#I AM LOOKING AT YOU I AM IN YOUR WALLS

[teddybeartoji]

HELLO I’M SLIDING INTO YOUR INBOX NOT SO SMOOTHLY

5, 13 and 33 for your ask game :3

EEEEEEEEEEEEEEELANIBABYYY:333333333333

5. tell us some funny drunk story

😭😭😭 idk how funny it is to everybody else but it sure is to me. it's more embarrassing actually but i'm gonna tell you anyway:333 soooo cue me going to the club after a 12h shift. i hadn't eaten anything since like 3pm and my work day ended at 9 aaaand we were at the party at like 11 already. it's not looking too good already now is it.............. i also vaped at that time. and i am a terrible lightweight :D so i am starving and two drinks in, vaping and dancing my ass off, and i'm already starting to feel a little off yk? so i think that taking a piss will fix me.

it did not.

oh and also this was during february so it was cold as shit and we didn't even take our coats off (just bc we kept going outside and then back inside). so now. i'm in this bathroom that's exactly the size of ONE toilet i kid you not. it's literally the door - you - toilet and that's the whole room😭😭😭😭 i was already struggling with my long coat bc fuck my head is dizzy and there's no room and there wasn't anywhere to put the damn thing either so i ended up just holding it in my lap. i finally manage to actually take a piss and then...

oh no...

i feel SO bad. like sick. like i'm about to vomit. FUCKFUKCUFKCUFK THE ONLY THING IN MY HEAD WAS HOW THE FUCK AMI EVEN GONNA PUKE IN HERE?????? AHGSHASHGAGHSGHA I WAS ABT TO FREAK THE FUCK OUT. i took a few deep breaths and made a plan that i'm gonna rush outside immediately. i will not vomit all over the floor of the club. i will not. i know most of these people i would actually have to kll myself.

i push up i manage to pull my PANTIES on and... voila.

so i just ended up bent over the toilet bowl with my big ass coat in my hands with only my pink panties on i didn't have the time to pull up my pants, and since my ass was facing the door i just couldn't stop thinking abt the lousy ass lock on the thing... what if somebody actually pulls it open😭😭😭😭😭😭

i was just stuck in that pose for like two whole minutes bc i just... was kinda shocked that it even happened lmao AAAND THENNN as a cherry on top - i could fucking hear my friends ahshgasgha calling from me. i heard them talking to someone else being all like ":oo we lost mickey we lost mickey" but i didn't have the free hands to reach for my phone eitherrrrrr ajshhgsghaghsaghsgha plss it was so ridiculous.

after i finally regained some energy lmao i dragged my ass outside into the BLIZZARDDD BTWWWW IT WAS SO FUCKING COLD and i was sat there for like 40 minutes i think. my friends came out with me dw they brought me tea and everything:3333 but yeah the whole thing was soo stupid esp since i don't puke. like ever. i don't even get hangovers lmao

13. if the whole world listened to you right now, what would you say?

FIRST OF ALLLL THIS IS SCARY AS FUCK HELLO😭😭😭 I DO NOT WANT THAT MANY PEOPLE LISTENING TO ME HASHGAHGSAHA hmmmmm but... i'd either just go for the good old "i love you" because why the fuck not orrrrrrrrrrrrrrrrrrrrrr i'd fucking rick roll all of you:33

33. something you are good at?

mmmmmmmmmmmm being very straightforward lmao and taking things literally. can be a bad thing but i think it's good too. i think i'm pretty good at finding solutions for the silliest problems just bc i think a bit differently than most i guess. autism<333

interview the mayor

[indigonite]

no matter how many tattoos I get, I always downplay how annoying the itchy phase is.

an itch you can’t scratch makes you want to gnaw your arm off.

[28ms28]

its been a while since i did lestappen text posts so here you go

all other parts here

[jadewritesficshere]

Eddie x fem!reader (reader wears lingerie, no other descriptions of reader given except mentioning hitting that spot just right)

Contents: lingerie, both are a lil pervy tbh, humiliation, crying, praise kink, sub!Eddie, this is literally just horny ramblings

18+ only

It wasn't every day you came back to your house and your best friend had broken in. Maybe, every other week at best.

Usually, Eddie would be high eating your snacks (you were thinking about getting a lock for the cabinets). Or he would be watching whatever show you recorded and tease you about spoiling it (you threatened to use the VHS to beat him over the head and strangle him with the VHS ribbon if he did).

But, you had no clue Eddie was even in your house today. His van wasn't parked in your driveway when you came home. His shoes weren't in a haphazard pile at the front door. You had 0 clue he was there.

Not until you heard a thump coming from your bedroom. Which, your first thought went to the knickknacks you had that someone could be stealing (they wouldn't cause to a normal person it was junk but to you they were memories).

You grabbed a knife from the kitchen (you weren't gonna die without a fight, besides you learned a thing or two from the horror movies Eddie made you watch). You quietly pushed your bedroom door open and-

Shit.

Eddie was standing in your room in front of your mirror. Miles of pale skin just on display, scattered with contrasting dark tattoos he had. Nothing on, save for your lilac lingerie.

The palest purple lace bra, you can see from the back isn't even clipped correctly, missing the hook entirely. But the color is striking on Eddie. The lace thong cuts high on Eddie's ass, and you try not to gawk at the little black heart tattooed on his cheek. Eddie's scars seem softer amongst the lace.

How often did Eddie do this? Come over and put on your lingerie? Stand in front of the mirror and rub his fingers over his one hardened nipple. You couldn't see from where you were, but you knew his cock was hard. He'd be leaking all over your underwear, marking them.

Eddie lets out a little moan and it ignites a fire in your gut. You lick you lips as you watch Eddie, which maybe makes you a pervert but really it is your house and he is wearing your clothes so if anyone is-

Fuck why is it so hot?

"So-" you clear your throat. Eddie let's out a screech (that you are pretty sure ruined your eardrums) as he whirls around. He tries to cover himself with his arms, curls in on himself. And Holy cow he is hard.

He is big, so big, the tip just peeking out of the waistband of the panties. You can see the pearly translucent precum already dripping onto the underwear.

"I- fuck, I'm aha listen I can exp- i can explain!" Eddie fumbles over his words. You blink a few times tearing your eyes away from his massive dick (oh it would feel so good it would hit every spot just right).

Eddie's face is red, tears welling up in his eyes. "Oh Baby, no," you rush over, pausing when Eddie flinches. You gently put a hand out on Eddie's shoulder, drawing him into a hug, " It's- it's okay. Please don't cry." "Don't hate me." You gasp in shock, pulling back to look in his eyes," I could never!"

Eddie's eyes are wet, filled with unshed tears. His nose is turning a bit red, from embarrassment, shame, or sadness you can't tell. But his cheeks are such a pretty pink you think it'd look nice elsewhere on his pale skin.

Eddie hides his face with his hair, shuffling his feet a bit. "So..." you pause unsure how to ask it politely so you just go for it," I can see this is a kink thing...but like, what kind?"

Eddie shrugs," Wanted to feel pretty..." You frown," You are pretty Eddie." Eddie shakes his head and gestures to his abdomen," Not with these."

Eddie really should not be drawing your eyes any further south then his face. Cause your pulse kicks up and the fire inside you lights back up your spine. You can't help but notice his dick is still hard as a rock.

"You are too pretty." "Not really." "Yes!" Not-" You shove Eddie lightly, causing him to stumble back and fall onto the bed. Eddie's eyes widen in shock as he peers up at you.

"Don't talk about my best friend that way! You are too pretty. And handsome. Funny. So talented," You sigh and step forward, into Eddie's parted legs. Eddie leans up on his elbows and blinks rapidly at you. "You're so fucking pretty Baby." You murmur, hand reaching out lightly touching his thigh.

Eddie let's out a whine before looking startled at himself. You can't help but notice his dick twitch under the pale purple lace. "You like being called pretty?" You smirk. "Like when you call me Baby," Eddie replies softly.

You aren't sure who moves first, but suddenly your arms are wrapped around each other. Your lips meet Eddie's without hesitation. His are slightly chapped but still soft, molding perfectly against your own.

You run your hand down Eddie's neck, to the pale bra strap and snap it. He gasps and you take the chance, slipping your tongue into his mouth. He tastes of weed, mint gum, and just Eddie.

Eddie moans against you, hips bucking forward seeking friction. You pull back, gasping for air. Eddie let's out a whine," No, come back-" "I ain't going anywhere Baby."

Eddie's eyes flutter shut as he bites his lip. He hums as you kiss his jaw, lightly nipping at his pulse point. He shivers against you, hips bucking forward again. You suck lightly as you decide to give him some relief.

Your hand snakes down, grasping him firmly. You lightly squeeze through the lace, giving just enough friction as you move your hand.

"Look so good in my lingerie Baby, you should wear it more often." You murmur between kisses. Eddie nods absently, gasping and moaning beneath you. "Got a red pair that has some nice straps, you'd look so metal and so so pretty."

Eddie freezes, mouth falling open. His brow wrinkles slightly as he moans, pleasure overtaking him. His hips spasm, even his thighs twitch, as he comes. You can feel your underwear get soaked along with part of his stomach.

You stroke him through it, extending his pleasure until he whimpers and pushes at your hand. You pull back, smiling softly at his face. Eddie's eyes flutter open, darting down to your lips. "Kiss?" He asks quietly, unsure. You simply smile and kiss him again.

[rip-headphones-users]

Takeover

Part #??? Out of #??? Of a fanfic I’ve been working on. I was planning on posting it to AO3 but it looks like I might be doing a comic adaptation instead. ; )

Yeah its the same fic as This Post.

And if you would like more context as to whats going on here, Read This.

[burningcheese-merchant]

Мне безумно нравится смотреть на неё и думать насколько же счастлива была Голден Чизз, когда узнала, что у неё будет именно дочка(я знаю, что связь между Спайсом и Панир, должно быть, крепче, но я просто очень хочу нежные мамуля-дочурка взаимоотношения)

Матар Панир даёт мне самую ужасную детскую лихорадку в мире

I am absolutely fucking kicking myself for having missed this ask in my inbox. Beating myself black and blue. Non-zero chance I kill myself out of shame after answering /j

I remember you... You're the same person who drew the BurningCheese fam as cats... And you come back here with another banger 😭😭😭 more peak delivered to me, to my inbox, my eyes and my heart 😭😭😭 I just want you to know that you're one of the greatest people to ever live and you have forever won my favor

Look at them!!!!!!!! The girlies!!!!!!! Mama Bird and Baby Bird!!!!!!! Baby Paneer holding a cheesebird omg 😭😭😭 and you're 1000% right, Golden Cheese was ecstatic when she discovered they were having a daughter haha. Not that she was disappointed when Jack was born, absolutely not, she loves her baby boy to death. But now their numbers are even, 2 boys and 2 girls lol

I just... I'm so happy 😭 this is so beautiful... I can't stop looking at Golden's gorgeous expression... You can really feel that mother's love shining through, you know? And Paneer grabbing her face... That's so her 😭 she actually did do that a lot as a baby! She was always a touchy-feely person and she loved grabbing at her parents and brother as a baby! How did you know this, did you get inside my head 😭😭😭

I hope you're proud of this drawing because you should be. It's lovely. Especially Golden Cheese's expression, I really cannot stress enough how captivating it is. You're very talented and I honestly envy you. I can't thank you enough for making this. You've made my whole entire day AND tomorrow with this. In fact, to try to repay you for this, YOU 🫵 get ONE STORY VOUCHER! You can come into my inbox and ask me to write a story about the family and I will! Whatever you want! Angst, fluff, father-son thing, mother-daughter thing, The Siblings™️, the whole family together, whatever you so choose! You seem like you like them a lot, if you want me to tell you more about them I can haha

[poorly-drawn-mdzs]

I have been following your work since the beginning. At first I just really liked your sense of humour and analysis of MDZS, but with time I started to really enjoy watch your progress in this drawing journey. I just watched your animatic and just wanted to say that I'm really happy for you, you're a really inspirational person.

I usually don't comment in anything and it's just because I'm really awkward about commenting. But I'm always accompanying your posts and seeing your notifications always make me smile, please continue with your good work!

(English isn't my first language, sorry for any mistakes)

Thank you very much! I've seen you around for a long while; I sincerely appreciate your support, no matter what form it takes!

[winn-wynn]

If Hogwarts used Emails

From: Percy Weasley <percy.weasley@s.hogwarts.edu>

To: Filius Flitwick <filius.flitwick@hogwarts.edu>

Subject: CHARMS-ASGMNT 3

Dear Prof. Flitwick,

I hope this message finds you well. I am currently working on assignment 3, which is about the history of Weathering-Modifying Charms and whether or not they should be regulated. I also remember you writing down mobilicorpus, which is the spell for moving bodies of those who found themselves unable to walk. I was wondering if you meant mobiliarbus, which the spell to move plants and trees, which is closer to the subject?

I would greatly appreciate any guidance or suggestions you have to offer.

Thank you and have a great night!

Percy Weasley

W8008569

From: Filius Flitwick <filius.flitwick@s.hogwarts.edu>

To: Percy Weasley <percy.weasley@s.hogwarts.edu>

Subject: Re: CHARMS-ASGMNT 3

whoops typo yeah it's supposed to be mobiliarbus

-Flitwick

Sent from my iPhone

[isnt-that-wizardd]

y'all acting so upset over a daddy kink being brought up in a CANON RELATIONSHIP with Buck looking PERFECTLY HAPPY ABOUT IT as if we didn't all see that look on Buck's face when Maddie asked him why he had a ring cutter

[vaguely-concerned]

rook x lucanis: romance with a commentary track! solas and spite contribute with their thoughts and opinions along the way whether anyone wants them to or not. it's like a MST3K episode up in here as you try to get hot and heavy. in. in the pantry. love among the radishes at the end of the world (rifftrax version)

[batbabydamian]

Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!

Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).

Maya is incredible. I loved her.

I haven't finished all the issues yet, but do you have any other recommendations?

WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;

i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.

Main Books

Batman and Robin (2009)

Dick as Batman with Damian as his Robin!

#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series

*Batman and Robin (2011)

Bruce and Damian figuring out their relationship as both Batman & Robin and father & son

imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd

Batman Incorporated (2012) #1-10

events leading to Damian's death - affects Batman and Robin (2011) from issue #18

kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."

Robin (2021)

another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)

Batman and Robin (2023)

currently ongoing! after a number of events, Bruce and Damian are back as a duo

Damian Dynamics!

Batman: Streets of Gotham (2009) #7, 10-12

arc where Damian meets one of his first Gotham friends, Colin Wilkes

Batgirl (2009) #5-7, #17

Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo

Red Robin (2009) #13-14

early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL

Teen Titans (2003) #89-92

Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)

Batman: Gates of Gotham (2011)

Damian meets Cass and has a brief team up

Gotham Academy (2015) #7

Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!

Robin War Event (2015)

Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2

Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins

Nightwing (2016) #16-20, #42, #43

#16-20 Nightwing and Robin arc!

#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon

#43 Dick, Roy, and Damian team-up

New Talent Showcase 2018 "Catwoman: Pedigree"

Selina, Damian, and Alfred the cat

Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)

Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)

Monkey Prince (2022) #1-4

Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event

Superman (2016) #10 - 11

the beginning of the Super Sons! featuring Maya!

Super Sons (2017)

solitary arcs but there’s a few event tie-in issues later

Adventures of the Super Sons (2018)

literally more Super Sons adventures lol galactic shenanigans yeehaw

Challenge of the Super Sons (2020) 

Super Sons time shenanigans feat. the Justice League

Robin 80th Anniversary (2020)

"Boy Wonders" - brief Damian feature as Tim considers his next step in life

"My Best Friend" - Jon's thoughts on Damian and their dynamic

"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin

Extra Comics!

Superman/Batman (2003) #77

Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol

DCU Halloween Special '09 "Cavity Search"

Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!

DCU Halloween Special 2010 "Robin the Vampire Slayer"

a Dick!Batman and Robin story featuring the vampire Andrew Bennett

Cursed Comics Cavalcade (2018) "The Devil You Know"

Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy

DC's Terrors Through Time (2022)

"Trick or Treat" a Super Sons Halloween story

"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release

Batman: Li'l Gotham (2013)

lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly

Secret Origins (2014) #4 "A Boy's Life"

a retelling of Damian's origin story

Detective Comics (2016) #1001-1005

Batman and Robin vs the Arkham Knight (unrelated to the game)

Truth & Justice (2021) #6/#16 - 18 Digital First version

cute story of Damian’s birthday! Juni Ba’s art is so fun!!

DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”

short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"

DC VS Vampires (2021)

Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!

Batman: Black and White (2021) #5

“Father & Son Outing” short story written and drawn by Jorge Jimenez!

Batman: Urban Legends (2021) #20-23

#20 “My Son” Talia and Bruce focus

#20 - 23 “The Murder Club” 4 Parts

Tiny Titans (2008) #33, #39, #45, #47

a few appearances but SO CUTE, LOOK AT HIM

*Batman and Robin (2011) reading guide

i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so

#0 Someday Never Comes

Talia and baby Damian before he grows up to meet Bruce

#1-8 Born to Kill

just an incredibly solid arc for Bruce and Damian!

#9 Court of Owls Tie-In Issue

Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11

#10-12 Terminus

Damian challenges the previous Robins sans Steph

Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that

#13-14 Eclipsed/Devoured

mostly solitary arc! end of it leads into the Death of the Family event

#15-16 Death of the Family Tie-In Issues

Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17

#17 Life is but a Dream - Death of the Family Epilogue

a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events

#18 Undone "Requiem"

Bruce dealing with Damian's death from Batman Incorporated #8

other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18

#19-23 Denial, Rage, The Bargain, Despair, Acceptance

Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.

Batman (2011) #19-20 also addresses Bruce's loss

#23.1-23.4

these could be skipped - villain stories, also related to Forever Evil event.

#24-28 The Big Burn

optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!

Damian's resurrection and return

#29-32 The Hunt for Robin

Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.

-> Robin Rises: Omega

continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.

#33-37 Robin Rises

Bruce hellbent on retrieving Damian from Apokolips and reviving him

-> Robin Rises: Alpha

necessary to read and continues events from #37! Damian's back with a bang lol

#38-40 Superpower

Damian adjusting to having superpowers and being alive again

Annual #1 2013 Batman Impossible

sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit

Annual #2 2014 Batman and Robin: Week One

one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.

Annual #3 2015 Moonshot

one-shot Batman and Robin adventure on the moon!

...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!

[imminent-danger-came]

A "MK is Related to the Underworld Somehow. Probably." List With Commentary (And I Consider it Evidence for EAMK)

(1x08 Skeleton Key)

(LIKE CAN I PLEASE HAVE AN EXPLANATION FOR THIS SCENE. CAN I PLEASE HAVE AN EXPLANATION??? WHAT. WHY. WHY WOULD YOU EVEN GIVE HIM THE KEY IN THE FIRST PLACE.)

-

(1x08 Skeleton Key)

(Idiot boy putting the skeleton key in his ear.)

-

(2x03 Pig Pong Panic)

(MK + Bones. Never a good sign)

-

(2x05 Minor Scale)

(Is this perhaps just LBD trying to take control of MK? Maybe. Is it also really weird how her powers interact with MK in general? For sure!)

-

(2x06 Game on)

-

(2x07 Shadow Play)

(Number one: The Lady Bone Demon wasn't here to provoke this, number two: MK using "blue vision" to see his friend's fate inside the lantern is equally strange!)

-

(2x09 72 Transformations)

(Again, could very well be LBD trying to take control of MK here—however, it doesn't seem like she's trying to do much of anything to MK in this scene, as she's focused on spider queen. So it weirds me out and goes into this post!)

-

(3x03 Smartie Kid)

(So, if the stuff in s2 was LBD affecting MK then I get it. BUT THEN WHY HAVE MORE BLUE EYES IN S3 AFTER LBD HAS ALREADY "TAKEN" MK'S POWERS AND THE STAFF. Genuinely want to know what this was meant to imply.)

-

(3x12 The Corrupted King)

(LBD HAS ALREADY POSSESSED WUKONG HERE. Wukong and the Mech alone was spreading her too thin. She certainly wasn't attempting to posses MK here—so what was happening?)

-

(4x01 Familiar Tales)

(The scroll ink touches MK not once, but twice this episode and it doesn't ensnare MK. The scroll touches Monkey King once and this is what happens to him: )

-

(4x02 Familiar Tales)

(The scroll's ink emanates from MK, which I thought was crazy at first BUT IT THEN HAPPENS AGAIN IN 4x11)

-

(4x03 The Great Tang Man)

(Soooo we see a vision of an all inked up MK, then we see the stone cracking, then we see a shot of the curse from 4x02, and THEN MK turns Tang Sanzang's golden power blue, a color associated with both LBD and the underworld in general. HM.)

-

(4x06 Show Me the Monster)

(There's no hair flip so it's not MK, so it would make me think that this is an ink version of SWK next to the stone. It's weird so I'm including it!)

-

(4x06 Show Me the Monster)

(So. Ink blotting out the sun, something MK/SWK are often associated with, and then pouring out of the cracked stone, which we just learned MK was born from. And then the curse takes MK's form. I'm tripping over my own conspiracy board here.)

-

MK: "You're not my friend—you're NOT me!" Curse MK: "Sure I am! I'm your best friend, well, closest at least! I know more about you than you'll even admit—to yourself, or to others."

(4x07 Pitiful Creatures)

(The curse claiming it's a part of MK is weird! The curse looking like MK in it's most weakened state is also weird! It's all weird!)

-

(4x08 The Brotherhood)

(Absolutely no reason for a weird teal smudge to be there, and yet)

-

(4x11 A Lifetime of Mistakes)

(BOOM. SCROLL EMANATING FROM MK AGAIN.)

-

(4x11 A Lifetime of Mistakes)

(The broken memories flickering in the scroll are very similar to the way MK flickers in and out of monkey form: )

-

(4x13 Rip and Tear)

(Scroll ink touches MK again and he does not become imprisoned inside it again. The scroll at the very least has no affect on the boy)

-

And I think for now that wraps up this post!

[wafflesrisa]

Oh wait is it a toxic family when the father refuses to take accountability and instead blames the kids for his mistakes? And as a result the kids are unwillingly shoehorned into roles where one is the golden perfectionistic never allowed to criticise the family child, and the other is the black sheep difficult selfish disobedient child?

And the golden child is about to explode because he’s never allowed to have his own opinions and so when he feels real frustration at his father, he can’t land the blame there and so he’s conditioned to blame his sibling instead?

And the black sheep child just takes the criticism and the blame and learns to become overly defensive, because he’s learned no one will watch his back but himself, not even his sibling?

Oh wait it’s not a toxic family.

It’s Scuderia Ferrari

[mythals-whore]

every time i see someone complain about the Lucanis romance and they won't even give Davrin a chance I lose my mind 🤏this much more.

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[clowningaroundmars]

my absolute fave thing to read in punkflower fics is lovesick puppy hobie brown

cool-as-a-cucumber hobie overthinking miles' every move, leaving lingering touches on him, longing glances thrown his way

certified BAMF hobie hanging by a doorway or window just a second too long before leaving miles

"skinny-hot" hobie refusing to believe someone as ✨️cool✨️ as miles would be into someone like him

badass punk hobie just yearning and pining and practically draping himself all over miles in desperate attempts but then pulling back all scared when anyone even hints that they should get together

god, i need pining lovesick loser hobie like AIR rn 😭