#I HAVE TO GO BALF

[nosleep83]

I just got the worst fucking haircut of my life oh my god IM COOKEDDDDDD 😭😭😭😭😭😭😭😭😭😭😭😭😭

[thefrsers]

OUTLANDER: 100th Episode Celebration with Sam, Caitriona, David and MBR onset(x)

[wanderingibon]

lorne balfe on the veilguard OST??!?!?!?! LETS GOOOO

[sgiandubh]

Things that make you go hmmm - the Live with Kelly and Mark October 2024 edition

I have long suspected that hostile Anons were, in reality, pre-emptive strikes of sorts.

But never has it been more clear than today.

You can watch C's appearance at the Live with Kelly and Mark Show, in full, here:

Instead of bothering you with convoluted explanations, I took the liberty of clipping the part that made me (and not only me) go hmmm. I will transcribe it for our Spanish girls, who normally use a translator.

It is almost too good to be true and goes to show one can never have 100% control over what one says. Especially when on a packed, tiresome and tedious schedule:

[FYI, this clipped portion's time stamp on the original video is 22:24 - 23:00 - nothing has been altered by me, just extracted with as much context as possible, lest you'd accuse me, or something]

A thing of beauty, indeed (thank God for days off, huh?):

Mark Consuelos (MC): 'And you've recently had a... uhm... a birthday...'

C: 'I did'

MC: 'Yeah... did you guys do anything special?'

C: 'Uhm, I had an amazing day, we were in London and we just had wrapped, like a couple of days before, uhm, so I got to, I went to, my husband took me to an art show, then to a three-hour lunch and then to the theatre.'

Kelly Ripa (KR): 'Oh, that sounds like heaven!'

C:' It was heaven and then his birthday was like five days later and I gave him a card (inaudible- if someone can make something out of it, please step forward, by all means, I feel it's sort of important, in the context). It was....'

[laughter in the public]

KR: 'That's okay. That's alright. You also gave him a son, come on, come on, come on.'

C: 'This is true, this is true. How long can I kind of run on that one?'

MC: 'A long time, a long time'.

KR:' Oh, at least eighteen to twenty-five years.'

C:' Okay, great.'

KR:' Yeah'.

One more time: 'we were in London and we just had wrapped, like a couple of days before'. I mean, this made me stop in my tracks, right?

Who is the 'we' that 'were in London'? The same 'we' who' just wrapped, like a couple of days before?' Did I miss something, here?

Since when was Tony McGill involved in the wrapping of the OL production, mind you? And if not, was it a cast trip, just after 'we' (the cast) 'wrapped, like a couple of days before'? Now that would be perfectly absurd, wouldn't it? The question was about her birthday, an intimate, family moment: why bring a collective we, like a sore thumb, in that context?

In English grammar, 'and' is a coordinating conjunction. It mainly serves to connect two words, phrases or, like in this case, clauses together.

[Source: https://www.learngrammar.net/english-grammar/clauses]

In the phrase ' 'we were in London and we just had wrapped, like a couple of days before ', ' we were in London' and 'we just had wrapped, like a couple of days before' are two independent clauses, connected by a coordinator, 'and' (coordinating conjunction). Therefore, the first 'we' and the second 'we' logically refer to the same persons.

Exactly like in the following example:

'I heard her saying this and I just had to stop in my tracks, almost in disbelief'. LOL

This grammar lesson has been brought to you for free, courtesy of Sgian-dubh, Inc.

I rest my case.

PS: ' I got to, I went to, my husband took me'. Enough said. Bless her heart, she is still a very lousy, unconvincing (yet very endearing) liar.

[odessa-2]

Good morning dear,

I have to ask....what is your opinion.

THE SCREAMING IN THE DISABLED BATHROOM DONE BY SAM, HIS SECRET PLACE.

Good morning to you,

I have been seeing a few episodes since the last NYCCOMCON, I wandered as many of you about the disabled toilet Sam spoke about.

Waiting to see the other 2 events still not broadcast namely, PaleyFest media event and Josh's Happy, Sad, Confused to get more details.

Check at 50 mins.+ when Sam speaks about screaming after 11 years in the disabled bathroom being alone where there is still blood from season one.  And he never told Cait it seems. 11 years, retribution, forgiveness finally, end of it all.

He said he used that place when he needed to be alone.  We know season one was epic but can you watch episodes 15 and 16. I cannot and was reminded why there was fake blood in that disabled bathroom, and all the gorry scenes of blood that was shed and shown during episodes 15 and 16. No wonder Sam went there to be alone screaming after RDM had him do these scenes twice and I remember reading how the crew were in tears when doing these episodes.

How sadistic of RDM and even DG as she mentioned to Sophie in this year NYCCOMCON, she is Black Jack Randall, both DG and RDM sadistic in there exploitation of Sam if you ask me. Also how evil of RDM not giving the candidature of Sam that year for Emmy nomination that both Cait and Tobias got. We know the reason now, he was jealous of Sam, his good looks, his goodness and the fact Cait was in love of Sam.

No wonder Sam and Cait are so enamored, I'll say Art imitates Life, Sam suffering so much not being able to be the man he should be with this evil narrative, 2 husbands, 2 wedding rings for Cait, same DOB for Jamie/Sam and Claire/Cait almost. Same initials Claire Beauchamp, Caitriona Balfe, Sam change J in JAMMF for S. Too much, did the stars/STARZ really align, taking two novice individuals with all the evil behind not forgetting Josh reprising the WS/PC incident and all the disgrace done on Twitter on the fandom and personally to many women.

The only good outcome was the love endured by Sam and Cait who got married and now have a family, yes, seeing the dancing back to the stones in last episode of season 2 brings tears, how more to what these 2 individuals had to suffer for FAME and FORTUNE.

I am sure loads are taken off their backs now, praying, hoping their lives will OUTSHINE Outlander in all their endeavours.

Sincerely,

JClovely

Hello lovely. NYCC gifted us with more receipts and insights into SC's situation that we already suspected, but had it confirmed again. The special Disabled toilet comment from Sam surprised me a little as it did Cait it seems! Sam just let rip. The fact that he openly admitted to having and needing a secret hideout place where he could go and "scream" just confirms how much pressure Sam was under. The performing monkey 🐒, the emasculated puppet who was denied his God given freedoms. Denied his right to claim his family, forced into an ungodly narrative. A compromised man in many ways.

I agree that that RDM is a jealous piece of shit that used the rape scene to humiliate Sam. That slime bag had the major hots for Cait and I think everyone could see it, including Terri. Terri is batshit crazy but she had the air of a mistreated woman imo.

I still think we have a couple more years of narrative but somewhere deep down in my intuitive waters, I feel that SC will be free at some point. They will come out.

[cajon-desastre]

Celebrating Outlander's 10th Anniversary with a special interview ft. Matthew B. Roberts and Maril Davis - Enjoy!

Season One

Hello Sassenachs of Reddit!

We hope you’ve been enjoying our celebrations in honor of the ten year anniversary of Outlander! This subreddit has been such a phenomenal resource and community for Outlander fans that we wanted to do something special for you all. So this week during the production of Season 8 we pulled both Matthew B. Roberts and Maril Davis from their busy schedules to do a quick Q&A about their early days on the show. The resulting answers are transcribed below for a bit of bonus reading material. -XO, Bestie

Let’s talk about the premiere episode, “Sassenach,” which is turning 10 years old. When you look back, what do you remember that fans might not know?

Maril Davis: Well, I don't know if this is a fun fact, but our first shot of that episode was Claire in the scene where she comes out after treating the soldiers and the war is over and she drinks the champagne. That was literally our first scene that we shot from that episode. We took a picture of the clapboard and all kinda looked around and felt like, oh, this is the start of something special. I didn't know it was gonna be this special. I didn’t know it would be this many years. That was my first memory of it.

Caitríona Balfe on her first day on set.

The day the magic began!

Matthew B. Roberts: Going back to the first episode, everybody was new. In a weird way, we were all Sassenachs. We had this group from Los Angeles that came over here and even though everybody spoke English, it was like being in a whole new world. And then we had a cast that was new to a big, American television show - certainly Caitríona and Sam. So, there were a lot of newbies, so to speak. I know a lot of people had worked in the industry for a long time but it just felt like we all stepped through the stones in that first episode. The first day was a little weird because it was not in Scotland, it was in “France,” because we did Claire being a nurse in France for our first day. And I believe we even did a little side unit of Claire learning how to smoke with Uncle Lamb. So, we were all over the place but it was really exciting. I remember the group of us being so excited to hear the word “action” and get going, you know? 

Do you remember the first time you ever watched the finished episode either in edit or among fans at the first premiere?

Maril Davis: I remember the first two episodes because they were kind of like a pair… watching those and just being so excited because, as a fan of the books, seeing that come to life was very special. I knew so immediately that we cast this series so well. I knew in that moment, “Wow, this is gonna work!” I remember having that feeling in the edit.

Matthew B. Roberts: I don't remember the day but it's like this: we've all watched premieres. We've all watched pilots. But when you watch something and you go, “Wow. We have a show…” I remember the feeling of watching it. “Wow. This is something I have not seen.” You congratulate yourself but you never know if you’re ever gonna get a back 9 or if you're ever going to get a second season. You're always hanging on a thread. We didn't know. And it wasn't broadcast television, so you still didn't know. I don't think we were quite done when we started airing. So we got some feedback and we were living in the days of social media really gearing up so that instantaneous feedback was something new. I'll tell you, that was weird! ... I didn't really get it until around the end of the second season how impactful the show had been to a lot of people. We put it out there but the fans bring the characters into their homes each week. They fell in love with them, they fell in love with the show, and they wanted more. And I know how I felt when I would watch my favorite shows and they would go on hiatus and you're like, “Oh god, please come back!” You wanna spend more time with these people that are now your friends and family that you care for.

As for the fan events… we had a really big premiere in LA for Season 5. So many people came up to me and said how much it meant to them. They didn't say it was good. They didn't say they liked the show. They said how much it meant to them. And that to me is different than, “I like the show.” That means a lot to me. 

The Season 5 Premiere in Los Angeles.

The story goes that Matt gave Maril the books around 2011/2012 because she was looking for a new project with Ronald D. Moore. Matt, how did you come upon the books?

Matthew B. Roberts: In one of my first jobs in the industry, a long time ago, I was a reader where you read scripts and books and do coverage on them. The production company I was working for handed me these books and they wanted to make TV movies out of them. I read the books and I liked them but I passed on them. I said, “They're just too big, there's too much in them. There's no way you could do it.” … I just couldn't imagine Outlander, any one of the books to tell you the truth, in an hour and forty minutes. You’d lose so much. So, I passed. And I literally made the note, “But it would make a great television show.” … Then Maril was outside my office one day talking to another friend of ours… she was looking for something epic. I just so happened to have the books on my shelf still. I kinda carried them along, they were too big, so I kept them in my office. I brought them out to her and I said, “Here, read these.” And she read them and fell in love with them. As the quote goes, the rest is history!

What stood out about the books that let you know this would be a fantastic TV show? 

Matthew B. Roberts: The shows that I loved and really bonded with had love stories that endured and it could be different kinds of love stories. There are friends. It could be husband and wife. It could be boyfriend girlfriend. Girlfriend girlfriend. Boyfriend boyfriend. It didn't matter, they were love stories. And when you start reading Outlander and you get into it, you start to realize, “Wow, this is an epic story!” When you start getting into over the course of time, you go, “Oh, it could be very episodic too. It's not only episodic, but it's serialized.” You can kind of come into it at a different time because there's time travel. If you started Outlander in Season 3, Season 3 kind of stands up on its own and then you go backwards and you go, “Oh, that's how they got there.” Oddly enough, when they handed me the books, I just took the top book off and read it and it just happened to be Dragonfly in Amber. I didn't read Outlander first. They didn't tell me there was an order. So I just read Dragonfly in Amber and it held up perfectly fine. Then I went back and read Outlander, and I was like, “Oh, that's how all that happened” but it still held up perfectly fine. You could tell Outlander in 50 different ways–pick a spot, start there and go backwards and forwards. As a storyteller, in television terms, you realize there's so much material here but there's also so much emotion over the course of this journey. And isn't that what we hear stories for? It's to be afraid, or to fall in love, or to fantasize, or to travel somewhere you can't go. Well, Outlander does all that.

Was there anything about the first season of the show that you fought for—for example, casting, certain lines or plot points, characters, etc.—and are proud to have in the show? 

Matthew B. Roberts: You know, that first writer's room was fun. It was fun to bring all the ideas and favorite parts because everybody had different things that they really liked about the book. And, to tell you the truth, that's how it works. You bond with certain parts of the story. I think the one thing that we felt very strongly about was can we tell this book the way it's meant to be told in the sense that Claire's narrative and inner journey is very big in these books. We had to go with the conceit, be bold and go, “We're just gonna do voice over.” It’s something that we don't keep up with all the time now because Claire has people to talk to. It's one of the reasons why, not only did we love the Murtagh character, but Murtagh gave Claire and Jamie someone to talk to when you're trying to get out of the head. We always say you can't film a thought and because so much of Claire's emotional journey is in her internal dialogue and monologues, we had to figure out how to get that out. We just dove into the conceit. But we learned our lesson in the first season. We had probably too many and they were too long, so we'd have to pause shooting and the actors would have to just stand around because we knew 45 seconds of voice over would come and we went, we can't do that anymore. So, we had to struggle and figure out, alright, what's the best way of doing this? Let's just play the action and see where it fits. So rather than make room for it, we kind of calibrated it in the timings.

Maril Davis: You could say I fought for Caitríona but I wasn't the only one. I remember we were about three weeks away from filming. We had potential other choices and we could have easily made the call to pick one of the other actresses for the role because production was really on us. It's very unusual to start in 2-3 weeks on a shoot this big and not have an actress. And Costume needed a Claire. I just remember saying to Ron in our office, if we don't get these two right, if we don't get the right Jamie and Claire, if they don't have the right chemistry, we're never going to succeed. So, I felt very strongly that we had to wait for the right person. And literally the next day, Toni Graphia sent me an email saying I found this woman named Caitríona. We got so many casting tapes. She was in an area we hadn't seen, maybe overlooked, or maybe that hadn't been presented to us for some reason. We all watched her and instantly knew and flew her out to Los Angeles. It went very fast from there.

What has been the most difficult thing about adapting Outlander for the screen?

Matthew B. Roberts: The challenge is to take what is meant for a book, that medium, and bring it to life. We simply cannot do certain scenes the way they're written just from a sheer time and budget standpoint. And you know it as soon as you read it, you go “God, I wish we could do this.” And you know you can't. We can't get this many people, or they can't build this many costumes in this amount of time. So, we pick the moments. … Oddly enough in Season 3, the Battle of Culloden technically isn't in the book. We find Jamie after. On the first pass, Culloden was really big and we realized we couldn’t film it, not the way it was written, so we had to figure out a way of bringing all that emotion to the screen but still have the feeling of a battle. That's what I think we've done really well. I think the group has done such a magnificent job because we don't need to show all the battles, we need to show the emotion and why it matters to Jamie and Claire. Once we went, “It's not about the fighting and the blowing up... It's about who we care about in these battles, focus on them,” then we brought down the scale a little bit and filmed what was important. 

Sam Heughan filming the Battle of Culloden (Episode 301).

Maril Davis: I think a lot of seasons have been challenging. I actually think this last season has been the most challenging. Every season has its challenge but some seasons just work out so well. I’m incredibly proud of Season 7. We didn't know if we were ending with Season 7 so we took two books and had so much material to choose from. The first season was also very easy because it was so easy to follow the books. … Season 8 has been challenging not only because we're ending before the books (so that is its own challenge) but it's also the last season. There's a lot of pressure. I feel like this book is a set up for the next book and its finale. So it's been challenging to try to go out on a season when you don't have the ending at hand.

Maril Davis and the crew on the set of Season 8 (from her Instagram @nightmaril)

Looking back at when you first started production, what were the main challenges or surprises of shooting Season 1 in Scotland?

Maril Davis: When we first started here, we were told that everyone shoots 11 day fortnights. So, for the first 3 months, we were in 11 day fortnights. For Americans who don't know, we shot the full week through Saturday and only had Sunday off, basically. It was very difficult and I think we were all dragging. Then we found out they do 11 day fortnights in the UK but usually on very short runs, shows that are 4 or 5 episodes long. About 3 months in, we went back to a more traditional 5 days a week and that was a huge relief. It was also very challenging in the beginning with the weather in very remote areas. But I honestly look back on those days and those are some of my happiest memories. I think we felt like we were all in it together and doing something really special. Even though it was tough, I really cherish those first seasons.

Sam Heughan and Caitríona Balfe during the filming of Season 1.

Matthew B. Roberts: It’s been a pretty amazing transformation, I'd say. When we started out, the studios that we have now manufactured parts for cell phones or something. It was just hollowed out empty warehouses and we transformed it over a decade. Now, it's essentially a working studio. We have construction. We have a mill. We have costume warehouses. We have prop warehouses. We can fabricate almost anything there. We also now have seven stages. We started off with two. And they weren't soundproofed! When it rained really hard we had to yell “cut” and we had to open up the doors to get the smoke out because we used real candles. Now we have extractors. It's soundproofed. It's a modern studio. We've really come a long way! Also with the crews. The first year, we brought crews up from different parts of the UK and once Outlander became established, so many of the Scots who had had to leave home to work came back and they got to go to their homes and families every night. They could work on a show that they were proud of, or I think they're proud of.  

Our cast of characters have become so iconic! Do you have any favorite memories from seeing any of the cast embody their characters for the first time? 

Matthew B. Roberts: We started in the writers’ room a year before we started filming. We had lived with these characters for a long time. I'd read all the books up to that point multiple times before we even started. So, I was fighting what I'd already imagined. And then you have people stepping on the stage and you go, “Is that Jamie Fraser? Is that Claire Fraser?” … You get something that you didn't expect and that you didn't even know you wanted. I didn't know I wanted Murtagh to live on but after seeing Duncan play him, I did. And that just happened over and over and over. I mean, think about what Lauren Lyle did with Marsali. She brought her to life and then you just keep writing to that. You dig those stories out of the books and go, “Let’s tell those stories.” That happened over and over again. Jamie and Claire were always going to be the through line. The more Caitríona and Sam embodied them and brought their own take to the characters, we found that current in the river. You go, “Let's take that path because that's the way they're taking the characters and those are the stories you want to tell.” So you mine those out of the book.

Maril Davis: Caitríona and Sam, obviously… seeing them together for the first time in Los Angeles. They met for the first time at Sony Studios. They have a very small screening room that's outside one of the office buildings and that's where they first met the first time. We all just were like, “Oh, this is really going to work. That was amazing.” Also, we cast Sam first, so Sam was able to read with some of our other cast besides Caitríona. I was in London once with him and got to see him read with Graham McTavish for the first time. It was really exciting seeing their chemistry. It came down to Graham and another actor, and their chemistry really popped on the screen. What was also interesting about that casting session is that we had Sam read with Laura Donnelly. At the time, she was a potential Claire contender. As soon as we saw her we all were like, this is our Jenny. She was fabulous, so she could’ve easily done any part, but just seeing them together and realizing “we have Jamie's sister” was also really special

What has been the most surprising thing that has happened to you, or to your careers, because of Outlander?  

Matthew B. Roberts: I don't know if I can answer “surprising.” I can answer that Outlander's given me a lot. I've gone from Producer to Showrunner and it's given me the ability to do a lot more in my career than I might have imagined ten years ago. It's given me a new family in Scotland that I didn't know that I could have. I've built lifetime friendships. We talk a lot about Outlander being a family. We've established this place, this studio, and so much of our crew that's worked from the very first episode are still here. Some have gone out, but they come back. I think it's because we built a really caring family. That's why we've had so many babies born. If Outlander ever comes back in ten years, we have a full crew just ready to go!

Maril Davis: I was talking to Diana Gabaldon the other day because we can see the light at the end of the tunnel, although that's not an appropriate way to describe this ending because light at the end of the tunnel means you're almost done and you're pleased about it. It's such a bittersweet ending. We're all incredibly sad. It's been a tough season because of the emotions of it all. But I was just thanking her because I truly feel like I'm not sure I'll have this experience again on another show. I have other shows, and I will have other shows, but I feel like this was, in a weird way, my first, along with a lot of other people's first—Sam, Caitríona, Toni, Matt… so many of us. This was the thing that really launched us all and we did it together. The TV industry has changed and now there's so much more saturation that this is just a very special one. When you're involved with something like this and you get a crew, cast, and writers you love… we all realized how special this was. That's one of the reasons it's hard to leave it, because it feels like such a defining moment for everyone's career at the same time and you don't often get that in this industry. You certainly don't often get 10 years of making a show.

After all these years, is there anything that you haven’t been asked about Outlander that you’d like to talk about?

Matthew B. Roberts: We get asked a lot, you know, what are funny moments or what are your favorite moments? I don't have favorites. I think that every episode is supposed to do the thing it's supposed to do and if you take one away, then you can't get to the next one… So many of us care about this show and I mean deeply care about it. We put our hearts and souls into this show for 10 years, 12 years for some of us that started on day one, and we want to see it all the way through. Is it important that people like it? Of course. But I think it's more important that it means something to them.

Maril Davis: Oh my god. What question have I never been asked? I will say, when you're not an actor, you get asked the questions that are a little more dry. You don't get the fun things, like, who cracks up the most in the writers' room? Actually, I'm not sure anyone totally cracks up. I don't know if that would be me. But we don't get asked the fun questions. We get asked: What's the tone of this season? Can you describe this season in 10 words?

Okay Maril, here’s one fun question to close us out then… obviously, the costumes on Outlander have been amazing. If you could steal any of them, which would you steal?

Maril Davis: Claire, in the first season, had this amazing riding coat with fur trim that she then gave to Brianna and that Brianna wore. I love that. And, I mean, the Dior suit. It feels like you gotta go with that.

The riding coat and the "Dior Suit."

Reddit

[p-redux]

Loved seeing both Sam Heughan and Caitriona Balfe having fun with their long time Outlander drivers at the Outlander Season 8 wrap party!

Sam with Davie Stewart. 👇

And Cait with Andy Finnie in the middle. 👇

Seeing Finnie is such a blast from the past. Who here was around from the very beginning? Remember this?: Both drivers interacting on Twitter with fans and posting pics of picking up Sam and Cait from their respective apartments in Glasgow to drive them to set. SamCait shippers baiting the drivers into giving them info to try to prove Sam and Cait were a real couple. An OG shipper from the US going to Glasgow to try to get on set and Davie getting assigned to keep her away from Sam. I DMed with him back then and he told me the whole story. The drivers finally getting sick of shippers' shenanigans and turning on shippers. Shippers then turning on the drivers and taking it as far as trying to report them to Outlander production. Finnie dating a fan. And shippers getting into a fight with said fan because of shippers' harassment of Finnie when he confirmed Cait wasn't dating Sam. Finnie and the fan broke up and I don't think he's on social media anymore. At least not on his original account. Davie is still around on social media, of course.

What a ride for all of them all these years, no pun intended hahaha.

Ah, memories...

[outlanderskin]

Every time I see a picture of or clip of Sam with Caitriona, I see him with the woman in London. I can’t erase that. Maybe it was the hand holding? I don’t know. His appeal has gone downhill considerably. Not because he’s dating, it’s who. And walking down the street flaunting. She certainly wasn’t going to be missed by any passerby’s. Not the best judgement me thinks.

Dear Anon, Do you believe this paparazzi walk was a real thing?

Should we then consider that everything Caitríona and others said about him are big lies?

Shall we remember some of these lines? Let's go

"We're both going through the same experience, so that's great, we both really understand that. I hope I’m as good support as he is to me.”

"Sam's just so kind.  He always checks in.  I don't know, he has one of the biggest hearts and smallest egos that I know."

“Sam was cast in June, so he was already, you know working out, building those big muscles he has. I walked in and Sam was just this calm center and there was zero posturing, zero ego."

“We have a similar approach to life and a similar approach to acting and it just works. Sometimes you just get lucky. Sometimes the stars align. ”

" When I first met Sam at our chemistry test, which I always think is quite funny, he was the nicest guy and he just put me at ease. I was a little nervous and he's just that kind of solid, grounded guy".

" From the moment we met, we got along. Sam is one of the most generous people you’ll ever meet. Such a great guy, no ego involved.”

"You know, I’ve had the honor and privilege of acting next to him and with him for almost 10 years now, and I know how amazing Sam is…”

Or should we ask Priyanka Chopra Jonas?

"He’s such a fun and funny guy, and he’s nice. For someone who’s a Sam fan, they’d be really excited to know that he doesn’t just play a good guy in this movie, he’s a really, really good guy, a complete gentleman and super thoughtful as a co-actor as well"

I won't name other co-stars, but it's easy to find on the Web what people close to him say about him. Another important point to consider: the woman who most publicly praises him (aka Caitríona Balfe) is a feminist (like me). And normally women like us don't become (or stay) friends with men who treat other women like dirt, firstly because we can't stand toxic masculinity and secondly because they can't stand our questioning about their attitudes. So, does it make sense to you that this Sam mentioned above is the same one from Pap Walk?

[margareth-lv]

🏳️‍🌈 Every girl needs a gay best friend 🏳️‍🌈

Last week, I wrote a post here about the morbid shyness of a certain music manager.

My text was based on an interview Caitríona gave in mid-February 2018, shortly after her so-called 'engagement' and after she'd just won the Irish IFTA for her work on Outlander.

In the interview, Caitríona talked about how she met her fake fiancé. In the February 2018 version, Caitríona met her PA through one of her best friends.

So I decided to look into the subject of this "best friend" who brought the unfortunate music manager to Caitriona.

What I'm going to write today is, I think, 100% obvious to veterans of the fandom. But for those just starting out, I hope it'll be news. And I, well, I'm somewhere in the middle, between newbie status and more than three years of wading through the facts and the myths.

For me, the fun part has been reconstructing the chronology of events. The dates are interesting.

*** *** ***

The beginning of my story is quite surprising. Because we reach Caitríona's 'best friend' by clicking on a link in an article published in 'People Magazine' on 15 August 2019.

The article is entitled: 'Everything to Know About Caitriona Balfe's Super Private Relationship with Husband Tony McGill' and it tells us that: 'the couple tied the knot in England last weekend'.

😱

What excellent investigative journalists People Magazine have (bravo, bravo!), that in a twelve sentence article they could link to a post from Donal Brophy's Instagram.

👏🏻👏🏻👏🏻

And look at this description:

"It’s unclear exactly when Balfe and McGill started dating, but the earliest evidence of their romance dates back to 2015, when a friend posted a video of her sitting on his lap at a bar in Ireland on Instagram. (McGill was not tagged and does not appear to have any social media accounts of his own.)"

🤯

Isn't that brilliant work from Starz/TPTB/whatever's PR Dept?

*** **** *** From the above it seems fair to conclude that the 'best friend' who brought Caitriona bad luck in the form of an unfulfilling music manager was Donal Brophy, because who else could it be?

*** *** ***

And now, let's take a quick look at the Instagram post (dated 1 January 2015) linked to the 'People Magazine' article. We all know it, of course! Here is the irrefutable proof of the passion between our two lovebirds: the rhythmic (and how sexy!) patting on the hip.

🥱

Well, hip-slapping is boring (and not at all sexy).

Far less boring, however, is the look on the music manager's face, the look that seeks Donal's approval (tell me I'm patting her well, do tell!). Could it be that, like the People Magazine link, this video was made to show? I wouldn't rule it out.

*** *** *** Now let's talk about dates: the sexy (not 🤢) slap on the hip was posted by Donal with a date of 1 January 2015, but two days earlier, on 30 December 2014, Donal shared another photo on Instagram featuring both the hapless music manager and Caitríona. ⬇️⬇️⬇️

Perhaps the decidedly less seductive and sensual appearance of the 'fiancée' in the December photo was the deciding factor in "People Magazine" not publishing a link to it?

Who could know?

*** *** ***

It certainly wasn't love at first sight. The new boyfriend seems rather tired of Caitriona's presence. 😉

I know this is a mischievous conclusion. I am so, so sorry, my friends.

❓

But one thing is for sure: Donal is an old friend of Caitríona.

I haven't done too much in-depth research, but the oldest photo I've been able to find of both Caitríona and Donal is… a photo in a Flickr album belonging to Caitríona's ex-boyfriend, Dave Milone. The photo is dated… 2002.

😨

You get the idea - Caitríona's ex (and real) boyfriend, Dave, Donal, and after many, many years a new 'fiancé'. It feels like my brain is exploding. 🤯🤯🤯

*** *** ***

But back to Donal: I have a feeling that Donal may have been Caitríona's +1 at times when she did not have an official boyfriend.

*** *** *** And let's not forget: Caitríona has a sweet and tender relationship with Donal.

June 2013, Miss you babe!

December 2013, Caitríona on IG:

December 2013, Donal on IG:

April 2014: They even went hiking together in the Scottish Highlands.

I wonder, by the way, who was their mountain guide? Was it an unfortunate music manager? I think not.

I would rather point to someone else, someone who loves (and knows!) the (S)cottish (H)ighlands. But I won't name him.

⛰️🧗🏻‍♂️

*** *** ***

For those who are unfamiliar with the name Donal Brophy, here are a few words about his professional profile:

You know, it works for me: "While in New York, Donal was also known for epic parties. Everything he organized automatically became a “must-attend” event for New York’s most with-it residents."

You know, that kind of vibe (2007):

😵‍💫😵‍💫😵‍💫

*** *** ***

Had he been Caitríona's false fiancé, it would have been easy for us to believe in the beautiful, loving bond that existed between them. But he was only the messenger of bad news. What wouldn't you do for your best friend?

❓

PS. Unless something has changed, Donal was married to Emrhys Cooper, a British actor, singer, dancer, and filmmaker. Together they run Idyllwild Pictures, an entertainment company.

Taken in July 2023:

[January 23, 2024]

[brian-in-finance]

This is fantastic! Can't wait for April 2025 for The Amateur to be released in the theaters. Caitriona seems to have made another excellent acting choice. 🎥💗👏👏👏

Comment made after attending the movie's private screening:

"I signed an NDA so I can’t say anything but in 9 months you’ll agree she’s making excellent decisions for her film career and her talent & range is even bigger than we’ve seen. The best is yet to come".

https://x.com/mushka_lives/status/1821713654502559774

Thanks for the message, Anon. 😃

Twitter

And before anyone says, “Oh, Mushka. 🙄 So much for impartiality.”

She beat you to it. 😂

Twitter

Remember… very excited to be joining this amazing cast!! This is going to be a fun one. 💙 — Caitríona Balfe, Instagram, 21 May 2023

[alleiradayne]

I haven't said much personally about Veilguard besides sharing my Rook and a few other silly things, but I do have a couple thoughts now that I'm so very far into my playthrough (halfway at about 50 hours).

I know the music hasn't hit like some hoped it would. I agree that it is not as good as Inquisition. That's still my favorite OST of the series. I understand BioWare wanted a new composer for the next game because each game has had a different composer. But given how very connected Inquisition and Veilguard are, I disagree with that premise and thought they should have stuck with Morris, and not only for that reason. He's a fucking musical genius.

All that said, I do enjoy Zimmer's and Balfe's work on this OST. It's not bad. I was shittalking the main theme for weeks after it came out but when you mash it up with the actual opening of the game, it fits. And I like all the softer versions of it, the less complicated takes with less instrumentation. And there are other tracks that call back to Inquisition. No, I'm not referring to the cameos where Morris's actual tracks were used. I'm talking about Zimmer/Balfe's new content where they threaded callbacks to Inquisition. Once I finish the game, I'm going to do a much deeper analysis of the Veilguard OST, but for now, I'm enjoying it as I play the game (I don't want to listen to the OST before I finish the game itself).

A couple other thoughts in shorter form:

The combat is fun. Compared to previous games, it's dynamic enough that, while there are patterns, you still have to be on your toes. Yes there's the rock, paper, scissors of get rid of armor, get rid of barrier, then spam left click/spells. But you know what, compared to the previous games, I'm enjoying that. It's a nice change of pace. I'm also playing a Mourn Watch Death Mage, so there's some nice flavor there.

Skin texture sucks. It's too smooth. It gives everyone a cartoonist look. I hate it.

Hair is fucking gorgeous. I just wish there were more styles I liked.

The story and quests are fantastic.

I find the dialogue to be a fun balance between seriousness, camp, and exposition.

Now on to my biggest fucking complaint about the game so far and given what I've read (without spoiling anything), I'm ultimately going to be disappointed in the long-run by the romances. My mage committed to Emmrich and I love him. He's wonderful. Read on for some spoilery-ish facets of his romance.

SPOILERS

He's an artist. Both with his magic and his words. He's sophisticated and overly romantic in such a respectful way. Rook's interest in him takes him by surprise because I believe canonically there's an age gap (that I headcanon away), but it's adorable. Plus, graveyard dates. He's very Gomez Addams but without all the public displays of affection (which I also headcanon away because fuck that noise).

END SPOILERS

My last point in the spoilers section about Emmrich's romance is my biggest complaint of the game. There's very little actual romance! And it's because you can't roll up to your companions at any given time and open a dialogue with them. There's no open conversation option. You only get to talk to them if they have a time-sensitive marker or a quest marker on their icon on the map. No free smooches on the ramparts!

And the romance moments we do get are so few and far between in a game that is absolutely massive, not in terms of map size this time, but in terms of content. There is so much good content (as opposed to the shit side quests of collecting 10 bear asses in the Hinterlands of Inquisition). The side quests all feel directly tied to the area's story so they all feel worth doing. We're never doing dumb shit like drawing constellations in the sky or finding shards through tranquil mage skulls (don't ever forget that they used the skulls of mages forced into tranquility specifically for this purpose).

Now I'm not through the whole game yet, but I'm hearing and seeing that there's next to no nudity. Given that on top of the lack of open convos and sparse romantic content, I'm bummed. I still love Emmrich, and I know I'll enjoy the others when I do get to them (because I plan on it). But damn. I was hoping for Desk Scene (iykyk) levels of spice outta this crew.

That's it. Halfway through the game and this is how I feel so far. I'm thoroughly enjoying the game and will continue to binge it. I have Rooks planned for the rest of the companions, too. Femme elf rogue crow to romance Davrin, femme qunari warrior lords of fortune to romance Harding, femme human shadow dragon rogue to romance Neve, femme elf warrior veil jumper to romance Bellara, masc elf mage grey warden to romance Lucanis.

I'd like to see your thoughts!

[thefrsers]

Sam and Caitriona on Good Morning America(6.06.23)

[thetruthwilloutsworld]

If anyone knows a thing or two about sex scenes, it’s Sam Heughan. Over the past decade, the 43-year-old Scottish star of Outlander, the cult-hit historical drama, has filmed hours of notoriously raunchy footage in his role as Jamie Fraser, the dashing 18th-­century Highland rebel, with his wife, Claire – a time-traveller from the 20th century, played by ­Caitríona Balfe.

Yet two years ago, Heughan, as one of the executive producers (with Balfe), introduced an intimacy co-ordinator to choreograph such scenes, which had been criticised by many as excessively violent.

“The industry’s completely changed since Outlander started,” Heughan says, sitting in a Soho bar on a visit to London from his home outside Glasgow. “Not just our show but also shows like Game of Thrones were very graphic, with no room for the imagination, in a way that’s quite jarring now. As young, keen actors, we were just expected to get naked and go at it. Caitríona and I formed a bond and trusted each other, but there were times when we were pushed too far.” He was especially troubled by a scene involving full-frontal nudity in ­season one, when Jamie was tortured and raped by his rival, Black Jack Randall (Tobias Menzies). “That really didn’t sit well.”

Everything changed following the MeToo scandal, leading ­Heughan to employ Vanessa Coffey to choreograph the sex scenes. “So now everyone knows what the boundaries are, like in a football or rugby match. It’s been so helpful and freeing, and it was because I didn’t want younger actors to go through what we’d gone through. Now, the scenes are sexually charged, but not gratuitous.”

Despite his heartthrob status, Heughan – who’s 6ft 2in, with the strapping physique his role necess­i­tates – is modest and thoughtful company. He also had Coffey enlisted to co-ordinate his latest pro­ject, Channel 4’s erotic thriller The Couple Next Door, filmed during the short break between Outlander’s seasons nine and 10, in which he plays Danny, a policeman living in a Leeds suburb in an open marriage with Becka (Jessica De Gouw).

“We didn’t want to make a salacious or seedy show about swingers,” Heughan says. “It’s about the psychology behind it – what is it to be in an open relationship where two characters love each other so much that they can invite people into that relationship? I think it’s possibly the greatest form of romance to allow your partner this, if it’s the itch they need to scratch. My character struggles with it.

The couple’s (initially) strait-laced neighbours are played by Alfred Enoch and Eleanor Tom­linson, who in 2019 finished five seasons as Demelza in Poldark. With Outlander about to start ­filming its final season, she and Heughan compared notes on moving on from a huge, long-running costume drama.

“It’s emotional. For me, the prospect’s hugely bittersweet. It feels like getting out of an institution. Outlander’s like a family, it literally defines who I am.” After all, Heughan has created an empire of Outlander spin-offs, including books, television travelogues and his spirits brand, The Sassenach – named after Jamie’s nickname for the English Claire – not to mention his charity, My Peak Challenge, which has raised nearly £5 million to fund a variety of causes, including ­hunger relief and blood-cancer research. “I’m ready for new challenges, but also nervous about what it’s like in the real world,” he says.

Still, he felt now was the right time to wrap. “Outlander could have finished after the ninth season, but, personally, I felt we hadn’t quite got there. So now we have the problem of pushing the writers to do something that’s hopefully satisfying for the audience, but also exciting.” So Heughan doesn’t yet know how Outlander ends? “No idea, and it’s really tough because Diana [Gabaldon, the author on whose novels the series is based] has written so many books.”

The show has a vast international fanbase; VisitScotland has cited a 67 per cent rise in visits to the show’s locations, such as Culloden and Inverness. “I do feel like I’m an unofficial ambassador for Scotland, and sometimes I don’t think the show is given enough credit for what it’s done for Scottish tourism,” Heughan says. “I think the numbers are even bigger than they say, because reams of Americans are just making their own itineraries. Doune Castle’s numbers are up 800 per cent, it’s been completely renovated as a result.”

The show has also transformed the local film industry. “For 10 years, we’ve been employing ­people at over 200 Scottish locations, we’ve started an intern scheme, we’ve built a studio with five sound stages where there was nothing before. So it’s going to leave a legacy.”

The son of an artist single mother (his father walked out when he was a baby), Heughan spent his early childhood in the Borders, his teens in Edinburgh, before studying at Glasgow’s Royal Scottish Academy of Music and Drama, where his mentor was third-year student James McAvoy.

Having worked in London and Los Angeles, Heughan fell back in love with Scotland when he was cast in Outlander. Initially against independence, filming the first ­season in the run-up to the 2016 ­referendum transformed him into a vocal advocate. “Scottish politics right now is a bit of a mess, which is a shame, but maybe they’ll find a new rallying cry. We’re a great wee country with amazing resources, most of which are controlled by the British. Similar small European countries have great identities.”

Initially, Heughan is hesitant to discuss the issue, aware taking either side will provoke a social-media backlash, but then he decides: “Why can’t actors have opi­n­ions? The problem is you have to come down on one side, there is no room for deb­ate. Everything has be­come so aggressive and then social-media algo­rithms mean you only get to see one side of the argument.”

He had his fingers burnt when last month he signed an open letter from Artists for Palestine UK, alongside the likes of Tilda Swinton and Steve Coogan, which accused the Government of “aiding and abetting” Israeli war crimes, but failed to condemn Hamas’s terrorism. The following day, Heughan rescinded, saying he hadn’t “fully understood” what he was signing.

“I was maybe naively calling for peace, which is what we all want, but, unfortunately, that situation is so complex, I can’t understand it all,” he says now. “As an actor, you have a platform, but if you put your thoughts out there, you upset ­people, but you’re also damned if you don’t say anything.”

Heughan’s taking time to navigate a potential post-Outlander career path. “I’m a workaholic, but I have to be discerning. Whatever I do next, I have to feel really passionate about.” Possible plans include directing and exploring a different side to Scotland than misty heather and bagpipes. “I think that underbelly you see in [Ian Rankin’s] Rebus and Irvine Welsh is very interesting, there are still pockets that are very hard and gritty.”

Back in 2005, he auditioned for James Bond in Casino Royale – the role that eventually went to Daniel Craig. Now, there’s a new vacancy. “I’ll throw my hat in the ring,” he says, grinning. “I’d be a brilliant Bond, I’m good at action and I’d bring a lot of ­emotional intelligence.”

There might even be space for a personal life. Heughan’s mystified by “facts” he reads about his private life online. “There’s so much ­nonsense that’s completely false – apparently, I have a daughter. News to me!” he says, flushing. The truth, he says, is that Outlander leaves no time for relationships.

“It’s insane hours and takes over everything. Caitríona’s carved out a beautiful family for herself that she protects very well, but I’ve seen how hard it is for her to do that. I want a cat, but I’m too scared even for that, how would I look after it? One day, maybe,” Heughan says, dreamily.

Posting again as some people had difficulty opening the previous link.

[sgiandubh]

Caitriona Balfe stated that she would NEVER date an actor. I wonder how she feels about Sam's shirtless and 95% nude appearance with actresses. I could not

Dear Never Anon,

Never say never, Anon. Hasn't your Momma told you so?

You might also consider the fact we are all different, thank God. If you could not, does not mean she couldn't. You are not her. She is not you. Dig me?

She was also that starry-eyed young model who uttered these words, Anon:

'Look, when you're earning that much money and you have the possibility to do a lot of things, like you wanna go travel, you wanna go, you know, for a really nice holiday in Saint Barth's or something, and if you are with somebody who's not earning that much money... Of course you're gonna pay for them to bring them, but then if you're constantly paying for somebody, I guess it can leave you feeling like you've been leeched on, I guess? Like sometimes, you know... but it's... but it's not...or is it? I don't know (uneasy giggle)... ahem... I mean, we're all pretty young, so anyone you're gonna be with, unless you're dating like... some 40, 50-year old banker or something, they're not gonna be earning the same as you are, because they're just starting their career, so ...'

It is all on tape, here (00:45- 01:30)

'Leeched on'. Tss, what an unusually strong choice of words from a twenty-something young Irish model, don't you think, Anon? Despite the fact that her kindness finally made her fumble around with the answer and clumsily try to mitigate it.

So which one is it? 'I will never date an actor', because I don't want to talk about my private life ('some things are just for me') to some second-tier media outlet? Or I would feel 'leeched on' if my partner earned less than me?

When she supposedly met McGill, she was 34/35 years old, Anon. He was 36/37, at the time, with a hefty record of failed businesses to boot. Not exactly starting his career and I bet she still thought the same. Assuming she is not Mother Teresa and McGill is not exactly J.P. Morgan, you do the math.

[lostburgerprince]

this is stale discourse at this point (and really idek if anyone dissented at the time) and im just a former band kid who hasn't studied music seriously in like 10 years and my grasp of music theory is rudimentary at best and the last thing i want to do is go to bat for hans zimmer or the mcu but i still can't get over people calling the veilguard theme 'marvel music' to put it down in comparison to the inquisition theme bc

what the fuck does that mean like i know what you think it means but please, define it in actual words and musical terms

is2g one viral youtube video from like 2013 made everyone think a theme's percieved 'uniqueness' or 'memorability' is the prevailing benchmark as to whether or not a piece of cinematic music is good

it signals a complete ignorance in both hans zimmer's AND trevor morris' discography

it also signals a lack of curiosity or genuine interest in movie/game scoring like you don't *actually* care about the technical/craftsmanship aspect, you care about the emotions you associate with Inquisition's music

saying 'marvel music' as a put-down like the composer for the avengers films, alan silvestri, didn't also score several tumblr-darling films including but not limited to back to the future and night at the museum and don't try to tell me people weren't bUMPING the avengers theme in 2012 like i was there gandalf don't rewrite history like this

i just know people are saying this without realizing trevor morris scored marvel's iron fist

not an actual point i just think everyone needs the reminder that veilguard's score is not just zimmer, lorne balfe (asscreed III, hbo his dark materials) is also credited

like it's perfectly fine to just not like veilguard's music, or have inquisition's be your favorite, but come on if you're going to talk about it critically at least put in the effort

[themosleyreview]

The Mosley Review: Bad Boys: Ride or Die

There is an important lesson being taught here to filmmakers that step into a franchise they are fans of. Fans of a franchise can be the most devoted and best choice to continue on the franchise, but if they are not in service of the story, the characters or the identity of the franchise, then they aren't the right one to take it on. You cannot come in with your own biases, agendas or what your idea of what the franchise is. True fans of a franchise know this and take that lesson to heart and deliver an outstanding entry and that's what this directing duo has done yet again. The Bad Boys franchise has always been about the classic buddy cop relationship that keeps you engaged in between the amazing action. This franchise has a strong beating heart of love and fun at its core and this film keeps that heart pumping at a hardy pace. The previous film was a welcomed return that had its moments of flare, stylistic action and comedy, but it focused on the story and the humanity of the characters first. That same elegance of storytelling continues in this new entry and it may be a bit more kinetic, sometimes overwhelming, but it still lands strongly in the category of greatness.

Will Smith and Martin Lawrence return as our favorite dynamic duo Detective Lieutenant Mike Lowry and Detective Lieutenant Marcus Burnett and they haven't skipped a beat. The magnetic chemistry between them is what keeps you engaged and I loved that this film once again drives home that brotherly love they have for one another. Like the last film, they both deal with their mortality in a unique way as they are older now. Mike has an unexpected growth in personality and I loved that he isn't as perfect anymore. You see him deal with a personal disorder that he must overcome and it is pretty inspiring the way Will portrays it. Marcus gets a new lease on life and lets go of the whiney tone and actually has more pep in his step. In a sense, Mike and Marcus switched perspectives and role types as Marcus has become the more reckless and Mike has become the more cautious. I loved his spirituality which made for some great moments of comedy where Martin truly shined the brightest. Vanessa Hudgens and Alexander Ludwig return as AMMO teammates Kelly and Dorn and they were both fantastic yet again. They weren't an after thought and they both were a powerhouse in the action and held their own when on screen with Mike and Marcus. Paola Núñez was awesome yet again and now as Captain of the Miami PD, Rita Secada. I loved her strength in the film and her chemistry with Mike and Marcus is still strong. Its a mild spoiler, but I hated the fact that her and Mike didn't end up together. Ioan Gruffudd was good as Adam Lockwood and its always great to see him on screen. Joe Pantoliano is always a welcomed face and seeing him as Captain Howard one last time was heartwarming. Jacob Scipio returns as Mike's son, Armando Aretas and he was just as badass and deadly. I liked the strained avenue that Mike and Armando go down as their father and son relationship is slowly being built. Eric Dane enters the franchise as the new threat and I liked him as James McGrath. He was cunning, quick and brutal and wasn't about world domination. I liked the history behind the character even if his motivation was a bit boring. Dennis Greene returns as Reggie McDonald and he has always been the butt of the joke in the past films since his iconic entrance. I loved that in this film, he finally earns respect and he becomes the MVP of the film in an amazing scene.

Composer Lorne Balfe returns with an absolute knockout of a score. Not only does he have his unique touch of intensity, but he continued to incorporate, modulate and evolve the iconic Bad Boys score and themes by original composer Mark Mancina. It drives me up the wall when composers don't use the iconic themes of a franchise and I loved that Lorne kept it alive and flowing throughout the film in multiple variations. The action in this film was top of the line and felt classical in its practical execution. It was gritty, bloody fun that had me smiling from ear to ear. There is a bridge sequence that leads to the iconic Bad Boys shot, but that scene felt a little disjointed and dizzying in the placement of characters. There is a feeling of finality to the franchise as it sort of gives a loving look back at the past films with fun parallels and role reversals. Directing duo Adil & Bilall truly love Bad Boys and it shows in every inch of the screen from the action, the character development and comedy. They have done a magnificent job in delivering an even better entry than the last and I can't wait to own the 4K Bluray. This is definitely the best action film of the year so far! Let me know what you thought of the film or my review in the comments below. Thanks for reading!