#I OWE U MY ENTIRE LIFE

[crowfaraday]

she learns to walk and realises she can just Leave now

[funfactory]

seoyeon @ waterbomb busan (240727)

cr: nonfiction

[surreal-duck]

stumbles out of the 3* story covered in blood

[qaanngi]

being economical and borrowing my art summary template from 2019 lol. notes under cut

I did want to do something similar to my 2020 art summary which had notes/thoughts on each digital piece baked into the image itself (and is also the prettiest lmfao) but I haven't been as proactive or even content since then sdfhsdkflds but I'm also of the opinion that artists should talk about their work, even if I still struggle to call myself one T_T

I met my monthly quota of one digital piece per month + one coloured sketch per month except October, which tends to be the month of exceptions since some sort of art challenge crops up. This year I opted to meme countdown loosely for Veilguard, and was the most free and loose I've been with drawing but also kind of burnt myself out a little on that front.

I do appreciate that there have been a few style experiments in the monthly things (March/Sept./Oct/Nov). I always found my style to be pretty generic but able to emulate other styles a little as a result. Except anime/manga evidently. But that means I can evoke different tones with different styles and do really left field stuff, which is always fun and leaves a lot of room for experimentation and a diverse body of work, which I prefer.

Managed to land LNY piece, which is a tradition I want to keep. I think my favourite piece is probably June's, the Lumine/Paimon/Osse/Scylla piece, which I referenced a screenshot because the location in-game was too pretty for me to not draw it. The Lumine/Girl With a Pearl Earring piece I'm pretty fond of, only because it was a genuine study of an old master, and I think it turned out well. The Lucanis minimalist piece is also a favourite, and it was me doubling down on the things I'm better at instead of trying to aspire to whatever the fuck I've been trying to do. Improve in some way I haven't defined yet, or operating on the notion that there is always room to improve (which is true and healthy to think), but also I guess a sense of dissatisfaction that my work is Objectively Broken in some way and desperately needs to be fixed. What's it like being content with your style and process?

The 2019 art summary had a template for Honourable Mentions since I actually managed to do more than one piece per month throughout the year (tho admittedly a lot of those were schoolwork). That's kind of been a struggle since 2021 for Reasons I still haven't fully recovered from, but I did manage a few extra things this year, chief among them the 19/20 Day Countdown mark for Veilguard, which I really wanted to do since I did one for Inquisition 10 years earlier, and I'll probably do one for the next Dragon Age game lol. I'd also like to probably redo the Inqusition one, and do full illustrations for both since I can actually draw backgrounds now. Something for 2025 I guess.

Others among the Honourable Mentions include a twt xlmi event piece I got a ton of "omg it's giving Sailor Moon + Tuxedo Mask" comments which makes it sound derivative as hell 🙃 The concept, was the moon (Lumine) and her night sky (Xiao). He is often associated with darkness and depicted looking at the moon pretty regularly. Also he is literally fading into black in the piece. My interpretation was that the night sky is quiet, and it darkens the sky so we can see the moon. The moon sits in the night sky's embrace. I actually quite like this one, the more I look at it. I've also used Giant Moon in the Middle of a Drawing a lot throughout the years, so that absolutely tracks. Maybe I should do one every year.

Other Honourable Mentions are my friend's commission (she was so patient with me), a noir Neve piece I did around September-ish too (was supposed to be a comic, might revisit the idea. I picked up reading comics again and was inspired to give one of my greatest inspirations a run - comic art, specifically the way they ink), and a quick lineless illustration for the xlmi zine I helped with.

For daily sketching, I only filled about 4-ish sketchbooks this year, all about 30-32 pages, but I've started to double up on pages so each is filled with more than one thing. Some sketchbooks were lazy in terms of what I did than others. Some were great, and had a lot of stuff where the things I practice (people in environments, action-oriented things, foreshortening, the bane of my existence) were abundant and pretty well executed. With the exception of one Lumine sketch that was so very in my own style that I really love and an adapted sketch of an OC, the favourites are all very action-oriented, and I'm glad. I really love the ones with Lucanis and Rook since there's genuine contact and an energy to them that feels very alive, which is something I've been working desperately towards, so it's nice to see it pay off. In a little daily drawing no less~

Around June there's a huge shift in subject and I all but ditched Gnshn immediately, which I think is healthy. I spent an inordinate amount of time in the months leading up to June and throughout with my daily sketches trying to force change my style to be more anime-esque since the gnshn fandom isn't particularly fond of western art styles, of which mine is painfully so. I have a lot of uncoloured sketches of Lumine that I'd like to get around to, but feel like a waste of time now. Leaving trying to make it in the gnshn fandom behind has been good for me, and it's been really nice to go back to the shit I love, which is just fights and blood. It's funny, since I ended my Cybird Ikemen run with swords and blood to jump into soft, cute shippy art for xlmi only to return to swords and blood.

Appropriately, I started my art blog ages ago for my silly little Dragon Age doodles, and I've returned to that. So: thanks, Veilguard. I hope I'm still fixated on you throughout all of 2025 because I have a loooot of ideas. And hopefully the patience and skill to get them out there.

[fujii-dlc]

anyways shoutout to women 🙏 This one Specifically.

[look-at-the-stars-tonight]

the amount of effort that goes into figuring out what to cook and eat every day is RIDICULOUS. i used to think people were so weird and boring for eating the same thing every single day but it truly does make life so much easier

[neonbodyache]

played counselor for one of my parents about the trauma the other one gave them again and didn’t b1nge to cope jeb bush voice please clap

[wyrm-on-a-string]

it's hesperos' special day which also means it's the hesponysus anniversary. happy pride gay people!!!!!!!!!!

[ronanlynchbf]

love is not an easy thing to admit but i'm not ashamed of it BTW!!!! love is not a weakening if you feel it rushing in don't be ashamed of it❗❗❗IF U EVEN CAREEEEEEEE

[acealistair]

i got... two (2!!!) comments in less than 24 hours of posting a fic? am i DREAMING? 🥹

[chiisana-lion]

new kinihito. was really good

[azurajay]

been catching up on grian's hermitcraft episodes the past few weeks and it has been absolutely Rotting my brain. it's all ive been thinking about 😭😭

[rt-lots]

i had a dream last night twdg s3 was actually good and i woke up mad

[gelastocoridae]

You would think in a city that is absolutely overrun with biology and ecology-type degrees, agriculture professionals/students, and animal researchers/caretakers/babysitters, the average housing cost alone would be enough for those jobs to afford

Or at the very least, for people following the occupancy limit laws to afford with those jobs. But here we are

[cinnbar-bun]

@gingernut1314 someone found it for me please this is what I meant I was not hallucinating it

ok liek„„ i’mm sorry???? ok i nevr met 2 try n klil dad jo,jo it was subconsious i nevar ment 2 hurt hm and nwo every1 is snding me anon hate??? nd i cnt stop cyring„ im srry pls„,

Original post by captainmista

[29121996]

FUUUUUUCK i love day6