Buddy Daddies Interviews with Ayase and DURDN:
This will just be the quick notes version, with bits of information that I personally found to be the most interesting, I’ll link to the full interviews below in the comments.
Ayase wasn’t given any specific orders about the song, but since it was an OP, he wanted to do a song that had some speed to it, instead of a quiet feeling.
Since Ayase knew that the plot would be about the main characters raising a child, he wanted to use the idea of them confronting their ideas of “love” and how, internally, they were constantly changing, as themes for the song. But, Ayase notes that he also wrote a bit about his own life and his own feelings towards the responsibility of loving others as additional themes that link to the work.
The title of the song, SHOCK, comes from the expressing the impact of the story in Buddy Daddies. The idea that, when you are so emotionally distraught and desolate that you turn away from personal feelings like love, and then you meet someone that has a huge impact on your way of thinking and feeling. That’s the SHOCK. And that’s how it links backs to both the story of the anime and the impression of said story.
Ayase also noted that the series is a bit of a dark comedy, and he found that to be interesting/amusing, and that the series has a bit of a foreign feel to it, and there were interesting points that he had not seen before.
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DURDN is a group made up three people: Baku, SHINTA, and yacco. When asked what their first impression of Buddy Daddies was, SHINTA answered “familial love.” the love for one’s family. Because of that, they wanted to write a soft, enveloping song.
Their past songs have been “not so bright” and usually have a “shadowy” side to them, but they didn’t want those aspects to appear in My Plan. Since it was about an anime, they want a cheerful sound to it.
yacco was the one in charge of writing the lyrics, and they admit to being confused and worried at some points, because they wanted to write a song that was positive and filled with happiness, but they had never written something like that before. It seems they also didn’t have a very happy family life (they didn’t experience that “family love” found in Buddy Daddies), so they wrote the song more from the POV of “this is the kind of family that would make me happy.”
SHINTA was in charge of the tracks and arrangements, so they wanted to give Buddy Daddies a 90s feel. So the song is arranged with an eye towards Japanese City Pop and pop songs based in that era.
They were able to see the full-version of the show, that was not yet completed, so they feel that they were able to get a general idea of the story from that, and write a song that captured the worldview of Buddy Daddies. They also apparently entered the song as the OP too, they really wanted their song to get picked, lol.
They’ve noticed an increase in overseas fans and English comments, leading Baku to realize that anime really is quite popular overseas.
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I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.
Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.
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