#I can't bear it when they're at odds

[whogirl42]

@lakeofsilverpike

Lan: You were never thinking about actually killing yourself, right?

Moiraine: Intentionally, no, but please don't ask me when the last time I slept was

[keeps-ache]

i think that's strike three on accidentally rbing to the wrong blog, is anybody counting hfbshfv

[majinbangus]

happy birthday little simon

"You're inviting me to the lad's birthday?"

At this point in time, he kind of expects to get a knock on his door more times in a week than he ever did during the entire duration he's lived in this flat. Most weekdays- when you leave for work and drop off your lad at school- the boy likes to make a quick stop to say good morning. It's become somewhat of a routine. Sometimes it's a sleepy greeting, but little Simon is a cheerful child who has taken an odd liking to him, and vice versa.

"If you can make it."

Then there's you. The sunny child's mother. An easy presence to be in. Refreshing like the ocean breeze during a calm day. Something addictive he can't get enough of.

"When is it?"

This is new. You switched up the routine by coming a second time at midday after he returned from the gym, freshly showered. You faired better when he opened the door compared to that one time. Granted, he was fully dressed, but it was a little disappointing; however, you did have a reason for visiting.

He could tell by the tension surrounding your eyes. Focused like you were on a mission. He supposes you technically are on one. Inviting Simon to your boy's birthday.

"Saturday."

He furrows his brows. "This Saturday?"

"Yes."

"That's tomorrow."

"I know it's a bit last minute, but..." You sigh, running a frustrated hand over your face, frowning at the ground. "No one RSVP'd."

"No one?" Simon nearly growls, offended on the lad's behalf. "What about his friends? The little fuckers don't want to come?

You purse your lips, crossing your arms. "We sent out invites to all his classmates, but ever since we moved, Simon's been having trouble making friends."

"He has trouble?"

"It's not his fault!" You snap before grimacing, lowering your voice, "Sorry, it's just... Simon tries to make friends, but kids are mean, you know? They're young, but they already have their established friend groups and exclude him because he's new."

New. Different. Any reason along those lines. It doesn't matter to kids. Or it does, and that's why they're unjustly cruel to their peers. He understands. Simon grew up with many of his schoolmates avoiding him for being 'weird', not knowing his home life. Tommy had 'friends' but they weren't exactly a good crowd.

"So you want me to come?" Simon asks, and he's met with a tired expression he's never seen on you before���not even when you were sick and weak and needed to be looked after. You look as if you hold the weight of the world on your shoulders, about to collapse.

"He tries not to let it get him down, but if no one shows up..." You bite your lip, a flash of pain in your eyes at the thought of your son hurting. "Please? He likes you, and even if you're the only one who shows up, it'll mean a lot to him."

Simon looks at you. Really looks at you and takes in the desperation in your eyes. You look as if you'd do anything to convince him to come. Even fight him. Tie him up. Anything to drag him to your son's party. You'd probably do it, mother bear that you are.

But you don't need to do that. You won't ever have to fight another battle. Not if he can help it. Simon will fight your battles for you from now on.

"I'll come."

You have his devotion. You and your boy.

"Really?" You brighten up, the hopeless look in your eyes washing away.

He nods. "I'll bring a mate with some brats around your lad's age. They're friendly. They'll like him."

"Will they? Are you sure your friend will be okay with it?"

"They will, and the bastard owes me one, anyway."

No, he doesn't, but Johnny will pull through. Him and his seemingly endless amount of nieces and nephews, although he'll only need to bring a few.

A wide smile breaks out on your face, bright like the sun, and oh- that's where your boy got his grin. Without warning, you leap into his arms, forceful enough to make him grunt. You hug him, burying your face into his shoulder with Simon's hands hovering at your waist, fingers twitching.

It's rare to catch him off guard. So many new sensations fill his senses. Your warmth, surrounding him like a blanket; your scent, sweet and calming with a freshness to it that makes him want to bury his face into your neck and inhale. Or maybe he would bite into your soft skin to see if you taste as pleasant as you smell. If he wasn't so controlled, he probably would sate his curiosity right now.

You stiffen, your body tensing as if you're aware of what you've done, and move to back away, but Simon stops you, resting his hands on your hips. You gently melt your body against his again.

"Thank you, Simon," You softly murmur into his shoulder. It's a quiet sound, but he hears it and lets his arms wrap you in a full hug. You melt against his body, sighing. He doesn't think he's ever felt so warm before. "And just so you know... it means a lot to me, too, that you're coming."

-

Simon: > Johnny

Johnny: > Yeah, lt?

Simon: > You busy tomorrow?

Johnny: > Yes? > I have a date with that bonnie piano teacher I told you about > ... why

Simon: > Cancel it > Have something I need you to do

Johnny: > Work related?

Simon: > No

Johnny: > Then why can't you do it?

Simon: > I'm already on it > Cancel your date

Johnny: > Then why do you need me? > I'm not gonna cancel my date you dobber

-

"Cannae believe ye made us come all the way to fuckin' Manchester. Do y'know how many fuckin' hours ye made us drive, Ghost? The wee ones didnae like gettin' up so arse fuckin' early, either-"

"Shut up, Johnny. You owed me one."

"I didnae?!"

A giggle from Soap's bonnie piano teacher. "You're accent thickens when you're upset, John."

"Today was supposed to be our date!"

"It's not so bad. I still get to spend time with you."

"... Guess not, but I'll take you out proper tomorrow, promise."

"See, Johnny? Everyone wins."

"Awa’ an bile yer heid, Ghost."

-

Despite all his complaining, Johnny is a good guest and keeps the children entertained, playing the part of the fun uncle by letting the kids wrestle or play tag with him, not minding the grass stains as they roughhouse in the park. Currently, he's playing an informal football game with them—six vs. one. He's mostly blocking the ball from entering the goal, but it's still fun for all of them.

Little Simon is extra happy with his new friends. He's been smiling nonstop since they all introduced themselves, grin extra proud when he revealed his name.

("Like Uncle Simon's?"

"Yeah, he says it's a fine name!")

You also haven't stopped smiling ever since they arrived. Not quite as big as your boy's grin, but it still hasn't left. You and Soap's date get along swimmingly, too. He can already tell you'll be good friends with the teacher.

"Not gonna join them?"

Simon looks to see you standing next to him under the tree, watching the children as Soap 'misses' a shot from one of his nephews.

"Where's your friend?" He asks instead.

"Went looking for a bathroom." You gesture vaguely in the direction Soap's date disappeared off to. "So, not gonna play?"

He shakes his head. "Johnny's got it."

"Oh?" The suspiciously innocuous tone makes his eyes narrow. "Is it because he's the better footballer between you two?"

Simon slowly turns towards you, glaring with no real heat, but it still doesn't stop your panicked giggle when he takes a half step in your direction, making you back up against the tree. He gets closer and leans into your space, nearly brushing his front against yours. You audibly gulp, and Simon places a palm on the tree, hand right next to your head. He gets close to your face, watching your eyes widen then dart down to look at somewhere on the bottom half of his face before meeting his eyes again. You bite your lip.

"Repeat that for me, sweetheart." Simon growls softly, and you give a sharp, little inhale.

"U-um. I'd rather... not." Your voice comes out breathy, and you place a hand on his chest as if to stabilize yourself.

"I wasn't asking." He doesn't give you a chance to breathe, leaning in closer, and your fingers dig a little into his pec, making his muscles flex under your touch. "I'll say again: repeat that for me."

With nowhere to run, pinned to a tree, you tremble against his body, breathing heavily and barely able to meet his eyes, licking your lips. It takes you a moment to build up the nerve to speak with Simon surrounding your senses.

"I um... I um-"

"Simon, Uncle Johnny said to come play with us!"

Instantly, he backs away from you and turns around to see your boy running over. Behind him, he hears you exhale a quiet, little, "Fuck..."

Fuck, indeed.

He turns his attention to the lad once he comes to a stop in front of him. "Is that what he said?"

"Uh-huh! He said we're giving him trouble, and it'll make it more fair so he's not the only one guarding."

Simon looks over to where Johnny stands with the football held casually to the side between his arm and waist. The man smirks knowingly, glancing between you and Simon before giving a cheeky wave. He glares back. "I'll show him trouble."

"What did you say, Simon?"

He looks back at your boy. "Nothing. I'll come play."

The lad's eyes brighten with a celebratory cheer, grabbing his wrist and leading the way to the field. Simon looks back to see you better composed, if a little disheveled, but smiling nonetheless at the two like they're the only ones who matter.

-

After cake and presents, the children return to playing football with the new football that Soap gave as a present for little Simon, along with your boy wearing a jersey from the Scot's favorite team. A petty move from Soap, in Simon's opinion, but he'll let him have this one. He'll get your boy cheering for Man United soon enough.

The adults hang back in their own pairs. Soap and his date finally getting a moment to themselves, nibbling on cake and talking about whatever it is they talk about at the picnic table, and you and Simon are back under the tree, keeping a respectable distance between each other.

"Kid seems happy," Simon idly notes, watching your boy laugh and play with the younger MacTavish's. "You did good."

"Me?" You glance at him. "You were the one to bring a tiny tribe to Simon's birthday. Look at him. That smile is because of you."

"That smile is because you're a good mum," Simon states in a way that leaves no room for questions. "You were the one who made today happen. You gave your lad the birthday he deserved. He'll remember this."

Like how Simon remembers his mum doing her best to give him and Tommy the birthdays they deserved, no matter how small the celebration was.

You're looking at him as if you can't quite believe he's real, a cute, astonished look adorning your face. He's tempted to make a comment about it until you give a quiet, amazed laugh, reaching for his hand to give it a grateful squeeze. You don't pull away, and he doesn't let go.

"Even so, Simon had a great seventh birthday, and a lot of it is because of you. You did more than you had to- more than his father ever did! Bastard didn't even send a happy birthday text, son of a bitch." You exhale a heavy, calming breath. "But never mind that... What I'm trying to say is thank you. You didn't have to do what you did, and ever since we met, you've been really good to him."

You shoot him a teasing look. "What's your secret? Have a hidden family out there or something?"

A darker part of Simon is tempted to laugh. You're kind of right, in a messed up way, but he doesn't hold it against you. He hums, contemplating. "I had a nephew."

"Had?" The information takes another second to process. "Oh! I mean..."

"Don't have to say anything." Simon stares out to where the kids are playing. He imagines another boy running among them. Both younger and older than the children out in the field. Taken too young with no opportunity to grow. To live. He squeezes your hand. "He reminds me of him. Joseph. Would have been a couple years older than your lad by now, but I think they would have gotten along."

"Think so?" You send him a soft smile, stepping closer to hug his arm. "Tell me more about him?"

Simon looks at you, the warmth of your body pressed against him, and it suddenly feels like there's no one else in the world. There's just you and him under this tree, with your boy's laughter ringing like bells in the air, and that's when it hits.

Settle down... He's finally starting to get it, Tommy.

-

soap's piano teacher is something i want to write out, but idk if i'll get to it

[seelestia]

✧ the gambler and his knight.

aventurine can't stand having his outfit exposed to the elements nor to the rude hands of clients that won't cooperate – luckily for him, he has you to take care of it all. { aventurine with a bodyguard!reader. }

⎯ fluff & angst. 2.9k wc. headcanons w/ some written scenes. the plot is vv subtle but it's there a.k.a aventurine simps for you (jokingly) but you both end up catching feelings (not jokingly). mentions of violence, death & russian roulette. pre-penacony timeline. a self-indulgent piece to celebrate this blog's 2nd anniv! ★

★ 〜 masterlist.

© seelestia on tumblr, june 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

aventurine who graciously welcomes you under his employment with a game. just a little something to ease your nerves and get you used to his ways. you look at him with such incredulity as if he just fell and hit his head silly. he pays no mind to this – finds it to be amusing a great deal, actually. keep it up, newcomer!

“heads or tails?” he asks, flipping a coin in the air and catching it seamlessly. a routine for him, you would've figured from the sight. “that's. . . an odd way of saying hello,” you point out but your tone bears no hint of protest. he notices that.

“i've heard that one before,” aventurine tilts his head with a smile, nonchalant. “so what's your guess?”

“tails,” you reply without any delay. it's a mindless answer; getting it wrong this way would prove to bear less disappointment compared to putting actual thought in it. “heads for me then,” he whistles.

aventurine opens his palm. it's heads. you frown as if to suspect foul play—but you don't because you know about his notoriously good luck—and your new boss chuckles, almost placatingly.

“looks like i win,” he grins without a care in the world at all. “aren't you starving? let's fetch ourselves a meal, friend.”

a loss rewarded with a prize? you blink. with grace so in contrast to the whiplash you feel, aventurine walks past you with a trail of expensive perfume in his wake. obviously, he expects you to follow and you do after a moment's reluctance.

(this guy is more confusing than the stellaron.)

aventurine who grows quite fond of seeing you acquiesce to his wishes, whether serious or trivial. could you ward off those reporters? could you pour him a drink? could you play a game of poker with him? could you join him for lunch? you're always so professional that he starts to find some mirth in pushing your buttons (never too much). unlucky for you, he does it to be affectionate and lucky for him, you always say yes even if you roll your eyes every single time.

aventurine who trusts you with his credit card. . . to a worrying degree. when asked if he's sure about this, he just waves it off and says it'll be safer in your hands. seriously, this card has been in your possession longer than it's ever been in his. sometimes, he does ask for it back – only to drop some 200k credits to your account. “a tip for doing a good job,” he'd wink casually while you're flabbergasted beyond belief.

aventurine who finds it extremely attractive whenever you step in to protect him from harm. dealing with uncooperative clients is a day in his life, yet some are so brutish they resort to getting physical – but he has you to make sure their hands stay off him. a gun in his direction? knocked off before the trigger even has a chance to get pulled. reaching out to grab him by the collar? they're already on the ground, your foot threateningly pressed on their back as a warning. what a dashing sight – and thanks to you, his pristine outfit has been saved more times than he could count at this point.

aventurine who likes to call you his “knight in shining armor” teasingly. awh, you don't like it? he thinks you're more than deserving of that title with the way you always swoop in to get him out of trouble. if the thousands of credits he gives you aren't enough yet, won't a cute title suffice? “it sounds corny,” you tell him with a grimace—and maybe, yes—but he just chirps coyly, “dunno. i think it's fitting.”

aventurine who makes it his responsibility to check on you after a rough mission. credits are no problem, he'd even reserve the most expensive private doctor in the cosmos if that means you'll recover faster. sadly, he has little to no medical skills – so the most he can offer you is bandages. sure, you can take a bullet to the stomach and handle a punch or two, that's your job, but what about tiny scratches? . . .don't tell him you're about to reject his kind offer.

“what's your favorite color?” he queries, somewhat out of the blue considering the situation where he is helping you tend to a minor cut on your finger. you raise an eyebrow, “why do you wanna know?” as he gently plasters a plain-colored bandage on your skin (which he's only been granted permission to after minutes of begging you to let him do it).

“for the bandages,” aventurine answers. he finds no need to hide his intentions as he runs a thumb over the bandage, softly as to not hurt you, to keep its position secure. “so that the next time you ask, i'll have some in your favorite color for sure.”

“how. . . thoughtful of you,” you snort, amused.

(briefly, he resists the urge to ask if he can place a kiss on your cut for 'luck'. but if he does, you might have his head. so, he'll try another time.)

aventurine who slowly begins to find a sense of comfort in your company. maybe, it's the way you scoff at his quips with a smile or the way you always tell him to be careful. maybe, it's the way you take him seriously or the way you stay by his side—is your job description the only reason why?—or maybe, he's just pathetic and reeks of so much loneliness you feel sympathetic. he can't tell, but he hopes the luxuries he has can persuade you to stay just a little longer. even if you don't actually care. (you do.)

aventurine who notices how anxiety brims in your gaze when you watch him gamble at the table – with a sum too high to be considered sane and sometimes, his own life. he can see it all; how your hands shake as if you want to reach out, how your lips tremble as if you want to tell him to stop. but this is what he's made for, is it not? he'll survive one way or another. . . until fate decides the bill for all his past good fortune is finally due. and when the time comes, he'll be ready for it. (will you?)

a game of russian roulette.

it always starts with thrills only to end with carnage spilled all over the table. luck is the only thing worth praying for at that point and oh, is luck not the dearest friend aventurine ever had? hence the reason why he always agrees, not with a yes but with a “why not?”.

you're there as his protector, yet utterly condemned to the role of a witness as soon as aventurine nods along to that darned game. panic rushes through your veins as the gun is passed around so relaxedly, so easily with laughter all around. aventurine's next in line, you realize grimly. the next decision that comes after is spontaneous, so different from your usual calculated nature – you drag him out of the casino in a frenzy before the weapon even lands in his hand. in your head, there is no other thought louder than: he could've died.

“a shame i didn't get to the fun part,” you hear him hum from behind you, too disturbingly calm for your liking. the bustling noises inside the establishment have all but faded into the background. “that was close, hm?” he laughs, a sound you would've found endearing if this was another occasion. any occasion that doesn't involve teetering dangerously on the precipice of death.

you stop in your tracks and aventurine, behind you, naturally follows. your silence is something he first takes note of and the way your hand shakes as it holds his is the second. you still haven't let go. what's going through your mind? he calls out your name softly, perplexed at your lack of explanation.

“. . .why did you say yes?” you respond with a bitter question. “you could've died. you almost died,” you try to hold back a shout – yet, your words are spat in such a fusillade he feels a seed of guilt starting to bloom inside his lifeless heart. he discards it in favor of putting on a frivolous smile.

“oh, relax,” he lets out a chuckle, one that sounds so ignorant of the taut tension in the air. “it's just some russian roulette. why so serious?” he shrugs as if to physically brush off any seriousness clinging to his figure. his remark gives off the assumption that every single hint of your worry has flown over his head.

“it is serious. . .” you bite your bottom lip. he sneers in return, “yeah? since when?” as if to challenge you to give an actual answer. his life is full of risks, to say otherwise would be a lie. “you're sweet for worrying but you don't actually care about me that much, do you?” he snickers to himself. like the thought of your caring about him can't possibly be true, like it's all just a terrible joke.

but he's the only one laughing.

aventurine falls quiet and finally, genuinely meets your gaze for the first time that night. he doesn't like what he sees. your lips are downturned, unamused and saddened—you do care, a realization that has been left unsaid—and all remainders of levity in him are replaced by immediate dread. it only now registers that the anger, concern, frustration on your face are for him; they're the unavoidable consequences from caring about him.

(his eyes widen. no, no, no.)

“c'mon, you—” he covers it up with a carefree smile, as feigned as it came. he shoves his hand in one of his pockets. it's shaking. “. . .worry too much. you've seen me play a handful of games before. i've never lost a wager, remember?”

you don't look convinced at all. in fact, you look as if you've arrived at the brink of seething. “and if you do? for once in your life, you lose?” you prod him for more. for something, for anything – perhaps, for a promise that he won't do it again.

(but you know aventurine, you know there would be no such promise.)

“then i lose,” he says, final and resigned. “there's really nothing else to it,” he tries to offer you another smile but it didn't quite reach his eyes. “hey. at least, you'll be there to witness my spectacular fall, right? it'll be a show to remember.”

he nearly doesn't manage to keep up the façade. it's already as precarious as it can be. you don't reply to him this time – instead, you let go of his hand to wipe at your cheeks. his gaze trails after your fingers and it freezes upon seeing the pearly tears falling free from your eyes.

aventurine has never seen you cry before. you're always so stone-faced, so hard to break that he recalls almost cheering when he heard you laugh for the first time. that was when you finally won a round of poker against him. a pity, he would've reminisced about the memory more. . . if only the matter of losing and winning a game isn't as serious as it is now.

“don't say that,” you mutter, harshly wiping away at the incessant tears pouring from your eyes more than you'd ever allow them to. some make their way into your mouth, they taste just as bitter as your current frustration. does he truly value his life so little? you can't fathom it, you can't fathom him at all.

but there is one thing you were certain of, at the very least: “you hired me to protect you,” you shake your head unrelentingly, “so i'll do it. until you throw me away, i won't let you die.”

you've stopped crying then. aventurine feels remorse; the tears that you shed because of him are starting to dry. the selfish part of him wants to reach out and brush them away with his thumb – but would you let him? would this lead you further down the rabbit hole that is him? in the end, he decides against it.

“. . .i'm sorry,” he sighs instead, raking a hand through his messy blond hair. whatever it is he is apologizing for, he doesn't have a clue either. he lets his eyes slip shut. he can't bear to look at you, can't bear to look at his pitiful reflection in your eyes.

(he's not worth caring about, can't you see? he dances hand in hand with death – there is no need to subject yourself to being a spectator.)

the two of you then part ways that night with shallow pleasantries on your tongues. no inside jokes, no evident yearning for the other to stay, no more than an awkward exchange of “i'll see you tomorrow.”

on his way 'home', regret and relief clash to form something inexplicably hollow inside kakavasha's chest. he wanted to wipe away your tears—what a regret—but if he did, they would've burned on his skin and became another mark to haunt him—what a relief he didn't. and frankly, if destiny is about to reap his debt, he'd rather go with no regrets at all.

whether those regrets include you? he doesn't have an answer just yet.

(the name at the bottom of his contract with fate is signed as kakavasha. but you wouldn't recognize that name. not as him, at least.)

aventurine whose eyes can't flutter close at night ever since thoughts of you fill his mind more than they already do before. you care for him, you want him to live—all his fault, he allowed himself to get too close—but these realizations are rooted in too deep and refuse to leave. what to do, what to do, what to do?

it isn't supposed to turn out like this.

what he and you have is meant to be transactional; he'd be spared from unnecessary scuffles and you'd be compensated with monetary payment. he means to keep it superficially fun; for him to tease you with jests—so you'd stay and save him from the deafening silence in his head—and for you to dismiss him with that adorably annoyed look on your face. just some silly banter, that's it.

so then, since when are there rounds of poker where he'd coo over your frown when you lost? or the sound of your lecturing after he secretly got you a high-end item? or meals shared together where you'd bicker over the bill? or bandages in your favorite color kept inside his bedside table? since when do you start to care? . . .since when does he start to care?

think of something else.

kakavasha tosses and turns in his bed, but the soft pillows and blanket do nothing to quell these bothers of his. are feelings always this complicated? he places a hand over his eyes, tired and exhausted, and stares at the ceiling as if it could provide him with an answer.

but there's no use.

in a moment void of logical thinking, he reaches for his phone and hovers a finger over your name in his contacts. he is usually good friends with bad ideas – but not this time, he sets his phone down and lets out a frustrated sigh that only his expensive pillows are there to hear.

(for gaiathra's sake, he hasn't even told you his real name yet.)

aventurine who becomes awfully distant the next time he sees you. you accompany him to meetings with clients per usual, but it's different. . . he talks to you succinctly, not verbosely with that trademark grin of his. his face is bereft of the things you grow to like seeing on him. a sincere smile instead of one just for show, for example. but even that's difficult to ask for since he only speaks to fill the silence with empty chatter. he doesn't look you in the eyes either; you feel a pang of hurt, you've always loved his eyes.

aventurine who discards all thoughts of you as soon as he steps inside pier point to be assigned a project. a conclave between the stonehearts is a matter of top confidentiality and you, dutifully, are ordered to wait for him outside the office. though, he'll admit; your absence by his side actually does leave a gaping void—such hypocrisy, really—but at least, those pesky voices in his head know how to shut up when it comes to work.

“penacony. . . is diamond finally ready to do something about it?”

aventurine rests his left hand on the small of his back, fiddling with the clubs-shaped detailing on the fabric there. it looks like an act of idleness from afar, but anyone observant enough would know it's a way to subdue whatever nerves he wishes to hide.

he waits for the person in front of him, gazing at the purplish-red sky of pier point at sunset, to speak. for their next words shall mark the start of his next journey in fate's course.

aventurine who hesitates to let you come to penacony with him at first. but it'd be poor reasoning not to, since some might have a bone to pick with him as the corporation's representative. . . and he knows you'll protest to come with anyway. fine then, situationship discomfiture be damned – not even a second after he steps out of the meeting, his neon eyes finally meet yours. “so, how does a trip to penacony sound?” he announces with a confident smile. you blink, noticing how his lips are wobbling at the sides. you don't say no, however. (if only the two of you know what sort of ride you're getting yourselves into.)

— thanks for reading! reblogs with comments are most appreciated. why don't we all sob over this man like it's a cryfest ♡

[heich0e]

keishin finally (finally) gets you into bed with him—well, onto couch with him, in his little one-room apartment in the back of sakanoshita mart—and he thinks all his prayers have finally been answered. thinks he's found some sort of cosmic apology for every misfortune he's ever suffered in how soft your lips are against his and how sweet you taste.

he knows he doesn't deserve this; that he hasn't done anything in his unremarkable life to merit how good you feel underneath his hands, or how dizzying those little noises you're making when he touches you are. but, against all odds, you're really here, you really want him, and he's determined not to fuck this up.

"keishin."

every time you say his name he feels like he's hearing it for the first time. like he's being blessed by it. it takes him a moment to process the way you've called for his attention as he suckles a little bruise against your throat, using every modicum of will he has left in him to pull away and meet your gaze.

you look so good underneath him on his ugly, ancient couch that it makes him ache. your lips glossy and swollen, your eyes heavy-lidded and yearning. you reach up and touch his cheek, and he can't tell if your hand is cool or his face is burning.

"do you have a condom?"

and all at once keishin comes crashing—violently, disastrously, crushingly—back to earth.

he blinks at you, wide-eyed, in the wake of your question. you seem to understand his answer even though he can't bring himself to say it.

"are there any in the shop?" you ask him, optimistic and gentle, with an encouraging smile.

keishin perks up—visibly brightening at your moment of genius—but as quickly as the hope uplifts him, he's deflating again. he pinches his bottom lip between his teeth.

"we're out right now," he murmurs sheepishly, suddenly unable to meet your gaze.

he only keeps a couple of boxes of condoms behind the counter at a time, since so few people ever come in asking for them. last week takinoue had showed up half-hammered two hours after closing, and banged on the shop door until keishin grumpily answered it. his drunk friend went on to explain that he'd gone out drinking with his colleague from work and she'd invited him home with her, but he desperately needed condoms. keishin chucked the last box at his stupid face, and yusuke swore up and down their next night out drinking would be his treat before skittering off into the night again with a grin from ear to ear.

he was going to kill yusuke with his bare hands the next time he saw him.

"keishin, it's okay," you say with a light laugh at the positively crestfallen look on his face. "we don't have to—"

"no!" keishin interrupts you before you can say the words he just cant bear to hear. not right now. not from you.

even if you promise him that this could happen again another time—that you don't have to go all the way tonight, that there will be other opportunities—he has no way of knowing if that's true. no way of guaranteeing it.

he's got a taste for you now. he knows what you sound like. he knows how you feel.

and he refuses to let this opportunity pass him by.

keishin pulls himself upright so quickly from where he'd been hovering overtop of you on his lumpy sofa that he almost gives himself whiplash. he stumbles up to his feet, brushing his bleached hair back from his eyes—he's not sure where or when he'd lost his hairband, but the strands are hanging freely now and falling into his gaze. he grabs his jacket from the floor where he'd hastily shucked it when the two of you stumbled through the door in the throes of passion.

"I'm just gonna run to shimada mart!" he says to you as he stuffs his arms ungracefully into the sleeves of his jacket, his words so frantic they're almost bleeding together. "it's only about 10 minutes away, if you just wait right here—"

"keishin."

"shouldn't be longer than 25 minutes! 20, even! i might even be able to get macchan to drive me back if—"

"keishin, wait."

your laughter makes him stop dead in his tracks, halfway to the door. he's only got one slide on his foot, the other still sock-clad, and in his haste he realizes he'd grabbed his television remote instead of his cellphone to shove into his coat pocket.

you've caught him by the sleeve of his jacket, holding the material pinched between your thumb and forefinger as you stare up at him from the sofa with the sweetest smile on your face. he's frozen as he peers down at you, his lips parted, his dick still half-hard in his jeans.

"don't go," you say to him, tugging him back towards you by your grip on his cuff. he moves easily, gravitating back into your orbit in spite of how gentle the actual pull had been.

"b-but,"—keishin casts a forlorn glance back in the direction of his apartment door—"what about the condoms?"

his voice cracks a little on the question and he has genuinely never wished so ardently for the ground to open up and swallow him whole.

you release his sleeve in favour of twining your fingers with his now that he's near to you again, your soft hand slipping easily into his own. that same dull ache in the pit of his core (and between his legs) throbs again as you blink up at him.

"i've been trying to tell you," you begin, a bit exasperated but not without its own fondness. you hesitate a little, looking away shyly before adding, "we don't... need one."

keishin thinks he might die.

really, genuinely die.

he wonders if maybe this is what the old man felt like when he almost keeled over from that heart attack last year, because keishin's pulse is pounding so violently in his head he feels like his vision is going a bit spotty around the edges—like when you stand up too fast after a night of drinking.

he's brought back to the moment as your hand squeezes his own—a gentle, questioning gesture.

your lashes flutter as you blink up at him, your head tilting slightly to the side. you smile a little at the dumbfounded look on his face.

"...if that's okay with you?"

(keishin pays for takinoue's drinks for the next six months, but never explains why.)

[woso-dreamzzz]

Carnival

Mary Earps x Child!Reader

Summary: Mary takes you to the carnival

Lockdown was both the bane of Mary's existence and the best thing in the world.

The worst thing because it meant confusion and fear and no football for a while. The best thing because it brought her you.

She fostered at first before moving to adoption when she found that she couldn't be parted from you.

With the lockdowns tentatively over now, things had started opening up again.

Like the carnival.

"They're rigged," You tell her.

You're still little but you speak well for your age, well advanced when compared to any of your peers.

"Rigged?" Mary laughs," Where've you heard that word?"

"I read it," You say," In a book."

"Oh. I forgot I was taking a genius out."

You make a little noise of acknowledgement before turning back to the carnival game.

It's most definitely rigged.

All of them are.

This one is one of those basketball toss games where you know the ring is only just wide enough for the ball to get through. If the throw isn't perfect then it'll hit the rim and bounce away.

Mary is looking at it with concentration though and you snag her belt loops, tugging lightly.

You hadn't meant to stop in the first place but you'd caught sight of one of the prizes.

One shot in got you a keychain.

Two shots got you a little inflated ball.

Three in meant the prize was a small toy.

Four was a medium sized toy.

Five was a big toy.

The big toys are displayed at the very top of the game. A lot of them a bears or big puppies but a handful of them are birds. They're in lots of different colours.

Yellow seems to be the most prominent colour but then it's pink. The one that caught your eye is blue though.

You like the look of it a lot but you also know the odds of winning it are slim to none.

Five perfect shots in a row is very difficult especially when the backing board behind the hoop is angled at a way that means if the ball hits it, it won't go into the hoop in the slightest.

"Mary," You say, tugging," Let's go."

Mary doesn't move though. "You want the bird?"

"Yes."

"Then let's try."

"No."

"You don't even want to try?"

You shake your head, scuffing your foot into the dirt. "It's not worth it, Mary."

"Would it make you happy though?"

"Yes."

"Then let's try."

"But-"

"Come on, birdie," Mary says," We'll try a few rounds and if we get it, we get it but if not that's fine too."

It costs five pounds for five balls and Mary fails abysmally for her first round.

It stokes something in her though, especially when your eyes dart away from the toy with every missed shot.

You've had a rough go of it, Mary thinks as she pays for another few rounds. Before her, you'd had a failed adoption. The couple had wanted you but then the wife had gotten pregnant and they realised what they actually wanted was a biological child.

It had fallen through and you'd bounced for a few days before being fostered by Mary.

She'd worked hard with you on understanding that she wasn't going to abandon you. She'd worked hard to get you to accept her as a maternal role in your life.

But that illusive word still evaded her.

She didn't need it, not truly. She knew what you thought of her and you knew what she thought of you.

She'd do anything for your happiness, including draining her bank to win you this stupid blue bird.

Your eyes had lit up when you'd seen it but you seemed fairly realistic for such a little kid.

These games were rigged but Mary refuses to let that stop her.

You want this stupid bird.

She'll get you this stupid bird.

Her hands are sweaty as she grabs her last ball. The others, surprisingly, have all gone in after nearly fifteen rounds of this stupid carnival game and it slowly dawns on her that this is the last shot.

She wipes her hands on her shirt.

"Mary?" You say and she looks down at you," Are you okay?"

"I'm just fine, birdie. One last shot and we can get your bird."

You glance down bashfully, fingers still threaded around her belt loop. "It's okay if you can't make it. We can go on the teacups instead."

Mary frowns, dropping to her knee so she can cradle your cheek in one of her big hands. "You don't want the bird?"

"I do," You say," But...I don't want you to feel bad if you can't get it in."

"Trust me," Mary says," I just want to make you happy."

You look into her eyes, searching for any hint of untruthfulness in them but you find none. You nod. "You should move slightly to the left," You say," And spread your fingers out a little more."

"Thanks, birdie."

She does as you've said and shoots.

The ball goes in and Mary breathes out a sigh of relief, already leaning over the counter to talk to the poor minimum wage worker that's had to sit through all her attempts.

"Yeah," She says," The bird. The blue one. Up top. Yeah, that one."

He has to get a big stick with a hook on the end to get it off and Mary takes it from him triumphantly.

She presents it to you and you gently stroke your hand over the fur.

She's still holding it but you bypass your new favourite toy completely, moving to hug her as tightly as you can.

"Thank you, Mummy."

Mary tries not to let you finally saying the 'm' word affect her, forcing back the tears that want to fall as she hugs you back, raining kisses onto the top of your hair.

"It was my pleasure, birdie."

[milkteamoon]

The first and only girl Martin goes out with is openly bisexual.

He doesn't know if she counts, if he's being honest — it wasn't a crush, he knows that, and years down the line, when he thinks back to it, he can't remember them ever having a proper conversation about the whole status of their single-night relationship. He knows she had short hair, and sat in front of him in math class, and needed a date to the fall semi-formal so she'd asked if he was busy that weekend, and he'd said no, and then she'd asked if she could borrow a pen, and he'd said yes. He couldn't remember her name if he tried.

He does remember the pink and blue bracelet on her wrist that she'd worn to the event itself, and then to get ice cream after, where he'd sat on the curb of some old parking lot at the edge of town with her and her friends and her friends' boyfriends and her friends' boyfriends' friends, none of which were his friends, because Martin didn't have many of those. Except maybe the girl whose name he couldn't remember. Though he's not sure if maybe-probably-not-girlfriends count as friends too when you're in high school.

"D'you like it?" she'd asked once she'd noticed him staring, holding up her wrist and not seeming to care as ice cream dribbled down her spoon and fingers.

"It's nice," Martin had said, because he's nothing if not honest. "Did you make it?"

She'd nodded. "It's a bi flag," she'd explained. "I'm bisexual."

"Oh," Martin had said.

"You know what that is, right?" she had asked. "Like, when you like boys and girls?"

"I know," Martin had said, even if it had maybe slipped his memory until she'd brought it up. "That's cool."

And then she'd nodded, and ate her ice cream, and Martin had taken her home with as little a fanfare as he had picked her up earlier that evening. And then winter break had rolled around, and she'd been put in another class the following semester, and then life and bills had finally caught up with him and there wouldn't be another semester after that. He'd never seen her again, so he'd never got a chance to ask. Never got a chance to choke down that knot in his throat when he'd left her house that evening, unable to get the words out.

He doesn't remember her name anymore, but he does remember the jealous ache he'd felt at her certainty.

Martin's first boyfriend is definitely gay.

That's how they meet each other, really — in a gay bar, where Martin has met plenty of other men (testing the waters, he's been telling himself; no harm in a little exploration) and gone home with them, except this one asks for his number afterward, and this one calls him back, and this one actually seems to want to go out for drinks the next week, and the week after that, and before Martin knows it he's quite certain that he's dating this man. It's wonderful, whirlwind of an experience. It's exhilarating.

It's bloody terrifying.

And it's not being with a man that sets his anxiety on edge. Martin...Martin likes men. That's definitely a part of his identity that he's been able to sort out, over the years. Martin likes men, and he likes dating men, and he likes having sex with men, and he'd probably even marry a man, if he had the chance, if that's where one of these loose and languid relationships end up.

It's just—

It's just that—

It's just that Martin always seems to be the odd one out in these groups. It's just that when Martin meets up with his boyfriend's friends at the bar, when they're all laughing and sharing jokes and clinking their drinks together in some toast that Martin had missed the dedication to, they all just...get it somehow. They know who they are. They all have some special word for themselves that fits them like a tailored suit: Jacklyn is a butch lesbian, and Lee is trans, and Tom is a bear, and Jordan is gay and genderqueer and Collin is a drag performer and—

He's a few drinks in, to put it lightly, when he leans over to his definitely-boyfriend and asks him how he knew he was gay.

"How did I know?" he echoes, taking a sip from his fizzy drink. "Easy, I liked men." And then he laughs like Martin has just told a funny joke, and maybe he has and doesn't realize it, so he tries to laugh along. Tries to ignore the ache in his chest.

Martin wishes it were that simple. And when the two of them break up, Martin wishes that he ached just as badly over the relationship too.

Tim and Sasha are bi. Well, no, Tim is bi, and Sasha is—

"Pansexual," Sasha says through a mouthful of reheated spaghetti. She holds a finger up as she chews, swallows, and then adds, "Well, I mean. It's like the same genus, I guess."

"Like a leopard and a cheetah," Tim chimes in, leaning over to put an arm around her shoulders. She puts a hand against the side of his face to put some space between them, knocking his glasses askew.

"Leopards and cheetahs are different genuses," she tells him. "You're thinking of leopards and jaguars."

"Nuh uh."

"Uh huh."

"Nuh uh nuh uh—"

"Uh huh uh huh uh huh—"

And it's—

He likes Tim and Sasha. They're easy to exist around. They don't make him feel like he's not welcome at the end of the lunch table, or like he has to be anything more than simply himself in their presence. Call it bonding over the shared trauma of all being trapped down here together. Tim's jokes about Jon never letting them see the sun are starting to feel less like jokes these days, and more like statements of fact.

Then Tim leans over, seating his chin in his knuckles, and says, "So, Martin, you going to pride this year?"

And then all of those nice, floaty feelings suddenly come crashing out of solution and dropping down into the pit of his stomach. It must show on his face, because Tim's smile falls as he backpedals.

"O-or not!" he says, holding his hands up peaceably. "I mean— geez, sorry, I usually think I'm pretty good at noticing these things, but if you're not—"

"What? Oh, no no, you're fine, I'm definitely—" There's something on the tip of Martin's tongue that he can't put a word to, hasn't been able to put a word to for a long time. "...not straight. Er, I— I like...guys, at least...?"

A smile curls across Tim's face — amused, but not cruel. "Hey, that's at least one thing we've got in common," he says and holds up his fist for a bump. The spark of anxiety hasn't quite fizzled away, but it's pushed far enough down that Martin feels he can humor him.

To his equal relief and horror, Jon strolls into the room not a minute later and sticks himself firmly in the crosshairs of Tim's sights.

"Boss-man," he greets.

"Tim," Jon greets back, neutrally. He strolls over to the kitchenette, digging out a tea bag out of the cabinet.

"Are you going to pride this year?"

Martin chokes on his drink.

"No," Jon says, retrieving a tea bag and filling his mug as if Tim had simply asked him about the weather.

"C'mon," Tim purrs. He reaches over and gives Jon a tug by his belt loops. "You're just gonna sit at home all weekend and leave us to have all the fun?"

"I don't particularly find crowds 'fun,'" Jon retorts, batting away his hand. He picks up his mug. "You'll have to suffer without me."

"How will we ever go on," Tim laments.

"You'll manage," Jon says, then promptly retreats to his office.

Martin simply sits there with his mouth hanging open, only daring to speak once he hears the final click of the door pulled shut. "...Jon...?"

Tim looks over to him, eyebrow quirked. "What?"

"Jon."

"Oh." A smirk tugs at the corner of Tim's lips. "You didn't know?"

"Wh— no!" It's not even that Martin has ever really assumed that Jon is straight. It's just that, out of people in the office to be open about their sexualities, there's Tim and Sasha, and then there's Jon. It's just— it's Jon. "Did he tell you that?"

Tim shoots a look to Sasha. "Well, no," he admits, "but you know how it is, you work with someone long enough and you just sort of...get a vibe, yeah?"

Sasha nods at this assessment. "Plus the fact that he did agree to go on a date with David that one time."

"Oh god, haha! I forgot about that."

"He's gay, right?" Sasha says, looking to Tim.

"I'm pretty sure he mentioned an ex-girlfriend once," Tim notes, poking his fork into his salad. "Bi, maybe...? I'm going to go with bi."

"Could also be pan," Sasha notes.

Tim thinks on this for a moment. "Mm, no, definitely bi I think. My bi-dey senses are tingling. Sorry Sash," he concludes, earning him a light kick to the shin from Sasha at the pun. He shoves a forkful of salad in his mouth before redirecting his attention back to Martin. "So, Martin. Pride, yay or nay?"

"Uh—" Martin blinks, viscerally aware of himself once more. He's not sure how to put I've never really thought about going into so many words that doesn't make him sound incredibly lame or formerly catholic, so in the end he decides on a redirect. He clears his throat. "I'm...not sure? Haven't really decided."

"That's fine," Tim says with a half shrug. "Though we'll be there, so if you do end up going, just text us and we'll meet up, yeah?"

There's a little plant inside Martin, something green and budding, but never able to bloom — always pruned too early, or watered too late, or bitten off by the frost. But some days, he thinks about opening the curtains and letting in the sun. Some days, he thinks about letting it bloom, finally, fully—

"Yeah," Martin says softly, looking up from his open palms. "Yeah, that'd...that'd be good."

And despite himself, he smiles.

Martin is—

Martin is quite certain he has never been sweatier in his life.

It's a wonderful time. It's bright. It's beautiful. He's seen so many colors and grins and glitter on more people than he can count today. People holding hands and people kissing and people dressed in outfits he can't even begin to describe, genders he can't even begin to put names to, flags he can't even begin to guess the meaning of. His heart feels so big in his chest he could die, pushing on the bars of his rib cage with each resounding thu-thump, and it's wonderful, wonderful, wonderful—

(And so very isolating. So very lonely when he feels like he's not meant to be there, like he wasn't invited, like he's invading this space carved out in neat rows of labels that he can't even straddle properly to get in line. He doesn't— he can't—)

Martin finds a moment of shade just as he feels he's teetering on the edge of heat exhaustion. He stumbles under the awning, smearing the sweat and residual glitter out of his eyes as he leans his head back against the wall. Music hums from the street over, voices carry on the warm summer air. He really needs to find something to drink, so he can appreciate it more instead of focusing on the way his shirt clings to his skin. He really should find Tim and Sasha, before they get off into any trouble.

Someone lets out a huff next to him as they lean back against the wall, and Martin peels open an eye to look.

And then both his eyes snap open at once, double taking at the man standing next to him. He doesn't seem to notice him at first, too focused on fanning himself with some pamplet he'd snagged along the way, but then his gaze shifts sideways, and the pinched expression smooths out into one of blank bewilderment.

Jon blinks, wide eyed. "Martin."

Okay, well that at least solves the issue of whether or not Martin is supposed to be pretending not to know him or not. He clears his throat, trying to smile. "Jon...h-hi."

It's not even the fact that— okay, well, yes, seeing Jon at a queer event is pretty weird, but seeing Jon outside of work, in jeans no less, is certainly not helping the sensation that Martin might very well be hallucinating this interaction. He looks him up to his thick-lensed glasses, down to his plain sneakers that have seen better days, and even pinches himself for good measure. Jon doesn't move. Martin isn't sure that he himself would be able to move either, even if he wanted to.

Then Jon's brow furrows, and he looks around. "Are Tim and Sasha around...?"

"Oh, n-no, they went off," Martin gestures vaguely in the direction he'd last seen them, "somewhere."

"Ah."

"Mm."

"Right."

"...What...are you doing here, exactly?" Martin finally asks in some burst of unsourced courage.

Jon's winces, red-handed. Not that Martin would ever say anything to Tim or Sasha about their boss going to pride without them on his own time — it's honestly none of his business — but he also knows that if the two of them suspect something is up, they'll never let either of them live it down.

Jon sighs, shoulders drooping. "I...an old friend, she— she didn't wish to come alone this year, and apparently I'm the only other queer she knows that doesn't enjoy getting plastered off my arse at these types of events, so—" Jon shrugs lightly.

There's something about the way Jon says it, the only other queer, that leaves a funny, prickling sensation in the center of Martin's chest, and it's not just the heat giving him a rash. It's just...it's nice. It's nice the way he says it, all casual like he's just giving Martin another report to follow up.

Jon pushes the sweat-soaked hair from his forehead, giving Martin a sideways glance up and down. He redirects, "You know, I would have thought you'd be more, er..."

"More...?"

"...Well, dressed up, I suppose?" He gestures to Martin's outfit — a pair of khaki shorts with pockets stuffed to the brim in emergency snacks, a green t-shirt with the local football team logo, an old pair of sneakers he really needs to replace — in a vague enough gesture to slip just under the line of insulting, but still enough to make Martin feel horribly seen. Granted, Jon isn't much better in his plain blue polo, but the fact of Jon being in jeans at all is currently eclipsing the fact that he's a tad underdressed for the event.

But—

But it's not that Martin doesn't want to. It's not that Martin doesn't want to be a part of this moment, this moment, this microcosm in the middle of London of so many people like him. It's something he's always wanted. Something he's always dreamed of, something he'd thought about all the way back in his high school bedroom when he'd had all these feelings knotted up in his chest that he couldn't put a word to, still can't put a word to, doesn't know how to put a word to even though it's right there in front of him if he could just stretch out his fingers—

"I thought about it," he admits with a shrug. Tim and Sasha were each dressed in a blinding shower of color and glitter, and he knows they'd never make him feel out of place. "It's just...there's too many—" He stops, takes a deep breath, and tries to ignore the thumping of his heartbeat in his ears. "There's too many words, I guess?"

Jon pauses his lazy fanning, looking up at him. "Too many words?" he parrots.

Martin wets his lips. "Like— like— like, everyone has a word for themselves, y'know? They have a flag, they have a group, they have— have people that they can relate to, and then you feel like you find something that almost right, but it's not perfect, and you— you—"

And you don't fit in, Martin doesn't say, because the rushing stream of words has suddenly stopped up in his throat, choking him. And you definitely aren't straight, but you aren't queer like everyone else is. You aren't queer in the right way.

Jon looks at him for a considerable moment, and suddenly Martin is all too aware of his body, his bones, his sweat, the itchy prickling of his skin—

Jon sighs as he gives him a half shrug. "So don't be anything."

The music from the street over lulls into a faint hum.

"What?" Martin says.

"So don't be anything," Jon repeats, enunciating as if he thinks that Martin misheard him. He frowns as he chooses his next words. "I'm not...it's...I..."

Martin waits quietly.

"I..." Jon says, "I guess when I was just starting to— to figure things out, I was certain I was gay. And then I went to uni and I had...a multitude of other things to address, and then for a bit I was...straight? I guess? And that was a whole thing, and then I was bi, and— well, I guess I'm technically still bi, but it's not...not exactly correct—" He frowns, looking up at him. "I guess...it just doesn't really matter to me? You don't...have to be anything."

Martin opens his mouth. He closes it. "But—" he says, tongue feeling thick in his mouth, "but—"

But then I have to be me, he doesn't say, even if the words are trying to push out past his teeth. But then the only thing I can be is me.

"...But that's scary," Martin says without meaning to, only hearing the words as they pass through his own lips. His eyes blow wide as he looks down at Jon (at his boss), and knows the simmering heat flushing down to his chest has nothing to do with the weather.

Jon stares at him for a quiet, considerate. And then he turns his head away and lets out a very undignified snort.

Martin feels his world tip onto its side.

It had to be a snort. It can only be a snort, even if Jon doesn't snort because Jon doesn't laugh, and Jon doesn't laugh because Jon doesn't smile, and Jon doesn't smile because Jon is typically too busy snapping at him over some stupid mistake he's made for the umpteenth time—

Jon looks up at him again, and he's downright grinning. Martin is quite certain he needs to be doused over the head with a bucket of ice water, or pinched hard enough to draw blood, or sent off to the hospital to get his head checked out because what the fuck. What the fuck.

"As my grandmother was so fond of reminding me, 'if it weren't scary, everyone would be doing it,'" Jon says finally, peeling off his glasses to wipe the sweat from the lenses onto his shirt. He places them back on his nose, then pushes himself up. "You should find Tim and Sasha," he says. "And I should find Georgie before I get left here. Again."

"Uh," Martin says, still trying to mentally recover from the fact that Jon smiled at him, and now everything feels like its been knocked into an alternate universe slightly to the left. His head feels weird. His chest feels weird. "Right."

"There's a—" Jon points a thumb behind himself, "a place we can cut through, if you want to—"

"Oh. Oh, yeah! Yeah, lead— lead the way."

It's not perfect, Martin thinks.

It's not perfect, but it's close. It's close when they step out of the alley back onto that crowded street, when the colors all bleed into a mess of a million different rainbows as far as the eye can see. It's close when they both get sprayed with glitter, Jon scowling and swearing as he tries to get it off himself and sending Martin laughing so hard that his sides ache. It's close even with the heat, even with the noise, even with the shouting because there's laughter in between laughter in between laughter again—

"Would you like a button?" a girl with green hair asks as she sits behind a table of every flag Martin has ever seen and then some. He takes a moment to look over each one carefully. Jon wanders up beside him, looks them through, and carefully selects a pink, purple, and blue one, to which he silently deposits in his pocket.

Martin picks up a plain rainbow one, considers it, and then pins it to the left side of his shirt.

It's not perfect, he thinks, but it's close enough.

[auspicioustidings]

So there are only certain places you can do boat training hence the hotels around these places tend to be packed full of military on occasion. Imagining running a ramshackle, barely hanging on b&b. You inherited it and can't bear the thought of selling up the pride and joy of someone you loved.

It's by the sea in an absolute dead town, you are the youngest resident who isn't a child and every eligible bachelor is always in the bar of the b&b for a drink so they can have a go at drunkenly asking you out. It's endearing you suppose.

When the nearest boat training down in the city closes for refurb, that leaves the absolute abysmal old school training in this place actually picking up big contracts and you cry when your little b&b gets fully booked out with all the groups needing somewhere close by to stay for the 4 days it takes for the training to run. That's money from beds, money from board, if you're lucky money from pints in the evening.

You worry yourself sick preparing. What breakfast would be best? Will they notice the maintenance issues if you try to cover them up? Should you try to dress nice? Maybe you should bake cookies so the place smells nice and you can give them some when they arrive to endear them to the place. You need people to keep coming here even when the training in the city gets back up and running and honestly so does the training place here, so you hope the old man running it does a bang up job.

The place is sparkling clean but nothing will ever make it tidy, it's too cluttered for tidy, full of a lifetime of knick-knacks and oddities. You try your best to make it all work, to lean into the cosiness of it. You can't afford to fix everything, but you do what you can.

You're not sure if you look silly in your nice outfit with your warm plate of cookies at the bar waiting for the group to come check in, but you plaster on a welcoming smile and fidget until you hear the door.

The man in the mask ignores you and instead points out a leak in the corner that you had done your damn best to cover. You think you might cry until the one in charge smiles at you and chucks your chin.

"What Ghost means to say is that he's pretty handy with roofing, has a little business back home for something to do when he's not deployed."

"Aye and he does work for bonnie things for free."

"Oh fuck, these are delicious."

The one who has just stuffed a cookie into his mouth gets smacked upside the head by what you assume is their commanding officer.

"Sorry luv, I swear they're house trained better than this."

Their course doesn't start until Monday and they've checked in on Saturday so you have the odd pleasure of spending a Sunday blustering around insisting as guests they should not be fixing up the place.

It's when they get back from their first day of training and are exhausted, irritated and looking to blow off some steam that things really get interesting :)

[botanyshitposts]

Hey! I'm not a botanist, but I'm in circles where it's a bigger thing and I'm kind of curious about something.

So, from an outsider's perspective, the genus Garcinia has a lot of weird and messy classifications. For example, common species like G. intermedia and G. gardneriana are really similar to Garcinia brasiliensis, to the point that it's pretty controversial if they're actually separate species. The Garcinia species colloquially known as "achachairú" also appears to bear a lot of similarities to that trio (although much less than they share with each other), HOWEVER it's almost exclusively referred to (in cultivation and in studies) as G. humilis, a Carribean species with small oval-shaped leaves, despite actually having very long lanceolate leaves and being exclusively found in the Andean foothills of Bolivia. Also, multiple frequently cultivated species like Luc's garcinia and Russell's sweet garcinia haven't actually been described yet, despite for example the former having a decent amount of scientific interest and frequent genetic testing done on it.

All of these odd classification things and even more others have been pretty well known in my circles for the past 15 years-ish, but still nobody seems anywhere close to a conclusion for them. How long does it usually take for a genus to get organized when it has as many species as Garcinia does? And how do they do it? Do they go around testing every single species or only a few at a time? If a species is currently not named, do the same people usually describe them as part this endeavor, or just leave them for somebody else? I saw Plinia and Artocarpus recently got reshuffled a lot because of some prominent genetic studies on them, and several new species and even genera were added, but it just seems alien to me how stuff like that even ends up happening. There are so many plants out there!

Sorry if I'm asking the wrong person here, but I've been wondering about how this stuff will eventually be resolved for yeeeearrs

There are so many plants out there!

ok im kind of surprised i can offer a few possible answers to this question despite having never heard of this but i think i can. if the question is 'why aren't some plants actually described', this is the primary reason why.

when i was in plant anatomy class in college, the person teaching us was a plant anatomist who assigned us different plants from the greenhouse to dissect and describe in a paper for her, and she told us that we might find something that hadn't been described before, which was pretty shocking to me. what do you mean i could potentially find a new-to-science thing? has nobody in history looked at this plant that's just growing in the greenhouse upstairs??

what she said was that no, sometimes not. there are so many plants out there that it's difficult to do one exact in-depth description and published examination of each species, so what botanists end up doing is doing or finding one in-depth examination of one species in a specific group and assuming that all the others in the group are at least similar, if not the same. which is good because it saves time and works as a shorthand, especially if there's not much funding, but also sometimes it has the potential to overlook more nuanced differences that can go undiscovered for a long time. but that's just botanical species in the conventional sense, which i don't think is as straightforward in what you're describing.

another answer to this question that's more specific to the species you're talking about here is that plants are having sex. they have so so so soooo much sex. few things they enjoy more to be honest. and given that the most conventional (but not only) definition for different species is 'can't have sex with other species because it's too different from them', the lines get blurrier to deal with, and one thing botanists do when the lines between species get too blurry (because of all the sex) is to just assume that they're all part of some kind of hard-to-describe genetic soup with individual plants falling along gradients or spectrums of similarities or differences, and in this case you'll see botanists just name the most prominent species among them and call it the '[most common suspect] complex', which groups together all the ones that happen to be having sex with each other at the same time, just to make them easier to talk about. this typically doesn't mean that they're species-less, but more that they can be thought of as a group with a few distinct points where they can look very distinct, and those points are the species, if that makes sense; see the citrus sex graph at the end for an example.

i also see from a cursory google search that people seem to be planting and eating these in a more widespread way, and people are talking about them on forums and stuff. this is one of the cases in botany where things get tricky, because a person looking for traits in a fruit that's having tons of sex might not actually be looking for the same things botanists are looking for when describing a species-- it might seem easiest to just find which species or few species are the tastiest and grow those, but if it's a genetic soup then all you can really do is do it the old fashioned way and breed individual plants for the traits you want. which, who knows, could end up being a hybrid between all of them.

case in point: again i am not completely up to date with the lore here but i found a forum thread where people were debating which species to plant and the consensus was just to plant multiple species at once, which is fine but is also really funny given that it DOES facilitate even more sex, thus blurring the lines even further and-- if the posters decide to plant the resulting seeds from the fruits-- will create even MORE hybrid plants of no discernible concrete species in the plant soup. the hybrid of a hybrid of a hybrid of a hybrid or whatnot. when does one stop calling it a hybrid between two species and start calling it 'the tree in grandma's backyard that's the tastiest of the berries i've tried'? that is the question, truly, one humanity has had for millennia in the search for the tastiest berry, and at that point it might just be easier to call it a variety or cultivar, which are horticultural terms for just that-- a distinct 'kind' among the same species that taste good subjectively and can be reliably rebred and harvested, like all the apple varieties people debate about.

another reason is that plant phylogenies are hard and brain-twisting and plant taxonomists and systemisists are among our strongest warriors. it's not uncommon at all in botany to be researching something and to find out it's been reshuffled because of a new breakthrough on the case a bunch of people more qualified on the subject decided made more sense like a decades later. sometimes species themselves will even change names multiple times if it turns out that it was described earlier by someone else considering the new circumstances. if you're a really unlucky or just controversial plant all this can happen over and over again until, finally, the trees of math have been resolved in a way that makes sense. how long will it take? surely there is a concrete end to the madness? nah. lol

finally, if you're looking into studies on this, you should know that some phylogeny stuff is opinion-based or subjective, especially at first. what counts as a new group for one group of researchers might not count as one for another. so when you see stuff where people are inventing new categorizations or genuses or whatnot or merging multiple ones together spontaneously, it'll depend on how well supported their reasoning is and what the evidence seems to show, and the larger community of plant taxonomists will, overtime, decide what they want to do with that information-- which may include verifying it or refuting it with more evidence. what researchers are proposing when they split stuff off or merge it together is a new or updated model for thinking about existing information, and that model may be more or less useful than the existing one for the means of actually learning more about the plants.

anyway in short there are lots of reasons why this might not be sorted out and the more sex these plants have the longer it's gonna take. i'm strongly reminded of that one citrus sex graph (its this one) (screenshotted to see it on night mode):

[allbark-no-bite]

marriage and honor.

jake seresin x reader (wc: 6.5k)

summary: the Navy has already taken two people from your life, and you don’t intend to let there be a third. that is until Jake Seresin walks into your life

warnings: severe plot holes, mentions of character death, swearing

authors note: based off of the movie Purple Hearts. it’s a great movie and i highly suggest watching it! please bear with me in the beginning of this, the plot holes fix themselves, i promise lol. i literally threw this together because i wrote one scene for shits and giggles and had to commit to it

(read parts two and three here: december and devotion, cats and christmas)

————————————————————————

No one ever expects to have to bury their brother at fifteen. Kinda just like no one expects to have to bury their other brother at eighteen. But you do it the first time and then you do it again three years later. It's a bit like deja vu the second time, like you're reliving the actual nightmare all over again. Except this time there's no one to hold your hand and tell you it's all going to be alright because he's dead and buried too.

They both die honorable deaths in service to their country. At least that's what they say at the memorials. You're not so sure there's anything comforting about dying honorably. They're both still dead, honored or not.

Raised by your grandparents, you'd grown up the youngest of three on a military base smack dab in the middle of San Diego, better yet known as Fightertown USA. True military brats, your old brothers enlisted straight out of high school, one after the other. As their young and impressionable kid sister, you worshiped the ground they walked on and had your heart set on following in their footsteps. That was of course, until they both went and died.

'Sometime these things just happen', is what you were told. And you know, freak accidents do happen. Engines fail, training exercises go awry, safety precautions are ignored. But that doesn't make up for the fact that lightning has, against all odds, stuck the same place twice.

So after the Navy takes away not one but two people from your life, you swear off all things to do with military life. The moment you graduate high school you pay out of pocket just to move off of the base into a shitty the-bedroom-and-bathroom-are-in-the-same-place apartment. You go to college and get the kind of degree that looks good on paper but you can't really get a job with. But it's fine because it helped you to put the past behind you and move on. So much that when your grandmother passes away unexpectedly, leaving your grandfather widowed, you're able to stomach moving back closer to home to take care of him.

At least, you'd thought that you had moved on.

Now, standing in the middle of the courthouse wearing what had been your college graduation dress (the only white dress you could find on such short notice) and watching the man before you slip a ring on your finger, you're not so sure. As a matter of a fact, you actually feel sick, queasy like you might have to bend over the nearest trashcan to get the blood rushing to your head again. That might would be a good idea because what the hell were you thinking.

Jake must take notice of the expression on your face because he offers you a weak smile, his pink lips pressed together. The same thought must be running through his mind too because he also looks like he might be sick at any moment.

What the hell were either of you thinking?

"I now pronounce you husband and wife." Thankfully the minister is too bored looking with his own job to notice that both of you are looking worse for wear. He also completely forgets to say 'you may now kiss the bride', which is another thing to be thankful for. That might have been the straw that broke the camel's back and sent both you and Jake running for the hills. Instead he mumbles a unenthusiastic congratulations and departs from the room, leaving you and Jake standing numbly side by side.

In the following seconds after the minister leaves the room, silence settles between the two of you, partially due to shock and partially because you don't even know what to say. It's a sight, Jake in his pristine navy dress whites and you in your too short college graduation dress.

Finally, Jake clears his throat, swallowing. "Well, there's no turning back now."

*queue rewind noise* 

You may be wondering how we got here.

*six days ago*

"C'mon baby, you didn't think that was funny? Girls usually love that line."

He'd been after you all night, smiling, cracking jokes, buying you beers. You had to admit, he was nothing if not persistant.

"Unfortunately for you, I don't date funny guys." Despite your tone, you're actually genuinely amused by the situation. He's trying so hard, and it's getting him absolutely nowhere.

He's handsome, without a doubt the most attractive man at the bar, but he could be the most attractive man in the world and you still wouldn't touch him with a ten foot pole. Not with that smile and defiantly not with that uniform on.

"And why is that?" he laughs, undeterred by your blatant disinterest. His friends are watching, have been watching the two of you do this dance all night, and he's not about to back down now.

You watch the smile lines that appear on his tanned face, the way his eyes crinkle in amusement as he awaits on your answer. He's probably a few years your senior, early thirties if that's anything to go by.

"Funny guys are dangerous. They make you laugh and laugh and then boom you're naked."

His smile twitches and yeah, you can be funny too, wise guy.

"Is that where you think this is going?" he asks.

"Where else would it be going?"

And that's how it all started. The beginning of the end.

"You know navy spouses get a monthly stipend and are allowed to live on base?"

You remain facing the bar, peeling at the label on your bottle, not bothering to glance to your side. "You know, I really fucking wish Natasha would keep her mouth shut."

"(Y/n)—"

"It's no one else's fucking business what—"

He grabs the seat of your stool, nearly jerking it out from under you as he pulls it closer to his own. "Listen to me," he growls, a stark change from his usual demeanor.

Stubbornly leaning away so that you're not so close, you regard him with suspicious and narrowed eyes. You raise an eyebrow as if to say he's got your attention, however unwillingly.

"Right now, we're both in a tight spot, okay?"

You knew about his dad. Heard the whole spiel from Natasha— who you're learning that while, your best friend, cannot be trusted to keep her mouth shut— about how they weren't on good terms, hadn't talked since Jake got into the academy, and suddenly he calls out of the blue to tell Jake that he'd had enough of his son's playing around and that it was time for him to start thinking about getting married. That if he didn't within the next few months, he'd arrange the whole thing himself.

"You need a place to live—" You shush him, eyes darting to the people around you. You don't need anyone knowing that you can't exactly afford to pay your rent. Jake rolls his eyes because he doubts anyone could hear him even if he was yelling with how loud it is in the bar, but he lowers his voice regardless. "You need a place to live, and I need to get my old man off of my back..." He trails off, as if you should know where he's going with this.

You don't. You're just staring at him with an increasingly annoyed expression on your face, wondering how soon you can get out of this conversation.

He takes a deep breath and sighs. 

"Hear me out, okay? What if we get married?"

You had actually laughed in his face at first, and Jake was so dead serious about it that he didn't even dwell on the fact that it was the first time you had laughed at something that he'd said.

"Not a chance in hell, Seresin,"  had been your second response. But that's the thing with pretty guys, they can be awfully convincing.

It all happens so fast that you have metaphorical whiplash. Next thing you know, you're wearing a brand new diamond on your finger and going out to the bar with his entire squad the night before their deployment.

Of course, they're all a bit shocked at first. You would be too. You and Jake hadn't exactly been even remotely civil with each other just a few days prior. But if any of them are suspicious of your's and Jake's sudden union, they don't let on, all too happy to have something to celebrate before they ship out. Fanboy and Payback have each brought their wives and Natasha her girlfriend as well. You suppose you're expected to mingle with them, maybe shed a tear or two over the shared bond that your partners are going across the country, but you can't really find a way to connect with them so you kind of just avoid them altogether. You do feel bad, sitting there without a care in the world while they all try to offer comfort and reassurance to each other. But you don't really know what else to do because it's not like you're exactly sad.

Thankfully Javy, or as he's known, Coyote, stands up and raises his near empty bottle of beer in the air and saves you from anymore uncomfortable sitting. "I'd like to make a toast! To the newlyweds!" You spoke too soon. The table cheers and raises their bottles in response, all of the attention turning to where you and Jake are sitting. Cheeks immediately flushing, you have to refrain from sinking down in your seat. Jake is grinning, accepting the few rough pats on the back that he receives from Rooster beside him.

And just when you think that's the worst it's going to get, it gets worse.

"Kiss!"

You're not sure who starts it, but like teenage boys, the entire squad parrots in unison.

"Kiss! Kiss! Kiss!"

At first Jake just laughs and shakes his head good naturedly, shrugging off the insistent urging of his friends, and you think that's going to be the end of it. But the chanting doesn't stop and finally Jake turns towards you. Your face is probably red hot and undeniably panicked. Heart racing, you try to read him in the half second that you're given as he leans and wraps his arm around you. Is he going to kiss you? Are you supposed to kiss him?

Neither option happens. Jake's arm wraps around your shoulders, pulling you close into his side and at the last moment, he turns to press a kiss to your cheek. A series of disappointed boos follow but they are drowned out by clapping for the most part. He's uncomfortably close, closer than you ever would have liked to be to Jake Seresin, but you have to remind yourself that it's all for show. When Jake does turn away, you can still feel the warmth of his lips smeared against your cheek. Even so, he hasn't let go of you pressed into his side. 

Your heart still racing, you reason with yourself that if Jake can play the part, you might as well too, and under that pretense, allow yourself to hide your face into his shoulder to conceal it's redness. The smell of his cologne washes over you, and oddly enough, you don't hate it. It's subtle, with a hit of what might be amber, and nothing like the overwhelmingly masculine scent that you would have pegged him for. 

If Jake finds your sudden willingness to touch him strange, he doesn't comment on it, likely assuming that you're just trying to make this thing between the two of you seem real. You somewhat reluctantly pull away when Coyote's voice raises again.

"And here's to shooting down some fucking MiGs!"

Again, the table erupts into a chorus of cheering and hollering. You still, allowing Jake to fully pull away from your side while the proclamation rings out in your head. It's a very grounding moment, and suddenly you feel very alone sitting at the table. No one seems to have noticed your shift in mood. Maybe you're the only one put off by Javy's statement because this is their reality. There are people who are not coming home from this mission; everyone just likes to assume it won't be them. You know better.

You can't help it, the words just come out of your mouth. "That's a fucked up thing to say."

It's the first time you've really spoken up the entire night and all heads turn towards you. Based on the look in Jake's eyes, which is a bit apprehensive, as if he knows this is headed nowhere good, you realize you probably should have just kept your mouth shut.

Payback shifts uncomfortably in his chair while the rest of the crew glances around the table wearing varying states of confusion. Their gazes shift from you to Jake, as if waiting for some sort of explanation. 

Coyote is the first to break the silence. "Look, sweetheart, that's just the way things are. Here in the Navy, that's a badge of honor. Your boy Hangman here is the only one of us with a confirmed air-to-air kill."

"(Y/n)—", Jake attempts to interject, but you're not about to let him explain himself to you in front of all these people.

You set your jaw and swallow back the anger threatening to rise up in your throat. "Yeah, because killing people is so honorable."

Coyote scoffs. "We're just doing our jobs. And if that means taking down a few planes while we're at it, so be it."

"Your job is to protect people," you snap. "There are people out there who have families—"

"Alright, that's enough—" Jake begins to interject for the second time, but this time it's Coyote who interrupts him.

"Come on, man. You're really going to let her say that kinda shit—"

You stand up. "I don't need his permission to—"

"I SAID ENOUGH." This time it's startling enough to cut both of you off. "(Y/n), what is your fucking problem?" Jake snaps.

You flinch at the harshness of his question.

Your eyes travel around the quiet table, where everyone is holding their breath, and then back to Jake. His green eyes reflect a type of pissed off what would be terrifying if you weren't so angry yourself.

A small, logical part of you knows that he has a right to be angry. You've picked a fight for no apparent reason in front of his friends and he hasn't the slightest clue why. It's not his fault your brothers are dead and you blame the Navy for it.

Regardless, that doesn't make up for the fact that you're pissed off by his defense of what Coyote has said. Even though you probably owe him an explanation, you're not about to answer him when he's just yelled at you. You also know that if you don't say something, he's going to and you'd rather die before letting him tell you off in front of all these people. You abruptly push away from the table and storm off for the bar top. You can hear Jake chasing after you.

"(Y/n)."

You ignore him in favor of heading towards the back door of the Hard Deck, pushing past people regardless of whether they're in your way or not. Being slightly more considerate, you can hear Jake moving much slower as he excuses himself through the crowd.

"(Y/n)—"

You come to a stop once you reach the door, spinning on your heels with a fire in your eyes.

"What's my problem?!"

Behind you, you can hear the loud jesting and jeering of his friends back at the table. They're still ruffled with excitement from your outburst, and Coyote's voice follows your retreating back. "Jesus man, get your girl under control."

I'm not his girl, you want to snap. He doesn't own me.

Jake has stopped a few feet away from you. 

"What's my fucking problem?! My problem is that your friends are sitting over there calling murder honor."

Jake sighs harshly though his nose. Shaking his head, green eyes looking up, he begins, "He didn't mean—"

"No. I know what he meant, Jake. You're all a bunch of cowards. You're all too goddamn scared to admit that maybe you're not doing as much good as you thought over there, and so you just justify it by saying all killing is good killing, right?" you spit.

His vibrant green eyes harden but he doesn't respond. "That's some real goddamn honor, right, Jake?" you repeat, angrier this time, wanting more than just some watered down reaction from him. If there's one thing that pisses you off about Jake, it's that you've never gotten anything more than what he's conditioned himself to respond with. It's like he's locked up in this stupid box of his and the most you can ever get out of him is a glance. You want him to be angry with you.

"That's enough." His jaw is tight, and you can tell that even despite his lowered voice and rather subdued demeanor, you've hit a nerve.

"Admit it. Admit that you—“

"(Y/n)." His voice adopts a seriousness that you've never heard from him before. It sounds almost dangerous.

Jake steps towards you and for a moment you think you've won. And then in the moment following that, you actually think that he's going to get physically angry with you. Your heart stalls. Jake's a big guy, a naval aviator, and no matter how good he sells himself to be, he could hurt you if he wanted too. You would never have pegged him as someone who would put his hands on a girl, even after only knowing him for a week, but a man is a man, perfectly ironed uniform or not.

Only he doesn't. Instead he steps into your space and leans in closer than you've  ever been before. His hand presses into your back, firmly pulling you into his chest so that you have no choice but to shift closer to him, your bodies molding together. "I said that's enough. They can see us arguing."

The press of his mouth to your ear conceals the exchange of your conversation from the listening table. You can smell his cologne on the starched collar of his uniform.

"I don't care if they see us—" Pushing your palm into his chest, you try to reestablish the distance between you, but like a brick wall, Jake doesn't budge.

"You realize that we have to make this look real?" he hisses. "From here on out, they're watching everything we do. The government is watching everything we do. Do you understood that?" His voice is tense, and it sounds more urgent than angry now.

Standing there, you realize his heart is thumping heavily beneath your palm. His body is uncomfortably rigid, like a scared dog waiting for its owner to show up and see the mess he's made. Behind you, the table has gone relatively quite. Rooster murmurs something along the lines of, "It's a little early for there to be trouble in paradise already."

Someone—Coyote—responds, "I don't think he thought this through, man. They won't last two weeks."

Jake's eyes meet yours, and you know he can hear them too. You swallow, trying to relax a little in his grasp. He's right, you have to make this look real, and fighting right off the bat doesn't exactly look good.

"Are they still looking at us?" You finally ask, leery now to even speak too loud.

Jake breathes a sigh of relief beside your ear, taking your sudden quiet as cooperation. "Yeah, just keep talking, okay? Act like we're working it out."

Despite trying to appear more comfortable than you are, you don't move your hand from his chest. The coarse material of his dress whites rises and falls steadily beneath your palm. It's calming in a sense, and you try to focus on its rhythm rather than the fact that you're so close that you can feel the heat of his mouth beside your ear.

"Still looking?" You ask after a few moments pass.

He hums. "Yep."

"Well then what do we do? We can't just stand like this forever." The longer you stand together, the more details you become aware of. Like the fact that his face is freshly shaven against your cheek and that he must have brushed his teeth before this because his breath smells like Listerine.

"Look at me."

"What?" You ask, your brow furrowing as he pulls away. His hand that had been holding your waist firmly in place lifts to grip your jaw.

"You're going to have to kiss me," he explains, glancing briefly over your shoulder.

"What?" Before you can even protest, he's leaning in and pressing his mouth to yours. Without the time to process what exactly is happening given your state of alarm, all you can do is go along with it. His lips mold against yours in what might be the most borderline tame kiss you've ever had. Despite this, you are reluctantly surprised to note how good of a kisser he is. It's just forceful enough to let you know he's in control but not so much that it's unpleasant. His lips are full and taste vaguely of his mouth wash.

You don't kiss him back.

It makes no difference to the group behind you whether you actually kiss or not; they can't tell from this distance and all they have to do is believe it happened. It's more for your own self preservation than anything. It's one thing to play the part, it's another thing to get caught up in it and catch feelings. And with Jake Seresin, that was a dangerous game to play. You'd already felt it, him prying his way under your skin when he'd held you at the table and the smell of his cologne filled your sense. It would be that easy.

To his credit, Jake lingers just long enough to make the kiss believable before pulling away. Even si, it still feels uncomfortably long. He leans back and you don't miss the fact that he wipes his hand across his mouth. "Sorry," he mutters under his breath, looking away.

"Jake..." you begin, immediately feeling bad, but he stops you.

"Whatever, (Y/n). It's fine." He won't look you in the eyes now. You turn to look over your shoulder, desperate to get yourself out of this increasingly bad situation .

"They're not looking," you say, finding the table now amicably chatting with each other rather than focused on the two of you. The sudden PDA must have finally diverted their attention. "...you can step away now."

"Right," he says, clearing his throat awkwardly. Jake drops his hand from your waist and steps back like he's glad to finally put some distance between the two of you. So much for making this look natural.

You return to the table shortly after, in hand to make it appear as if you've made up and smiling tightly when Bob cheerily welcomes you back to break the awkward silence. Once seated, you drop each other's hand beneath the table immediately. The rest of the evening is spent avoiding contributing to conversations that involve the other. If anyone notices, they don't comment on the fact that the two of you hardly look at each other for the rest of the evening, and somehow you manage to put up an otherwise happily married front.

When a few of the guys finally get a little bit too drunk, specifically Rooster, you're all too happy when Natasha calls it a night. Because they ship out the next day, Jake drives you back to the hotel where all of the married couples have rented out a room for the night. Apparently it's a tradition or something. You make the drive in silence. You let him check into the room and carry both of your bags up, disappearing into the small bathroom to splash cool water onto your face. It helps to ease some of the tension from this evening. Leaning over the sink, you watch the water swirl down the drain.

Is this crazy? This is crazy, right?

Jake is sitting on the edge of the bed, head in his hands when you step out. He's taken off his hat and suddenly he seems a lot more fragile than he was a few minutes ago. There's a softness to him, something having been previously concealed by the precise styling of his hair and tense pull of his set jaw. Before you can break the silence, he sucks in an uneasy breath.

"Hey, we need to talk about something. Um, you know... in case I..."

In case he doesn't come back.

You swallow, looking down at the ground. After tonight, after he's kissed you, all of this is starting to feel a little bit to real. What the hell happened to pretending? This was all supposed to be pretend. "Jake, please don't do that—"

He stands up from the end of the bed, and you notice the folded paper in his hands. "This is all of my personal information, you know, bank accounts, passwords, phone numbers... Anything you might need if something happens to me." He says it all as if it's so normal, but you can hear the apprehension in the thinness of his voice.

Already, you're shaking your head as he hands you the letter. "Jake, please. I don't want that." Your heart is pounding and all you want to do in the moment is go back in time and never have agreed to do this in the first place. This was insane. What were you thinking? Like you were going to put yourself through this again? 

"(Y/n)—“ Jake tries, interrupting your spiral of thoughts.

"I said NO, Jake," you snap, stepping back from him and the letter. There are tears burning at the backs of your eyes, like you might burst into a hit of hysteria at any moment. "I change my mind. I can't do this..."

Jake's eyes glance from you to the paper in his hand and then back to you, and then he drops his outstretched arm with what sounds like a laugh. "Right. Not like we're fuckin' married or anything." He releases a puff of air from his cheeks and runs his hand through his hair like he's contemplating pulling it out. "Do you know how screwed we are if anyone finds out about this? Do you, (Y/n)??" he asks, his voice rising to a concerning level. "We're done!" 

"Jake, I—"

He tosses the letter onto the bed and sits back down with a heavy sigh, looking down at his feet. When he finally speaks again, his voice had lowered to a more acceptable volume. "It's a bit too late for you to back out now. If the Navy finds out about this— if anyone one finds out about this, I could lose my job. We could both go to jail."

Silence settles over the two of you as Jake sits on the bed, staring at his feet, and you stand there in the middle of the room, willing your heart to stop pounding in your chest. You need to get out of here before your heart implodes. You turn and grab your coat from by the door.

"Where are you going?"  Jake asks, his voice tired and annoyed.

"I need some air," you say, shrugging on your coat and opening the door. He doesn't try to stop you on the way out. 

You regret the decision the second that you walk out the door. Now that the sun is gone, it's freezing outside. Your original plan had been to go for a walk to clear your head but you doubt now you'd make it very far. Walking down the stairs and out into the nearly empty parking lot, you look around, considering whether or not you would survive the trek to a gas station. When you realize you've left your phone back in the room, you decide against it. You aren't dumb enough to walk in the dark alone. Instead you head towards Jake's truck, which is parked out by itself at the end of the lot. To your surprise, you find it's unlocked and the door swings open when you tug on the handle. You climb in and the switch to lock the door behind you. Even the inside of the car is cold but at least it's out of the wind. You hug your knees into your check and tuck your chin into them, curling up in the driver's seat to keep warm.

And then you just sob.

It's the kind of sobbing that starts long and drawn out and then escalates into the rapid breathing that happens when you can't get enough air into your lungs and it feels as though there's an entire golf ball stuck in your throat. You haven't cried this hard since you were a kid—since your first brother died. You didn't cry the second time, didn't allow yourself to feel anything the second time because you knew there wasn't going to be anyone to pull you back together if you did. 

At least being away from all of this had allowed you some time to forget, even if for just a moment, that they were gone without having to be constantly reminded. You had moved to put as much distance between yourself and the Navy as possible. Because that way life wouldn't get the chance to take another person from you in the same way. Looking at the ring on your finger now, that's exactly the opposite of what you had just done. This was just supposed to be until you could get back on your feet, and if it helped Jake out in the process then great. Now that you think about it, it was stupid of you to think that you would be able to make it through this with out catching feelings for him. 

Now you're going to lose him too.

You cry until you almost make yourself sick and then some more. Your sobbing is interrupted every few minutes when you choke on your own air and have to swallow the golf ball that is lodged in your throat so that you can breathe. You're not sure how long you sit there just crying. Surely at least an hour has passed. By the time your sobbing has slowed, your head hurts and your chest aches enough to be sore.

Knock knock knock

You jump at the noise, head shooting up from between the bracket of your knees. It's dark outside, the parking lot just barley lit in a wash of grey by the moon. Even so, you can make out Jake's broad figure in the darkness.

"Open the damn door." His order comes out in a puff of frosty condensation that warms a spot on the window, his voice only partially muffled by the barrier. His shoulders are hunched against the cold, the upturned collar of his coat doing little to protect him from the brutal conditions.

For a while you just stare at him through the window, swallowing back the spit in your throat.

"Open the door," he repeats, knowing better than to think that you can't hear him. If only locking yourself in his car was the solution of all of your problems. Reluctantly, you reach over and click the lock, slowly rolling down the window.

After it stops, you stare at each other through the open car window, separated only by the frame of door that he could now easily reach out and open. His soft brown hair is mushed and in disarray, nose and cheeks tinted pink form the chill. The pleasant green of his eyes is mostly hidden as he squints against the wind.

Finally, you suck in a breathe, your chest shuddering. "I cannot do this," you stress, all of the fear that you've been shoving down now presenting itself in a singular sentence.

Jake sighs, his face softening to reflect a look of sympathy. "Look, I promise you, it's not that bad. You'll come with me to the carrier when I ship out tomorrow, we'll hug each other goodbye, and then you won't even have to see me for a couple of months. It'll be like none of this ever happened. And when I come back... we'll figure it out. Okay?" His voice is soft and understanding, like he's talking to a child.

You stare at the dashboard, your stomach still churning anxiously. "That's not what I'm... It's not you, Jake." Quite the opposite. "I lost my brothers to the Navy. Both of them. And I don't think I can take losing anyone else."

Immediately Jake's face falls as he puts everything into place. Your initial distaste for him, your furious outburst at Hard Deck, your reluctance to have have anything to do with the Navy... "I—God, I'm so sorry, (Y/n). I had no idea."

You shrug, calming down now that you've finally let go over everything that you've been holding in. "I asked Natasha not to tell you. I just thought that I could get over it so what was the point in even telling you?"

The wind blowing into through the open window is bone chilling and so you can only imagine how cold Jake is standing outside the car. For a while there's only the sound of his quiet breathing.

"Nothing's going to happen to me, (Y/n)," he says into the darkness.

"How can you be so sure?"

Hands shoved into his pockets, body braced against the wind, he shrugs. "I'm not. But if I didn't tell myself that every morning, I'd never get out of bed."

Sighing, you pull the handle on the inside of the door. "C'mon, it's fucking cold out there."

Jake huffs as if to say, you're telling me, and grabs the handle to pull open the door. Only instead of climbing in, he steps further inside the door and grabs your head in his cold hands so that your faces are mere inches apart. "I mean it, kid. I'm not going to leave you, alright? You just gotta trust me."

Looking into his eyes, you know he means it. For the second time since you've known Jake, you really see him. Standing before you is the same man that you saw in both of your brothers. Granted, they were much younger than he is now, but you get it. You'd been trying to see him as anyone else other than the brothers you lost, praying that it would hurt less, but you can't make someone into something they're not. 

"Okay," you whisper. "I trust you, Jake."

You're awake hours earlier than what you're used to in the morning, but that's only because you had glanced at the alarm clock at half past three and realized that you only had few hours left with Jake. The both of you had returned to the hotel room and changed in comfortable silence, slipping into the single bed together without a word. Jake had reached over and pulled you into him without so much as a second thought. Now his body is draped heavily on top of yours, his nose tucked into your hair as your fingers trace along the bare skin of his exposed back. 

You switch between staring at the ceiling and watching the numbers change on the alarm clock, trying to think about anything other than the fact that Jake would wake up in about an hour, you'd drop him off at the carrier at six, and that would be it. You'd only just gotten him and now you were going to have to let him go.

When Jake's alarm does go off, you're more emotional than you thought you would be, but Jake seems to be fine, dutifully putting on his uniform and carefully packing all of his bags, so you try to put on a brave face. You move slowly, dragging out the process of getting dressed as long as possible just so that there's no excuse to leave for the dock any sooner than you have too. After you're done getting ready, you watch him shave once and then again for good measure before he ultimately decides that you've both wasted enough time putting off the inevitable.

The drive there is silent as well and would have been unbearable had Jake not reached over the consol to reassuringly squeeze your hand. He doesn't let go of it until you pull into the crowded port. Between people trying to get their things on board and a bunch of teary goodbyes, it's beyond you how you manage to find the Dagger Squad in the midst of the chaos. Fanboy and Payback are saying goodbye to their families while Rooster and Natasha chatter excitedly with an older man also dressed in naval attire, the name plate on his uniform identify him as 'Maverick'. It's all so overwhelming that only when Jake squeezes your hand again do you realize that it's time for you to say goodbye.

Reluctantly, you turn towards him, interlocked hands swinging between the two of you. He does his best to smile, and to his credit, it's not entirely fake. "Well," he sighs. "This it it."

"For now," you add, returning his soft smile as you look up at him.

"For now," Jake agrees, his smile brightening now that you seem to be okay also. He pauses, just staring down at you for a moment before he adds, "Are you going to let me kiss you?"

You smile, answering him this time without hesitation. "Only if you keep your promise."

Jake's large hand comes up to cup your cheek, cradling your chin in his palm as he leans down to you. "I promise," he murmurs before pressing his mouth to yours, perhaps even more tender than he did the first time at Hard Deck. Only this time you reciprocate it, chasing his mouth as you lift up on your toes and run your fingers through the back of his hair. Groaning, Jake sighs into the kiss. It's dizzying and you don't know how it's possible to put all of the passion that you've been holding back into one kiss, but somehow you do. His lips are soft and you have to shove down the urge to grip his hair and demand him for more, because it by some miracle occurs to you that you're on a ship in front of hundreds people. 

Jake's the one to pull away, his eyes shining and pink lips slightly more swollen than they were a minute ago. You can't help but laugh, wiping away some of your lipgloss from his mouth with your thumb. "Goodbye, Jake."

"Goodbye, (Y/n). And don't forget, I'll see you soon."

[wxnheart]

𝐏𝐨𝐥𝐲 𝐏𝐚𝐥𝐨𝐨𝐳𝐚, 𝐂𝐡𝐚𝐨𝐭𝐢𝐜 𝐌𝐚𝐬𝐤𝐰𝐢𝐜𝐡 𝐄𝐝𝐢𝐭𝐢𝐨𝐧

part two (nsfw)

What are the odds that you're the object of affection for not one but two masked killing machines?

Well, that's what they would have you believe, that they're deadly. I mean they are and they... aren't. Simon is a giant armored teddy bear and König is a playful Golden Retriever. Your good boys. Your best boys. Your good, best, and chaotic boys.

Well, uh... Ghost will forever call bullshit and protest because he is NOT chaotic. Now that is bullshit because his chaotic nature is more subdued. You can admit that König brings out this part of him more than you do.

Though to be fair, you've gotten in your fair share of shenanigans with König. Ghost swears he rolls his eyes more often than not when it comes to you two.

They also tend to lowkey compete with each other and it's made you laugh more often than not.

You thought you were a worrywart but König and Ghost have you beat. By miles. And König has you both beat by lightyears.

He'll bring you up a lot when he and Ghost are gone. When the three of you are in different places, best believe a conference call will be had. You and König are talking the most and Ghost will interject every so often. And then König and Ghost will talk and sometimes they will... not!bicker like an old married couple.

Their voices (especially the rumble of Simon's) are so soothing to you. You fell asleep on the phone while talking to them once and they got so worried that they were THISCLOSE to sending someone to check on you.

Speaking of being away, König absolutely does not like the fact that you're alone when they're gone. Thinks it makes you susceptible to an attack. Simon disagrees and vouches for you ("Alone doesn't mean weak. You'll be fine.") but in pure König fashion, he surprises you and Simon with the cutest Doberman puppy ("To keep you company and protect you when we're gone, Schatz."). A Doberman puppy who, to date, has no name because you three can't agree to one. König calls her Königin (Queen), Ghost calls her Pup, and you call her Lola.

Speaking of pet names, you're either Schatz or Schatzi to König and Baby or Love to Simon. They're usually handsome or gorgeous to you. You're still working on giving them specific pet names but those two will suffice for now. It's cute watching König glow whenever you call him that.

The dog is more company than she is protection because all she lives for is table food, scritches, and 'stalking' Ghost and/or König. The latter absolutely loves to roughhouse with her, too. She made Ghost her personal couch/bed/thing. Yeah...

You also encourage your four-legged baby to smile, too, and when she first did it in front of Ghost he was almost scared shitless ("What the fu—?").

Ghost is also a little dismayed and turned on that König can pick him up and carry him like a sack of potatoes. Ghost.exe stopped working the first time it happened. When YOU witnessed it for the first time, you, uh... well... let's just say you were deliciously sore the next day. (͠≖ ͜ʖ͠≖)

The same thing usually happens when you watch them spar and it gets a little heated (König gets that little glint of determination in his eyes and like fuck will Simon admit that it gets a little personal when he loses). Goddamn, just look at those physiques.

In the bed: You had to upsize because your lovers are fucking gigantic. König prefers to be rather confined when he sleeps so he's always in the middle. Ghost likes to sleep facing the door and you and the furbaby are... everywhere in the bed. She also gives no fucks and will plop down on the closet body.

Simon is also the resident pillow princess. Yeah, his pillows need to be extra fluffy and he keeps an abundance of them on the bed. So fucking what. You tease him about it endlessly but he couldn't give a shit. Funnily enough, König almost got supplexed once because he called Simon that in public.

Speaking of being in public, they're your protectors when you're out and about. Either they're walking in front of you if there are too many people or they're by your side. You do prefer for them to walk in front of you for... reasons. That involves the view. (͠≖ ͜ʖ͠≖)

And by the way, they can get a little jealous. They will feel some type of way if your attention is on something or rather, someone else. You are theirs and they have no problem letting people know that.

Oh yeah and König, fuck you. Ghost calls bullshit. Your mask does not look better than his.

[sourbinnie]

☆ hit me where it hurts.mp3 ☆

♡ genre ¿? ♡ -> angst ¡! ♡ pair ¿? ♡ -> maknae line!skz x gn!reader ♡ plot ¿? ♡ -> sometimes things shouldn't be said (or thought) but the words slip right out of his mouth at the worst time. ♡ warnings ¿? ♡ -> arguments ; the boys being a little mean but instantly regretting it ; cursing ♡ request ¿? ♡ -> yes!

hyung line

a/n: here's the maknae line version! we'll see if i can write a second part but i'm debating where i should double down on the sadness or make them have a happy ending

jisung ✉

you didn't know what shocked you more, his calm nature in argument isn't something odd but he never let it get out of hand. today he did unfortunately and it started a screaming match in your shared apartment about god knows what. like a competition to see who could hurt the other worse and guess who won? yeah not you, you won the tears that couldn't stop streaming as you remembered.

"fuck (y/n) were you always this bad? they didn't make my life this difficult." and if you were making his life so difficult then you were gonna walk out of the scene of the crime. "no, i didn't mean that. i don't know what came over me, it was just the heat of the moment. please don't fucking leave-."

"so you can keep on screaming at me? yeah no thanks, i'm going." it wasn't even the screaming that got to you, jisung could be loud and you never cared. but it felt like poison the fact that he compared you to someone he himself broke up with. "just stay away from me jisung, i can't even look at you right now."

"don't say that. i know i fucked up but i can fix it, i promise i can fix it!" he insisted but you couldn't believe a single word coming out of his mouth as you grabbed your things to leave. "baby please, i know it wasn't okay but i can't bear seeing you like this, at least promise me you'll come back?"

"i'm gonna be honest. i don't know if i will." you said and the last thing you remembered was the sadness on his face turning into pure horror and fear that you were gonna leave him forever. you couldn't even make a decision right now as you had so much in your own mind that it was getting worse & worse. as much as you loved jisung, people say things because they truly mean them right? and maybe you two were not meant for each other as you thought you were.

felix ✉

getting ignored by felix meant something was wrong and that you were in deep trouble. it got you thinking about your previous fights with him and how you handled them. you usually talked things out and told each other what you felt when he got like this but right now it seemed impossible as he dodged you every time you got close to him even though he was the one who invited you a few days ago to the dorms tonight. the tension could be caught with a knife and all the boys felt it so most of them decided to leave before it got bad except chan who looked at you two carefully and tried to figure out what was going on.

"lix can you talk to me? i don't know what's going on or why you're so distant but i would like to work things out." you said as you got close to him and sat down but he just pretended like you weren't there. it felt so weird to be so distant with the person you love the most and it deeply hurt but nothing scarred like what he said.

"can't you get a hint? i don't wanna be near you right now. god i don't know why i broke up with them, they're not awfully clingy like you are." he muttered as he tried to walk away but i guess it hit him what he said and turned around to look at me. i couldn't even cry, i was just going through my mind trying to handle everything he said at once and figuring out that i should probably leave. "baby no i'm sorry, please at least stay here so you don't have to walk in the middle of the night."

"there's no way i'm staying close to you today." even if it hurt him, nothing was gonna be as bad as what he said to me and he would have to deal with that. "please let me go felix."

"felix, i'll walk them home and we'll talk when i get back." chan said and i could see the hesitation on felix's eyes but he eventually did let go of my wrist and i could finally leave. i couldn't help the tears that were flowing as i got out of the building and tried not to make a fool of myself in front of chan but he was like an older brother to me so as soon as he offered me a hug, i gave in and let go.

seungmin ✉

you weren't sure how to handle things with seungmin when he got in a bad mood. it's like you two didn't even know where to begin discussing the things that made you both upset and talking it out like normal people. it always led to a fight about who’s right and who's wrong and not about how you two exactly felt. it also led to him using some insecurities against you this time which you were not having it. 

"listen (y/n) i don't know what you want from me but i'm done arguing." he said and you sighed, you were glad that everything was finally over between the two of you. "if i knew it was gonna lead to this, i would've stayed with them and never asked you out."

felt like a cold bucket of water dropped on you and it made you want to leave immediately but you froze. trying to process if it was real that your seungmin felt that way about you and your relationship, meaningless like it was nothing at all. it took all the strength left in you to get up and head to your shared bedroom to lock the door and not say anything else. as soon as realization hit him and what he said, he was on the other side knocking.

"i'm sorry i don't know what came over me. i promise i'll be better, please let me see you? i can't stand the fact that you're alone and suffering right now." he said but the sobs were uncontrollable and choking up on tears was so disheartening. "baby please, i won't leave this side until we talk it out. (y/n) i love you..."

"i love you too but please leave me alone for now will you?" you said even if all you wanted was a hug right now, you weren't sure you wanted one from someone who felt that way towards you. you could hear the footsteps getting further and further as you held onto your knees tight and buried your head, trying to make the tears stop.

jeongin ✉

it felt so weird to argue with jeongin. it was one of his first relationships and he still didn't know how to express himself without hurting you and sometimes he didn't know how to handle the tears that came after the hurtful words. he felt like crying himself most of the time he saw you cry and it wasn't easy to calm each other down if both of you were in a bad state emotionally. this time he did let the anger get the best of him and he dived right into the meaningless words that you would hear in a fight, well they were meaningless to him but to you? not so much.

"jesus fucking christ (y/n). i don't know what you want from me anymore, you're making such a fuss and i know they would never do this shit. i don't know why i'm with you." it was too late to regret anything as he looked at you, with shock in his eyes that he even muttered that. 

"if you feel that way then i should get going." you said as you bit your lip and tried to hold back from the break down that you were about to have. "i don't know what i expected but for you to talk to me that way? i didn't see it coming."

"(y/n) love, i'm so fucking sorry. please don't leave me." he said and yes the tears were flowing from his eyes and yes you did feel horrible about it seeing him like this. but it was his fault and to grow from it he would have to deal with hurting you as you walked in the direction of the front door and he chased after you. "please, i'll do anything but please don't go."

"if you wanna do something then understand i need some time away from you right now. goodbye jeongin, we'll talk later." you said and closed the door before he could follow you. a sigh and a tear came out of your body as you looked up and hoped that you two could mend things but it was all up to you at this point. and it hurt to know that he felt in a way you would've never even dream of feeling.

[bonny-kookoo]

𝙁𝙞𝙣𝙞𝙨𝙝 𝙇𝙞𝙣𝙚 | Welcome Home [Request]

Jungkook can't remember the last time you've been apart for so long. And with you gone, he might just go crazy- or make odd spontaneous decisions.

Tags/Warnings: Racer!Jungkook, established relationship, romance, they're so goofy, so much love, smut, lube? is that a warning?, bare sex (MC has an IUD), Jungkook got a haircut bc his girl was not around to make him contemplate his decisions before making them

Requested by: Miriwe on Patreon

Length: 2k words

-> Masterlist

▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄

"I'm gone three days and you're already going crazy apparently." You laugh as you walk into the living room, where Jungkook is sitting on the couch, not having heard you walk in it seems like.

He immediately pauses his game to jump over the back of the furniture, almost tripping as he runs to you, picking you up to hold you close.

"Of course I went crazy!" He laughs, putting you down to your feet again to kiss you. "Had to spend three days in an empty bed without my fiancé." He laughs into his kisses, and you giggle. "Why didn't you tell me you were back? I would've picked you up from the airport." He whines a bit childishly, while you just shrug.

"Nah, would've caused too much of a commotion." You deny, reminding him of the fact that he's always causing some chaos whenever he's seen in public. "But putting that aside, when did you buzz it off?" You ask, fingers curiously running over the shaven sides of his head.

"Yesterday, actually." He chuckles. "My hair was getting in the way." He shrugs.

"So you decided 'oh yeah, I'm just gonna get even hotter while my girlfriend is away with her parents' like, excuse me?" You scold playfully.

"Fiancé, first of all, and I guess that already answers the question if it suits me." He laughs, happily correcting you in your own title.

"Ah, I can't believe I'm gonna get married to you." You swoon teasingly, smacking his chest once. "Now lemme go, I'm hungry." You say- but he's not letting you go at all. If anything, he pulls you even closer to himself.

"I'm hungry too." He tells you instead. You look at him in confusion.

"Okay? Then let me cook, idiot." You say, but he shakes his head.

"Nop." He denies, before picking you up and carrying you to the bedroom, hand loudly smacking your ass.

"Jeon Jungkook, no!" You laugh. "Please, I'm so jetlagged from the flight-" You complain, but he lets you down gently on the unmade bed, sheets unruly from his nightly rest. He's not really been sleeping well without you home- the three days of not having you around truly reminding him of just how much he needs you in his life.

Not just to keep order, but in general.

As odd as it sounds, he even caught himself multiple times the first day calling out to you, just to remember you're not home. His mind expected you in bed, in the kitchen, in the living room, every single time he'd enter the room- and the kitchen felt lonely, suffocating, with no company but the buzzing fridge and ticking cat-shaped clock on the wall. His house suddenly felt.. bland.

Especially on the second day, when he came out of the shower just to find the bed cold and empty, he found himself sitting on the edge of it, looking through pictures of you and him on his phone, browsing his gallery for hours until he finally fell asleep. It was a reminder, those few days. A reminder that he needs you, that you're a part of his life he can't really bear to not have around anymore.

A reminder that he made the right decision in asking you to marry him, entering the final stage of your relationship.

"I'll do all the work baby." He purrs, crawling over you as you stretch your limbs, visibly relaxing in the familiar home once more. "How was your trip?" He wonders, and you laugh, his hands helping you out of your sweater.

"Kook, I love you, but I'm not talking about my goddamn parents when we're about to have sex." You complain, and he chuckles, nodding.

"Alright, you got a point." He admits, pulling down your pants and socks to kiss up your leg. "I missed you so much." He hums against your skin, and you smile, reaching out to run your fingers through his hair.

"So much so you buzzed your hair off?" You laugh, and he nods, teasingly biting at your thigh.

"Exactly." He agrees. "Would've gone bald if you'd stayed away a day longer." He says, lips traveling up your stomach before his hands cup your chest, running over to the back of your body to unhook your bra.

"Oh no!" You jokingly exclaim. "But honestly I think your face makes every haircut work. Even that Dora-the-Explorer situation you had a year back." You say, making him roll his eyes as he throws your bra down carelessly.

"Stop bringing that up." He complains, and you laugh brightly so.

"But it's funny!" You tell him, before he bites at your chest. "Hey, stop biting!" You giggle.

"Stop biting~!" He mimics you, before he moves to kiss your neck. "As if you don't love it." He purrs.

"Caught me." You reply, legs moving already to wrap around him. "Now get naked, nerd." You flirt, and he can't help the laugh that escapes him.

"Can we be romantic at least once?" He whines, leaning back to rid himself of his shirt and pants.

"No, you'd burn the house down with those yankee-candles you got." You threaten, and he rolls his eyes yet again, opening the bedside drawer to search for a small bottle of scented lube, just in case.

"You really have no trust in me, baby." He shakes his head, putting the little plastic bottle on the side for now as he moves to pull your panties from your legs. "What if I used electrical ones?" He proposes. "Turn on some music. Cigarettes after sex- like, the band, not me smoking." He corrects.

"Obviously." You hum. "I'd leak your nudes if you smoked inside the house." You sigh, and he looks at you for a moment.

"That's a joke, right?" He asks, and you shrug, smiling at him. "That's a joke. You're joking." He states once more, but still, you don't answer. The funny part is that deep down, he actually believes you would indeed do that. You're a wildcard after all- he never  really knows if what you say is a joke or an actual fact you state.

Like when you said that he was fine accompanying his friend to his bachelor party, which was held at a nightclub, naked dancers included. You'd simply told him to have fun, but eat at home- and while for a moment or two, he didn't really know what you meant, he realized it soon after. You had no issue taking a look- hell, you constantly told him that some of the other racers were 'pretty hot', but he knows you'd never go after anyone but him. You might get your appetite up, yes-

but you eat at home.

"Jungkook you've never even sent me nudes you idiot!" You laugh after a moment of watching him clearly contemplating his life-choices up until now, finally realizing that you're right. "Or did you sent someone else some, huh?" You suddenly threaten, foot against his abs keeping him away from you while you glare.

"Absolutely not." He shakes his head immediately. "You can bet your pretty ass on that." He says, as you remove your leg from him, hands now reaching out, inviting him back in. "Only got you-" He hums towards you, kissing your lips hungrily. "Only need you." He finishes, and you sigh, hands on his arms.

"Missed you." You admit. "Couldn't sleep well at all." You say, and he smiles.

"Me neither." He shakes his head. "Thought about you way too much." Jungkook tells you, while his hand travels between your legs, touch reviving your soul it feels like as he works you up.

"We're so in love, it's actually kinda disgusting." You laugh, and he joins in on that.

"Nah." He denies. "We're just the definition of love." He shrugs, curling his fingers inside you, making you arch your back.

"Jungkook please-" You whine. "Stop teasing me, I'm way too horny now!" You complain, and he grins, moving to stroke his length with the hand still covered in your arousal.

He's just as impatient, but he also knows he needs to prep you well. Years of being in a relationship with you also comes with in-depth knowledge of your body, and how to love you just right. You might not realize it sometimes, but he knows that if he doesn't pay good attention to detail, you'll be sore tomorrow-

and he plans on making up for those three days, just to remind you what you've been missing.

He reaches for the tiny bottle on the bedside table to squeeze some of the clear liquid out, making sure to make it as comfortable as possible for you, before he lines himself up with your entrance, moving your legs up a little to pull you closer. It's been something you've been quite insecure about- having refused to admit to him for months that he's packing a bit too much for you to handle without any help sometimes, and he's felt bad that you thought you couldn't tell him. Back then, he'd been insecure himself- with no prior knowledge about anything regarding sex, you've been both a little lost in translation on some occasions.

There's been more than a handful of awkward moments during your times together- and by now, you're both comfortable to the point where nothing is weird any longer.

The sweet smell of sweet strawberries fills the air faintly as he pushes himself in, sighing in bliss at the familiar feel of your body welcoming him. "Good?" He asks you, and you nod, making him tap your nose so you open your eyes again. "Really?" He asks again, and you move a bit now, nodding. It's the confirmation he needed to start moving, leaning back on his heels to roll his hips forwards, your lower body resting over his thighs as he keeps you elevated like that with his hands holding your legs. You've got your arms relaxed into the pillows over your head, eyes closed as your chest sways with every thrust he delivers.

He loves having you back. Not just your body- but you, in general.

"I wanna come with you next time." He tells you, fingers gripping the flesh of your thighs. "Don't care if they like me or not." He growls, never slowing down his pace.

"Jungkookie~!" You whine, before laughing. "What did I say literally- like- twenty minutes ago?" You complain, and he laughs too, nodding.

"Sorry, sorry." He apologizes, letting go of your legs to lean over you, kissing you once more. It's the only way he knows he'll shut up for long enough- there's just so much rushing through his head, everything that's happened in those three days trying to break out his mouth just to talk to you- because he can talk to you now. You're back home, and he just missed you so fucking much.

Now, of course you talked over the phone daily, sure. But it's just not the same. It's not close enough.

Right now, he's out of breath, forced to part from you just a little, leaning his face into the crook of your neck as he presses his pelvis into you, your legs wrapping around his waist to keep him close, arms around his neck keeping him from parting from you. "I love you so much." He hums against your skin, picking up his pace, exhaling through his nose as his jaw clenches, orgasm approaching quickly. His hand assists you by finding your most sensitive spot, pushing you over the edge so he can let go as well, your core clenching around his length to keep him in, milk him for all he's got.

He's out of breath, and so are you- his body simply laying down close to you, moving you around to lay over him, still inside you. "Kook, I'm sticky-" You whine, but he just smiles, hands smacking your butt. "Jungkook!" You scold, laughing, and he simply reaches for your face, to peck your lips.

Twice. Because once is just never enough.

[thisapplepielife]

Written for a @astrangersummer.

One Nap at a Time

Week #2 Prompt: Afternoon Naps | Word Count: 1992 | Rating: T | POV: Gareth | Pairings: Gareth & Eddie, Gareth & Steve, Steddie | Characters: Gareth, Steve, Eddie | CW: Language | Tags: Gareth & Eddie are BFFs, Road Manager Steve, Corroded Coffin on the Road, It's Exhausting, So. Naps. Lots of Naps

Eddie's already sprawled out on the couch in their venue dressing room, when Gareth flops down next to him, bumping his fist against Eddie's knee. 

"Steve's been screaming that it's four hours until soundcheck," Gareth says, leaning his head back against the cushions. They're a little lumpy, but he's so fucking tired, it doesn't matter.

This tour has been a goddamn bear, and they aren't even halfway through it.

They're never gonna make it. Not at this rate. They're gonna implode, one by one, and he thinks he might go first.

"I heard him," Eddie says, leaning back next to Gareth, "believe it or not, his voice carries."

It's snarky, but there's no heat there, just endless affection. It's gross, and Gareth swears he will never, ever act this way when he has a girlfriend. He'll make damn sure of it.

"Anyway. This is your four-hour warning," Gareth says, closing his eyes. Maybe he can catch a short nap. Twenty minutes would make a world of fucking difference, he's pretty damn sure. Then laughs, "You're the one that hired him to yell at us."

"Mistakes were made," Eddie says.

"No they weren't," Gareth answers, closing his eyes.

"No, they weren't," Eddie confirms, and even with his eyes closed, Gareth can hear the smile on Eddie's face, as his eyes feel heavier and heavier.

"Well, well, well, what do we have here?" 

Gareth hears Steve's voice, and jerks awake. Sitting bolt upright, disoriented.

Steve's standing at the edge of the couch, hands on his hips.

"What?" Gareth asks, still foggy, "Huh?"

And Steve laughs, pointing, and only then does Gareth realize that Eddie's still asleep on the couch and that he must have been laying against him, or on top of him, one or the other.

And Gareth smirks. 

"Jealous?" Gareth asks.

Steve rolls his eyes, saying dryly, "Yes. Terribly."

"In that case then," Gareth laughs, and lays back down, squeezing between Eddie and the back of the couch. Eddie must feel the movement, because Eddie slings his arm over Gareth's side, pulling him closer. 

"Soooo comfy," Gareth hisses, taunting Steve, but not wanting to wake Eddie up if he can help it.

"Yeah, yeah," Steve says, "this is your hour warning. Got it?"

Gareth whines, but Steve taps him on the toe of his shoe.

"An hour? Seriously? You sure?" Gareth asks, because that can't be right.

Steve sighs, exasperated, "You don't think I can tell time now? Yes. Seriously. An hour."

They've been asleep for three fucking hours? Holy shit. He couldn't even begin to guess the last time he's gotten three hours of sleep straight. Weeks, for sure. Maybe longer.

Steve's still busy working himself into a lather, "Gareth, if I have to come back, so help me-"

"I got it," Gareth interrupts. 

"Good."

An hour isn't nearly enough time. Not at all. But it's better than nothing, Gareth supposes. So, he sets the alarm on Eddie's watch, Eddie sleeping through the whole process, just to make sure they don't oversleep and piss off Steve.

And an hour later, Eddie's slept through his wrist beeping, but Gareth hasn't, so he shakes Eddie awake, "Steve's beckoned us."

Eddie stretches, sitting up on the ugly couch that's more comfortable than it looks, rolling his shoulders. Eddie yawns, and that's about right. Nap or not, they've been spread too thin.

Then, Eddie says, "Damn. That was the best nap I've had in a while. I might actually be half-rested before a show. What are the fucking odds of that?"

And Gareth laughs, because he agrees, wholeheartedly.

The tour continues, and so do the naps. In green rooms, dressing rooms, hotel rooms. On the bus. Wherever they are, Gareth will find Eddie and squeeze in with him, and go to sleep. Or Eddie'll find him. It's almost like their early days on the road, when they had to share a motel bed. It's comfortable, and normal, being this close, so much so, that it's put them both right to sleep when they've needed it most.

And Gareth thinks nothing of it. Steve comes to get them, or Goodie, or Jeff, and when it's time to roll, they'll get moving. 

One more show scratched off the schedule, one more nap taken somewhere along the never ending road.

And then the tour ends. Months on the road over, as they chipped away at the schedule, one show at a time. Now, headed home in time for Christmas.

Gareth isn't sure what the fuck he'll do with himself. It's been a long fucking time since his time has been all his own. Is he just supposed to go home to his mom, and do what? Nothing? Maybe he can just crash with Eddie and Steve?

Though, he's sure they're ready for some fucking privacy for a change. 

Maybe Goodie and Jeff will entertain him. Let him into their secret best friend circle, for once.

He doesn't know, but he'll have time to figure it out. Right now, they're tidying the bus up as they head home, trying to get it ready to send it back to the company they leased it from, when Steve turns up. Book in his hands. It's not his tour bible, though, and the schedule is over anyway. No need to keep meticulous notes anymore, so Gareth's a little confused.

"What's up?" he asks, stuffing clothes into duffels and suitcases. His shit grew over the months, accumulating over time, and now he doesn't have room to pack it all up again. He'll have to resort to a trash bag he's pretty damn sure.

"Got something for you. For you and Eddie," Steve says, and Gareth knows he's up to no good. Steve's face is schooled neutral, but he can read him like a goddamn book after all this time in each other's back pockets. And he's up to something. For sure.

"Oh, yeah? What's that?"

Steve hands over the book, and Gareth flips it open. 

And he laughs, yelling, "Eddie!"

Eddie pops through the curtain, "What's up?"

And Gareth shows him, and relishes the sound of Eddie cackling, head tossed back, fucking amused. Charmed. In love with Steve, and everything he does. Including this.

A book of Polaroids. Dozens. Maybe, hundreds. 

Every single one a picture of Gareth and Eddie asleep together, in various positions, on various couches, all across the country. Sometimes one of the other guys is posing in front of them, making faces, but mostly, it's just them. 

The story of this tour, one nap at a time.

Gareth shoves the book into Eddie's hands, and catches Steve by the neck, squeezing him tight. 

And Steve laughs, hugging back.

"Thanks, Steve. That's a fun souvenir from this hellacious tour."

Steve just shrugs, "I didn't realize how many we'd get when we started this little project."

And Gareth hooks his chin over Eddie's shoulder, looking down as Eddie keeps flipping through the pages. Gareth was here first, he has best friend privileges, and first dibs, but he knows Steve loaned Eddie back to him these past few months. There's no question about that. One nap at a time, giving them time together, even if it was just to sleep in what appears to be uncomfortable positions, one random couch at a time.

"Maybe someday they'll be worth money. Some good blackmail," Steve says.

"No way, we're proud of these," Eddie says, "it proves we can sleep anywhere."

And it kind of does. It also probably proves they're immune to head lice. Some of those couches were pretty gross, looking back at the photographic evidence.

Eddie points at one where Gareth's feet are in his face, "Look? I didn't die from the smell alone."

Gareth bites his shoulder, and Eddie laughs even harder.

There are no secrets between them, no privacy. He's taken showers with Eddie, shared beds and bathrooms. Underwear and toothbrushes. Looked at, and has shown, all manner of questionable bumps and rashes. Held hair and hands, cleaned up puke, and one time they never, ever speak of - actual shit.

A few naps are nothing on the friendship intimacy scale.

Eddie looks at the bunk, the one that Gareth's sort of cleaned out, and asks, "One more for the road?"

Gareth laughs, but agrees, crawling into the cramped space, nearly on top of Eddie.

"It was a good tour, kid," Eddie says, hand splayed against Gareth's back, keeping him from falling out of the bunk and onto the floor of the bus.

"Yeah," Gareth agrees, "and the next one will be even better."

At home, back in Hawkins, Gareth wanders around. A little lost. He's tired, but wired, all at the same time. It's weird to go, go, go and then just stop. Cold turkey. That's never worked for him for anything else, so he's not sure why it would work for stopping touring, either.

They should have tapered down, weaned themselves off.

He rides his old bike, because his El Camino battery is deader than shit, after sitting so long. He hopes Goodie and Jeff will come over later and give him a jump, to get it up and running. If not, Steve will.

He doesn't realize where he's headed, until he's already there. Harrington House. He drops his bike in the yard like he's a kid again, and heads for the front door. Letting himself in. Steve is at the bar, doing paperwork.

Always doing paperwork.

"Hey," Steve says, looking at him for a moment, and then back down at the papers spread out beneath him.

"Isn't the tour over, what work do you have left now? You're supposed to be on vacation, relaxing in your new digs," Gareth says, leaning against the counter. 

"Just, running the final numbers."

"We end up in the black?" Gareth asks, leaning over to look. But he doesn't understand Steve's chicken-scratch shorthand, and gives up.

"Looks like it," Steve says, and Gareth grins. They got to play music, night after night, week after week, month after month, and even made some money doing it. Hot damn.

"Where's Eddie at, anyway?" Gareth asks.

"Trying to take a nap," Eddie mutters from the couch in the living room. Gareth hadn't even realized he was there. 

"Sorry," Gareth calls back, he can take a hint and go. He squeezes Steve on the shoulder, getting ready to leave, when Eddie speaks again.

"Don't be sorry, kid," Eddie says, then asks, "you in?"

Hell yes, he's in. 

"Steve, get the camera, I'm goin' in," Gareth says.

"I'll get right on that," Steve says dryly, but Gareth can see that he's smiling. 

Gareth toes off his shoes by the door, and then hurries into the living room, following Eddie's voice, telling him to hurry the fuck up. 

When he gets there, Eddie makes room, scooting over so Gareth can settle in alongside him. And Gareth stretches out, resting his arm over Eddie's waist. 

This couch is much more comfortable than any of the others have been. Steve has good taste, expensive taste, and picked something damn comfortable for a nice, long nap.

"Steve's couch is nice," Gareth says, face muffled in Eddie's shoulder.

"Everything about Steve is nice, haven't you learned that by now, kid?" Eddie mumbles, and Gareth smiles. He might have taken a while to warm up to Steve Harrington, but now, even Gareth has to admit that he's perfect for Eddie. He makes Eddie happy, and that's all Gareth could ask for, honestly. That Eddie's happy. And loved.

It doesn't hurt that Steve's shaped up their tour schedule, either. It was long, and exhausting, but they made it through. Left to their own devices, he's not sure that would have been true.

"What'd you do today?" Eddie asks, stifling a yawn. 

And Gareth closes his eyes, telling Eddie about his day, until he feels when Eddie goes slack beside him, back to sleep again. Gareth trails off, stops talking, and lets himself fall asleep, too.

If you want to write your own, or see more entries for this challenge, pop on over to @astrangersummer and follow along with the fun! 🌞

[vidavalor]

Ah, I remembered!

My question was: what are your thoughts on Crowley saying ‘I lost my best friend’ when he’s directly talking to Aziraphale’s non-corporate ghost in season 1? I always thought that line was strange. Is it that he can’t say ‘I lost you directly’ because others might be listening?

Hi @procrastiel ooh, nice! I *love* this scene so I'm super happy to share an opinion on it. Thank you. :)

Meta on the meanings behind what they call each other, what they intentionally *don't* call each other, how they actually said they loved each other and came up with a shorthand for it in 1941, and why they still don't just use those damn words already...

This goes everywhere, just FYI lol. I think I started with "no nightingales" and took a scenic route through 1600, 1941 and bits of S2 before coming back to the scene you asked about but I've been told it makes sense. Thanks for indulging me. :)

There are certain things that Crowley & Aziraphale feel that they can't call one another and can't say to one another directly. It's not just because they could be overheard if they're in public, though that's always a concern. They don't say them when they're alone, either.

It's because it hurts too much.

They've always tried to be optimistic about surviving Armageddon and being able to be together somehow but they're terrified that they won't and the odds, in their minds, aren't great, being that it's the whole will of God and all. As a result, they've lived their whole relationship expecting it to end in tragedy. They could both live for all of time, forced apart by Heaven and Hell. One of them could die and leave the other alone for eternity with nothing but the memory of the other. Meanwhile, in the now? It's not a great situation, either.

They can't really be together. They are together but not openly and they can't promise each other everything and they absolutely would if they could. Heaven and Hell could literally murder them if they got caught together so they have to be careful and keep it a secret. This means that even as the human world they live in opens up and starts to change to a point that queer humans like them are living more open lives with one another, Crowley and Aziraphale still cannot at this stage in the story.

So, it all becomes then an unspoken question of: what would make this easier? (As if it could ever really be made easier?) They don't wish to cause each other any additional pain. What would make it easier, they think, is if they don't say certain things so that what they can't have now or what might be lost to them in the future is and will be easier to bear.

This is delusional but they're doing it anyway because it gives them some measure of control over things they can't totally control.

They think it is easier to deal with not being able to be together if they just never say directly aloud what they are in terms that are surface-level undeniable. They speak in a coded language with one another and they say all the things in those words. But the doublespeak gives them some cover. Not to ever deny any of it but it softens the edges of it.

It's also because they live with the fact that they can't fully be together but they also both are fundamentally optimists and want to think that maybe, someday, they could find a way to have what they want to have with one another. That's also why they don't say the things fully. A part of them thinks that if they just don't right now and they wait until some time comes when it seems like they could have a life together, then they still get to have those moments. They're almost saving some of it for a life they hope they get to have but aren't sure if they will.

As a result, they are romantic as all fuck towards one another but they don't use words like romance or love aloud. If they do find they have to talk about it, they've shorthanded it in a way that they both understand because it's based on their past together. We already can see bits of it uncoded-- nightingales, dining at the Ritz-- but there are more than that that we can see if we deep dive a bit here so let's do that...

What's evident in the scene in 2.06 wherein Crowley decides to try to abandon the doublespeak is how deeply ingrained this way of speaking is for both of them. Also, how they don't abandon it when they're alone (the 1967 scene also illustrates this.) Crowley actually reverts back to their doublespeak *three sentences* into his proposal. He doesn't get much further than establishing that they've both been on this planet for a long time before he starts evoking coded messaging. He flicks his hands between them during the "you and me" line in a way that is echoing how Aziraphale gestured at him to mean "couple" in 1941. He winds up using coded language all over the place, peaking with the "no nightingales" moment that is actually coded language twice over because of "nightingales" being their word for romance and the asking Aziraphale to listen for birds evoking the Job minisode and the moment in the courtyard when they came up with the doublespeak.

Part of why Crowley can't get through the proposal without it is because he doesn't want to do it like this. Both the doublespeak and the idea of someday loosening it a bit mean things to them. They like their private language. Maggie and Nina are not exactly correct in assuming that they never say how they really feel. They're not wrong, either, but they're not fully right. Crowley and Aziraphale do talk. They just do it in a way that hurts them less because they can't bear to hurt each other because they're batshit crazy in love with each other. Maggie and Nina are correct in saying that Crowley and Aziraphale don't say how they truly feel if saying how you truly feel means using traditional language but they are wrong to say that they don't express these feelings at all because we have literally been watching them do so this entire time.

Notice how Crowley, even risking more with breaking their code in 2.06, still doesn't say some things. Amazing how he said all of that and he didn't say I love you, isn't it? He could have. He is, in what else he's saying, but the words they don't say are still there on the table. Aziraphale, later in the scene, almost does. He almost does because he is a mess over the situation and he wants to give Crowley something but then he doesn't and he spits out a self-aware I forgive you instead. That horrid, complicated version of it that he's used before and is code they both kind of hate. He's angry that this is all happening the way it's happening because it's taking some of the things they leave unsaid for hopeful, better days and it's saying them in a less than ideal moment.

That they both leave out that I love you, though, is the most I love you thing they could have possibly done.

They think it will be easier to not be free to be together and unafraid in the present-- and to maybe lose one another in the future, if they eventually have to-- if they pretend they're not a team or a group of the two of them and one way to do that is to never say words like the one we were all silently screaming at Crowley to say in that scene in 2.06 lol: "couple."

Are they a couple? Yes. Are they lovers? Yes. Are they partners, the term Nina used? Yes. Do they refer to their relationship using any of the terms in this paragraph? Oh God no...

That is why Crowley freaks out when Nina tries to get him to use uncoded, normal, human person language to help her understand what Crowley and Aziraphale's relationship is. She calls them partners and this is Crowley:

We're in agreement with Nina then when she responds with:

Nina isn't wrong here. She's just from a different world than Crowley. Nina lives in a world like ours in the year 2023 and she's puzzling Crowley and Aziraphale out through that filter. She doesn't know at this point that they are an angel and a demon who could be murdered by Heaven/Hell for being together. Her best rationale for why she's never seen Crowley and Aziraphale in her cafe together and didn't know until this week that the bookseller has a fella is her theory that Crowley is married and that he and Aziraphale are having an affair. To her, it explains why they've got chemistry for days but they're secretive. Crowley denies that-- defending Aziraphale's honor like the good old fashioned lover boy he is :)-- but the reason why he quickly denied that he and Aziraphale are partners, even if they absolutely are, is twofold. They are used to hiding it, it's dangerous for them to get caught out, and he probably feels uncomfortable with the idea of telling someone what they are exactly without talking with Aziraphale about it first-- that's all one reason.

The other reason is that he and Aziraphale don't use that word. It's not that it's an inaccurate one; it's probably the most accurate one, actually. They have a word, as we'll see, but partners isn't it because partners is the same thing as a couple and these are embargoed words to them. They don't use those phrases, even if that's what this is, just as they don't say I love you because if they don't call it love directly, they'll never lose that love, in their minds. If they don't know what it's like to hear the other say it, they don't ever have to bear the pain of never hearing it again. Better to hold those words back and only use them if they ever can somehow really be fully, openly together without fear. If Crowley doesn't use those words with Aziraphale, then he's not about to use them with the Coffee Shop Human he's only just recently met.

Along these same lines, they refrain from traditionally romantic terms of endearment on the surface. No my love, no darling, no sweetheart. Angel was there at the start and it stays because while it's always really angel (romantic), it's also angel (species/occupational), so it works well enough with their code. But its equivalent in reverse is Crowley. It's intimate, in the sense that only Crowley and Aziraphale know what it means. Only they were there in Job's courtyard. That's the coded layer of it-- it's Crowley's name to everyone else on the surface but it's that and a pet name to Aziraphale. It's why Aziraphale just calls him that constantly. Crowley changed his name to something only Aziraphale also really understands, making the use of it by Aziraphale then a way of expressing affection. When Nina asks them both separately about their relationship, both Crowley and Aziraphale actually revert to using what they call one another in an effort to explain it, even though they know that it doesn't translate fully in human terms without more words. Crowley says Aziraphale is an angel he knows; Aziraphale says:

Ironically? They are actually making it all *more* intimate by speaking in their own, private, coded language. They can't give each other everything but this they can, right? The language is their own, little world and not being able to explain their relationship to humans that well in 2023 doesn't mean they don't know what they mean to one another, which is more important. Since they can't make each other promises of forever that they can't keep and they can't have a life in the present that they'd choose for themselves, something they can do is use their little language to be sweet towards one another and they do. By having to work a little harder at conveying meaning through doublespeak, they wind up with something ironically actually at least as romantic as the traditional words, if not more so.

Anyone can call a lover darling and it can be lovely but can just anyone make my dear fellow romantic? Aziraphale can. This one was all him. He loved standing there in front of a dozen deadly human soldiers in the Kingdom of Wessex in 597 A.D., getting away with a pet name under the guise of stealing the "old sport"-style of male, moneyed, British speak and turning it romantic. This scene is great with the pet names because it opens with Aziraphale being a bit of a tease with "is that you under there, Crawley?" which he only does so that Crowley will roll his eyes and correct him. Aziraphale loves that Crowley changed his name to something coded between them based off of the moment they started their doublespeak. It was very romantic and this scene shows that Aziraphale sometimes, in earlier days, would call Crowley the old name just to get Crowley to correct him, which is all just a coded way of getting Crowley to say that, yes, he still feels the same way and yes, he still wants Aziraphale to call him that. This same scene, a few sentences later, then has Aziraphale's my DEAR fellow-- heavy emphasis on the 'dear'-- which is then answering Crowley's admission by just skipping any and all of Crowley's names entirely lol and calling The Black Knight my dear in front of a bunch of bloodthirsty soldiers and mercenaries.

The my [] fellow is perfect in their little language because of how it sounds all "I say, old chap!" on the surface but contains words that are romantic to them in their doublespeak. It's intentional that it's *not* "old chap" or "old sport" that they appropriated for their own purposes, it's my [] fellow. Fellow as in human, which is how they see their relationship (because it is) and that's something that comes up when Crowley uses a variant of this in 1941, which we'll get to in a second. My adds an intimate element to it of admitting that they are each other's in whatever ways they can be.

Aziraphale, like we said a moment ago, will sometimes sauce Crowley with the pet names a little and he does in S1 when he calls Anathema my dear when reassuring her in a scene in which he and Crowley are having a playful coded argument over Crowley's driving. Aziraphale miracles a bike rack onto the back of The Bentley and unnecessarily codes the word "bicycle" ("a perfectly normal velocipede"), smirking when Crowley grumbles "bicycle" at him. It's joking with him a bit at the lunacy of their little language *in* their little language. (Crowley playing back during this sequence is also calling Aziraphale angel (romantic) in front of Anathema, which was also a strategic decision to signal to her that he might look like a murder hornet but he's really just long-suffering gone on the sunshine-y one. Very we're just an old gay married couple, hen. We won't hurt you. in tone.) Anyway, Aziraphale using my dear with Anathema-- and his little smirks towards Crowley around it-- was really just underlining the way he uses my DEAR fellow with Crowley by using the same core phrase with a human in normal, uncoded, human conversation.

Other than this and the big one we're going to get to, there are really only two other things we've seen them use to refer to one another. In S1's Eleven Years Ago/2008, there's the moment when Crowley and Aziraphale have arrived back at the bookshop and Aziraphale is flirting with Crowley and says this, tongue firmly in cheek:

I mentioned this in another post about the wall slam in Tadfield but this is a very much intentionally blasphemous specific sexual request that is more at home in the sex meta post you all have me working on lol but for the purposes of this conversation, "foul fiend" is Bible for "wicked demon", so this is Aziraphale just kind of flirtily, jokingly calling Crowley a wicked demon in the one area in life where Crowley would probably happily own that description lol. It also has the other layer of humor in it in that Crowley calls Aziraphale angel (romantic) all the time, more often than he uses Aziraphale's actual name, and you'd think he wouldn't want to because Heaven hasn't exactly done right by Crowley and he's not especially fond of it. By calling Aziraphale angel with love behind the meaning of it, he's calling Aziraphale a good angel. He's saying that Aziraphale is what an angel is *supposed*to be, something that Aziraphale struggles with. It's both sweet and reassuring at the same time. As a result, Aziraphale has never just started calling Crowley "demon" for the same reasons-- he thinks if being a demon is being demonic and truly evil, then Crowley is a terrible demon because he's a lovely person. He is, however, positively wicked in bed, and Aziraphale likes to mock their whole situation with blasphemous Bible innuendo when requesting a little hellfire.

The other thing to briefly mention before we get into the friend discussion is a scene not long after the one we just talked about, when they're both smashed in the bookshop in S1. When he's drunk and attempting to say "bouillabaisse", Crowley gets distracted staring at Aziraphale for a moment and calls him baby before going back to his attempts at saying a word (in French, their romance language, per S2) and we get the "fish stew-- anyway!" segue back into the rest of the scene. Aziraphale was too drunk to notice enough to react so this opens up the question of whether or not the rules can get slightly more lax in bed. Does Crowley call Aziraphale baby in more intimate moments or does he just want to and it slipped out when he was drunk? It's a fairly normal phrase so it both would and would not be a surprise either way but it's still something of a question mark by the end of S2.

But there's one thing that they use that pertains to your question from the Discorporated!Aziraphale scene (told you we'd start to get here eventually lol) and that's how they use the word friend.

The rules of their language apply-- what is said on the surface is what one of the meanings of what they are saying is. It has to be what it sounds like on the surface to also be a coded thing. Aziraphale is Aziraphale's name and angel is what he is and Crowley is the name Crowley chose for himself. That angel and Crowley have hidden meanings-- that angel is given a tone that turns it from referring to Aziraphale by his species and more into angel (romantic); that Crowley is the name everyone calls Crowley now-- from angels to demons to humans alike-- but only Aziraphale knows that it's an in-joke referencing Crowley having to playact at being demonic and evil to hide his truer, sweeter nature... this is what makes these terms acceptable in their mutual language. My [] fellow is then also meeting the rules of the language because of the humor of taking a non-romantic phrase and using it for this romance of theirs that they don't refer to as one. It sounds like a perfect common thing for British men of any kind of relationship to use in conversation on the surface but it's romantic to them underneath.

So when they say friend, by their own rules of this language, it has to first contain the surface meaning. It has to be true on that level to reoccur in their language. So 'friend' does mean 'friend' in a friendship sense. They are friends. They are good friends-- best friends. Using the word is an admittance that they are each other's closest friends, which is both lovely in its own right and healthy in a romantic relationship. You want to be friends with your romantic partner. It doesn't mean you can't have other friends, of course, but if you're not friends with your partner, it's not really going to be a terribly satisfying relationship and since that is what they are-- the longest-running of long-term relationships lol-- that they are friends is important and a good thing. It's also a big deal for them to admit to it, since they are actually *supposed* to be mortal enemies. Their whole enemies-to-lovers thing never really got off the ground because they adored each other on sight but that they're friends despite the danger and the conflicts is a big thing in its own right.

But that's not the *only* meaning of friend to them, so let's look at how they evolved that bit of their language.

From what we've seen so far, it started in 1600 in The Globe Theatre scene with this:

In 1600, Burbage drops some human, queer coding into the secret language. Friend, the way Burbage is using it, is something that's actually implying lover. The surface word is technically related to friendship but the tone changes the meaning of friendship in this context to be that of a sexual relationship. Burbage's tone implies that he thinks Crowley and Aziraphale are fucking (which Crowley, laughing, silently agrees with is obvious, since he's been ignoring Burbage in favor of buzzing around Aziraphale and clearly trying to flirt his way into his bed).

Burbage is pissed that these two-- who, as we know, are basically the entire audience-- have been ignoring his monologue in favor of flirting with each other so when Aziraphale tries at a modicum of politeness (that somehow is even bitchier subtly than Burbage lol-- "I love all the... talking" is the best he can come up with), Burbage slings back by trying to drag Crowley into it by calling him Aziraphale's friend, with that loaded tone that makes the question really: 'and what does your lover think?'

Aziraphale gets the innuendo-- he's not exactly a novice at this in 1600-- but his immediate response is just to panic at the idea of anyone noticing him and Crowley together and, as Aziraphale does when stressed, he lies in increasingly absurd levels of untruth. (See also: the scene with Shax in The Bentley in S2, when he spirals up into ludicrously claiming to *not even know who Gabriel is* in an effort to say that he has nothing to do with his disappearance.)

Crowley is bemused by Aziraphale's increasingly desperate attempts to deny what is abundantly obvious to everyone around them and by Burbage's attempt to make a thing out of them to try to assuage his bruised ego. He chooses a little violence with this particularly amusing bit of go fuck yourself, you insecure little twerp:

Anyway lol what this scene then does is give us a moment in the story wherein we see them in a situation where friend (loaded) is defined as friend used euphemistically for lover and they both know it. This isn't coding they came up with but that they will wind up appropriating from the humans around them and repurposing for themselves, though they won't for awhile still to come yet.

What's worth noting here is that friend (loaded) in this human code is euphemistic for a pretty wide array of loaded friend relationships. There's no separation in it for friends with benefits versus someone you're seeing but aren't comfortable admitting that versus someone you've been with for awhile versus the person that is basically your secret spouse, etc.. All of these things are friend (loaded) in human code because the main purpose of it is to identify a pair of people who are involved as such without directly saying so on the surface, even if it's implied heavily via tone.

So what happens when Crowley and Aziraphale eventually decide to repurpose it for themselves?

They've got to be clear on what it means. They'll need to define it more specifically amongst themselves in order to use it.

For awhile still after 1600, they just aren't defining their relationship. They don't need friend (loaded) because they have things they call each other, right? They've got angel and Crowley and my dear fellow and the like. They're not usually around a lot of other humans together that are going to do what Burbage did and try to force a definition of it. (This changes, as we know, in the modern era-- especially S2-- but back in the day, it was true for them.) As a result, they've never had to define this and that's absolutely fucking perfect, as far as they're concerned.

Not defining this? Lovely. Yes. More of that. Makes the fact that they can't just call each other my love hurt a lot less, they're convinced. It helps now for sure and it'll make it less painful if they lose each other. They totally will not at all continue to spend thousands of years wondering what it would sound like if they said the things. They don't each have fourteen million fantasies about being able to use the traditional words and how they'd do it-- absolutely not lol. *Not* using the traditional words isn't at all making both the allure of those words-- and the ones they *do* use-- hotter and more romantic or anything. Not in the slightest...

So then we eventually get the Holy Water Arc, right, and in the middle of that scene, we see them run into a definition problem. In 1862, what actually causes them to fight isn't the holy water request. It's Aziraphale giving it all a word and that word being "fraternizing." First rule of We Don't Say It Club is that we don't say it... but it's also that if you're going to say a word that means the two of you and what you have, maybe don't use the one that Heaven would-- the one that means 'socializing with the enemy.' In Aziraphale's defense, they're both a mess and half-broken up in this scene and there's more going on it than we're going to get into here but the point is that suddenly not having a word caused big drama and caused the whole holy water conversation to de-evolve into an argument that broke them up for the eleven or so minutes that they can stay broken up.

But they still hadn't really resolved the whole holy water argument debacle by 1941, even if there is evidence in the show that they saw one another between 1862 and 1941, and the reason why they haven't is because holy water is irretrievably linked to defining what they are.

Crowley asking for it meant they had to consider what they are to one another and talk about it and 1862 proved their language didn't have words for that at the time. There is a level of panic to it because the request contains a certain level of acknowledgement about how they feel about each other. Aziraphale jumps onto holy water being a suicide pill not just because he's terribly worried that that's why a visibly anxious and depressed Crowley wants it but because if it's not what Crowley wants it for, then Crowley is saying he wants it for defense and whose defense, right? Not just his own, potentially. It's very much saying that he wants it to protect not just himself but Aziraphale from Hell and now we're talking about Crowley being willing to risk the wrath of Hell and maybe get himself killed trying to protect Aziraphale from harm and now, we're closer than ever to that I love you under the surface and they panic and they avoid it for 80 some odd years entirely until World War II...

...and then we arrive at The Blitz in 1941. We are now a scant one hundred years or so until 6,000 years being up since the creation of Earth and Armageddon was always going to happen in "*about* 6,000 years" so, for all they know, this is it... and Crowley in 1600 told you how he feels about sad endings:

So while rescuing Aziraphale is nothing new, Crowley turned up in 1941 with the intent of making a better ending, in case they had now found themselves at the start of the end of the world. They were almost out of time either way and he didn't want it all to end without them having said the things but also they didn't know *for sure* if this was it... and they still can't be together if it isn't... so Crowley can't just show up and be like so, angel, I've been meaning to tell you in the actual words for the last six millennia-- I'm madly in love with you. He has to find a way to do it in their language of doublespeak. And so, here's Crowley using friend (loaded) in front of the Nazis in 1941:

By using my friend in the church, Crowley is then actually euphemistically calling Aziraphale my lover by calling back to The Globe Theatre and stealing the human coded term that Burbage used. Crowley does not care what the Nazis think. The comment isn't for them; it's for Aziraphale. So is letting Aziraphale find out about his first name, which is also calling back to The Globe Theatre. ("Anthony", pronounced "Antony", as in Shakespeare's 'Antony and Cleopatra', the play in which Shakespeare put the love poetry he stole that Crowley wrote for Aziraphale.) So is referencing the unguarded holy water in the church, which is then trying to talk about it a little by connecting it to this romantic grand gesture here and acknowledging why they panicked over it all those years ago. It's all saying I'm in love with you in their little language in the best way Crowley can in this moment.

But what did we say about friend (loaded)? We said they have to define it, right?

Because it can mean different things. Crowley isn't wrong to use it and Aziraphale understands it the way he does in the church. He understands it to euphemistically refer to them as lovers, which they are. It's just that all of this combined with Crowley saving the books then makes Aziraphale realize that it's one thing to say my friend (loaded) but if you say it and then there's holy water referencing and then there's more of the Shakespeare scene in there with Anthony and the little "you don't like it?" pout and then there's the entered a church for you and... you put all of that together with little demonic miracle of my own and saving the books...

...and Aziraphale realizes that Crowley is taking the thing that they always were-- my friend (loaded)-- and using it in the middle of saying that he's in love with him.

Crowley is trying to give it a word.

The word he's using meets all their language rules. It's from a moment in their past. It has a true surface meaning and a loaded undertone and subtext for days. He's not asking Aziraphale to use it. He's not saying the actual thing, as that would be breaking their rules, but he is absolutely saying it in their language.

He's not asking Aziraphale for it in return. He's just saying that this could all be over soon and he needed Aziraphale to know and in some ways, it's an apology of sorts. He's sorry they fought. He's sorry they lost years over it. He's sorry for the pain of it. He was in love, you see. The sex while pining got to be a lot. All of this got to be a lot. You get it now right, Aziraphale? Yes? Good. Lift home...

The phrase my friend (loaded) takes on a different meaning after Crowley saves the books and after their conversation inside and outside The Bentley. That's the point of the two "shut up"s-- the one from Part 1 and the one right after it where Part 2 picks up. Why have this conversation twice? Because it's actually two different conversations.

The first one outside The Bentley is Aziraphale in a love stupor, just telling Crowley that saving the books was a nice thing and Crowley responding with a half-effort "shut up" while he cleans his glasses. It's the only scene in the entire series to date in which Crowley is cleaning his glasses and he is in this moment to give Aziraphale his eyes for a moment. But The Blitz, Part 2 shows us this again... and then gives us the scene in The Bentley with what starts out sounding like the same conversation on the surface to start. It is, though, not the same conversation *under* the surface...

There's a reason why Aziraphale says a second time that saving the books was a nice thing. They're now in The Bentley, which is a little more private, and Aziraphale can't let this drop because he needs to know for sure what Crowley is saying with this and if Crowley's sure he wants to be saying what it seems like he's saying. This is basically Aziraphale's version of Crowley's "are you sure? are you sure you're sure?" in the magic shop later on. Aziraphale knows Crowley just said he's in love with him but Aziraphale also knows *Crowley*, right?

He's been with Crowley for a long time. He knows him very well. He knows that Crowley is anxious and emotional and hopelessly romantic and that the world is literally ending around them as they're driving through bombs raining down over London and part of Aziraphale is thinking of the fact that even in this seemingly apocalyptic Armageddon that could be starting here, Crowley was coded in what he just did. He left the traditional words on the table. He said the things in their language and that is, in some ways, even more romantic, but he's left them the things they leave out of hope for a better future, just in case. There's a caution to that and while Aziraphale appreciates the caution, he also can sense that Crowley was nervous about doing this. He is a little concerned that Crowley's going to have said he loved him and then regret it and pull away from him again and Aziraphale can't do the first bit of the Holy Water Arc all over again. He's really wanting to start to move into a lighter era here lol. He also really wants to be sure that he's understanding what Crowley is saying entirely.

And he wants to hear it again.

If Crowley isn't going to shut down on him entirely now, Aziraphale very much liked all of this and would like more of it but he first has to be sure he knows for sure what Crowley means and he can't just ask directly or he's both saying the things they leave unsaid and he'd be undoing Crowley's effort so he has to find a way to ask without directly asking and in such a way that an already sensitive about all of this Crowley won't take offense or be embarrassed and that gives them a way back from this if Crowley shows signs that he feels like he might have gone too far.

So Aziraphale offers Crowley an out.

He tells him again that it was such a nice thing Crowley did for him. He means this and it was a nice thing but this is also saying that he heard that I'm in love with you that Crowley was saying by saving his books and that he liked hearing it, that it was nice, that it was okay that Crowley did that, but that it's also okay if he feels like he made a mistake with it.

Crowley's response to again being told that it was nice is to again tell Aziraphale to "shut up", this one a bit more emphatically than he did outside The Bentley a few moments before. It's unclear to what extent this language, at this time, is sexualized, but by 2019/S1, this back and forth of Aziraphale calling Crowley "nice" and Crowley responding with some bite is a self-parodic sex game that they're playing in Tadfield.

Much of what happens in Tadfield is playing on other parts of their story-- think about the paintball bit with the gun but now with knowledge of The Bullet Catch in The Blitz, Part 2-- and there is a big difference in the ways Aziraphale calls Crowley "nice" in 1941 and in 2019. In Tadfield in 2019, Aziraphale is literally smirking in a way that implies that this is a little game they play and he's saying a series of things that he knows will prompt this intentionally outsized reaction from Crowley, who is playing it with him. The game is likely tied *to* this bit of 1941 that we see in The Blitz, Part 2 in S2, in that it's referencing it a bit (if very obviously going in a different direction lol), but also because Aziraphale's phrasing and tone in 1941 is not smirking. It's softer and quieter and not designed, through their language, to prompt a certain response out of Crowley. It's not yet a sex game, it's still a kind of conversation they've had in the past that will serve as inspiration for said sex game in the future.

While it's a bit unclear if a version of this already existed in 1941 or if 1941 is part of the evolution to what it becomes by 2019, there's a tone to it in The Bentley in 1941 that says that, at the least, Crowley suspects that Aziraphale is trying to lure him towards sex by calling him nice and that's reinforced by the next thing Aziraphale says, which continues it, but is also doing so to provide Crowley with an out to his confession of love, in case Crowley wants to take it.

Aziraphale's out comes in the form of offering him sex, which is absolutely what this is:

Oh, gee, Aziraphale, whatever could you do in this moment here in The Bentley? You aren't at all telling him you'd do literally anything he says he wants right now, right here, in his damn car, are you?

But while Aziraphale would so absolutely yes because lawd, 1941 Crowley is sldjwkejele... look at what he's *really* saying as well...

What he's saying here is we can pretend you just did all of that for sex, if you want to. I know you didn't and you know you didn't but we are good at pretending and if you're silently having an anxiety attack behind your glasses over there, we don't have do this...

Crowley's response?

The quiet "forget it, will you?"

Meaning: I don't want to take it back. I'm in love with you. I wanted to say it. I meant to say it. Everything might be going to go pear-shaped and I wanted to have said it somehow. I don't need you to say it. I don't know what I expected but I also maybe kinda didn't want the response to be 'aww, you're sweet... do you want a blowjob?' so maybe let's just drop this. We're going to never speak of this again now. Moving onto spreading the demon drink...

Crowley turns down Aziraphale's offer to make it about sex and, in doing so, Crowley says indisputably that it's about love. If he had taken up Aziraphale's offer in that moment, then it would have been agreeing to pretend that he's never said he's in love with Aziraphale and to instead pretend that the romantic-looking things were all an effort to get into Aziraphale's pants. When he turns down sex, Aziraphale smiles softly because, to him, *this* is then really the moment that Crowley said he loves him.

Aziraphale knows for sure now what Crowley was saying and my friend (loaded) now has a definition between them that means the whole deal. Since Crowley said the thing that meant lovers euphemistically as part of saying he's in love with him, then my friend (loaded) is now forever part of the night during The Blitz in 1941 when Crowley said he was in love with him, which means that they can't use any version of friend (loaded) with each other without that being part of it. Friend (loaded) always meant lovers (sexual partners) but now it also means lovers (romantic partners) as well. It's not that they just suddenly became romantic partners because it's been a romance all along but now they're acknowledging it in a way they can't go back from and they do so by giving what they are to one another a word in their secret language.

Aziraphale then wants to return the feeling. Crowley is saying that he doesn't need him to by telling him to forget it about it and wanting to move on from it but Aziraphale can't accept that. Crowley might be right-- this could be it-- and like Aziraphale's going to let Crowley potentially soon go to his grave without telling him he's not alone in how he feels. That's not happening. However you think the events happened to give Aziraphale the opportunity to rescue Crowley from the wrath of Mrs. H-- divine fate, Aziraphale miracling the bottles broken, The Bentley shipping it and helping Aziraphale, all of the above, etc..-- he gets the chance not ten minutes later and he takes it... and, of course, what does he use?

My good friend (loaded af lol).

They've already just redefined my friend (loaded) by this point, so to turn around and use it is to tell Crowley I feel the same way. I love you, too. This is Crowley's change in expression in reaction in that above gif. It's one thing when Aziraphale volunteers to help-- that is sweet and Crowley's all eyebrows raised in intrigued surprise. His whole expression then slips from that into being stunned when he hears my good friend and he realizes that Aziraphale is now grand gesturing *him*. He's realizing that the bit in the car really was just an offer of an out, not just that plus Aziraphale saying he was uncomfortable with what Crowley had said and needing it to stay a lot more hidden beneath a cover of sex. It was Aziraphale needing to be sure he understood and needing to be sure that Crowley was sure he wanted to make this change in how they are but now that he's sure on those things, Aziraphale is actually all in for it.

Worth mentioning that my good friend (loaded) is a mashup of my friend and my dear fellow, which makes it extra sweet. Just as Crowley started this by calling back to The Globe Theatre by using my friend (loaded), Aziraphale is calling back to the my dear fellow rhythm of what he's called Crowley for centuries. It says I love you and every 'my dear fellow' was not just fondness but an 'I love you', if you didn't already know. I've loved you forever.

It's also quite literally calling Crowley 'good', which is not something that he really believes about himself but is something Aziraphale believes about him. His good friend, as in close friend, but also his good friend, as in good person. He also does nothing to discourage Mrs. H's inevitable understanding that he and Crowley are a couple. He gestures between them to indicate it. He uses my good friend in such a way that it's just the same thing queer humans of the time would have said to someone low-risk (a theatre person) in London during WW2. It's completely inverted from his response to Burbage in a different theatre in 1600, in the moment this whole friend thing became a thing for them, which is also intentional. It's telling Crowley he understood all the things Crowley was saying in the church and he feels them, too.

Then, there's this, once they're back the bookshop:

Here, we're acknowledging what friends means now by pausing and emphasizing it. "That's what friends are for" is not a phrase that would require the pause and the tone on friends if friendship was all "friends" meant to them. It's not now and this is acknowledging that.

Note Crowley's little lip twitch/almost-sad-smile at what Aziraphale is saying. It's agreement. It's assent. This is them confirming that they understand what the other is saying and giving this new word a home in their language.

This is then what they call each other now when they need to talk about it and it's my friend on the surface and it's my love underneath.

There's a sadness to it. How nice it would be to just be able to say it... It's also a moment of realizing that they aren't sure they can use this word all the time. It's good to have a word and a shared understanding of what it means and they have no desire to take back these confessions of love here but while it's lovely to have said this now, it's also a bit heartbreaking.

Aziraphale's heartbreak, his little Crowley move of putting on his (transparent lol) glasses, his brave smile, and then how quickly they both transition from this conversation into The West End, The West End and I'm a lonely G.I... and The farthing *has vanished*! It shows you how accustomed they are to burying the pain under trying to live in the moment for one another.

A few moments after this, Aziraphale will be showing Crowley some of his human magic tricks in preparation for performing on stage and when they get to the point where Aziraphale is telling Crowley about Goldstone's Magic Shop, he then tells him that it's not for him because it's "for professional conjurers only."

This is somewhat unintentional metaphor on Aziraphale's part that Crowley then acknowledges and turns into coded language in his response. Aziraphale's love of human magic is metaphorical for his love of humanity and living in a way as to indulge his humanity in a way that angels have been taught not to do. The reason why Aziraphale's love of magic is this metaphor and not, say, his love of books or music or food, is because all of the other things that Aziraphale likes about the human experiences can be dismissed by him as relating to understanding the human experience *so as to be a better angel.* He's really not a student of humanity just to learn how to better guide them. He admits to Adam in front of Crowley in S1 that he thinks that humans are the ones who get it when he tells him that he hoped Adam would be good and worried he'd be evil but that he's something better than either of those-- he's human incarnate. Aziraphale can justify most of his indulgences as being related to learning human ways to relate to them to help them-- food, books (his home and his book collection can be justified as necessary cover for his angelic embassy), music, etc.... but the love of human magic?

Aziraphale just loves it. It's for him. It's his hobby. He thinks it's a little selfish and probably a lot unbecoming of an angel. He'd completely just want this for a job and he's not supposed to want a job other than to be an angel, which is supposed to be the bestest job imaginable lol. What kind of angel wants a silly human job? What kind of angel with actual magical powers is obsessed with human magic? Aziraphale is. He's endlessly fascinated. It makes him happy. It brings him joy. It's the part of living as a human that he's done in such a way that it's just for him and in such a way that it conflicts a bit with his role as an angel. The only other way Aziraphale loves like this, in this human way? The only other thing he studies at to be a better human over being a better angel?

Crowley.

So when Aziraphale says that he can't go to Goldstone's because it's "for professional conjurers only", Crowley knows that what Aziraphale is really saying is that the shop is "for actual humans only". He knows Aziraphale is admitting that he's sometimes insecure about his ability to be human because of how his humanity is tied to being an angel. Crowley knows that they're talking about Aziraphale and his human magic love on one level but that they're also talking about them and their relationship on another level. This is Aziraphale saying that he loves human magic with a passion but he's not sure he's as good as it as he could be or as he wants to be because maybe he doesn't know everything about being a human in the way that the "professional conjurers"-- humans-- know... and everything we just said he's unsure about with relation to human magic is also how he feels sometimes about loving Crowley.

This conversation is happening in an overlapping way with their friend confessions and Crowley hears that Aziraphale is saying in there that he loves Crowley with a passion but he's not always sure that he's studied enough, that he knows enough, about being human to be what Crowley deserves. He would love to go to this magic shop but he's afraid that it's not meant for him. He struggles, as Crowley already knows, with how he's not supposed to want it but oh he wants and he can't help but love magic and he can't help but love Crowley... all of which prompts Crowley to reassure him, using a now-familiar bit of their language:

"You, my Nefertiti-fooling fellow, are about to perform on the West End stage. If that doesn't make you a 'professional conjurer'... I don't know what does."

Meaning:

You, my human-passing man, are so good at this that you fooled the Ancient Egyptian Queen. You're about to perform your human magic on stage-- to make yourself vulnerable in a way that scares humans. You are always willing to take risks like that and try something new and learn more about being human and that makes you human. It's human to not totally know how to be human, I think. You're doing all of this tonight because you love me. It doesn't matter if you're a good magician or not. This love of ours is human and you're very good at it. You love me very well. If loving me doesn't make you a 'professional conjurer'... I don't know what does.

Crowley uses my [] fellow to emphasize my friend (loaded) by using the term of endearment that Aziraphale himself started that has human connotations to make the point that their love makes them human and to tell Aziraphale that he's very good at their love.

Aziraphale, understandably melting over that:

And then? They just keep using my friend. For decades. Through S2.

What makes it work for so long is the fact that it's human-coded in origin so if they run into a situation where they need to refer to one another like this, they can use it and it doesn't get a lot of questions. After the partners scene with Nina, Crowley uses my friend without thinking twice about it, telling her that she'll be safe in the bookshop because "my friend would never let anything happen to you." Nina already gets that they're friend (loaded) and she doesn't know what using friend means to them because only they know about 1941 but it's a phrase that they can use with the outside world if they need to but that mostly stays between them because only they know that, in their language, my friend = my love.

So when Crowley says I lost my best friend in the Discorporated!Aziraphale scene in S1, he means that he lost his best friend but he *also* really means I lost the love of my life.

The first thing my best friend means is just the actual, uncoded definition-- what the words really mean as they are. Aziraphale is Crowley's best friend. Whatever else they are to one another, they've always been that. The idea that he'd have to go through the end of the world and whatever came after without his best friend devastated him. In a lot of ways, it's sweeter than saying anything else, even if they weren't in a public space, because it's saying that what he'd miss the most is just having his partner in crime in life. The other layer of it is the coded layer. Since they are a couple that uses my friend in an euphemistic way for my love, then Crowley's my best friend in 2019 is the same thing as Aziraphale's my good friend was in 1941. It is my best friend on the surface and it is that but it's also my love beneath it.

This scene is also then the same thing in meaning:

And by S1's present of 2019, they're at a point of using it in an argument, which provides them the means to talk in a way they didn't have in 1862. Yeah, they have their dramatic little breakup spats but this is actually a marked improvement over where they were before the holy water mess. So now watch this bit of the bandstand again here below for the friend (loaded)...

Remember that Aziraphale lies increasing bits of absurdity when stressed and that Crowley knows that. He dismisses what Aziraphale says with that "you doooo" when Aziraphale tries the *utterly ridiculous* "I don't even like you" lol. They're both panicked about the end of the world here in Ineffable Divorce: Round One and Crowley's trying to get them to run away again, which is a terrible idea, but in the process of suggesting it, Crowley is calling them friends (now eternally loaded, as we just spent this meta proving lol) and...

...*how long* have they been friends does he say?

So, how long have they been in love, per their language, per Crowley in the bandstand scene?

Six thousand years.

Since the start.

Vavoom. Sorted. :)

[bitterkarella]

Midnight Pals: Desert Planet

Stephen King: so i'm gonna go over to space coven tonight to tell a story Clive Barker: what, the sci fi nerds? good luck with that King: oh they're not so bad once you get to know them, clive Barker: i do not intend to know nerds

King: look, clive, you know mary goes over to the sci fi campfire sometimes Barker: i do not believe it King: it's true! she invented sci fi, you know Barker: mary shelley? OUR mary shelley? the queen witch? Barker: she invented being a nerd?

Barker: oh steve Barker: you can't expect me to swallow that whopper King: it's true! edgar, tell him Poe: steve's right, clive. she really did Barker: Barker: well now i just don't know what to believe

King: i know those sci fi guys are a little odd but King: if you ever want to read a prose version of a mildly confusing math problem King: i mean bam they're your guys! Barker: Barker: yeah well Barker: have fun with that

King: you know, clive a lot of science fiction actually deals with important issues in today's society? King: they really make you think [at space coven] Robert Heinlein: so once we space-stead Pinochet's Gulch on an asteroid, we'll be free from the tyranny of age of consent laws

[at space coven] King: so in this story they invent a way to travel through space King: but you have to be unconscious for it to work Frank Herbert: i have a better idea for space travel Herbert: what if you had to get really blasted

Herbert: let me explain my vision steve Herbert: In a distant time Herbert: And far away place Herbert: The planet Arrakis floats deep in space Herbert: Sky of three suns Herbert: Land of precious spice Herbert: The melange rush brought great houses at any price

Herbert: Then one day, a Muad'Dib appeared Herbert: With powers of hawk, wolf, puma and bear Herbert: Protector of peace, scion of the Bene Gesserit ladies Herbert: Champion of justice, Marshall Paul Atreides! King: King: hey how many of those mushrooms did you eat

Herbert: so the important thing about Dune, okay Herbert: is there's all this political intrigue Heinlein: and worms? Herbert: yeah yeah there's gonna be worms Herbert: let's talk about these factions though Heinlein: how big are the worms

Herbert: you're gonna love this story Herbert: though its not as great as the melodic beauty & divine truth of the 114 surahs of the Qur'an Heinlein: Herbert: inshallah Heinlein: why do you always have to put so much islam in it Herbert: i just Herbert: i just think its neat

Mary Shelley: [busting into clearing] sup fuckers Shelley: who's ready for their weekly beating? Heinlein: no! no! not mary shelley! Heinlein: have mercy!!! Heinlein: here, take all our lunch money! Heinlein: just don't punish us anymore!

King: mary! Is this what you've been doing when you come to this campfire? Shelley: [wailing on Heinlein] what? oh yeah, p much.