#I am fixated on this concept and NEED to talk about if

[riddleblack246]

Thinking about that OFMD burlesque au again and I have even more specifics with performances and all. Hit me with your ideas please because I’d love to talk about this.

In Izzy’s younger years, his most well known act was to “Babushka” by Kate Bush. He does do it again when he returns to performing and it is just as sensual.

Frenchie will usually play songs he comes up with on his own as something of an interlude to performances, but he will also play a song by Dixon Dallas.

Wee John as Calypso has a semi-iconic number that ends up filmed for social media, which blows up the notoriety of The Revenge. He sings “Pretty Lavinia” by American Murder Song and much of the rest of the “crew” contributes as the chorus.

Ed’s performances are often to Amy Winehouse songs. Yes, he does perform “Back to Black” when Stede seemingly goes back to Mary, and it’s super emotionally poignant and unsettling, why do you ask?

Stede loves the art of burlesque but initially sucks at it. Yes, Ed and Izzy do help him a lot. Yes, they do fuck about it.

Jim’s performances are more typically daring acts involving leather and knife play rather than traditional burlesque, but it is still mad sexy. Oluwande and Archie both occasionally feature in their act.

*remembers the time I saw a burlesque performer in chainmail lingerie dancing and fire-eating to “Joan of Arc” by Arcade Fire and tries to be normal* That’s Zheng.

Izzy is classically trained in ballet and fencing which he employs in his performances. Yes, this ties into body issues with his leg.

The “capture by the English” is the business owners association throwing down about a queer burlesque club. Blackbeard’s Evil Girl Era is him holding onto The Revenge after Stede put him down as a partial owner and he’s running the place into the ground. I want CHAOS.

[thethingything]

I need to get ready for bed but I remembered the dentist appointment that's coming up in less than 2 weeks and ended up dissociating for over 2 hours (I'm honestly not sure how long it's been) and I do not feel good in the slightest after that

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.

[drdemonprince]

Can you offer any (academic) writing advice for Autistics and ADHDers? You clearly write a lot and write very well and very clearly, so some insight into your process would be great. Personally, I tend to struggle with over explaining or over citing (cause I am always getting misunderstood) and that I get very fixated on not misrepresenting what my sources are saying to avoid feeling like I'm lying. All this is time consuming and makes it hard to say what I really want to say. Thanks!

Hi there! I've written an essay about a lot of this, here is the free link to read it on Medium:

Much of my writing process is inspired by the book How to Write a Lot by Paul Silvia, and it is specifically tailored to academics. The advice applies to people who write popular nonfiction or fiction just as easily, however. And he does have advice relevant to the self-editing and self-doubt you describe feeling.

The full piece gets into this more, but here are some of the stand-out tips:

Schedule a regular time to write every week and show up no matter whether you are feeling it or not.

Throw out all your magical thinking about what you "need" to be able to write. You don't need the perfect workspace, divine inspiration, the right pen, the right playlist. You just need to show up to write regularly, and do it

Editing, outlining, working with research notes, and drafting all count as "writing." Don't expect your initial drafts to be perfect or to equate writing only with getting new words on the page.

Try writing in public spaces to help get yourself in the mindset of explaining a concept to someone with a different frame of reference and type of expertise than you. Writing in a cafe or a public library can force you think and write in a more accessible way. (alternatively, you can pretend you are explaining the concept to a specific person in your life who you respect but who doesnt have all the same reference points as you -- sometimes this is called the "Grandma Test". Explain something like you are talking to your grandma.)

In addition to all this, I would add that you should read a lot of writing, both good and bad, especially work that isn't dry and academic. If all you read is journal articles, you'll write a journal article -- and most of those are hell to read, even for academics. read fiction. read bad wattsapp shipping. read substacks. read newspapers. read indulgent personal nonfiction in the cut or whatever. read reddit posts. notice what works and what doesn't. develop an ear.

and then write a lot! it took me 15 years to get good enough for anything i wrote to get noticed. you can expect to take many years to get comfortable developing your own voice, too. i dont know how far along you are, but even when you've made tremendous progress you'll only notice your flaws and feel the most turgid brain foggy moments. that doesn't mean you're failing.

also, to some extent you can embrace your citation-dense, precise manner of self-expression. we are living in a moment of maximalism and indulgent, long creative works. it's the decade of the 5 hour youtube essay and the 2 hour album. my 5,000 word essays do better than my 2,000 word ones. you should strip down unnecessary tangents and trust yourself and your reader a little more probably, but ive found that the more blatantly autistic and indulgent my writing gets the more the right people like it. a writer's flaws and their distinctive voice are kinda hard to separate. you're not for everyone!

good luck!

[euphietea]

Obsession

Endo Yamato x Hostess!Reader cw. manipulation. drinking. yandere. dc. syn & genre. [concept piece/warmup. no smut.] Endo has set his eyes on a second masterpiece - a seemingly innocent hostess.

­“C’mon baby, you’re really milkin’ me dry,” Endo whined teasingly as another bottle is ordered to their booth, “Already bought your time, now I gotta buy the bottle?”

You laughed, crossing your legs and batting your lashes, “Why of course~ How else am I supposed to pay my phone bill?” Your most devoted customer here had a bad habit of texting you at all hours of the day and night. It was cute! He’d even brag to you about scamming older women out of their money just to pay you.

Endo sucks in a breath, teeth bared in a grin, “Cold. Fine then, baby, I’ll order whatever is expensive.” Somehow those words felt like a challenge. He’d give everything to toy with you. You both knew it. That’s what he found so alluring about you. For as much as he tried to manipulate you, get you to come home with him, get you to bend to his will, you put up a fight of your own. “You’re an honored guest, but we need to start of slow!” You’d say and “Oh, but surely I’m more expensive than you can afford~?” It was cat-and-mouse. If you’d just let him tap it from the start, maybe he would’ve left you alone. But no.

“And here I am, abandoning my masterpiece for little ol’ you.” Chiika was already far long in the process. Endo didn’t need to worry too much about his masterpiece going astray. He could just gently bap him back into place with a few nudges. You were his newest fixation. He knew you had a certain cruelty he couldn’t ignore. He saw the glimmer in your eyes whenever you drew in some poor sucker like a sailor to a siren’s song. The dark ocean of sneering delight when you had a man hook, line, and sinker only proved that the two of you were cut from the same cloth. You were the object of his desires – a challenge, even. If only you’d listen to him and you’d be perfect. If only you’d let him in.

In his mind, he was playing 4D chess. He pretended to be utterly infatuated to you, to trust him. Then he’d gently guide you into hell with his own two hands. With each stroke of the brush, he’d color you anew. He’d guide you just as much as he’d worship the very ground you stepped on. How beautiful you could be if only you leaned into your carnal desires. To see your delicate hands reach for him in the same, crazed way he reached for you.  

The bottle came around with two glasses. You reached for the bottle only for him to grab your hands, “Allow me~.” If you only listened to his cash, he’d make the money talk.

[star-anise]

You just posted like ten different things about potatoes in the span of maybe five minutes, and I gotta know your take on "The Martian".

Like, the (fictional) man alone on a planet literally only survives because of potatoes shrink-wrapped in plastic for a Thanksgiving meal. If they weren't slated to be on Mars for Thanksgiving, he would have died.

And Andy Weir (author of the original novel) did such a good job with the science of every other element to the story, I honest-to-god believe that potatoes could actually manage to grow in Martian soil (even if that's not been proven for certain afaik).

Which means..... could potatoes terraform Mars into sustaining life??? Are potatoes the key to the universe???

Haha sorry for going so hard on them! Those were mostly all posts from 2020 when gardening and fantasy worldbuilding were lockdown fixations for me. One of them blew up recently so I wanted to give The People more of the content it seemed they were looking for. I don't actually know a lot about potatoes. I just think they're neat.

I do not want to take apart the concept of "colonizing Mars" as some kind of woke gotcha. I want to take your question seriously and charitably. However, I just am the kind of person who's like "Hmm, 'colonize', we should really stop and unpack that word," so let's do that, without forgetting the potato element.

(What "I don't know a lot" means: Potatoes were a crop my family grew several acres of for a few years on our farm before we switched our focus to sheep. I am about 50% as reliable as a horticultural brochure on various potato diseases and growing condition issues. I have listened to two University lectures and read perhaps four historical journal articles beginning-to-end on how the Columbian Exchange affected early-modern Europe, that and half as much again on medieval and early modern European farming practices and population changes, and perhaps three science/history articles specifically on the domestication and proliferation of the potato. I am a white Canadian who actively seeks out information and training in Indigenous history and culture in the Americas, but that's probably still only equal to like, two Native Studies classes in university. I know more than the average person on this topic, but I am also not an expert compared to people who have devoted serious time to learning about this.)

But I have some intuitions in a couple of ways:

The Martian is probably being wildly over-optimistic about its potatoes. They would probably have been irradiated into sterility before being vacuum-packed, and I don't think you can split and propagate them that quickly or successfully. However, potatoes can definitely grow in all kinds of conditions (including under my sink).

They might not be the world's healthiest or happiest potatoes, tho. Soil quality definitely affects the end product. Presumably Watney, being a botanist studying Mars' soil composition, knew how much he had to ameliorate his soil with latrine compost (which would definitely have needed a LOT of processing, since human waste is generally not good for plants, but maybe he used chemicals to speed that up?) to get good soil. However, we would probably need to add a LOT of shit to Mars' soil (and air, and water) for it to host plant life.

Mark Watney makes a joke about having "colonized Mars" because "colony" is Latin for "farm" and he farmed on Mars so haha, funny joke! And we talk about colonies on Mars partly because that's what science fiction did, and a lot of science fiction has been into that colonialism aesthetic. But colonialism and empires actually aren't great, not just because they necessitate huge amounts of racism, oppression, and genocide—I know, you asked me a fun question about potatoes and did not sign up for this, I'm not here to drag you, hear me out—but because they're also really sucky models for agriculture and successful societies generally.

My British ancestors tried to be colonial farmers in a place that is sometimes colder than Mars (Canada's Treaty Six), and let me tell you: IT SUCKED. Most of the crops and herbs and vegetables and flowers that settlers here brought from home and are used to? DON'T FUCKEM GROW. For the Canadian prairies to become conventional farmland, farmers and scientists had to scramble to find, or produce, cold-hardy varieties of everything from wheat to roses. A lot of flowers and plants that are unkillable invasive zombie perennials in other climates don't survive our winters no matter hard we try. The trees and flowers that hold cultural or sentimental attachments for us often don't grow here. The climate is so harsh and population is spread so thin that we cannot do the 100 mile diet and eat foods we're familiar with, and can hardly even manage the 1000 mile diet. (Not that I try, but, my family did once look into it)

A huge number of colonial homesteads, where the pioneers go out on their little covered wagon and build little houses on the prairie? Failed miserably and got bought up by land speculators. My own family came out to Alberta in the 1880s and moved around from land assignment to land assignment, like, six times before settling at their current place in the early 1900s.

Meanwhile: POTATOES

Potatoes are less than ten thousand years old! I am not any kind of expert on archaeology, please nobody throw things, but humans showed up in the Andes (think: high, cold mountains) of South America roughly 9,000 years ago. There are hundreds of wild potato varieties, but they generally produce fairly tiny tubers. It took active work of Indigenous Andean people around 8,000 years ago around Lake Titicaca to cultivate specific strains of potato, doing oldschool genetic modification to make them bigger, more delicious, and hardier. From that cultivation effort around a single species of wild potatoes, they produced thousands of cultivated potato varieties.

Ancient Andean farmers and botanists also played a big part in cultivating quinoa from wild amaranth, as well as producing modern food crops you probably haven't heard of, like oca, olluco, mashua, and yacon, and also coca, which may get a bad rap because it's what cocaine and coca-cola are made from but you cannot deny it's got kick.

Basically, Indigenous people of the Americas (South, Central, and North) went all in on botany and plant cultivation. Plants that we take for granted now have mostly been developed by Indigenous people in the past few thousand years: Tobacco, sunflowers, marigolds, tomatoes, pumpkins, rubber, vanilla, cocoa, sweetcorn, maize, and most kinds of pepper except peppercorn. These things were not found; they were made, by careful cultivation of the world as it was.

This gives us a vision of the future. Colonization, and industrial agriculture, both lean us towards the vision of a totally uniform end product, with the same potato varieties grown on each farm because we have made every farm the same. Instead we could embrace biodiversity and focus on privileging local knowledge and considering the interactions of environment, plants, microbiota, and people. We could create potatoes that were happy on Mars. We could create Mars that is happy to have us. We could create a society that can accept what Mars has to offer.

A lot of why we dream about colonizing Mars is the idea that the Earth itself is dying, that we are killing it, and we need to abandon this farmstead and seek out a new frontier. I acknowledge that shit is bad, but I don't agree with that framing. I am increasingly persuaded that there is a third path between ecological destruction and mass exodus, and I think we need to reject European colonial mentality that creates the forced choice. I find far more use in privileging the knowledge of people who live on and with land than their landlords and rulers, and I especially find value in Indigenous knowledge of land management practices and food production.

I am absolutely not saying that Indigenous people were or are wonderful magical ~spiritual beings~ who frolicked in an Edenic paradise that only knew death and disease once white people showed up. This isn't noble savage bullshit, nor am I invoking people who existed once but whom I have never met. I am saying that I have Indigenous neighbours, colleagues, relatives, and elected representatives. I have learned about mental health, leatherworking, botany, and ecology from Metis and First Nations elders and knowledge-keepers. And like. They have good and useful shit to say.

This is about culture, not race. It is not that their biological DNA means that they know more than me about how to get food from this landscape. It's about cultural history and what we learn from our heritages. What have our cultures privileged? Like, Europe has historically been super into things like metallurgy, domesticating livestock, and creating dairy products. If I want to smelt iron or choose animals to make cheese from, European society would have a lot of useful information for me! And what Indigenous cultures in the Americas have historically focused on instead of cows and copper* include 1) getting REAL familiar with your local flora and figuring out how to make sure you have lots of the herbs and grains and roots and berries you need, and 2) how to make a human society where people can live and have good lives, but do not damage the environment enough to impair the ability of future generations to have the same sort of life.

*Several indigenous American cultures did practice various forms of metallurgy. It's just one of those proportional things, about what societies really go for

Conclusion

I think we could use the processes that formed the potato to find and foster forms of life that could survive on Mars. It would involve learning to think that botany is a sexy science, and understanding just how rich and complicated the environment is. To oxygenate the atmosphere, we'd have to get super enthusiastic about algae and lichen and wetlands. We would have to learn to care deeply about the microorganisms living in the soil, and whether the potatoes are happy.

We'd have to create an economy that counts oxygen and carbon dioxide production on its balance sheets. To learn how to wait for forests to grow back after a fire, instead of giving up in despair because the seedlings aren't trees yet. To do the work now and be hopeful even though we might not see the payoffs for decades, or our victories might only be witnessed by future generations.

So yes, I think we could totally plant potatoes on Mars

But I also think that if we ever got there, we'd have turned into the kind of people who could also save Earth in the first place.

Which makes it a good enough goal in my opinion.

[vegaseatsass]

Rewatched My Stand-In eps 2 and 3 tonight, and I'm definitely newly fascinated with Ming POV/Ming's internal concept of what was happening between him and Joe that entire time. I forgot just how much we got of Ming's home life and family in episode 2, and my brain is abuzz trying to connect all the dots. His relationship with May is so interesting. She clocks that he and Joe are together on Christmas, and is immediately careful to conceal it not just from their parents but from Tong. May and Ming have this "us against the world" vibe where they protect and cover for each other, going back to May giving herself pneumonia saving Ming from drowning. I absolutely believe there's more going on in their family than mom pressuring Ming to marry women any time he goes home - I actually suspect things about his family are being obscured for future painful reveals - but May is a safe space for him. Until Tong is added into the picture, and Ming has to flee the country for four years to get away from his big feelings. It's just kind of bonkers to me that he had this intense, safe and presumably very grounding relationship with his sister, but made his obsession with a random movie star the centerpiece of his world instead. Why did he imprint on Tong? Is it really just Joe's sexy back muscles that drew him in? Did he think if he could land a famous movie star his parents would accept him being with a man? Was it subconscious self-sabotage of his only safe relationship lol? I genuinely have no idea!! What I am stuck on though is when he told May he was working through something, and would tell her when he was ready, but he promised he'd get through it. On rewatch, it seems very obvious that what he's talking about is the torch he's carrying for Tong, so to me that's a reveal that he's deliberately trying to move on with Joe - not using him as a sex doll replacement, but throwing himself into something real. (What's messy obviously is that Ming started this for the proxyfucking, but I think overhearing Joe confess his love for Ming to Sol is when Ming started making a determined effort to choose Joe.) There's also his reaction to Joe's Christmas gift where the watch becomes a metaphor for Joe himself (vs. Tong): Ming doesn't need the "top" one, why can't he want the "normal" one?

The first time I was watching this, I assumed that Ming just has no internal awareness of how important Joe is to him, he just feels pure need and acts very very normal when his emotional support stand-in is ripped away. I assumed Ming believes he's in love with Tong and thinks he's just passing some time with Joe. It doesn't help that every time Joe presses him on anything emotional Ming shuts him down or outright negs him lolllll

But like for example, in the scene where they're shopping together and Joe gets excited about the couple mugs, first Ming snaps "What makes you think we're a couple?", then he tries to mitigate his slip by playing it off: "after living with me, you'll realize you don't want me as a boyfriend." His kneejerk impulse to shut Joe down and say cruel things is imo a defense mechanism, a really maladaptive one that helps convince Joe later on that there was never any love there, but I'm starting to think it's triggered in response to actually wanting the intimacy and primacy that Joe is pushing for, and being terrified of that.

It would make so much sense for somebody who is terrified of needing anybody else, of being vulnerable or feeling anything real, to decide they're in love with a complete asshole movie star who uses their family for money and them personally for favors, and shape their life around that. Especially now that I understand how young Ming was when he first fixated on Tong (17ish??), I just feel like that entire imprinting is your classic teenager-who-is-not-ready-to-be-in-a-real-relationship parasocial spiral. I used to do it with male celebrities too!!! (I am a lesbian. lmfaooo)

It's interesting because while there's something conceptually romantic about the back Ming first got obsessed with being Joe's all along, it ultimately doesn't really matter to me WHO the onscreen person that he fixated upon was. What matters is how ill-equipped Ming has proven to handle real feelings for a real person in front of him, and the journey he has from here to learn how to human. I can't wait. P.S. Other thing I forgot happened in episode 2: - Ming made drunk!Joe sleep on the floor of Joe's own home - BEFORE Ming moved in or had any claim to the space - AFTER Ming told Sol he would take "really really good care of Joe" as a way of trying to claim Joe in front of the competition His journey to human is going to be a loooooooooooooooooong one, methinks... 😈

[oneatlatime]

The Guru

Happy 2024 everyone and welcome to the first time I managed to type 2024 without first typing 2023! Oh and also a write up of The Guru. That too.

Me too Iroh. Me too.

So Zuko is riding high on that post-crisis 'time to get my life together' buzz that, similar to 3 am life plans, should absolutely not be listened to. Wonder how long before he crashes and burns? There's literally 2 episodes left, so I'm guessing one and a half?

Poor Sokka. My boy's got anxiety.

I don't know if it's a monk thing, an airbender thing, an Avatar thing, or an Aang thing, but I envy his complete lack of nerves.

How is Appa ok with them splitting up for a week after JUST getting them back?

I paused in a funny place. Have bonk-eyed Appa.

I love them comparing heights. What do you want to bet that that guy on the right was one of the youngest allowed to go fight, and Sokka made a big deal about how they're almost the same age and surely that means he can go too, right?

A lot of these Southern Water Tribe people have dreads or braids. That's neat.

Bato's arm is still messed up. That's some good continuity.

I've found the source of Katara's cheek bones. I guess Sokka takes after his mum.

Ok I know this is a really emotional moment (and it is! Sokka's spent two seasons earning this!) but my brain fixated on the furs and briefly thought they were sky bison pelts.

"It's been a difficult week for me." This guy thinks the Kyoshi Warriors are there to provide him therapy. Someone please just crown the bear instead.

He just gave away literally every relevant plot point AND outlined how to make sure all these plot points don't succeed. Crown. The. Bear.

Maybe if these generals spent less time playing with their giant model Earth Kingdom and more time general-ing, the war wouldn't suck so much?

Pretty.

I LOVE LOVE LOVE the designs, the colour palette, the music, the sound design of this air temple. I love everything about it. If I had the chance to live anywhere in the Avatar universe, it would be here. Even in its ruined state it's such a refreshing contrast to the claustrophobia of Ba Sing Se. I can feel the freshness of the breeze through the screen.

"A spiritual brother of your people" an adult perspective on a near extinct culture! What a resource!

"and a personal friend of Monk Gyatso" an old as balls perspective. He's got to be at least 130.

Anthropology cul de sac time: this guy is so valuable as a resource on the Air Nomads. There's probably parts of Air Nomad culture that Aang can't ever accurately talk about, because he was a kid when he left, and there was almost certainly stuff that the adults kept to themselves, or only shared with the older Air Nomads. This Guru doesn't seem to be an Air Nomad himself, but there's a good chance that there is knowledge that he has, that Aang doesn't. Aang should be nerding out more about this. I'll do the nerding out for him.

Aang just breezes right by that Gyatso name drop like it's nothing. Huh.

Oh hey Toph. I'd forgotten she was in a box. Tweedle dum and Tweedle dumber really are quite the pair. What's their plan for keeping her fed and watered? Actually, these guys apparently don't know that maps exist, so it's probably never occurred to them that humans need sustenance. They'll rock up to the Bei Fong estate with corpse Toph and wonder why they aren't getting the reward money.

Mai gets called out in-universe for shopping at Hot Topic.

Ty Lee's buttering up of Azula is getting less and less subtle as the season progresses. It's a testament to Azula's lack of awareness that she's hasn't noticed that, and that Ty Lee can get away with it.

Azula's right that it's an extraordinary opportunity. The King gave them quite literally every piece of info required to overthrow his kingdom in a 25 second conversation. I can't blame her for taking advantage of such an easy win.

That's a very effective unimpressed face. And a very impressive beard.

It's funny to see a spiritual concept from the real world pop up in a show that includes things like bending and giant fish possession. The mention of Chakras kind of sticks out. They couldn't invent a Avatar universe version?

"Once you begin this process, you cannot stop until all seven are open." Well that doesn't feel like foreshadowing at all.

This episode should be called "Aang's self-care Journey." It's about time the kid had a me day that wasn't avoidance-based.

Fear: Losing Katara - makes sense. Losing control of his powers via fish possession - makes sense. The Fire Lord - makes sense. But the Blue Spirit? He helped. Doesn't make sense.

Guilt: Running away - makes sense, although I thought he'd worked through that with Katara in the storm. Nuking that idiot General's base - makes sense, but boy did he quite literally ask for it.

This guru is saying some wonderfully accurate, and realistic, things. I love that he's not taking the Katara route of denying anything is wrong. He's going for the acknowledge, then heal route. And yes, it's unfair of me to compare the emotional maturity of Katara to a century+ old spiritual expert.

I'm going to ruin the immersion here and point out that Sokka's dad's voice actor voiced a bunch of characters in season 1. He's doing an excellent job, but couldn't they get a unique voice for a character that's so important (albeit offscreen) to Sokka?

That's an incredibly roundabout way of avoiding pointing out that the Southern Water Tribe are active participants in a bloody war. Sure, we can show multiple characters with visible scarring from horrific burns, but heaven forbid we imply that the Southern Water Tribe sinks ships. The parameters for what is and isn't appropriate on this show sometimes make no sense.

"Aren't you listening? I said the rest of you men get ready for battle." He hasn't seen his boy in two years, but fifteen minutes in his company and he knows exactly what needs to be said and how. That's some top tier parenting. Dad of the year. Dad of the century. Only decent Dad in this show that isn't technically an uncle.

"Follow your passion Zuko, and life will reward you." Great advice for your eight year old audience. Also a great way to end up unemployed.

Positive Sokka creeped me out a few episodes ago. Now positive Zuko is freaking me out too.

Pretty.

Back to Chakras! Shame: Burning Katara - makes sense. But that's it? To have the inner peace of mind of a twelve year old who's somehow only ever done one thing that he's ashamed of.

Is there anyone in the earth kingdom who isn't stupid? Once again wondering at the network's standards. Visible burn injuries are fine, but Mai can't say 'Shut up." It's got to be Shush up. Although I do seem to recall of brief time in the early 2000s when Shut Up was treated as a curse on par with Shit or Fuck. Maybe that was just at my school.

Chakras again! Even for a show that often has an A, B, and C plot, this narrative is ping ponging around a bit much.

Grief: nothing major, just a whole nation. Makes a horrific amount of sense. but I don't buy that he can get over grieving the whole world as he knew it by thinking about his crush. That's way too high a pedestal for Katara to be placed on.

Lies: Not accepting he's the Avatar. Interesting that not accepting that he's the Avatar and not accepting that he's a firebender are two different problems.

I see you reusing the opening credits footage. Your blue filters can't fool me.

PRETTY

Illusion: So we're relearning what we learned in The Swamp. Aang's probably the person currently alive least likely to believe in the rigid separation of the nations anyway. This doesn't feel like an illusion he's subject to?

The way this episode dances between its narrative threads is so great. It's all woven in so beautifully. And this makes perfect sense! Toph's spent her life secretly doing things excellently that everyone says are completely beyond her capabilities. Life has taught her that the statement "you are not able to" doesn't apply. Of course immutable laws of bending physics are treated with the same respect as an adult telling the champion of the Earth Rumble that she's can't earthbend beyond breathing exercises. If you told her that humans can't fly, she'd figure out how within the week.

Plot collision incoming.

Interesting that Katara initially recognises Zuko by his voice rather than his scar.

I'm pretty sure that Zuko and Iroh don't know about the whole brainwashing thing, but wouldn't it be hilarious if Zuko introduced himself to Katara as Joo Dee, and his uncle Joo Dee, welcome to the Jasmine Dragon, can I take your order? That would throw Katara into one hell of a moral quandary.

Katara being framed as the solution for Chakra number four comes back to bite Aang, as she's the problem in Chakra number seven. I knew that pedestal was too high.

I've changed my mind. This episode should actually be called "Half a dozen reasons why everyone should just learn to keep their goddamn mouths shut already."

So is anyone going to let Zuko and Iroh know that they're now in immediate danger and need to leave, like, yesterday?

I think the Guru is going for the whole 'if you love them, let them go, and they'll come back to you' thing. Don't cling, in other words. But for the sake of the plot he's suddenly lost his ability to explain Chakras in a way that makes them seem like the logical thing to do. The only clunky bit of this episode so far.

May I introduce you to our Lord and Saviour Toph?

"I am the greatest earthbender in the world." Yes. Yep. Yeah. That's now a quantifiable fact, and it's correct. Look on ye mighty and despair. She's even got Bumi beat.

Earth Tongue Running is a bit wonky looking but it covers a crazy amount of distance.

What's the range on Toph's earth sense? Can she sense what direction Ba Sing Se is?

I hope those two idiots' horse bird is ok.

"You don't know how much this means to me dad." He does. Very much so.

Every word out of this guy's mouth is precision engineered to make Sokka feel like a million bucks and I for one think it's about time someone built him up. Also, seeing this makes me realise how few good parents there are in this show. It's a trope of kids' adventure shows that the parents fundamentally can't be there, but I also think it's a commentary on yet another thing that this war has messed up.

Hey look! Being a man is knowing where you're needed the most, and right now that's in Ba Sing Se, protecting your sister! I love narratives that tie their themes up with a pretty bow on top.

This is Azula laying a trap, right? Which means that Katara squealed to someone about the exact location of Iroh and Zuko's tea shop. Don't like the implications of that.

Photos taken seconds before disaster.

Final Thoughts

This episode was a lot! I mean that in a good way! But I felt a bit like the Maxell Blown Away Guy, the way I kept getting assaulted by yet another plot thread. Don't get me wrong, this isn't a criticism. I think the switching between plot threads and the amount of info in this episode worked 99% of the time. But I'm kind of in awe at the balancing act the writers pulled off and I'm sort of sitting here blinking a bit trying to fit all this stuff in my head. I'm probably going to forget half the stuff I wanted to talk about in this write up, so here goes nothing.

Given the Azula reveal in at the end of last episode, I thought that this would be the episode where the shit hits the fan. I was wrong. I'm glad I was wrong. An episode of set up is required and is nice breathing room, even an episode as busy as this. And I got to leave Ba Sing Se! But this does mean that next episode is going to be calamity after calamity.

Aang and his Chakras: I'm fascinated by this guru. I hope he comes back. That brings the total number of people who were alive before the war started up to three: Aang, Bumi, Guru Patik.

I'm impressed that the run through of the Chakras rarely felt like an info dump. The onion and banana juice thing didn't work for me, but I'm sure it worked for people in the target age bracket. Kids love burp jokes.

So many shows sprinkle in tragic backstories for flavour and then never have them influence the character in the present. It was a nice contrast to see a show take a whole episode to tell Aang "yeah all that sucked. It's ok to feel down about it. Here's how you move forward."

Sokka and his dad: Love it. Love it so much. I love seeing Sokka built up, and he definitely deserves it, but I wonder if this is the reward for a character arc well done, or the set up for a character arc that's about to start? Is his dad's praise his prize for crossing the finish line, or is it so he's built up with farther to fall?

I loved seeing more of the Southern Water Tribe. I loved the fashion. There's a lot of variety in accessories and variations on a few basic elements like those knee guard things. I loved their hairstyles. I loved how cozy and communal that command tent felt. I loved their ships. I wonder how often these guys work out, that they can make loading ramps that are presumably deployed and stashed out of the way frequently, out of whole logs rather than planks. I have a bone to pick with the child-friendly sea mine. But it provides a good set up for a dad joke, so I'll let it slide.

Zuko and Iroh: Of course the one time Zuko is allowed to be in a good place, it's so that he and Iroh both have farther to fall when the inevitable happens. Poor guy just can't catch a break. I'd be mad at Azula for the party crashing that I'm assuming she'll do next episode, but it's been established that Zuko has all nice things taken away from him as soon as he gets them, and I can't blame Azula for being a tool of the universe.

Azula & Long Feng: Azula's acting in Long Feng's prison cell was miles ahead of what Long Feng was doing in front of the Earth King, so I'm wondering if Long Feng has bitten off more than he can chew. Also: conspiring with the enemy to bring down your own city just so you can reinstall yourself as the power behind the throne that will presumably cease to exist as soon as the Fire Nation takes control? That is both treasonous beyond description and an incredible case of shooting yourself in the foot. What's Long Feng's plan here?

Toph and the Dunderheads: it says something about the consistency of Toph's characterisation from her introduction onwards that she breaks the universe this episode and my reaction was "that's neat." It's obviously a huge moment, but of course Toph can do that. Toph can do anything. More importantly, Toph knows that Toph can do anything, so Toph routinely does do anything, especially things she shouldn't be able to do. If you had asked me a few episodes back which character would be most likely to fundamentally redefine bending, I would have said Toph, since she's already fundamentally redefined bending with her earth sense sonar vision.

Also Toph just breaks stuff. Things that come into contact with her cease to function as intended and instead function as Toph requires. Look at the two idiots: both successful business owners, one also a successful hoodwinker of the richest family around. But they come into contact with Toph and their brains take an extended vacation.

Katara & the Generals: this plot was more like an extension of Azula's plot than its own standalone thing. You can't blame her for spilling the news about Zuko and Iroh to someone she honestly thought was Suki. Not much else to say about it, although it's cute that she asks for a table for two at the tea shop. Momo gets a chair!

I like that there's a theme this episode of things going wrong despite the best intentions. No one's acting maliciously here apart from the Antagonists. The Earth King is having an honest chat with people he thought were friends. Sokka vouched for people he honestly thought were the Kyoshi Warriors. Katara shares information about a presumed threat with people she honestly thought were her allies. You can quibble with the wisdom of some of these decisions, but there were all done with good intentions. The best laid plans of mice and men oft go awry and all that. It brings to mind that Star Trek quote about how you can do everything right and still lose. And this set up is going to hit harder when whatever goes wrong next episode happens. And something will go wrong. A few months ago I figured that the Season 2 finale would be a triumph, but all signs are pointing towards a tragedy instead.

This episode was visually stunning, the soundtrack in the Air Temple sections especially was very evocative, and I applaud the minds that could juggle that many plot threads at once without dropping any. This one is definitely going on my rewatch list.

[raina-at]

Akward

The silence is deafening. It’s also unnatural.

Normally there would be banter and good-natured ribbing and small talk about the weather, maybe plans to catch a pint.

Now silence reigns as Sherlock examines the body on the slab in Molly’s lab, the only sounds coming from Sherlock’s steps as he rounds the slab.

Lestrade is standing in a corner, arms awkwardly crossed over his chest, refusing to meet John’s eyes.

John can empathise. He’d very much like to not see Lestrade again for the next six months. Or possibly longer. However long it will take for the awkwardness to dissipate, and for the images no doubt seared into Lestrade’s retinas to fade.

Molly is looking from John to Lestrade, vibrating with barely contained curiosity.

“Oh for god’s sake, can you lot grow up!” Sherlock has straightened from examining the corpse and is glaring at the three of them. He gestures between himself and John. “Lestrade, you are an adult. You know that what two consenting adults do in their free time in their own home is none of your bloody business. If you did not want to walk into anything you’re obviously not mature enough to handle, you could have, I don’t know, knocked. Or phoned.”

Molly goes beet red as she looks from Lestrade, who’s pointedly gazing at the floor, to John, who’s covering his face with both hands. “You walked in on them having sex?”

Lestrade looks at Molly, aghast. “Oh my god, I wish!”

“What did you do?” Molly asks John, obviously deeply fascinated.

John rolls his eyes. “Privacy, Molly. Ever heard of the concept?”

Molly turns to Sherlock, who sighs, exasperated. “Am I the only one who cares about the dead body in the room?”

“She’ll keep,” Molly says, pinning Sherlock with a penetrating gaze. “Wait, does this have anything to do with the glitter nail polish you borrowed from me?”

“Please don’t remind me,” Lestrade says, shuddering. 

Sherlock, irate, turns to Lestrade. “Not that it’s any of your bloody business, actually, but it seems to have escaped your pea brain, Gavin, that we have a daughter. A daughter who wants to wear nail polish. How am I supposed to recommend a brand without having thoroughly tested it beforehand? Do you understand nothing about science, and even less about being a parent?”

“Oi, I’ve raised two children to be moderately functional adults, and all of that without ever painting my husband’s toenails.”

“I think Sherlock has a point about the dead body, actually,” John chimes in, wanting very much to end this discussion. “And the whole ‘none of your business’ bit, actually, too.”

“Serves me right for not phoning ahead, I suppose,” Lestrade mutters, still not quite meeting John’s eyes. He gestures at the slab. “Point taken, though. Dead body and all.”

John steps up to the slab. “Discoloration suggests asphyxiation. What did the tox screen say, Molly? Molly?”

“Hm? What?” Molly asks, her eyes still fixated on Sherlock’s feet. 

“Molly. Tox screen.”

“Hm. Not done yet,” she says absently, still staring at Sherlock’s feet. “Can I—”

“Molly! Privacy!” John yells.

“Yeah, that’s my cue, text me anything I need to know,” Lestrade says and all but flees the scene.

Sherlock’s already typing on his phone. “Sorry to disappoint, Molly, but it’s actually John’s feet. His toes are more like Watson’s for obvious reasons. Come along, John, we’re quite done here.”

John walks out after his husband, fervently wishing he could scrub this entire encounter from his brain, especially Molly’s disappointed expression.

“Let’s just move to another country,” he says when he catches up to Sherlock outside.

Sherlock chuckles. “Are you really so embarrassed?”

“By what, Lestrade thinking we have a weird foot fetish, or the discovery that apparently Molly has a weird foot fetish?”

“Admittedly that last one was information I did not need to have. Still, it’s worth the temporary embarrassment if it will teach Gavin to knock.”

“See, that’s the silver lining attitude I married you for.”

“Or, we could arrange for him to actually walk in on us while having sex, just for him to realise that it could have been so, so much worse.”

“Definitely moving to another country,” John mutters. “You think Greenland is nice this time of year?”

“They have polar bears, John.”

“Might be preferable.”

“Tell you what,” Sherlock murmurs, leaning closer so he can speak directly in John’s ear. “Why don’t we go back home, and I’ll show you what I’d want Gavin to walk in on, and I can guarantee you wouldn’t even notice.”

Then Sherlock proceeds to whisper a few suggestions in John’s ear, one dirtier than the other, and by the end of them, John is hard as a rock, almost blind with arousal, and has completely forgotten what they were talking about.

“Home,” he whispers, giving Sherlock a quick and dirty kiss.

“Home,” Sherlock agrees, then grins at John. “Oh, and John? Leave the nail polish on.”

“Pervert,” John mutters affectionately. “Let’s go.”

---------

Comedy today, making up for the pain and angst of yesterday. Though you all seemed to enjoy that, so who am I to judge.

Thank you all for your kind words, by the way, I'm glad you're enjoying my very eclectic ficlets so far. I feel a bit bad for having snoozed on doing a serialised story like many of you, but I do sort of enjoy the whiplash feeling of never knowing what I'll come up with next ;-)

I'm collecting these ficlets on AO3 here, btw.

Tags under the cut as always, please let me know if you want to be tagged or untagged.

@calaisreno @jrow @totallysilvergirl @jolieblack @meetinginsamarra @peanitbear @lisbeth-kk @helloliriels @friday411 @givemesherbet-blog-blog @keirgreeneyes @salmonsown

[4dkellysworld]

Hii hope you're doing well, if you're okay with it, I'd like to ask for some advice?

So, I've been trying to manifest something for a long time. But.. I haven't seen it. At all. It's been a really long time, like months. Normally I just brush it off and remind myself it means nothing, and imagination determines my reality, but after awhile.. it gets demotivating yk. It's been a long while, my self concept is pretty good, but I think it's slowly eroding because I haven't seen my manifestations yet. Thoughts?

Well, I have no idea what you've actually been thinking/doing/being to 'manifest' so you haven't given me much to work with. Also I am not a manifesting blog lol though I am changing my views on this, after all we are all creators of our own realities; we can either create consciously or unconsciously and self-mastery is all about taking responsibility for all our creations after all (this isn't an invite for more manifesting questions though, there's so many resources on this already lol). You might want to look into @aphroditeapprenticee-archive. A quick look at the asks shows me this one might be helpful to you, the others might be too. This reddit post might be helpful too.

Some other possible reasons:

You never accepted it as a reality/certainty and see it only as a fantasy or daydream

You told yourself you've accepted it as reality when you haven't actually. You can't lie to yourself

You're too fixated on checking if it's there or not, which just reaffirms the reality where you need to check [therefore it is not] >> you lack faith in what you have decided on

[An extension of above point] You keep changing your mind on whether you have it or not. Or you are also entertaining and identifying with thoughts that are opposite (Put another way, in LOA terms, "The old self has to die so the new self can live. Bury the old and live only as the new". Keep choosing the same thing)

You have resistance in the form of one or more: attachments, attachments to outcomes or expectations, fears, desires (you can't desire what you already have) etc which prevents you from accepting your "desired reality" as truth

The following excerpts may be helpful.

I've linked a video below which might be helpful to you, it's not geared on methods and talks more on the importance of faith and being conscious of what thoughts/beliefs you entertain. Very spiritually-geared as opposed to being outcome-focused (their titles are rather clickbaity but the content is alright actually).

Navigating this landscape of thought requires a conscious effort to cultivate a garden of positive life affirming beliefs. Imagine your mind as fertile soil and each thought a seed. What kind of garden are you tending, are the seeds of doubt, fear and negativity finding too much purchase or are you diligently planting and nurturing seeds of hope, love and abundance? The mastery of thought is not an overnight achievement but a lifelong journey of choosing moment by moment which seeds to water and which to weed out. This deliberate act of selection empowers individuals to shape their destinies guided by the unwavering belief in the secret power woven into the fabric of their being.

[shopcat]

HI. this is the steve harrington autism post. source: i have the steve harrington style autism that makes me autistic about him

to preface this i would like to say i am working off of personal like interpretation and thru the lens of my own experience :0... also this is long lol <3 so, tl;dr, here are the autistic traits or things that are caused by autism i believe steve showcases, (except.. do read if you like <3):

sensory issues -> wearing only ever the same style of clothes, adjusting/touching his hair, (potentially) eating certain foods

stimming -> walking in place to think, fiddling with small objects, spinning/flipping/throwing objects to keep himself focussed or entertained, listening to music

scripting -> repeating phrases/words aloud and practicing what he's going to say, repeating the "plan" aloud

routine -> strict hair routine with specific steps, was in routine sports with strict rules/timing and enjoys them otherwise, driving robin to school every day without even knowing she couldn't bc it was routine, working jobs that require mindless but engaging tasks including organisation

poor grasp of social cues, especially with girls, and saying the "wrong" thing at the wrong time (including the 6 little nuggets speech, "he ate dustin's cat", confessing to robin, etc)

other people feeling like they have to tell him things he's "missed" socially (dustin telling him he likes robin, eddie telling him he likes nancy)

likes to set/follow rules and is upset when people deviate from them (i.e. max wanting to leave in s4)

out of-the-box/atypical/lateral thinking

delayed processing of thoughts/concepts/complicated subjects especially in high-intensity scenarios

picking up on small details (like background sounds in large areas or recognising something) that other people don't pick up on

fixating on certain things (hair, clothes/shoes, sports, etc)

high pain tolerance/sensory dysregulation (shaking off concussions/consistent, continued ability to function while severely injured)

inability to conceptualise his OWN mortality/safety and engaging in at risk situations with little thought other than instinct + making impulsive choices

developmental differences/delays (literally crawling backwards)

poor grades in school/not getting into college

trouble regulating emotion

poor self esteem due to feeling worthless :(

i also have adhd so i also keep this in mind a little and obv at the end of the day this is just my own interpretation + autism is a spectrum :) NOW. i will go into detail >:)

SOOO i'm not sure if steve was deliberately coded as autistic but i DO think they intentionally in one way or another coded him with a developmental disability of some kind!! which i will talk about first!!

this is shown particularly in season 2 in a couple different instances and continues into season 3 at undercurrent ..

we've discussed this a little before but i also think this is why when people like to just describe him as genuinely "dumb" it like hurts people's feelings 😭 my feelings... and that's not intentional ofc but while it is a personal insecurity of the character himself that is being ironically picked at, positively or not, by those who love him in fandom, it's also evident of something happening under the surface that people may be unaware of imo

i think he display a out of-the-box, atypical or lateral way of thinking combined with delayed processing in a way that is very typical to neurodivergent behaviour!! and more...

in season 2 we get a really nice little look into his psychology about it when nancy is reading his college admission essay (that he presumably asked her to do) and he's sitting there SO nervous and full of doubt and worked up about it he's like. basically twitching 😭

he says "it's crap i know" and nancy's like no it's not! and he's like "ugh it's not good..." sooo stressed out.. and nancy says it just needs some reorganising, which is INTERESTING!!! someone who is insecure in his own skills and inability to get his thoughts across in a succinct way + has good, complex ideas that translate poorly when he tries to explain it out loud or in text + a host of insecurities pre-rooted and explicitly about his own intellectual "failings" all = a very neurodivergent read of Steve Vs School i think

also, maybe a tangent, but: in that essay itself nancy says he starts by using one of his basketball games as a metaphor for his life, then he confuses the metaphor by comparing it to the war his grandfather was in. nancy says she doesn't see how they're connected and he's like "um. it connects because we both won" (i actually think she's being very sweet in this scene!! idg when ppl say she's mean here)

ik this wasn't the show's intention and just extrapolation but i find it really cool + interesting that there IS a war of some kind that steve could talk about that HE fought in, there is a description of high stakes combat where it's him VS them and he is the only one who now has to make this high stakes, risky choice, instead of playing it safe like he always does that relates directly to his life as a metaphor and he DOES feel connected to his grandfather in this sense...

but he can't actually talk about that. so it's basketball. and it's a slightly clunky metaphor that makes it seem like, trite, like oh silly steve, basketball isn't WAR. the essay itself is actually really well-written and evocative!! but to me signifies this inability to directly translate what he's thinking, hence it needs a little "rearranging", or maybe it's a little "all over the place" even

(also, that he crumpled up the entire essay and dismissed it entirely and fell back on nihilistic thinking and "i'll just work for my dad i guess". he already had cast disbelief upon his own ability to thrive because he feels he's not good enough :( )

his failing grades, which ended in not getting into college, tech or otherwise, is a big part of his post-highschool arc i think. to me it also shows sympathy to a problem many young neurodivergent (in every which way, btw) people face, including myself, and is potentially a really almost kind portrayal of the capability of a person not being wrapped up in their intellectual or i guess SCHOLASTIC endeavours and "achievements", and that you can be successful and "useful" to others in different ways :0

to call him dumb and really mean it (both in and out of show -_-) after all this is a certain kind of disservice i guess? like okay i think a little jokey joke is fine and also absolutely RELATING is fine (and another extension of another one of my points which is basically just "he's just like me fr" can actually = "he's JUST like me... like For Real". he's dumb in the way i'm dumb and we're both not actually dumb) but let's all be cool okayyyy

beyond school, i think he displays SOO many behaviours both characteristically and even like in his physicality that build to this beautiful conclusion... i think steve is this guy who was served up to be an initially one dimensional being who proved himself again and again to have a multitude of complexities beneath the surface :). i think his literal entire character arc is adjacent to the autistic experience LOL... perhaps...

he showcases a certain need and comfort in routine in a variety of ways, like:

being interested in sports both watching recreationally (which have timed matches and he HAS to be there on time, too) and as the hobby itself. sports are a high-routine activity with strict rules and rituals, before, after and during, as well as the extra work you have to put in otherwise!!

ESPECIALLY something like swimming, which is all about certain timing (and an individual-based sport as opposed to the team-based basketball) which he took for years!! (and actually got his cpr verification for, which you absolutely don't need to just like. be on the swim team. but it would be the "right" way to do it LOL) (also idk how it worked in 1980s fictional indiana but you need your verification a year in advance to actually do anything with it where i live!! which means he did it FROM freshman year)

driving robin to school every day, and then presumably picking her up for work sometimes too, despite not even knowing she COULDN'T drive herself because he was so dedicated to this routine (and friendship :D <3)

his hair routine!! it's SO specific (four puffs EXACTLY!!! no more no less... and when it's DAMP not WET) and i am honestly of the mind it's actually far more complex of a routine he even makes it out to be .. and i am willing to bet the multi step experience of it all is sooo long and has to be just as specific too. also extra points for it being something he does that aids in his own self-image and would make him feel like he's putting himself together.? so to speak

i think, in a way, that he owns about 9 pairs of shoes and most of them are white sports shoes with a colour accent + he's been shown to wear the colour accent that matches his outfit more often than not. which i spose is a certain kind of. ritual or routine or something.

he also shows a whole host of sensory issues/complexities/...things!!

he wears the same style of clothes like CONSTANTLY. almost everything he owns is either a soft sweater or a polo shirt, plus the same style of jacket he cycles through, all of which are well-worn (despite him being like, rich) :) the exception is that colourblock denim vest (which i think is the exception for him too because he just wanted to look like marty mcfly. which is so autistic)

i.e. wearing something that you know is comfortable over and over that doesn't give you a poor sensory experience, and continuing to buy the same style of clothing because you know it's safe to do so because he FEELS comfortable. super autistic trait. beloved prep trait as well i also just think he doesn't actually care what he wears but whatever

he also sometimes favours tight clothes and sometimes looser/baggier ones (think one day the s4 blue/white polo and jeans, the next a sweater and loose chinos) which indicates to me possible different sensory needs in the day by day...

he also wears a lot of undershirts, including with the scoops ahoy uniform (which could've been to avoid a POOR sensory experience)

he adjusts/runs his fingers through his hair and makes sure it's in a nice state at an almost compulsive level but it's also like an afterthought kind of. it could also just be a sensory thing to want to retouch his hair and play with it and follow through with the prior routine of it Looking Good + a grounding technique for sure

along with that he stims a LOT, including the thing where he has to twirl or throw ANYTHING in his hands up to and including -> a lighter, the baseball bat MIDFIGHT, a torch, a phone MIDFIGHT, his ice cream scooper, keys, his sailor hat, a banana, a random ball he found... he's also very fiddly and tends to sort of be happy sitting quietly and doing something over and over like that (this is also a trait with adhd :) )

the jobs he worked are relatively low intensity despite customer interaction and had him working with his hands plus at FV there's a lot of sorting/organisation. also "not my TAPES man" because he already sorted them and now it's ruined 😭

you tend to see him taking a little moment for himself in the background of scenes a lot, sometimes with robin as well!! he kind of just wanders off and does his own thing but in the wake of the high emotion, high adrenaline various combats in-show it makes sense, even more so if he just needs a little moment to himself to unwind

he walks/paces to think!!!

the reason he and robin only even threw up in season 3 is a) the stimulating lights he noticed that then b) over-stimulated them

this one's a little less obvious but he listens to the same kind of music and listens to it LOUDLY when he's stressed 😭 he also doesn't turn it off even if he like, technically should like on the way to fight monsters. i think he just likes music a lot tbh but also very autistic to me (and also a reason why he and eddie would be friends and/or kiss on the mouth)

one of the biggest things that sounds off to me is his social interactions :0 he is hailed as this like, ladies man but almost near constantly plummets to the earth in insane social blunder which personally i love actually (and it extends beyond these situations too!!). all the hottest boys are autistic...

i know that this is to show him just like, losing his charm...? and that he peaked in highschool or something and i do love his patheticness but it's also sooo autism. one of the reasons i actually think he's gay (lol) is his compulsive need to try and "land" a social interaction with a woman, then fail, while also not "feeling the spark" with the women he DID land and failing to see why (like his date at the basketball game). he's constantly seeking companionship but it feels like it's just out of his reach and he doesn't get it... sigh... and that it's definitely in part bc he feel he can't relate to them because HE'S so different i think. for whatever reason. multiple.

in season 3 the ENTIRE you rule/you suck board is like a beautiful shrine to this... he's honestly so funny . but like constantly awkwardly flirting and somehow saying the wrong thing every time whilst also not getting that they're Not responding to him until they like, leave, which is like. a statistical unlikelihood to me of times this can happen without something else going on in his little brain. i also like that he "invented" a makeout point bc that opens up the ability to just go um. let's go to skull rock. and the person would be like oh okay yes i am going to makeout with steve harrington.

beyond just girls or failed flirting or whatever a lot of his interactions with the kids or his other friends ping to me as having trouble with social cues and some accidental bluntness!! a FAVOURITE being -> "dart ate a cat?" "no. what? no." "what are you talking about? he ate mews" "who's mews?" "it's dustin's cat" "STEVE..." 😭😭 i love him. also him suggesting he could work his charm on the dean of the school and nancy being like... not that kind of charm.

oh another good moment for this is in the epilogue to season 3 actually like he's trying so hard to show he's seen Some movies (but only remembers the significant/stand out details) and then when robin's like can you give us a moment he's just like. Why. and does this funny little head shake movement. and robin does the steve -_- and he backs away kubrick staring... beautiful scene

he also falls victim i think to saying the wrong thing at the wrong time which is a lot of the time not necessarily his like FAULT ofc but suggests further little issues or . unalignmentd with social interaction. the entire 6 little nuggets speech to nancy to me is one of these situations (and maybe the convo in the woods with her?? idk) where he's kind of just talking and digging a hole and the other person is sort of just sitting there. it's also shown with like "like the germans?"

ALSO, a lot of the time people end up coming to him specifically and sort of like... telling him what to do/how HE feels?? and i think he just sort of goes along with it. in season 3 dustin tells him he has a crush on robin until he kind of talks himself into it and then he accidentally crash-fails for a second time by confessing to her at a sort of insane time as well (not that i think he actually had any feelings for her!!). and in season 4 eddie does the SAME with nancy which is almost spectacular.

alsoo while i think he struggles with certain social cues i also think he's very emotionally intelligent and he picks up on people's feelings easily which i guess someone could say it seems to counter? other autistic traits (silly) but to me i think. autistic people are aware of PLENTY of social cues sometimes the cue is just stupid -_- and i can read other people's emotions for sure in fact i'm almost like hyper attuned to it i just don't know how to RESPOND to it a lot of the time. whereas steve picks up on dustin's nerves at the snow ball and reassures him accordingly (and so cutely..), then picks up on robin's emotions after his confession and near-immediately course corrects after her confession in order to make her laugh!!! he was also really good with picking up on nancy's feelings and knowing exactly what to do about it/using forethought about it (like idk holding her hand when they were having sex or something to ease her nerves but also noticing she was upset at the library) when they were together at least 🤔

there are also a number of other various things very dear to me that i have no where else to include. LIKE:

his high pain tolerance!!! he's able to shake off torture, multiple concussions, various beatings with little to almost NO actual repercussions. in s4 it was actually really interesting how he was feeling bad enough to almost faint after the bats but once he was patched up he was "fine", and acted like he was fine for... the rest of the entire show. he did a backflip. high pain tolerance is an offshoot of a sensory dysregulation!!

specifically a lack of filter and moments where he goes "too far" especially when he's struggling with an emotional dysregulation of sorts, like with dustin in s4 or even with jonathan s1, but also like. the dumb faces he was making behind his date's back.

"when i was a baby, i crawled backwards"!!! autistic children can have different development i.e. their early CHILDHOOD development that can present itself in a variety of ways!! atypical to the norm crawling/walking is one of them (also matches up with robin taking 6 months longer to walk than other babies which she Also said to nancy and i think this is significant of something and i don't know what. maybe it's just funny. also stobin soulmates ofc).

to me, being the guy who mid plan debrief is the one saying "so let me get this straight" AND that he's the one asking the necessary questions to get everyone's minds (and in the 4th wall sense the literal plot) moving suggests that he both feels the need to want clarification of like, plans/instructions and what the situation is so everyone is caught up and he didn't get it wrong, and that just speaking it aloud helps cement it in his mind (which is also scripting as well i believe). also his ability to ask the RIGHT "wrong" questions suggests out of-the-box thinking as well (i would say both of these are also an adhd trait!)

his friendship with robin is honestly a point for me LOL. robin is an example of a character i do believe IS intentionally absolutely autistic coded, especially in season 4 but also 3, and his bond with her seems to be a personal one based in trust in each other and their own similarities... in season 4 when they're lamenting their love lives and say they should "just combine" is so important to me.. ugh

he's very particular and possessive about his belongings in an almost pedantic way (c'mon man not my SCOOPER! and wipe your feet before you get in my CAR and honestly even that he refuses to let max drive it fullstop, a little bit)

he also ate. SO many bananas at scoops i think for a time being it ended up being a safe food which literally happened to me as well. a very small thing but i like it

he scripts!! ie he repeats words and phrases aloud as a form of stimulation and getting himself to think or practices what he's going to say before things so he's "scripting" it (his "i'm sorry wtf am i sorry for" speech before he runs into dustin in s2)

he gets along better people who, by majority, aren't in his peer group i.e. the kids!!! and even robin and nancy were a little younger! he is very genuinely friends with the kids and it is Very Genuinely so sweet, but particularly with dustin too i found it sooo... <3

he also shows like these moments of high-intensity like silly child-like qualities of (autistic) joy LIKE when he sees dustin in scoops and they have their little lightsaber fight (which they. had practiced and made beforehand) that is just so sweet to me...

he picks up on things that other people don't!!! as the Normal Guy in a group of people he typically ends up settling in that role BUT he's multiple times picked up on small details that other people don't or DIDN'T notice, which is a neurodivergent trait!! he recognised the song in the russian recording, recalled where it came from like. right after + was the only one who heard dustin in the upside down + other things like noticing when someone's missing from a room

i also think he may be prone to like. i guess sensory overload/emotional dysregulation when he reacts what i think is appropriately to these HUGE scary scenarios but everyone else is like chill out and therefore it's inappropriate to them that he's losing his mind about it. but as time passes and he gets used to it all it lessens for sure (most evident in season 1) but there are moments where he struggles to reign in his truest reactions to things i think LOL. he is also just very dramatic tbf ☝️

his other vague neuroticisms but specifically commenting when things aren't Correct or Right or Safe including complaining about the sterility of the needle he was being injected with mid TORTURE

when he defaults to sports metaphors bc that's the easiest thing he can relate to in s2. god

100% of autistic people i talk to about this all go OH YEAH he's so autistic. tbh i think autistic people relating to a character can be enough of a diagnosis to me. peer diagnosis...

i just think so :)

in conclusion...

[antimony-medusa]

Think: Does This Relationship Need To Be Family Dynamic??

Okay so people more articulate than me have made posts about how imediately family-coding and aging down characters and saying "this is the child and this is the DAD" is infantilization, and it's really fucking blatant when you do it to women, and it's really fucking glaring when you do it to disabled women. MCYT has the idea that family dynamic The Superior Dynamic and couldn't possibly be objectionable, but like, it is often straight up disrespectful. We are talking about adults. They are adults. Stop assigning them baby.

I have bitten the bullet and gone GUYS I AM BEGGING YOU and mentioned that Daddy Kink is a thing that is popular out in the world and that immediately fixating on one character as a Daddy and one as a Little is actually the opposite of trying to come up with a non-shipping option. Like I am not judging here if that's what floats yoru boat, but at some point you are putting kink posts in the main tag, even if it's not overtly sexual, and some of these posts I am only calling deniably non-sexual because you HAVE to know what you're doing.

But even aside from all of these things, someone brought something up in GC today that I think is worth mentioning. QSMP is an international server drawing from a lot of different cultures, and a focus on a nuclear family dynamic, with everyone being father-son or brother-sister to each other, is a really Western concept of what relationships are important. Kinship ties beyond the nuclear family are an important thing in a lot of cultures, and extended family is a thing (cousins, anyone?), and community ties are a thing (it takes a village?), and people choosing to be part of a sect or group is a thing (they have the ordem right there!), and esprit de corps is a thing (you try and tell me codebreakers don't have a warriors bond) and insisting that everyone is in a strict nuclear family is just an incredibly 1950s america way to view things. It's a narrowing of the possibilities in the relationships. I think we can do better than enforcing our cultural views on what relationshps are at the top of the hiarchy just like, across the board.

So like, okay, maybe you don't want to ship characters. That's awesome. That's fine. Shipping is not mandatory. Instead of always saying "they're brother-sister" because you want to celebrate their relationship, maybe consider sometimes letting them just be epic friends, or close connections where you're the Tia of his children but there's no blood there, or a qpr knot where you have important bonds with people but no formal romantic ties, or take one of the relationship types mentioned above.

Like, I have my woes with family dynamic especially because of the first two points and because I find it tends to strip characters down to archetypes which I'm not into, but also I'm very aware that it can be done in such a way that it respects everyone involved and is great. I am not arguing that family dynamic is inherently problematic. But there are some significant pitfalls with using it, and I'm really asking you to consider the implications of what you're messaging before you start sticking people in a family format.

[thealogie]

Goddd I’ve been saying this for a while but the way Good Omens is with queerness makes no sense to me…do Crowley and Aziraphales relationship really represent anything queer when there’s such a heavy insistence that the angels and demons have no concept of any of that? All the praise people give it for rep but imo it’s so empty of any real conversation or exploration of gender and sexuality…? Idk, I’ve never seen anyone mention it, do you have any thoughts

I am not sitting here saying good omens is THE groundbreaking gay media of all time or anything but I disagree that it doesn’t represent anything queer. I’m here for a fun time with two characters/actors that have incredible chemistry, BUT at the same time I wouldn’t be fixated on this piece of media if it had nothing to say about queerness and I don’t think gay people would have been obsessed with this relationship since the 90s if that were the case (regardless of the authors’ intent)

As much as I love dunking on Neil’s opinions I don’t think we should fall into the trap of relying on his words to see if the text has anything to say about queerness.

No matter what he says: this is literally a story where two guys (who read as two guys in the cultural context we observe them in) really love each other but can’t be together because it’s taboo. They meet in secret and literally talk about how they can be punished for even being seen together. Their ultimate happy ending in season 1 is that they are finally free to be together. Also that “I forgive you.” Like if you read this story on anything but surface level it’s about institutional and internalized homophobia.

I don’t think a text needs to spell all of this out for it to be explicit. My very well intentioned straight parents watched season 1 and didn’t read it as a gay love story but once you add season 2 they got how it was about forbidden gay romance. Regardless of what Neil and a group of incredibly online people say it’s pretty clear to average audience members and imo apparent from the performances

[rahuratna]

🛑 The free pass for Rants and Musings has reached you 🛑

If there is anything you’d like to rant or talk about, but no one’s ever asked you about it, consider this the ask you need to yap about it as much as you want! Have fun ✨

Hmm, musings. I want to expand a little on why Nanami's character speaks to me on such a personal level.

It all comes down to this idea: You are not your job.

This is a concept I've struggled with for a long time. I've always wondered why it was so damnably difficult for me to maintain a work-life balance. I am not the kind of person who can detach from work when I come home. I will think of my day, of the things I could have done better. I will fixate on small issues and blow them out of proportion in my mind, issues that nobody else has even taken that seriously.

A lot of this has to do with the need for perfection. The need for acknowledgement. The need to know that what I've done is both academically and morally right.

And this is why I feel such tenderness for characters like Nanami, and they way they're portrayed in media. I want to write the undercurrents of their lives, the little comforts they have, the stimulus that brings out their true passion, the traits that make them so human to us as readers/viewers.

Nanami severely undervalued himself, especially in a personal capacity. He states that due to the nature of his work as a salaryman, nobody will miss him if he disappears. This single statement made him a very compelling character for me.

How many of us feel this way? How many of us actually define ourselves by what we can do for others? By our relationships? By our jobs?

The fact that Nanami was never able to manifest a domain expansion speaks volumes to me. The expansion of the innate domain seems to be an ultimate expression of self identity; the stronger the sorcerer's sense of self-awareness and acceptance, the more 'refined' the domain. Mahito's manifestation of a domain expansion for the first time is evidence enough of this.

Nanami does not, through various things he's mentioned and done, have this strong sense of self, or self preservation for that matter. He measures the value of his life in terms of how much he can help others. He defines himself within the confines of his work as a salaryman, then as a sorcerer.

I like writing him as a character because I've learned, through hard experience, why it is so important to value yourself as a human being, above all else. How the thing you may perceive to be selfish is actually a healthy relationship with your own identity.

If all works of fiction can be interconnected through the people who enjoy and appreciate them, then I'd like to write little fictional accounts that breathe some extra dimensionality into these characters we know and love. I'd like to send a little whisper into the void, in my own way, letting anyone who feels the same know that it's fine to be kind to yourself. It's fine to be soft with yourself.

You are not your job. You are not defined by your value to others. You are a thinking, feeling human being and your existence does not need to be justified or measured by some arbitrary scale invented by someone else. To live is to be free. 

[cloudycleric]

ok i will make a post abt this bc i need to get it out there so i can stop mulling this over in my brainhole.

i am not gonna lie, the situation with noah schnapp recently has made me extremely depressed, & i just don't get that same umph from stranger things content right now, especially when i'm alone. sometimes it seems as though i am interacting with it solely because it is my special interest-- BUT, that being said, & by typing that out, i realize how important & special stranger things is to me. so this is by no means a "i'm leaving the fandom" post or anything. just food for thought regarding stranger things/byler & autism & whatever else i write about.

i sometimes wish i could go back in time to before i knew what special interests/hyper fixations were. ever since i learned about that as a concept & tried to apply that understanding of it to my life i've been in a constant state of anxiety regarding my special interests. it's always, "oh, but when will x stop making me happy?" or "oh god do i not enjoy x anymore" or "is this the end of x & me?" stuff like that. usually it just goes away in a couple of weeks but this whole noah thing has made it wayyy worse, & the way the fandom decided to handle the situation only fueled the fire. so, i am just saying, sometimes the idea or concept of a special interest can really freak me out as an autistic person just because of "the end" of it. & that's my two cents or whatever.

SO--to my autistic friends, do you relate? do you have this anxiety?? how do you deal with it?

& to my stranger things friends--things have been weird. i don't think that's a surprise to anyone or something that nobody has been talking about. but it's just weird & i wish it could go back to the way it was. & not that the stranger things space has been forever changed, it just fucking sucks having to deal with it now. but nowhere to do but up right? idk. let me know

[picaroroboto]

I've been wanting for a little while to talk about Pandaemonium, and about Hermes, and what I think these two topics have to do with each other, so here goes. The whole time I was playing the story in Pandae, I kept thinking that I wish I could tell Hermes about all this. For one, because Hermes expresses that he feels he's the only one emotionally suffering, yet here is Erichthonios also clearly going through some shit, so maybe they could find some sort of solidarity together.

For two, because I feel Pandae proves Hermes right in his criticisms of the Ancient world. It's essentially every single flaw of their world in microcosm! Let me try to explain:

To start, let's review Hermes and his problems:

This is from the conversation with him after you show him the Elpis flower changing color for you. He expresses the sympathy he feels for creations, and how being forced to put them down for the sake of the star puts him in this ethical crisis. The entire Ancient world is built around this idea of "for the sake of the star" at the expense of all else, including the lives of their creations and their own individual emotions. Because of this, Hermes feels all the more isolated, as if he's the only one who ever feels bad or questions the foundation of their society.

There is something very, very twisted about the fact that Pandaemonium lies geographically below Elpis, the Hell to its symbolic Eden or Heaven. At the very moment Hermes is crying over having to put down dangerous creations, even more dangerous creations are being kept alive in a hellish gothic prison replete with chains and cages.

As I traveled through Pandaemonium, I also kept thinking "Why is it a prison?" Why does such a place even need to exist? As we find out in Anabaseios, the concept of it being a place to research dangerous creations is a cover story, it's more or less Athena's personal laboratory for her to pursue her goal of godhood. I've seen people praise Athena for being a more shallow and simple villain than Emet-Selch for example, but she's not just a megalomaniac:

"I am no different from our peers" is soooo telling. Her obsession with remaking mankind in her image isn't just a selfish madness, it's the ideals of the Ancients, their obsession with making perfect creations for the sake of the star, taken to it's furthest and most insane conclusion! (also note the irony in her belief that a goddess would remake the species better, when Hydaelyn, the only true goddess in the setting, chose to preserve them as they are. Arguably even making them worse by Sundering).

So Athena takes her duty to the star way too far, Lahabrea sees that she's become a danger to the star for it, and kills her, then cuts off the Hephiastos side of himself - another example of how ruthless the Ancients can be and how they justify anything for the sake of the star. Because the Ancients also place a low importance on emotion, he never talks to Erichthonios about Athena. Feeling neglected by his father and curious about his mother, Erich is lead deeper into Pandaemonium and made even more vulnerable to Athena's manipulations. So even if it was one woman's madness that spawned the action in Pandae, the other flaws of Ancient society serve to perpetuate and exacerbate it.

It's also worse mentioning that for Pandae being a prison for dangerous creations, you actually fight more transformed Ancients and corrupted Warders than you do actual animals. As my brother put it in his own meta, Pandae isn't a case of "inmates running the asylum" as much as it is the power that the Warders wield over their creations corrupting them. Athena is indirectly behind the Warder's transformations, but she also took advantage of vulnerabilities that were already there, like Hesperos's fixation on Lahabrea.

And the same obsession with perfect creations for the sake of the star, the abuse of the power over life and death, continues to characterize the Ancients after the Sundering, with the way Emet and the Ascians ruthlessly Rejoin Shards in order to bring back their "perfect" world. But what Elpis and Pandaemonium prove is that the idea of the Ancient world as a paradise is little more than Emet's grief and nostalgia talking. Hermes may have triggered the Final Days, but I feel the blame for destroying "paradise" doesn't lie entirely on him - his crisis was layered on top of myriad flaws with the world he lived in, flaws he felt he didn't have the freedom to talk about because everyone else believed the world was perfect.

Any world where people can't question the foundation of their society is very far from perfect. A world where people ruthlessly wield power over others, both creations and other people, in favor of a grand goal is no paradise. A world in which prisons exist is no paradise.

If my tone started to sound a bit vengeful there, it's because I sympathize deeply with Hermes, and can't help but feel a bit vindicated on his behalf when I think that Pandaemonium proves him right and Emet-selch wrong. But even after I've spent all this time tearing into the Ancient world, I feel like I have to remind both myself and any readers that the point of the conflict between the Ancient and Sundered world in FF14 isn't to objectively compare them and decide which is better and which is worse. Such pragmatism would be in-character for an Ancient, but we don't have to subscribe to their views. Think about it - even if the Ancient world was proven to be a true paradise, we'd still choose our broken world over it, because returning would cost too many lives, and because we love our world not because it is perfect but because it is ours.

The choice is just made a little easier by all this proof that their world was never as perfect as they said it was.