#I ​just want you to be safe

[poorly-drawn-mdzs]

I love you Safety Wizard.

(Inspired by @keroascrazy)

[thatsojasminesworld]

PSA if you or anyone uses ASKfm and are trans please get off & don’t make an account it’s not safe people on the app are wanting a transgender auschwitz and the app admins aren’t doing anything and you can’t report

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[chloesimaginationthings]

FNAF movie Vanessa definitely thought Abby died..

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[tsuutarr]

Yandere!Hero (Chosen One) x Saint!Reader

Being the Hero – the Chosen One – means that the world’s fate is on Elias’ shoulders. He’s long since forgotten how to live for himself, his life belonging to everyone but him. He’s merely a puppet that’s being strung along by the world for the sole purpose of saving it.

At first, he was honored to be chosen as the Hero – it’s a privilege most don’t get. But everyone expects too much – everything – from him. His life is carefully shaped into what others want of him, people only looking at his role and not him as a person.

Now, he fights and saves people due to duty, not desire. There is no sparkle of pride when he helps villagers. Instead, all that is left is another thing checked off of his mental checklist. Now, he just wants to rest. He just wants things to be over.

So that’s why he despised the idea that some Saint from the Church would be his “helper.” Traveling with someone else is only going to slow him down. Not to mention the fact that he doubts the Saint has ever seen bloodshed and disease like he has.

But when he actually meets and travels with you, the Saint, he realizes that you’re actually not that bad. You’re actually kind of nice. He’d expected you to turn your nose at the commoner population, refusing to heal them, but you actively seek them out to help. You’re kind and gentle, but headstrong. Even when you’re visibly exhausted, you do your best to keep going. 

It’s… kind of impressive, actually. He had misjudged you, perhaps.

Even now, you’re helping the knights that were attacked by bandits (which Elias had vanquished), healing not only their bodies but their souls, too. He can’t help but look at you, a raw beacon of kindness that he hasn’t seen before in his travels. 

Once you’re done healing the knights, you look up at him, before a gasp escapes your lips. “Elias!”

He blinks at you, curiously.

“You’re bleeding!”

“Ah.” Elias looks down at his hand, blood dripping down his fingers. He had instinctively grabbed a knife by the blade earlier because he wouldn’t have been able to dodge it in time. “This is nothing.”

“Oh, shush!” you say, approaching him. You push him towards a tree stump, forcing him to sit, which he allows. Carefully, you take his hand in yours, frown deep set on your mouth. Your hand is so warm that it makes his heart burn.

“You’re tired,” he states, bluntly. He doesn’t tug his hand out of yours. “You’ve healed too many people.”

“I can–”

“No.” He shakes his head. “Rest for now, Saint. I am fine.” And he’s right – he’s the Hero, after all. His wounds heal much faster and better than a normal human being. He doesn’t necessarily need your healing.

“Still,” you murmur, looking up at him. “Can I at least clean and bandage it?”

It’s pointless, really, but Elias says, “Do what you want.”

So you do. You disinfect and clean his wound, before carefully wrapping his hand with bandages. For some reason, his heart squeezes painfully as he watches you tend to him so gently. He doesn’t remember if anyone’s ever treated him this kindly.

“There.” You look proud of yourself. It’s kind of cute.

“You didn’t have to,” he mutters without really thinking about it.

You give him a smile that makes his brain stop. “I wanted to. I want to support you.”

For some reason, your words almost make him want to cry. He’s not sure why – he’s seen so much death and destruction to the point that his emotions have become numb. Yet, you bring flickers of his feelings back to him – happiness, sadness, anger, love. 

You make him feel like he has an existence beyond just being the Hero. You make him feel human.

So, how can he let you go? He can’t – and he’ll do everything he can to make you his. Even if it means he has to destroy the world.

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[speench]

nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all

[14dayswithyou]

Ren owes me 20 dollars :D

Is there a particular piece of non-spoiler 14dwy info that you really want to talk about but haven't gotten a chance to yet? I would like to hear about it if so :3

⌞♥⌝ The hidden Purity and Decay mechanic!!

The Purity meter tracks tracks how Angel treats Ren. The higher the meter, the more likely Ren will consider Angel's treatment towards him as something done out of pure, genuine love. The lower the meter, the more likely Ren will start to associate Angel's treatment towards him with something tainted — something his father would normally do.

The Decay meter tracks Angel's "influence" over Ren. The higher the meter, the more decrepit things he'll suggest or indulge in. The lower the meter, the less likely he'll suggest/indulge in darker things. Basically... if Angel acts cruel towards others or shows an interest in darker themes (like his own father), Ren will start to regress back to his old ways in order to "submit" and placate them. But if Angel does the opposite, then he won't feel as inclined to bend himself backwards and indulge in hurting others to appease them.

So!! If the player has a high Purity and high Decay meter, Ren will see things like killing and mutilating others as an act of pure love. High Purity and low Decay will have Ren keep up the usual behaviour seen at the beginning of the game (A Normal Guy who does Normal Things™). Low Purity and high Decay will have Ren killing and torturing others as a way to appease Angel and keep them "satisfied" and interested in him. Low Purity and low Decay would just confuse Ren lmao ("Does Angel despise me because I didn't suggest kicking Olivia down an empty elevator shaft???? ;_;")

[mienar]

good morning bakery 🍞🥖

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[salamispots]

a rug hook commission for @stickynotebirds! :O (who also drew the original sketch/design and I tweaked it a little bit)

[marciaillust]

I added some colours to her :)

[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.