#I am one of my own characters at this point
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catis15 · 4 hours ago
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I'm in gen Z and I've got friends who think like this
I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭
And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.
Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??
Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol
But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/
But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol
So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much
Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????
I don't have a license so I can't talk-
Working on it though ;v;
And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)
Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.
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weird anti ideology finally leaking out into the mainstream
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missingininaction · 3 days ago
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alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.
give jimmy like two seconds to exist.
by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.
is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.
but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.
we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?
then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?
now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))
you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?
jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?
for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.
he's a victim too, not only of his own actions.
surprise surprise, people who do awful things can also be victims.
honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??
you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.
if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you
also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.
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pixeltwix · 21 hours ago
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👁‍🗨Ciphertology & The Dixons👁‍🗨
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Sooooo…Emma May’s family was involved in a cult, right? Let me elaborate. As a fellow creative I have been known on many occasions to forget details big and small about my own world, but names? No, names are never something I tend to duplicate unless for a very specific thematic or world building reason. So color me stoked when I was curiously learning about Bill’s cult arc in the 1950’s and found one of his first followers was a young girl with the surname, you guessed it, Dixon!!
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Considering Alex Hirsch is very purposeful with things and little hints, while also leaving the audience to figure things out for themselves while he sits back and laughs, I can’t help but feel the surname Dixon is a bit TOO coincidental in this instance. From what we see, Ciphertology and the followers were a mash of a bunch of real life cult references while doing the usual Hirsch thing of filtering Bill into a concept perfectly well.
All in all it’s a very interesting thing, but what I found more interesting were the people involved. Sure you have the puppet leader, Silas Birchtree and a bunch of other out there names, but amongst sits a simple ‘Madeline Dixon’….. Alex Hirsch I’m going to screAM :D
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From what we learn, after the cult is forcibly disbanded by the US government and every trace of the town is wiped off of maps and history books, the people are spread throughout the country and given opportunities to start life over again. Not everyone followed that however and some continued to follow the Bill Cipher cult. And honestly I can’t help finding myself bouncing back to the very concept that is-
What if Emma May Dixon grew up in a recovering cult family? What if her family still believed in the cults teachings like some and practiced it in secret at home? And if that is true how am I meant to feel towards the idea that her future husband, Fiddleford McGucket, would become a cult leader himself all because of the very thing that was the foundation of her own cultish upbringing?
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Honestly if that’s what Alex was shooting for, I’m calling him a genius cause that’s such a fascinating idea to work with. The concept that Bill has personally affected and rooted himself so deeply into the show and it’s characters that even those we don’t get to see still have dealt with him to some degree.
It just all feels too perfect too. The surname Dixon implies enough, thanks to Alex’s upfront and to the point naming, that Emma May too is a southerner like her husband. Or at the very least she’s in that farmy side of the country. And where did Ciphertology come from? Orchard Lake, Kansas. Madeline Dixon very well could be Emma May’s aunt or older sister considering the cult began in 1952. And assuming Em’s the same age as Fiddleford and the Stan twins then we can assume vaaaaageuly that she’d be born in 1955. Meaning she’d be either growing up in that recovering environment or indoctrinated into it.
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We can assume well enough then that she didn’t follow the cults teachings considering she seems well adjusted with her family, living in Palo Alto, but it also kinda reaffirms why she’d be so quick to throw divorce on the table once she sees Fiddleford’s memory wiped condition. That on top of we can only assume his behavior was alarming and erratic and a far cry from the personality of her husband that she was used to (especially when you consider bRO made a homicidal pterodactyl robot because he was so distraught and upset towards the idea of being divorced..like yeah man..that might solidify her decision my guy..)
But if she ever saw the symbol of Bill’s eye or anything in relation to him anywhere in Gravity Falls?? Especially the Society of the Blind eye symbol spray painted all over? After either learning to fear Bill or worship him in her upbringing depending on what their family did after the cult was disbanded? I wouldn’t blame her for high tailing it out of there and worrying for her and her sons life- (Fiddleford..Emma May..I am your biggest fans, but y’all have me bonkers sometimes) But also consider how most ex cult members naturally want to give the very opposite traumatic life that they lived to their child? If Emma May were to see semblances of what she relates to Ciphertology in Gravity Falls, I don’t have a hard time believing she was getting tF out of there for the sake of Tate’s well being & future
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In short- hi, I now believe Emma May’s family was in a cult and the very idea of that will ruminate with me for awhile :D But also double hi?? Madeline DIxon looks vaguely similar to how I envisioned and draw my Emma May design? Coincidence, I think nOT :P
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local-lamppost · 2 days ago
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Act 3 Thoughts
Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...
I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.
Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.
Away from that, I want to focus on some good.
I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.
Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.
I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.
Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.
Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."
Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.
In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.
Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.
Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-
Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.
Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.
Spitfire round:
Sevika being made a councilor
Every single one of Mel, Cait, and Jayce's designs were 10/10s
Vi not being given an actual uniform, just armor and the gloves
Jinx cutting her hair further to match Vi
Ekko getting his crystal sword/bats
Heimerdinger dying after living a life where he could make his city something to be proud of
I was fully expecting Vander and Silco to kiss in that one shot
Everything with Benzo
Loris' name being said
Vi humming the song and the song being their mother's lullaby
Viktor being held within the Herald
Sky leaving so Viktor was free to bring Jayce to his space mind palace
Caitlyn's rifle never surviving
Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal
Sevika and Shoola side eyeing each other
Vander and little Vi and Powder with the bunny
The bunny being a passenger on Jinx's balloon
Singed's messed up family getting a happy ending
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anna-pineappel · 2 days ago
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This has been sitting in my Tumblr Drafts for a while, and I'm finally putting my thoughts in on this. Fair warning: this is going to be a long rant of a post, sorry not sorry!
I will NEVER write fanfic for financial gain! Obviously, with fanfiction, I don't own the characters/setting/Source Material, so it would not be wise to put my work behind a paywall. I do have some OC writing content, I was getting back into it earlier this year, then Peace in the Moonlight's prequel, Terror in the Shadows entered the chat and I am now high off of my Crackship StettiHo 😅 ANYWAYS... even if I ever got to the point where I wanted to 'Publish' my OC writing, I would do so on AO3/Tumblr/Google Drive PDF... where no money would be exchanged. I've been told I have potential to write professionally, and while it is very validating and flattering, it is not something I'm interested in, for a number of reasons:
Anytime I decide to make money off a creative endeavor, I almost immediately lose interest in that endeavor. I love writing fanfiction and posting it up on AO3, absolutely. HOWEVER, the moment I write for money and then feel Obligated to do so, I will never write again. This is just how I am.
With money on the table, I feel pressure to perform to standards set out by the person paying me. I will set impossibly high standards for myself and feel like it isn't good enough.
Or I'll feel like I can't write the story I want to, since someone else is dictating the content (i.e. they want a certain pairing, certain characters to be featured). I also feel safe pushing my own comfort levels within my writing when I'm writing for free. (I have learned wayyyyy to much about BDSM practices, the Gestapo/SS... it's a wild ride, okay??)
Life is expensive as is/capitalism/monetizing everything = blegh! I want people to be able to access my writing without having to pay for it. I write because I enjoy it, and it's a piece of my soul I'm baring to the world. You shouldn't have to pay for that!
If you feel compelled to donate money to me/you feel l deserve to be compensated for my writing (or any other writer), may I suggest donating to AO3 instead? It's sites like that that allow me and other writers to share writing in the first place and they are completely run by volunteers! Also, my favourite currency is in the form of kudos and comments... THAT'S ALL I NEED!!!!
Even if you ever did pay me for my writing, somehow, I would just turn around and throw the money at AO3.
Oh and if you're a writer who thinks they deserve to be compensated for writing/have exclusive fics under a paywall/what have you... SO MUCH OF LIFE IS ALREADY MONETIZED... WE DON'T NEED FANFIC WRITING TO BE ONE OF THOSE THINGS!!!!
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The rest of the thread is here.
tl;dr: Don’t monetize AO3, kids.  You won’t like what happens next.
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shorthaltsjester · 1 day ago
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re: many thoughts i’ve seen regarding the way the cast are playing m9 feeling ooc that have ranged anywhere from being just commentary to very strange critiques about like. homophobia and. emphatically just. idk man . get a grip or smth. vox machina is pretty much just as ‘caricature’-y as the nein are (a phrase which here simply refers to. we are getting snapshots of these characters provided by a cast keenly aware of the limited timeline they’re on), the only difference being we saw vox machina with down time and we didn’t see the same with mighty nein (on their own) all of the mighty nein’s one-on-one moments were mediated by the cast also having to go ‘would my other character — who is in the main party for this campaign — have something to say in this moment of the story that takes precedent over whatever conversation this character would have’. and further, whimsy and verging on over-confidence have Always been the nein’s approach. but like, especially re: yasha and fjord (and beau a bit) who i’ve seen get the most reaction it’s like. literally rewatch the campaign and detach yourself from the fanon-rotted version of the characters that has been left to evolve in your brain.
like. sorry beau Did dislike yasha at the start — she thought she was hot, but she was also deeply walled off and unwilling to fully take yasha as a genuine person for a while. beauyasha has always been horny. like we’re talking the ceiling mirror fucking, fish market, hot tub stare off couple right? that’s who we’re upset about being too sexual? where am i (and if it’s because ashley and marisha forgot whether their characters were married, all the best to you, your thoughts are simply irrelevant). and fjord is the exact same as always — which is a combination of confidence and awkward at all times, especially when it comes to romance. which has in the past consistently led to jester and him having quieter conversations where he gets to be more vulnerable, including one we had the last time we saw mn in ep 111 where jester point blank brought up that he seemed like maybe he regretted proposing and he shed the bravado demeanour (as he always has) and explained that he doesn’t regret anything.
like. i’m not saying it’s wrong to take issue with the characters choices or perspectives, go for it, but realize that it is the characters and the choices they’re making and not just the cast Forgetting who their characters are. also i am truly sorry for those of you who can’t tell the difference between an out of character but still in character voice joke and an in character delivery . i imagine that makes it very hard to track character development but unfortunately that does not mean the cast have forgotten the hearts of their characters it just means you probably shouldn’t be (and thankfully you are not) the chief determination of whether they have or not.
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cursed-cube · 19 hours ago
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So a common headcanon/theory I’ve seen floating around is that when Okarun shifts into his yokai form, the personality shift he undergoes is representative of a “truer” inner self. I can see the line of logic that led to this, but the more thought I’ve put into it, the less I’ve agreed with the premise. And I’ve put so much thought into it at this point that it’s had to become its own whole post separated from the analysis it was originally a part of, so strap in.
Disclaimer: if this is your personal headcanon, I’m not here to try to prove you wrong or make you change your mind, I’m more so discussing this from the theory side of things and what I think will happen as the manga continues. Also slight manga spoilers for up to chapter 172 !!
So as the theory goes, the personality that comes out when Okarun’s transformed is a more genuine version of himself, where his yokai form removes his anxieties and allows him to act more confidently and openly show the depression and pessimism that’s lived in him the whole time. On a surface level this tracks, as being in this form does make him more confident, blunt, and he completely drops the formal way he speaks to people, going so far as to adopt a cute nickname for Momo.
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I don’t think this fully makes sense for a number of reasons, though. Firstly is that throughout all 175 chapters that are currently out, I can’t recall any moments where Okarun ever acts in a way that would hint at his real inner workings reflecting the personality and behavior that come out when he is transformed. I could have missed something, of course, but when so much of Momo and Okarun’s relationship is built on them being their genuine selves around the other (more on that in this great video I saw), I’m inclined to believe that there isn’t going to be another shoe to drop nearly 200 chapters in.
To explain my other reasoning, I’m going to have to go into a little bit of a side tangent about Aira, and first I want to establish why I think comparing Okarun to her in this instance makes sense. So up until the cursed diorama arc, the only character that really has comparable yokai related powers to Okarun is Aira. They acquire these powers in different ways, and Seiko says Okarun has Turbo Granny’s “spiritual power”, whereas Acro-Silky says she gave Aira her “aura.” Given the contexts of the scenes these are said in I would assume they are meant to be two different concepts, however it’s not ever explicitly stated or shown how the difference there affects them or their yokai abilities, so I am treating them as functionally the same thing for this analysis. Regardless, the similarity between them seems to be that in one way or another, they have been left with the spiritual energy of their respective yokai, which allows them to transform in very similar ways. Their transformations affect them both physically in making them taller and stronger, as well as their personalities, with Okraun becoming less formal overall, and Aira becoming more formal in the way she addresses people.
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Even though they are affected by their transformations in very similar ways, I haven’t seen any kind of headcanon or theory that the way Aira behaves while transformed is how she truly is or feels, which makes perfect sense considering her first character arc. From when she’s introduced, she’s shown to have a dynamic with Momo, Okarun, and her other peers at school, where even before she’s able to use Acro-Silky’s abilities, she’s pretty two faced. In chapter 51, Momo even says, “There’s our Aira!” when she and Okarun pull Aira away from her class and she immediately shifts to her more snarky attitude towards Momo. The manga makes it quite clear that the way she acts at school, and on occasion towards Okarun, is an act, and that her genuine personality is a little nasty and rude (which she is loved for! By other characters and audience members of taste). And with that established, of course no one put that much emphasis on how her behavior changes when she’s using Acro-Silky’s powers. She’s still the same person, her mannerisms and the way she speaks are just altered slightly, which is also pretty much how I feel about Okarun’s yokai form.
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That being said, I don’t want to fully dismiss that the shifted personality could mean something, and in fact I wouldn’t be surprised if Okarun did still have some repressed feelings and pessimism from his time growing up without any friends, but at the current point in the story I’m not sure if I could see that being shown explicitly tied to his yokai form. As of chapter 165, Okarun gets his final ball back, and as per his end of the deal, he returned Turbo Granny’s spiritual power to her, and she left with them and hasn’t made an appearance since. Okarun no longer has access to his yokai form, but at this point he’s surrounded by friends, he’s confessed his feelings to Momo, and he’s even grown physically strong enough to hold his own in a fight without any powers. As far as what we’ve been shown, Okarun has developed and his life has changed so much that he doesn’t really have any of those reasons to be a pessimistic downer that he had before the events of the series. Not to say he has no reasons to be sad, of course, we still haven’t been given even a hint of what his family and home life is like, and I expect something will happen with that eventually. But with where the story has gone so far, I don’t see this theory being true or narratively compelling.
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TLDR: There’s not much evidence going for this theory, and several things against it, so I personally don’t see it going anywhere in the canon series. The way Okarun acts and the feelings he expresses in his yokai form could still potentially mean something, so I won't completely dismiss it, but with where the story is currently I don’t think this theory being true would add much or be a compelling element of the plot.
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thefaithfulnightwriter · 1 day ago
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𝐑𝐄𝐃𝐀𝐌𝐀𝐍𝐂𝐘 ~ Chapter One
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Summary - 𝙄𝙣 𝙬𝙝𝙞𝙘𝙝 a female who has been through so much in the clutches of Amarantha. Finds herself being freed she finds herself changed. She's more powerful and was now very unique in her own way. Starting a new life she finds it's hard and feels somewhat lost. But it all changes for her when she finds she has a mate. She soon suddenly feels less lost and finds a home in his arms.
☆or☆
𝙄𝙣 𝙬𝙝𝙞𝙘𝙝 Azriel finds himself lonely. He was lonelier than ever, even in a room filled with his found family. He couldn't seem to rid himself of such feelings. It was a feeling that was threatening to swallow him whole. That is until he meets her, his mate. Azriel soon finds himself feeling less lonely and happier than he's ever been. And it was all because of her.
Pairing - Azriel x Female!Oc
Universe - A Court of Thorns and Roses
Warnings - Characters may be a bit OOC, Mature Themes, Semi Smut, Violence, Language, Mention of Past Abuse, Mentions of War, Fluff, Angst, Some Sensitive Subjects, Mating Bonds, Scars, Experimentation, More Will Be Added If Needed.
Disclaimer - I do not own the series ACOTAR - ACOWAR. I do own certain characters, and I own my mc. I do own somethings that are made up. And i own my writing and whatnot you get where im going and what i am saying lol.
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Looking out of the window that was beside her was what she was doing at the moment. Her gaze on the flowers and nature outside. Taking in the sight before her. The view never grew old to her. She could sit and look at the view for hours, maybe even days and get lost in her own little world. But she knew it wasn’t possible for her. She couldn’t do such a thing. 
But she always took what time she had and made sure she took in the view and cherished it. It was moments like this when she would do such a thing. Looking outside her home at every little thing she could. The way the beautiful flowers drifted slightly as the wind blew. Taking in the trees and watching as the leaves rustled in the wind and so much more. It led her to smile at the sight. But her attention was soon taken away from the view outside by the voice of a female. 
“Annamarie, are you going to the Rainbow with Irina today?” 
She heard the familiar voice of a female ask softly. Who had walked into the dining room where she was currently sitting. Turning, Anna saw the female. She had a welcoming smile upon her lips as she tilted her head in question. Her name was Amara. She was a beautiful female high fae. Who she was close with she was like a sister to Anna. Amara being very kind and caring toward anyone. She was quick to take Anna in when she had come into her life. 
Hearing her question Anna sent her a smile. She then nodded before looking down at her hands that were on the table fiddling with her cup. She soon looked back up at the female when she heard the shuffling of feet. She soon found Amara now smiling gently at her and was sitting in front of her on the other side of the table.
“What’s going on in that pretty head of yours that’s got you looking out the window in such a way?” Amara questioned gently with a smile. As she rested her chin on her hands. Looking at Anna with kindness. She had her gaze on the unique female. 
Taking in the soft spoken female that she thought of as a close friend. She thought Anna was gorgeous, but Anna had trouble seeing herself in such a way. So Amara made a point to compliment her on more than one occasion along with the rest of their little family. 
She smiled seeing Anna so open at the moment. Without a care. With her long dark curly mane that fell over her shoulders and down her back. Her light brown skin that was glowing in the light that came from outside. Then there was her soft but curvy frame along with her being slightly shorter than most fae. Her black long sleeved dress that hugged all of her curves then flowed to the floor. She then saw her medium length curved nails that fiddled with her cup.
Then there were the unique things or attributes about her that she had been put upon her forcefully from her rough journey over the many years. That Anna wasn’t very fond of. But was still coming to terms with and accepting. 
There were her ears that were longer and pointed that flapped slightly if she moved her head too quickly. She unfortunately had a cut on the outside of one of her ears. A triangle-like shape of skin missing. They were very sensitive to touch and sound. Which led her to keep them covered most of the time with a scarf or cloth wrapped around her head or her long hair covering them. But they still seemed to peek out no matter what she did.     
Then there were her unique eyes. One was a very dark brown resembling a beautiful onyx gem. It was her natural eye color, the color she was born with. The color both her eyes used to be. Then there was the other that was a silver color. It shimmered and glistened with her magic. The color she had been forcefully given. They were unique and different but caused her to become overwhelmed at times. Sometimes having blurry vision or having vision that was clear as day. Well to clear at times and so bright. Leading her to have to wear glasses with silvered wired frames. That had magic infused within them to help moderate her vision. That she often pushed up onto the bridge of her button nose.
There were also the scars that littered Anna’s body. She had a few that littered her face. There were small ones. But then there were two that stood out. One on her soft cheek that was a large and thick line that was from her ear to the corner of her lip. Then one that started from the top of her brow then over her silver eye and ended just above her other chubby cheek. Those were the noticeable ones. There were others that littered her arms and back that no one has seen. Well no one who wasn’t her family. But Anna still tries to keep hidden from others.    
But Amara with their family still thought she was truly beautiful. And they made sure to make it known as often as they could. Though Anna thought differently. She always had trouble accepting the way she looked even before what had happened to her. Having insecurities about the way she looked. It had gotten worse at one point after everything that happened to her with her new attributes. But she seemed to be getting better as time passed and with the help of her little found family.  
“N - Nothing much Mara. Just taking i - in the view outside is all,” she smiled at Amara. After she gestured to the view outside. She couldn’t help but get lost in the view again. It was just so beautiful she couldn’t get enough of the nature around them. It led her to smile with excitement just thinking of going outside to feel the energy and wind on her skin. She wanted nothing more but to step outside without shoes and socks on to feel the ground beneath her feet. So she could connect with the environment around her. She was about to speak about her excitement but was cut off by Amara speaking. 
“Hmmm it is gorgeous isn’t it… just like you sweetheart,” Amara giggled with a grin. Hearing her caused Anna to stop for a moment taking in what she said. Before looking down bashfully. Shaking her head a light blush of pink traveled over her cheeks. Pushing her glasses on the bridge of her nose she sighed sending Amara a playful glare. Causing Amara to giggle with a wide smile, “what I’m just speaking the truth Anna! You are so pretty! Isn’t that right Killian?”
“Very true my love. She is so pretty my heart flutters everytime I see her. Just as it does when I see your gorgeous face,” Killian chimed in. Him having walked into the dining room just a moment ago. Having heard what Amara had said.  
Killian having entered the room with a wide smile. As he reached to place a kiss on top of Anna’s head and then kissed Amara’s lips gently. Making a loud kissing noise as he did so. Causing the two females to giggle and chuckle. Both watched as he took a seat by his mate Amara draping an arm lazily around her shoulder. Leading the female to lean into his side. Looking at Killian, Anna rolled her eyes playfully but couldn’t help but smile at the male. Killian always knew how to make Anna smile and laugh. It led her to sit and remember. 
Both having been by each other's sides for a long time now, for about fifty years. The two having been through a lot over the past years by each other’s side. The two had met in a horrible place… Under the Mountain. During Amarantha’s ruling. 
Killian having been kidnapped from his home Court, the Dawn Court. Him being a well known powerful healer. While Anna was sold off by her family so they could pay their debt to Amarantha. 
They soon found themselves as cellmates. As they were picked to go through experiments. Being experimented on with magic and so much more. Both being poked, prodded, cut, and beaten at for many years. It was truly a dark and cruel time for them. 
The only thing keeping them sane and keeping them from giving up during such a time were each other. They had grown a very close bond during that time. So close that they laughed about being platonic soulmates. They were there to hold each other. To encourage each other to keep going and not give up. To keep fighting no matter how much they wanted to just let the darkness consume them. 
It was during this time that their choice was taken from them. They had so many things taken from them. They had powerful and unknown magic forced upon them that they didn’t want. It was why they look the way they do now. 
Anna with her attributes like her eyes, ears, and scars. Then there was her magic. Having been put through many experiments to try and expand her magic and make her more powerful. So that Amarantha could bind Anna’s magic to her trying to make herself more powerful. Just as she did with the seven High Lords of Prythian. But Anna always kept her new growing magic hidden. No matter how hard it was she made sure no one knew of her new found chaotic magic. Well beside Killian he was the one to coach her teaching her ways to conceal and control her magic. Neither of them wanted anyone to know of Anna’s magic. Killian also wanted to keep Anna safe too.  
Then there was Killian with his enhanced healing and ability to heal others. He was able to heal anyone with just a touch from pretty much anything if he put his mind to it. It took time but it was possible for him. His healing magic had grown. Then his ability to heal. He could heal from anything. Whether it be him being amputated the limb would grow back. Being stabbed he could pull out the knife and the wound  would heal. Broken bone he could just reposition it correctly and it would heal. All good as new.
There were so many things he could heal from. Anna had witnessed everything and found it weird and gross but got used to it. But with such a power it came at a cost. It was an experiment that went wrong. It all stemmed from fire. The people experimenting on them wanted to test if he could heal from fire. It was before he was gifted with such healing. But ultimately gave him the ability to heal. His skin was scarred and burnt. There wasn’t a part of his body that wasn’t burnt. 
That day it led Anna to have to hold him as he cried in her arms non-stop. And Anna held him every minute, never letting go. But after some time with Anna’s encouraging words he got back up and came back even stronger. He still had his bad days, both of them did. But they kept going with each other's help. 
It was when the end of Amarantha’s ruling came and she had died that they snuck out together from Under the Mountain. No one knowing of them, just rumors. Both were lucky that not many saw them. They made sure to stay in the dark and stayed hidden. They both felt lost at this point and didn’t know what to do. Until Anna argued with Killian to go to his wife, his mate. The one he spoke about so much. He put up a fight but agreed to go to her only if Anna promised to stay by his side. Which she agreed to hesitantly not wanting to intrude on his life. But he always stated they would be by each other’s side no matter what.  
But it seemed their lives got better when Amara Killian’s mate and her sister Irina came into their lives. The two found themselves traveling to the Court of Dreams or Velaris in the Night Court. A beautiful city that had been opened to the public after being hidden for so long. 
It was where Amara and Irina had traveled to and made a new home for themselves. But after a heartfelt reunion between Amara and Killian. Amara accepting him and smothering him with love. After the four of them soon became close. They were a family through and through. It led Anna to smile thinking of their little found family. 
“Oh shut up Mara, Killy. My goodness I’m not that -,” Anna giggled with a shake of her head feeling her ears move slightly against her head. As she pushed her glasses up upon her nose. Killian was about to cut her off and was going to object. But Irina, his sister in law Amara’s sister, already beat him to it after walking into the room. Having heard part of the conversation. 
“Anna don’t even finish that sentence. And I hate to cut this short and get right to it but all of you are beautiful, gorgeous even. But I have to steal Anna. That is if you still want to come with me to the Rainbow. I’m about to leave soon,” Irina chuckled. As she walked into the room still searching through her satchel for something. 
“I’m going with you Rina. What are you looking for anyways?” Anna questioned as she got up from her seat. Reaching for her black scarf that had silver stars on it. She then began to wrap it around her head over her long ears. Trying her best to cover them up. 
“I’m looking for a letter that was addressed to you. It was all fancy and what not oh here it is,” Irina exclaimed in victory before handing it to her. Anna was confused but shrugged it off thinking it was a new commission for an art piece. Taking the letter she saw it was indeed fancy. As she opened it she thanked Irina which she sent her a nod with a smile as a welcome. Before she started a conversation with Killian and Amara. But looking down at the letter she gasped after reading it. Catching the others' attention.   
“What? What’s wrong Anna?” Killian asked her, he was quick to get up and move to stand by her side. She didn’t know how she felt. It was a bit overwhelming for her. So all she did was hand the letter to him. As she sighed, raising her glasses slightly and rubbing her face before placing them back on the bride of her nose. Watching him as he read over the letter. He was soon looking up at her with worry. 
“You’re not going,” he declared. 
“Wouldn’t that be suspicious if I didn’t go, Killian?” Anna sighed with a question. Not meeting his eyes. As she looked at the ground shuffling on her feet. She didn’t know what to think of the letter but she knew she was screwed either way. 
“What does it say?” Amara asked moving to stand next to Killian to read the letter over his shoulder. Irina was quick to ask the same thing as she slowly placed a hand on Anna’s arm gently. To try and sooth her. Looking up Anna sent her a small smile that was filled with fear. 
“The High Lord and Lady want to see her because of her artwork. And because of the charity work she has been doing,” Amara gasped as well after reading the letter. Looking at Killian and Anna then to her sister with wide eyes. Who reacted the same hearing what she said. This caused all of them to be filled with fear and worry for Anna. It was quiet for a moment between the four as they began to think of what to do until Irina spoke.
“Okay… I am sorry to say this but she’s going to have to go. There’s no way out of this. As Anna said it would be too suspicious on her part if she didn’t go. They know of her now. It would be even more suspicious if she avoided them. If they find out who she really is. There's too many people who know Anna and adore her in this city. So maybe that’ll ease their minds on her,” Irina put forth. She was about to continue to try and ease the tension but was cut off by Killian.
“No, I told you Anna. You shouldn’t have started doing all this shit. I said it would draw attention to you. But no you didn’t listen to me!” Killian bellowed as he ran his hands over his scared head. Hearing him yell caused Anna to flinch because he did warn her this would happen. But she just wanted to help. Which she whispered as she hugged herself, “I just want to help. I didn’t mean for this to happen.”     
“Help Anna! This is going to lead to us being found out by the fucking Night Court’s inner circle. Not just you but me too. Who knows what they’ll do to us!” Killian exclaimed. Sending a glare her way. Looking at her caused him to sigh because he instantly regretted yelling at her. She looked close to tears now in Amara and Irina’s arms. Both females sending him a glare back.
“You need to calm the hell down Killian. You act like she did this on purpose all she’s done was to help people. And she’s done that. She’s helped so many people in this city. So calm down and keep your anger in check. Before I smack the shit out of you. You of all people should know better than to yell at her,” Amara scolded. As she held Anna close, being taller than her. While Irina ran her hand gently over her back trying to also soothe her.    
“I’m sorry Anna, I'm just scared. Because I know you’re going to have to go,” Killian sighed. Before he opened his arms inviting her into a hug. Moving her head she adjusted her glasses and looked at him. She sighed and moved to him. Wrapping her arms around his waist while he wrapped his arms around her shoulders.  
“I - I don’t know what is going to happen… b - but I’ll make sure you guys stay safe. And you shouldn’t be scared because no matter what I’ll be there for you Killy,” she vowed. Tightening her hold around his waist to reassure him. A chuckle escaped his lips hearing what she said. 
“No matter what I’ll be there for you too Anna. No matter what,” Killian declared with a smile after kissing the top of her head. He was worried but knew that whatever happened that they would get through it together.  
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alpaca-clouds · 1 day ago
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Arcane Season 2 - How Bad Pacing Can Ruin Everything
So, Arcane season 2 ended. And I am sorry, I need to vent.
I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.
I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.
Spoilers for season 2 - all of it - obviously.
Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.
Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.
But no, the main issue really is the pacing. There is just too much stuff happening.
I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:
Cait's mother dies
Cait swears revenge and asks Vi to assist her as an enforcer
Vi does not want to. Ends up getting drunk.
Vi decides to do it anyway.
They do a bit of chemical warfare for good measures.
They go down there. Fight Jinx. Vi cannot do it - partly because Isha.
Cait breaks up with Vi and becomes the evil fascist dictator
Vi becomes an alcohol addict.
Except, never mind, Caitlin is already feeling shitty about it next episode.
Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.
Jinx and Vi are good again. They go help Vander.
Cait meets Vi for the first time since the break up. They instantly are back on the same page.
Like, there is so many plothooks in this storyline alone that do go completely unexplored.
There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.
Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.
And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*
It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.
But that was not the version we got in the end. Instead in this version... things go magically well.
Hooray?
Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.
Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.
And then there is the entire magic plot.
Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"
When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.
Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.
Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.
Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.
As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.
I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!
Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.
This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.
You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.
Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.
Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.
Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?
That is general the issue. There is a lot of set-up and very, very little payoff to any of it.
And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.
Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.
And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.
And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.
Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.
*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.
Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.
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eerna · 1 day ago
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jesus. yeah thank god for preaching the truth about arcane season two. i mean it had its moments - really, REALLY good moments, and by hell it looked AMAZING - but holy FUCK. what a terrible time to be a fan of ekko. or mel. or jinx. or vi. or viktor. or ambessa. or sevika. and probably more i'm missing (ISHA!!!).
i completely agree with everything about the zaun vs. piltover situation ... just not happening this season? first with shimmer - listen i am not the biggest fan of the chembarons lol they look nice but their characters are. Fine. but if you're going to hype them up in the second episode make them WORTH something, right? and then if you're going to hype up the new jinxers, make THAT worth something too!! would it have been so hard to have a bunch of zaunites fly into piltover following jinx? i mean, that's what everyone THOUGHT that scene would be? you had sevika LEAVE the council meeting. why don't you have jinx convincing her to help. and ekko's with jinx. why wasn't he reunited with the firelights? you're telling the fucking firelights would leave zaun? no but it's just them i guess. and sevika and other zaunites enter the fray at essentially the same time so you would have to change nothing but whaaaatever who gives a fuck.
SPEAKING. OF. EKKO. WHAT THE HELL? his FINAL scene in this show is him mourning jinx and being completely alone. we can have that scene, OBVIOUSLY (given that jinx dies - or fake-dies - which i have my own problems with) but... can bro get a seat on the council? please? can we have like a scene with him and sevika walking in and he nods at sevika or something. i know people were complaining about it being mostly pilties and just sevika at the council meeting but i LOVE that. genuinely. shows us that progress is going to be slow (wow crazy. arcane having realistic class issues in their show about class issues), but can it not be just sevika? and can ekko get some fucking credit for SAVING PILTOVER? sure sure sure it was jayce and viktor but WHO THREW. THE GODDAMN ZDRIVE. AT VIKTOR'S HEAD? EKKO. jesus sorry i'm just crazy upset about that.
i wish they also didn't just have the council in piltover? if we're being given an independent zaun (ARE WE BEING GIVEN AN INDEPENDENT ZAUN??????????????) can we maybe have meetings in zaun too? one of those cute little transitions behind sevika's head where they're meeting in piltover's council room and then we go to the meeting room in zaun? like fucking what? or maybe zaun isn't fucking independent what were we watching this show for. if you're going to keep zaun as part of piltover and leave that part open can you maybe elaborate more than sevika like... sitting down. im a bitch for subtext but at some point it's not subtext it's being lazy??
and meljay. not sure what else to say here tbh like i don't even love them and i thought they were handled so poorly. at least they had chemistry in season one? the fuck was their reunion in act 3? negative chemistry. jayce is imagining viktor. why does he have more chemistry with viktor. big jayvik fan btw im a big fucking jayvik fan but can it NOT come at the expense of an established ship? porque no los dos? like hello? does meljayvik mean nothing to the writers? if you're going to have shippers putting the JayVik Agenda (which admittedly i think is very real of them) into the show can you COMPROMISE ABOUT IT. like considering mel's lonely ass ending and ekko's lonely ass ending there might be a goddamn pattern here.
wow. speaking of lonely ass endings. JINX. MY GIRL???????? breaking down her "death": we have jinx, safe, on a ledge. and we have vi and warwick about to fucking die. vi is faced with two options: try and save warwick (bring back vander) or go to jinx. vi isn't AWARE that trying to save warwick is going to come at the expense at jinx, but WE do, and the WRITERS do. the option of saving warwick or going to jinx is the SAME FUCKING OPTION as the jinx vs. powder question at the end of season one. does vi try and bring back a dead man (one who is GONE, who represents jinx and vi's past coming back to haunt them) or does vi try and accept her trauma and forge a new future with jinx?
...she chooses vander. like ok. yes. that makes sense given the amount of time vi has had to process that vander is alive. and a wolf. and then dead. and then back. and still a wolf. and then fighting them. and then not fighting them. im not expecting her in that situation to take jinx's hand and move on. but if that's the case can the arcane writers then.. give her time to process? because this isn't GOOD. this isn't good for vi. this isn't good for jinx. also do you know what also isn't good for vi OH MY GOD CAITLIN. CAITLIN ISN'T WHY DID THEY HAVE SEX AFTER JINX WAS LIKE "SORRY SIS GOING TO KILL MYSELF" LIKE HELLO VI YOU HAVE OTHER PRIORITIES THIS IS JUST LIKE WHEN YOU LEFT EKKO ON THE BRIDGE WHAT. HELLO. WHAT. WHAT. WHAT.
"im the dirt under your nails" no vi caitlin is the blood under yours.
sorry ok this isn't all my problems with arcane season two but i just realized i've been ranting in your inbox for what's probably over 100 words so maybe i should stop now. sorry bro i may or may not make my own post now mb
NO PROB it's big feelings and opinions time here on eerna dot tumblr~ It's just a terrible time to be a fan of the show methinks. I don't think a single character emerged on the other side of this season by having been done right.
I hated the way the Zaunites refusing to help Piltover was treated like some kind of a dramatic "Well, I guess THEY aren't joining US" scene. Usually we get to see both sides so you don't feel like either side is the main character, but that was such a horrible "You, the viewer, are a Piltie now, and the way Zaunites act will from now on be used as plot twists only" POV. Sevika showed up that way, Jinx and Ekko showed up that way - not as main characters, but as supports to Vi and Cait and Mel and Jayce, the Good Pilties.
"im the dirt under your nails" no vi caitlin is the blood under yours. is such a badass quote, bro!!! I have nothing to add, you've said it all, thanks for sharing~
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rin-solo · 1 day ago
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I love. LOVE. Get In the Water
It's one of the objectively best songs in the musical; I will die on this hill.
Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!
At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.
If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.
But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.
And Odysseus replies, of all things, with ... sympathy.
Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.
Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.
It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.
I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.
It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.
To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.
I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.
And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"
... Which is when Poseidon snaps.
Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.
This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.
This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.
Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.
Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)
Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.
It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.
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goodluckclove · 2 days ago
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Since starting this blog I am pretty baffled by the amount of people who are convinced that they have to write a novel. They have to write (Sure! Great! Good for you!), and it has to be a novel. As if that's that's the only thing that deems someone a "real writer".
Which I mean clearly they're all getting that information from somewhere. No judgement. It's - uh - incorrect, though.
Short stories are not any easier than novels just because they're shorter. If you think one is easier than the other, that's probably just because you take to the structure better - which is a good thing for you. At this point I can writer 50k+ words no problem - but creating an entire, satisfying story with a sliver of that length is incredibly difficult for me. If you've followed my blog for a while, you'll find that most of my posts are long as shit. I am a rambler.
If you're attuned to lore and world building, you'd probably be able to create a pretty amazing table top campaign. Or even like an ARG or something. Oh man I'd love more ARGs in the world, especially ones not strictly horror so I can get into them without being spooked.
if you love characters and dialogue, plays are a great way to express that. Your whole story is essentially in your dialogue. If you have a sense of what I can only describe as narrative perspective, screenplays would probably be a great thing to try.
All of these are writing. A lot of these are often more accessible than a novel. If you're someone who laments a lack of feedback when posting work online, producing a play gives you the opportunity to witness an audience react to your work live. Or running a campaign allows you to collaborate and interact directly with your party (the audience proxy of sorts), creating memories through storytelling.
We need all of this! Storytelling has evolved over time, and while novels are cool shit it is goofus behavior to completely ignore all the new opportunities the modern age offers. One of the most compelling stories I've seen recently is the fucking Walten Files, an online analog horror series. I genuinely think most of the best voices in modern horror are in analog and digital horror.
So yeah allow yourself to explore from writing. Anyone who sees what you do and says you aren't a "Real Writer" are dipshits and they can write their own New York Times Bestseller if they're so goddamned concerned about it.
If you want to write stories and you feel like you're not managing to write the way you want to, maybe you haven’t found your medium yet.
I’m not talking about making money, I’m not talking about getting some agent or publisher to see money in your work. I’m talking about you, writing what you want to write.
I love writing. I do not love writing novels. They hurt me, physically. I have been so much happier since I stopped trying to force myself to write novels and disappeared into my flash fiction and short stories.
Maybe novels aren’t your thing either. And maybe short stories aren’t! Maybe your words want to be poured into poems, or songs, or TTRPG campaings, or drabbles, or podcasts, or anecdotes, or (screen)plays, or something else entirely!
There are so many ways to be a writer, and even more to be a storyteller. You don’t have to let yourself be bullied by a medium that does not suit your creativity.
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incorrectfatui · 2 days ago
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okay, more HCs. This one is only Scara, so things might get a lil dark- I'm not normal about him. anywho: Scaramouche: -autistic. I am going to say this about every Harbinger, bc it's the truth. -most traumatized mfer in all of Teyvat. Seriously. someone give this guy a licensed therapist. -as Kabukimono, he's tried to eat several non edible items. This one is inspired by that one researcher who made up a story about him eating a humans arm. The image of little Scara munching on various dangerous items is so cute -related to the above: he still does it sometimes, to fuck with people. Dottore thinks its great. Pierro had to stop him from getting Kuni to eat a delusion. -Eyes (& markings) always glow at least slightly, even if he's not using his powers. Its not really noticeable in the day, but at night you can see it pretty well -hates Pantalone. Not bc he's jealous of him hanging out with Dottore or something (if anything, Pantalone gets jealous), but just because he is an ass. -Went to the Abyss again for a long time, just after Arlecchino became a Harbinger, and kind of forgot that Crucy was replaced. Came back and was like "who the FUCK- oh right". Why? because I think its funny -In general, has a better relationship with most of the female Harbingers than the male ones. -a little self indulgent, but I like to think that he was able to float a lil with electro as well. We see Raiden and Ei do it, and I think it'd be cute if he was able to as well, if to a lesser degree. -has used almost every element at some point, testing delusions with Dotty. Mostly bc I can't really imagine all those researchers just throwing 4 extra elements at shouki no kami and being like "figure it out" -speaking of delusions: I think he didn't use one. His electro is inert and I dont think he used another element. I see people headcanoning his delusion as Anemo, and I get it, but I don't like it all that much -SPEAKING of his electro being inert to his body- I refuse to believe he lost electro completely. The whole "oh he used up his divinity" is lazy. He can still connect to Irminsul, which he only learned while ascending, but he cant use electro anymore, something that he's had since birth? Bullshit. I understand him not using it, but I think it'd be more impactful if that was a voluntary choice. I'd really like to see him recover it over the course of the story -I think Youkai like him. Obviously this excludes Yae Miko, but I think as Kabukimono it wouldn't be strange to see him being followed by some Tanuki or the lesser Kitsune. I would really like to see him interact with the Youkai Children from that one Inazuma event, I think it'd be really cute. -I like seeing people write about him and Kujou Sara, both romantic, platonic and as enemies. The two of them are very similar in some aspects, and then radically different in others. I think it'd be really interesting to see Kujou Sara confronted with her own trauma being reflected onto Ei. I guess this is mostly because I just really like Sara and I want my favs to interact xD -more of a theory, but I think Pierro and Dottore, (will) remember him. He has a lot of foreshadowing in his voiceline about Pierro & Dotty, and other things. He's very clearly endgame/lore relevant, with his story not even being finished. -not a HC, but I wanted to mention it: I'm still stuck in Inversion of Genesis on my main account. I never played past it. I did the Fontaine and Natlan quests for friends/watched them online, but I'm still in IoG on my main, because I never fully decided on a name -last one bc character limit: I really like to imagine him interacting with Neuvilette. I think there could be a lot of interesting discussions had here- Neuvi would absolutely dissaprove of his attempt to overthrow Nahida, but at the same time I think he would, to some degree, understand his obsession with the gnosis. No, the gnosis/authority doesn't belong to Scara (or Ei, for that matter), but I think if you told Neuvi that Scara was quite literally created to hold it, he'd understand, to a degree.
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eurydicees · 1 day ago
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Also, I just saw you’re 23, I am too! It’s rough out here. Another idea: any characters, what’s it like being 23? Where are they at this point? I feel like hq shows that as being sooo grown up but like I’m just a big teenager right?? Idk just rambling
being 23 is so rough sometimes lmfao. i've got friends from high school getting married and friends from college having early life crises. i'm working full time and living alone but tbh mostly feel like i'm playing at house rn more than i am living on my own. whatever. it's fine. early 20s is just a silly time of life. anyways i don't have a fic for u but i Do have a headcanon list.
in no particular order, haikyuu characters as stupid things i've done in my early twenties:
atsumu: having a brother who is a chef does not prevent him from forgetting to take the cheese packet out of the mac and cheese box and dumping that into boiling water with the pasta.
udai: does not remember the last time he ate a vegetable.
oikawa: friends all went to a party without him and his coping method was getting so so so wasted on white rum and falling asleep on the living room carpet immediately after giving another friend a tarot card reading saying their breakup is imminent (to be fair, it was. but it was still kinda rude).
iwaizumi: after class, was led to a private stairwell by a friend, jokes "haha are you taking me to a hidden location to kill me." and then received a love confession. proceeded to say "uh. i'll think about it." then did finger guns. and said "im just gonna. go" and then fucking. ran. like not exaggerating, ran.
kageyama: went on a date. did Not At All Know it was a date, despite the very very obvious flirting. yes this was the same person as in the previous bullet point. don't look at me like that.
akaashi: took a 100 level class senior year and did not pay attention to a single lecture. instead wrote thousands of words of fanfiction in the classroom every day.
atsumu (again): another cooking one. i just think he'd be a terrible cook. sorry. anyways. "it's been 20 min, why isn't this scallion pancake im pan frying cooking yet?" (<- did not turn on the stove burner.)
yachi: hm the light in this room doesn't work. guess i'll just learn to see in the dark instead of inconveniencing anyone by asking to fix it.
akaashi (again): completely fell in love at first sight, but fast forward five months and it actually somehow worked out? however the five months were filled with the most insufferable pining possible, which could have been resolved so so so easily. also started talking about marriage, like, six months in.
bokuto: got sad. went out into a raging snowstorm in socks and no jacket. laid down in the snow for a long time. somehow, miraculously, didn't get a cold afterwards?
akaashi and/or yachi: changed majors and career paths because a pretty upperclassman asked them to. (i am very happy in my chosen path but jesus christ THAT was why i did it?)
hinata: flew from coast to coast of the country, then drove halfway back to the midwest in the span of three days. started a new job on the fourth day. didn't sign a lease on an apartment until the fifth day.
semi: skipped a day of work to drive four hours there and four hours back for a fall out boy concert. totally worth it but driving at 4am after a concert wasn’t the smartest thing ever to be done.
kuroo: started reading homestuck in the year of our lord 2024. this is an attempt to remain in contact with long distance friendships (by doing a bookclub) but jesus fucking christ dude.
ok this is getting too long and i needed to be ready for work, like 15 min ago lol. maybe i'll write more of these later, but i hope you enjoy these and my silly disasters are a little comforting :)
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sapphicslaylist · 3 hours ago
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I am in agreement with the above, but do want to add an additional perspective: people often forget that Smitten is, and always has been, a very accurate and in many ways tragic depiction of codependency.
He is extremely untethered, obsessed with the classic “bleeding out for your love” romantization, and is completely not ready for a relationship. He is actively drawn to characters who hurt him (Proto/Damsel, and Witch/Thorn, both of who does so in self defense, and Razor, MoC, and Burned Grey, where he presumes she hurts him out of love). His understanding of love is a false and fucked-up notion that he has to suffer to be worthy of her, that he needs to be hurt, and he needs to tend to her and ignore himself. This is how lines like “don’t mind my sacrifice” come up; he believes he is helping. He really does. Is it manipulative? ABSOLUTELY! But he is unaware of this in his own crusade.
Does this in any way justify his actions? NO. IT DOES. NOT. Smitten needs to stay the FUCK AWAY from Damsel, and reevaluate himself before being prepared to romance. The only reason that Thorn works is because that is someone so worn down and exhausted that she does need someone to trust and love her despite the past; she, much like him, is also not relationship-ready (note the fact she is still LITERALLY BLEEDING OUT with fresh wounds/needs to psychologically & physically heal first) but gravitates towards that spark regardless due to her own conflict and the belief that she’s in the wrong for it. Thorn herself was stabbed in the back first, fought back, and once again took the dagger in fear it’d be used against her in Witch’s cycle. When this wasn’t the case, she blames herself entirely for not reading LQ’s behavior correctly; something which is common in victims of abuse and domestic violence when they gain the upper hand over their captor. It feels wrong to them because they’ve been trained to be subservient. Thorn has no clue who she is anymore due to breaking out of the rubric, and can only revert to the past if harmed or step forward very muted alongside him. This is part of why I prefer the abandonment & Slay attempt routes for her characterization; she needs time to rediscover herself. They both need time.
So how does this link back to codependency?
Smitten is a caretaker. He believes it is his responsibility to take care of women he does not know very well, because he is under the assumption he needs to “save” those who are hurt. He sees the hurt, but not the reasons why; he presumes in Damsel that rejection is a judgement of his character opposed to lack of connection. He just so happens to judge Thorn correctly because their desires match up. Given the context of the situation, he is also convinced that his inaction will cause the death of The Princess, and that would be blood on his hands SPECIFICALLY. He is a traumatized, unstable, and dangerous man at times driven by a misled desire to help, and often hurts instead.
This is a very common pattern with people within these relationships: believing serving one (or several) people is their job, to white knight, and to rescue. He is the deconstruction of Prince Charming and aptly points out the masculine side of fairytale expectation in ways it’s not often explored. It is gender roles depicted as something which can destroy a good heart and warp them into something which counters their beliefs.
In essence: is Smitten healthy? NO. Man needs some serious therapy.
Is Smitten malicious? Quite the opposite. He desires not to have the Princess harmed and take her pain away, but forgets that pain is part of being alive. By taking her ability to feel pain unto himself, he removes her agency in her own grief.
Now, the big one: is Smitten EVIL?
This isn’t ABOUT good or evil, is my answer. He is flawed, he is absent, and he is the bloody, brutal truth of how codependency trap both people. These relationships are not talked about enough and are often mischaracterized by lacking information. The game does it beautifully, and I wish that more folks would consider this.
Tl;dr Smitten is not defendable. But to characterize him as willfully malicious and harmful goes against the grain of his entire gimmick and frankly needs to stop.
SLAY THE PRINCESS PRISTINE CUT SPOILERS)
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Hey so I’m not the only one who played this route absent mindedly and came back to really think about it and get very concerned right?
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One of the things I wanted to say is how UNCOMFORTABLE this line from smitten is
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I CANNOT defend you anymore 🙏
On a real note, reexamining this. It’s very on-brand for him. Even if it is a VERY concerning thing to say. I love the smitten but gee golly gosh times like these make me remember this guy is not mentally ok.
Like, telling a girl you will “give her everything she doesn’t know she wants” after she said she doesn’t want to live in a cabin with an actual stranger feels very. Interesting. I don’t have any nice words to say about him in this chapter. I feel like more or less it was so jarring to me. It is in character tho wether I like it or not
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I also did this, I didn’t know we could do that
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midnight1nk · 1 day ago
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So, this week's episode...
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[spoilers below cut]
WOW, a Mario Reacts! It's been a long time, hasn't it? Hell yeah, I can work with this!
(no bc seriously, I just finished watching ep. 7 of Arcane before this and I need an emotional break, yeah I know the rest of Act 3 is gonna kill me)
(the following is my live reaction:)
oh hey, Mario! Wassup?
jigsaw, is that you?
oh nvm, hello Swag! nice to see you again since last episode
I'm about to commit a crime [*strikes a pose then walks away*]
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I'm willing to work in a government office just so I can come up with an acronym like, gee idk, Y.U.R.I. or something (I should've been a worker in NASA)
NO STOP STOP WHAT ARE YOU DOING?! WHAT. ARE. YOU. DOING?!
At this point, Mario, I would just give up
[*clears throat*] mejor me muero, ni modo que sigo con estos porquerías. bueno como dice Mario, bye bye [*drinks some water*] alright I'm back
TADC? ah, just a normal Saturday
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no thoughts, head empty
honestly, mood
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well, in his own way, yeah
[*echoes announcer voice*] VR, the new era of entertainment
...mr puzzles? nah jk jk
oh, Four's theory may not be wrong here (omg it's jesus)
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still can't believe christianity is canon in the SMG4 universe
oh, so I was right! [*jigsaw voice*] "I wanna play a game."
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That's actually kinda sweet that he immediately chooses his brother
OH SHIT OOOOH that's gotta hurt
NO MARIO, THAT SHOULD'VE BEEN ME
[*other me pops in*] emo girlfriend, omg it's smg3
no, we're NOT gonna look too much into this, shut up other me
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PPFFFTTT that caught me so off guard
say it with me now: YOU CAN'T CONTROL MARIO [*applause*]
I mean, we've been through simulations before, we can take this one too
unironically, I wouldn't mind a 10-hour video of just Mario (and/or the rest of the Crew) just dancing :)
it doesn't even need to have music, I can just put my playlist on and I would totally join in
ooooh, you want to scan that QR code so badly
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but also, how did they get a screenshot of my computer?
Mario 🤝 Mario Buddy from the last episode → destroying PCs for the LOLs
AKLDHLKSAFB;KL just the way Mario goes for a fighting stance just so he could run away will never not be funny to me
LET ME IN LET ME INNNNNNNNN
10 hours, welp I got my wish lmao
Mario morphing his face... hmmmm..... [*flashback noises*]
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[SMG4: MAR10 Day]
....
don't think about it don't think about it don't think about it
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KIRBO NOOOOOOOOO
NO NO NO SWAG NO
same vibes
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meme factory? youtube arc? is that you? /j
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(yeah I know that the Team uses the same assets ik)
LET'S DO THISSSS oh welp time to vibe
FIGHT FIGHT FIGHT
what would that be, Swag? Try not to Laugh challenge? I might win tbh
LET'S GO GAMBLING
laughing because of early victory call? very in character for Swag
oooh that's some good animation (y'know, as always)
HOLD UP WAIT A MINUTE
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am i thinking too much into this or is this the same military base from last episode?
Alright, my little headcanon: the events of this episode and the last one took place on the exact same day
that's just for me specifically
oh hey, more TADC ref
Also, nice PINGAS STUCK IN A DOOR ref
man Mario can't catch a break dude
Congrats to CMorseu for your art being featured at the end credits 🎉
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.・-: ✧ :--: ✧ :-・.
Such a good episode! Not plot-heavy, just a silly episode. I'll gladly take it as my late birthday present. And it's great to have Swag back, kinda was half-expecting Chris to just pop out.
I've said this once and I'll say it again: I wouldn't mind if the rest of the year is just filled with goofy episodes. After all, we just came from WOTFI and we do need a bit of a break so the Team could work on the next arc. (From the looks of things, we might get goop!4 *cough cough*)
Loved the bits of animation and Mario's expressions as always.
Now, I know there is some talk about the SMG4 Crew/Mario Does Things being on hiatus and merging with the Saturday videos. If you can even call it that. Personally, I don't mind it. I completely understand if doing 2 episodes per week is a lot for the Team to handle, though I do wish they would give an explanation for it. I think the best solution would be for the Team making an announcement of the change, the reasons behind it, and how it may be different from the regular Saturday episodes. Also make it clear that "hey, the title says this so it doesn't impact the main storyline".
Anyway, it has been overall a pretty funny episode and I quite enjoyed it! Now, if you excuse me, I'm gonna cry my eyes out watching the rest of Arcane Act 3 and bring that angst to the next episode concept :)
OH THE MISERY EVERYBODY WANTS TO BE MY ENEMYYYYYYY
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