#I MEAN THIS IS SO MUCH

[spitblaze]

[guy who doesnt watch shows voice] yeah ive been meaning to watch that show

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[tawnysoup]

Finally now that the comic is fully public on comicfury, I get to share it with all of you here, too <3

If you enjoyed, please consider supporting by buying a PDF of the comic on itch.io: https://tawnysoup.itch.io/home-in-the-woods

[almondpiglet]

ppl were drawing mikus from all over so heres habesha miku and her lil twin sibs rin and len!!

[kaasiand]

I wish we had every single game on DS

Not 3DS, just DS. Guys please stop tagging this as 3DS

[happyheidi]

𝗍𝗁𝗂𝗌 𝗅𝗂𝗍𝗍𝗅𝖾 𝖺𝗇𝗀𝖾𝗅 𝗐𝗂𝗌𝗁𝖾𝗌 𝗎 𝖺 𝗅𝗈𝗏𝖾𝗅𝗒 𝖽𝖺𝗒 ♡

𝗏𝗂𝖺: 𝖾𝗇𝗀𝗅𝖺𝗇𝖽𝗁𝗂𝗅𝗅_𝗓𝗈𝗈

[cardo-de-comer]

Sun is always the calm one. While the Moon has more fps, always moves and wants to gnaw on walls, pace around and destroy timelines, the Sun is the one who prevents the chaos, usually by doing nothing. Or at least that's how I see them.

[prlssprfctn]

I actually need some fanfic, where Bruce and Jason are in the middle of some argument, and a casual (and a well-practiced with Dick before) sentence leaves his mouth, something along the lines "How old do you think you are?!", meaning that he is acting childishly. And because Jason is irritated, and his tongue runs loose in his anger, he screams back that he is nineteen, and Bruce just freezes, because... Oh. Jason is nineteen. He is a fucking kid - his kid - that lost years of his teenhood, and was forced back without anyone giving him a space to catch up, with everyone else already treating him like an adult... When he isn't.

[hannigramislife]

Absolutely nobody gets how much Dan Mora's design of robin!Dick Grayson means to me.

Like–???

This saved my life.

[mardyart]

they deserve to be happy

[blabberoo]

ok another doodle of whatever this au is because i am normal about it..

[pirate-cashoo]

Thinking about Half-Life.......

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[crumb-crumblet-s-crumbington]

momlita

[illusioncanthurtme--art]

Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!

(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)

[fallen-goldfishcracker]

Wyll is so fucking funny and no amount of acknowledgement about this could ever be enough. He's literally walking around being so casually hilarious completely under-the-radar. He calls Halsin a "thick hunk of an elf". He once accidently implied that he was fucking an ogre instead of killing it and then proceeded to absolutely stumble his way through explaining. He gets excited by Lae'zel talking about carnal pleasures. He canonically tells his pessimistic thoughts to shut the hell up. He volunteers to babysit Shadowheart's hypothetical werewolf babies as long as she gets him gloves. He tries to give Gale a hero moniker like his own. He jokes that his father, the Grand Duke of Baldur's Gate, can't spell. He calls Astarion "Mister Fangs". He makes up storybook chapter names for his own fucking adventures. As a child he got chased by the Flaming Fist for stealing fruit, nearly drowned trying to find mermaids in the harbor, and almost successfully broke into the Counting House. He reads monster erotica, and is not ashamed to tell you about it. He ranks eating pudding among life's greatest moments. He will, without shame and completely unprompted, meow at you. He is 24 years old.