#I TELL MY STORIES AND MY PERSONAL STORY because its my main muse

[writingoddess1125]

Jessica Rabbit Effect pt. 4

So a lot of people have asked what if Crocodile & Mihawk found out about Buggys hot wife. So here we are!

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• Buggy would be dragging his feet and reluctant on letting you go.. Truthfully he wanted to keep you on his little island village were you could live in ignorance and bliss. (Cause he's possessive)

• However it seemed some things couldnt be helped-

• Especially after your kidnapping attempt. So he felt safer dragging you with him to the Cross Guild meeting-

• "I'm so nervous" You admit, stepping in land as he kept you close.

• "Don't be- You'll be fine. I promise nothing will happen" He stated confidently, you assuming because these men were his friends- (While Buggy ment he'd kill to make sure no one harmed you)

• Once inside you saw them- And you damn near were ready to run back to the ship..

• They looked so much scarier in person!

• Craning your head up to meet the two massive men- Your nerves now all over the place as they just seemed to stare down at you.

• Hard-

• Your hand instinctively squeezing Buggy for reassurance.

• "Croc, Hawk- This is my Wife (Y/N)" Buggy said calmly with a hint of irriation in his voice at having them meet you at all, keeping a secure hand on your waist as you smiled softly at the two infamous men, still a bit nervous.

• "It's lovely to meet you both"

• Sir Crocodile and Mihawk exchanged puzzled glances as they stood before Buggy's wife.

• Perplexed-

• This pretty women was Buggy's wife?- Sure they had both heard rumors that she was apparently attractive but they assumed this was just Buggy's dramatic words floating around.

• However you were actually gorgeous!?

• Crocodile muttered, "Lovely to meet you as well-" Migawk nodding in greeting to you.

• "I know its a bit short notice me coming here and all, vut I made you both some gifts as a gesture of kindness" You say so sweetly as you reach into your bag and pull out the nice gifts for both of them nicely wrapped in colored tissue paper. Mentally praying Buggy's information was correct.

• Both Guild Leaders took the gifts in question- Still assuming something about this was fishy as both slowly ripped the tissue paper to take a peak at what you'd made.

• You had made a beautiful silk orange gold puff tie for Sir Crocodile since Buggy kept saying he was wearing a 'scarf' as a tie (But you knew better that it's a Puff Tie and not a scarf)

• And for Sir Mihawk you made him a white ocean cotton button down with front frills, you didn't make it as dramatic as you typically made Buggys but it was a incredibly pretty and beautiful shirt that would be comforble to wear whenever.

• Both men stared at the gifts, like they were trying to figure out what sort of trickery this was.

• "You made these?" Mihawk questioned at first,

• "I'm a seamstress" You state calmly, a bit worried they wouldn't be interested. However smiled when Crocodile complemented your craft and the quality of the tie.

• Once inside the main meeting room, conversation flowed naturally, You chatting up both men so they could become familiar with you. Even telling them the story of how you and Buggy met all those years ago.

• "Are you wanted to married him?-" Crocodile mused, taking another drag of his cigar.

• "Of course! He's so sweet afterall" Buggy looked miffed by Crocodiles words and the fact you gushed so much-

• Mihawk was the most interested in you however, taking sips of wine as he looked over you calmly.

• "Would you reconsider your marriage for a more suitable option?-" He so bluntly asked which made you blink in total surprise.

• "HEY!" Buggy yelled, Wrapping a protective arm around you as he began to yell at Mihawk for daring to 'hit on' his lovely wife- His temper definitely getting the best of him.

• Buggy throwing a full on tantrum now as he pointed a finger at Mihawk and screamed at him. The yellow eyed man grabbing his sword in warning-

• You flushed in embrassment and patted Buggys arm gently to calm him down before he got chopped to bits. "No No- I'm very happy in my marriage and love my husband dearly. I wouldn't choose anyone else-"

• Buggy stopped his little tantrum and seemed to be soothed by your gentle hands and soft words.

• Both pirates respecting such a loyal trait and moving on from such conversations.

• Both Guild Leaders found you quite enjoyable- You had wonderful humor, great in terms of conversation and essentially made up for everything your husband lacked.

• Work did take place however, Buggy and the two men talking over strategies of wealth and gaining a greater sense of power between them all.

• They did however find it irritating they couldn't beat Buggy's ass like normal- Seeing how it would upset you and the man seemed to be practically glued to you.

• By the time for you and Buggy to retire, Maps, Plans and even money had been exchanged-

• As the meeting delved later. Food and Alcohol was served, which left you full and a bit tipsy. Leaning your head on Buggy's shoulder as you soon fell asleep against him.

• "(Y/N)? Buggy said softly, claiming his arm to properly secure you against him as he saw your sleeping form.

• "Seems it's time to go our separate ways" Migawk said calmly, having finished off 4 bottles of wine himself and not too far behind you in terms of sleep. Crocodile wiping his mouth of the crumbs with a napkin as he set his near finished cigar on a ash tray.

• "Yes.." Buggy said softly, scooping you up with care.

• "....Since my wife is asleep- I need to say this to you both"

• Buggy didn't look at the two of them just stroking your hair as you slept- "I will only speak this once... If you two hurt my wife or make her upset in any way- Death will be the kindest thing I can give to you"

• They had always know Buggy hid his true abilities and simply didn't take things seriously- But they saw you were his only button.

• His only weakness-

• No words were exchanged, but a silent agreement seemed to settle on the three men.

• You were off limits.

• Buggy carried you out of the meeting hall, taking you to his private quarters so you could rest properly. Already mentally mapping out changing you into your nice PJs-

• The two men left behind watching their peer leave with his prized wife. Crocodile muttered, "How did Buggy manage to snag such a pretty and sweet wife?"

• Mihawk, equally mystified nodding in agreement.

• "It's a mystery as profound as the Grand Line itself."

Extra!-

"I can't believe those dirty bastards got you to make them clothes!" Buggy yelled, stomping his foot dramatically as he watched you sew at a purple and gold vest which clearly would belong to Crocodile by the large size.

You sitting in your favorte chair, dressed in comforble clothes as you continued to work into the evening in the home you shared with your dramatic husband.

"I make all your clothes" Gesturing to his low riding pajama pants and socks he was currently sporting. He waved this off with a dramatic eye roll-

"That's different your my wife and I still pay for your time since it's important! and they shouldnt get it fre-"

"They are paying me Buggy Boo" You cut him off quickly, taking the winds from his sails as he stopped mid rant.

"Eh?" He said confused, not knowing what you were talking about. You reach into your vanity next to you and handed your husband the letter both men had slipped you when you'd first met them in the guikd hall.

"They have me a lump some for 5 peices of clothes for each of them. 2 pairs of trousers, 2 shirts and a special item for each. For Crocodile he wanted this vest Im working on- and for Mihawk to restore a coat he liked" You explained, Buggy raising a brow at this news as he opened the letter quickly and read over how much they offered for such peices.

....

"GAHH!-"

Buggy yelled as he fell to the ground foaming at the mouth at seeing the large number.

15,000,000 Beri for each man....

He couldn't complain-

Well not about the men paying you so handsomely but about having to become the grumpy delivery man for his wife once the clothes were finished.

When he went to the meeting handing his two peers the clothes they had specially bought from you in the nice boxes youd always packed everything in.

Both men quick to open them and look over their new purchased goodies. Mihawk immediately putting on the repaired coat after seeing its quality- which was better then when he bought it.

"Tell your wife I'd like to make another commission when she has free time- I'll pay double" Mihawk said smoothing out the coat and seeing the nice gold pattern on the sleeves and nice red satin insides of the inner coat.

Crocodile adjusting his orange Puff Tie and he nodded in agreement and went through his box with great satisfaction. "Same for me as well-"

"I fucking hate you both..."

[astoldbysteph]

i feel like people aren't gonna like what i am gonna say but after numerous talks with rp friends, i think it's important to at least yap a little about this.

i know this you don't owe anyone anything girlypop coochie queef purrrrrrr 💅 attitude is seen as the standard to follow not only in rp spaces but pretty much anywhere (especially online) and idk guys, i think this is doing more damage than good. rping is a hobby, yes, but it's a hobby that involves us collaborating with people in order to have fun and sometimes i feel like there's some inherent selfishness and carelessness that along with a severe lack of communication, is slowly eroding the rpc as a whole.

every day i hear a new anecdote about admins failing to take their group off the ground because of flakey members. or people retreating into their shells and not being able to fully enjoy writing with others due to people ghosting them after three hours. i feel like every single person that does the 1x1/indie thing has a story where they plot someone, make a discord server or set up an established thread, and then they never hear from their writing partner ever again. and this ain't cool, guys.

stuff happens! we all got lives and responsibilities like work and school and family life that sometimes prevent us from being as active as we would've like. or some days we just don't feel like writing for whatever reason and that's valid. this ain't a job, but it is a collaborative hobby so i am sorry to tell y'all this, but we do owe at least a lil bit of common courtesy to people who take the time to collab with us.

chats with friends and fellow rpers have me feeling like the rpc as a whole, in my opinion, has a communication problem. group people don't talk to their admins or don't like plotting with other members. 1x1/indie people are used to dropping stuff unannounced and talk even less between each other. roleplayers in general avoid making the first move and prefer letting the other party do the work. like dang y'all, not to be a hag on main but back in my day!!!! there was more of a willingness to talk to others. now everyone is more 'secluded' which i think stems from bad past experiences so we kinda end up stuck in a cycle that messes with everything as a whole.

idk where i am going this but i keep seeing people posting stuff talking about this or sharing similar sentiments or stuff happens to me and i end up making my brain work overtime to try and figure out what happened and what i can do on a personal level to change things and help others stop feeling discouraged and have a better time writing and chilling with people

and also before i forget because my wife reminded me!! it's ok to drop stuff or plots or people and its ok to take ur time to reply. we all got stuff to do or we are tired or sad or obsessively rewatching degrassi or just dont feel like writing and that's so valid. all sane people get it and would be understanding if you hit them up like hey! idt i have muse for this or sorry i took forever! but people don't even do that nowadays and it leads to people quitting, feeling discouraged, OR WORSE, adopting the same mindset. talk to ppl!! rpers are super nice and if you run into a weirdo i will beat them up for u

[exhausted-archivist]

Honestly, watching how this fandom (and just fandoms in general) treats creators, both dev and fan artists/creators, is really demotivating when it comes to creating much less creating something original. I'm just going to be musing below the cut so feel free to ignore this.

While there is always a place for criticism, critique, and discussion. The fact that harassment is expected with the territory of creativity, that death threats can be triggered over something as minor as a poorly worded interview, which is my understanding as prior to this morning where I returned to finding devs having closed their accounts.

The main conflict being over the interview contents about Davrin, which there was elaboration that they thought of other companions for the act 3 choice but ruled that the emotional stake for their audience (us. the players) was that Lucanis was too dependent on an act 1 choice that it was better to have Davrin. That yes, the audience would find it harder to choose between Harding and Assan. I have my own critiques and opinions on this. I also agree that it shouldn't have been presented that way in the interview. Couple the fact that they reworked the entirety of act 3 in March, and thus were refitting things based on choices they could not expand, build on, ect. The writing room has problem, yes. The interview could have had better wording, yes. But to harass and send death threats is just unfathomable.

I've never been so involved in a fandom before, much less one this size, so I'm not used to seeing the inherent negativity that comes with everything. Even in spaces like the wiki. There is this immediate response of bad faith accusations of the devs, that they're lazy and/or uncaring.

I went to school for games and animation. I've done work in the game industry and dabbled in other aspects of the industry. I have always wanted to create a world and share stories. It is largely a part of what drew me to Dragon Age and the community. It is why I love breaking down the world building, exploring and critiquing what I feel is and isn't strong aspects of its story telling.

But this community has also killed a lot of motivation for me to share any story. It has hampered a lot of desire to share my long fic or even my ocs. Especially as I've gotten harassment and have received threats in my ask box over just sharing the model heights of da characters because I ruined their headcanons and such.

It is honestly a weird place to be at this moment. It is little over a month after launch, devs are already being fired again. The community seems to be more hostile and negative than I was prepared for (and people tried to prepare me, and I've seen the stuff from soon after dai's release).

On a personal level I'm finding it increasingly hard to want to engage here or anywhere for that matter much less create. And it sucks because I want to create, I want to share stories with other fans, and I want to interact with the devs to ask questions and hear what they have to say about their work. To get inspired. But, yeah. Long-winded way of just saying I'm tired and at a loss.

[variousqueerthings]

read those last four pages of the earlier draft of the due south ending and wild how much it aligns with my overall predictions of how the show was going to end, so clearly i was seeing what some of those earlier intentions were (and it makes me wonder why they changed it)

to be honest, it could've pretty much ended that way with very few other changes -- the major two being meg saying she wouldn't move north, although she could still say that and be seen in a cushy office. it's the discomfort of fraser's general lifestyle/being a wild man of nature that she doesn't necessarily want, not canada itself, she canonically misses ottawa. and the other one perhaps being ray's and stella's relationship, but that could still be a thing that's dangled without needing to put too much of a line beneath what it may or may not become post-credits

it's really just the epilogue -- which felt oddly tacked-on to me -- that changes the ending, and im coming at that with a mix of "well, since most of it is making jokes about the characters i can ignore it" and "ray vecchio and stella elope and divorce almost immediately (due to ray's post-undercover ptsd)"

beyond that i wasn't totally sold on ray kowalski going up north at the end -- at least not for the longhaul, although i really do quite like the openness of him and fraser going to look for franklin's hand, so that wasn't the bit of the epilogue i was really scratching my head over, although, there are things about it that suggest that it's not the place either of them really need to be/would choose to be for too long moving forwards (also lol, ray you're wearing a thin coat and you hated most of your journey in canada so far, sir your rose-tinted glasses are blowing right off your face with the first blizzard -- but that's a part of him, he's not a hugely practical guy outside of the things he Knows How To Do, that is, he'll wear a thin coat in northern canada and eat smarties for breakfast and forget to clean his apartment and stalk his ex-wife but not out of malice and she doesn't feel threatened by it and he'll get himself beaten up in a boxing match he shouldn't be in and he'll smack computers, etc)

im still musing on how i read rayk's character, but a Big Big thing that is explored in canon is that he's someone who needs someone to tell him who to be, and that used to be stella until she correctly identified the amount of emotional labour that was being required by her vis a vis his various unexamined issues (and i believe she probably started at least some of the arguments, but at its core this is a solid lady and an unsolid man, it's easy to see where the issue lay), and now it's fraser, and all the while ray is asking, with some self-awareness: when he's not around other people (a single other person) telling him who to be, who is he? and we never do find out and nor does he, which is interesting -- it makes the franklin's hand ending quite melancholy to me, that alongside how it pertains to fraser himself

it suggests that him leaving with fraser is more about needing fraser as a crutch (like he needed stella). i was thinking there'd be some openness to the ending (people aren't at their final destination just because the story has ended), but ray doesn't need a yes-man like fraser (who sucks at boundaries), he needs... well ray vecchio, i think. and ray vecchio needs him, because of their very unique shared experience. there's an implicit understanding between them that's obvious in just the short amount of time they're together in the finale and that's really one of the main interesting things i want to think about/explore more moving forwards

the other thing that i'm circling back to in terms of the ending, is that fraser started the story very much alone, sans diefenbaker (whom one can say many things about in terms of what he represents -- friend, brother, same soul, metaphor, spirit). he ends the story with a community -- ray'n'ray, meg, maggie, turnbull to an extent, the whole precinct really, arguably parts of chicago itself, and i think that original ending makes that much clearer

the end of the story onscreen had a melancholy to it, as i said -- the epilogue puts both ray vecchio and meg far away (for no real reason that i could gather/sorta out of character for them both), effectively splitting up the community that had formed around fraser, and the northwest passage isn't the happiest of songs to end on. its story is that of a journey that is futile and circular, that to go out there is to ultimately try and find a way back home. so there's a lot of ambiguity to the onscreen ending that i am enjoying reading along the lines of how that community can come back together again afterwards, whilst still allowing fraser to fundamentally be who he is, which is wild and fairytale-like and other

the expression on his face when he first returns to the snow and the wild -- that fraser balanced with people anchoring him and telling him that whenever he wishes, they will be there for him (whilst knowing that there is, fundamentally, something about him that is of the wild and therefore untameable and also shouldn't be tamed, because then he wouldn't be fraser)

i think the main things im interested in right now are: 1. the rayk and rayv dynamic in a million different ways 2. exploring meg and maggie (apart, but also together in the same space in some way or other) 3. fraser and the balance of his two selves (the part that is always called by the wild and the part that has People whom he cares about, who are His People, not just people as an ideal) 4. also fraser and how he feels post-knowing-all-of-that-about-his-past-now-and-aftershocks-thereof 5. rayv and vegas and the aftermath of that, and including stella in that because the finale puts her in an interesting place to develop alongside both the rays 6. rayk and trying to find out who he is, because this too has been my big [?] whilst watching him. who are you sir? what do you want? (you want to know who you are, that's what you want. you want to feel real in your own skin. i want to explore what that journey looks like for him) 7. permutations of ray'n'ray and fraser either staying in or leaving law enforcement -- am fascinated by the fact that this is played with across both versions, so clearly it was a questionmark for the writing as well (my favourite idea of post-canon this is ray'n'ray open up a detective agency in some way or other)

so yeah. questions about the onscreen epilogue. what prompted it and when did it change, but im pretty chill about it, im just scooting it mildly to the left to bring all the characters back into frame a little more so i can ask the questions i want to ask of them

[markantonys]

I have to ask, as someone who didn't connect with Rhuidean as it was written in the books, how did it land for you in the show? Did Rand actually having a deep emotional reaction to it here help?

good timing, i was just about to muse on this! i will treat this as my Episode Reaction Post.

and alas, i have to say, i felt pretty much the same as i did in the books: objectively, it's a great sequence, but subjectively, just doesn't really pique my personal interest or hit me emotionally. with this episode, i can 100% see why people are raving about it, but it simply didn't hit me that way (again, not at all a knock on the episode or a criticism of it, purely personal taste! this was as perfect an onscreen adaptation as the rhuidean sequence could've had, but that sequence at its core just isn't one i connect with. i think i'm just always going to prefer the main present-day story over a journey through fantasy world history, regardless of how well the journey is presented.)

josha playing all the ancestors was an A+ choice and definitely helped with the emotional investment, but i'm still left with the feeling that even though this is rand's big focal episode, to me it didn't feel like it was about *rand* that much, but rather more about worldbuilding and world history and the aiel than about present-day rand himself as a specific character (which was indeed my initial hesitancy when it came out that the big rand episode would be this one). but i know i'm in the minority because all other rand fans are so thrilled with this episode, and i'm not too fussed about this either since i know present-day rand himself as a specific character has plenty more stuff to come that will hit me better! and josha really got to flex his acting muscles in this episode, so it was definitely a josha focal episode even if not so much a rand focal episode. still, when i compare this to the nynaeve & egwene focal episodes, those two absolutely blow it out of the water in terms of "how emotionally affected was i, how much more connected did i feel to the character afterwards, how much deeper an understanding of the character did i gain" (i will say that for rand as a specific character, 1x08 moved me more than 3x04 did and i can feel the brains of all other readers exploding in rage when i say that djkfgjh but for me it's because the 1x08 dream temptation stuff is really about RAND in such a specific way that tells us so much about who he is and what drives him). this episode will probably wind up low on my personal episode rankings, both for the season and all time. but feeling like i'm having a stroke while the entire rest of the world raves about the rhuidean visions being the best scene in the whole series is an integral part of my WOT experience, so i'm fine with that being maintained again in the show version hahaha

the only actual "critique" i have (that isn't just "personal taste makes me not that invested") is that it would've hit a little better if they'd been able to squeeze the tuatha'an into perrin's storyline in ep3. totally understand there wasn't space for them yet, but i think that especially for show-onlys who haven't seen or thought about tuatha'an since 2021, getting ila et al reintroduced to us *before* the big reveal that the aiel splintered off from the tuatha'an would've increased the impact. in my opinion, anyway! i'm definitely REALLY curious to see show-onlys' reactions to this episode and see whether they're as excited and mindblown by the world history trip as readers expect them to be or if they're more like "okay, cool, but can we get back to the main story?"

[darksonofsparda]

Omg its another update post!/return notice

Look who isn't dead, hello. You may or may not remember me from last year as an active role player. I didn't want to take long to post this, but I haven't had any internet access for a whole year There's a lot of reasons why I disappeared for one year It's a pretty big read, but I ask that you please read below the cut, as its important, especially those who are still looking to write and ship with me.

I don't wanna make this too long, but its probably gonna end up long anyway. So a little bit into the year, while I put on a happy attitude, behind the scenes, I've been struggling. Lots of things were stressing me out irl and it was affecting how I talked to people. I started to notice myself becoming more easily irritable for stupid little things, and it kept happening more and more, I almost ruined a friendship with my attitude, and I've already ruined one with my actions, and I don't ever wanna do that again. The moment I finally realized this, I knew I just had to step away for a while, get my head back together and just fix myself. I've been writing on this website for over 10 years, about 13 or 14 now, and treating others with kindness and respect is something very important to me, had I not taken a break, I was afraid I would explode on the next person who barely upset me, and that is not the kind of person I wanted to be, or ever want to be. I'm not this toxic person, but I almost became toxic, and I had to stop myself by giving myself some distance from the internet. So taking some time away was much needed. I was able to get a better look at myself and finally see the person I wanted to be. While I still have some important things to do in life, I'm decided to come back. To be honest, I wasn't sure I was even going to return, but after A LOT of thought, I realized, there are still so many stories I want to tell with others, so many characters and ships i want to explore for all my muses. To save me some trouble, I'm gonna reblog this or repost this on my other active blogs. I'm coming back sometime next month, I'm not sure when exactly, but definitely sometime in February, by then I'll have internet again, and will be able to be here once more. That being said, I'm going to be spending the next few weeks reaching out to people. Ship partners and mains who I've interacted with. I know there are a select few number of ships and partners of mine that I will definitely be reaching out to, to find out who would like to continue certain threads with me and see who would still like to ship, especially if its a thread I've spent a lot of time plotting with you. I'd tag people, but this is gonna be used on all my active blogs, so I'll just reach out. I'm sorry I didn't come back sooner, but I just needed some time to feel isolated to kill all this negativity and toxicity that followed me. To those who remember me, I hope to continue writing with you and tell out characters stories, because there's always more adventures to get into. I understand if a majority of people both who I've yet to write with and have already written with want to drop our threads and move on, my break was very unplanned. But if you are one of those people who is still wanting to write with me, and give our muses a chance, than I want to take a moment to thank you for being here, especially the people who always stick with me despite my track record of sometimes disappearing without a trace. P.S: Since not everyone is on right now, this will reblog for one week, but spaced out in between so I don't clutter the dash. I look forward to continuing our muses stories, whether we've already started their adventures or if we have yet to do so, thank you. Hope to write with you all again soon. ~Chase

[dxfiedfxte]

Omg its another important update/return

Look who isn't dead, hello. You may or may not remember me from last year as an active role player. I didn't want to take long to post this, but I haven't had any internet access for a whole year There's a lot of reasons why I disappeared for one year It's a pretty big read, but I ask that you please read below the cut, as its important, especially those who are still looking to write and ship with me.

I don't wanna make this too long, but its probably gonna end up long anyway. So a little bit into the year, while I put on a happy attitude, behind the scenes, I've been struggling. Lots of things were stressing me out irl and it was affecting how I talked to people. I started to notice myself becoming more easily irritable for stupid little things, and it kept happening more and more, I almost ruined a friendship with my attitude, and I've already ruined one with my actions, and I don't ever wanna do that again. The moment I finally realized this, I knew I just had to step away for a while, get my head back together and just fix myself. I've been writing on this website for over 10 years, about 13 or 14 now, and treating others with kindness and respect is something very important to me, had I not taken a break, I was afraid I would explode on the next person who barely upset me, and that is not the kind of person I wanted to be, or ever want to be. I'm not this toxic person, but I almost became toxic, and I had to stop myself by giving myself some distance from the internet. So taking some time away was much needed. I was able to get a better look at myself and finally see the person I wanted to be. While I still have some important things to do in life, I'm decided to come back. To be honest, I wasn't sure I was even going to return, but after A LOT of thought, I realized, there are still so many stories I want to tell with others, so many characters and ships i want to explore for all my muses. To save me some trouble, I'm gonna reblog this or repost this on my other active blogs. I'm coming back sometime next month, I'm not sure when exactly, but definitely sometime in February, by then I'll have internet again, and will be able to be here once more. That being said, I'm going to be spending the next few weeks reaching out to people. Ship partners and mains who I've interacted with. I know there are a select few number of ships and partners of mine that I will definitely be reaching out to, to find out who would like to continue certain threads with me and see who would still like to ship, especially if its a thread I've spent a lot of time plotting with you. I'd tag people, but this is gonna be used on all my active blogs, so I'll just reach out. I'm sorry I didn't come back sooner, but I just needed some time to feel isolated to kill all this negativity and toxicity that followed me. To those who remember me, I hope to continue writing with you and tell out characters stories, because there's always more adventures to get into. I understand if a majority of people both who I've yet to write with and have already written with want to drop our threads and move on, my break was very unplanned. But if you are one of those people who is still wanting to write with me, and give our muses a chance, than I want to take a moment to thank you for being here, especially the people who always stick with me despite my track record of sometimes disappearing without a trace. P.S: Since not everyone is on right now, this will reblog for one week, but spaced out in between so I don't clutter the dash. I look forward to continuing our muses stories, whether we've already started their adventures or if we have yet to do so, thank you. Hope to write with you all again soon. ~Chase.

[cannedpickledpeaches]

Insert Your Name (4)

Mafia!Jade Leech x Mafia!Reader

Link to series masterlist!

Notes and TW: This series will have mentions of blood, violence, crime (kidnapping, attempted assassination, extortion), and harassment, as one might expect from a mafia AU. Please enjoy!

Tag(s): @guava-has-a-pen

Jade’s Signature Spell has several restrictions. The greatest variable about it is its rate of success. Only ten minutes after meeting with the captured thug, the four of you sit out in Azul’s living room with furrowed brows. Except Floyd. Floyd happily indulges in Azul’s expensive grapes.

“I didn’t think Moore looked like someone with a strong will.” You reach out a hand at Floyd. He drops a perfectly round, nearly black grape in your palm. “Maybe he was faking the terror? Or maybe the person who gave him Jade’s information is much scarier than a bit of persuasion from Floyd.”

“Looked and felt like a minnow.” Floyd’s jagged teeth tear through the fruit like it’s made of tissue paper. “His screamin’ was real, lemme tell ya that. Even if he’s scared of someone else, he probably thought he was gonna kick the bucket right then and there. If ya asked me, he woulda spilled even without Jade cuz he thought he was fucked either way. Kinda weird that he didn’t.”

If there’s anything you’ve learned from knowing him for this long, it’s that his gut feeling is rarely wrong. Intuition is his forte. But if that’s the case, how come Shock the Heart didn’t work?

“My guess is,” Jade muses with a hand on his chin, “there is a spell previously cast on him that can block mine.”

Azul considers it. “Memory wiping, maybe. Perhaps he really doesn’t know—or at the very least, doesn’t remember. Another possibility is a defensive spell cast on his mind.”

“Even if that’s true, he isn’t a mage.” You pop the grape inside your mouth. A sweet, delectable juice spreads over your tongue. “If he was, he would’ve tried to break out of those ropes.”

That’s a simple trap Jade likes to set. Without a magic tool like the mirror back in Night Raven College, it is difficult to tell who’s a mage and who isn’t. However, by using restraints that are not made of anti-magic material and relaxing security briefly, mages often reveal their hand with escape attempts.

“Maybe it was his boss or somethin’ who casted it. Y’know, to keep secrets from gettin’ out. Pretty nifty spell, if ya think about it.”

“Someone within the Carpenter Mafia, huh.” You curl up on the couch, pressed into the corner formed by its arm and back. “Guess we’ll have to investigate all the mages they have. Talk about time consuming.”

“Please leave it to me.” Jade places a hand on his chest, a reassuring smile on his lips. Reliable. Like a sturdy tree, or a nook in the cliffside. Someone you can lean on. Someone who can pick up your slack and watch your back. Trust given to Jade can only be from a naïve fool, a desperate person, or a wary one who has leverage on him or something to gain. Regardless, despite the fact that he is difficult to trust, he is terribly competent to make up for it.

“Will you have time for it, with all the other things you have to do? Like managing the mafia and the main story?”

“Please do not worry. If it comes down to it, there are tasks that I can delegate to other qualified individuals.”

Azul heaves a heavy sigh.

After a lengthy discussion, Azul all but kicks you three out of his house. You let Jade drive you home because you aren’t keen on sitting in Floyd’s passenger seat again anytime soon. Sitting in the leather seats of Jade's car, you watch as streetlights sweep by the glowing dashboard to a constant beat. The twins’ differing tastes are obvious even in their choice of car models. While Floyd prefers flashy sports cars that attempt to break the sound barrier, Jade prefers sleek, black ones that don’t make too much noise.

While Jade drives, your eyes drift to the night sky and your mind to the story. The next event is their second meeting. (Y/N) runs into him in the shopping district. Judging from the description in the manuscript, it’s on a street you frequented with her. Buskers at intersections. An ice cream shop next to an oak tree. A fountain with picturesque statues. You have a picture on your phone of her laughing in front of the water.

Does she think about you? If a friend suddenly stopped contacting her after being cornered in an alleyway, she’d naturally try to check up on them. That’s the selfless and considerate personality she has as the main character, after all. So why hasn’t she even texted you once? Were you truly even friends?

Of course you were. A kind person like her couldn’t fake affection. Those smiles she shared with you were definitely real. So then, why?

“You should sleep early tonight.” Jade suddenly speaks up at a red light. He takes the momentary break to glance at you. There’s an expression you can’t place on his face. Worry? No, nothing that strong. He looks back at the road before you can decipher it. “You’ve been stressed lately. I can brew you a relaxing herbal tea if you have trouble sleeping. It will guarantee you a relaxing slumber.”

“That makes it sound like I’ll never wake up if I drink it.”

He chuckles. “You can find out if you drink it.”

“Pass. Make it for yourself.”

“Perhaps I will. I often have difficulties falling asleep at night.” Unlike you, his insomnia is evolutionary. Moray eels are nocturnal creatures, and having grown up in the deep sea, day and night cycles took time to get used to. In the endless night of a place where sunlight cannot reach, circadian rhythms follow a schedule, not daylight.

“Doesn’t the story say you’ll sleep in the same bed as (Y/N) tomorrow?”

There’s only one bed. A common trope. This event seems to be shoved into the story, full of plot holes and reasons that don’t make any sense. (Y/N) is meant to lightly twist her ankle because of her endearing clumsiness. Jade will bring her to a fancy hotel room and tend to her wound there instead of bringing her home like today. Your only guess is that the story wants to showcase his wealth and influence. He can get a fancy room in a fancy hotel whenever he wants without a reservation. He can afford whatever her heart desires.

“Indeed.” Jade gives a half-smile. “Although I doubt it will happen. I find that I cannot sleep in the presence of strangers.”

Morays are cowards, Floyd once said. Ambush predators. They like hiding and darting out at prey or going after injured animals. Strong enough to have the confidence of living in a hole with no escape route other than the entrance, but careful enough not to chase down prey in open waters. Jade is more careful than most. You don’t think you’ve truly seen him with his guard down before.

“(Y/N) is harmless.”

“I am aware. It is only a force of habit.” His fingers tap lightly on the steering wheel. “I will stay until she falls asleep and then do some work. There is much to do, with so little time.”

You wonder if the increased workload has taken a toll on Jade. As competent as he is, he was suddenly saddled with the responsibilities of an entire syndicate and expected to run it with the same proficiency as his parents. His hobbies that he adores so much were all put on hold. There must be a mountain of pressure on his shoulders, but he never complains. Never one to show weakness. It is easy to exploit.

“You can give me more work. Just pay me and I’ll do it.”

Jade’s eyes flick to you, then back to the road. “How considerate of you. What are you willing to do if I take you up on that?”

“You can leave the investigation of the Carpenter Mafia to me.”

“Thank you for offering, but I would like to take that matter into my own hands. It concerns information about me, after all.”

“Then what do you want me to do?”

He hums in that way he does when he pretends to think. “How about guarding me when I sleep?”

You raise an eyebrow. “Didn’t you say you can’t sleep with other people around?”

“I said ‘strangers.’” A teasing lilt weaves through his voice. “You are my dear friend of many years. Surely, we are closer than mere strangers? I daresay we are even closer than acquaintances.”

“You really like bringing that up.”

“It is because you seem prone to forget.” The car turns into a side street. Houses pass you slowly. Your neighbourhood is quiet at this time of night. “If you were guarding me, I would not even mind sleeping in (Y/N)’s vicinity.”

“Don’t even think about it. I won’t be there.”

Despite the lighthearted tone of your conversation, you understand the undertone of his request. He doesn’t expect you to accept this responsibility. Instead, he is conveying a message: he trusts you. Enough that he’s willing to be physically vulnerable around you. When he’s asleep, you could slit his throat, press a pillow over his face, crush his windpipe. But he trusts that you won’t. Instead of attacking him, he trusts that you will protect.

But is that what he truly thinks of you? Or is that what he wants you to think that he thinks? How convoluted. Talking to him is taxing on the brain.

“Actually, Jade.” You hesitate briefly. “Can you ask (Y/N) about me? Or just, like, drop my name in the conversation.”

Mild curiosity fills his gaze. “Why do you ask?”

“Just do it.”

“I have no obligation to. But if you tell me, I might consider it.”

“Forget it, then.” It wasn’t important anyway. You’ll ask her once the story is over.

He pulls up on your driveway. The entire house is dark, save for a light in the master bedroom and in the entrance. You thank him and prepare to leave the car.

“Give your mother my greetings.”

You nod and wave goodbye. The car stays in your driveway until you enter your front door before driving off. It’s something you’ve noticed only he does. For safety, he had explained. He’s making sure that you’ve entered your home safely. You can never tell if he has some ulterior motive.

The first few things you notice when you step inside are the pill bottles left out on the counter. You take your shoes off and silently pad over to the washroom, returning the bottles to the medicine cabinet. Just as you put the final one in place, a voice calls out from the top of the staircase.

“You’re home late. Are you tired?”

A kind, familiar voice. You approach the stairs and look up to see your mother standing there in her sleepwear. The stress accumulated throughout the day melts away, temporarily forgotten. No matter how difficult things are, no matter how tedious the days become, no matter how much is on your mind—at the end of the day, you have your mother to return home to. Around her, you are just her daughter, without the need to be anything more.

“Hi, Mom. You didn’t have to stay up.” You ascend the staircase to meet her on the second floor. She gives you a warm, comforting hug.

“Nonsense. I can’t sleep until I know you’re home safe.” She pats your hair and lets you go. “Did you come home by yourself?”

“Jade drove me. He says hi.”

“Oh, Jade. He’s a good kid. Thank him properly, alright?”

A good kid. You almost laugh out loud. For one, both you and him are in your late twenties. For another, you wouldn’t use “good” to describe his character. But you don’t, because you don’t want your mother to worry. You only tell her the best anecdotes about the people around you so that she can rest assured you’re in good hands. She doesn’t know about your real job, either. She doesn’t need to. You prefer to keep things this way. She would never approve of a profession where you could get hurt.

“I will.”

She follows you to your room, where you start getting ready for bed. “What were you doing downstairs before I called for you?”

“You left your medicine on the counter again. I was putting them away.”

“Oh dear, did I?” She sighs and places a hand on her cheek. Wrinkles crease the skin around her mouth and the corners of her eyes. It is because I have lived a happy life, she always assured you, since I was lucky enough to have you as my daughter. “I must be getting old. These days, I often do one thing while forgetting another.”

“It’s a good thing you have me, huh?”

She chuckles. “You’re right. It’s a good thing I have you.”

When you lie in bed, your mother sleeping soundly in the master bedroom, you think back to Mr. and Mrs. Leech. To Jade and Floyd, who anxiously wait for a cure to that curse they still haven’t found the culprit for. Jade changes out the flowers by their hospital beds as soon as the petals start to wilt. Floyd bribes the hospital so that he can spend nights by their side. If your mother was in that situation, you know you would raise Hell on Earth. You can only imagine what the twins are going through. If they ever catch the assassin, you don’t want to know what will happen to that soul. There is no judgment against the twins here. You would do the same.

You don’t know when you slept, but you wake up before dawn to the sound of your ringtone. Upon picking up, Jade delivers two pieces of information.

Firstly, he fell asleep. And secondly, when he mentioned your name to (Y/N) last night, she smiled blankly and asked: “Who?”

[marsprincess889]

THE PRINCESS DIARIES - coming into your power.

Astrological analysis with nakshatras

The princess diaries, 1 and 2, are forever on the list of my favorite movies. Girls all over the world feel for Mia and I'm no exception, I almost always cry during certain scenes and I'm amazed again and again by how relatable and real she is, by how those movies speak to young girls.

I've decided to break down the main themes in the two movies by analyzing nakshatras of the people involved.

A quick recap of what the story is about: Mia is a 15 year old teenager living in San Francisco with her mother. She's clumsy, awkward and has no self esteem. One day, her estranged grandmother comes to visit her from Europe to tell her that she's the only legitimate heir to rule a small country- Genovia.

Director of the movies, Garry Marshall has Ketu in Magha. Magha is about ancestors, bloodlines and it's also associated with royalty (Magha begins the signs of Leo). Ketu in a chart represents a person's primal creative energy. This explains why he was drawn to a story about royalty. One interesting fact to note is that Gary Marshall made two very iconic movies (Pretty Woman and Runaway Bride) starring Julia Roberts who has been a kind of muse to him and who has Magha moon. This is also a pattern with directors and actors, one example I can think of is Kirsten Dunst (Ashlesha moon, Purva Ashadha Ketu) being a muse to Sofia Coppola (Purva Ashadha moon, Ashlesha Ketu).

Anyways, let's get back to The Princess Diaries and analyze the heart of the two movies- the relationship between Mia and her grandmother, queen Clarisse.

Anne Hathaway - Hasta moon, Vishakha sun, Jyeshta rising

Julie Andrews - Vishakha moon, Hasta sun, Uttara Phalguni rising

SPOILER ALERT

Part 1

Hasta- strong females

The second movie's main theme is about female empowerment and independence. When the parliament refuses to let Mia rule without a husband, she has 30 days to arrange a marriage and she's willing to do it, just because she wants to rule so much that's she's ready to make such a sacrifice. At the last second she breaks down at her wedding, unable to be betray herself and finds courage inside her to make the parliament change their minds. She succeds and becomes queen without a husband.

Hasta is all about female empowerment but unlike Bharani, it's in a non-sexual, celibate way. Hasta, as a woman, completely rejects almost all male influence and is capable of being self-reliant, only opening up to rare men who she deems worthy. Hasta is the female that does not need a man and in that way, is a safe and empowering place for women.

There's a scene in the second movie where Mia stops the parade to defend a small girl from boys who were bullying her. She tells her how to be a princess and empowers her, letting her and the other kids join the parade. During the monologue at the end, when Mia is talking to the parliament at her wedding, we see women accross the country intently listening to her on the television, shushing the men . 😆

Part 2

Vishakha - joining opposites

Like Hasta, both Anne Hathaway and Julie Andrews have Vishakha in their luminaries. Vishakha nakshatra is about joining opposites. It begins in the sign of Libra (partnerships, agreements, relationships, compromise) with its last quarter being in Scorpio (death, transformation, occult). Vishakha is ruled by the gods Indra and Agni- the lightning and fire gods. It's about energized ebthuasiasm, cultivating something over time, about using the pent up energy or anger. It's another name is Radha ("the gift", hence the next nakshatra being Anuradha- "after the gift".)

"The gift" is not just good, it can also be unwelcome, like in Mia's case, when she was angered by the revelation that she's a princess. Queen Clarisse and Mia are very different from each other, but neither had a choice but to compromise and agree to a bargain. They learn to appreciate their differences and embrace their similarities, thus, joining opposite forces.

They do have misunderstandings, but that's part of all relationships and eventually they bond deeply as they realize they have the same goal. Vishakha is also connected to anger and the little outbursts they both have definitely show that. One great example is when Mia ruins Lana's (her bully's) outfit and calls her a jerk in front of everyone after always just silently ignoring her remarks.

Joining opposites in this movie is not just about Mia and the Queen, it's also about the two cultures, also about the first movie being a high school drama as well as a fairytale for young girls.

Part 3

Jyeshta - from underdog to the ruler

"Courage is not the absence of fear, but rather the judgement that something else is more important than fear."

-Mia's father to her in a letter

To me, Jyeshta is connected to the underdog who succeeds despite all odds. Jyeshta 's power is to "rise, conquer and gain courage in battle". It's the stage of intense competition. Its deity is Indra- lightning god and the king of the gods, like Vishakha. We see other kids bully Mia in the first film but she slowly places herself above it, making her point (by taking her little revenge on Lana) and then not engaging with them anymore, as she realizes her own self- worth.

A major point in the movie is when she decides not to run away despite being scared to speak to the public, showing her true courage.

Besides Indra- the king of the gods, another deity associated with Jyeshta is Dhumavati- the hag goddess who is eternally hungry. Because of this, I think Jyeshta is associated with grandmothers and our relationship to them. I personally have exalted Ketu in Jyeshta and I was practically raised by my father's late mother (unlike my sibling, mind you. I'm the eldest) and I still have a close relationship with my mother's mother. Mia, played by Jyeshta ascendant Anne Hathaway, also has a very special relationship with her grandmother.

So, in the end, the bullied underdog became a princess and eventually- a queen.

Some bonuses:

Uttara Phalguni is associated with gaining wealth and privileges from partnerships. Uttara Phalguni ascendant Julie Andrews playing queen Clarisse, who became a royal by marriage, confirms that.

Heather Mattarazo (Lily) and Anne Hathaway were born only a few days apart, hence their charts being similar and them playing best friends.

So, this is it. If you found this interesting, please, interact with me, like, comment, reblog. Take care 🤍

[plantsarecooleh]

my honest opinion of Stories from Styx

okay, I’m super guilty of being an epic the musical fan, and i would like to fist say that i am fully aware that sfs and epic are two very different and distinct musicals. I’ve heard some of Casper’s music outside of stories from Styx, and it’s quite good, but as someone who has an obsession with music, lyrics, and singing, i just wanted to give some feedback because stories from Styx is indeed a concept album, as is Epic the musical. first of all, the songs: to be completely honest, i only thoroughly enjoyed one and a half songs (you’ll see what i mean in a bit) in my first listen. The songs being “in the underworld now” and i kid you not, the first time “my Persephone” is sung in the song, “my Persephone”. “There is no name” grew on me a couple of listens later. The main problem i have with the music is that the voices are pitched in such a way that makes it almost a little overwhelming to listen to. Take the chorus of “crossroads” for example. Teagan is a very talented singer, her role in Epic the musical shows that, but in sfs, the sound of the music and her voice almost sound like their competing to see who can be louder, while Casper’s voice is almost completely drowned out. I understand that it may be my personal music taste speaking a little here, but that’s just one of my points to make.

The first song has a similar problem, too. In the end of “titanomachy”, all the gods sing together, and while by themselves, sound awesome, when put together, they don’t harmonize- at all. They have that same overwhelming sound. “But it’s just the techno music” techno can still harmonize in a way that doesn’t make me feel like I’m getting yelled at by all the olympians. Next up, storytelling: okay, something that irks me with sfs is the storytelling. Maybe I’m just salty with how sfs portrays hades and Persephone’ s story and demeter’s hymn. Because i really don’t like it. yes. I know that there are hundred of tellings and retellings of Greek mythology, but that’s not my issue. it’s how rushed it is. like- REALLY rushed. hades and Persephone is probably one of my favourite myths in Greek mythology. It’s a deep and sweet story. And just it alone could take a whole musical just to convey the perfect story. But in sfs, it was condensed into three songs. And i don’t know about you, but that’s not a lot of wiggle room for such a big story like that. Moreover, i find that the muse if relied on quite often to give context for the songs, but even with her, i am still left confused about some of the plot. I’m not sure if this musical in intended to have dialogue in between songs, but the way its played on Casper’s channel, really makes the story a bit hard to understand. this ties into my half-problem, the lyrics: in the first song, Zeus says: “don’t live in the past, don’t be the same.” what doesn’t it mean? What past? The Olympian’s didn’t have anything to “be the same” about. They were inside of chronos’s stomach, dude. another line from Zeus: ”exclaim and reclaim, the cyclops gives us strength, we must not comply”

the way that this lyric is worded makes it sound like “the cyclops gives us strength, but we will not comply to the cyclops” which is wrong, because they very much complied with the cyclops, who provided Zeus his lightning bolts. again this can tie into whole such big events in Greek mythology are squished into one or two songs. But that’s just me. on other being Persephone’s arc. (These are my exact thoughts when listening to crossroads) We see her in a meadow, picking flowers for her mom, she’s doing fine. Cool. Okay, so Zeus doesn’t care about her, but she says he has her mother’s love. Great. woah chill girl why are you suddenly saying that you’re a disgrace- is your lack of parental love that bad? OKAY- TIME TO CRASH OUT I GUESS??? girl wdym trapped? Give us some context please. guys the “flower that just got picked” thing is cool, but it doesn’t make any lyrical sense. Why does she feel like she JUST got picked? Why PICKED? okay crossroads, i like this lyric. It gives us a vibe of indecision. it kinda goes with the lyric heard earlier:”why do i feel the way that i do” WOMAN YOU HAVE NEVER MET THAT MAN ON THE CHARIOT BEFORE. NEVER ONCE. RUN.

DO YOU HAVE A DEATH WISH??? WHY ARE YOU ACTIVELY RUNNING TOWARD A MOVING CHARIOT.

Okay so ig Persephone never met hades once in her life as far as we know- but she’s singing something about “feeling it with him” it’s phrased like she knows him. Did they elope before??? Are they just strangers??? She just hops on the chariot and hades just rolls with it??? (also this is super nit picky but the subtitles refer to Persephone as “Persephone” instead of “Kore” despite the fact that she only picked the name “Persephone” after she met hades.)

Yup. And in “my Persephone” they have this sweet wedding vow-like song. Again, i we don’t know if they have met before or if there’s dialogue between songs, cause DUDE YOU TWO JUST MET. WHAT DO YOU MEAN “reflect me for who i am???” AND SHE ALSO ROLLS WITH IT.

This post is getting awfully long, it’s 1am, and i think I’ll leave at there. Again, these are my own humble opinions. Also, i mean ABSOLUTELY NO HATE TO CASPER AND THE PEOPLE WHO WORKED ON SFS. And i know we shouldn’t compare musicals to each others, but when it comes to sfs and epic, you can tell which one took five years of planning. ps. Don’t even get me STARTED about “shades” [crash out]

[the-golden-comet]

Writerly Questionnaire

The very lovely @sableglass , @the-letterbox-archives , @nczaversnick , @drchenquill , @thecomfywriter , @thatuselesshuman , @glasshouses-and-stones , and @theink-stainedfolk , tagged me in this one. (I absolutely relate to your love of escapist romances to read alongside the beach 💖✨)

I’ll answer the best I can. Bear in mind I’m a little bit of a chaos gremlin :)

About Me

When did you first start writing?

About 12 years old. I always took a liking to Disney animated classics, which have inspired me to write and draw similar to the style.

Are the genres/themes you enjoy reading different from the ones you write?

Actually, the two are very similar. What I love to write is what I love to read. I’ve taken more of a fancy to writing romances now as opposed to a decade ago, though :)

Is there an author (or just a fellow writer!) you want to emulate, or one to whom you’re often compared?

Not that I’m aware of. Everyone has taken a little bit of inspiration from different sources, whether knowingly or unknowingly, so there are probably some authors or writers that I share similarities with. I know for a FACT that a lot of my stories draw heavy inspiration from Disney, which has influenced my art and storytelling styles ✨

Can you tell me a little about your writing space(s)? (Room, coffee shop, desk, etc.)

Ahhh, yes. Couch, coffee table, writing laptop, coffee. Soft throw draped across my lap as I get perpetually cold. Thankfully, it’s nice and quiet in this writing space and it allows me to let me do string-of-thought writing for hours. The only thing is sometimes I lose track of time this way, so I have to set an alarm for breaks and meals.

What’s your most effective way to muster up some muse?

Watching movies, listening in on my friends’ DnD campaigns, or reading stories from friends and mutuals :)

Did the place(s) you grew up in influence the people and places you write about?

Not really. I keep my personal life and writing life pretty separate. After all, a great thing about writing fantasy is that it doesn’t HAVE to tie in to the real world, or personal life. It can be whatever I want it to be ✨

Are there any recurring themes in your writing, and if so, do they surprise you at all?

Recurring themes? You bet. I either write a high fantasy BL Romance, or low fantasy slice-of life RomCom. My favorite writing tropes are Enemies to Lovers, Slow Burn, Found Families, Romantic Comedy, Magic in the Mundane, Slice of Life, Call to Action/Prophecy, and Absurdism.

Do they surprise me? Absolutely. I can have a beautiful plot all planned out, and then my characters say, “okay I see the route, but what if we take a sliiiiight detour? :)” and then soon enough I’m on a totally unique and unexplored path in my writing….and that’s exciting. An adventure all on its own ✨

My Characters

Would you please tell me about your current favorite character? (Current WIP, past WIP, never used, etc.)

I fear if I don’t say Peter here, he’s gonna kill me. In my current WIP, my favorite character is Ali because he’s a lovable goofball genie that wants the best for Noah. Overall currently (side eying) Peter because he’s a chaotic-neutral, anti-establishment, insane pirate captain that makes my life entertaining 😂

Which of your characters do you think you’d be friends with in real life?

Ali. Hands down. Dude gets along with just about everyone.

Which of your characters would you dislike the most if you met them?

Any of the villains I wrote, but going off of main OCs? Gosh that’s tough….probably Tyr because he’s really angry all the time (for good reason, but too much of that is toxic)

Tell me about the process of coming up with of one, all, or any of your characters.

Oh boy. That’s a big one. Let’s see….

Character building kinda happens simultaneously to Plot Planning; it’s a bit hard to describe, as there’s no “right order” to my world building. But usually it’s: “Okay, who is my protagonist? Who is the antagonist? What do they look like? Is the protag a hero, or villain? Is the antag a hero, or villain? What is their ‘general moral alignment?’ What are their characteristics? What are their strengths? What are their flaws? What are their goals and aspirations? Etc.” I do this for each major character. Then, secondary and supporting characters, who get a little less polish but still enough to be human (or relatable) in nature, start getting fleshed out.

Once I get the Core Plots and characters made and planned out, I start piecing the events in chronological order in the story. This becomes my “roadmap” that helps drive the narrative. Then….well, the rest just kinda falls into place. Once I have a “Plan of Events,” all that’s left is writing the story around the plan. And, as I’m writing, new ideas may come, and I get to explore that a little further during the writing phase.

tl;dr: I do the “Tree Approach.” Characters are the foundational trunk. Branches are the Core Plots. Twigs are the Conflicts. Leaves are the little details of each conflict (i.e. how characters react, where the conflict is set, what this means for each character’s aspirations, etc.)

Do you notice any recurring themes/traits among your characters?

Yep :)

How do you picture them? (As real people you imagined, as models/actors who exist in real life, as imaginary artwork, as artwork you made or commissioned, anime style, etc.)

Like this:

My Writing

What’s your reason for writing?

Personal enjoyment, mainly. And how far I can stretch and challenge my creative mind ✨

Is there a specific comment or type of comment you find particularly motivating coming from your readers?

Any story reactions and positive engagement is always appreciated. Just don’t be a dick and you’re good 👍

How do you want to be thought of by those who read your work? (For example: as a literary genius, or as a writer who “gets” the human condition; as a talented worldbuilder, as a role model, etc.)

I loathe this question. As long as people enjoy my stories, that’s what matters. I’m just one silly little guy writing stories for my own enjoyment. The fact that other people can enjoy my wild ideas as well is a blessing in of itself.

What do you feel is your greatest strength as a writer?

Comedy and Dialogue. And comedic timing.

What have you been frequently told your greatest writing strength is by others?

Same as above. Also have been told that I have wildly entertaining and outlandishly creative ideas portrayed in “insane, chaotic, and ballsy ways.” Coolio 🤙

How do you feel about your own writing? (Answer in whatever way you interpret this question.)

I’m proud of it. I’ve successfully written stories that I wanted to read, and reading back through my stories is really entertaining and motivating :)

If you were the last person on earth and knew your writing would never be read by another human, would you still write?

I’ve already been writing stories on my own for well over a decade, nearly two. It was my husband and friends who finally pushed me to go public, and I’m very glad I did :)

When you write, are you influenced by what others might enjoy reading, or do you write purely what you enjoy? If it’s a mix of the two, which holds the most influence?

I write solely for my entertainment, and my personal opinion is that’s the best way to do it, honestly. If I write stories that I want to read, I enjoy them, I spend more effort on them because I WANT to, not to please anyone other than myself. I don’t inhibit myself or censor myself, allowing me creative freedom to write wherever my heart takes me….which has led to some WILDLY entertaining plots. Even if writing is a career to some, if you find yourself enjoying what you write, you’re gonna motivate yourself beyond your wildest imaginations ✨

Man, that was a lot! Thank you @davycoquette for starting the chain, and thank you again Sable for tagging me!

I will gently and no pressure tag the following people as well as my tag list: @nczaversnick , @lavender-gloom , @cowboybrunch , @noblebs , @words-after-midnight , @saturnine-saturneight , @marlowethelibrarian , @aintgonnatakethis , @coffeexafterxmidnight , @astramachina , @justabigoldnerd , @pippinoftheshire , +open tag! 💛✨

✨👇Tag list for writing tidbits below. DM me if you’d like to be added 👇✨

Tag List for writing tidbits (lmk if you want + or -)

@talesofsorrowandofruin , @alinacapellabooks , @gioiaalbanoart , @deanwax , @dyrewrites , @honeybewrites , @paeliae-occasionally , @kaylinalexanderbooks , @katenewmanwrites , @billybatsonmylove , @madi-konrad , @houseplantblank , @far-cry-from-finality , @froggy-pposto , @fractured-shield , @avaseofpeonies , @topazadine , @thecoolerlucky , @theaistired , @willtheweaver , @rivenantiqnerd @somethingclevermahogony , @noxxytocin , @leahnardo-da-veggie , @addicted2coke-theothercoke , @illarian-rambling , @mysticstarlightduck , @ominous-feychild

[noellefan101]

Bakery Love

Genshin impact, modern baker au, reader´s family owns(and works at) a bakery + reader works there, gn!reader

characters: Tighnari, Albedo, Kazuha, Cyno, Nilou, Xiao x gn!reader

Warnings: kissing, baking(duh), romantic relationship (+ planoinic in some but not with the main), kissing, , tell me if i missed anything

Note: I'm sorry if there´s any mistakes, english is not my first language and this is not prof-read yeah enjoy ;) and it feels so weird to write for Nilou when the rest is men, i didn´t think abt that. luv you all, mwah ;)

Tighnari

i feel like he would be there to get a birthday cake for Collei, (im sorry it just sounds too cute) and you were at the front desk in your apron talking to a customer, when he walked in and ordered. you looked at him, asked what he would like and wrote a note down so you could remember - he ordered a "healthy" cake with green frosting on one side and red on the other with Cuilein anbars on the green side and baron bunnies on the red side. and then he also leaves his number woth the order bc he thinks your cute so you start to become friends. anyway, thats how you met onto when you start dating

you would come over to his house after your shift, or when you both have time, and bring him some baked goods for him and Collei/i feel like they would live together in a modern au, like Tighnari would still be her caretaker, just like in the game/. you and Tighnari would definitely bake together, and you would teach him how to bake certain pastries and stuff, and Collei/+Cyno maybe/could join if they wanted to (it would be so cute wtf). i also think he would be like a florist or smt, like he owns a flower shop, so he would bring you flowers or just plants in general. so the bakery would have a lot of plants that he´s given you. and your family (lovingly) hates him because where tf are they gonna put all these fricking flowers and stuff he gets you every week. tho their happy for you and they also got free decor for the bakery so they don´t really complain.

to him you´re like a rose, beautiful, even if sometimes you sting, he adores you just as much

Albedo

he was just there to study at first, maybe get some coffee and a piece of cake, when he saw you behind the counter he kinda.. uhm.. fell in love at first sight, yeah... anyway now/because of your beauty/he is there studying more often or when you´re there to be exact. your sibling or parent called it out but you denied it and didn´t think much of it. and then he finally asked for your number

when you finally start dating, he would still study at your bakery but it´ll be a little more often. and not only on your shifts but on other family members too, mainly bc he wants to get to know them better. he also brings his little sister, Klee, with him more often so she can meet you and your family + see the bakery. he also would make some artificial things for you, like flowers and stuff, you could either put in your room or around the bakery. yk the flower he makes in his idol or whatever its called, so like one of those or just anything you want really. he could also paint there, but he´ll just start painting you and he doesn´t want other people to think he´s stalking you.

to him you´re like a painting, pretty in many ways, and perfect in his eyes

Kazuha

he would visit the bakery once in a while, finding it relaxing to be there and finding great inspiration for his poems and stories. and something he has noticed is the beautiful person that is sometimes behind the corner/you hehe/and starts to slowly become his muse. he couldn´t help it its like keeping a secret from someone, but sharing it with the world at the same time. he finds himself going to the same place over and over again, only wanting to see your face one more time. (wtf happened to me) while he was unknowingly falling in love with this new muse, you were falling for him. (ok i need to fricking stop, omg)

when you two finally started dating, he still kept you as his muse, but this time you were both aware and laughed a little together because of it. anyway he would be there even more to just sit and write about something, then later in the day/or week if you both were busy/he would read them out to you. and at some point you would start giving him notebooks every few months just so he could write his poetry on something other than the tissues from the bakery(omg that would be so cute and hilarious at the same time). in return he would gift you your favorite flowers and try and learn to bake, even tho its not perfect he tries and you love it. sometimes you´ll bake something with him and teach him properly how to do something/or do it the way your family does it/and then after you eat it together.

to him you're a miracle, your his love, his life, and his muse, he doesn´t know what to do without you now

Cyno

he´s a policeman (the hot kind) and there was an incident with your neighbor bc their store got robbed/in my mind it's a jewelry store but let your mind go wherever/so you got a few questions since you were on your shift at the time they came in. but you then after went into the back/your home to get your parents. and then after he started showing up more both because of the situation but also because he generally liked your pastries and cakes. even after the case ended he still came over on a lot of all of his breaks, maybe it was sometimes to see you but you ofc didn´t need to know that ;)

so when you guys started dating, he would ofc still come over but also look out for you, your family, and the bakery. also in his free time/even tho its not often/he would "help" you with baking. aka your teaching him how to bake bc he can´t for the life of him, but he brags to his friends abt it "cough". anyway, he would love to try some new recipes you find online or in your family cookbook, and help as much as he can. if you made him some pastries for him to take with him to work, he would fall even more `head over heels` in love with you, seriously do it. he would definitely stop anybody that tries to steal anything from the bakery, and get them arrested immediately.

to him your love is like a drug, addicting, but even if he knows it he will still love you for eternity

Nilou

yk the cake she eats in game, that would definitely be the reason you two met. like it would be in the bakery´s window or smt and she would order that with a smile, while you where on your shift ofc. and she would get all exited and stuff. + she thinks the way you and your family make it is much better, so she´s basically a reguler bc she orders at your bakery so often. and then she starts to fall in love with one of the bakers there (you), and so she tries to find out when your shift is and stuff. (my brain couldn´t stop sry, that was a lot)

anyways, when you start dating she would definitely want to try and learn the recipe and bake it with you, but ofc she needs practice so she´ll eat your portion at the start, but you can´t complain you´ve literally done this your whole life ofc you´re better. she´d also want to meet your family early on bc you told her about some baking days when you test new recipes and stuff, so she´d be the taste tester and give tips if she could. aand you would give her discounts for some kisses. she would also dance in the bakery, with you and your family´s content ofc, so she could attract customers with her beautiful dancing.

to her you´re like cake, has many flavors, not all perfect but to her you are too perfect to enjoy only once

Xiao

i see him getting dragged there by some friends/yk aether, venti, kazuha, heizou and then scara is getting dragged there too. so basically 6rezze(sry if thats wrong) or 5wirl, but they aren´t famous/and they drag him to your bakery. bc they wanted to try the cakes and stuff. and your the one behind the counter(idk if thats a good thing or not, but ig it was?). and so you had to deal with some boys yelling at each other while one of them was completely silent/xiao/he just ordered and explained what the rest/but not for heizou, kazuha cuz i feel like they would already have ordered/you just got the pastries and cakes they ordered, and they then sat down seeming to calm down.

after you started dating he wouldn´t come to the bakery often, but he´ll definitely come over like once a week/before was like once or twice a month/and he won´t order much but is just there to support you. otherwise, if he comes to the bakery he´ll just go straight to the back to see you/they know who he is ofc, but for first-time workers that might be weird/and he would be a little sad if you were too busy to give him attention. if you give him some non-sweet cake or pastries he´ll love you even more(i swear thats impossible). he´ll also feed you, and let you feed him in return. if you want him to learn how to bake he´ll do it, but only if you teach him ofc. so there you are in your kitchen with xiao, trying to teach him to bake the non-sweet cake he likes.

you´re like the cakes you make, sweet, although he doesn´t normally like sweet things, he loves you more than anything else

Author: the sweet things at the end of each one, omg how tf did i come with those aaaaahhhh i´m freaking out right now. also if you want me to do more of these pls tell me + the characters you want in it.

thank you for reading, luv ya-Masterlist

You are welcome to reblog and like any of my posts, but you CAN NOT translate, copy or hate on anybody liking my posts

[marlowethelibrarian]

Writerly Questionaire tag!

@saturnine-saturneight, @the-golden-comet and @fortunatetragedy all tagged me for this questionaire! Also thanks to @davycoquette for the original meme!

About You

When did you start writing?

I remember writing a story for a first grade assignment when I was 4-5 and really enjoying it. They gave us little booklets that were just like construction paper cut into shapes with lined paper inside to write on. I didn't really start writing as a hobby until I was about 10, writing naruto fanfic.

Are the genres/themes you enjoy reading different from the ones you write?

I tend to write what I like to read! I like nonfiction on occasion which I definitely can write, I just don't do it very often.

Is there an author (or just a fellow writer!) you want to emulate, or one to whom you’re often compared?

No one has ever compared me to an author ever, lmfao, but there are some writers here on writeblr that I've got an eye on, with prose that fucking slaps. I haven't actually sat down and read their stuff yet for the most part, because my life has been crazy but from the excerpts I see on tumblr I'm like. Yes. That. That's great. How do they do that. shout out to @cowboybrunch, @fortunatetragedy and @davycoquette!

Can you tell me a little about your writing space(s)?

90% of the time I write in my messy ass bed my fitted sheet refuses to stay on. The other 10% I'm wandering to other places in the house.

What’s your most effective way to muster up some muse?

Write or die sometimes brute forces it out of me. Otherwise, brainstorming with a sounding board, answering some asks or tag games, or rereading my old stuff can all help me out here.

Did the place(s) you grew up in influence the people and places you write about?

I mean. Probably! I definitely do that thing where I'll picture the layout of a building as a building I'm familiar with. I've written a lot of apartments that look suspiciously like my grandparent's old house.

Are there any recurring themes in your writing, and if so, do they surprise you at all?

Yeah almost definitely lmfao. I keep noticing patterns after the fact. I have been circling the idea of dead worlds for one, and what it takes to survive there a couple times now. It's less obvious in project Cannibalism, but it's honestly still there.

Your Characters

Would you please tell me about your current favorite character? (Current WIP, past WIP, never used, etc.)

My current obsession is definitely Ravi, who is a dnd character, a larp character, and the main character of my Summer League OCT rounds. They started off as a gnome alchemist who is like just a back alley drug dealer when they got stuck in Barovia in a Curse of Strahd campaign. (Currently the only member of the original party still alive and aiming to keep it that way) I changed them to be a halfling when writing them for the OCT on a whim because it feels like a more grounded fantasy race to draw from without having to explain too much thanks to Lord of the Rings and its enduring cultural legacy. I've been greatly enjoying the process of writing, essentially, an incredibly traumatized character embark on a life or death venture among people who have no idea what the stakes are for them, exploring how badly adapted some of those defense mechanisms are for a regular ass place and how other people would view them, and how they would get there in the first place. I'd put them in my mouth and chew on them

Which of your characters would you be friends with in real life?

I can be a pretty sensitive person who prefers straightforward communication and positivity, so every single one of my horrible little prickly assholes is out. And that's a category I really enjoy writing so that's almost all of them lmfaoooo. I'd probably be friends with Wakma though. Wakma's cool.

Which characters would you dislike the most if you met them?

I wouldn't be able to stand Mala. She's consistently unpleasant and horrible to the people around her and I would not be able to let it roll off or just hit back like Rakani does.

Tell me about the process of coming up with your characters?

I like to develop characters in response to aspects I find interesting about the worldbuilding, or around a concept I want to explore. Sometimes they come about because there's a role in a story I need to fill. Wakma, for example, mostly came about because I knew Rakani absolutely needed a friend who didn't come from the Suyan hierarchy, and I already had this really cool idea about nomadic airship traders so I made him a diplomat from that culture, and then developed more of his character as I wrote him and decided what was important to the story.

Do you notice any reoccurring themes/traits in your characters?

Traumatized little goblins, people who aren't acceptable victims, who lash out and behave in unacceptable ways.

How do you picture your characters?

I do draw, so I do have pictures of what characters look like sometimes, but sometimes they're just blobs and I decide along the way what they look like. I do try to be deliberate about it though, because diversity in race and body types rarely just happens to me. It's something I work towards and am purposefully deliberate about.

Your Writing

What’s your reason for writing?

I wanna and no one's stopped me yet.

Is there a specific comment or type of comment you find particularly motivating coming from your readers?

i love it when someone points at something I did specifically about what about it they vibed with or excited them.

How do you want to be thought of by those who read your work?

Just don't look at me and expect my characters please.

What do you feel is your greatest strength as a writer?

Clarity.

What have you been frequently told your greatest writing strength is by others?

Well I think people have cried about my writing a lot, so it's quite emotional. I'm always very pleased when someone says I've hit on a level of some emotional realism.

How do you feel about your own writing?

I have great, creative ideas, but the execution could use a little work. I think my writing is pretty plain and worksmanlike, and that's like fine.

If you were the last person on earth and knew your writing would never be read by another human, would you still write?

This does absolutely open up a whole ass can of worms. jamie's right, how am i surviving here, if im subsidence farming I don't think I'd have the time and energy for writing. But like, I don't think I would if I knew I'd never have an audience. Even a small audience of one would be reason enough to write but if it's just me I might not.

When you write, are you influenced by what others might enjoy reading, or do you write purely what you enjoy?

I don't care what other people want when I'm writing. I only care when I'm editing lmfao.

i have not kept track of who has answered this or not so I'm just going to leave this open to anyone who wants this!!

[exmeanswithout]

Click

No matter what you do your voice carries through

Write or draw or photograph there's nothing you can do

But leave your icky sticky thumbprints 'pon the work you make

And then the most magic thing occurs, say when pictures you take

You see photography is an artform I'm quite fond of

A building, a bird, a house fire, or a long-held love

Because your voice still shines through in the moments you choose to keep

Although it can be said it's really not that deep

But let me give you an anecdote and you can be the judge

And maybe if it charms ye it will give you a nudge

Because a beautiful moment can be kept forever truly

And after a time you'll get to examine the moment thoroughly

But I'm getting ahead of myself there's something I've yet to share

It could be a wild animal, a coyote and a hare

It could be someone whom you love as our main character did

It could be a secret thing which is better off hid

But once I met a man to whom man things weren't so easy

And what I'm about to say may come off as quite cheesy

But he showed me pictures that he'd took of a mutual friend

And through the pictures I heard his voice as though poetry he'd penned

But a pictures worth a thousand words ten thousand or a million

And through his pictures a story is told which could be quite vaudevillian

Because the subject of the picture was a lovely person

And I fear in my retelling the point begins to worsen

But there she was all dark and beautiful ‘gainst the sweet young night

And though she couldn't love him back, she recognized his plight

I could tell he loved her, it's true just take a look

I could tell he loved her from the pictures that he took

Such deep romanticism in that film grain lovelorn moment

Such kindness and vulnerability towards the cameras bestowment

And in her posing a story is told likewise in the frame

One of charm and pride and holy ignorance of his pain

Sure she poses kindly for the picture taking man

But she doesn't realize, even still the man has his own plan

And though it's true there's love between the documentarian and muse

He's the sort that the model would never ever choose

Not due to any defect on the photographers part

And though she'll proudly pose and play a role in all his art

You see she's the sort who'd never let another have her heart

And so they'll spend the rest of their lives romance-wise apart

But still his love will live forever in the pictures he takes

And I wouldn't say that capturing that love is a mistake

Although who am i to say mistakes aren't something you should make

Because he takes his pictures still and his voice is never fake

So if you decide photography's a skill you'd like to try

And if you're ready to take it on, since I've cleared up the why

Because a million moments live inside of a day

And a million moments can be captured in a simple way

Take your cameras, point them at the thing which interests you

And then do that thing that I've been telling you to do

If you're working with film, as I truly like to

Then be sparing with your picture taking lest ye need film anew

If digital is where your interests lay

Simply capture every moment that happens in the day

But between the two I like film better I simply have to say

So between the two it's film I'll choose each and every day

I got my cameras free of charge in the finding way

So maybe I'm naive in that I didn't have to pay

To enjoy the fruits of my work aside from developing

But if a camera you can find, your life it may start enveloping

So many different kinds of film exist on our green earth

So many different tones of voice so many kinds of rebirth

For a picture is immortalizing in the way it works

And every film and every camera comes with its own quirks

Today I'm using yellow film for the picture taking act

Because yellow film means red pictures, Them's just the facts

And red pictures are eye catching and brilliantly pretty

And I hope that the pictures take cuz if not that'd be a pity

Although red film I've never used my voice often dominates

In the picturesque moments which my camera curates

But when you bring a camera along with you, a mood it does create

And thus discreetly photographing should not be your mandate

Be obvious in what you do lest others start to judge

And please allow me to continue giving you that nudge

Another way to share your voice can not be that scary

But of those who don't like picture taking I am immediately wary

Why wouldn't you want to save a lovely moment for forever

Though I understand the camera owning picture taking endeavor

But to simply say of picture taking "I will never ever"

Really makes me wonder why there's not even a However

And so I always seek the permission of the models I capture

Unless in the past the models one I've already asked after

Although truthfully portraiture is something that escapes me

I prefer an inert model, a tower, farmhouse, or bakery

Or maybe a classic car, a bug, a sidewalk tag

A roadkill dog, a well ordered room, a pretty tote bag

Because to me the storytelling requires no characters

So please allow me to put it in pragmatic terms

To take a picture of a person is easily well done

But to capture what they leave behind can also be quite fun

Something that shows where someone isn't instead of where they are

So what do we call this I'm sure you're wondering, since we've come this far

A distilled life is a picture of a moment lacking people

And in the storytelling it seems its really quite feeble

But if you do it right its like the person is right there

And if you do it right of the piece one might declare

"Though I can not see them I know this person from their distilled life,"

and when well done the picture can still cut you like a knife

Because you need not people to tell a story

Indeed without the people things can get even more gorey

What I'm trying to say is you've got options in the picture taking

So please start today and you can get to making

Others see things as you do and your voice will carry on

And you'll be left with a new skill from there forever on

[numbuh-7-knd]

Random Naruto AU musings/fanfic ideas incoming:

OK so, I was listening to Naruto theme songs in my room via speaker to drown out the sounds of my mother/housemate having a private appointment downstairs via zoom. (As you do)

And I started to think of how Asuma's death kind of represented a turning point where the konaha 12 are not kids anymore, things are getting serious, main ensemble members are drying, ect.

And I thought, the other thing like that in the original series was the death of the third homage. Exept even that didn't hit as hard because he was old and stuff. Then I realized one big opportunity lost with his death: the person was likely to maybe someday tell Naruto the truth of his parents, especially since he's the one who made it classified in the first place.

Here's where the AU comes in: I was trying to think of scenarios in which the third would have allowed Naruto to know about his parents during the time before the thirds death, and had a thought: there's a bunch of fics out there of Wave having some connection to hidden Whirlpool village, Uzushio, either neighbors or even that they were protected by/allied with Uzushio before the village destruction.

So what if, during the wave arc, Tazuna and the other villagers reacted when they heard Naruto's last name, being overjoyed to hear that at least one Uzumaki survived. Being hush hush about it because they don't want Gato to know because having an Uzumaki present threatens his standing.

Eventually they get Naruto alone with some of the older villagers who express their relief and exitment that there are still surviving Uzumaki after the destruction of Uzushio.

Naruto is so confused, poor kid. These old people are almost acting like he's some long lost relative or something, something about his last name, the destruction of some place called Uzushio? And what's this about asking about his family? Are all these old people senile and mistaking him for someone else?

The villagers confirm his last name is Uzumaki, and that they are talking about his clans home village of Uzushio, which was destroyed during the last war. What do you mean you've never heard of it? Is your ancestral homeland surely your parents would have mentioned it.

And then they learn that he's an orphan left all alone in the world, nothing of his family save his name and the symbol on his back. He tries so suggest that maybe he's not related to those Uzumaki, only to be rebuffed by a team of geriatrics, each pointing out some innocuous feature they swear is an Uzumaki trait, from his speech pattern and large amount of Chakra, to his ears and his chin.

By the end a group of Wave villagers old enough to remember Uzushio in its prime have mentally adopted Naruto and started telling him stories of Uzushio and the Uzumaki Clan, even trying to determine who he might be related to.

Eventually an old woman remembers a friend of hers, who's daughter was sent away to Konoha years before the attack, to be a Konoha ninja. they figure that must have been his mother, and naruto puts together that he was born around the same time as the nine tails attack of the village and they come to the conclusion that his mother probably died in the attack, weakened from childbirth, maybe even dying to protect her baby, and that he must not have had a dad in the picture for him not to be claimed afterwards.

Maybe they even introduce him to a village elder who's actually an Uzumaki and married into Wave decades ago, even long before the attack, and as she took her husband's name and wasn't a ninja, no one caught on. Maybe it Turns out to be his great aunt or something.

I'm imaging the bridge being named something representing the return of the Uzumaki clan.

Also, when the missions over and is time to return to Konoha, the entire village of Wave tries to fight for custody, especially his Great Aunt, who insists on accompanying them back to Konoha to interrogate the Hokage as to her grand nephew's treatment.

Maybe his newly found great aunt or distant cousin decides to move to Konoha, maybe with a bunch of her kids and grandkids giving Naruto a bunch of cousins. Or maybe he just gains a single elderly Uzumaki refugee from Wave.

I feel like Sasuke would be pretty mad/offended on narutos behalf over having the knowledge of his family hidden from him, since at least Sasuke has his memories and his clans belongings.

It'd be pretty funny if however many Uzumakis end up in the village, they all more or less adopt Sasuke as well as Naruto.

[elektrischemaidchen]

Lisztober #11: Symphonie Fantastique

Madness has taken hold at the Maidchen court. What always comes across as so easy here, is a real challenge, which unfortunately also takes its toll. I now have a real coffee problem by now, so I sometimes have heart palpitations at night. Then there's the incredible time pressure to present you with something cool that has to be ready in less than 24 hours.

If anyone asks why we're sitting in a three-person cell in a asylum by November, tell them it's because of absinthe, reading too much Lautréamont and hysteria. Please.

And that brings us right back to today's topic. Yesterday we escalated. Really. So much so that one girl is hoarse and the other is on the verge of tinnitus. Additionaly, one of our speakers died due to the volume and overdrive. Here you can listen a true masterpiece by Maidchen standards. We had to stop in between, because of laughing over and over, again and again. Both while writing and during the recording itself. Even while cutting. And even more so when the neighbor simply started practicing the tuba for unknown reasons. I didn't even know he had a tuba. It must be new. Totally surreal. But luckily, he didn't call the police on us. And you wouldn't believe how many takes we “indulged” in. (There were 26. 26!) I hope we can convey these moments of pure joy. PLEASE LISTEN TO THE WHOLE SONG TO GET THE VIBE! ;)

The reason for this was our contribution for today, Berlioz “Symphonie Fantastique” aka probably the creepiest piece of classical music that has ever existed. And thank you so much, @franzliszt-official for giving us this opportunity.

So, here’s our plot summary:

We really always wanted to write something about this masterpiece of brainf***, but unfortunately we didn't have the right idea - and you see: With a gun to your head, even the muse must speed up. Let’s see how far we can go with this. The plot of the symphony - just like the story before and after it - is so obscure that it has become a kind of running gag for us. Life (and art) can't write better stories. Never ever. And before I tell you the whole story, if you don't know it yet: there's a wonderful YouTube video with a short summary that I highly recommend you watch (the whole channel is amazing!!!). WTF, Berlioz, really, WTF.

Oh well, it's still about Liszt. Liszt was a huge fan (Really, Franz. I love you, but why? WHY?) of this symphony, just like Wagner (but nobody here give a shit about Richard‘s opinion anyway)  Franz may not have been directly involved in the creation of the “Symphonie Fantastique”, but his piano transcription and his interpretations made a significant contribution to this work becoming one of the most important works of Romantic music. Liszt made it accessible to a wider audience, interpreted it and developed it further, thus having a lasting influence on music history.

That's why we originally wanted to deal with the “Dies Irae” theme, but let's be honest… everything stinks against the main story.

And then there is the “Idée fixe”, the central theme of Berlioz's symphony, the beloved, who appears again and again musically as a motif and ultimately drives him mad. You could also apply this to the Maidchen. Fun fact: 97% of all our lyrics have a hidden hint to Franz. Sometimes so well that Lacelove doesn't even notice ;) Whoever finds them all: Get in touch. You'll get an exclusive shirt and your own song written. I promise.

Oh, dearest, dearest love, you surely will never know that I’m gonna write to you A symphony of love  in just one night Oh, dearest, dearest love, I only dream of you and in my longing I wish you were here Oh, dearest, dearest love, Where have you gone? You dance with a hundred others You erase me from your mind Oh, dearest, dearest love, Fate is not fair My sky, full of violins But my heart, it's so heavy So heavy I try to forget you On noble pastures The shepherds who soothed me Make their songs known But then I see you before me With a smile like a sword You belong to someone else now You're...not worth it That's why I'm whistling opium now And will just kill you. DIEEEE! DIIEEEEE! OH GOD! JUST DIEEEEEEEEEEEEEE God alone knows, I will be judged for everything I have done and none of the heavenly angels will weep at my grave And so I see your face One last time before my face Oh, dearest, dearest love Why don't you save me? Oh, dearest, dearest love then it comes back to me You spawn of hell You are the queen of the witches. ORGIES! DAMN ORGIEEEEEEES! OH GOD! ORRRRRGIIIIIESSSS! Oh, dearest, dearest dearest, will you be angry with me? I invite you on the day of the premiere To find out Oh, dearest, dearest love then you'll be my wife Otherwise I'll threaten you with my own s*i*ide You know that very well IF YOU DON'T MARRY ME, I'LL K*** MYSELF! I'LL K**** MYSELF! AND IT'S YOUR FAULT!!!!! YAAAAAAAAA! And then, she actually married him.