkook's immediate thought being: I HAVE TO FILM YOU
Them saying they can do a reboot when they come back gave me some hope that maybe just maybe this is not the end of AYS 😭
The ending bonus clip left me fulfilled but also sad and with goosebumps all over.
Thank you Jimin & Jungkook for letting us peek into this trip and getting to witness some of your precious moments.
Signing off, J&J 🥹
Ps. So I'm guessing the 52 minute video that comes with the photobook is probably the 3 bts videos combined that they've been reviewing for 48392 months right?
something really really self-indulgent because september makes me mentally ill. this is mostly just for me but figured i'd post it anyway :) enjoy
birthday month
stan/reader (enby)
pre/during/post-canon/unspecified
fluff, 1423 words
“You got me flowers?” you ask, equal parts excited and confused. It's the first thing you say when you open your front door to Stan, the sweetheart, holding a bouquet of bright, gorgeous flowers in front of his chest. You're smiling, a surprised laugh spilling out of you as red crawls up Stan's shy expression. “Stan, what's this for?”
“What, I can't give my favorite person some flowers?” The flush on his cheeks, the awkward way Stan rubs the back of his neck with one hand, betrays the gruffness of his voice. He shoves the bouquet closer to you and you take it with a careful grip, immediately bringing the flowers to your face to smell them. “They're because I like you. How's that?”
“That's a good reason,” you chuckle, stepping back and nodding towards your apartment. “Come in. I have a vase lying around, I think. Thank you, really, you just made my whole day.”
“Mission accomplished,” Stan says, like a dork, and you laugh as you lead him inside.
The next week, he's at your door again. You bark out a laugh when you open it to a familiar sight: Stan, with pink cheeks and a shy smile, holding a bouquet close to his chest. This time, he has a box of chocolates tucked under his arm.
“Another one?” you ask, accepting the flowers when he gives them to you. You give them a whiff, sighing softly at the fresh scent. “Okay, what's this one for?”
“I still like you. Congratulations,” Stan says proudly, showing off the chocolates. They're your favorite kind. You laugh again, your face warm. You step aside to let him in and he accepts the invite, touching lightly at your bicep as he passes by.
“I'm honored,” you say, and reach up just in time to grab his elbow and turn him around. You press a kiss to his chin when he does, smiling at the way he blinks at you afterward, taken aback, like you haven't been dating for as long as you have. “Thank you, Stan.”
“Don't mention it,” he says, his grin crooked, and he grabs your hand without looking to tug you into your own living room. “Come on, these sweets aren't gonna eat themselves.”
“You're sweet,” you say back, teasing, and Stan laughs loud at that, but even from behind him you can see the tips of his ears turn pink.
The next week, you're still surprised. But now you're a little suspicious.
“Okay,” you say slowly, hesitant in accepting Stan's third bouquet. He has a six-pack of your favorite beer in his other hand, and your tone makes him tense. He shifts awkwardly in place. “Now I'm starting to think you’re pulling a long con. What did you do?”
“Nothing!” Stan says, a little too quick to be believable, and you raise a brow in doubt. But you smell the flowers, and a smile crawls onto your face despite yourself. Stan continues, more casual this time, “Just thought I would spoil you. Is it wrong for a man to spoil the love of his life?”
You know the sentiment is strategic, meant to lower your guard and get you gushing over him instead of prying for an answer. But you chuckle anyway, effectively wooed, your heart fluttering in your chest.
“Seriously. This isn't gonna be a long-term thing, is it? Bouquets like this are expensive, I know that much. I really appreciate it, but…” You trail off. Stan rubs the back of his neck, avoiding eye contact.
“Uh… well, it was supposed to be a secret. On the low, y’know,” he admits. You perk up—You love knowing secrets.
“Okay, now you have to tell me,” you say, smiling. But Stan doesn't smile with you. He stares at a spot on your doorframe, his mouth screwing up in thought. When he doesn't answer, you laugh nervously. “Stan?”
“Listen, I, uh… I know it's your birthday month,” he starts, and your smile falls. Stan notices and immediately holds his hands out in front of him, placating. “But, but! I also know you don’t celebrate. I wouldn't spring a surprise on you even if I knew the date, which I don't, but… I dunno. I wanted to do somethin’ nice for you anyway. To show you I care about you, or whatever. You know.”
You do know. Stan's brown eyes are earnest and open, almost pleading, hoping you'll understand. You stare at him for a few moments, mouth parted, your grip tight on the bouquet and crinkling the nice wrapping paper holding it together. Your birthday month isn't exactly top-secret, but you didn't expect Stan to… You can't believe he…
“That's… really nice of you,” you say quietly, something tightening in your chest, something raw and emotional rearing its head behind your sternum. You're a little mortified, and you hate celebrating your birthday for a reason, and the intense, all-encompassing, fluttery feeling in your chest isn't funny at all. But it forces a giggle out of you, more flustered than anything else. Stan perks up at the sound. You think for another moment, but the look on Stan's face makes you come to a quick decision. Hesitantly, you assure him, “I'm not upset. This was a really sweet idea. Thank you.”
“Really?” he asks, and he looks so earnest and kind and warm that you can't help yourself from stepping forward and hugging him, pressing the side of your face into his broad chest. You're definitely crushing the bouquet against his spine, but evidently, neither of you care too much. Stan's arms come around you immediately, the six-pack digging into your lower back. He chuckles, leaning his cheek on the top of your head. “Heh. Glad it turned out okay.”
“Only because I like you so much,” you say, squeezing him tighter for another moment before pulling away. Stan lets up on the hug, but only enough to see your face. You don't know when you started smiling again, but you are. Stan registers it for less than a second before beaming at you, self-assured and affectionate, and that feeling in your chest only gets stronger. You don't know how to put it into words, but you try. With your hand not holding the flowers, you cup his face, keeping his gaze. You try by saying, “Thank you. Really. This… You mean a lot to me.”
If there's one thing Stan can't take, it's a genuine compliment. He laughs awkwardly, breaking eye contact, looking above your head somewhere. You let him, grinning as he shrugs and waves his free hand around as if to dispel the heat coming off his face.
“Yeah, yeah, well—It’s nothin’, really, it's not a big deal,” Stan rambles as your hand drops from his face to rest on his chest. “It took zero effort. Negative effort, in fact. Actually, I paid a guy to come up with the idea for me.” You laugh at the excuse, and suddenly all seriousness has left the air around you two.
“Oh yeah? Maybe I should be thanking him,” you tease, leaning up, closer to his face. Stan finally looks back at you, his eyes flickering to your mouth. “How much?”
“For you? Forty bucks,” Stan says, a smile tugging at his lips. You laugh again, right in his face, and he acquiesces, “Okay, okay! Twenty.”
“I'll give you a kiss and a beer, on me,” you say, reaching behind yourself to grab the six-pack from his hand. Stan's grin is wide and toothy, and with both hands free, he places them on your waist.
“Deal,” he says, and before he goes in for the kiss, you take a mental snapshot: Stan, smiling, a fading flush on his face, framed by beer and flowers. Emotion wells up deep inside you, too-warm and overwhelming. You imagine your heartstrings knotted together, tangled tightly in an overheated mess of affection in your chest. You don't know how else to describe it.
Stan kisses you then, and you melt into him, hooking an arm around his neck as his hands slide around your waist. The bouquet is held tightly in your hand, the wrapper crinkling further behind Stan's head. You're sure some flower petals have fallen off, landing gently on his big broad shoulders, getting caught in the soft gray of his hair. You don't pull away to check. Instead, you sigh, content, into the plush of Stan's lips, under the slow glide of his wandering hands.
The feeling doesn’t go away. Whatever it is, it's good.
Linked Universe Links as Things Me and My Siblings Have Said
Alternate title: Me and My Siblings (mostly me) Being Overly Dramatic
All three of these conversations are from yesterday, by the way.
Wars: why does my stomach have to hurt so much after I eat a cream cheese bagel?!
Legend: oh, I don't know, maybe because you're LACTOSE INTOLERANT?!?!
************
Wars: well, you'll never guess what I did.
Twilight: Let me guess, you injured yourself again.
Wars: *gasps* how dare you assume such a thing! I can't believe that you would just assume that I injured myself again! How dare you! That is such a crazy assumption! Like, why would you even think that?
Twilight: then what did you do?
Wars: I injured my arm...
Twilight: ...🙄
*************
*Wars in the kitchen attempting to make food with one hand because his other arm is injured, but he's failing miserably*
*Wind standing next to him watching the whole thing*
Wind: man it must be so hard only being able to use one hand. Like, I can't imagine that.
*Wars giving Wind a confused look because Wind's hand is in a literal cast*
*********
I'm not sure if anyone will find this funny, but I thought I'd post it anyways. I just stuck the Link that I felt like fits my siblings overall, so the Link might not fit the exact quote I put them in, but all well 🤷♀️
As time goes on since finishing P5R I feel like I'm most likely to go with Akechi being alive post-game in my AU. The specifics of it depends on strikers (which I haven't played yet) but at the center of Akechi being alive post-game in regards to shuake, to me, is the idea that he and Ren can get their wish on their own terms
From what I've seen that section in that one artbook basically confirms that Maruki's reality in regards to them is just as much Akechi's wish as it is Ren's. I believe there's more to Akechi's wish then just Ren alone, which can be inferred based on the bad ending and things leading up to it, but Ren's definitely a major part of it
Akechi's whole character throughout the game is heavily tied to how much control he has over his own life, and in my mind a lot of Ren's character is as well, especially in relation to their dynamic. They were both chosen by higher powers to inevitably go against each other, and the only time they have a chance at actually living a life where they could be together happily is because someone else is pulling the strings
They can't accept Maruki's version of reality even if they both desperately want it, because it's all just a lie, just another way they are being controlled because someone or something thinks they know what's best for society and is trying to reach that goal. So both Ren and Akechi let their wish go, choosing to face the truth of the reality they live in instead, a reality in which they don't even have a chance at a happy ending because Akechi is dead
But the thought that they both, after everything that happened in the game, can try to make things work between them and work towards having a happy life together if Akechi is alive post-game feels really meaningful to me. There's no outside influence destining them to fight each other, and there is no one controlling reality to force a world in which they are happy. Instead they have control of their lives now, and they can choose to make their wish real for themselves. They're in control of making a world where they are happy
I'm sorry if I'm annoying you. But I can't get over you City Lights AU Dale. The man looks like he has all the issues and is hanging on by the thinnest thread. One more problem and he will just fully collapse.
😂 I'm eating your asks like sandwich.
^ He is overworking himself in a desperate attempt to make peace with the fact that he never got to hear his late father say "You did everything I ever asked without complaint; you are such a good son and you've made me so proud."
Push him near a goalpost and he'll panic and kick it across the room. We don't know how to process feelings of achievement and pride in this family. Those are Bad Emotions that will get the company steamrolled by competitors... You could lose everything... Is that how you want to be remembered?
I've been waffling on whether to share this WIP or withhold it for in-the-moment drama, but just for you... a treat.
His back ached from hunching; his feet stung from dirt. Vicky didn’t leave me down there; she always came back. “Do you know what that means?” Without waiting for an answer, Dale grabbed Timmy’s shoulder with one hand and pumped his fist with the other. “I’m still her bestie! She didn’t replace me!”
“She locked you in a cellar for 7 years,” Timmy started, but Dale cut him off by slamming the bathroom door. And he laughed at nothing, clutching fingers in his hair, because… He really had to talk to her. They could clear this whole mess up!
Now, let’s get one thing laid out crystal-flat. Dale knew Vicky had locked him up down in Dimmsdale’s tunnels, sure. He wasn’t stupid. But she wouldn’t have done that at all if he hadn’t threatened to tell untrustworthy adults about The Accident that kicked the lemonade business off in the first place, and it wasn’t her fault he’d been a disloyal friend. He really put her in a bad position there- That can’t be denied. Dale dragged his hands down his face (and dragged his butt down the door) until he thumped on freeze-dried tile. His toes gripped the bathmat. He wrapped his arms around his knees.
I’m sorry. I’m sorry… I'll be better. I'm ready to listen now.
Prompt #96 - "You Deserve It"
My terrible headcanon is that if it took 7 years for Dale to work up the courage to open a trapdoor and crawl out, and he didn't file charges severe enough to stop Vicky from babysitting Timmy, he is not the kind of person who would stop hanging out with her SDLFKJ.
Also, here's a sketch I made for this post. I opted not to post it there, but I think it captures My Vision really well:
Toxic ex-BFFs with a very weird dynamic post-lemon pit torture, gossip buddies, and a secret 3rd thing... silly little guys.
He hates the fighting, but he craves the structure... Being nice to Vicky is the safe option... It's such big "Get real, Dale- No one will ever want to deal with you and your problems; I'm the only one who can put up with your baggage" vibes...
He can tolerate the bruises; he can make little exceptions; friends forgive each other and not forgiving her would mean throwing away the 3.5 years they had before the Real Trouble Began... Do u understand...
I've been brainstorming another WIP of Dale fantasizing about terrible things he wants to do to Vicky, but I'm not sure I'll actually write that one because it's pretty dark SLKDFJ
Listen, I just want Dale to slam Vicky against a wall and it turns out Mark was shapeshifted as her handbag and OH, HE PROTEC-
It's extremely important to me that Dale is nice and sympathetic enough that Dev believes if he can just pry his dad away from business, they can play and have fun. Dale being "sweet and engaging and loving" around his wife and during the holidays has done a NUMBER on Dev's psyche.
Tubbo: I just feel like... I need to say I'm sorry, and I feel so guilty that I've put you in this situation. I never expected to have to care for anyone else other than myself, and I know that's very selfish, and I know how selfish that is, but...
Tubbo: If I had known that you existed, I never would have signed up for something like this, this kind of scheme, this operation, if you will. I'm so sorry, Sunny.
Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
glorious 25th makes me think again about that one idea i once had for a discworld spinoff set in the future that would deal with the natural conclusion to the industrial revolution arc: communism comes to discworld
had a dream that there was a Brobecks reunion concert in my 8th grade science classroom and all the other people in the audience were annoyed that I was singing along and dancing as well as the desk I was sitting at would allow (why was this tiny audience forced to sit at desks??)
I've been doing interludes lately (as you do during an interlude campaign) and the gap in quality and character analysis is insane sometimes. I did Qsh and Nezha's back to back and... Night and day over here. Qsh's was so charming and showed me a new side of my beloved moth, as well as some really cute gap moe moments. Nezha's was boring, hardly focussed on them at all, and made the same tired jokes about their gender over and over... Even the blurb on their profile you get after it's complete does it orz
Hey look! I only fell off the face of the Earth for four months instead of seven!! :,,,D
So I'm still dealing with the same thing I was four months ago, and it's obviously taken its toll on the updates. The bad thing is that we've still got at least two to three months more of no updates (until June and/or July, with both their Arc Number Days exploding forever probably), BUT the good thing is that even if shit goes sideways for me then (fingers crossed it Doesn't orz) we Might be looking to a return of the updates anyways, because I've managed to find a way to stop working on everything but the Thing I Really Need To Fucking Finish Already- and so I Have to cling to the habit of Doing The Thing like it's a speeding train, But it's getting done enough that I might not have to hyperfocus on it forever by then.
In short: Reasonably likely chances of update sometime around/after late July, at the latest.