#I MUST SEE HIM DEAD!!!!!

[xoshepard]

GOD I JUST WANNA REREAD GOLDEN KAMUY NOW BUT I HAVE TO FINISH BREAKING BAD I DIDN'T WATCH 4 SEASONS JUST TO NOT SEE WALTER DIE

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[luxrayz64]

like we were so fucking robbed of seeing perez in the wake of saw vs events I want to see her getting out of the hospital and flipping tables and pointing a gun in ericksons face after being told that strahm is the lead suspect. I want to see her having a breakdown after strahms fingerprints come back dead. I want to see her hand twitching over her gun everytime she sees hoffman. I want to see her fucking losing it and desperate to avenge her friend and partner and to clear his name. I want to see the thought process that lead to her inviting known serial killer mark hoffman to the basement lab just so she could torture him psychologically before she had a legitimate excuse to shoot him. I want to see more of her and I want to see how strahms death impacted her the way the reverse impacted him.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[todayisafridaynight]

Is it funnier if:

Shishido tunes in to the VTuber's broadcast knowing he'll fume about exposing Kiryu being his idea first

Shishido is already a fan of the VTuber and tunes in as normal only to fume about exposing Kiryu being his idea first

Shishido is the VTuber

SHISHIDO IS THE VTUBER

[fadingsstuff]

I think that Levi's following orders without questioning them, in a way being a dog of orders, is one of the biggest disrespect to himself.

Even Erwin asks for his opinion and thoughts before asking him for something, but Levi has lost his self-respect to the point that he only wants to be ordered around. Before Survey Corps he was really a free individual who could make his own thoughts, choices, decisions. Survey Corps really destroyed his mental health to the extent that he lost his personality, his self-respect.

Because of the way Isayama portrays him, fans/shippers/fanartists always portray him as humiliated, dragged on the ground next to they favorites.

Particularly by reducing him to a "promise" by injuring him and throwing him away in S4 just because an important side character died, he throws away his huge potential.

[talesoflore]

Hey sorry about your boyfriend I aro-beamed him. Yeah, canon didn't have him put any labels on his relationships so I did it anyway. No, no, he still loves his friends and is so devoted the lines blur but he's not in love with them. Because I said so. For funsies. Sorry.

[cerealmonster15]

cheneige moment aka me trying to learn how 2 draw rsa students

[crows-of-buckets]

I cannot get the idea of a da2 au where Malcolm is the surviving parent instead of Leandra. Would both of the twins have made it out? I think they would. Because like. Malcolm, unlike Leandra, can actually fight. I don't think either of the twins would have felt the need to protect him. Would the deep roads expedition even have to happen? I assume they would probably be worse off in this au since I don't think Gamlen would lend his aid. Obviously ignoring the very valid reasons why Malcolm would NEVER take his children to Kirkwall, or anywhere near it, how different would it be? Idk why it's plaguing my head rn but LORD

[age-of-moonknight]

“Beware…Dracula!” Miguel O’Hara — Spider-Man 2099 (Vol. 1/2024), #2.

Writer: Steve Orlando; Penciler and Inker: Michael Dowling; Colorist: Jim Campbell; Letterer: Cory Petit

[bayesiandragon]

Everything else notwithstanding, I firmly think that SJ's rage towards YQY - regardless of how you feel about the degree to which he acted out towards him - was reasonable given that he believes (with justification given the little info he has) that his one childhood friend, who knew very well the vicious abuse he was experiencing, just fucked off to live the good life he found and left him to suffer. Like completely separate from anything else, I don't see how hating someone who to your knowledge abandoned you to die, even if they're sorry/guilty once they saw you survived, is wrongheaded or misguided. I honestly saw their whole relationship as emblematic of the prominent themes of miscommunication in SVSSS, on YQY's side due to a mixture of feeling like he's sparing the other party and his own trauma. A direct parallel (and later a foil) to SY and LBH at the abyss.

[the-wine-dark-sea]

I've recently been thinking about the difference between Edwin’s experience in Hell in the comics vs. the show and what it says about the differences in characterization.

(Please note that I haven't read the comics completely yet, this is really just what came to mind when re-reading the boys' story from The Sandman.)

This is how Edwin describes Hell in the comics, when his character is first introduced:

"It was just corridors.

And I was hurrying down these corridors, because I knew I was late for something, but I couldn't quite remember what.

And then I realized that there was something behind me. Something horrible. But it was always one or two bends of the corridor behind. And even though it wasn't making any noise I knew it was always there.

And if I started to run it would get me.

So I just kept walking, as fast as I could. Down these corridors. With something silently walking behind me. Something sad and lonely and terrible."

So at first glance, his torture simply seems more purely psychological here than on the show. And it sounds horrific, especially for this even younger version of him. Now, it's obviously a different version of events, two seperate canons, so it's no use to speculate if the thing that stalks comic!Edwin through Hell is the Babydoll Spider or something completely different, or if the same parameters apply. But I don't think that really matters. Because it is his reaction to this situation that truly stuck out to me:

"And if I started to run it would get me. So I just kept walking"

This Edwin knows he is going to get caught, not from experience, but he is aware of it in the way you just know certain things in your dreams sometimes. (He does describe it feeling like a nightmare, after all.) He can feel that he would get caught, and so he just keeps walking. He never tries to make a run for it, just to see what would actually happen, or to try to outrun whatever would give chase. He keeps walking, as fast as he can, but still walking.

And then we have show!Edwin. He knows he will get caught eventually from excruciating experience, over and over and over. "The moment I run it'll chase. And I can't get away from it." He knows he'll trip it off if he runs, or if he is too loud. And yet he runs. He doesn't stop running for seven decades.

[yalibat]

i hate him

[popsicle-stick]

foolish though it may be i am once again thinking a lot about self-sacrificial character arcs resulting in memory loss.........bring out the gin

[joelletwo]

[ID: gintama fanart of kid gintoki and shouyou, zurako, and a takagin kiss described individually in alt]

drawing guys for @soppymilkgin @istherewifiinhell @deadgrantaires thankies thankies for the indulgences 🎉 going insane in the middle of the night learning how to draw on the fly