#I actually love this kind of irony

[wonderfull-star]

For some reason I thought that Licorice would be greatly disgusted by something like this.

Like, yes, I knew it would be too immoral for him! And someone else thought that Licorice works with flesh and beetles...

Wait, he almost threw up?? Now this is interesting. I knew that it would disgust Licorice. But so much??

Could this be partly related to his past?Who knows..

[puppppppppy]

oooh wait so the plot hole of “why doesnt a spirit medium just channel the victims spirit” is literally bc the DL-6 spirit channeling cant be repeated huh

[vaguely-concerned]

during the last solas regret memory, when you choose the sad option (he loved her and blamed her) and rook says: "when the other gods struck her down, he destroyed the elven empire to avenge her," they seem to be looking right at lucanis. (who is also the next person to speak and seems to be meeting their gaze during that). there are some times when the staging of a scene makes me feel slightly unfairly rewarded for being a lucanis romancer haha. (or rather unfairly rewarded for having the kind of unhinged brain I do while being a lucanis romancer, maybe.) guess who pretty consistently gets to sit at rook's right hand in most of the scenes where everyone is at the dinner table too :) just little lucanis privileges

[statementlou]

Hi,

Is the liam article that you read the new one behind a pay wall? I can't access it but I would be really interested to see what it says about how things went. Would it be possible for you to tell how does it explain what led to his fall? Maybe under a cut so anyone who doesn't want to see can skip it?

Thank you and you don't obviously have to do it if you're not comfortable.

oh that's weird it wasn't blocked for me- here this should work for everyone if not lmk. @ other anon there aren't really very graphic pictures imo that's just the clickbait bs but text is below

basically he suggests that the hotel staff took Liam up to his room and then he changed into incognito type clothes (black jacket and cap) and attempted to sneak out of his room by going from the balcony along the side of the building, as we know he (and others of them) have done many times over the years, and which he apparently is documented as having done pretty recently, and presumably lost full or partial consciousness and fell. The waiter Braian who he spent time with in the weeks in Argentina talked in his first interview about Liam jamming the keycard slot in his door previously, which would explain the part here where employees say they can't get into his room.

It is a picture that will shock music fans around the world: the late British pop star Liam Payne being manhandled through a hotel lobby by three men, just minutes before his fatal fall from a third-floor balcony.

The tragic image, which has been given to the Daily Mail, was taken from CCTV footage recorded inside the CasaSur Palermo Hotel in Buenos Aires where Payne was staying at the time of his death on October 16.

High on drugs, Payne, whose face we have chosen to obscure, appears to have been picked up by the trio of hotel employees – he had, according to one witness, been ‘convulsing’ on the lobby floor. He was taken, via the elevator, back to his third-floor suite. 

The question is, why did they move him at all, if he was so ill? Why did the hotel not call an ambulance straight away?

The timestamp on the still image shows 16:54:48. Bizarrely, however, a second picture taken from CCTV outside Liam's room shows the three employees and Payne at 16:54:37. In other words, apparently eleven seconds before they were in the lobby.

The journey from the lobby to the third floor takes at least 90 seconds, according to one guest. Clearly at least one of the timestamps is incorrect.

In an image that will shock music fans around the world, the late British pop star Liam Payne is manhandled through the CasaSur Palermo Hotel lobby by three men, just minutes before his fatal fall from a third-floor balcony. One witness claimed he had been 'convulsing' on the floor

He was taken, via the elevator, back to his third-floor suite. The tragic footage given to the Daily Mail was taken from CCTV recorded inside the hotel in Buenos Aires - where Payne was staying at the time of his death on October 16

This picture outside Liam's room shows the three employees and Payne at 16:54:37. In other words, apparently eleven seconds before they were in the lobby. The journey from the lobby to the third floor takes at least 90 seconds, according to one guest. Clearly at least one of the timestamps is incorrect

What we know for certain is that shortly after 17:00, Payne fell 13 metres from the balcony of his room into the hotel's inner courtyard. He died instantaneously.

At 17:11, an ambulance arrived and certified the singer's death. A subsequent autopsy found Payne had suffered 'multiple traumas' causing 'internal and external bleeding.' The toxicology report found traces of 'alcohol, cocaine and prescription antidepressant.'

Just days after Payne's funeral, which took place on Wednesday at St Mary's Church in Amersham, Buckinghamshire, the images perhaps offer a somewhat clearer picture of what happened leading up to the tragic accident. They also raise two serious questions.

To repeat, the first is why would hotel staff – who expressed concern in their call to the emergency services that Payne could come to serious harm on his suite's balcony – take the intoxicated singer up to his room and leave him there alone?

And second, for reasons I will explain, did Liam fall from the balcony while attempting to leave the hotel undetected - a trick he had been pulling since his days in One Direction and which he had repeated just a month previously to evade a concerned bodyguard in Florida?

If the CCTV timestamp is accurate, the sequence of events begins at 15:53 on October 16 when Liam enters the hotel with his friend, the Argentine-American businessman Roger Nores.

Liam is at this point wearing a black cap – which he donned to avoid being recognised by his legions of Latin American fans – and carrying a small bag containing his personal belongings.

The star appears in good spirits and chats with fans in the lobby before heading up to his room with Nores shortly after 16:00.

Payne died after he fell from the balcony of his third-floor suite - just minutes after hotel staff escorted the pop star through the lobby

Payne's suite was found in disarray, with drug paraphernalia strewn across one of the tables. Furniture had also been destroyed

A few minutes later, at 16:05 if the timestamp is right, the pair return to the lobby. Liam has brought his laptop down with him and – crucially, where this timeline is concerned – left his cap and bag up in his third-floor suite.

He continues to chat with a small group of American fans, discussing his life in Florida, where the singer was renting a $12,000 a month house with his girlfriend, the American influencer Kate Cassidy.

At 16:06, Nores says goodbye to Liam and leaves the hotel. At this time, Liam remains in good spirits and continues to interact with hotel guests. At 16:26, Liam is pictured lounging in the lobby, scrolling on his laptop.

Two minutes later at 16:28, Liam is photographed making one of what witnesses later described as three or four trips up to his room in a roughly 30-minute period. Each time he returns to the lobby, his behaviour appears increasingly erratic.

At one point, a witness recalled Payne receiving an email to which he exclaims: 'F*** this s*** mate,' before striking his computer on the floor.

In a separate outburst, he tells another hotel guest: 'I used to be in a boyband – that's why I'm so f***** up.'

It now appears that on the occasions Payne is said to have gone up to his room, he is likely to have been ingesting narcotics. The next known picture of him is this desperately sad one of him being hauled away by the hotel staff at 16:54:48.

Two of the men pictured carrying Payne away are dressed in the uniform of CasaSur reception staff. The Mail understands that one of the two is chief receptionist Esteban Grassi. The third man – wearing trainers, shorts and a T-shirt – works as a masseur in the hotel spa.

A vigil is held by fans for Payne in Buenos Aires the day after his death. Mourners were filmed singing his songs in candle-light

Heartbreaking moment Liam Payne fans break down in tears at vigil

A few minutes after taking the singer back to his room, the hotel put in a call to the emergency services.

'I'm calling you from the hotel CasaSur Palermo,' says chief receptionist Esteban Grassi. 'So, we have a guest who is high on drugs and who is trashing the room. Erm, so we need someone to come.'

The line then cuts out, but Grassi calls 911 again and continues: 'We need you to send someone urgently because, well, I don't know whether his life may be in danger, the guest's life. He is in a room with a balcony and well, we're afraid he might do something.'

The transcript from the 911 call shows that the operator asked reception staff whether they could gain access to Payne's room. The staff replied that they could not.

But why on earth, if Esteban Grassi was indeed concerned that Payne's life was in danger because his room had a balcony, did the hotel allow the singer to be taken up to that room and seemingly left there? And why would they call 911 just a couple of minutes after doing so? At the time of writing, the hotel has not responded to a request for comment.

It would surely have been more appropriate to hold the 'convulsing' Payne in the lobby and call an ambulance immediately. Did hotel staff prioritise keeping the lobby clear for other guests over Payne's safety and well-being?

The Mail understands that no members of the CasaSur hotel staff – including the three men who carried Payne away – are being investigated by Argentine authorities.

Three individuals have been labelled as 'people of interest' in Payne's death. They include 24-year-old Brian Nahuel Paiz and 21-year-old Ezequiel David Pereyra, both on suspicion of dealing Payne drugs.

An Instagram post by 24-year-old Brian Nahuel Paiz, who stands beside the late singer before he fell to his death last month. The post reads: 'Fly high, Chief. Thank you for having enlightened me and for crossing you into my reality. I will always remember you'

The third man is Roger Nores, who – despite having left the hotel long before Payne's erratic behaviour began – has been accused of 'abandonment of a person before death'.

Nores strongly denies the allegation and told the Mail two weeks ago: 'I never abandoned Liam, I went to his hotel three times that day and left 40 minutes before this happened. There were over 15 people at the hotel lobby chatting and joking with him when I left.'

The prolific entrepreneur – who in 2017 featured in the Forbes '30 under 30' list of influential young people for his role in the energy industry – continued: 'I could have never imagined something like this would happen. I'm really heart-broken with this tragedy, and I've been missing my friend every day.'

But while the behaviour of hotel staff leaves more questions than answers, this new picture published by the Mail today leads back to that second question – and a new possibility as to what actually happened when the singer died.

Quite clearly, the picture shows that as the pop-star is taken back to his room, he is neither wearing his black cap or clutching his bag.

And yet, when Payne's body was recovered by the emergency services at 17:11, he was found to be wearing the black cap and to have on his person the small bag he used when out and about.

In other words, it appears that between being returned to his hotel room and being found dead, Liam Payne got dressed to go out.

Could it be that Liam Payne slipped while attempting to leave the CasaSur hotel via his balcony, in a bid to avoid detection by hotel staff?

The Mail understands that hotel staff remained outside his room – according to a statement in the prosecutor's file – seemingly to ensure he did not return to the lobby and disturb other guests.

Police found a host of drug paraphernalia in Payne's room, including burnt pieces of tin foil and traces of white powder. It is certainly plausible Payne may have panicked in his paranoid state and made an ill-fated attempt to purposefully climb out of his room from his balcony.

In a further revelation, a source close to Payne has confirmed to the Mail that the pop star frequently climbed out of hotel balconies in order to avoid detection. In fact, it was a trick he and his bandmates learnt in the early days of their fame to evade their management team while on tour with One Direction. And, shockingly, the Mail can reveal it is also a trick Payne used just one month prior to his death in Florida.

My source revealed that on September 15, while staying at his rental property in Palm Beach, Payne wanted to go out and purchase drugs. His bodyguard, aware of the singer's problem with narcotics and attempts to stay clean, had closed the door to his room and urged the singer not to go out looking for a 'hit'.

Undeterred, my source says the singer escaped via his balcony, stringing a set of sheets together to act as a rope.

Further proof of Liam's high-risk stunts emerged shortly after his death when a picture resurfaced from 2014 showing the then 20-year-old singer standing on a narrow exterior ledge of the 34th floor of his London apartment building – some 350 ft in the air.

The photograph was taken following a night of raucous celebrations marking One Direction bandmate Zayn Malik's 21st birthday.

Later that day, the singer issued an apology to his impressionable young fans, saying: 'You may have seen a photo of me today, taken on top of a building. I regret being there and having a photo taken of me.'

'I do not endorse any fans trying to repeat this as it is extremely dangerous,' Payne's apology continued. 'It was a stupid and irresponsible thing to do. I am sorry.'

Fans have since taken to social media to point out the tragic foreshadowing between the 2014 picture and Liam's death five weeks ago.

The truth is that no one will ever know for sure what Liam Payne's intentions were on that fateful afternoon of October 16. However, the release of this latest picture from the CasaSur hotel lobby helps fill a hole in the sequence of events that led to his fatal fall.

One thing is for sure, the image of Payne as he is taken out of the lobby, at a time when he appears to have needed care and immediate medical attention, raises new and profound questions about where responsibility lies in the tragic tale of the deeply troubled star.What the fuck

[rtlstuff]

JKR Writing Fleur Delacour: So this french bird is super sexy but she's also incredibly shallow and vain and snooty, y'know how the French are. She's high fem which is a bad thing, tomboys are the best. She's also just incredibly annoying and full of herself. Constantly making herself the centre of attention even though nobody likes her and they call her phlegm behind her back. Hilarious, right?

90% of Fanfics when Writing Fleur Delacour: At first she comes off as entitled & full of herself, but as time goes on it's clear she's actually incredibly kind, compassionate and loyal. She also has a keen sense of matters of the heart. For the younger characters she takes on the role of a wise older sister. She's loyal and nurturing and and will always be there if you need someone to talk to. She is from a noble matriarchal race of fierce warriors and will fight tooth and nail to defend what is hers.

[turtlemagnum]

when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is

the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".

so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.

[elfcollector]

thinking about varric and hawke and "you people have done enough to her." and varric is right, of course — hawke has suffered at the hands of the chantry, particularly a mage hawke. but —

but hawke only loses their sibling in the deep roads because varric brought them, because varric made the mistake of trusting his brother. but hawke only becomes the kind of legend that aches because of him. varric wants to protect his friend, so he hides them away, doesn't invite them to the inquisition — until he does, of course.

and then hawke dies in the fade and it's not because of the chantry or cassandra. hawke dies in the fade because varric asked them to come.

[batsarebetterthanpeople]

I think there's a not insignificant number of people in this fandom who I agree with virtually everything about the show on but who knee jerk reaction blocked me in may or June because I said "lmao I'm a Calico Jack apologist" (<- only half joking)

[jvzebel-x]

What's your take on Persephone?

i tend to see Persephone as a survivor of abuse who overcame&became her own person-- goddess&force of nature-- in spite of it. it's why i prefer to think of her after the initial myth about her&Hades, which is a story that involves very little of her own personhood or development. it's a story about how she developed-- but by the end, what we know is that she is the bearer of the seasons&the queen of the underworld. what we know about Persephone as an individual, we only get at the very beginning: the pure maiden gathering flowers in the evergreen fields she's known her whole life. this is, undeniably, not who she is by the end of the myth. who is she after her decent to the underworld? who is she after her path is set down for her? that's the Persephone i tend to care most about.

there's also probably something to be said about how i think people LOVE the revisionary myth where Persephone falls in love with Hades&instead chooses her own path away from an overbearing mother for roughly similar reasons. it gives Persephone control of her own story, it gives her a happy ending, it swaps the roles of the major players so the overall story is more relatable&more sympathetic&has a happier ending (Hades as a daring lover who rescues the girl instead of a selfish abductor who essentially gets what he wants in the end, Demeter as a controlling mother who is forced to give her daughter freedom instead of a desperate mother trying to-- &ultimately not entirely succeeding to-- save her daughter, Persephone as a free spirit with autonomy who makes her choices instead of a kidnapped young girl tricked into her destiny). i can see the appeal, but ultimately i think that particular revisionism of this story is Bad for obvious reasons (lol), but also because it doesn't exactly give Persephone the level of autonomy people seem to think it does by making her a star-crossed lover willing to throw everything away for the first man she loves (or meets, depending on which version of the revisionism you go by).

... i'm more than willing to cop to the fact that i personally relate far more to the story of a girl torn from her innocence who then must find her own way to live with what happened&the consequences that follow, rather than the story of a young girl falling in love&running away from an overbearing mother, lol.

[shidoukanae]

I would like to make an addendum to this piece with the new chapter out and say that I was wrong about Phillip, he's great, 10/10 he went from being a giant red flag of a character to being genuinely relatable and man do i feel bad about side-eyeing him for that line he said last chapter

Also this chapter finally wrapped up another plot thread I was waiting for it to return to and waaaaaah seeing someone else's POV on Helene is so nice (and we finally got another flashback of OG Helene for like,, the first time in literally forever). Helene being called out as a lonely person who hides her kind feelings behind a cold expression...man suddenly my fondness for Helene is increasing thousandfold

Like literally how the fuck does this manga keep making Helene better and better there's literally nothing disappointing about her character and im STILL shook about it

[navree]

i am nowhere near into denis villeneuve's proposed cleopatra movie in any way shape or form (pls for the love of god no more cleopatra movies, especially ones that try to cast her as something other than what she was) but if timmy chalamet brings some of the southern messiah speech energy to octavian then i might allow for a single solitary crumb of optimism.

also i remember that villeneuve said that he wanted daniel craig for caesar so my hope is that we're just gonna focus on caesar and cleopatra's relationship and her time in rome and not go further because that'll turn into horse shit right quick.

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[drchucktingle]

a moment to check the gears and cogs

feel like i want to talk a little on the message of a recent post because i think it is an important point. when i say that you do not need to QUALIFY OR DEFEND your love of tinglers or my work in general, i am pointing out an interesting social anomaly that happens with my art and with queer art.

as an autistic buckaroo i notice patterns, and on social media i see them a lot. little phrases that come up again and again with my art. ‘yes THAT chuck tingle’ ‘its ACTUALLY good’ ’my favorite author i have never read’ ‘so bad its good’. these are always added after a POSITIVE comment about me

they also all have something in common. they are trying to distance the posters SINCERE JOY and give them an out socially. it is very very very subtle, but they are all saying ‘yes i like this but here is a sliver of acknowledgment that it is also weird or bad or ironic. in not REALLY fully in'

essentially these are added because it means the poster can escape their very real joy if needed. try applying these phrases to any other popular author. its much more subtle with the first two: ‘i liked all fours by miranda july, yes THAT miranda july. its ACTUALLY good’. what does this imply?

the other examples are a little more blatant but lets try them with other authors anyway. imagine saying ‘youre my favorite author i have never read’ to stephen king. would you EVER say that to someone? what does that imply? how about 'i love your books theyre so bad theyre good'. horrifyingly rude

lets dive into saying 'CHUCK TINGLE is my favorite author i have never read’ sounds unusual when substituting other authors because theyre usually not queer or autistic or making outsider art. to be blunt, why CHUCK gets it all the time is because it really means 'i like chuck tingle but im not gay’

while we have mostly culturally evolved past the idea that saying ‘no homo’ is some kind of joke, that FEELING is still around. it has just burrowed a little deeper. honestly it might never go away, or at least take centuries. remember these people GENUINELY LIKE MY BOOKS but feel they MUST qualify

should also be pointed out that LEFT and LIBERAL people are the ones who say this stuff to chuck. they do not MEAN to harm, and if you ask them directly how they feel about queer or neurodivergent people they would not express the same opinion as their subliminal comments might imply

the final elephant trotting by is while some of this is homophobia and fear of a neurodivergent other, it is also just plain old IRONY POISONING. its conditioning from being raised on an internet where sincerity was ‘cringe' and loving something was a weakness or joke. these problems work in tandem

so whats the point? what can we do? first of all, just recognizing these patterns is a start. i didnt HAVE to write all of this today but i think its important to be aware and to look inward and think about the gears and cogs that churn behind the things we say. NEXT step is trying to push past it

if you have done these things in the past, i want you to know i am NOT AT ALL UPSET. i am not mad or hurt and i do not think any less of you. you can trot by my side any day and you are trying your best to prove love. we are ALL just tryin our best, just consider this a friendly chat between buds

proving love can happen in BIG WAYS and it can happen in SMALL WAYS that we barely see. just take a moment and think ‘WHY am i saying this? WHY am i in this pattern to distance myself from outsider or queer art?’ a little moment of consideration goes a LONG way buckaroos. LOVE IS REAL

[musical-chick-13]

Are there, like. Women? In JJK? Because I genuinely can never tell whether there are women who show up in a significant capacity in any given work, given how audiences generally are toward a large percentage of fictional ladies (i.e., flattening them out/ignoring them/hating them).

[enha-doodles]

please do a slytherin boys reacting to you being a hufflepuff pls

SLYTHERIN GUY'S REACTION TO YOU BEING A HUFFLEPUFF | ✧⁺。

Pairing : (Mattheo , Tom , Theodore, Lorenzo , Draco) x reader

Notes : okay so now only Slytherin left and next will definately be an enhypen post , it's been too long since I posted something for them 😭

Warnings : not proofread , written in a hurry my bad guys

MATTHEO RIDDLE

Mattheo's smirk widens as he gazes at you, unable to contain his amusement. "Well, well, well, my dear Hufflepuff," he begins, his tone playful yet affectionate, "aren't you just the epitome of kindness? It's like you're allergic to anything even remotely sinister." He chuckles softly, leaning in closer, his breath warm against your ear. "But fear not, my sweet, for I'll be your guide through the shadows. Together, we'll navigate the dark corners of Hogwarts, with your innocence as our secret weapon." He grins, his eyes sparkling with mischief.

"Who knows, maybe you'll even rub off on this Slytherin and teach me a thing or two about being... less evil." He winks, his playful tone laced with genuine fondness for you. "But until then, let's just enjoy the ride, shall we?" You can't help but laugh at his teasing, feeling a surge of affection for the charming Slytherin who's captured your heart.

TOM RIDDLE

Tom rolls his eyes at the mere mention of Hufflepuff, muttering about the insignificance of a house that values kindness above all else. He's determined to toughen you up, constantly pushing you to shed your soft exterior and embrace the cold, hard reality of the wizarding world. "Kindness is a weakness, darling," he'll growl, his gaze steely as he lectures you on the importance of ambition and cunning.

He'd manipulate you by turning you against your friends because in his eyes you are born to evil that's why you ended up with him , your friends are the wrong influence "And those so-called friends of yours? They're just wolves in sheep's clothing, waiting to take advantage of your sweet nature. But fear not, my dear, for I'll always be here to protect you" He's there even if it means scaring away every potential suitor with a well-timed glare.

THEODORE NOTT

Theodore can't help but chuckle at the irony of your Hufflepuff allegiance, but it's all in good fun. He'll mock you mercilessly, recounting every Slytherin victory over Hufflepuff in Quidditch or other competitions. Yet, despite his teasing, Theodore knows when to concede defeat, his love for you outweighing any petty house rivalry.

"Alright, alright, my little badger," he'll sigh, pulling you into a tight embrace. "I may be a Slytherin, but you've got me wrapped around your little finger. Just promise me you'll stop bringing up that time Hufflepuff beat us in the House Cup. It still stings, you know."

LORENZO BERKSHIRE

He'll even go as far as pretending to roar like a ferocious dog lion - oh the irony , whenever someone gets too close, much to your amusement.

Lorenzo can't resist the urge to baby you at every turn, his heart swelling with pride whenever he looks at you. He'll hover protectively by your side, his arm draped over your shoulders like a shield against the world. "My sweet little badger," he'll coo, pressing a kiss to your forehead. "I'll protect you from every danger, real or imagined. No one's laying a finger on my precious Hufflepuff, not while I'm around."

DRACO MALFOY

Draco's annoyance is as evident as ever, his aristocratic features twisted into a perpetual scowl (his resting face actually) as he begrudgingly accepts your Hufflepuff allegiance. He'll grumble about the stupidity of your house, his annoyance palpable in every word he utters. "Hufflepuff" he'll mutter under his breath, as if the mere mention of the word leaves a bitter taste in his mouth.

But despite his disdain, Draco can't help but crave the princess treatment you're all too willing to provide. "Fine, Hufflepuff," he'll huff, crossing his arms in a dramatic display of annoyance. "But don't think for a second that I'm not expecting extra cuddles to make up for it."

。　　　　✧　　　　⁺　 　 　。

[rubykgrant]

I love watching early episodes of Futurama; the year 3000, and people still have VHS tapes and floppy disks. Because like, the world at the time only had barely a hint of of the digital tech around today, just 24 years later. So even when the people working on the futuristic sci-fi show were coming up with wacky nonsense, they also used what they were familiar with. Which was VHS tapes and floppy disks. There is some kind of irony in there, and maybe also a weird metaphor too, because I'm nostalgic for a show about a fictional future which also contained many retro references to media that came before it, and as I watched the show over the years, I saw it slowly include more and more "modern" facts of the real future, that was actually the present