#I actually love this kind of irony

[wonderfull-star]

For some reason I thought that Licorice would be greatly disgusted by something like this.

Like, yes, I knew it would be too immoral for him! And someone else thought that Licorice works with flesh and beetles...

Wait, he almost threw up?? Now this is interesting. I knew that it would disgust Licorice. But so much??

Could this be partly related to his past?Who knows..

[rtlstuff]

JKR Writing Fleur Delacour: So this french bird is super sexy but she's also incredibly shallow and vain and snooty, y'know how the French are. She's high fem which is a bad thing, tomboys are the best. She's also just incredibly annoying and full of herself. Constantly making herself the centre of attention even though nobody likes her and they call her phlegm behind her back. Hilarious, right?

90% of Fanfics when Writing Fleur Delacour: At first she comes off as entitled & full of herself, but as time goes on it's clear she's actually incredibly kind, compassionate and loyal. She also has a keen sense of matters of the heart. For the younger characters she takes on the role of a wise older sister. She's loyal and nurturing and and will always be there if you need someone to talk to. She is from a noble matriarchal race of fierce warriors and will fight tooth and nail to defend what is hers.

[turtlemagnum]

when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is

the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".

so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.

[ickypuppi3]

“billy tried to hit the kids with his car”

that’s boring why don’t we talk about fred benson fully leaving another kid to die during that car crash

[elfcollector]

thinking about varric and hawke and "you people have done enough to her." and varric is right, of course — hawke has suffered at the hands of the chantry, particularly a mage hawke. but —

but hawke only loses their sibling in the deep roads because varric brought them, because varric made the mistake of trusting his brother. but hawke only becomes the kind of legend that aches because of him. varric wants to protect his friend, so he hides them away, doesn't invite them to the inquisition — until he does, of course.

and then hawke dies in the fade and it's not because of the chantry or cassandra. hawke dies in the fade because varric asked them to come.

[batsarebetterthanpeople]

I think there's a not insignificant number of people in this fandom who I agree with virtually everything about the show on but who knee jerk reaction blocked me in may or June because I said "lmao I'm a Calico Jack apologist" (<- only half joking)

[jvzebel-x]

What's your take on Persephone?

i tend to see Persephone as a survivor of abuse who overcame&became her own person-- goddess&force of nature-- in spite of it. it's why i prefer to think of her after the initial myth about her&Hades, which is a story that involves very little of her own personhood or development. it's a story about how she developed-- but by the end, what we know is that she is the bearer of the seasons&the queen of the underworld. what we know about Persephone as an individual, we only get at the very beginning: the pure maiden gathering flowers in the evergreen fields she's known her whole life. this is, undeniably, not who she is by the end of the myth. who is she after her decent to the underworld? who is she after her path is set down for her? that's the Persephone i tend to care most about.

there's also probably something to be said about how i think people LOVE the revisionary myth where Persephone falls in love with Hades&instead chooses her own path away from an overbearing mother for roughly similar reasons. it gives Persephone control of her own story, it gives her a happy ending, it swaps the roles of the major players so the overall story is more relatable&more sympathetic&has a happier ending (Hades as a daring lover who rescues the girl instead of a selfish abductor who essentially gets what he wants in the end, Demeter as a controlling mother who is forced to give her daughter freedom instead of a desperate mother trying to-- &ultimately not entirely succeeding to-- save her daughter, Persephone as a free spirit with autonomy who makes her choices instead of a kidnapped young girl tricked into her destiny). i can see the appeal, but ultimately i think that particular revisionism of this story is Bad for obvious reasons (lol), but also because it doesn't exactly give Persephone the level of autonomy people seem to think it does by making her a star-crossed lover willing to throw everything away for the first man she loves (or meets, depending on which version of the revisionism you go by).

... i'm more than willing to cop to the fact that i personally relate far more to the story of a girl torn from her innocence who then must find her own way to live with what happened&the consequences that follow, rather than the story of a young girl falling in love&running away from an overbearing mother, lol.

[shidoukanae]

I would like to make an addendum to this piece with the new chapter out and say that I was wrong about Phillip, he's great, 10/10 he went from being a giant red flag of a character to being genuinely relatable and man do i feel bad about side-eyeing him for that line he said last chapter

Also this chapter finally wrapped up another plot thread I was waiting for it to return to and waaaaaah seeing someone else's POV on Helene is so nice (and we finally got another flashback of OG Helene for like,, the first time in literally forever). Helene being called out as a lonely person who hides her kind feelings behind a cold expression...man suddenly my fondness for Helene is increasing thousandfold

Like literally how the fuck does this manga keep making Helene better and better there's literally nothing disappointing about her character and im STILL shook about it

[navree]

i am nowhere near into denis villeneuve's proposed cleopatra movie in any way shape or form (pls for the love of god no more cleopatra movies, especially ones that try to cast her as something other than what she was) but if timmy chalamet brings some of the southern messiah speech energy to octavian then i might allow for a single solitary crumb of optimism.

also i remember that villeneuve said that he wanted daniel craig for caesar so my hope is that we're just gonna focus on caesar and cleopatra's relationship and her time in rome and not go further because that'll turn into horse shit right quick.

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[musical-chick-13]

Are there, like. Women? In JJK? Because I genuinely can never tell whether there are women who show up in a significant capacity in any given work, given how audiences generally are toward a large percentage of fictional ladies (i.e., flattening them out/ignoring them/hating them).

[drchucktingle]

sometimes buds ask’ what is it like to be a neurodivergent artist?’ and this is great summary: the charts can look like this, and at same time people will be endlessly posting on how you are ‘not real’ or ‘a bit’. you can hold bestsellers in slot 1 to 4 and still not be 'serious'

i am ultimately ok with this. i love my trot and would not have it any other way, but i think it is worth investigation. when irony poisoning has seeped into everything, how many times does a neurodivergent person have to say ‘actually this is NOT so bad its good. its just good’

when you are autistic, or queer, or both, how much proof do you need to be considered good art? or good business? what do the charts have to look like for me to be a ‘real’ author? or allowed my face mask at a library association conference? or one person not a group of writers?

im coming up on a decade of writing tinglers soon, and people are still talkin about my ‘serious’ works vs my ‘joke books’ and at every turn, as kindly as i can, i shout from the rooftops: THEY ARE ALL SERIOUS BOOKS. THIS IS NOT A BIT.

but its hard when buds have had ‘the correct way to be a writer. the correct way to be an artist. the COOL way to react to a book that is TOO weird’ pounded into their heads by internet culture. 'kill it with fire' they say. 'i need eye bleach' they say without thinking. a line.

heres the thing, the tide IS turning. theres buckaroos jumping in and saying, ‘I want to be a part of this’ and for that they are being rewarded. the publisher who took me seriously is lookin pretty dang good right now with these charts and these sales. i am honored and moved

over time there will be more buds who shed that irony mask. the tide of sincerity is powerful, and the tide of love is inevitable. it is difficult to stand strong in our uniqueness but it also pays off, and I hope to be a shining example. eventually THE TIMELINE BENDS TO YOU

so this is not a thread to complain. i have been trotting long enough that these things do not really bother me. being made fun of and disparaged as ‘not legit art’ while also being objectively successful at the things im made fun of about is kind of the ocean that i swim in.

no. my point of this is to say THANK YOU to those of you who have been trotting by my side over these years. THANK YOU for proving love to me. im so honored by your support, and you should know that YOU have seen beyond the irony poisoned veil that stops many others. YOU get it.

and to those with their own unique perspective on creation: look what you can do. yes there will likely be a lot of resistance to something different, but there is also a LOT of reward. YOU can trot a new path. YOU can prove love is real, not in MY way, but IN YOUR OWN WAY

anyway thank you for reading buckaroos. thank you for your support. LUCKY DAY comes out next summer and it is probably as FAR OUT and existential as the tingleverse has ever gone. you can preorder it here

[rubykgrant]

I love watching early episodes of Futurama; the year 3000, and people still have VHS tapes and floppy disks. Because like, the world at the time only had barely a hint of of the digital tech around today, just 24 years later. So even when the people working on the futuristic sci-fi show were coming up with wacky nonsense, they also used what they were familiar with. Which was VHS tapes and floppy disks. There is some kind of irony in there, and maybe also a weird metaphor too, because I'm nostalgic for a show about a fictional future which also contained many retro references to media that came before it, and as I watched the show over the years, I saw it slowly include more and more "modern" facts of the real future, that was actually the present

[yuujispinkhair]

sukuna who's over heels with y/n, but y/n is stupidly in love with yuuji who is falling in love with megumi?!

Omggg I love this!!!! Thank you for sending me this 💗

Modern!Sukuna x Reader (female)

Fluff. Hurt & Comfort. Friends to lovers. 2k words. Unrequited love/pining in the beginning. Sukuna and Reader get their happy end (Yuuji gets his happy end with Megumi). Mentions of cigarettes + alcohol. All characters are of age. Minors don't interact. Divider @/benkeibear

Sukuna can only shake his head at the irony. He is in love. He is fucking in love for the first time in his life, and of course, it has to be someone he cannot have! Out of everyone at this stupid college, it has to be the girl who likes his brother!

If it were any other guy, Sukuna wouldn't give a fuck and just flirt like hell with the girl he wants and give his best to steal her away from that other guy. But the problem is that Itadori Sukuna might be an asshole, but he isn't the type of asshole that would steal his brother's girl.

So Sukuna swallows down his heartbreak and forces himself to hold back, refusing to stand in the way of his baby brother's happiness. Sukuna might only be three minutes older, but he is still the big bro, still the one who sees it as his responsibility to look after his "little" brother. And Yuuji deserves it. He deserves a girl like you. He deserves your love. Sukuna will stay strong. He can do it.

But what Sukuna didn't take into account is how completely oblivious his brother is to your feelings.

You follow Yuuji around like a lost puppy, giving him hearteyes, practically swooning anytime he smiles his sunshine smile, hanging on his lips when he talks about his movie-directing classes and his new favorite TV show. But Yuuji doesn't seem to notice. And it makes Sukuna so mad! It drives him crazy! He almost spits his drink out when his brother gives you a high five and calls you "bro".

Sukuna feels sick to his stomach when he watches you wring your hands and shyly ask Yuuji if he maybe wants to go to the cinema with you to see the newest Human Earthworm movie. That super trashy horror series that Yuuji is always gushing about, which Sukuna is 99% sure you don't really like but only want to endure for the boy you have a big crush on.

But Sukuna's oblivious idiot of a brother just laughs and nods, happy that someone shares his taste, and totally misses the point,

"Yes, that's perfect! Let's also ask Megumi and Nobara to join us! Let's all go together! It will be so much fun!"

Sukuna thinks he can not only feel his own heart ache but also yours as he sees your face fall even while you force yourself to nod bravely and smile a sad smile at Yuuji.

It takes everything in Sukuna not to say something. But his restraint only lasts until he is alone with his brother. The moment the others have left, he shoves Yuuji into the wall, grabs his collar, and growls at him,

"You are so fucking dumb, brat! I would give anything to be in your shoes, but you don't even see that she wants you!"

And Yuuji blinks at him, all big eyes and completely confused,

"What the fuck are you talking about?"

Sukuna lets go of Yuuji, slumping against the wall next to him, sighing and explaining the situation to him. How Sukuna likes you, and how you like Yuuji, and how everything is such a mess, and how much he hates it, especially when his little brother is too blind to see what he could have!

"Now you know, brat. Go, get her. Just don't rub it in my face, ok? I'll stay away as much as possible."

Sukuna pushes himself off the wall, about to run away and hide in some dark corner or maybe find someone to fuck and distract him from all this shit. But to his utter surprise, Yuuji's hand darts out and grabs Sukuna's sleeve.

"Wait, Kuna! I don't even have those kinds of feelings for her! There is... um... well, there is actually someone else I like."

He stands there, scratching his neck, looking sheepishly at Sukuna and blushing a bit as Sukuna stares at him with question marks in his eyes.

"Who??"

"Um, he has black hair and likes dogs and... ah shit."

And Sukuna can't help it. He bursts out laughing, doubling over because this is just so fucking dumb and messy and getting more complicated every second, and he probably should have known!

"Damn, brat, that really sounds like you! Falling for your best friend!"

In the end, Sukuna plays matchmaker for Yuuji and Megumi. It's easy, considering the way Fushiguro has been looking at Yuuji since the first day he met him. And yeah, Sukuna is not only doing it because he loves his baby brother but also because of selfish reasons. Because it means you will have to let go of your crush on Yuuji. Not that Sukuna thinks you will turn to him, but at least he won't have to watch you date his brother and pretend he doesn't care!

It feels like someone is stabbing Sukuna's heart when he watches your face twist in pain at the next party when you see Yuuji walking into the room with Megumi's hand in his.

But it will be fine! After all, Sukuna is here to catch you and mend your broken heart again. As a friend, at least.

He quickly follows you when you leave the room and run towards the backyard. You sit down on the slightly damp grass, and Sukuna joins you, sitting silently next to you while tears run down your cheeks. Sukuna offers you his half-smoked cigarette, and when your eyes meet, he can't help but think that surely you must see the pain in his eyes, too.

He quickly takes a sip from the bottle he is holding to hide the emotions threatening to swallow him while silently cursing himself for following you out here. He misjudged how fucking hard it is to look at you when you are crying. If only Sukuna could just close the distance between you and claim you as his, just kiss all your pain and his pain away.

But of course, he knows it would be too soon. For once in his life, Sukuna doesn't just want to be a one-night stand or a rebound or a revenge fuck or whatever. For once in his life, he wants more. He wants everything.

And so Sukuna is patient. Just offers you his silent company, his cigarette, his bottle of vodka, and his leather jacket when it gets chilly, and you start to shiver. He offers you his friendship, his protection, and the kind of comfort he can give without fucking you. He drives you home, makes sure you have something to eat and get some sleep.

He bangs on your door three days later when you still haven't come back to campus, calling you a brat and an idiot because it's the only way he knows how to show his worry. But he hopes he's making it better by shoving a vanilla latte and a bag with muffins from your favorite coffee shop into your hands.

Your eyes look puffy from crying, and you seem confused about what he is doing here, but you take the food and coffee from him. And Sukuna smirks at you and refuses to leave when you tell him you look like hell and don't want him to see you like that.

"I don't care, princess. Eat those damn muffins and drink your latte before it gets cold. I didn't stand in line for half an hour for you to just ignore my treats. And by the way, you always look pretty to me."

He stays until you had breakfast and took a shower, coming back to the living area with a soft,

"Thank you, Sukuna. It was nice of you to bring me muffins and coffee."

Sukuna finally leaves, lifting one tattooed hand to casually wave at you as if his heart isn't about to burst because he wants to pull you against his chest and hold you and tell you he can make you happy again.

He skips some of his classes and instead goes to the gym, working out like a madman and beating up a punching bag until he is too exhausted to think about how sad you looked and how fucking much he wants to kiss it better.

He comes back the next day to pick you up and take you to the coffee shop with him, making sure you leave the house and join the living again! It cannot be that you are crying your eyes out in your room all day!

"Stop complaining and get your bratty ass off the couch! It will be good for you to get some fresh air and shit. I am warning you if you don't put on shoes in the next 30 seconds, I will make you walk to the coffee shop in socks!"

Oh yes, Sukuna is good at this. Acting grumpy and playing the asshole while taking care of you and making sure you are ok. And somehow, you are the only one, apart from his brother, who can see right through him because you roll your eyes and laugh softly and tell him that he is the nicest asshole you have ever met.

The two of you fall into a routine where Sukuna picks you up every morning and has breakfast with you before he walks you to your first class. You constantly grow closer, and Sukuna feels his mask slipping more often around you. His typical arrogant smirk softens into a genuine smile. His snide comments turn into compliments. He isn't sure if he is doing it by accident or intentionally. Maybe he is only reacting to the way you act around him.

Because your gaze doesn't follow his brother anymore. Your face doesn't fall when you see Yuuji with Megumi. Your smile doesn't falter when you spot pink hair and realize it's the bad boy twin with the tattoos and not the good boy twin with the sunshine smile. Sukuna even feels like your smile is growing brighter when you look at him.

Could it be?

And he notices more things. Notices how you always sit so close to him now when he is at your dorm and you play video games against each other. How you always laugh at his jokes, no matter how sarcastic they are. Or how you look at him sometimes when you think he doesn't realize it. How your eyes get that dreamy little sparkle when Sukuna is sleepy, and his voice gets low and a bit raspy. How you get goosebumps on your arms when Sukuna puts his hands on your hips to steer you through a crowded room.

A few weeks later, Sukuna finds himself back at the same spot where all those weeks ago, it all began. Sitting next to you in the grass in the small backyard of your friend's dorm, where you cried when Yuuji broke your heart.

But tonight, you aren't crying. Tonight, you are smiling and throwing your head back, laughing at some dry joke Sukuna makes, looking so carefree and happy. Your shoulder is brushing against Sukuna's biceps, and your hand lands on his thigh, giving it a playful smack and staying just a little too long. And Sukuna can't help but say in that low voice, you seem to like so much,

"You are so beautiful."

For a split second, he feels his chest tense up, scared that he fucked everything up. Scared that he got it wrong and you still want his brother. Or maybe some other guy. Scared that you only see Sukuna as a good friend. Or that you only see him the way the whole campus sees him: as that sexy, asshole guy who is only good for casual sex and nothing more.

But then you turn your head to look at him, and Sukuna sees that soft expression in your eyes, the one he used to see on your face when you looked at his brother. But now it is for him, for Sukuna. And he simply knows without you having to spell it out. He knows that things have truly changed.

So, Sukuna decides to do what he wanted to do for a long time.

"I am sorry that you cried the last time we were in this backyard. But I am not sorry for why it happened. My brother is an idiot for not wanting you like that. But I am glad he is an idiot because otherwise, I wouldn't be able to do this..."

And Sukuna puts a hand under your chin, cupping it with a gentleness he didn't know he possessed while looking deeply into your eyes, checking one last time if he really got it right. You look at him with wide eyes, but you smile and nod softly as your gaze travels down to his lips.

And Sukuna sighs and presses his lips gently against yours, kissing you like he never kissed someone before, slow and gentle, as if he is scared you will break or slip through his fingers. A kiss with his eyes closed and his chest filling with a warmth he didn't know until now. A kiss into which Sukuna pours all the secret longing he felt for you for months, all the feelings he tried to hold back for his brother's sake and then for the sake of not fucking things up.

But finally, he doesn't have to hold back anymore. Because you chose him. You chose Sukuna. You are sitting here with him, with your hand in his hair and your lips moving slowly against his, a happy sigh and a soft murmur of his name falling from your lips.

The two of you only stop kissing when Sukuna's head is already spinning from the lack of oxygen. He pulls away only enough to grin at you and stroke your cheek with his thumb. And you smile back at him and whisper,

"I am glad, too, that Yuuji turned me down. Because otherwise I wouldn't have found out that it's his brother who is my perfect match. I wouldn't have found out that you, Itadori Sukuna, are the one I like the most out of everyone."

AAAHHH I LOVE HIM SO MUCH 😭😭 Thank you so much for sending me this ask. I see Sukuna + unrequited love/pining and I lose my mind!! It's my weakness and makes me so so soft for him (even more than usual).

I hope you liked this little hurt/comfort story!! Comments and reblogs would be very sweet 💗

[enha-doodles]

please do a slytherin boys reacting to you being a hufflepuff pls

SLYTHERIN GUY'S REACTION TO YOU BEING A HUFFLEPUFF | ✧⁺。

Pairing : (Mattheo , Tom , Theodore, Lorenzo , Draco) x reader

Notes : okay so now only Slytherin left and next will definately be an enhypen post , it's been too long since I posted something for them 😭

Warnings : not proofread , written in a hurry my bad guys

MATTHEO RIDDLE

Mattheo's smirk widens as he gazes at you, unable to contain his amusement. "Well, well, well, my dear Hufflepuff," he begins, his tone playful yet affectionate, "aren't you just the epitome of kindness? It's like you're allergic to anything even remotely sinister." He chuckles softly, leaning in closer, his breath warm against your ear. "But fear not, my sweet, for I'll be your guide through the shadows. Together, we'll navigate the dark corners of Hogwarts, with your innocence as our secret weapon." He grins, his eyes sparkling with mischief.

"Who knows, maybe you'll even rub off on this Slytherin and teach me a thing or two about being... less evil." He winks, his playful tone laced with genuine fondness for you. "But until then, let's just enjoy the ride, shall we?" You can't help but laugh at his teasing, feeling a surge of affection for the charming Slytherin who's captured your heart.

TOM RIDDLE

Tom rolls his eyes at the mere mention of Hufflepuff, muttering about the insignificance of a house that values kindness above all else. He's determined to toughen you up, constantly pushing you to shed your soft exterior and embrace the cold, hard reality of the wizarding world. "Kindness is a weakness, darling," he'll growl, his gaze steely as he lectures you on the importance of ambition and cunning.

He'd manipulate you by turning you against your friends because in his eyes you are born to evil that's why you ended up with him , your friends are the wrong influence "And those so-called friends of yours? They're just wolves in sheep's clothing, waiting to take advantage of your sweet nature. But fear not, my dear, for I'll always be here to protect you" He's there even if it means scaring away every potential suitor with a well-timed glare.

THEODORE NOTT

Theodore can't help but chuckle at the irony of your Hufflepuff allegiance, but it's all in good fun. He'll mock you mercilessly, recounting every Slytherin victory over Hufflepuff in Quidditch or other competitions. Yet, despite his teasing, Theodore knows when to concede defeat, his love for you outweighing any petty house rivalry.

"Alright, alright, my little badger," he'll sigh, pulling you into a tight embrace. "I may be a Slytherin, but you've got me wrapped around your little finger. Just promise me you'll stop bringing up that time Hufflepuff beat us in the House Cup. It still stings, you know."

LORENZO BERKSHIRE

He'll even go as far as pretending to roar like a ferocious dog lion - oh the irony , whenever someone gets too close, much to your amusement.

Lorenzo can't resist the urge to baby you at every turn, his heart swelling with pride whenever he looks at you. He'll hover protectively by your side, his arm draped over your shoulders like a shield against the world. "My sweet little badger," he'll coo, pressing a kiss to your forehead. "I'll protect you from every danger, real or imagined. No one's laying a finger on my precious Hufflepuff, not while I'm around."

DRACO MALFOY

Draco's annoyance is as evident as ever, his aristocratic features twisted into a perpetual scowl (his resting face actually) as he begrudgingly accepts your Hufflepuff allegiance. He'll grumble about the stupidity of your house, his annoyance palpable in every word he utters. "Hufflepuff" he'll mutter under his breath, as if the mere mention of the word leaves a bitter taste in his mouth.

But despite his disdain, Draco can't help but crave the princess treatment you're all too willing to provide. "Fine, Hufflepuff," he'll huff, crossing his arms in a dramatic display of annoyance. "But don't think for a second that I'm not expecting extra cuddles to make up for it."

。　　　　✧　　　　⁺　 　 　。

[ofswordsandpens]

actually I do want to talk about Sally Jackson a tad more because one criticism I've been hearing about her book counterpart more recently is "book Sally is one-dimensional: the perfect mother with no flaws" and that just has me biting my cheek because one part of her book counterpart that I always thought was ripe with discussion and didn't make it to the show is that Sally states that it was selfish of her to keep Percy close. It's one of the last things she says to him before she's "killed" by the minotaur.

And there's so much that we don't know about Sally because we view her from Percy's eyes. From his perspective we know that she's exceedingly kind, she never raises her voice to him or even Gabe, and she endured a horrible and abusive relationship to protect her son from monsters (of a different kind).

But there are things we can piece together from the text: Sally has known about CHB for a long time, apparently since before Percy was even born because Poseidon told her he wanted to send Percy there; she was told that it was a mistake for her to keep Percy close - who told her that, we're not sure, she only uses the phrase they; she's been in contact with Grover through out the school year; she knows that she can't cross the camp boundary line, which means either Grover or someone else (Chiron? Poseidon?) told her that, and that she understood that there was place that Percy would be safe from monsters.

And all of these little details are so interesting because it does make you wonder just how much she did or didn't know. Was her self assessment right? Was it selfish of her to keep Percy close?

On one hand, she kept him close because she loved him, alongside the fear that if she sent him to camp, she would be saying goodbye for good -- so is it even fair to call the act of keeping him close selfish? Or perhaps, much like Chiron, she assumed keeping Percy in the dark would be safer?

But on the other hand, Percy had been attracting monsters all his childhood, she understood camp was a safe place from monsters, and she had apparently been told explicitly that it was a mistake for her to keep him close.

And then adding in the factors of: Percy is her only family in the entire world, she's been suffering with Gabe for years, sacrificing so much in order to keep Percy safe when he's at home... but even that has a touch of sad irony because when we meet Percy in tlt, its at point when he's not really home at all -- he's been regularly sent off to boarding schools, so much so that he's internalized it as his own short-coming.

And all of this isn't to say "Omg Sally is actually horrible" or to assert definitely that she is selfish... but more to speak to the fact that in the books, she's not an all-perfect 2-dimensional mother. And her self-assessment of selfishness is something that is really interesting to explore and debate given the implications of what she apparently did (or did not) know about the godly world. I feel there's even an argument to be made that Sally being "selfish" could be a reflection of Percy's fatal flaw.