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thewriteadviceforwriters · 3 months ago

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The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

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mysticalserenity-tarot · 21 days ago

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:¨ ·.· ¨: `·. ୨୧ Your relationship dynamic with your future romantic partner ᡣ𐭩 (boyfriend/girlfriend, future spouse, etc.) (Pick a pile)

{How to pick a pile? First, take a deep breath with your eyes closed to clear your mind. When you open your eyes, don't hesitate – pick the image that immediately grabs your attention or stirs up a memory. Remember, you can pick more than one pile if you feel called to. If none of the images stand out for you, it means there's no message for you at this time. You can always come back to it later.}

ԑঙ<💙>ԑ̮̑ঙ ~ ԑঙ<💙>ԑ̮̑ঙ ԑঙ<💙>ԑ̮̑ঙ ~ ԑঙ<💙

Pile 1, Pile 2, Pile 3 (from left to right)

Hello, and a huge thank you to everyone for your incredible support. It means a lot!

In this collective pick a pile reading, we'll explore the relationship dynamic of you and your future romantic partner. Let's see where your energy takes us.

Disclaimer: This is a collective reading I picked up on multiple energies, so please only take what resonates and leave the rest. When something resonates you usually feel a light energy and in your heart you can feel it's your message, and the pic that attracts you is a clearly sign.

ԑঙ<💙>ԑ̮̑ঙ ~ ԑঙ<💙>ԑ̮̑ঙ ԑঙ<💙>ԑ̮̑ঙ ~ ԑঙ<💙

PILE 1 ᡣ𐭩

8 of Swords Rv, 3 of Pentacles, Knight of Wands (Knight of Pentacles)

Hello Pile 1, and welcome to your reading. Let's dive in!

You and your future romantic partner will free each other from any burdens, past wounds, and betrayals. I keep hearing the message 'teamwork makes the dream work,' which is confirmed by the repeated appearance of the 6 of Pentacles, the give-and-take card. This pile has a more calm energy compared to others, yet there is a hint of passion and an abundance of love, as indicated by the 2 of Cups. I see a lot of collaboration between you two, which will propel your relationship forward and allow you to learn valuable things from each other.(About that message, many of you (not all) that chose this pile are or were armys - BTS fans for those who don't know).

This energy is pretty similar to romantic sitcoms, a very lighthearted energy. I see you having fun with each other, making jokes and doing quirky things together. You'll find joy in the little things, such as organizing enjoyable activities together, whether it's at home or outside. I feel that one or both of you might have had bad experiences with past lovers, so finding comfort in each other's arms is important. You're free spirits with stable principles, and you both seek stability in your relationship with a touch of fun to ease your minds after a tiring work day.

Your dynamic is special, and there may be challenges and communication issues, but facing them head-on with determination is crucial for both of you. Patience and loyalty are also key themes in your love dynamic, with grounding elements confirmed by the dominant brown color in your spread. Brownish or reddish tones may also be significant for one or both of you, based on what I'm getting.

To summarize, your relationship is built on teamwork, give-and-take, stability, and fun. You'll find joy in the little things, such as creating fun moments together, and find comfort in each other's arms, despite any challenges that may arise. Patience and loyalty are essential, and your energy has a calm yet passionate feel to it.

Thank you for allowing me to read your energy, Pile 1.

Note: -If you enjoyed this and my other readings, and you'd like to support me further, you can do so on my ko-fi , I'd greatly appreciate it. It's not mandatory.

-For further guidance or a personalized reading, feel free to book a reading through my Tumblr DM or email [[email protected]]. I'm here to help you navigate life's challenges and find clarity. We can decide the price together. [I will be providing more details on my paid readings in the future. Keep an eye out for it]

PILE 2 ᡣ𐭩

2 of Wands, 2 of Pentacles, Knight of Swords (King of Cups)

Hello Pile 2, and welcome to your reading. Let's dive in!

Is this my staying in the comfort zone pile? We're going to say goodbye to it and fasten your seat belts, dear, because this won't be lasting much longer. Your future romantic partner will pull you out of that cozy comfort zone you've been in for who knows how long, and you're going to love it - it's what your soul truly needs, not a sedentary life and the 'I'm afraid to fail so I don't even try' mentality. Your mind is just trapping you into thinking you want that. Now, the love dynamic with your future romantic partner is mostly about adventure, trying new things, and learning because that's what your partner wants for you and for themselves. They have Gemini energy and will bring excitement and intellectual stimulation to your life. They'll be supportive and encouraging of your goals and aspirations, just like a cheerleader, and they'll provide a much-needed emotional balance and practicality to your relationship.

You might be the more timid and fearful one at first, but your soul craves a partner like that and, while it may feel uncomfortable initially, you'll soon realize how grateful you are to have found someone like them. They'll celebrate your achievements and goals with you, including the small ones, and they'll be very nurturing and compassionate towards your needs. The relationship will be balanced between your heart and their mind, and you'll both be devoted to each other.

22/222 may be significant and you may see it often, and ironically this is also pile 2 😁

In summary, the love dynamic between you and your future romantic partner will revolve around adventure, pushing your comfort zone, and finding a balance between excitement and practicality. Patience, support, and devotion will play major roles in your relationship. They'll be your biggest fan and help you overcome indecision, while you'll provide emotional support and stability.

Thank you for allowing me to read your energy, Pile 2.

Note: -If you enjoyed this and my other readings, and you'd like to support me further, you can do so on my ko-fi , I'd greatly appreciate it. It's not mandatory.

PILE 3 ᡣ𐭩

3 of Swords Rv, Ace of Cups, The Wheel (5 of Wands)

Hello Pile 3, and welcome to your reading. Let's dive in!

Compared to the other pile's this is way longer and there is a sense of tension in this energy, but it's nothing that you and your future partner cannot work. To sum it up, the relationship dynamic with your future romantic partner will be karmic or have karmic elements which requires patience from both parties, many ups and downs at least at the beginning (like while adjusting to your new relationship together). The relationship dynamic is marked by alternating moments of gloom and joy, and it seems some past wounds haven't been healed yet. You may want to consider doing some shadow work. I get the feeling that some of you may be reconnecting with exes or entering into relationships with karmic partners before finding “the one.” However, this PAC is for the person you're inquiring about, regardless of whether they're a future bf/gf or spouse. Even if they're a karmic partner (for some of you), it's okay because not every karmic partner is necessarily a bad person. They might just be there to teach you lessons and help you realize what you truly want in a partner so you can move on to a healthier/better relationship. Your relationship dynamics with your future partner will be one of growth and expansion, deeply spiritual, and aimed at helping you grow mentally, spiritually, and even physically. You'll start to feel more confident and radiant, both within and without. The real beauty lies within, and embracing it will make you shine even more.

The relationship will be anything but boring. You'll find new ways to communicate and inspire each other, strengthening your bond. There will be moments of intense emotion, but also comfort and care for each other. It's possible they will even want to have children with you. However, consent is crucial. There's a youthful, child-like energy, but it's not negative - just refreshing. Everything about this relationship feels divinely guided, meant for a higher purpose that you'll discover together.

Some of you may feel confused about something, which could be a sign this is your pile. There's a mix of energies. However, your relationship will be for the stronger hearted - especially Scorpio babies, given the transformative energy. The number 10 may be significant, potentially signaling completion and even a twin flame dynamic. You'll mirror each other's qualities and flaws.

Whoever you're inquiring about will likely sweep you off your feet. Whether it's a positive or negative experience depends on your perspective and situations. Generally speaking, the relationship dynamic will have a positive outcome. For some, this could be your first relationship or your first serious relationship, so everything will be new and exciting. There may be some tension due to inexperience, but it's a normal part of growing and adjusting to this new relationship. In the end, you'll find fulfillment and growth together.

In summary, the relationship dynamic with your future romantic partner will have karmic and potentially transformative aspects, requiring patience from both parties. There may be alternating periods of gloom and joy, which might stem from unresolved past wounds. Some of you may reconnect with exes or get involved in karmic relationships before finding “the one.” Shadow work could be beneficial for everyone. The relationship will be rooted in growth and expansion, and there's a strong spiritual component that will help deepen your connection. This relationship serves a divine purpose that both of you will uncover together. Thank you for allowing me to read your energy, Pile 3.

Thank you for allowing me to read your energy, Pile 3.

Note: -If you enjoyed this and my other readings, and you'd like to support me further, you can do so on my ko-fi , I'd greatly appreciate it. It's not mandatory.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

ANY LIKE/REBLOG/COMMENT IS APPRECIATED, ALSO IF YOU LET ME KNOW IF IT RESONATED.

PLEASE DO NOT REPOST MY WORK.

ALWAYS THANK YOU SO MUCH FOR EACH ONE OF YOU'S SUPPORT, I'M GRATEFUL 🤗🤍

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Please note that I used AI language bot to help improve grammar and spelling in my readings, as English is not my first language. However, the interpretations and insights provided in my readings are all my work, based on my intuition and the cards' symbolism.

Disclaimer: Tarot readings are for entertainment purposes only and are not meant to predict or dictate your future. The cards provide insights and guidance, but the ultimate power of choice lies with you.

#pick a card #pick a pile #tarot community #tarot blr #tarot blog #pick an image #tarot cards #collective reading #tarot readings #love tarot reading #love reading #spirituality #tarot deck #the light seer's tarot #mysticalserenity tarot #love reader #intuition #intuitive reader

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zyafics · 8 months ago

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PLAY FAKE | part four

MASTERLIST (series) | Rafe Cameron x Female Reader .ᐟ

Summary — When Rafe needs to secure a girlfriend for his father to see him as a viable candidate for Cameron Development, he enlists the help of a bartender who wants nothing to do with him.

Content — 18+, smut, angst, depictions of jealousy + aggression, emotional turmoil, mild descriptions of violence, and usage of drugs. Reader is hyper-independent, a people-pleaser, a smart mouth, stands on business, and mysterious past. Rafe is insecure, possessive, asshole, and has mood swings.

Dedication — for @rivaiken, iykyk! <3

The next couple of days have been radio silence. You don't try to communicate with Rafe and he doesn't try to communicate with you. You just throw yourself into your work, scolding to yourself how this was such a bad idea.

It wasn't meant to be a fuck relationship. It was meant to be fake. Nothing more than public displays of affection and going on to ignore each other behind the scenes. Rafe, himself, said that he wanted to continue doing all the shit he's doing now, just with you as a shielded layer of protection against his father.

Whenever you think back to that moment in the country club bathroom, your stomach recoils. Not because of the sex, but because of how willing you are. You always saw yourself as an independent person. Someone who can handle your own needs. You had to be; you grew up with no parental guidance and raised two younger sisters. You take care of people, you think of others. You handle everything yourself.

But you remember you were deep on your knees, ready to give him anything; when you were splay against the counter, begging him to make you come. God, you feel embarrassed by your own desire.

Maybe it's the control. Maybe it's because you're so used to it in the real world, for once, you want to give the reins to someone else. Especially in the bedroom. And Rafe perfectly takes it.

The only problem is he doesn't give it back.

Asshole.

You're behind the counter, telling Miranda about the new backlog of orders that the system hasn't placed, and a spill in one of the corners, when the bell rings, signaling the entrance of another customer.

"I'll be right with you!" You shout over your shoulders, quickly summarizing the last of the tasks for Miranda before turning to the new customer who walked in.

You plastered on your service smile, ready to take their orders.

Only to realize it was Rafe.

Your smile drops.

"What do you want, Rafe?" You ask pointedly, setting the towel down on the counter as he slides into the seat before you, a casual demeanor to his own presence.

"I need you to play the part again." He says, without so much as an apology or acknowledgement to what happened the other night. "It worked. My dad likes you."

"That's great," your voice is empty of emotions. "Are you coming here to tell me about what a perfect plan you made?"

"No," he shakes his head. "I need you to attend a party with me."

"Business?"

"No, at my house."

Your answer is immediate. "No," you say, shaking your head. "Can't make it."

"You don't even know what it is about."

"Let me guess," you cross your arms, pretending to ponder. "Your dad trusts you enough with me, so if he sees you and me at your party, he would assume I'll be able to control you and you won't push yourself over the edge?"

His reply is silent. That's how you know you're right.

"Guess my Pogue brain caught up fast enough."

You turn around to grab a small glass, pouring out a shot of tequila on the table before tipping your head backwards and taking it all in without a chaser. You need it for whatever this conservation is about to go. "I won't be able to go. I have a double shift."

"I haven't told you the day yet."

"I have double shifts all week," you declare sharply, the bitter taste burning your throat. You squint your eyes for a moment, readjusting, before you find his gaze again.

"I'll pay you."

"God, is this party that important?" You huff out of astonishment at his persistence. "The answer is still no. I don't want your money."

Rafe's brows furrow together. He doesn't understand why you're acting so cold to him. He came in with a good proposition; you wouldn't have to do any of those silly dinners with his father, all you had to do was make an appearance at a party long enough to satiate Ward and then you can do whatever the hell you want. Why are you being so difficult?

"What the fuck is your problem? Why do you have such an attitude?"

You laugh, abruptly, because this is so ironic and humorous to you that the sound rips out. The reckless prince, the man who received a collegiate degree from UNC Chapel Hill doesn't know what a Pogue is thinking.

You don't answer him, deciding to take one of the tasks off of Miranda's hands and clean up the spill yourself. It’s better than being cornered by Rafe. You move to the other side of the counter for the flip-door exit, stepping out from behind the booth.

Heading to the back to grab the supplies, Rafe follows you. Once you step into the backdoor, grabbing the mop, he slips in behind you, blocking the exit.

"You gonna talk or just avoid me all day again?"

You scoff. "That's rich coming from you."

His forehead wrinkles. He truly doesn't know. "What the fuck are you goin' on about?"

Having enough, you throw your arms out in frustration. "I'm talking about the fact that you're the one who fucked me in a bathroom after some problem with your dad," you snap, lashing out from all your pent-up anger. "You refused to talk to me. All you did was used me as your fucking toy."

He staggers back for a moment. Before a cruel smile appears on his lips.

"I remember you were begging for it."

You slap him.

It was so unprecedented, without thought, that it shocked the both of you. The next few seconds were quiet, too quiet, like it was a live wire waiting to spark.

Your voice is calm, almost deadly. "I want you to leave."

His anger comes back tenfold. It's almost a match made in hell; how your rage matches his, how he doesn't back down—but neither do you.

You were going to drive each other insane.

And some sick part of you liked it.

"When have I ever fucking talked to you, Pogue?" He snaps back with dark fury. "We're barely even friends. If I want to fuck you, and you let me, I'm taking it."

"Whenever you had a problem with your dad, you came to me, in this bar," you gesture out to the door. "You talked. I listened. That was the deal."

"We never said that in our relationship."

"Well, I'm putting it in," you declare. Approaching him, stepping a foot closer to close in the distance between the two of you. He doesn't move. He doesn't waver. He watches your step with heavy breathes, dark eyes. In a low breath, you warn, "you want to fuck other people? Fine. I don't care. You do that. They aren't the ones sticking with you, helping you with your dad. They don't have to carry the weight of you being you."

You know the last line was a hard hit, but it was true. You were tired of being seen as another Pogue, someone on the bottom of the litter meant to be used and thrown away. You need to make your stance firm.

"But if you want to fuck me," you conclude, pointing to yourself, "you talk to me, first."

He says nothing. Your anger is filling your adrenaline. It could also be the tequila. Whatever it is, you don't know what provoked you to say the next sentence.

"I wasn't on the pill, goddammit."

For a moment, sobriety reigns over Rafe's features. His eyes widened. "Did you—"

"I bought a Plan B, you asshole." You cut him off, not wanting him to think you're too stupid to think of the consequences. You knew. That's why you told him to pull out. "I wasn't going to carry your babies in me. But, it was expensive. Do you know how much that cost out of my paycheck?"

To him, that may seem like nothing. Nothing more than scraps rolling around his room, in his pockets that he could spare. But for you? That's money that could've gone to paying off your debt, to helping Sailor, to taking care of your siblings.

He remains silent.

You continue.

"You cover for me however you want. You host that party if you want to so fucking badly. But I can't do it. I have work."

You push past Rafe and he lets you, grabbing the mop out of the corner and stepping back into the open atmosphere of your bar. You may hate the noise that comes from the place, but it was better than being suffocated in a room with him.

Rafe quietly follows after you after you return behind the counter.

He looked like he wanted to say something more, but his words were not coming out. His gaze flicks to you, jaw clenched.

"I... I didn't know," his voice is a whisper, almost indistinguishable, that you can't help but let out a bitter chuckle.

"Yeah," you agree. "Because you refused to talk to me."

He says nothing, muted by his own anger, looking down at his hands, before he walks out of the bar. He doesn't bid farewell and you don't expect him to. All you know is he's going to get shit-faced soon and you had nothing to do with it.

—

As you are helping your little sister with her math homework—where all her struggles were about multiplication tables and recognizing whether a fraction is improper—you miss the early days of your life. Where you don't have to think about anything else.

About the bills. About the loans. About how to take care of your siblings.

About a stupid Kook prince you can't get out of your mind.

Your baby sister is seated on the couch, reading some children's book that you made a couple of years ago, stringed together with yarns and colored pencils. Her delicate voice echoes through the joint living room, sounding out the words on her own as she heard you read them million of times before.

Your sister, Amara, pulls you back to reality as she taps your arm, pointing to her problem on the kitchen counter that she's struggling with. She points to the question, reciting her logic of how she got there, and you return with praising her thought process but reminding her of her multiplication tables.

"Ohhhh," her voice drags, giggling at the realization. "I see."

You chuckle softly, laying your chin on her small shoulder and picking up your phone off the counter. While she fixes her mistake, you scroll through social media.

A notification flashes at the top of your screen.

topperthornton: hey

Why the fuck is another Kook sliding into your DMs?

you: hello?

He quickly responds, asking if you are your name.

you: why?

topperthornton: idk if u know but rafe is hosting a party tn

you: so i heard

topperthornton: well, you should come

you: i don't think so, white boy

topperthornton: it's rafe.. he's asking about u

Something in your chest sputters. You pretend it's not your heart.

you: ?? for what

You hope you didn't come off too eager. You don't want to be. You should be pissed, goddammit, but something about knowing Rafe, drunk right now, is thinking about you, makes you weak.

You hate it.

topperthornton: idk what happened between the two of u but he's drunk and crossed out of his mind and he's just been rambling about u

You stare at the text for a hot minute, before another one follows.

topperthornton: u need to come immediately

Fucking hell.

You know you shouldn’t. You just came out of a long, tiresome shift. You have siblings to take care of. You have a math problem that has yet been corrected. But, something in your chest caves. The idea that Rafe needs help, that he's asking for you specifically, and you aren't coming? Makes you uneasy.

You have to go.

There's no other way around it.

Scrambling, you pull your Amara off your lap as you run out the door and race down the block. When you stop in front of Pope's house, you pound your fist against the door, praying someone is home.

It's Pope.

"Hey," he greets. "What's up?"

"I know this is last minute but I need you to watch the kids," you announce breathlessly. His eyes follow you, concerned.

"Everything okay?"

"It's fine," you wave off. "I just have to go somewhere and I don't know how long I'll be. Amara is doing her math homework and Leilani is just reading a book. They're really sweet, I promise."

Pope laughs you off casually. "I know," he says with a smile. "I've babysat them before."

"So," you string the words together slowly, hoping your anxiety isn't coming off too strong. You don't want Pope to feel obligated. "Can you... do it?"

He nods. "Of course. Pogues help each other out."

You smile, pulling him into a quick hug, before handing him the spare key to your house. He heads over to take care of your siblings while you run to your beaten-down car, reversing out the road.

When you arrived at Tannyhill, you truly underestimated how large the party was going to be. People crowded all over, dancing, swinging, just having a reckless and wild time at Rafe Cameron's place. While you know you should be slightly embarrassed by the long pajama pants and braless baggy tee you're wearing right now, feeling overdressed, you step out of the car and head inside.

Topper spots you at the porch.

"Thank God," he mumbles under his breath. "He's been out of it."

You wonder if Topper knows about your arrangement with Rafe.

"Yeah," you nod. "Where is he?"

"I put him in his room with some water but I gotta tell you, he's wasted. Some of the things he says... may not be tasteful."

You scoff. We've already crossed that bridge. "I think I'll be fine."

Without another word, Topper pulls away and you head up the familiar stairs of the estate, descending down the hallway you were here just days ago. It feels, for some reason, like a lifetime since you visited.

You knock on the door, twice, to no answer. Deciding to go for it—praying you won't walk into some lewd act—you step into the room to find it peacefully quiet. Rafe laid out on the mattress, his eyes closed.

You scan the room, trying to see if there's any destruction—any thrown chairs or broken bottles—to find everything in the same condition as you visited prior. The only difference is a pink bag, sitting in his drawer with a bouquet of flowers sticking out.

Your stomach twists in jealousy as you wonder who that could be for. At what fool is receiving such gifts or who gave him such.

When you peek inside, you notice a couple of things: a white envelope, a bundle of red tulips, and like ten-plus stacks of Plan B.

You stiffen your laugh. You realize the fool is you.

Butterflies erupt in your stomach.

The bed creaks and you jump at the sound, seeing Rafe pulling himself up on the mattress into a sitting position, rubbing his eyes to clear his vision, before he finds you, standing in front of him.

He says your name. He thinks he's hallucinating from the drugs.

"Yeah," you nod, cautiously approaching him as his glazed eyes follow your every move. "It's me."

"I thought you said you had a double shift."

He didn't mean for his words to come off so sharp.

"I locked up an hour ago." You explain, brushing past his aggravation.

Rafe nods at your explanation, but his movements are sluggish. Lag. He truly is out of it. You're surprised he went this hard.

His head hangs, staring at his lap, before he asks quietly. "What are you doing here?"

You shrug. You don't know either. You thought he needed help. The idea of him asking for you, but you weren't there for him, kills something inside of you. But, you can't say that. Not after everything you said to him. Not after what this relationship is based on.

You are nothing more than a fake girlfriend.

"Topper said you needed help," you evade any sense of responsibility. Of care. "He texted me."

His jaw clenches, and he looks up at you. "Top has your number?"

"No. He found my Instagram," you answer, wondering if that is jealousy you hear. But, you settle that it can't possibly be the case. "He DM'd me and I came over."

Now it's your turn to be vulnerable.

"I thought you needed help."

Rafe scoffs, bitterly, running a hand through his tousled hair. "Unless you can get this headache out of my heart, I don't think there's much you can do, sweetheart."

You nod, your feet shift to the door, ready to leave. If this is all, if that's all Topper is worried about, Rafe should be fine.

"Come here."

You find yourself listening. Again. Your feet pads against the hardwood floor as you streamline over to him, stopping just in front of his legs hanging off the ledge of the mattress. His head tilts up to meet your gaze; his cloudy blue eyes staring back at you. You bite back a thought.

"I know something that would make me feel better."

You scoff at the suggestive tone. "Let me guess: fuck?"

"Sit on my lap."

You hesitate for a moment. You don't want to be another fuck. But, when his hand lands on the side of your thigh, gentle and earnest, you relent.

Slowly, you settle onto Rafe's lap, both legs on either side of his waist. Your body facing him, and despite him in the lower position, he meets you at eye level.

"Better?" You tilt your head, watching his shoulders unwind every-so-slightly.

"Much." He murmurs, his eyes tracing your face. "God, you're gorgeous."

You flush, knocking a weak palm against his broad shoulder. "Shut up," you say, feeling anything but. You're wearing scraps for clothing, something you planned to go straight to bed—not attend an extravagant party hosted by one of the island's finest.

"I'm fucking serious." He snaps, but his voice doesn't have that hard edge. You blame that on the alcohol too. "I saw all those girls tonight. And yet, here you are, in your fucking pajamas and getting me hard."

You scoff, turning away. "So it does lead back to sex."

"No, it means that they pale in comparison to you," he cups your chin, gently, pulling your gaze back to him. "I'm serious, sweetheart. Believe me."

You're afraid that if you move up against his lap, coming closer, you would feel his erection. Not to mention, if you do, you don't know if you're going to start dry-humping him like you did the other day. But, you remain firm on your stance.

You're not going to let him fuck you unless he talks to you.

The atmosphere thins into a silence, as you take in the low hums of the downstairs party blasting in distant music.

"How was the party?" You ask, probing for a conversation starter. "Was it everything you dreamed of?"

He scoffs. "You're looking at it. I basically drank and smoked until I got sick."

His vices. At least you didn't have to hear about the women he hooked up with, if that's the case. Something deep inside of you hope there isn't.

You nod silently, finding your fingers tracing the outline of his shoulders, your nails scraping against his hot skin and trailing up the crook of his neck. Rafe lets his eyes flutter close for a moment, breathing in a shaky breath.

"Don't do that."

"Why?" You ask, genuinely curious. "I'm just tracing."

"Because anything from you right now feels good," he confesses quietly, and your breath caught in your throat. You hand stills. "Fuck, don't stop."

"You're going to have to give me one signal here, Rafe," you roll your eyes. "You can't say green and red light at the same time."

He pauses for a moment. Contemplating your words.

"Green," he whispers. "Definitely green."

You return to your outline of Rafe's silhouette. He lets you. He says nothing as you follow down to the curve of his arms, skimming against his defined biceps and the muscles instinctively flex under your touch. It made you smile. You pretend you aren't proud of it.

This is done in complete silence.

Then, out of nowhere, Rafe confesses, "I shouldn't have touched you like that."

You freeze. You knew immediately what he was referring to.

"I—I was out of it. I took it out on you."

He still doesn't get it.

You abandon your artwork and use both hands to cup the underside of his jaw, forcing him to tilt his gaze and look up at you. With a sigh, you say, "that wasn't the problem." Your eyes study his face, "it was the fact that you didn't talk to me or explain to me what happened."

His gaze is broken; so incredibly so. The whites of his irises are a faint shade of red, bringing out the deep set of his blue eyes.

"I need to know these things, Rafe." You continue gently. "It's not about me being nosy, or a bitch, or anything. If I'm getting into something with you, I need to know the full picture so I can help you." You swallow your voice as you mumble out the next one. "So you can help me."

You hope he doesn't know the strain in your tone, how hard it was to say those words. You hope he doesn't press on it.

"Okay." Rafe nods, dipping his chin into your palms. "I get it."

"Easier said than done, darling."

Rafe knows it is. He's been struggling to string words together before you came into his life, much less with you in it. But, he was willing to try.

He begins at the dinner. With a stumbled start, he explains how Ward doesn't think he was good enough for you.

You stop him to ask questions. "He said that?"

"No," Rafe shakes his head. "But it's the look on his face. It's—the way he acted. You should've seen how he looked at me when he complimented you, like I'll never compare."

You frown at those words; you didn't even notice.

When he satisfied your questions, Rafe continued on with his story. Rambling further. Each word spilling out easier than the last. He assumed it's because of the alcohol, or the drugs, or perhaps it was neither altogether and it was just you. All in all, he knew.

It was easiest to talk to you.

It reminded him of the bar. He put himself in that setting. His words tumbles out of him with the impression that you won't share it with anyone else. The idea that you were just you, a bartender, who probably had to deal with this shit a thousand-times-over with other talkative customers. That it was you, who he is confessing a vulnerable part to, without the retaliation of judgment.

Rafe breakdowns the comments Ward made. The little conversation they shared after dinner, when you were helping with the caterers. Your clothes. It all became too much to him; like he was the problem. That nothing he did was good enough. His mind was spiraling by that time and having nothing else to pour it into—the drinks, the drugs, the partying—all he had was you.

And he used that to his advantage.

You listen intently, nodding along and following his words without further interruption. Only on things you truly need to clarify. When he finished, even with his incoherent noises and words, something in his chest lightens. It feels more at peace.

You stare at him for a few moments, digesting the information. A protectiveness forms in the pit against your stomach because fuck Ward, you decided. Sure, there may have been admiration from your end about his ability to become a Kook but that means shit now. You hate how he treats Rafe. You hate how you didn't notice.

"God, your dad is a dick."

Rafe doesn't agree like you expect him to. His gaze hardens, like he can't stand you insulting him. You realized, in that moment, you crossed a line. That he may harbor all these hurt and anger and resentment, at the end of the day, it's still his father.

"Sorry," you mumble softly. "I didn't mean it like—"

"I know what you mean."

That came out with an edge.

You swallow, deciding that you should leave. Maybe you being here isn't the right decision. Your legs are starting to cramp from their overstretched position and the inside of your thighs burn from the overuse. You peel your hands off his shoulders and slowly will yourself off of Rafe's lap.

"I should go," you declare, glancing at the exit.

Something in his chest tightens. He wasn't mad. He just wasn't used to regulating his emotions, especially about his father. All he knows is that he doesn't want you to leave.

"Wait," Rafe declares as you pause in front of his bedroom door. He stammers for an excuse. "I never made you come."

Your eyes slightly widen from the suggestion. "It's fine," you say, even though, in that moment, a small part of you hated him for that. "I... I finished myself off when I got home."

The image of you, in your bed, alone, touching yourself to relieve your aches, does something to him. Both in guilt and in arousal.

"No," he raises from his bed, approaching you. Now, with him standing on his own two feet, he towers over you—dominating and intimidating. "It's only fair. I should give back."

"Rafe," you place a hand on his chest, laughing awkwardly, because you don't know how you feel about him pleasuring you. "It's fine. It's not a tit-for-tat thing. You don't owe me anything."

He feels frustrated again. That's not what he meant.

"Fine." He snaps. "You want my words? I want to make you come. I want you to feel as good as I did that day."

You stare at him, the air stolen from your lungs, not knowing what to say. Then, suddenly, an idea occurs to you and a sly smile rises to your lips.

"You want to help me come?" You ask sweetly, watching as he nods his head like an obedient dog. "Okay."

Your hands travel down to the hem of his pants, to his belt, and unbuckle them. Rafe's face conveys surprise, that you're so eager to accept, and when you pull out the leather strap, you stop. Just for a moment, you glance back, asking in confirmation. "My pleasure, right?"

He doesn't know what you're trying to do, but he nods anyway.

"Turn around."

Rafe does what you say. You take both of his wrists into one of your hands—a struggle that Rafe had to assist with—and pins them behind his back. Using the belt, you tie them together.

"Sweetheart..." His voice is low, unsure of how you're able to proceed, but the arousal travels through his body at the uncertainty.

"Trust me." You whisper, buckling them into a firm lock. When you walk back around to face Rafe, your panties dampen at the sight before you: him, standing tall, with his arms pinned behind him, almost helpless. "Sit."

Rafe takes the seat on the desk chair you pulled out, his bounded arms touching the back of the seat as his focus is pinned on you, standing before his bed.

You let out a shaky breath, excitement bubbling in your stomach at the idea of what's about to happen, before your fingers hook to the band of your pants, slowly pulling them down to your ankles. He watches every little move; like a strip tease catered specifically for him. Something he can see. Something he can't touch.

Rafe can feel his erection hardens in his jeans.

"What are you doing?" Rafe's voice is rough and once you step out of your pants, revealing the white panties underneath, he groans at the sight.

"I'm going to make myself feel good," you declare evenly, trying to calm your racing heart, "and you're going to watch."

His Adam's apple bobs. "How do I help?"

"I look at you as I do."

A complaint lodged in his throat but you caught it before he proceeded. "My pleasure, right?" You remind him, to which he, with great reluctance, nods.

You leave your shirt on, deciding it would be unnecessary to take off, and settle down on his bed. Your back pressed against the mattress, you position yourself comfortably in a way that allows Rafe to watch.

And he's watching.

"Are you going to use your fingers?" Rafe asks, deciding that he needs to talk to keep him sane.

"Mhm," you answer, spreading your legs. Arousal licks up your stomach as you feel the cool air brushes the inside of your thighs, raising goosebumps against your skin. You feel the urge to laugh to dispel some discomfort in your body, at how intense Rafe is studying you, but you choose not to. "I might only use two. It'll be tight."

Fuck, Rafe thought.

With a tentative hand, you brush your fingers against your panties, feeling your wetness forming a spot. The light touches ignites heat in your core and your eyes flutter close for a second.

"Look at me." Rafe commands, trying to regain some control. It doesn't work, but you listen anyway.

You watch him as you continue to stroke yourself, pressing against your clothed pussy, not quite entering, as a light coat of your slick covers your fingers. You tip your head back with a small moan.

"Sweetheart," he groans, "stop torturing yourself."

When he truly means to stop torturing him.

You pull your hand back and stuff your fingers into your mouth to cover with saliva, tasting the faintness of your arousal, before returning back to your pussy. Pushing the drenched fabric to the side, a forefinger slips inside easily.

A whimper escapes you, your back arching slightly from the intrusion of your touch. Rafe's breath hitches in his throat as he watches you steadily pump yourself, in-and-out with one digit. You focus on your own pleasure, how good it feels, with the heightened sensitivity of Rafe's attention all on you.

And he's fucking hard.

Rafe watches as you spread your wet folds, slipping in another finger to your tight cunt. It kills him that he can't do anything about it.

"I bet my fingers would fill you more," he offers seductively, trying to remind you of his existence. That he can do it too. You laugh softly, not taking the bait. "What are you thinking about?"

"How good this feels," you whisper, hearing the sound of your wetness squelching in the air. You mewl. "You."

Rafe grunts at the confession. You try to keep your eyes set on him, to remember what you're doing, who you're doing it with, but the build-up is causing you to lose control and makes you close your eyes.

"Eyes." He demands, his voice sharper than before. You open them with great resistance, each second longer is a struggle to keep them focused on him.

"Oh, god," you moan, quickening your pace as you connect your gaze with Rafe. The way he looking at you right now. It reminds you of the night at Topper's house, the time in the country club's bathroom. "Yes, yes, fuck."

He can't stand this. He's straining against his jeans, his cock painfully hard without any relief, while his wrists are bound and reddened by how tight you locked him in. How he's pushing against the leather, trying to break free.

You close your eyes again in pleasure. Your orgasm is getting close.

Rafe swallows hard. "You feelin' good, sweetheart?"

You nod eagerly, flicking your gaze back to him. "You enjoying the view?"

He clenches his jaw, not responding, but you can tell. The impressive outline of his bulge against his pants, how hungry his eyes are. How much he wants you.

It lights something carnal within you. You start to pump harder and faster inside your pussy, your moan growing louder and without inhibition; Rafe's very own porn show in front of him.

He has enough.

"I need to touch you." Rafe declares desperately, rising from his chair, his eyes never straying from the perfect image of you, on his bed, fucking yourself, writhing in ecstasy. "Come on, sweetheart, I can—fuck—I can make you feel so much better."

He's bargaining, goddammit.

A small laugh leaves you, mixed in with the sound of your own pleasure, and you don't acknowledge his comment. His pleads. He steps forward, closing the distance between the two of you.

Rafe growls out your name.

You glance up at him through a heavy-lidded gaze. "Hmm?" You say innocently, pulling your hand out of your pussy. His eyes glance down at your slickness glistening off your fingers, his chest tightening.

"Say yes." He demands weakly, his voice rough and filled with so much restraint, like he's seconds away from losing it. "Tell me I can touch you."

You pull yourself to your knees, bending before him, your smile full of satisfaction. "You want me that badly, baby?"

He doesn't even bother denying it anymore. "Yes."

"My pleasure, right, baby?"

"Fuck, yes," he groans. "Please."

You grin, bringing your wet fingers to his mouth and pressing it against his full lips. He takes you in, sucking your arousal clean from your hand, his eyes still on yours, and you, finally, finally nod.

"You can touch me."

Rafe breaks his belt buckle in one swift motion, surprising you, before his hands immediately cover your body, grabbing at any flesh he can find. His mouth claims yours, pulling you into a hungry kiss and pushing you back against the mattress as his weight pins you down.

"You can't get enough of me." You tease, moaning at how good he tastes, how you can taste yourself on him, and your fingers find his hair. When he breaks, his hard eyes land on your face.

"You don't know how fucking badly I want to punish you right now," he confesses lowly, his hand lowering to the space between your legs. "For torturing me like that."

"It doesn't feel good, does it?"

Rafe scoffs, capturing your cheeks in one large hand, squeezing them together. He runs the pad of his thumb across your bottom lip, mumbling, "this fucking mouth."

You provoke further. "You love it."

He doesn't answer you, silencing himself with a bruising kiss against your lips and sucking all the air out of your lungs. When his hand lands on your pussy, his fingers begin to run tight circles around your clit, causing you to arch into him.

"Oh, god," you moan into his mouth as he swallows the sound. Breaking from the kiss to glance down, he watches at how responsive your body is, how you're writhing under his touch, and smirks.

"Feels good?"

"So good," you whisper needily, "please keep doing that."

Rafe descends down your body, kissing a trail from the navel of your stomach to your wet cunt, aching and waiting just for him. "I'm going to make you come on my fingers, tongue, and face. Think you can do that for me, sweetheart?"

He doesn't give you time to answer, covering his mouth over your swollen nub and sucks.

"Oh, fuck," your hips involuntarily bucks against his face. He grins against your pussy, in satisfaction, at how good he's making you feel. At how good you taste. To be denied of this, for the past hour, was torture. He wants to pleasure and punish you, all in one. "Don't stop, don't stop."

Your legs wrap around his head in a lock as he ascends you towards your peak, slipping two thick fingers into your pussy. The size makes your walls clench around them. Rafe groans, the vibration against your clit pushing you further into your climax.

"Please don't stop, please." You moan in desperation, afraid of him pulling out again, tipping your head back against his pillows, your fingers gripping his hair harder. Rafe twists his fingers, entering at a new angle, allowing the cool sensation of his ring against your hot cunt and amplifies your sensitivity.

"I'm not going anywhere, baby."

Rafe quickens his pace, his fingers thrusting in with precision and hitting all the right spots. In addition, he slurps harder, tonguing your clit in a way that causes stars to blanket your vision. Writhing in pleasure, you moan and whimper, racing towards your orgasm.

"Come for me," he commands, feeling your walls twitching towards a desperate end, “let me hear my girl."

You release with a heavy cry, coming on his face and slumping back against the bed from pure exhaustion. Combined with the day you had, the double shifts you've been pulling, and the incredible orgasm you're given, all you want to do is sleep.

"Get up," Rafe declares, but you don't move. "Come on, sweetheart."

"Give me five minutes," you yawn, holding out five fingers while your eyes flutter. "I just need to..."

You don't finish your sentence, closing your eyes for a brief moment. That's what you tell yourself, and the last thing you remember before you fall completely in your slumber.

★ part five ★

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withercat1 · 1 month ago

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Some observations about Mouthwashing

Spoilers ahead!

Ok so this game has got me so hyperfixated that I’m using Tumblr for the first time in like a year just to keep a tab with the Mouthwashing hashtag open so I can refresh it throughout the day and see what people are posting. That and my tab full of Danny AOD gifs. Anyway.

So I wanted to share some things I’ve noticed because I haven’t seen anyone else mention them and I want to seem smart and observant.

First off is the name Curly. Like it’s kind of a weird name. It’s unclear whether this is his first or last name because the writing on his id card is so burned and so cursive. It is worth noting that Curly is an actual name, meaning “strong man” or “great strength”. What stands out to me though, is that Laika, the dog who was sent into space, was actually named Kudrayavka originally, which means “Little Curly” (and a little fun fact, Laika means “barker”). Thematically, both of these make sense. I don’t know which one was intentional, if either. It’s entirely possible Curly as a name is a reference, or just a name the devs liked.

Secondly, Anya’s design is based off of Shelley Duvall in The Shining, most recognizable to most people for the scene where she’s hiding in the bathroom while Johnny breaks down the door. That being her most iconic scene really reminds me of Anya’s deal with doors, being unable to lock the door to her quarters, and then locking herself in medical while the others try to get her out.

Thirdly, and the one I find most interesting, is one of the videos that plays on the tv after the storage room is opened. It’s about atoms, and states that atoms make up everything, like shoes, and ships, and sealing wax, and cabbages, and kings. I don’t know if this video was chosen by the devs specifically for this quote, but for the purposes of my rambling I’m going to assume it was. This quote is a direct reference to The Walrus and the Carpenter, a poem by Lewis Carroll.

The poem is hyperlinked above (hopefully, Idrk how to use Tumblr), but I just want to post the segment that the quote from the video comes from.

“The time has come,' the Walrus said,

To talk of many things:

Of shoes — and ships — and sealing-wax —

Of cabbages — and kings —

And why the sea is boiling hot —

And whether pigs have wings.'”

To briefly summarize the whole poem, though I highly recommend reading it for yourself as well because it’s really good, the Walrus and the Carpenter come across a group of oysters and ask them to join them for a walk. The oysters do, and the Walrus and the Carpenter walk with then a bit, before finally stopping, where the lines above happen. Right after this, the oysters ask to take a break, and the Walrus and the Carpenter agree to let them have the break - because they plan on eating the oysters. “And why the sea is boiling hot,” I believe, refers to the oysters being boiled in order to prepare them for consumption.

The Walrus says he pities the oysters, and wipes his tears away, while actively partaking in the consumption of the oysters. The poem ends with a statement that all of the oysters have been devoured.

So! Let’s focus on the Walrus here. Someone who leads innocents astray, boils/cooks them, and then eats them, all the while crying about how awful it is while doing nothing to abstain from eating them. Sound familiar? Sound like that guy we all hate? Little bit! I don’t know if it was an intentional bit of symbolism or not, but it’s super big brained if it was.

That’s all for now but I’m sure I’ll think of some more things later. I love this game. If u made it this far I really appreciate it, feel free to comment and let me know what you think

Also let me know how to tag a post as spoilers properly, I seriously do not use this site

#mouthwashing #mouthwashing game #captain curly #i’m so normal about this game #spoilers

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humming-fly · 27 days ago

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Detailed sample down below!

Step 1: I'm in California, so I clicked here at https://www.vote411.org/check-registration

Clicking on that took me to my state's registration check page, where I filled out in those fun black squares with my info...

...and there's my confirmation! This also provides info on where I'm currently registered to vote, which is good to know when looking up ballot drop-off locations.

Step 2: Since I already am registered I could skip this, but just to show it off here's what the online tool at https://www.vote411.org/register looks like!

The site asks you to put in your name and mailing address, and then sends you off to your own state's voter registration page to finish it up!

Step 3: Since I'm in California, I went to https://www.vote411.org/select-state and selected that state to bring up CA's voting information page.

And here's what my info looks like! The top of the page gives a quick overview of registration deadlines...

...and scrolling down reveals a bunch of additional info for any further questions! I've selected Early Voting on the lefthand tab to bring that up here.

Skimming this, it looks like California offers voting by mail, which is what I want to do.

Scrolling further down the lefthand menu I pulled up the Vote by Mail tab to learn more...

...and based on the information there I went to find the tab that would tell me about Drop Boxes in California!

Following that link brings me to California's early voting drop-off page.

For now let's just use Disneyland as our address to see where we can drop things off. Entering the county and city information we get this list:

Checking the box to Display Results on Map, it looks like there's a drop off location right by Disney that is open 24 hours! I went ahead and screenshotted the address on my computer, and opened it in google maps so that I could keep track of where it was.

Perfect, I now have a plan for dropping off my mail-in ballot!

Finally, I want to know where my mail-in ballot is. Assuming you live in a state with mail-in ballots but haven't seen yours yet, you can usually track them or request new ones if your address has recently changed.

I just googled "California mail in ballot tracking" and wound up on this page.

Filling out the little form at the Where'sMyBallot link (name and date of birth), I can see that my ballot has been sent out and is en route!

Since it was sent on October 7th, I suspect it's already arrived, and lo and behold checking my mailbox there it is buried under all the political mailers!

Step 4: Since I will be voting by mail, I will skip Step 4 for now (though vote411.org lists traditional voting areas/what I'd need to bring so that's where I'd get that info if needed!)

Step 5: When doing research I started with https://www.vote411.org/ballot, since it gives a preview image of all of the items that will be on my ballot based on my address.

I can click on any of these to see the candidate options, and their statements if they've been provided. However for many of these options on vote411.org there aren't too many additional details, so I want to do my own research looking at neutral voting summaries and candidate endorsements by groups I align with politically!

For the election summary, I started with the General Election Official Voter Information Guide booklet that was mailed to my address a few weeks ago. This is the best source of unbiased voting information in my opinion, especially when it comes to state and local propositions since it will summarize them and also include opinion pieces written for and against each one. You can also access it online, as shown below!

To find it, I googled "California Official Voter Information Guide", and made sure it was sourced from my local government.

Another good source of information I used is npr.org, or National Public Radio. NPR provides news that is free to read and listen to, and is one of my personal favorite ways to stay informed. There's also local branches of the station for every state, and each one will usually have a voting guide with side-by-side comparisons that makes it easy to read.

To find mine, I googled "California NPR Voting Guide"

Finally if there was anything on the ballot where I wasn't convinced one way or the other on certain candidates or initiatives, I checked out some political endorsements!

A few of the ones I looked at are Planned Parenthood (women's health and abortion access), the Sunrise Movement (climate activism), the Sierra Club (climate change, national park preservation). I found these by googling "[Name of org] voting guide california".

Since I'm voting by mail I could keep these webpages opened as I filled out my ballot.

For voting in person, I'd recommend writing candidates down as a cheat sheet to bring into the poll so you can remember what you want to vote for! https://www.vote411.org/ballot will let you arrange that cheat sheet real easily.

Now that my ballot is filled out I'll just drop it off at the address I found in Step 3 - setting a time for myself, I'll plan to drop it off when I go for a walk this afternoon! 👍

Step 6:

After I finished up I went ahead and posted on facebook and to my friends in discord on how I'd made a voting plan, to help encourage friends/family to do the same!

You can be as public or as personal as you want here, but sharing can help encourage others to put a plan together too - if you made it this far it can even be as simple as reblogging this post with a message saying "I Made a Voting Plan"!

#voting guide #how to vote #voting plan #I'll be sharing this a few more times before election day!#it's really important to go vote and making a voting plan helps guarantee that you'll do it!#wrote this instead of having an anxiety attack yesterday lol #this seemed more productive

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itneverendshere · 2 months ago

Note

the first relapse being the most scariest thing you’ve seen. sarah’s even calling you about him like “dads trying to get his doctor on the line just in case he od’s”

added this to what i'd already summarized in this ask!! hope everyone enjoys the angst 😔🫂 it’s a little long (around 7.1k)

death by a thousand cuts - r.c

pairing: rafe x pogue!reader (bartender!reader universe) warnings: substance abuse.

Ward’s sitting at the dining table, barely glancing up from his phone when Rafe walks in. His jaw clenches. That look—so cold, so dismissive—always sets something off in him.

“What’s wrong?” Rafe asks, already knowing this isn’t just a normal night.

Ward doesn’t answer right away, just sighs like Rafe being here is another weight on his shoulders. “Your mother called today.”

Rafe freezes.

He doesn’t have to ask which mother. Ward’s new wife has nothing to do with this. His real mom. The one who left.

He tries to stay calm, but he can feel his blood pumping, “What’d she want?”

“She says she wants to see you. You and your sisters.”

Rafe’s eyes narrow, his heart pounding harder now. The audacity of it. She always did this—popped back in when it was convenient for her, like they were just part of her life she could pick up and drop whenever she felt like it.

When was the last time? A couple of years? Before that? It doesn’t matter.

“No. I’m not doing this again.”

“Rafe—”

“No, I said no.” The anger wells up fast, a familiar burn in his chest. He stands there, fists clenched. “She’s full of shit, dad. She doesn't give a fuck about us. So, no. I’m not seeing her.”

Ward looks up, calm as ever, but there's that edge in his eyes—the one that always makes Rafe feel like a little kid who’s stepped out of line. “You’re overreacting. She’s still your mother.”

“My mother?” He lets out a bitter laugh, but there’s no humor in it. His fists tighten at his sides. “She left. She fucking left us. She’s not my mother. She’s just some lady who couldn’t handle shit.”

Ward stands up now. “Watch your mouth.”

“Watch my mouth?” Rafe barks back, stepping forward, his anger boiling over. “I watched her leave me every time she got bored or freaked out. And you—you didn’t do shit!.You just let it happen. Let her walk out over and over.”

“That’s enough, Rafe.”

But he's not done.

He’s too pissed to think straight. “What? You gonna defend her? You’re the one who let her fuck me up like this! You—”

“Stop blaming everyone else for your problems,” Ward snaps, his voice rising. "Grow up. She left. And you’re still standing here acting like a child over it.”

Something inside Rafe cracks. His chest tightens like someone’s squeezing the air out of him. "A child? You don't get it. You never got it. She fucked me up. She fucked all of us up, and you're still acting like it's nothing." His mind is spinning, flashing back to all those nights he was too high to breathe, too strung out to care if he woke up the next day. He feels like he’s suffocating, the anger burning too fast. “I’m not doing this again, dad. I’m not.”

Ward’s gaze turns cold. “She’s trying now. That has to count for something.”

“Trying? Trying?!” Rafe grits out, stepping forward. All those years, all those broken promises, all the times he was left wondering what the hell he did wrong to make her leave—and now Ward wants him to sit down like it’s a fucking family reunion.

“I don’t care what you think about it, Rafe. This isn’t up for discussion. You will see her, and that’s final.”

“No. No fucking way!” He shouts, his voice shaking as he steps closer to Ward, fists clenched. “You can’t make me do this. I’m not going to sit there and pretend like everything’s okay when she’s the reason I turned into the mess I was. And you—” His chest heaves as he fights to find the words, his throat tight. “You’re just as bad as she is.”

Ward’s eyes narrow dangerously, but he continues, “Every time she left, you didn’t do a goddamn thing. You let her walk all over us. You let her leave me, leave us, and you never said a word. You’re a shitty father, just as bad as her."

Ward’s face darkens, a storm brewing behind his eyes. “Don’t you dare talk to me like that.”

“I’ll talk to you however the hell I want,” Rafe fires back, stepping even closer, eyes blazing. “You didn’t stop her. You never protected me. You sat there and watched her fuck me up and then turned around and blamed me for it. Like I was the problem.”

“You were the problem,” Ward snaps, “She didn’t know how to handle you, and neither did I. You were a fucking disaster, Rafe. And that’s on you.”

“No. You two were and are the fucking problem because you can’t let go of her.”

Ward takes a step forward, “This isn’t about you. It’s about your sisters. Sarah wants this. Weezie deserves a chance to know her mother. It’s not all about your issues, Rafe. Grow up.”

“Grow up?” He feels like he’s suffocating, “You think I’m the one who needs to grow up?

“Enough. You will meet her, or you can leave this house right now.”

All the work he's put in, all the shit he's tried to fix, feels like it’s slipping right through his fingers. He can’t be here. Not like this. He’s out the door before he even knows what he’s doing. That itch beneath his skin is back after years, that’s how much control his parents have over him.

Rafe’s hands are still shaking as he gets into his truck, slamming the door harder than he means to. It feels like he can’t get enough air in his lungs, and his thoughts are spinning, they’re all crashing into each other at once. The fight with his father keeps replaying in his head, louder and louder, until he can’t hear anything else.

He’s gripping the steering wheel so tight his knuckles turn white. His dad’s voice, cold and cutting, telling him he’s the problem. That he’s always been the problem. His hands are shaking worse now, trembling like he’s about to snap, and there’s only one thought pounding through his mind: He can’t go to you like this.

The thought of walking through your door, this messed up, makes him feel sick. You’ve seen him at his worst before, but this… this feels different. He can’t let you see him like this—not the old Rafe. Not the one who almost lost everything.

You don’t need to see that. You don’t deserve it.

He knows where he can go instead. Somewhere he shouldn’t, somewhere he swore he’d never go again. But right now, it feels like the only place that makes sense. His head’s spinning, his body buzzing with leftover adrenaline and anger, and he just needs it to stop.

So, he turns the key in the ignition and drives. It doesn’t take long to get to Barry’s. He knows the back roads by heart, even though it’s been years. He pulls up to the small shack Barry calls home, the lights still on, music thumping faintly from inside. It’s like nothing’s changed. The same rundown place, the same shitty cars parked out front, the same smell of smoke and spilled liquor lingering in the air.

Rafe sits there for a minute, gripping the steering wheel, breathing heavy. He shouldn’t be here. He knows that.

He climbs out of the truck, shoving his hands into his pockets to keep them from shaking, and heads toward the door. The second he steps inside, the familiar smell of stale beer and weed hits him like a wave, bringing back memories he thought he’d buried.

Barry’s lounging on the couch, a joint hanging from his mouth, lazily flipping through channels on the TV.

“Country Club!”, Barry drawls when he notices him, smirking around the joint. “Now this is a surprise. Didn’t think I’d ever see you walk through that door again. Thought you were all clean now, with your pretty little girlfriend.”

He tenses at the mention of you. But he can’t walk out now. Not after what just happened with Ward. Not when everything inside him feels like it’s about to blow.

“I just need something,” Rafe mutters, avoiding Barry’s eyes, already regretting this but not enough to stop.

Barry raises an eyebrow, amused. “Something, huh? You know, you’ve got a real habit of showing up here when you’re all fucked up.” He laughs, low and mocking. “What’s the matter this time? Daddy issues again?”

His jaw tightens. “Just give me what I want.”

Barry leans back, flicking ash onto the floor. “You sure you wanna go down that road again, man? Thought you were past this shit.”

“I don’t care,” Rafe snaps, his voice low, shaking with frustration and something darker. “You know what I want. Go get it.”

There’s a pause, and for a second, Barry just looks at him, sizing him up. Then, with a shrug, he gets up, disappearing into the back room. Rafe waits, heart pounding in his ears, staring at the floor, trying not to think about what he’s doing. About what this means.

Barry comes back a minute later, a small bag of coke in his hand. He tosses it onto the table in front of Rafe, “Knock yourself out.”

He doesn’t hesitate. He grabs the bag, his fingers already moving on autopilot as he pulls out his wallet and shoves a roll of cash toward Barry. He knows this is stupid, reckless. He knows this is going to hurt you, more than anything else. But ll he wants is to forget. Just for a little while.

His hands stop shaking the second he takes that first line.

You’re already drained when you step through the front door of the house, kicking off your shoes and throwing your bag onto the couch. The sticky summer air is clinging to your skin, and all you want is a cold shower and to crash in bed.

The day’s been dragging—work was a shitshow, and all you’ve been thinking about is Rafe. You haven’t heard from him since this morning, which isn’t weird, but there’s been this nagging feeling in your chest, like something’s off.

“Hey,” Monica calls from the kitchen as you grab a glass of water and lean against the counter. She’s scrolling through her phone, half-distracted. Milo’s at kindergarten.

“Hey,” you mumble back. “Everything alright?”

She shrugs, not looking up. “Yeah, mostly.” She pauses, frowning slightly, like she’s trying to piece something together. “I think I saw Rafe’s truck earlier. Over by Barry’s place.”

You blink, trying to process what she just said. “Barry’s?”

“Yeah, you know. The guy who used to sell—Whatever.” Monica shrugs again, more casual than you feel. “I was driving back from work, and I swear it was Rafe’s truck parked outside Barry’s house.”

Your stomach drops. Instantly.

“You’re sure?”

“Looked like his truck,” your sister says, “Thought it was weird. Figured maybe he was helping someone out or something.”

But you know better.

A cold sweat breaks out over your skin. You’ve heard Rafe talk about Barry. Back when things were bad—really bad—he was the one who kept him hooked, who kept pulling him deeper. He told you everything about those years when he was drowning in addication and Barry’s name came up more than once.

And if his truck’s outside Barry’s, you know something’s wrong.

It’s like a pit in your stomach, this gnawing feeling that’s been sitting with you all day.

“What? Why’s that such a big deal?”

You swallow, trying to keep your voice steady, but it’s impossible. “Rafe doesn’t… he doesn’t go there anymore. He hasn’t in years.”

Monica frowns, finally understanding. “Oh. Shit. You think something’s wrong?”

“I don’t know,” you mutter, already pulling out your phone, fingers wobbly as you open your messages. You scroll through the last few texts from Rafe, but there’s nothing out of the ordinary. Except the silence. He’s usually better at checking in, especially when he knows you’ve had a long day. But today? Nothing.

You stare at your screen, debating if you should call him. But deep down, you already know something’s happened. He wouldn’t go to Barry’s unless things were really bad.

“I’m sure it’s nothing,” your sister offers, but her voice is hesitant, like she’s not sure. “Maybe he was just stopping by. It doesn’t mean—”

But she doesn’t finish, and you don’t need her to. You know what it means. You feel it in your bones. He’s back in that dark place—And he didn’t come to you. He went to Barry instead.

Why didn’t he come to you?

“I need to go,” you say, your voice coming out more panicked than you’d like, but you can’t help it. Your heart’s racing, your mind is spinning, and the only thing you can focus on is Rafe. You’re grabbing your keys off the counter before your sister can even answer.

“Wait, what? Where are you going?” Monica asks, a bit alarmed now, but you don’t have time to explain.

“I need to find Rafe.”

Your sister steps forward, “Is it really that serious? I mean, maybe he’s just—”

“He’s not just anything,” you cut her off, shaking your head. “If he’s at Barry’s, it’s bad.”

Rafe had told you everything about his past—every ugly detail about the years he spent losing himself, the drugs, the fights, the constant mess of it all. He had opened up to you after your first time together. And for the past two years you’d seen him, the real Rafe, the one who tried so damn hard to be better.

And now? He’s slipping. And you weren’t there.

Your mind is racing as you drive. You think about how good things have been with him—how far he’s come. He’s not the guy he used to be. He doesn’t party like he used to, doesn’t need to numb everything with lines of coke or bottles of whiskey.

He told you about his time in rehab, how scared he was of becoming that version of himself again. But something must’ve happened.

Something big.

Why didn’t he tell you?

The thought is suffocating. You know him—he’s reckless and impulsive sometimes, but he’s been so careful with you, always making sure you never had to see the side of him that scared him the most. He’s opened up about his struggles with anxiety, about how he sometimes still smokes weed to take the edge off, but this… this is different.

This is worse.

It had to be Ward. He’s has always had this chokehold on him, making him feel like he’s never good enough. And whenever his mom gets brought up—whenever she’s even mentioned—it messes with him in ways you can barely understand. She’s the one person who could make him spiral, and Ward is the one person who could push him over that edge.

You slam your fist against the steering wheel, frustrated.

He’s dealing with this alone, and now he’s gone back to Barry. To coke. To everything that almost killed him before. You pull up to his place, your stomach churning. You can see Rafe’s truck parked haphazardly outside, and your heart skips a beat. He’s here.

He’s here, and he didn’t come to you.

You sit there for a moment, gripping the wheel, trying to calm yourself down, trying to figure out what the hell you’re even going to say when you see him.

You get out of the car and practically run toward Barry’s door. You know this place, know the people who come here and what they’re looking for. You’re pretty sure your dad spent half his life here, when Barry’s dad still ran the business.

You don’t even knock. You push the door open. Barry’s on the couch, looking up lazily when you walk in, and you see Rafe—sitting in the corner, eyes bloodshot, jaw clenched.

He looks like a ghost.

Barry snickers from the couch, taking a drag from his joint. “Well, well, look who it is. Didn’t think I’d see the two of you here together.”

“Shut the fuck up, Barry,” you snap, glaring at him before turning your full attention to Rafe. “What are you doing here?”

“W-What?”

“Baby, look at you.”

He tries to stand, his movements slow, like his body isn’t responding the way he wants it to. His eyes are bloodshot, unfocused, his pupils blown wide, and he’s swaying slightly, barely able to keep his balance.

“I just... I needed to clear my head,” he mumbles, the words slurring together. His hand goes to his hair, but it’s shaking, and he can’t even look at you. “It’s not—”

“It’s not what?” You feel your heart breaking with every word, the cracks widening as you take in the mess of him, his clothes disheveled, his face pale, his hands twitching.

He stumbles again, trying to step toward you, but he’s so high he can barely stand. “I didn’t want... I didn’t want you to see me like this,” he rasps out, finally meeting your eyes for just a second before looking away. “Didn’t want you to... think I was still... still that guy.”

“You’re not that guy anymore,” you say softly, even though right now, he looks too much like that guy. “But you’re acting like him.”

His head drops, and he looks down at the floor, his shoulders sagging, defeated. “Didn’t know...what else to do.”

“And you didn’t think to come to me?” Your voice breaks on the last word, “You went to Barry instead of me?”

“Hey now—"

“I told you to shut the fuck up,” You almost scream in Barry's face, your chest rising with each breath you take. Rafe can't stand to look you in the eyes right now. He can't see the disappointment.

“You always know what to do. You call me. You come to me. Why would you run here? Why would you go back to this?” You glance at Barry, who’s watching the whole scene with a smirk on his face like he’s enjoying every second of your heartbreak. “You’re better than this. Get in the car. We can talk about this.”

But he shakes his head, his breath shaky. “Can’t… can’t be with you right now.”

“Why?”

“Just… too much. Hurts too much.” He looks down, guilt washing over him. “Didn’t want you to see... this.”

“Then get in the car. We can figure this out together.” Your voice cracks, the hurt pouring out.

He hesitates, shaking his head again. “I… can’t.”

It pushes something inside you.

Maybe you’ll regret it later but now it’s all you can think about. If he doesn’t want your help, he doesn’t want you. And if he doesn’t want you right now he doesn’t deserve to want you when he’s better.

“You can either get in this car and fight with me, or you can stay here. But if you stay—”

“Y-You’ll leave?” He’s looking at you despite the fog in his brain, not sure if he’s hearing you correctly, “Leave me?”

“I didn’t say that—”

“E-everyon leaves right?"

He’s never said anything like that to you before.

“I’m not leaving you, but if you stay here, with him,” you jerk your head in Barry’s direction, “I can’t help you. I can’t pull you out of this if you don’t want to get out.”

You know you can’t fix this for him. He has to make the choice. His eyes dart toward Barry for a second, and Barry just shrugs, clearly not giving a damn about anything but his next hit.

“I love you, but I can’t watch you destroy yourself.”

For a second, you think maybe you’ve gotten through to him, because his eyes soften behind all that darkness. But then he shakes his head again, looking at the floor like he’s already made his decision.

“I don’t want to hurt you,” he mutters, barely audible. “But I don’t know how to stop.”

Your heart breaks a little more at that. “Yes you do, baby. You do. You just need to believe it.”

If he doesn’t come with you, you’re not sure where this ends for him. He’s stuck, frozen in place, trapped by whatever’s going on in his head, and you realize that no matter how much you love him, no matter how much you want to save him, you can’t force him to choose you. You can’t make him get in the car.

“You have to decide,” you say quietly, voice breaking. “Me or this. You can’t have both.”

Rafe looks up at you, eyes glossy, and for a second, you think he might actually say something — something that will make this all okay, something that will bring him back to you. But he doesn’t. He just stands there, torn apart by his demons, his lips pressed into a line. You feel the pit in your stomach grow deeper.

“Okay,” you nod, barely holding back tears. “I guess that’s my answer.”

You turn and walk out the door, your heart shattering with every inch of distance you put between you and him. You don't look back, because if you do, you know you’ll drag him out yourself, and you can’t do that. Not now. But as you get into your car and grip the steering wheel with your entire strength, the sobs come anyway.

You don’t want to leave him. God, you don’t want to. But he didn’t choose you. Not this time.

Rafe doesn’t even register the sound of the door slamming behind you. It’s like he’s watching everything happen from somewhere far away, his body numb, his mind completely blank. You said something, you were upset—he knows that much—but the words never really hit him. They just floated around. He sinks back down into the chair, staring at the floor, heart racing but completely detached. The room is spinning a little, his chest tight, but he can’t feel anything. Can’t let himself feel anything. It’s better this way. Safer.

You left.

He knows that happened, but it doesn’t mean anything right now. He can’t process it. Not in this state. Not when the drugs are still in his system, making everything feel like it’s underwater. He blinks a few times, trying to get his brain to catch up, but it’s not working. It’s just static.

Barry’s voice is somewhere in the background, laughing about something, but he doesn’t hear him either. It’s like the world’s on mute. His body’s still buzzing from the high, fingers twitching, muscles tense, but inside? Inside he’s empty.

Hours pass, maybe. Time doesn’t exist here, not when he’s this far gone. The light changes through the window, but it could be minutes or days for all he knows. He drifts in and out, his head heavy, eyes closing, but sleep never comes. Just darkness. Maybe he did too many lines.

At some point, he wakes up—if you can call it that. His body feels like it weights two hundred pounds, his head is spinning, his mouth dry and sour. He blinks against the light, his vision blurry, trying to figure out where the hell he is.

It takes a second for everything to catch up. To realize he’s at Barry’s.

And then, it hits him all at once. You.

You were here. You were mad. And then you were gone.

His chest tightens, a sick, sinking feeling crawling up his throat. He sits up too fast, his head swimming. Fuck.He rubs his hands over his face, trying to calm his breathing. His thoughts are still sluggish. You left. You walked out, and he… he didn’t stop you. Didn’t even try.

Why didn’t he stop you?

Before he can think too much about it, Barry saunters in, a smug grin on his face, holding a beer in one hand, a joint in the other. He takes one look at Rafe, slouched and disoriented, and lets out a low, mocking laugh.

“Well, well, well,” Barry drawls, leaning against the doorframe, clearly enjoying every second of this. “Look who’s finally awake. You done fucked it up, Country Club.”

Rafe doesn’t say anything. Can’t.

Barry raises an eyebrow, taking a drag from the joint, shaking his head. “Damn, man. Thought you were smarter than that.”

Rafe just stares at the floor, his stomach twisting. He can’t remember exactly what he said to you. But the look on your face… he can’t forget that. The disappointment. The hurt.

Barry chuckles, settling down on the couch across from him. “What was it? You running your mouth again, or did she just get tired of you being a fuckup?”

The shame is settling in now, creeping up his spine. He doesn’t want to hear this. Doesn’t want to hear anything. But Barry just keeps going, like he’s enjoying watching him fall apart.

“Should’ve seen it coming, man,” Barry continues, “Girl like that? She was bound to leave eventually.”

If he felt strong enough he would’ve punched that joint out of his mouth, his teeth following next. Who the fuck did he think he was to talk about you like he knew you.

He knows Barry’s just trying to get under his skin, but it’s working. He feels sick. He presses his hands against his eyes, trying to push it all away, but it’s no use.

“You done fucked it up, Country Club,” Barry repeats, leaning back with a satisfied smirk. “And now you’re right back here. Same old Rafe.”

Same old Rafe. He told himself he’d never end up here again. He swore he was done with this. Done with Barry, done with the drugs, done with the guy he used to be.

But now? Now he’s right back where he started. And the worst part? He let you see it. He doesn’t know how to fix this. Doesn’t know if he even can fix this. But the one thing he does know? He should’ve crawled after you.

Rafe doesn’t say a word.

He doesn’t need to. His hands are already moving, reaching for the small bag of coke on the table. His fingers tremble as they close around it, the weight of the plastic barely registering in his hand.

Barry watches him, that same smug grin never leaving his face, taking another drag of his joint, exhaling a cloud of smoke with a low chuckle. He’s not surprised. Not at all.

"Of course," Barry mutters, shaking his head in amusement. “Of course, you're takin’ that shit with you.”

Rafe’s jaw clenches, but he doesn’t fight him. He can feel Barry’s eyes on him, feel the judgment radiating off him, but he can’t bring himself to care. Not anymore.

Not after everything he’s already fucked up. He stuffs the bag in his jacket pocket, standing up on shaky legs, the room still spinning a little as he stumbles toward the door. His mind is on autopilot, moving without him, as if the drugs are the only thing holding him together.

"Attaboy, Country Club," Barry calls after him, voice dripping with condescension, laughter bubbling up from deep in his chest. “Just keep runnin’. That’s what you’re good at, right?”

Rafe’s hand tightens on the doorknob, his teeth grinding together, but he doesn’t turn back. He can’t look at Barry—he can’t look at any of this—so he does what he always does.

He walks away. He doesn’t think. He just keeps moving, out of the door, out into the night, the bag burning a hole in his pocket.

It’s been two weeks since you last saw him.

Two weeks of silence, of unanswered calls and texts that sit there on your screen and make you cry every time you look at them. You told him you’d leave, but you didn’t mean it. You never meant it.

You just needed him to fight. For himself. But he didn’t.

And now, you can’t stop thinking about him. It physically hurts.

Every morning you wake up with this heavy impossible ache in your chest, and it only gets worse as the day goes on. You keep wondering where he is, if he’s okay, if he’s even thinking about you or if he’s too far gone to care.

You miss him. God, you miss him.

Now you don’t even know where he is. If he’s still spiraling or if he’s hit rock bottom.

You’ve barely been able to keep it together at work. Every time you try to focus, that image of Rafe in his absolute worst slips in, and you never get anything done. You’ve called in sick twice, just to stay in bed and cry, because you can barely breathe.

You’ve reached out to Sarah a few times, trying to understand what’s going on, but she doesn’t know much either. "He’s off the grid," she’d told you last time, "Doesn’t want to talk to anyone."

That was a week ago.

And now you’re sitting on the edge of your bed, staring at your phone, debating if you should try one more time. One more call. One more text.

Because this can’t possibly end this way.

He’s the love of your life.

Sarah’s name flashes on the screen, and you nearly drop the damn thing. “Sarah?”

“Hey,” You can hear it immediately—something’s wrong. “Are you home right now?”

Your stomach drops, “Yeah. Why? What’s going on?”

You can hear her take a shaky breath. “It’s Rafe. He’s, shit, it’s bad. Like, really bad.”

“What do you mean, bad? Sarah, what happened?”

“Dad’s trying to get his doctor on the line,” she says, her voice cracking. “Just in case he ODs.”

Your blood turns ice cold.

“He’s not picking up,” she continues, her words spilling out in a rush, like she’s trying to keep herself from breaking down. “Dad’s freaking out, and Rafe—he’s not making sense. He’s been on a bender for days, and now he’s just... he’s not there. I don’t know what to do. I thought maybe you could—”

“I’m coming,” you say, cutting her off, already standing, your body moving on autopilot.

You hang up before she can say anything else, grabbing your keys and rushing out the door. The drive to Tannyhill feels like it takes forever as your mind comes up with worst-case scenarios. You’ve seen Rafe struggle before—you’ve seen the dark places he’s been—but if Sarah’s calling you, if Ward’s getting a doctor involved….

You barely notice you’ve already parked the car, barely notice the front door swinging open as you run inside. The house is quiet, too quiet.

Sarah’s standing by the staircase, her eyes red and puffy. She doesn’t say anything, just nods toward the living room.

And that’s when you see him.

He’s slumped on the couch, his body limp, his eyes half-open but glazed over, like he’s not even seeing what’s in front of him. His skin is pale, clammy, his hands twitching every few seconds, and there’s a sheen of sweat on his forehead. He looks like half a version of himself, his breathing shallow and uneven.

Ward’s pacing the room, his phone pressed to his ear. “I don’t care if he’s busy, get him here now. He’s going to fucking die.”

“Rafe?” you call, stepping toward him. But he doesn’t react. Doesn’t even flinch. He just stares ahead, eyes unfocused, like he’s not even aware you’re there.

Sarah’s standing behind you now, her voice low, “He won’t talk to us. He’s too far gone.”

You sink down beside him, your heart breaking at the sight of him like this. You reach out, hesitating for a second before gently placing your hand on his arm.

“Rafe,” your voice wavers. “Baby, it’s me. Please… please talk to me.”

But there’s nothing. Just silence.

His head lolls to the side, and his eyes meet yours—but it’s like looking at a ghost. The person you know, the person you love, isn’t there. Not right now. Not in this moment. And it kills you.

You keep whispering his name, pleading for him to wake up, to do something, but nothing works.

Ward's still on the phone, pacing like a caged animal, his voice a angry hum in the background. His eyes flick over to you every few minutes, but he doesn’t say anything. Sarah’s standing off to the side, her arms wrapped around herself, her eyes red and puffy from crying. You can see how scared she is, and you’re glad they got Weezie out of the house before she could see this.

After what feels like an eternity, the front door bursts open, and a doctor rushes in, followed by a paramedic with a bag of medical equipment. The doctor, some guy Ward must have on speed dial for situations like this, doesn’t waste any time. He kneels down beside Rafe, checking his pulse, his pupils, his breathing.

“This is bad,” the doctor mutters, shaking his head. “He’s lucky he’s still breathing.”

Lucky.

The paramedic moves in, setting up an oxygen mask, checking Rafe’s vitals, and it feels like the room is spinning. You try to stay calm, try to keep your hand on Rafe.

Ward finally hangs up the phone and stands there, watching as the doctor works. “Is he gonna be okay?” he asks, his voice strained because god forbid he shows more emotion.

The doctor glances up, his expression grim. “We need to take him in. I’m stabilizing him, but if this had gone on any longer, we’d be having a different conversation right now.”

You feel like you're going to be sick.

The paramedic starts prepping him for transport, and you stand there, helpless, watching as they move him onto a stretcher. His body looks so limp, so fragile. They’re talking about taking him to the hospital for observation, but all you can hear is the blood pounding in your ears.

Ward steps forward, he watches his son being carried away. For the first time, you see it—real fear in his eyes.

“I should’ve seen this coming,” Ward says, his voice shaking. “I should’ve stopped it. This is my fault.”

You feel something snap inside of you. “I’m sure it fucking is.”

He doesn’t say anything. He just stands there like a fucking idiot. Sarah is beside you now, her hand on your arm, gently pulling you back. “Let’s go,” she mutters,“We should go with him.”

You nod, swallowing as you follow her out of the house, leaving Ward standing there alone.

You climb into your car, Sarah beside you, and you both sit there for a moment in silence, watching as the ambulance pulls away, taking Rafe with it.

“I’m scared,” Sarah admits.

You close your eyes, and nod. “So am I.”

You have to remind yourself to breathe. She sits beside you, staring straight ahead and neither of you says another word.

The hospital is quiet when you arrive, eerily so. You both rush in, Sarah at your side, searching for the emergency room and after a bunch of paperwork and hurried conversations, you’re finally led to the waiting room. The doctor said they’d keep you updated, and you sit down on those stiff, uncomfortable chairs, the waiting begins.

Minutes drag by like hours. You try to text or scroll through your phone, anything to distract yourself, but you can’t focus. Every time you close your eyes, all you can see is Rafe. It’s like your brain is stuck on replay, and you can’t shut it off. Sarah’s over there biting her lip until it’s bleeding. Every now and then, she looks at you, like she’s about to say something, but then she doesn’t. And you don’t either. You can’t. What the hell would you even say? It feels like you’re both waiting for the worst possible news and just pretending you’re not.

After what feels like forever, the doctor finally comes through the doors, and Sarah and you jump up at the same time.

The doctor sighs, and he looks tired, like this isn’t the first time he’s delivered news like this today.

“We stabilized him,” he says, “He was really close to an overdose, but we got to him in time. He’s still unconscious, but his vitals are stable for now. We’ll keep him under observation for at least 24 hours.”

You finally take a deep breath, but it’s shaky, and it doesn’t feel real.

Sarah doesn’t even hesitate. The second the doctor says Rafe’s stable, she’s heading towards his room, like she needs to see him, to make sure for herself that he’s really still here. You don’t follow her, though. Your legs feel like they’re made of concrete, if you move, you’ll just collapse right there in the hallway.

As much as you want to be with him, to hold his hand or just… see him breathing, you know you can’t handle it. Not right now. You’ve spent the last two weeks trying to hold it together, and this is the first time you feel like you can finally breathe. Like you’re not suffocating with worry.

What you need more than anything is to get out of here. To just breathe, to close your eyes for more than a minute without the image of him passed out, strung out, burned into your brain. You need sleep. You need to feel something other than panic. He’s gonna be okay. Maybe not perfect, maybe not healed, but for now, he’s alive.

The next day, you finally gather the courage to see him. You feel like you might throw up at any second. You stop outside his room, staring at the door for what feels like forever, trying to convince yourself to go inside.

He’s lying in bed, looking like he barely walked out of this one alive, but he’s awake. His eyes meet yours the second you step inside, and you feel like you’re going to start crying at any given second.

“Hey,” You manage to say, You don’t trust your voice to be strong enough to say something more.

Rafe blinks, like he’s surprised to see you. His voice is rough when he speaks, cracked from everything his body’s been through. “You came.”

“Of course I did,” He’s genuinely shocked. As if he thought you’d just walk away from all of this. From him. You swallow hard, taking a step closer to the bed. “Of course I came, Rafe.” Your voice is soft, barely holding together. “Where else would I be?”

He doesn’t answer. His eyes flicker away from yours, settling on the IV in his arm, like he can’t stand to look at you.

“Sarah called me. She was scared. She didn’t know what to do.”

Rafe’s jaw tightens, but he still won’t meet your eyes. “She shouldn’t have,” he mutters, his voice hoarse, barely there.

“She shouldn’t have had to, Rafe. You scared the shit out of her—out of everyone. And I’ve been sitting here for two weeks, waiting for you to say something, anything, and you just—” You stop yourself, your throat closing up, and you bite your lip to keep from crying. “You almost died.”

You can see his chest rising and falling slowly, and for a split second, you think he’s not going to answer at all. That he’s just going to keep shutting you out.

“I didn’t want you to see me like this,” he says quietly. “I didn’t want you to see how fucked up I am.”

Your heart breaks all over again because you’ve already seen it. You’ve seen every part of him—the good, the bad, the absolute worst. And you’re still here. You’re still standing in this stupid hospital room because you love him. He shakes his head, his hands gripping the edge of the blanket like he’s trying to hold himself together.

“I don’t deserve you.”

You step closer to the bed, sitting down carefully on the edge, and for the first time in weeks, you feel like you can breathe. Just a little bit.

“Don’t say that,” you reach for his hand. He flinches at first but doesn’t pull away when you lace your fingers with his. “You’re gonna be okay. We’ll get through this. But you can’t keep pushing me away. I need you to let me help you.”

He closes his eyes, his face twisting in pain, “Ward wanted us to meet mom and I just—”

You’ve never fully understood what his mom meant to him, or maybe what losing her did to him, now you do. That deep-rooted pain that always seems to haunt him when he talks about her is stronger than you’ve ever seen before.

“I didn’t want you to see this mess. I don’t want anyone to. I’m a fucking disaster. Every time I try to fix something, I just make it worse. I just—” He breaks off, his jaw clenching like he’s trying to swallow down the rest of his words, the ones he can’t say out loud.

“You spent years sober, that’s not easy,” You scoot closer, wrapping your arms around him carefully, not caring if he feels like a mess or if you’re being too much. You just want him to feel like he’s not alone. “Baby, I know you’re hurting,” you murmur into his shoulder, “But I’m not going anywhere.”

“You should,” He confesses, “I hurt you.”

“You have,” you admit, “But that doesn’t mean I’m leaving. I’m not gonna give up on you.”

He looks away, like he doesn’t believe you, like he’s waiting for you to just walk out of that hospital room and never look back. But you don’t.

You tighten your grip on his hand, "You don’t get to decide that for me. I’m still here because I love you. Even when you push me away.”

“You shouldn’t love me,” he whispers, like it’s some kind of fact, like it’s already been decided.

You shake your head, leaning in closer, your hand resting on his cheek. “But I do, Rafe. I always will. Even when you don’t think you deserve it, we’ll figure it out, together, okay? One step at a time.”

He nods, barely, but it's something. It’s a start.

609 notes · View notes

viceroywrites · 3 months ago

Text

deja vu - part 2

planning out your road trip through the pacific northwest, you find yourself inexplicably drawn to the town of gravity falls.

little did you know that this town held more memories than you could have possibly imagined.

too bad you didn't remember any of them.

stan x fem!reader/ford x fem!reader

choose your own ending / contains fluff and angst (w/ happy ending)

(if you would like a link to the playlist i created for this series, lmk!)

part one | part three

tag list: @awitchersbard / @theilluminatidragonqueen / @jazzypop-op/ @maryclanders/ @chaimshelii/@starship606/ @swimmingrascalbatdragon / @stanfordsbaby / @gxstiess / @skrunkle11 / @valinbean / @funkyenby / @therealgoofygoober69 / @theblueraven / @adrian920155 / @im-kinda-bored / @miarabanana / @uwauiss / @leo4242564 / @doggosnoodles12 / @soupieoopieisloopie / @zhungxi / @bandaids-n-porcelain / @marvelous-maniac / @opossumclown

It was a tense interaction following your question.

Ford’s eyebrows raised in alarm and he carefully approached you, “Of course, we’ve met before, it’s me, Stanford.”

You pause, glancing between Stanley and his twin before replying hesitantly, “Sorry, the name doesn’t ring a bell. I just learned your name a few seconds ago from your brother.”

Ford’s lips narrow into a thin line, vexation written all over his face, “I know we parted ways on less than ideal terms, Y/N, but there’s no reason to pretend like you don’t recognize me.”

Your eyebrow raised at Ford’s firm stance, crossing your arms, “I’m sorry to say but I truly don’t. Maybe you have me mistaken for someone else perhaps?” You can’t help but get defensive, feeling accused that you were blowing off this complete stranger.

“Oh, I’m not mistaken. I know you very well, Y/N. I know that you got your Masters in Geology at Backupsmore. I know that ammolite is your favorite gemstone. I know that you learned hamboning from Fiddleford just to get on my nerves.” Ford counters you with facts, his own stubbornness coming through as you stare each other down.

Your eyes widen at the amount of detail Ford seems to know about you, “How do you know all these things about me? How do you know Fiddleford? Did you help him with his research out here?”

Ford sighs heavily, “I know I messed up back then and I know you must hate me but can you please drop this childish charade?” His low voice raises slightly in volume as his frustration mounts as he finally snaps at you.

“Ford!” Stan cuts in between the two of you, catching both of you off guard, “Lay off her… I genuinely think she doesn’t… remember.” He sighs, putting the pieces together surprisingly quickly compared to his brother. He grabs his twin by the arm, pulling him off to the side, “Give us a second, we’ll be right back.” Stan says to you, giving you an apologetic stare.

You nod slowly as you decide to take a seat on the steps, watching as the sun slowly begins to set in the horizon. This new information perplexes you as you try to wrack your brain if Fiddleford had ever mentioned working with someone during his time in Gravity Falls.

Meanwhile, the Pines twins walk off into the distance, just out of ear shot. “So who is she?” Stan questions, needing answers from his brother before he can present his finding. Ford bristles at the question, stuffing his hands in his pockets as he looks off into the distance before answering, “Remember when we were out at sea commiserating on past romances… and I told you how I had met someone during my time in college but she left after I had gotten too deep into my involvement with Bill.”

“Yeah, vaguely, I thought you were just making that up to try and relate to my stories about my ex-wives. You never were smooth with the ladies.” Stan admits with a shrug to which Ford rolls his eyes at. “Well, that’s her. The age old cliche of the one that got away.” Ford summarizes, “But she was never this petty before. I know I hurt her immensely but…”

“She’s not being petty, poindexter. Haven’t you figured it out yet?” Stan sighs, running a hand over his face in exasperation. Ford stares back blankly at him, unsure how to respond. “God, you’re supposed to be the smart one here. Remember your old friend McGucket’s invention? You know the one that can literally erase memories? The one that erased all my memories?” Stan spells it out for his brother.

It all clicks in Ford’s head, “You don’t think… Fiddleford wiped her memory, do you?”

“Ding, ding, we got a winner!” Stan says sardonically, “Took ya long enough.”

“Why would he do that? I need to get to the bottom of this, Stanley…” Ford looks over his brother’s shoulder, staring at you. Despite the time that has passed, you look just as vibrant as he remembered you, your features highlighted in the orange glow of the sunset.

Stan notices the longing look on his brother’s face and places a hand on his shoulder, “You know she’s supposed to head out tomorrow morning? Got a whole road trip planned ahead.”

“Well, let’s see if she’d at least be willing to stick around to talk to Fiddleford.” Ford says with steely determination as he begins to walk back towards you, Stan following at his heels.

You look up as the pair walk up to you, able to see them side by side. There were distinct differences in terms of style but they were nearly identical, only just now picking up the cleft in Stanford’s chin and their different glasses.

Ford mulls over his choice of words. Despite being the more logical twin, Ford had to admit he was perhaps just as stubborn as his brother. “My apologies for my directness. I know you may not remember me, but please trust me when I say that we have an extensive history together. What if we were to visit Fiddleford tomorrow to perhaps quell your doubts and clarify some things?” He offers, hoping in the back of his mind that you’ll say yes.

You pause at the offer, thinking it through. You had the urge to decline, still on the defense. After all, this man pretty much accused you of acting like a child when you didn’t recognize him.

However, you did wish to see Fiddleford again, so curious about what happened to him after all these years.

“Alright, I’ll stay another day in Gravity Falls to see Fiddleford. But I want to know a little bit more about you.” Your eyes narrow in on Ford. Stan clears his throat, very aware of the tension between the two of you. “Well, I’m gonna go take care of… the broken thing inside...” He grumbles out the last part, making an awkward escape as he walks past you up the steps before pausing at the door to address you, “Come back inside whenever you and Sixer are done talking, I’ll clear out one of the rooms so you can stay for the night.”

Before you can protest, Stan closes the screen door behind him, giving you and Ford some privacy.

“So you had some questions for me?” Ford sighs, deciding to take a seat next to you. It felt so strange to be so close to you physically after all this time yet so distant due to your loss of memories, wishing that he could pull you into a tight embrace and apologize for everything that happened in the past.

“Well, I’m assuming if you know Fiddleford and somehow know that I got my Masters in Geology that you went to Backupsmore as well.” You start there, knowing the common thread that connects the two of you is the university you all attended, “That’s correct, not my first choice obviously.” Ford replies with a nod.

“Is it anyone’s first choice?” You comment which pulls a chuckle from Ford who shakes his head. “Very true, I know it wasn’t either of ours. Fiddleford was just elated to be the first in his family to even go.”

“So what did you major in?” You ask with a tilt of your head, “And how did you meet Fiddleford?”

“What didn’t I major in is the better question. I technically have 12 PhDs but my main focuses were Physics and Molecular Biology.” Ford admitted with a sense of pride, your jaw almost dropping at this information. ”As for how I met Fiddleford, I had proposed a theory in class one time that immediately got shot down by my professor. But Fiddleford shared my passion for pushing boundaries of existing theories and knowledge and we spent the whole night trying to prove it had validity.” Ford said, smiling at that particular memory.

You note the admiration in Ford’s voice as he speaks of Fiddleford, knowing that their relationship must be close. “I’m so confused… how do I not remember you if you and Fiddleford have such a close relationship?” You sigh, second guessing your own memories at this point. All this information felt like it made sense logically but it was difficult to suspend your disbelief. You hesitate to ask the question, “How... did we meet?”

Ford pauses, staring out into the forest, unable to meet your gaze as he recounts your first meeting. It seems so distant but it was a simple time before life got complicated.

Before he made your lives complicated.

Before he can reply, you cut him off, seeing the pained look in his eyes and realizing you may have gone too far. Whoever you were to him, something must have happened between the two of you that led to this reaction. “Actually, don’t answer that… It's getting late and I know we’ll have all of tomorrow to go over this with Fiddleford.”

“Right… we should probably call it for the evening.” Ford lets out a sigh of relief, getting up from his spot on the steps. He offers his hand, your eyes flicking towards it and noting the six fingers that were facing towards you. Realizing what you’re staring at, he is about to withdraw his hand, an embarrassed flush to his cheeks, but you take it, your warm fingers wrapping around his palm, as you stand up.

“Are you heading inside?” You ask, still holding into his hand. He realizes you have yet to let go and basks in the moment, fighting the urge to intertwine his fingers with yours. “I’m going to stay out here for a bit longer. I should probably fix that invention that I was working on before…” Ford admits, almost waiting for you to scold him like you would in the past.

But you don’t.

Instead, you nod in understanding, squeezing Ford’s hand one final time before letting go. “Alright, I’m gonna head inside and see where I’m sleeping for the night…” You begin to walk towards the doorway before pausing at the door.

“Hey… I’m sorry I don’t remember you. I really hope tomorrow something sparks my memory.” You say, “Good night, Stanford.” You disappear behind the doorway, not waiting for him to respond.

Ford stares as he watches your frame retreat from behind the door, “Good night, Y/N… my dear.” The old pet name feeling heavy on his tongue but he can’t help but let it out.

As you stare up at the ceiling, you wonder how you even ended up in a storage room inside a tourist trap, laying on an air mattress.

Your trip - at least for the next day or so - is derailed. You’re thankful that Stan had offered to let you stay in the Mystery Shack as you were planning on sleeping in your car underneath the stars, drained from today’s turns of events and too tired to drive into town to try and find some sort of accommodation.

Yet your trip isn’t even the most pressing thing on your mind.

Who is Stanford Pines?

Your eyes shut tightly, trying to mull over the potential possibilities of how you might know this man who vehemently claims to know you. You knew you were getting older but there’s no way your memory was this shot, especially considering the fact that Ford had shared that he and Fiddleford were close friends and went to Backupsmore.

Your mind continued to draw blanks, unable to pinpoint a single memory that involved him.

Yet something about him was so familiar. Maybe that’s why a sense of deja vu had hit you the moment you met his brother and walked through the Mystery Shack.

Finally, fatigue hits you and you are able to fall asleep, slipping into a new dream.

You find yourself back at Backupsmore, walking through the quad and making your way to the library. The campus is decorated in hues of orange and yellow, autumn leaves scattered across the grass. Your boots crunching against the leaves as you weave through the bodies that mill around to and from class.

A gust of wind hits your face, wincing as the harshness against your skin as you had forgotten to bring a scarf on your trek. You finally make it to the library, opening the heavy doors to be greeted to the warmth and scent of old paperback books.

You walk past the front desk, making your way directly to the back of the library to the stacks. You pass the mostly empty study carrels one by one, looking for someone specific.

You get to the very end of what seemed like a never ending maze and see a table tucked into the corner, surrounded by bookshelves. A broad-shouldered figure, wearing a sweater vest, sits facing away from you, their head buried in the pile of books around them.

Your lips begin to move, calling out a name to address the person before you.

Stanford.

You wake up in a startle, your heartbeat pounding in your ears as you feel a sudden pressure on your chest. Your eyes adjust to the sight in front of you, seeing a blur of pink, thinking you’re still dreaming. Rubbing your eyes vigorously, you realize there’s a pig sniffing your face in curiosity.

“God, what have I gotten myself into?” You groan out groggily, laying back in defeat as Waddles begins to lick your cheek.

Meanwhile in the kitchen, Ford sits awkwardly in front of an audience of his great nephew and niece who are gaping at him in awe, just having explained the whole situation to them as they questioned who’s car was parked in the front of the Mystery Shack.

Stan sips from a mug that spells ‘World’s Greatest Grunkle’ that Mabel made him, a slightly amused grin spreading across his face. The look on their faces was priceless, he thinks to himself, wishing he could take a photo of it. Though, he was in their shoes just last night, still processing that his poindexter brother actually landed someone after all those years of fearing girls and that she somehow ended up stranded on the side of the road just as he was driving back home.

He was just grateful though that his brother wasn’t around for the parts where he was clearly smooth talking to you, unaware that you were his twin’s ex-lover.

“Oh my god, Grunkle Ford, this is amazing!” Mabel exclaims, her eyes sparkling with excitement and mischief, “See, I’ve been trying to figure who the ideal candidate would be to match you with but I couldn’t think of anyone in Gravity Falls. Maybe you two can rekindle your romance! We just need to do what we did with Grunkle Stan and show her things to remind her of your time together!”

“Or maybe her memories are stored where the Society of the Blind Eye held Old Man McGucket’s memories? There were a ton of Gravity Falls citizens’ names in there, I’m sure she’s somewhere in that pile.” Dipper offers as a suggestion, more invested in understanding how to restore memory loss from the Memory Gun than Mabel’s romantic plans for her uncle.

Though he had to admit that there was a sliver of him that was rooting for his Grunkle Ford in the romance department.

“Those are excellent suggestions, kids. I’m hoping perhaps talking to Fiddleford today will be one of the first steps into getting her memory back. There is one issue though with your suggestion, Mabel.” Ford admits, slightly crestfallen, “I don’t really have anything left from our time we were together. When she left, she took all remnants of her, photos of us together, letters she wrote to me. What I do have left I’m not sure if it will be effective in bringing those memories back.”

“What is it, Grunkle Ford? Maybe we can still use it, you never know if you don’t try!” Mabel said in reassurance.

Ford hesitated, feeling Dipper, Mabel and Stan’s eyes trained on him, waiting for a response.

Thankfully, your presence saved him in the nick of time, clearing your throat awkwardly. This catches everyone’s attention, Dipper and Mabel’s head whipping around. You stand in the entrance to the kitchen, still clad in your pajamas and your hair tousled from sleep, holding Waddles in your arms.

“Sorry if I’m interrupting, I just wanted to make sure this pig is supposed to be in here. He somehow got into my room.” You say, noticing how Waddles squirms now in your arms as he sees Mabel. You put him down and watch him scurry to Mabel who eagerly scoops him into her arms, nuzzling his pink cheek.

“You’re all good, we were just having breakfast. Need a cup of coffee?” Stan says nonchalantly, grabbing the coffee pot that was by his elbow. You nod eagerly, walking towards him and taking the mug that he poured you. “These are me and Ford’s grandniece and nephew, by the way, since you didn’t get to meet them last night. They’re staying here for the summer.” Stan gestures to the two twins that are staring at you like you had a second head.

“Nice to meet you, I’m Mabel! Sorry about Waddles, he kinda wanders around the house if I’m not awake yet.” The energetic brunette introduces herself. “No need to apologize, he was very sweet. If anything, he got me out of bed to get my day started. I’m Y/N, by the way.” You say with a relaxed smile.

“I’m Dipper, nice to meet you. Grunkle Stan was just telling us how you ended up staying here.” The more relaxed male counterpart to Mabel chimed in, trying to move the conversation away from the topic discussed prior to you entering the room. Ford let out a slight sigh of relief, grateful that he was no longer in the hot seat.

“Well, your Grunkle Stan saved me from having to spend a pretty penny on a tow truck and a place to stay so I’m very grateful for that.” You chuckle, getting used to the term ‘Grunkle’.

“Sooo, Y/N, mind if I do a little Q&A with you? Since you’ll be staying here, I wanna get to know you better!” Mabel said eagerly, mentally mapping out her questions already. You blink owlishly before your eyes flick between Stan and Ford in amusement, “Fire away, Mabel. Though I hope your Grunkles didn’t put you up to this as a little payback for when I interrogated them yesterday?”

“She questioned you too?” Ford says in surprise to his brother who scratches chin mindlessly. “A little bit after finishing up the tour I gave her of the Mystery Shack. This one’s ruthless, no wonder she works for the government!” Stan taunts, causing you to roll your eyes.

“Wait, you work for the government?” Dipper asks, his eyes slightly narrowing in skepticism. You blink at his almost defensive reaction before elbowing Stan in the side who almost chokes on his coffee, “I literally asked you three questions. Don’t listen to him, I work for the National Parks, not the CIA.”

Dipper visibly relaxes and Mabel’s eyes linger on where you elbowed Grunkle Stan, picking up on how relaxed you seemed around him compared to Grunkle Ford. In fact, you had barely acknowledged Ford this morning, standing by the counter next to Stan. Mabel decides to take matters into her own hands, playing matchmaker as she gets up from her chair.

“Well that answers one of my questions. By the way, take a seat, Y/N! You’re our guest and I’m finished with my pancakes!” She walks over to you, pulling you by the hand as you plop onto the chair that is coincidentally right next to Ford. “Thanks Mabel..” You roll with the situation before looking over at Ford who stares at you with what seems to be pride.

“You really made it to the National Parks, huh? That was your dream since freshman year…” Ford says though immediately regrets it as you stare back at him in surprise. “Yeah.. I did. No one really knew about that.. Not even Fiddleford.” You reply, running your thumb over the print on the mug bashfully. “Well, um... I’m really happy for you. I know you must have worked hard to get there.” Ford offers, not sure how else to respond.

You smile warmly, taking a sip from your coffee, “Thanks, I appreciate it. It means a lot coming from someone with 12 PhDs.” You tease at the end to which Ford’s cheeks redden in embarrassment and flattery.

Mabel hops up on the counter next to her Grunkle Stan who mutters under his breath, “Smooth move, kid.”

You turn to look back at Mabel, “Any more questions for me?”

Mabel taps her chin, deep in thought. Her eyes flicker over to great-uncle Ford who continues to stare at you in admiration. She snaps her fingers, putting her match-making skills to use once again, “What would you say is your type in a partner?”

“Mabel! What kinda question is that?” Dipper groans, shoveling a spoonful of cereal into his mouth.

“Wow, we’re getting to the real hard-hitting questions.” You say in amusement, slightly caught off guard but amused. You ponder the answer yourself, wondering if the kids would understand what you mean by this.

“Well, does your generation know what a silver fox is?” You ask with a sheepish grin and a flush to your cheeks, rubbing the back of your neck.

Your answer causes a chain reaction of different responses.

Mabel squeals with an eager nod, looking over hopefully at her Grunkle Ford.

Dipper and Stan both end up spitting out their milk and coffee respectively.

Ford sits at the table, blinking in confusion.

“What’s a silver fox? Is that a new type of species?”

After cleaning up the mess that Stan and Dipper had made, you finally start getting ready to head out with Ford to visit your old friend. You stand in front of the bathroom mirror, fixing your outfit before reaching to grab the hairbrush Mabel graciously lets you borrow after you realize that you had forgotten yours in the car.

Stan walks down the stairs, having changed out of his white tank-top and pajama pants into clothes more suitable for going out. He pauses at the open bathroom door, leaning against the door frame, “Hey, while you and Poindexter catch up with McGucket, I’m gonna swing into town later tonight to get you a replacement battery for your car.”

Placing the brush down, you address Stan, “You sure? I can always ask Ford if we could stop by the auto shop on the way back to pick it up.”

Stan scoffs, “Please, my brother’s smart and knows a ton about science-y stuff but he’s hopeless when it comes to cars. Besides, I know a guy, I’ll get you a discount.”

“Alright.. Just let me know how much I owe you, I’m for sure paying you back.” You say hesitantly as you make your way towards the door. Stan steps aside to let you through, “Yeah, yeah,” he says dismissively.

Technically, that guy was Bud Gleeful and that discount was five-fingered but you didn’t have to know that.

“You found your way around the Mystery Shack pretty easily, by the way. Didn’t even have to show you where the bathroom was, I sometimes have a hard time finding it and I’ve lived here for over 30 years.” Stan comments. You realize that even this morning, you walked directly to the kitchen, almost like your feet knew where to go through pure muscle memory.

“Are you ready, Y/N?” Ford’s deep voice calls out, walking down the hallway to approach you and Stan.

“Yeah, as ready as I’ll ever be, I guess.” You say, slightly nervous to see Fiddleford again. What if he didn’t want to see you? What if he didn’t even remember you just like you couldn’t remember Ford?

Ford could see the furrow in your brow, a sign he had picked up through the years you had been together that you were overthinking. He hesitates for a second but places a hand on your arm, snapping you out of your rumination. “He’ll be elated to see you, Y/N. Though to give you a fair warning, he looks a lot different than how he did during our college days.” He says reassuringly.

You nod, smiling up at him, your nerves calmed down for now. “Thanks, Ford. I’m gonna go grab my bag and I’ll meet you outside.” You make your way back down the hallway, leaving the twins by themselves.

“Think she might already be starting to getting some of her memories back just by being here…” Stan muttered, following his brother outside. Ford’s eyebrow raises in confusion, “What makes you say that, Stanley?”

“She knows how to get around the house without even thinking about it. I know I gave her a tour but that was just the showroom and the gift shop.” Stan shares his observation, holding the door open for Ford as they step out into the front yard where Stan’s car is parked.

“Fascinating… maybe her memories may come back more organically than we had thought.” Ford muses before placing his hand out, “The keys, Stanley?”

Stan sighs, rummaging through his jacket before placing his keys in his brother’s hand, “You know I could have just driven you two up to the mansion but someone insisted I give you two alone time to bond.”

Ford squeezes the keys in his hand before smiling at his brother, “I should probably say thank you to Mabel then… and thanks Stanley for bringing her here.”

Stan punches his twin in the arm affectionately, “Whatever, I just better not see a scratch on El Diablo when you two get back.” Ford winces but grins, rubbing the spot on his arm.

Right on cue, you close the creaky door behind you, bag slung over your shoulder as you walk over to the pair, “Alright, I’m ready to go! Sorry, Mabel stopped me on the way out to ask my opinion on what sweater she should wear to the roller rink. Apparently, none of you guys have the taste to give her a valid opinion.” You chuckle.

“Roller rink? I swear these kids turn thirteen and think they can just go around without telling their Grunkle where they’re going.” Stan sighs in exasperation, calling out Mabel’s name as he walks back inside. You follow Ford to the car, sliding into the passenger side. “Sorry if my driving is a bit rusty, Stanley’s usually the one that drives us around when we’re in Oregon for the summer.” Ford apologizes in advance, pulling out of Mystery Shack and onto the open road.

“I mean as long we come out unscathed, I’m not complaining.” You say nonchalantly, taking in the sight of the massive trees that tower over the two way road in front of you.

The two of you sit in silence for a bit, neither one of you knowing how to spark conversation. There lingered an unspoken heaviness, mostly due in part the intensity of your exchange the previous night. Ford desperately wanted to talk to you and yet he was drawing a blank on what to even talk about.

As you make your way up the winding hills, Ford finally speaks up, deciding to ask you more about your work, “So you work for the National Parks? Are you a research scientist or did you go the natural resource conservation route?” He asks, remembering how you were torn between pursuing further research or honing in on your love of preserving nature.

“You’re pretty well-informed about the geoscience field. I just tell most people I look at rocks all day.” You admit, toying with the necklace that you had tucked into your shirt, “I started off in research but I realized that most of my time was spent in labs and studying specimens rather than actually out in the field. I love the parks so much, I was itching to get back out there so I switched to conservation.”

“Makes sense, just studying concepts and theories in a controlled environment isn’t nearly as fun as getting hands-on experience.” Ford chuckles. His eyes flick over to see your fingers rolling around the vibrant orange gemstone attached to your necklace, almost choking on his spit. Your eyes meet his and your eyebrow raises as Ford’s expression is like he’s seen a ghost.

“You okay? Do I have something on my face?” You question, pulling down the sun visor to check your appearance in the mirror. Ford shakes his head vigorously, clearing his throat, “No… I… do you remember where you got that necklace?”

You pause at his query, putting the sun visor back into its original position and glancing down at the sunstone that dangles from the simple gold chain. “Oh this? I honestly don’t remember, I’ve had it for quite some time. Why do you ask?”

Ford takes a deep breath before looking back onto the road, “I… well… gave it to you. We drove up here from Backupsmore to start my grant research. Along the way, we stopped near one of the parks and you found that piece of sunstone. You carried it around everywhere so one night, I took the time to fashion it into a necklace so you’d never lose it.”

There’s a pause before you speak. That pause felt like eternity to Ford.

“You know…I think you were in my dream last night...” You say, staring at the necklace with a newfound understanding. “I was back at Backupsmore and walking to the library. I ended up walking up to someone with their head buried in the books and I called out your name but I woke up after that.”

Ford was not expecting that response, looking over at you in alarm, “This may be a stretch but was there indication in your dream that it was fall?” You nod slowly.

“That was the first time we met. You were struggling with the section on seismic refractions in a physics course that I had taken a semester prior. Our professor recommended me as a tutor.” Ford recounts, his fingers gripping the wheel slightly tighter.

“Jeez… could all my dreams… just be memories?” You mutter to yourself but loud enough for Ford to hear it. “You’ve had other dreams….?” Ford questioned, his mind reeling with this discovery. “Yeah, I’ve had them for years. There’s always someone else in them… but before I can figure out or discern who it might be, my body wakes up.” You admit, rifling through your bag before pulling out a small leather bound journal.

“This is a bit embarrassing to admit but I’ve been keeping track of them here.” You say hesitantly as you hold up the leather bound journal. Ford stared between you and the journal in awe. He had always found preparation attractive and he thinks he may have fallen in love with you all over again.

“Perhaps we can go through some of them and see if it correlates to any memories I have.” Ford attempts to say with a steady voice but there’s a hint of excitement in his proposition. “I honestly would love that… I feel like I’ve been trying to crack the code of these dreams without any key.” You reply eagerly.

Ford makes the final turn up the hill, approaching the massive gates to what was formerly the Northwest Manor. Your eyes widen, staring at the impressive estate before you. You watch as Ford presses on the intercom, “Fiddleford, we’re here.” before the gates open to let you in.

“This.. is where Fiddleford lives? Did he make a breakthrough with his personal computers or something?” You question to which Ford chuckles nervously. “You could say that. Honestly, it’s quite a long story that we can talk about inside.” After parking the car in front of the fountain, Ford gets out of the car before opening the door for you.

You two make your way to the wooden front door, which bursts open soon after Ford raps his knuckles against it. You’re greeted by your friend, who looks considerably older despite being the same age as you and Stanford that you almost didn’t recognize him. Fiddleford embraces Ford first before stepping back to assess you. You gulp, anxiety filling up your system once again.

You’re quickly enveloped into a tight hug by Fiddleford, which you return. “My god, Fiddleford, it’s been too long. I thought you disappeared off the face of the Earth.” You said shakily. You two pull apart as Fiddleford grasps your arms, “Sweet sarsaparilla, look at you, Y/N! You make me and Ford look like old geezers! I’m real sorry I hadn’t reached out until now…”

“There’s no need to apologize, Fiddleford… I’m just glad we reconnected.” You say, a wave of nostalgia hitting you. “Come on in, you two! We got a lot of catching up to do!” Fiddleford says, ushering you into the massive home with his arm before closing the door.

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