#I always forget where I know his actor from and then I see his adult face and go OHHH the boys right..
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bread-blogs · 2 months ago
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The part in X2 where everyone is fleeing the mansion and Logan tries to stay behind to give them a better chance of escape but Bobby and Rogue won’t leave him. He’s their family now and they won’t leave him.
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bunnybunbun0 · 1 year ago
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Can you please write a Michael smut where he takes readers virginity with a lot of praise or mutual masterbation please plz
TO DE-STRESS A FRIEND
Anon,that ask rocked my shit! and lucky you i love writing about virginity loss! hope you like it! <3
Summary: Living the life of a young adult was stressing you out,you needed your best friend Mike to help you relax
Warnings: Smut , minors DNI,unprotected sex,fingering,virginity loss,mutual masturbation,afab!reader,let me know if i forget any.
You are responsible for your media comsumption.
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You swear that one of these days you will make it to the front page of the news,the headboard will say "local college girl goes insane".
The stress were just over the board for you,the pressure at college,maintaining a minimun wage job to pay rent of the cubicle appartment you called a home. You needed to relax. So you just did the best thing you thought off.
"Hey,i picked up pizza!" Mike greeted at the door with a smile as you let him in.
Mike has always been your best friend,he was the only one that would be kind to you when you had to change schools for junior year,and youve been inseparable since,it was weird to see one without the other,and all you needed to calm yourself down were your best friend.
"Thank god you´re here! i think i´m gonna explode!."
You sank yourself on your old couch on the small living room sighing deeply,hearing Mike´s chuckle from the kitchen as he fetched you both plates for the cheesy delight.
"Relax,two more years and youll have your degree." He smiled at you with those sweet brown puppy eyes that could easily melt your heart.
You´ve been into Mike since the first homecoming you two attended together,its been you two in all events since,graduations,proms,homecomings,halloween parties,always matching outfits and always glued to one another.
As just friends of course! It´d be way too awkward to ruin the best friendship you ever had,but the caring way mike always made those nights special for you,even tho he thinks they´re lame,he always proteced you from creepy guys and mean girls at school,he listened to you ramble about your interests,he made you feel confortable and safe,and happy...
...but just as friends of course!
"Ugh,all that suffering for a lousy piece of paper!" You reflect while getting your plate of pizza (your favourite flavour of course,mike always remembered which one it is) "Just pop in the movie already!"
You took a bite of your dinner and watched as mike popped the cd on,then sitting by your side while the movie started.It wasnt a very interesting one but it was good enough to keep you both entertained. Your leg lazily hung on top of michaels and the mood was peaceful,until it wasnt.
You knew this movie were r-rated,but you didnt expect to see that,that one hot actor that been distracting you the whole movie is the one getting it on in the scene,you squirm a little,wishing you could excuse yourself to your room and let your toy do the job of settling the throb between your legs.
Mike´s eyes on you were´nt helping said throb either,you knew he could tell what happened and weirdly enough the shame of it was thrilling you more.
"You okay?" He asked suspiciouly
"Huh? Uhm,sure...." Making eye contact with him while the moans kept going on the background proved to be a hard task.
"Really? You seem...agitated" To say that was an understatement,your thoughts of mike were running wild,to the point where you could feel your underwear cling to your soaked heat.
"I´m...uhm...i am...." Mike´s sincere concern about your well being and how sweet he was about it were thriling you on even more,to the point where you couldnt muster up any words.
"I get it,you´re into that short guy on the screen" He said jealously "The scene clearly messed you,its okay if you need to...yknow...reliev yourself"
You were mortified by his words,but something about the thrill of being watched by michael´s sweet puppy eyes were making your fire burn higher.
Without taking your eyes from his and unsure of how he´d react,you slowly slid your hand into the hem of your pyjama bottoms,his lustful eyes following every movement of yours carefully,his breathing getting heavier by the moment.
"Fuck..." He whispered when you let out a low whimper as your cold finger finally found your needy clit.
You kept on staring at each othe while you pleasured yourself and after a few minutes the tent on his pants were hard to miss,and the way his hands tended to it were even harder to miss.
The movie behind you were long forgotten,the gasps and whimpers of you both were drowning the small space,eyes glued on one another and hands unable to stop pleasuring yourselfs.
"God,i cant wait any longer!" Mike pulled you suddenly on his lap kissing you deeply and passionately,swallowing your whimpers as you grinded on his lap,frenetic hands locked on the hem of his shirt pulling it over his head.
Your eyes lock on his shirtless figure and his hands caressed your waist below your shirt,goosebumps coming from your back. His hot lips went down with open mouthed kisses on your neck,a satisfied grin on his face as he took off your pyjama shirt and met your braless torso.
"Youre gonna be the death of me..." He huffed out in a breath.
You could´nt even think about responding before you felt his hot tongue on your nipple,he sucked on your breasts like his life depended on it,erupting multiples whines from you,the fire getting higher and higher between the both of you.
You snapped back to reality once you felt his hand grip your thigh strongly,inching closer and closer to where you were soaked for him.
"Mike wait!" You breathed out and he immediately stopped his ministrations,staring at you wide eyed.
"I´m so sorry,the sounds you were making,i thought you were liking it" his voice leaked of honesty.
"I´ts not that mikey,it feels great im just...i...never did this..."
"Oh,youre..."
"A virgin,yes,pathetic i know" The weight of being a twenty two year old vigin sank on you after that.
"Hey hey its fine!" He cupped your face gently and looked into your eyes,so tenderly you nearly forgot you were both half naked. "It´s all right...you should have told me sooner...if you wanna move on with it,i wanna make it special for you,like you deserve" He strokes your cheecks lovingly and you dont even need to think twice.
You threw your hands around his neck and pulled him closer kissing him with all the need in your heart.
"Please michael...make me yours"
He got up with you on his lap bringing you into your bedroom laying you gently on your bed,slowly peeling you off your shorts,you were only in your underwear now,laying in bed in front of your best friend.
"You look beautiful."
He dives into another deep kiss sliding his hands closer to where you need him the most.
"May i?" He asks teasing your hips with the elastic of your panties,you nod giving him acces to your whole body.
He slides a first finger into you with ease,revelling at the sweet moan you let out.
"Fuck baby you´re so wet"
Baby. You liked being called that,specially when mike did it. His kisses were growing desperate and erratic,just as the pace of his now two figers inside you.
"Mike,please,stop" You mutter almost out of breath opening your eyes and seeing his worried expression "Wanna cum on your cock,please."
Michael´s painfully hard cock nearly busted hearing those words come out of you,how could he deny anything you asked for? He was always putty to your wishes.
his hands quickly fumbled with the fly of his pants,making you giggle at his eagerness to get undressed,when he finally did your laugh got stifled at the sight.
His big red angry cock sprung free hitting him back in his abdomen,there was no way in hell that could fit inside your tiny virgin hole,he could see the worry in your eyes clear as day.
"Relax,ill be gentle..."
He kissed you again removing your panties now leaving you bare for him,the sight itself of you naked and wet for him,with that adorable blush on your face was driving him nuts. He drew his body closer to yours until his tip was teasing your entrance.
"You ready baby?" He asked,you nodded,and his fat tip was inside you.
You both gasped in unission at the feeling,his hands holding yours giving it a slight grip,signaling he was gonna push more in. The moan you let out were other wordly,busting his usually low ego and egging him on pleasuring you.
"Fuck baby youre so tight" With a final push and a guttural groan he was fully inside you.
The disconfort and euphoria were fighting to see who would take place on your expressions. Mike gave you a few minutes until you got used to the feeling of his shaft deflowering you,the pain turned into needines at any growing second,until it was unberable for you to have him inside you and not moving.
"Mike please,i need you to move" Your wish was his command.
He thrusted in you slow and deep,every time he bottomed himself you let out a moan,and each time you moaned he moved faster,making you moan more. It was a vicious cycle and before you could even register he was fucking you senseless.
You were flirting with your orgasm,only needing that one final push to send you over the edge.
"Mike,fuck,i´m so close" you whined out,only needing his sweet final push.
"Come on baby,be good and cum for me,feel good for me."
You couldn´t hold it at his praise,moaning his name loudly followed by a string of profanities. He was hypnotized by the sight of your orgasm,seeing you trash and moan underneath him,his hips moving on his own as you ride your high.
"Oh,fuck baby,watch me cum so good for you"
He pulled it out jerking off quickly on top of you painting your pretty tits white his seed before collapsing tired on top of you.
"So..." He rolls to your side holding your hand and laying close to you "Did you liked it? Are you okay?" You chuckled at the shift in his personality.
"It was amazing..." Your voice was hoarse from all the moaning "My legs will definetely be sore by the morning and i have class tomorrow" You laugh a little
"You can afford to miss class one day,you need to de-stress" He kissed your temple as you both drifted into a peaceful post sex sleep.
I guess yiu were more relaxed after all...
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Gosh,i suck at endings and i´m writing this at four AM so i hope it doesnt suck!
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taraljc · 1 month ago
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I love that Smithers is trying to give Alex grief about his complete and total lack of surveillance skills because he spotted him in the queue at the café but doesn't really process the part where Alex knows where and when he gets coffee on the way to work which is pretty specific.
Also that he never reported his phone stolen and Kyra has just been walking around with it for like a year. It's like oh hey there's been a massive data breach---o never mind it's Alex's girlfriend she's mostly harmless.
Meanwhile John Crawley still feels deep deep shame that he did not recognise the entire reason Kyra hugged him was so she could lift the key card to the safe house. He just thought she needed a hug and he was the closest available vaguely paternal adult. Which Jack would have immediately recognised, living day in and day out with moody teenager.
also every time I rewatch the first series I'm always shocked at how sullen and surly Alex is because I think of him as this smiling sunshine boy and he really is full of a lot of anger at first. like he breaks an MI6 agent's nose. and everybody is like oh look at the cute kid! except for presumably that agent who is like seriously why did it have to be the face.
I really wish we had gotten more of Wolf and the rest of K squad because he was clearly fascinated by the fact that Ian had intentionally or unintentionally trained his foster son/nephew to withstand enhanced interrogation and yet Alex did not seem to have processed that his training was anything out of the ordinary. and neither did his friends and family.
Like, Tom thinks it's completely normal for Alex to scale the exterior of a building and break inside to get his mobile phone. Even Kyra is like well I've watched Alex shimmy up a drain pipes clearly I can do it too and she's just really lucky she didn't fall and shatter both her ankles in Malta.
I also continue to be confused by the back garden of their terrace house because it was very clearly an actual garden first series and then by the time we hit third series it's walled in and I'm guessing it's because it's a set but if it is a set, they reproduced the location identically which you almost never see. usually we are just meant to believe that characters are blind to staircases being in different places and rooms being significantly larger all of a sudden.
but I do really love the set design in as much as the set dressing changes dramatically between series 2 and Series 3 where you can really see Jack and Alex's influence in the pictures on the wall and the furniture. It goes from being a very abstract bachelor home to a real place where real people live very quickly where is previously the only thing that sort of spoke to this is a home and not just an address were all of the photos on the fridge. and I have a lot of headcanon about those photos, because I had a friend who worked for the Security Services and as a result she wasn't allowed her to have any photographs of herself online.
I imagine Ian being meticulous about this and coming home from a business trip to suddenly find the fridge covered in photographs and Jack being like 'it's so Alex remembers what you look like since you've been gone for 4 weeks, I thought it was really important that he not forget your face and think you were a home invader'.
Meanwhile Alex is 9 and cheeky as hell.
Also I need to get better screen grabs but I do love that the actors clearly brought a bunch of their own photographs to stick to the fridge.
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fun-k-board · 1 year ago
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Got a cool idea for you my friend.
The insomniac spider-men, both Peter and miles. And how they’d go when y/n offers to do a horror movie night with the likes of classics like Halloween or modern stuff like talk to me
The Insomniac Spider-Men with a horror movie night
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Note(s) : I did Headcanons for how the Spider-Men are with horror movies and then a scenario at the end where the reader does the horror movie night.
I don't know anything about Talk To Me so I chose M3GAN instead, and I haven't seen Halloween in years so I'm sorry if I got something wrong.
Peter Parker / Spider-Man
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I don't think Peter would really watch movies or shows all that often, he probably hasn't even finished any piece of media since before the spider bite. Even then, he was probably that kid who watched those really bad ones to make fun of with Harry and MJ.
I imagine his tolerance is most likely high, because of his real life experiences, he can handle fake blood, he can handle the fake injuries, most of them can't compare to what he's gone through.
But what he really can't handle? Psychological thrillers, and really good kid actors.
That scene in the shining where the two twins are standing there? He had to hold MJ's hand, Harry made fun of him for an entire month.
He tends to humanise fictional characters, especially the victims in horror movies. Maybe for some slashers he can understand their motives, but most of them hurt people who can't defend themselves and it makes him a little sick.
To see movies where this is used so effectively is honestly a little uncomfortable, he appreciates the mastery of how it's crafted and how realistic the pain is, but he can never watch it all the way through.
Peter's always been terrified of Carrie because he was also bullied, she, in a way, reflected on him. Of course, she also experienced abuse from her mother, unlike Peter, but the scene of everybody screaming in that hall will probably haunt him forever.
In a way, it keeps him grounded, it makes him remember Uncle Ben's words, it makes him remember to use his powers for good, and not for evil.
Miles Morales / Spider-Man
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Miles and Ganke most likely sit down and watch some shows or movies every once and a while, he's never been a huge horror fan, and he's never watched any that really stuck with him.
He's mostly impressed with the art direction most of the time, the way they shot that scene in Carrie where it goes all around the prom in one, long, continuous shot?
It's beautiful, it gets him so engrossed he forgets it's supposed to be a scary movie.
Miles can't handle any that tackle and treat the loss of a parent as a main plot point, he could maybe handle it as a side plot, but it reminds him so much of how his dad's death affected him, his hands clam up, he feels sweaty, he just can't handle it.
It never really makes him connect with the story, it just makes me remember it as the 'oh God don't watch that' movie
The ones that get him truly terrified are honestly any that involve children and the elderly as the villains, that's not to say he'll be completely fine if he watches an adult brutally murder people.
Both
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Peter and Miles haven't had a day off in months, they've been so focused on saving the city, helping their friends and family, they just don't have time for themselves.
Until today.
You had finally convinced the two, after hours of subtle and not so subtle convincing, they relented, under the promise that if any serious crimes were reported, they would get Ganke to check if the police have it handled or not, if they don't? They're abandoning the movie night.
Which you agreed with, because one night having fun is better than no time to yourself at all.
Peter and Miles sit down on the couch, while you make the popcorn and drinks, carrying the bowls of food and bottles of coke to the table, the microwave hums, drowned out by the two men chatting.
"Can you believe that Electro got out again." Miles sounds exasperated, and he looks it too, he and Electro had fought for what felt like hours, in reality it was only a few minutes, shocking each other until they couldn't fight any more.
"You get used to it, he'll probably stay a month in prison at most." Peter shrugs, leaning back on the couch and wincing slightly, an aching pain in his back started up again, but he was honestly too tired to ask for someone to crack it.
"This job is crazy." Miles laughs, shaking his head with an amused smile. "I can't believe it, each day, fighting bad guys, swinging for hours and hours, it's just... I love it." You cut the conversation short by bringing in the last bowl of popcorn.
"Whooo! Movie time!" You happily say, placing the bowl on the table with the other snacks and drinks, making sure it's perfectly placed before sitting on the couch. You grab the remote next to you and smile at Miles and Peter.
"What should we watch?" Before either can respond, you suddenly gasp, your eyes snapping back to the TV. "Oh! Actually, there's this new horror movie called M3GAN, I bought it a few weeks back and forgot to watch it." You ramble, turning the television on and searching for the movie.
"I guess we go with that one then." Peter mumbles, raising an eyebrow in amusement, you all haven't hung out in a while, even then, you do wish that Harry and MJ could've made it. So, it's clear you're just excited to spend time with them for once.
"It's about this robot that this lady makes after her niece loses her parents in a car accident." You cheerfully say, pressing play on the movie and taking a swig of coke. "After this, we're so watching Halloween."
The movie was something different to the two, when they think horror, both Peter and Miles would typically think 'man with knife stabs people', so it was a refreshing change.
Both men went through a flurry of emotions, the movie was sad, then funny, than horrifying, then funny, then scary, and then funny, it was a constant switch.
The fact that the girl lost her parents and she's clinging to the first thing that shows her respect, the lady stepped up at the end and proved she's a capable mother figure, it broke their hearts, but the jokes made them forget that temporarily.
They laughed, they went quiet in shock, and most of all? Peter cried, he couldn't help it, he isn't ashamed about it either, the girl losing her parents at such a young age reminds him of himself. Miles feels a similar way, he cried like a baby, he sobbed so much at that scene where the girl and the robot have that test and she breaks down.
Now it's time for the next movie.
"Halloween! You can't go wrong with the classics." You click on the movie. "Well, that's a lie, actually, plenty of classics suck." You mutter under your breath, pressing pause and turning to the two Spider-Men.
"Okay, first, bathroom breaks and refill time, you two ate all the popcorn so I'm making double." You get up from the couch and walk to the kitchen, both Peter and Miles go to the bathroom in that time, refilling their drinks with the bottle of coke on the floor, you return a few moments later with the multiple bowls of popcorn.
You all sit down, grab your bowls and drinks, and press play.
Overall, both men did enjoy the experience, they liked the costume of Micheal Myers, the mask and coveralls are iconic, they also both enjoyed the acting, if a bit subpar at times.
The plot was something they found to be interesting, the characters as well, they thought the therapist was a strange and weird character, who seemed a bit more unstable than Micheal.
Laurie Strode is a really inspiring character to the two, a survivor, someone who managed to take down one of the biggest threats her towns ever faced.
Just as the movie ends, you turn to the two men to see if they have any movie recommendations, but to your surprise, they've both fallen asleep.
Peter's mouth hangs open, his body pressed flat against the couch, his arms crossed and occasional light snores escapes his mouth. Miles is leaning his head on his arms, his body bent in an awkward position so he's sitting and leaning on the armrest.
For a few moments, you debate on whether or not you should wake them up, but decide against it. They need the rest. You gently move them into slightly more comfortable positions, placing blankets over the two, you stand up and reach for your phone.
You text MJ and Rio Morales, letting them know that the two would be staying at yours for the night.
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twistmusings · 4 months ago
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Character Analysis of the Twisted Wonderland Dorm Rooms - Pomefiore
Dorm Room Character Analysis Series
Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia
Vil Schoenheit
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Vil actually has quite a few interesting little details in Vil's room!
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Of course, Vil has workout equipment as well as yoga equipment. We know that Vil cares a lot about his appearance. Canonically, we also know that Vil works out the Jack in the mornings, and the two are friends. I feel like it's not a surprise to say that while it's fine to be interested in looking good, Vil tends to take this to an extreme. (Of course, this being a callback to the Evil Queen from Snow White.)
It's also interesting to note, though the theme color of Pomefiore is already a violet color, Vil has additional items in his room in a Violet color beyond what is the standard issue items for NRC, including his bedspread, pillows, chaise lounge, and additionally, it looks like most of his books on his shelves are a violet color, leading me to believe he likely uses book covers on them. Similar to with Trey and Cater, this leads me to believe that Vil's favorite color is likely Purple/violet. (This also tracks with him having a purple fashion color in his hair.) Violet colors typically are associated with Royalty due to it being a hard color to create in the early days of dyeing clothing, however psychologically it is commonly associated with ambition, power, creativity, and wisdom - which are all pretty apt descriptors for Vil.
Though wisdom might be a bit questionable in some cases - examining how Vil interacts with Epel in particular is a good indicator of this. Vil knows that being hyper masculine isn't attainable for Epel, so he guides him toward finding his own definition of his masculinity. Even if Vil is tough-love and doesn't always go about teaching this the correct way, it's clear that Vil has matured in a lot of aspects and actually wants to guide the others in his dormitory toward things he thinks will make them feel more fulfilled and whole. Vil is particularly interesting because of his dichotomy - there are times where it's easy to forget that Vil is barely an adult because of how he speaks and then he hits you with something like having to ask to be held back from punching Neige during the VDC. Speaking as an older person who has been there, it's a pretty accurate portrayal of early adulthood where you're still figuring things out! I definitely have a soft spot for Vil because of it.
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Vil's room also features a bouquet! Though it's a little less clear than Riddle's bouquet, but if I had to hazard a guess, they appear to be pink carnations, baby's breath, and a hard to distinguish yellow flower. If I had to hazard a guess as to the yellow flower, it looks a bit like Yellow Cushion Pompoms but it's honestly hard to tell. Pink carnations are often associated with fondness or motherly love, Baby's breath is often associated with sincerity and purity, and yellow cushion pompoms which are generally associated with joy and passion. To be quite honest, none of these particularly ring with Vil's storyline unless you count him being something of a matriarch figure to his dorm, but I think an interesting take may be that they may have been sent by fans or a fellow actor/actress given the flower meaning!
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All of Pomefiore feature an apple theming, particularly Epel and Vil. Vil has notable themeing in his rug pattern and his apple branch framed mirror.
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Another thing of note, Vil has a crown motif over his bed. All of the other rooms we see in Pomefiore have a canopy, but Vil is the only one who has a whole crown over his bed. This lends to his royal theming, and in addition to one other item in the room...
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the Chaise lounger at the foot of his bed, Vil has all of the hallmarks of a dramatic victorian woman in an old movie. I have said it before about Twisted Wonderland Characters, but he is cringe and he is free. Vil loves dramatics - he's an actor, he's a drama queen, and he's definitely draped himself over that Chaise Lounge and had Rook grab the smelling salts when he's feeling faint.
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Now while I've talked a lot about Vil's penchant for dramatics, I think it's worth noting that even if his aesthetics are important to him, Vil is the only person to have a normal ballpoint pen on his desk. It's a fancy ballpoint pen with a stand, yes, but I think there is a takeaway from this. Whereas Riddle and Azul have a rather dramatic version of this, Vil, arguably the most dramatic Dorm Leader, does not have a quill. Why would that be? Well, probably the obvious reason. Convenience. Why would Vil want to use a quill pen when he could more easily use a ballpoint pen? It tells us that Vil is not averse to taking an easier route when it feels reasonable to him.
Stick with me for a moment, because while this might seem like a silly train of thought over a pen, but I think it gives a bit of insight into how Vil thinks. In book 6 (and yes, spoilers for those of you who have not been able to complete the story yet, I understand your pain), but Vil makes a point when talking to Idia to point out that unless he makes an effort, the chances of something he wants to happen actually happening aren't likely.
So, in combination with his pen, let's examine a little further. We know that Vil comes down hard on Epel for basically everything, which would seem to contradict the idea that he likes the ability to take a more convenient route though, right? No, actually, and that's because of one main thing - Vil hates to see wasted potential. Sure, when it comes to something like using a ballpoint pen or a beauty product that's more effective, he's all for it, but he also knows that in order to get anywhere meaningful, it's not likely at all to fall into your lap. Vil latches onto Epel because he sees that he has potential, even though Epel doesn't understand why he's doing it. From Epel's point of view, it feels like Vil thinks everything is wrong from him, but Vil actually just wants him to change his perspective. Vil expects a lot, of course. An unfair amount, even, however you can see that he is trying to be a mentor. Basically, this entire TLDR is about the fact that I think assuming Vil is a hardass just to be a hardass isn't the way to look at this - he values efficiency and he values people working toward getting what they want. He comes down hard on people who try and shirk work and avoid reaching their full potential as he sees it. he isn't against them taking a more efficient route to get to that potential so long
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Mickey is hidden just above Vil's headboard.
Epel Felmier
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Epel, of course, has the most apple themed room! Like several of the other freshmen, there's not a ton to examine here. Of course Epel's apple decorations lend to the pride he seems to have for Harveston, but he does have a couple of notable things.
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To start, let's take a look at Epel's pinboard. He has a lot of photos on his pinboard, and likely a lot of these are either family or group pictures with his school mates. Epel doesn't talk about photography a lot in canon, so this is an interesting thing for him to have, especially when he has more photos on his pinboard than Cater, the one who is known to be a photographer. What does this mean? Well, simply put, Epel is sentimental. He likely hangs these photos up because they remind him of people he likes and fond memories. Epel does express a lot of fondness for his home town, but it's neat to see that he goes out of his way to make sure he holds onto photographs that are important to him.
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Epel is one of the only Freshmen who brought a comforter with him to use on his bed! Given what we know about Harveston, this would seem to be a Scandinavian-style quilt. We know that Granny Marja Felmier is a talented seamstress, so it seems likely that she probably made him this quilt!
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Epel's hidden Mickey is in the box of apples in his room!
Rook Hunt
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Disclaimer as I know these posts reach beyond my normal audience, but Rook is by far my least favorite character in general. This is not me trying to yuck anyone's yum, of course, I just am saying this because of all of the characters, I have read the least of Rook's Vignettes, as I tend to leave him as far from my class lineup as possible. I honestly can't say that I know as much about Rook as I do the other characters.
To start with, let's start by stating something that most people know: Rook is loosely based on the Huntsman from Snow White, so of course we see a lot of hunting memorabilia in his room - particularly arrows and bows. Now, given that this is a magic school, we can't be sure that the rules are the same, but that does pose the question are hunting weapons prohibited on campus? If yes, then this is pretty normal, but if no, then it's entirely possible that Crowley doesn't know that Rook has weaponry in his room. Not that Crowley would do anything about this, of course, but I think it's worth saying that if it weapons are prohibited, this means that Rook is willing to bend or break rules.
It's also worth noting that of all of Pomefiore in general are cleanly. I imagine having Vil as a Dormwarden means that he probably doesn't allow much mess in their dorms. This ties in a little with the next point:
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As has been pointed out by several others before, Rook has photographs attached to the wall behind the wallpaper that he has pulled down. This implies that these photos are something that he would normally hide, and as they aren't brought up by the others to my knowledge. People have speculated a lot about what they could be, and while i can't give any real additional insight, the common consensus is that they are of Neige or of other students at NRC that he considers his "quarry". Regardless, this implies that these photos are likely ones that he hides behind the wallpaper in his room and that Rook has reason to want to hide them, be that embarrassment or something else.
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Of note, Rook also has a framed photo on his desk, though as to who is in it, it's hard to say. We know that Rook has a large family, so it's hard to say that it's a family photo given that it's a portrait photograph and likely to be of one or a handful of people. My best guess is that this is probably a photo of Rook and the other two from his dorm, considering it's on his desk. It could also be a photo of Rook and Neige, as we know that Vil is aware of him being a fan of Neige. (Vil likely has a reason to think of this beyond Rook having his album of Niege memorabilia, as Vil seems unlikely to just go snooping through Rook's things without asking.)
Rook also has a pair of Binoculars on his desk, ready to go. If I had to guess, these are likely for people watching, given that it's shown that Rook likes to do just that.
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Now, something of note that I haven't seen pointed out before, but should be recognizable to anyone who has played through book 5 - does the droplet motif on Rook's comforter look familiar? It should, if it doesn't.
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It's the same droplet motif that's on Neige's sweater. Now, while this is less noticeable in the English release, in the Japanese release I'm sure this was one heck of an easter egg to see while book 5 was still releasing if you were able to put two and two together. It's of note that these blood-drop patterns are not seen with any other characters in Pomefiore as a motif - it's literally just Rook and Neige. What does that mean? Well, the obvious about Rook - he likes Neige, obviously. However for the story, it means that Twisted Wonderland hides easter eggs toward story events in character's rooms, including characters that are not the Dorm Leaders. So far, we've seen the most clues about the events that happen in the Dorm leader's rooms, but it doesn't seem to be exclusive to the Dorm leaders.
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Rook's Hidden Mickey is on his lamp. I have included the night-time version of the room in this as it's incredibly hard to see otherwise.
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Danny Phantom (and technically optional crossover) Prompt
Imagine, if you will, a not-aging Danny Fenton. There’s about a dozen ways to do this, but in this case—Danny still has a human lifespan, he just looks human (though, I won’t argue against any immortal Dannys). As Fenton, he’s just stuck at fourteen. Phantom, being a ghost whose appearance is based on what he sees himself as, does look older. By this point, he’s probably retired from superheroics—I just find unphased and jaded 18 year old Danny to be hilarious. So, he’s just like ‘I wanna go to college’.
So he does. He just. Always looks 14. His hair grows, he can build muscle, and he can definitely have dark eyes—but otherwise? Short ass 14 year old. He constantly has to prove that yes, he’s the real Danny Fenton, and no, this is not a scam. He eventually has to get meta-specific paperwork filled out—no need for the genetic test if the power is fairly obvious. (Of course, it’s possible to do this AU as not crossover, but then you’ll have to do the legwork of making it less odd that someone has superpowers, and whether that means everyone knows he’s Phantom, which might change some of the issues. It also doesn’t have to be DC, for instance, you could use Marvel or even My Hero Academia—ultimately, up to the writer.)
Anyways, he gets his degree(s), enters the workforce, and by the Ancients is it hard to be taken seriously. Even people who see his paperwork and know for a fact he’s a full fledged adult are just like, aw, poor kid, can’t even reach the top cabinets without stretching or climbing. So, while he could just keep being the most qualified 14-looking-adult, he’s quickly getting sick of it. He can’t even be a school teacher, none of his students will take him seriously! Not even the younger ones, cause even the other teachers aren’t respecting him.
There are about… three options available to him, up to whoever wants to pick up this sort of prompt.
1-he gets into acting or modeling. Or perhaps, stunt acting. And everyone is just a bit unnerved about how absolutely none of the nonsense seems to get to him, and he’s just… a little *too* bendy sometimes. He’d make a great scare actor, if he wasn’t terrible at scaring people.
2-he goes into the work force as Phantom in a cheap wig and terrible contacts. Half the time, he forgets at least one contact. Cue mystery of who the hell this guy is, because, for ONCE, someone actually paid attention to the paperwork and knows that he DOESN’T look like THAT.
3-he tries to get work in a slightly more remote position, where his colleagues are few to none. Of course, that is, until some hero or another such professional has to meet him in person, and gets one hell of a shock about who their expert on the computer has been all this time.
There’s of course the undercurrent of Danny’s experiences as a teen hero, so sometimes absolutely wild situations show up, and his stories are like, super weird. He thinks at least SOME of his experiences must be universal, and they’re… really, really not. The outlandish stories don’t help the whole ‘not taken serious’ thing, but then they turn out to be true. Bonus points to rogues or ghosts showing up to say hi and everyone is like WAS THAT A FUCKING DRAGON?! And Danny’s just like ‘yeah she was a beauty pageant coordinator in my hometown, we kept in touch. I helped put her brother in jail’. As if that did NOT just raise more questions than before.
Of course, use or don’t use what you want (such as, he does keep a public-ish position, or he just goes full villain to prove a point, or even somehow starts working undercover at schools and summer camps for xyz reasons, whether or not the Justice League finds him, what his degree(s) weee even in, etc etc), I just think that Forever Teen Danny stories are interesting.
Basically… it’s reverse Shazam, haha.
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howtosingit · 1 year ago
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Brian I have a nice ask day ask if you wish to answer it 💜 can you pick your top 5 Rafa on screen scenes and rank them? impossible question I know. but I believe in you!
Okay the thing is I did want to answer this immediately but it absolutely crippled me with doubt 😂 so I'm just gonna do it quick like ripping off a bandaid so that I can't overthink it anymore. Also not going to rank them because I'll spiral, so you're just getting 5 great ones:
The first interrogation room scene in 2x08 (but also all Carlos and Gabriel scenes this episode). The constant shifts in Carlos as he puts things together and realizes why Gabriel's there, the heartbreak of him thinking he was doing what his father always wanted, only to disappoint him again... at the time, this was the strongest scene LS had it its arsenal (WE STAN AND MISS TONYA KONG FOREVER AND ALWAYS) and it remains one of the best ones. It's so compelling and amazing to get to see the Carlos and Gabriel dynamic on display for the first time. This episode was a game-changer and I'll never shut up about it.
It's probably cheating to say all of his work in 4x18, so if I had to pick a scene from that I would say his talk with Owen where they toast Gabriel. My only problem with it is that it's so short, but Rafa packs every fucking thing he can in there, beat for beat, and it's beautiful. His delivery on "and forget about it?" but also all the lines leading up to that. The man is fucking hollow and crushed and lost and MY GOD RAFAEL. He's so skilled at what he does, knows exactly what he's doing every time. It's sublime.
Fine, another 4x18. Carlos's vows. I'm not gonna explain that one, the man is fucking beautiful and his heart is beautiful and he puts in on display publicly for what was probably the first time in his adult life, and it's stunning.
I love the scene in 3x13 where Carlos meets Cooper. Rafa is such a brilliant comedic actor, he uses every tool at his disposal, he understands his craft so well, how to use his body and face and voice to delivery great work, he's such a standout. I adore him. I could watch that scene for hours. Also, he is really fucking distracting in those clothes.
I'm gonna pick the fire in 2x12. And I'm gonna pick it because honestly the intensity of that scene, the life-or-death stakes, the absolute devastation and destruction of it, they are fully delivered by Rafa's performance. Like, Carlos's fear is what drives the scene, and Rafa's work sells it. And I'm also going to pick it because he's shirtless and so fucking hot. I'm gay, it's true. Have fully never recovered from it. And I'm also going to cheat and say the scene continues into him crying and TK holding him. So, like, obviously a top 5.
I'm sorry I have to include it I know I already picked 5 and I refuse to cut any of them but the 3x04 scene deserves to be in here and I'm mostly talking about the montage scene where TK wakes up and Carlos is forced out of the room and then his mom is there but then he fucking gasps the breath of a dying man who has been saved LIKE HE BASICALLY SAYS NO WORDS BUT MY FUCKING GOD, THE PERFORMANCE so I'm listing it and you can't fucking stop me Lola YOU CAN'T
anyway I just really love an actor who has honed their skills and studied their craft and dedicated themselves to approaching each scene in a fresh and honest way and I'm just really fucking happy to get to watch Rafa do it so thanks for letting me rave about him Lola you're a real one ❤️
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denimbex1986 · 10 months ago
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'“I got called a gay elder the other day,” Andrew Haigh said. This title, bestowed by a group of younger gay men, initially rankled him. It’s true that Haigh — the director of acclaimed films like “45 Years” and “Weekend” — had recently turned 50, but he still found that landmark age hard to believe.
“I’m looking older,” he told me, “but it’s a strange thing to think that I’m not young anymore.”
That uncanny feeling is a key theme in Haigh’s latest film, “All of Us Strangers,” which he adapted from the 1987 novel “Strangers” by Taichi Yamada. Andrew Scott stars in the film as Adam, a screenwriter in his late 40s with a whole lot on his mind: As he entertains a tentative romance with his neighbor Harry (Paul Mescal), he returns to his childhood home and finds it somehow inhabited by the parents (Claire Foy and Jamie Bell) who died when he was young. Though this reunion summons Adam’s inner child to the fore — a transformation Scott sells with heartbreaking subtlety, even when dressed in Christmas pajamas — there are still tricky adult conversations to be had with his parents about his sexuality and lonely middle age.
“I knew that for this film to work, I had to throw myself into it on a very personal level,” Haigh said. “So much of the things they’re talking about and the memories that Adam has of being a kid are my memories.”
That commitment even extended to filming much of the movie in the house where Haigh grew up, a notion that astounded many of his actors.
“I always have this image of him losing one of his baby teeth in that house where the crew were stamping on the floor,” Scott said. “Isn’t it extraordinary that as you shoot a scene downstairs in the kitchen about a man coming out to his mother, he could have gone upstairs after he had actually done that and been upset in a small bathroom?”
In November, I met Haigh at an old-fashioned cafe in Hollywood where, as a young film student, he used to plop down in the corner booth and order the blackened chicken sandwich and too much coffee. (Haigh no longer eats meat, so during our lunch he had the veggie sandwich instead.) As we spoke about the personal stories from his youth he excavated for “All of Us Strangers,” he said he had started to come to grips with the journey he has traveled since and the nickname that long voyage had earned him.
“I might get a T-shirt that says ‘gay elder,’” he told me, chuckling.
Here are edited excerpts from our conversation.
A lot of this movie is inspired by your early life. What were you like as a child?
I think I was a sad kid. I was fine when I was younger, but my parents split up when I was 9, and I was being bullied at school. When you’re an unhappy child, it shapes everything. It doesn’t go away — it will always be there, the way you felt, and the instinct to repress yourself early on can affect everything.
How did their divorce affect you?
There was so much that I was made to push down and forget and not talk about. I don’t think I ever spoke to anybody about how I felt. And look, it doesn’t take a genius to look at my films and think that all of those themes come out within the stuff that I make about feeling alone, about searching for stability, about trying to understand the past and change it somehow in order for you to move forward. Pretty much the filmmaker I am now is because of how I was as a kid.
Why were you being bullied at school?
Because they knew I was gay, basically.
Did you know you were gay?
No. They could see my difference before I could. And I talk about it in the film, but it was the early ’80s and the mid-’80s in the U.K., this incredibly homophobic time. Everyone was terrified of AIDS and the government had Section 28, which was a law against teaching homosexuality in school. I think most queer kids from the ’80s kept everything very, very hidden. I was in relationships with girls all the way into my 20s, and I didn’t come out till my late 20s, till after university.
What happened when you told your parents you were gay?
They were good. They had to do a huge readjustment in their understanding of me, so that’s not easy for parents. You go through some strange questions, for sure, and it takes a bit of time, and you find your way through it. But it’s a strange thing because I know lots of people have very supportive families, and it doesn’t mean you don’t feel a little bit separate. Even in this age of acceptance, there is still often a line that you don’t want to cross. Or maybe it’s even that we feel uncomfortable, that we still want to hide elements of ourselves because we’re still afraid that they might not love us as much.
So frequently, we want to reassure everyone else not to worry. We’ve held this thing in, which almost makes you explode from being sick with the pressure building inside you, and still you’re like, ���Oh, don’t worry, I’m really happy,” or “I’m going to be great.” And in retrospect I’m like, what was I doing? I wasn’t fine. I was a mess and I was terrified and all I was trying to do is make them feel better. For a lot of queer people, we’re doing that all the time, trying to walk this line of not pushing boundaries too much so we don’t get rejected.
When you were reading the novel that “All of Us Strangers” was based on, did you sense immediately that you could explore all these themes in an adaptation?
It definitely took a long time. It’s a good novel, but it’s very traditionally a ghost story. I thought about doing it as that to start with, but then I knew that I wanted the romantic relationship in the story to be queer, and I wanted it to be about the associations of family love and romantic love and how they’re all wrapped up together.
You shot the film in the house you grew up in, in Croydon in South London. Were you picturing that place when you wrote the script?
Yeah. I think I was rooting it to the idea of a childhood home, and then as we started trying to work out where to shoot it, I was like, “Well, why wouldn’t I go and shoot it there?” I knew it would be a strange experience, but I like how I feel when I’m a little bit terrified and emotionally fragile. The interesting ideas come from that.
What was it like when you first walked through that door?
I don’t really know how to explain it. It’s a very peculiar feeling. When I walked around by myself and I sat in what would have been my old bedroom and looked out the window, you just remember things. I remember standing at that window when I was a kid. There were some enormous trees outside, but when we lived there, those trees were only knee-high. Somehow that freaked me out more than anything else, that those trees were pretty much the exact age as me and they’ve been on this planet for 50 years, as I have.
You’ve cast Claire Foy and Jamie Bell as the parents. How much like your real parents are they?
Look, my dad’s from the north of England and sounds a bit like Jamie, and my mom sounds a bit like Claire. And they sort of look a bit like that and their personalities are quite similar. So there’s definitely a sense that they are related to my parents.
It’s interesting that when we first meet Jamie’s character, before you’ve revealed the familial relationship, it almost seems like he’s cruising Andrew’s character in the woods.
It always made me laugh that no one’s surprised when a straight guy goes for someone who’s a bit like their mom — that’s just like a natural thing — but no one ever says, “Well, gay guys and queer guys, maybe they quite like someone who’s a bit like their dad.” I wanted to play with that because, to me, love is rooted in feeling comforted and safe and understood. That is what your parents give you, and it’s no surprise that you might want it from a lover, too. And Jamie Bell looks super hot. Who doesn’t want to cruise him coming out of the trees?
Did the actors meet your parents?
No. I would never do that. I mean, my dad’s not well so he won’t get to see the film. But my mom’s seen the film and I’m sure she’ll meet the actors at some point.
What did she think of it?
She saw it with my brother in a screening room in London, and I think it was hard for her to watch. There was a lot of stuff that feels personal to her, and I don’t underestimate how strange that must be. There’s a scene that I have now made with some twisted version of me talking to a mother in the bed that used to be my mom’s bed. That’s not an easy thing for them to deal with, so I really do appreciate it. But she loves the film, she’s super excited about it.
It’s a shame my dad can’t see it because I feel like he would like it. My dad has quite bad dementia and it came on while I was making the film, just a strange time for it to happen. During the shoot, I went up to visit him because he’d just been put into hospital, and he’d completely forgotten that I was gay. Had no memory of it: “Oh, so you’ve got a wife? Are you married?” I was like, “Oh, Christ.” I didn’t tell him, I didn’t say that I was with my partner.
Why not?
I was terrified, I felt like I was 20-whatever again. I didn’t want to upset him because he’s in a care home now, but at the same time, you feel the same terror of, “Oh my God, is he going to reject me when I really don’t need this right now?” Then I came back to London and the next scene I shot was the scene with Jamie and Andrew talking [about his sexuality], a pretty tough emotional scene to have done the day after that. So it was a rough time.
I did see my dad again and I brought my partner with me, so he’s seen my partner now. It was interesting because he was like, “Well, as long as you found love, that’s the important thing. That’s all I care about.” I feel like some element of him still knew, and I’m glad I got to bring my partner to see him. It just shows how you always have to still keep coming out.
There’s always something that can reduce you to the state you were in before.
Exactly. That’s what this film is: It’s absolutely about being reduced to that state. And that’s why I thought it was so interesting to wrap it up in grief, because I think grief is such a similar thing. When you lose someone, it’s always just there as something in you. It felt like this film has such a perfect way to express how we can’t move on from things unless we’re helped to move on from those things.'
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Bracket G Round 1
Poll 13
Mirage (@theshrimpgod) vs. Eris Caroll & Mendacium (@kalopseance)
409. Mirage (@theshrimpgod)
any pronouns, but mostly he/they/it
This man can fit so much trauma inside him
Has never gotten a good night's sleep in his life
He just like. never sleeps.
He's so sleep deprived he forgets who he is or where he is or what's even going on
He even forgets what he looks like! which means he also can have Alternate Designs which is always fun! also, alternate names bc he forgets that too and sometimes remembers it wrong
I designed him based on the song Dr. Sunshine is Dead which is a *great* song so there's that!
spiraly pupils. you get it
A green dragon with yellow spiral eyes and yellow and orange spots along his body! He has a red frill down his back and curly horns. His wings are red, yellow and orange in a sort of gradiantish pattern? I don't know how to explain it well
410. Eris Caroll & Mendacium (@kalopseance)
she/her for Eris, any pronouns but mainly he/him for Mendacium
the weird dynamic of a protagonist and her narrator.
Eris Caroll is a 17 year old girl from a small village in England. Living in a bubble of isolation, disconnected from the world around her. The people she passes by and sees in her class every day feel like unfamiliar blurs as opposed to real people - frightening figures who only pose a threat. Terrified of emotional closeness, Eris Caroll closes off her heart.
This year, she will turn 18. Her loneliness grows more and more as she watches the people around her live on normally, growing up and becoming responsible adults. Thinking that the world is too scary and foreign for her to ever live in as an adult, Eris Caroll jumps from a bridge.
She awakes in a coffin of flowers. A voice echoes.
– 'Welcome, beloved protagonist.'
Mendacium is the deity and creator of the realm called Wonderland. Although several other entities reside here, they are all seemingly - to some degree, at least - under Mendacium's control or were created by him. The world, though beautiful and whimsical, is devoid of life except from that of illusions and puppets. Mendacium is a very whimsical and odd person, speaking in poetic ways and somehow being both very mature and sophisticated yet childish.
Eris mets Mendacium, and he reveals that he is the God of Death. When Eris asks if she is dead, Mendacium smiles and shakes his head.
'Why would you throw away a life so full of love, my dear?"
Contrasting Eris's fear of love and closeness, Mendacium has a disturbing deep obsession with the concept of love through an abstract lens. Completely unable to relate to it, Mendacium finds love to be a deeply confusing concept, one only understandable by mortals. Mortals blame death for taking their loved ones away, mourn their own love, survive through the hardest circumstances for love yet give up their lives when they lose love. Unable to understand the depth of the human heart, Mendacium observes the ways in which mortals refer to 'love' and surmises that love must be the primary motive to live, a need simply as necessary as food or air.
'I cannot allow you to throw away a life brimming with such love."
Much to Eris's confusion, Mendacium refuses to let her die, insisting that it is a waste to throw away a precious life with such love. Through his own desire to vicariously understand the human experience, Mendacium pushes Eris forward to fulfill the role of 'protagonist' in his tale. His pre-written story of growth, a stage where the actors take their roles in a tale of a young girl, too scared of intimacy to reach out to anyone, and her journey to learn how to make friends and find happiness. As Eris continues on through this  path he has set for her, she unravels the mysteries behind the true nature and purpose of this Wonderland, and grows to understand more about its supposedly-soulless residents and its enigmnatic creator.
why you should vote for them:
- weirdass found family dynamic. grim reaper and his gay mean adopted daughter. eris calls him 'old man' - unreliable narrator and his angry disgruntled protagonist sick of all his metaphors and symbolism - check out their spotify playlist: https://open.spotify.com/playlist/5L1T7MlWZB3rYxOX9yIKAw?si=e0d1a0e07f7242df - they're both utterly unable to understand why each other is unsatisfied with their existence. both eris and mendacium see each other as having something utterly unnatainable, a life that lacks the causes of pain for both of them. theyre both selfishly fascinated by the other's dissatisfaction - they're each others imaginary friends - simultaenously the most emotional heartwrenching dynamic but also the funniest one ever - imagine instead of getting therapy you get a weird insane author to try fix whatevers wrong with you by inserting you into his fiction But hes also the grim reaper - this: https://f2.toyhou.se/file/f2-toyhou-se/images/43590443_umX36h4qaITGqfF.png
Eris is a short pale girl with very light blonde hair in two low pigtails. She wears a light blue hat with symbols of flowers on it. Her pigtails are tied with two dark blue bows. She wears a cropped light blue jacket and a white shirt with a symbol of a pink heart on it. She wears pink trousers and blue shoes. She has grey eyes, and very subtle freckles.
Mendacium is a very tall androgynous figure. He has long flowing white hair, the bangs of which cover empty eye sockets. Over his cheeks and nose is a rainbow-coloured gradient blush. He wears a top hat with black and white vertical stripes. He also wears a grey bowtie and tall grey high-heel boots. He wears a shirt with vertical black and white stripes underneath a large black overcoat which has several moving and blinking eyes along the bottom edges. He wears black trousers, and a long flowing cape; the outside of the cape is black, while the inner side is a rainbow pattern resembling a colourful galaxy. He has skeleton hands.
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zot3-flopped · 10 months ago
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It’s true that a lot of Larry-type thinking is about people (for whatever reason) not wanting Harry and Louis to have their own romantic lives, but it’s so much darker than that. They don’t want them to have any life that they don’t know about. Everything is up for investigation: their love lives, their random shags, who they party with, who they stand next to at a party (immediately those people become ‘friends’ - come on), their families, their friends, their families’ friends, their friends’ families, their music business dealings, their other business dealings, their promotional strategies, their homes, their gym, where they walk to and why. It’s exhausting.
And when the information isn’t forthcoming - which for the most part it isn’t because either that’s their private lives, or it’s business sensitive, or it’s nothing at all of significance, then they just lie lie lie and draw conclusions about things they have no understanding of. They don’t accept, or perhaps they can’t imagine, that they have absolutely no control over any of this, and they only see about 1% of Harry and Louis’ lives, most of which is not explained to them. So they bake things into the ‘canon’ and decide for these adult men that certain things were motivated by certain needs: not a shred of evidence or even fact but now they can spread those things as ‘reality’.
And what is it for? Some of them were maybe discovering they’re queer at that young age when romance seems very important - young teens - and they were sold a really potent story of forbidden love. I get it, but they have got to grow out of it!
Some of them are older women fetishising gay sex between young men (but let’s not forget Harry was a boy at the beginning of 1D; this is not some easy fantasy, it’s bloody dark). Those older women seem to want to shepherd the younger ones in some way, which is fucking creepy.
All of them seem to be really invested in fan fiction, like to a worrying degree. I wish they’d funnel that creativity in a way that didn’t perpetuate these fantasies for others.
Some of them just hate beautiful women, I think. I come from the UK and for me, the idea of shagging around a bit in your late teens/early twenties/late twenties is just kind of fine, some people do it and others don’t. I can see that if you come from a country where that’s a no, or a deeply conservative family in the US, say, then drivelling on about ‘stunts’ might make some warped sense. It’s phenomenally misogynistic, but they don’t seem to ever be able to analyse that for themselves. (I always think of Letdown nasty mod as one of these.)
But you know what’s saddest of all? That Harry and Louis are not even close to being special, throughout all this. Chris Evans fans are the same. Benedict Cumberbatch fans are the same. Outlander fans are the same. Supernatural. Name almost any male actor/tv series that appeals to online fans and the loneliest, most online of those fans are quietly generating a shit ton of crap. It eventually somehow becomes so intrusive that the object of their disrespect has to either say something, or conspicuously do nothing to pander to it. Cue more meltdowns every time. Larries are just another sad little group, out of a whole load of sad people who visit this disrespect on people they claim to love, but don’t know at all and never will. None of it is original. And then they wonder why famous people put on a bit of a persona: it’s to keep people like them away from their real lives 😖
Thank you for this! I agree with every word.
Many Larries do seem alarmingly puritanical. They believe that when Louis accidentally got a woman he'd only known a few months pregnant it was some deadly sin, but their notion that Louis is employing a child to fake being his son (which is illegal under child labour laws) is somehow fine because 'that's what happens in the entertainment industry.'
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nessa007 · 1 year ago
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ppl who said Ryan was "too old" are about to be proved wrong by that box office $$$$$ he's about to rake in. he's hilarious and perfect for this role. and also gorgeous??? A TRUE BEAUTY KEN. "I saw a ken face down in the mud and texted Greta a pic with I must tell this man's tale" xD also there's never a person (until RECENTLY) saying the female actors aren't cast old enough (I'm not taking about Margo). The viral moment a little while ago was when Emmy Rossum was cast as Tom Holland's mom (and it's only because it's Tom hype it was noticed, I love him but still this has been happening since cinema has existed) she's only ten years older than him. That just happened in a Jessica Chastain movie like two years ago and no one said anything. My neices were watching a utube soap and I kid you not the "mom" was the SAME AGE. It's every movie; every show. I'm so happy Halle was cast as Ariel - appropriate age!!! I understand productions cast older teens/young adults rather than kids because then they can cut corners with union rights/demands like kids needing more breaks and parents on sets and like... basic human decency. also shows like R!verdale have teens sleeping together every weeek and sexy shots yada yada that actual teens WOULD NOT be permitted to do in filming (thank god they have intimacy coordinators now FINALLY). I forget who pointed it out, but you never see a news woman with grey hair. On a man it's distinguished on a woman it's ugly or she's a crone. I'll watch movies where they cast a 30 something woman and make her 50 by graying her hair. Like wtf? Anytime I'm watching a high school scene with a friend I say "none of those people are high schoolers". I'm an actor who's repeatedly told I AM LUCKY MY FACE LOOKS YOUNGER THAN I AM. This is going to last me about what 3 years? 2? I was just basically let go from a gig because FB feedback on photos were I looked "too old" for a character and it was because our boss was casting TEENAGERS illegally so yeah, of course I'm going to look about 80 years old (at 31) next to a 13 year old. She said "we're going to cast you as older roles" yeah we NEVER get requests for those. I wonder why. Okay, sorry for the rant... These reasons are why I'm so happy for Ryan. Prove the haters wrong and hopefully more light is shed on this too old/too young/ageism issue as a whole. Perfect moments and the movie hasn't even come out: THE JUST KEN SONG I DIDN'T KNOW WOULD HAPPEN JUST DROPPED?!
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He thought of the KEN underwear!!
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he's not afraid to poke fun at himself, wear pink a whole movie and funny outfits and dye his hair - so many "action movie" macho men actors would NEVER. this is the same guy from Blade Runner, Drive, The Gray Man (lol for their shoutout to his Ken)
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the tassel shaking, "I'll need clicky pen", the changing scenery and outfits montage, rock paper scissors, crossing his fingers when he asks barbie if he can come over xD EVERY MOMENT IS PERFECT.
yeah, sadly ageism is always gonna be a thing with hollywood and especially for women.
i don’t care how old ryan is, he is PERFECT in this role and that’s just judging from the few clips and trailers released. i love seeing all the early reviews saying this will be the role he is remembered for and he steals every scene he’s in 👏👏👏 i’m so excited to see the movie, especially for ryan !!!
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hologramcowboy · 2 years ago
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Maybe the reason you hate TW so much is because it's about Jenneel and it shows.
It represents the love they feel for each other and for themselves!
It's like, when you buy something you really wanted, and then give it to yourself on christmas.
Is just a harmless gift, it doesn't really matter if it doesn't became the greatest hit on the cw.
The fact that they got to make TW is already a win for Jenneel!
We are the ones who are going to be the losers, because if it doesn't get enough attention, then we are not getting anymore spn content, ever.
Is not about you, is about them, is their creation and if you don't like it, you can walk away any time. Door is open.
That's exactly the kind of low grade, badly thought crap someone like Danneel would spew because her relationship has always had zero credibility in the eyes of the GA and the only way of getting some attention was carefully choosing a prequel that focused on a couple so she could self insert. Looks like gullible people like you fell for that. 🤣
You must truly know nothing about storytelling or tv shows becausecurently TW isn't about anything, it is so badly written it's all over the place and while it's catchphrase is "an epic lovestory" or something similar, it fails to deliver on all levels. The Actors have no chemistry, the writing is weak and the only reason people are even remotely invested in the show is because they want Dean back on their screens and some want Cas/Dean and even go to crazy lengths to parallel the show with their scenes. Kinda like you are trying to parallel Jensen's lackluster, business arrangement of a marriage with the crappy plot within TW. 🤣
Your level of investment in the Ackles is so creepy I truly wonder if maybe you are either part of their staff or possibly a stalker or even possibly Danneel as she clearly reads the blogs.
As for TW, do you really think any investor is going to invest in Supernatural after seeing it? Then you are truly out of touch. You all can pretend it's good all you want and be as delusional as you want, at the end of the day, the professionals within the industry will evaluate it based on factors far different from yours and it will not live up to their standards on any level. If Jensen wanted a Sam and Dean remake he should have focused on that instead of diluting the SPN brand with this trashy prequel. The sooner it ends the sooner people can forget about it and that's when Jared and Jensen can then start discussions about a potential SPN revival.
Also, it's truly delusional to make everything about the Ackles when in reality any series gets created to make money. Show business is, in fact, a business. TW is a money grab, the difference between it and other series is that other people invested quality in their product and then sold it, they served their public whereas Jenneel were only looking to rip off the SPN fans and this shows in every aspect of their "show".
Also, it is not their creation, they have vanity titles, the others involved in the show created everything about it. You do know what a vanity title is, don't you? If not go listen to jensen's interrogation, he explains it fully in his own words there.
You really need to stop creepily assuming things about people just because you are overobsessed with Jensen and Danneel. I would suggest you grab a piece of paper and for every quality you perceive in them ask yourself what the downside of it is and also where in your life have you yourself displayed those qualities. That will rebalance your perceptions because currently you are stuck on manic perceptions about them.
Instead of writing anon messages to a person who does not fit your target audience as I am not a Jenneel fan and never will be, please go back to your brainwashed cult and let the adults discuss in peace.
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browneyedbeauty5725 · 2 years ago
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My more in depth thoughts on OBX S3
I will admit I skipped through a lot of parts of each episode cause I literally could not care less about Big John and his treasure. I genuinely wish they hadn’t brought him back cause they had this build up of what an amazing dad he was supposed to be just to show he was actually a pretty shitty one. Like the storyline they were going with in the beginning where the whole reason John B was looking for this treasure was to honor his dad was great and then they kinda ruined it.
JIARA, what can I say other than finally lol. Some people feel like it was rushed, some people felt like it fell flat, and others loved it. Frankly I loved it. It was so them. One I think it was never going to live up to any of our expectations cause their build up was so amazing especially considering it was very unintentional in the beginning and we all built up the moment they finally got together in our heads.JJ showing her that you know what forget Big John,forget the treasure, you’re what’s important to me I will come for you every single time was amazing. And Kie being the one to say I love you first, when one John b n pope came at her and two because it’s JJ and emotions are hard for him being vulnerable is hard for him was just so important. For her to be the one to be like I know this is hard for you and I know you don’t think you deserve it but I love you and I’m choosing you was important. And just the enormity of JJ being able to say it back in a room full of people no less. And as for it being rushed if there had been more than 10 episodes yea ok maybe but there weren’t so them getting together in episode 9 along with the two previous seasons of build up was played out perfectly. And I loved Pope kinda being the first one to really acknowledge that something was going on. He’s listening to JJ say nothing happened and is just like you can say that all you want but what I walked in on was not nothing.
Fuck Kie’s parents. Like don’t get me wrong it did seem at first that her mom was genuinely trying but then she just gave up and went back to being the same as she always was. And don’t even get me started on Kie’s dad. Like I hate people who forget where they came from just because they end up successful. Like excuse me sir once upon a time you were just like those boys. And i can’t remember if it’s canon or just something we all made up in fanfics but it’s like they don’t realize they are doing the same thing Anna’s parents did to her. Kie isn’t throwing away any of what they are trying to give her. She can still have a good successful life and still hang out with the pogues. The only way she loses that is if her parents cut her off.
I love Cleo and Pope and his family. I love them together. Their chemistry is amazing. And I love how Heyward is as exasperated with all the pogues behavior like Kie’s parents but he’s handling it the right way. He doesn’t like it but he knows they are gonna do it anyway and he understands that he can either be as supportive as he can or he can risk losing his relationship with his son.
And honestly I’m just kinda over Sarah and John B. Like what was the point of her cheating and like when Kie his best friend is like we can’t trust her in season one John B is all too bad but suddenly the dad who abandoned him is like we can’t trust anyone else he’s just suddenly willing to lie to Sarah and then throw her trauma over her family in her face. I loved the relationship in the beginning but now every time I rewatch the show I’m just like go away. And maybe this is cause the actors broke up idk but the chemistry between the characters just isn’t there for me anymore. Their storyline has just become really tiring for me.
Idk how I feel about the time jump cause of all the things we probably won’t get to see but at the same time I am ready to see them as young adults. Overall though it was a pretty good season.
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thenightling · 2 years ago
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Dead Boy Detectives issue 1
I just read The Dead Boy Detectives issue 1 under The Sandman Universe banner.   It’s sad to see that banner struggle to stay in existence.  When it first started in 2018 we had The Dreaming (reboot), Books of Magic (Soft reboot), Lucifer (reboot), and the new original title, House of Whispers. Then came John Constantine: Hellraiser, The Dreaming: Waking Hours (twelve issue mini-series) and The Locke & Key Crossover from IDW.  After that was the short lived The Corinthian: Nightmare Country, and now The Dead Boy Detectives (soft reboot) and soon there will be Nightmare Country: Glass House (Coming this spring). This version of Dead Boy Detectives is written in such a way that you can just ignore the previous Dead Boy Detectives comics. This is deliberate to make it easy for new readers (as the original version has been out of print for some time) and to also serve as a marketing tie-in for the up-coming HBO Max Dead Boy Detectives TV series, spun off from Doom Patrol (but with different actors).
It’s interesting to note that in Doom Patrol one of The Dead Boy Detectives was played by Ty Tennant (Son of David Tennant) and David Tennant has worked with Neil Gaiman repeatedly for The Sandman audio drama (where he’s Loki), The Sandman Netflix series (He was in Dream of a thousand cats) and in Good Omens where he plays Crowley.  He was also the tenth actor to play The Doctor on Doctor Who and his wife played The Doctor’s daughter, and his father-in-law played a previous doctor. HIs wife, Georgia Tennant, also had a brief appearance in The Sandman Netflix series episode Dream of a Thousand Cats.  
Another interesting thing to note is The Dead Boy Detectives (though the show will be a spin-off of Doom Patrol) actually originated from Neil Gaiman’s The Sandman: Volume 4: Season of Mists.   The boys are two ghosts introduced in issue 25 of The Sandman comics (I forget what chapter number in the audio drama but I know it’s in The Sandman: Act 2 of the audio drama, I just can’t recall what chapter).   
The two ghost protagonists are Edwin Paine and Charles Rowland, two ghost children who read far too many Hardy Boys and Nancy Drew style young adult fiction and now think they have the knowledge required to function as detectives. But the real supernatural world and crime worlds intermingle into something far dark than the two ghost boys are prepared for.
The boys were roughly twelve or so years old when they died in the original version of the story but are bumped up to be in their late teens for Doom Patrol where Edwin was revealed to be gay and attracted to Charles, who seems quite oblivious.  Honestly, I never thought of them as having romantic interests in anyone because I always saw the characters as children.  The new TV version makes them older to accommodate for romantic storylines.
Anyway, I read the first issue of the soft reboot and it gives you a brief recap of how each of the boys died without going into too much detail about what was going on in The Sandman to cause the two children ghosts to initially meet.   Poor Edwin was killed by some wanna-be Satanists in the school attic.  And Charles was killed in the late twentieth century by the very same bullies who murdered Edwin, because they had been released from Hell when Lucifer quit to live on Earth and take up piano. (the main plot of The Sandman: Season of Mists and the TV series Lucifer). What I never liked about The Sandman comics was the idea of an innocent going to Hell and Death incarnate (who is portrayed as a kind woman) allowing that to happen. Because poor Edwin had also been trapped in Hell and he had no reason to be there except that he died thinking that’s where he’d go and for some reason Death, (who again is supposed to be kind) did not intercede even though we see her use her brother, Morpheus to rescue another soul from eternal torment later in The Sandman (See the Prez Rickards story in The Sandman: Words’ End).   I kind of hope poor Edwin’s origin is changed for the new HBO Max series and The Sandman Netflix series since it never quite sat right for me that an innocent child was in Hell, whether “Clerical error” or not. 
Most of the first issue is pretty generic and just tells you the basics about Edwin and Charles while a few grizzly things are going on.   It turns out the three-thousand-year-old witch, Thessaly, is being held prisoner by someone and is being forced to use her powers for them.    
I was never a big fan of the character Thessaly in The Sandman comics.  I’m not sure why the new Sandman Universe titles are trying to use her so heavily.  First she appeared in The Corinthian: Nightmare Country and now here. I suspect the plots are linked.   
As I said, I was never a big fan of Thessaly. For starters, she was very much a TERF in her original comic depiction in The Sandman: A Game of you.  Yes, her TERFyness was downplayed for The Sandman audio drama but that doesn’t undo the original depiction, not really.
Also she was not a very sympathetic character to begin with. She was cold and sort of reflected what Morpheus was before his character growth.  She was also homicidal and selfish.  She sold Morpheus out to The Kindly Ones just to extend her already very long life and so they would look the other way for her own misdeeds.       
Still, she was the most interesting part of the new Dead Boy Detectives soft reboot.  Seeing her in captivity was deliberately reminiscent of Morpheus’s captivity from the first issue / chapter of The Sandman.  And it makes me curious about how she’ll get her revenge- not if- but when she gets her revenge.
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obsessivelollipoplalala · 1 year ago
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the film is definitely the most gruesome version of the show, and it's my favorite rendition of it (which would be much to the outrage of Broadway purists, but my justifications for my opinion would take up a long post lol)
I definitely agree with you, and I do want to hear your thoughts!!! For me it mostly boils down to Depp's portrayal of grief and how it fuels Todd's anger. (Don't get me wrong, there are actors who do this well for the stage version, but you just can't beat film and all of its lingering shots and good close ups.) I feel like a lot of actors focus on the righteous anger and revenge but forget what it all stems from?? if that makes sense. (I also feel like this is the norm for many characters with a revenge arc *cough phantom cough* but that's a totally different rant for another day.)
Yes, the acting in the film is the main reason why that version is my favorite. There is a difference between stage acting and film acting, to be fair, and yeah, a lot of those expressions in the film work because there’s a camera in their face to capture them. But Depp’s portrayal really gets to the agony of Sweeney, but also how totally in his own world he is? Other actors sometimes make Sweeney come across as a guy with anger issues, but in the film, it’s like he’s in this haze of disassociation and boiling rage, like this man is gone from planet earth and never coming back. I think it makes the character scarier
The other big thing is Mrs. Lovett’s characterization. I love Angela Lansbury, I understand why she thought a comedic take on the character would work on stage and break up the gloom for the audience, but she even said that was only one way to play the role and someone could’ve done it darker. That’s what Helena Bonham Carter did, and she’s my favorite version of the character because of her dry delivery and the fact that her Mrs. Lovett always seems more calculating. Mrs. Lovett is my favorite female villain of all time, what she does is awful, and throughout the show, she constantly analyzes every new situation to see how it’ll benefit her and Sweeney (but mainly her). I feel like this calculating side is often lost in the more ditzy portrayals on stage. My mom has always said that it’s almost hard to believe stage Mrs. Lovett is capable of doing that ultimate betrayal that she does, but you totally believe it in the film version. I also love the scene in the film, which is expanded upon from some dialogue in the stage show, where Mrs. Lovett is trying to convince Sweeney to move on from Lucy and have a life with her. Knowing the end of the show, it’s SO fucking evil lmao, and I love the look on Sweeney’s face when he turns around—she was about to convince him! His face softened! Then Anthony ruined everything
Oh, and my god, Toby works a thousand times better portrayed by a child actor. I think even Broadway purists admit that movie Toby is the best, and that version of “Not While I’m Around” is the best. There’s nothing in the original script to indicate Toby is anything but a child, but having him as a slow adult on stage just…changes the vibes a lot and is a little weird. I also dislike when Toby totally loses his mind at the end on stage, I think it’s too much and the silent fury we see in Toby in the film instead is much better.
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unknwnxquantity · 2 months ago
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Everyone is aging. That’s so crazy to me. I just fell from a coconut tree I know!! but isn’t it crazy that the people around you are also aging? That you can see your sister one time and the next, visibly start seeing her wrinkles, or her face changing right before your very eyes? Or seeing your brother having facial hair, having a personality, friends, HAVING ROMANTIC INTERESTS???biceps and being 6 ft? HES EVEN NOSTALGIC FOR HIS CHILDHOOD…. Or even your friends, their face is starting to change too. I saw a TikTok that once you hit 27, you start to get your “second face”. A more mature face than the one you had technically as an adult from 18-23. You still had a baby face. But reaching mid20s, is when things really start changing. That’s fucking crazy. All your favorite artists, celebrities, influencers you started following in the 2010s, reality tv stars, tv actors/actresses are aging alongside with you! Having kids of their own!!! Ppl from hs are on their 2nd or 3rd kid, meanwhile you’re barely surviving to feed your own self or cats. Nothing is stopping for no one.
In the midst of all this, I’m also seeing you cannot trust people. I’m too trusting by nature. I’ve been known this I been talked about this, but another situation is being brought to light, where I was naive in my trusting. Just bc I “get a good vibe” from someone or think it’s the universe helping me, doesn’t mean it doesn’t have its own set of consequences or deceiving traits to it. Boundaries. People will take advantage if they can, if they aren’t aware of their own darkness and consciously try not to take advantage. I need to stop telling people things, but I also need to trust myself, to trust the right people. THATS THE KEY. Trust yourself enough to trust the right people—who did I hear this from? Was it a TikTok?? I forget—And if that doesn’t work out (which it won’t always work 100%, you will always be deceived to some degree in this life no matter how many lessons/perspectives you have under your belt), you need to still be open and not revert into your shell if you’re ever proven wrong. You only do yourself a disservice. And at the end of the day, I’d rather be perceived as “naive” than to block my own blessings by being a cold shell to people and not share myself. Trial and error. I still attract good regardless. “Bad” is unavoidable. In my head I’m like, I’ve endured my traumas so I must be okay for the rest of my life right?? Nope. Pain and deception and tragedies will never stop. It will manifest in some way shape or form. But I just need to not take it personally and act accordingly. My mom said something about this situation, she said something along the lines of “you need to have such rigid boundaries, that you don’t accidentally trip up on your own boundaries while trying to bend them”. Something like that. Oh mannnnn. I just know ima still trip up in this situation🤣 if we’re being real in the chat. Why is it so hard to find trusting individuals! There’s different levels of trust ofc. But the ultimate level of trust. I only have that with very few people. That’s the way it should be. But I want more people in my life I can trust!!! But I’ll wait. It’ll happen….. I’m okay
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