#Humberto García
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Octavio's wallet — Amores perros (2000, Alejandro González Iñarritu)
#amores perros#screencaps#alejandro gonzález iñárritu#alejandro gonzalez inarritu#gael garcia bernal#gael garcía bernal#humberto busto#marco pérez#adriana barraza#vanessa bauche#octavio cutting his and cofi's picture ksjdf#that mom had such a clear fave or maybe it's the prodigal son thing kjsdf#dailyworldcinema#cinemaspam#post#ggbedit
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Cómo me imagino el Red Dead Redemption 2 con doblaje al español latino (parte 1)
#red dead redemption 2#arthur morgan#john marston#dutch van der linde#sadie adler#micah bell#hosea matthews#lenny summers#bill williamson#javier escuella#uncle rdr2#Humberto Solórzano#Óscar Flores#Blas García#Jessica Ortiz#Ricardo Tejedo#Arturo Mercado#Víctor Ugarte#Enrique Cervantes#Raúl Anaya#Jesse Conde
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La verdad sobre Ardenys García Álvarez que Humberto López no dijo
“Sale a relucir las cuentas pendientes que Ardenys García Álvarez mantiene en Estados Unidos y que el régimen de Cuba omite en su show televisivo un par de días antes del 11J” En un show televisado por el régimen de Cuba, se mostró a Ardenys García Álvarez, un supuesto Rambo que en un Jet Ski llegó a Cuba para según el indeseable conductor cubano Humberto López tenia como objetivo asaltar…
#Ardenys García Álvarez#conocer cuba noticias#cuba noticias#cubano llega en Jet Sky a la isla#Humberto López#noticias de Cuba#plan terrorista para Cuba#televisión cubana#terrorismo en Cuba
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Exposición Trazas urbanas, Colectiva
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#2023#Alicia de la Campa#Alicia Leal#Arián Írsula#Efraín Hechevarría#Ernesto García Peña#Galería Hotel Habana Libre#Humberto Monteagudo#Maikel Herrera#Muestra Colectiva#Samuel Coto#Sándor González#Sinecio Cuétara
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Gael García Bernal in Amores perros (2000, dir. Alejandro González Iñárritu)
(these gifs also feature Vanessa Bauche, Humberto Busto, Edgar González and the upper arm of Gustavo Sánchez Parra)
Gifs are all 540px wide so you can click to see larger.
[other gael filmography gifsets]
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She-Ra: The Holiday Special
Songs (solos, duets, trios, quartets, quintets, ensembles, etc.) performed by:
Aimee Carrero
A.J. Michalka
Karen Fukuhara
Marcus Scribner
Génesis Rodríguez
Vella Lovell
Christine Woods
Merit Leighton
Jordan Fisher
Lauren Ash
Adam Ray
Keston John
Daniel Dae Kim
Krystal Joy Brown
N.D. Stevenson
Sandra Oh
Dana Davis
Antony Del Rio
Matthew Yang King
…and Mochi McIntyre
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Aimee Carrero • A.J. Michalka • Karen Fukuhara • Marcus Scribner • Génesis Rodríguez • Vella Lovell • Christine Woods • Merit Leighton • Jordan Fisher • Lauren Ash • Adam Ray • Keston John • Daniel Dae Kim • Krystal Joy Brown • N.D. Stevenson • Sandra Oh • Dana Davis • Antony Del Rio • Matthew Yang King
Cast
George: CHRIS JAI ALEX
Scorpia: LAUREN ASH
Netossa: KRYSTAL JOY BROWN
Adora/She-Ra: AIMEE CARRERO
Lonnie & Busgirl: DANA DAVIS
Huntara: GEENA DAVIS
Lance: REGI DAVIS
Kyle: ANTONY DEL RIO
Madame Razz, General Juliet, & Baker: GREY DeLISLE
Young Catra: JULIET DONENFELD
Mara: ZEHRA FAZAL
Sea Hawk & Soda Pop: JORDAN FISHER
Glimmer: KAREN FUKUHARA
Light Hope: MORLA GORRONDONA
Wrong Hordak & Horde Prime: KESTON JOHN
Micah: DANIEL DAE KIM
Rogelio & Imp: MATTHEW YANG KING
Melissa: MARISSA LENTI
Frosta: MERIT LEIGHTON
Mermista: VELLA LOVELL
Melog: MOCHI McINTYRE
Catra: A.J. MICKALKA
Young Adora: LALA NESTOR
Castaspella: SANDRA OH
Swift Wind: ADAM RAY
Perfuma: GÉNESIS RODRÍGUEZ
Bow: MARCUS SCRIBNER
Angella: RESHMA SHETTY
Spinnerella: N.D. STEVENSON
Double Trouble: JACOB TOBIA
Shadow Weaver: LORRAINE TOUSSAINT
Entrapta: CHRISTINE WOODS
Versión al Español Latino Americano
Adora/She-Ra: JOCELYN ROBLES
Catra: JESSICA ÁNGELES
Glimmer: ALONDRA HIDALGO
Bow: ARTURO CASTAÑEDA
Perfuma: ANALIZ SÁNCHEZ
Mermista: KAREN VALLEJO
Entrapta: LEYLA RANGEL
Frosta: ANGÉLICA VILLA
Sea Hawk: IDZI DUTKIEWICZ
Scorpia: BETZABÉ JARA
Swift Wind: RAÚL ANAYA
Hordak Copia: HUMBERTO SOLÓRZANO
Micah: MARIO CASTAÑEDA
Netossa: FERNANDA ROBLES
Spinnerella: GABY CÁRDENAS
Castaspella: IRINA ÍNDIGO
Lonnie: DANANN HUICOCHEA
Kyle: MIGUEL ÁNGEL RUIZ
Doppler Morfer: JAVIER OLGUÍN
Madame Razz: ÁNGELA VILLANUEVA
Generala Juliet: MIREYA MENDOZA
Huntara: LAURA TORRES
Lance: RENÉ GARCÍA
George: EDUARDO TEJEDO
Angella: ROMMY MENDOZA
Melissa: CARLA CASTAÑEDA
Joven Adora: ESTEFANÍA PIEDRA
Joven Catra: PAMELA MENDOZA
Soda Pop: BRUNO CORONEL
Cocinera: FERNANDA ROBLES
Busgirl: MONSERRAT MENDOZA
Light Hope: ROSALBA SOTELO
Mara: DULCE GUERRERO
Shadow Weaver: YOLANDA VIDAL
Hordiano Primero: HUMBERTO SOLÓRZANO
#she ra and the princesses of power#nd stevenson#happy holidays#adora#catra#glimmer#bow#perfuma#mermista#entrapta#frosta#sea hawk#scorpia#swift wind#wrong hordak#king micah#netossa#spinnerella#castaspella#the horde trio#spop melog#spop imp#spop emily#catradora#glimbow#scorfuma#seamista#entrapdak#spinnetossa#repkylonnie
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My main guys as if they were human and Mexican!
Vanilla/Max: Samuel Hidalgo Santos
Papy/Zen: Porfirio Eduardo Santos
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Blue: Jesús Sebastián Sosa
Miere: Luis Manuel Sosa
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Rojo: Rafael Humberto López
Cap/tain: Julio César López
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Black: Gustavo Adam Bocanegra
Slim: Paulo Daniel Bocanegra
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Edan: Eduardo Damián García
Hans: Josué Iván García
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Allen: Agustín Benito De Los Reyes
Bliss: José Alberto De Los Reyes
I want to draw them now lol I already drew Vanilla and Papy tho
#taco writes!#my headcanons#undertale imagines#undertale headcanons#ehehe#undertale#horrortale#underswap#underfell#swapfell crystal#fellswap red#storyshift
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By Luis Alberto Urrea
I was born in Tijuana and spent much of my boyhood in a neighborhood — “colonia,” in TJ-speak — called Independencia. There was an ersatz European-style castle at one end of our street, a tamed bear living at the bottom of the hill, a madman next door who regularly got drunk and shot his pistola at the moon, and a yard with bananas and a tall old pomegranate tree. Sounds tropical. Sounds like Gabriel García Márquez. Doesn’t sound on the surface like the deadly desert, like the frightening shadow land of crooked policías and narco hit men.
The borderlands are the most interesting book in the world, being rewritten every day. Currently, I can attest that much of that contested region, from coast to coast, is alive with tourists seeking good food and cheap medical care, a developing street scene of boutiques and gourmet eateries, baristas and art galleries, vivid music and literary movements, ballet companies and symphonic concerts and, in my hometown, the best street tacos on earth.
The Mexican cultural journalist Jaime Cháidez Bonilla recently wrote this on Twitter (I’ve translated from his Spanish): “I like it when evening falls over Tijuana, a poetic act. A city so defamed, a city so generous.” I dare say most people don’t think of any border city, on either side of the wall, as generous. I have been fortunate enough to write about Tijuana and the border for many years, and of course I have read a library’s worth of other authors wrestling with the region. My favorite border pop song is by Nortec Collective (more on them below), and it’s called “Tijuana Makes Me Happy.” Yeah — the border makes me happy. A tip: Expect the unexpected.
I need to pause here in recognition that immigration is the relentless theme of this area and this era. But I do not believe that immigration stories are a subset of the literature of the borderlands: Though there is some cross-pollination, I believe immigration literature is a genre of its own, deserving of its own spotlight. I do not include it here.
What books and authors should I take with me?
One grand feature of border culture is the lure of a bargain. For decades, the clarion call of cheap muffler (“mofle”) shops drew tourists south; now, it’s cheap dentures and Viagra. So let us offer a one-stop classic, the anthology “Puro Border: Dispatches, Snapshots and Graffiti From La Frontera.” Edited by Tijuana’s greatest literary son, Luis Humberto Crosthwaite, along with El Paso’s late, great Bobby Byrd and his son John William Byrd, this wild anthology covers the good, the bad and the ugly. Many of the greatest border thinkers and writers are contained within its covers: Charles Bowden, Leslie Marmon Silko, Sam Quinones, Juan Villoro and Doug Peacock (model for the infamous hero of Edward Abbey’s novel “The Monkey Wrench Gang”), among others. Funky, funny, literary, angry — it will show you things you may have wondered about and things you might not have imagined.
What writers or books will help me feel the spirit of this place?
Even if you do not read poetry, the borderlands require it. In a place both lush and austere, alien and homey, full of symphonies of languages and accents, smells and sounds, silence and raucous music, nothing can touch the experience of being there like poetry. It is not a coincidence that most of the writers on my list are also poets. They will transport you.
Ofelia Zepeda, a 1999 MacArthur fellow, is a Tohono O’odham poet of such elegant and exact rhetoric, such integrity of culture and vision, that you miss her quiet genius at your own risk. She gave the songs of the Tohono O’odham back to the land. Come to the chapels of her books “Ocean Power: Poems From the Desert” and “Where Clouds Are Formed.”
I highly recommend a book that gives me endless delight as a reader and endless inspiration as a writer: Harry Polkinhorn and Mark Weiss’s seminal anthology “Across the Line/Al Otro Lado.” It covers the broad and surprising corpus of Baja California’s poetry, from Indigenous chants to postmodern epics, and it includes works that reflect the flavored cross-genre/cross-cultural/cross-border adventures the writers foresee in the distance of this decade.
Arizona’s first poet laureate, Alberto Ríos, born in Nogales, Ariz., is a true writer of the borderlands. Though all of his poetry books are excellent, “A Small Story About the Sky” remains my favorite. However, of particular interest for this list is “Capirotada: A Nogales Memoir.”
No one is better positioned to affect this literature than Natalie Diaz, the director of the Center for Imagination in the Borderlands at Arizona State University. A winner of the Pulitzer Prize for poetry and a self-described “language activist,” Diaz is brilliant and powerful, and you need to read both “When My Brother Was an Aztec” and “Postcolonial Love Poem.”
Finally, the wizard, the curandero, the presidente: Juan Felipe Herrera. A former U.S. poet laureate and son of migrant farmworkers. My homeboy from Barrio Logan in San Diego. His selected poems in “Half of the World in Light” are a magical mystery tour, not only along the border but through the universe. Herrera is a kind of psychedelic drug and he will make you see visions. His voice is the distillation of all of our journeys.
What novels will transport me?
Borderlands authors are many. One of the best and most authentic is Denise Chávez. Her milieu is the often overlooked southern New Mexico and West Texas world of frontera families, and the tall tales that flourish there. She is the queen of the generation that surged in the 1980s and beyond — a strong feminist voice free of cant and bursting with delight. Her novel “Loving Pedro Infante” will begin your Chávez collection, and you won’t want to stop. Another groundbreaker is the poet and novelist Ana Castillo and her border classic “So Far From God.” Both of these writers tell the stories of women on the American side of the line in vivid color, in many tones and in both languages.
I also highly recommend anything by Benjamin Alire Sáenz. His “Aristotle and Dante” young adult novels are immensely popular, but I regard his poetry with helpless envy. Start with his story collection “Everything Begins and Ends at the Kentucky Club,” which won the PEN/Faulkner Award for Fiction, and his poetry collection “Elegies in Blue.”
What audiobook would make for good company while I walk around?
The oldest, most venerable literary tradition along the borderline is oral. I didn’t start out reading books: I sat at the feet of old women telling ghost stories and fanciful family histories (and recounting dyspeptic gossip about other relatives). They were my first lit professors.
In my opinion, rather than audiobooks, you should listen to the music of the border, because it will be easier to absorb and you can dance to it. Every song is a novel or a book of poems, because the borderlands don’t talk: They sing. Music transcends and leaps over border walls like wild doves. Two of the best musical portraitists of this world are Lila Downs and Nortec Collective. Downs’s “The Border” is an elegant and lively album that paints indelible portraits with depth and wit. And her album “Shake Away” is a wild ride through the sounds and tales that we will never see on a tour bus or a beach holiday. (Suggested track: “Minimum Wage.”) For dance lovers and electronica fans, the Nortec Collective duo has created a hybrid of techno music that absorbs and transforms traditional instrumentation and themes into a rollicking dance music of joy and, yes, generosity. There are few bands that spawn a huge cultural and literary movement, but Nortec has opened gates for creativity in literature, theater, dance and visual art throughout the region and across the world that are constantly bearing fruit.
I must also recommend Los Lobos from Los Angeles, Calexico from Tucson, Ariz., and two wildly rollicking bands from Monterrey, Mexico: El Gran Silencio and Jumbo.
Anything I should add to my bookshelf?
For literate thrills and occasional chills, turn to Rubén Degollado (“The Family Izquierdo” and “Throw”). A splendid collection by Oscar Cásares, “Brownsville,” gives the inside scoop on a place in Texas that you may not think of without an author’s guidance. And Sergio Troncoso is such a beloved writer of the borderlands, there is a public library branch named for him in El Paso. His “A Peculiar Kind of Immigrant’s Son” is simply brilliant.
Luis Alberto Urrea’s Borderland Reading List
“Puro Border: Dispatches, Snapshots and Graffiti From La Frontera,” edited by Luis Humberto Crosthwaite, Bobby Byrd and John William Byrd
“Ocean Power: Poems From the Desert” and “Where Clouds Are Formed,” Ofelia Zepeda
“Across the Line/Al Otro Lado,” edited by Harry Polkinhorn and Mark Weiss
“A Small Story About the Sky” and “Capirotada: A Nogales Memoir,” Alberto Ríos
“When My Brother Was an Aztec” and “Postcolonial Love Poem,” Natalie Diaz
“Half of the World in Light,” Juan Felipe Herrera
“Loving Pedro Infante,” Denise Chávez
“So Far From God,” Ana Castillo
“Everything Begins and Ends at the Kentucky Club” and “Elegies in Blue,” Benjamin Alire Sáenz
“The Family Izquierdo” and “Throw,” Rubén Degollado
“Brownsville,” Oscar Cásares
“A Peculiar Kind of Immigrant’s Son,” Sergio Troncoso
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Detienen en Culiacán a cuatro sicarios vinculados a Los Chapitos
La captura refuerza los operativos contra el Cártel de Sinaloa en uno de sus bastiones principales. Por Martín García | Reportero Autoridades federales detuvieron en Culiacán, Sinaloa, a cuatro presuntos sicarios vinculados con Jorge Humberto Figueroa Benítez, alias “El 27” y/o “El Perris”, señalado como jefe de seguridad de Los Chapitos, una de las facciones del Cártel de Sinaloa. La aprehensión…
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Academic Blog 5: Semiotics - Love’s a Bitch
Figure 1. “Amores Perros” (2000)
In this blog post, I will analyze Alejandro González Iñárritu's Love’s a Bitch (2000) in semiotic perspective (Saussure, 1983). The film uses its interweaved narrative and complex characters to explore the themes of love, betrayal, and survival. It reveals all the irrational things people do because of love, irrational but real and touching.
Love’s a Bitch unfolds three stories linked by a car accident, each portraying a different face of human relationships. The film’s strong realism highlights the struggles of Mexico City’s lower class compared with the urban elite. The title Amores Perros translates to “Love’s a Bitch,” reflecting the raw and brutal realities of love and loyalty, both human and animal.
Denotation and Connotation in Amores Perros
In Saussure (1983)’s semiotic model, signifier (denotation) stands for the surface meaning or literal meaning of a symbol. As signified (connotation) means the cultural association or emotional meaning implicit in a symbol, which may be affected by context or cultural background. It can be deconstruct key symbols in the film:
1. Dogs as Central Symbols
Denotation: Dogs are all around in the film, appearing as pets, fighters, or street dogs. Each story involves dogs in significant ways, from main character Octavio’s fighting pit bull to Valeria’s injured pet Ritchie.
Connotation: Dogs symbolize loyalty, violence, and vulnerability. In Octavio’s story, his tough pit bull Cofi kills every dogs, reflects Octavio’s struggle for control and power in a violent world. In the beginning, Cofi joined the dog fighting and won lots of money for Octavio, but at the end, Cofi killed all the dogs own by the old man who saved Cofi from dead. It also symbolizes the hope of Octavio's love for his sister in law initially, and eventually he killed his brother accidently. In Valeria’s segment, the little fluffy Ritchie represents the gorgeous of young model Valeria. However, Ritchie’s injury and was trapped under the floor, mirror Valeria's own physical and emotional decline after the car accident.
Figure 2. Octavio and his fighting pit bull
2. The Car Accident
Denotation: A sudden, catastrophic links the three narratives.
Connotation: The accident symbolizes the fragility of human life and the interconnected of fates. It also shows characters from different social backgrounds colliding in unexpected ways.
Figure 3. Valeria trying to find her dog Ritchie after it ran under the floor
According to Silverman and Torode (1980), paradigm is a set of changeable symbols that represent choices in a context. As to syntagm, it is a specific arrangement of symbols that represents structure. The paradigmatic and syntagmatic relations in a text influence its meaning:
Paradigm: The three storylines offer alternative perspectives on love and loss. Each character’s choices—Octavio’s yearning for a better life, Valeria’s vanity and decline, El Chivo’s redemption—are paradigmatic variations on the human condition.
Syntagm: The nonlinear narrative weaves these stories into a cohesive whole, emphasizing how individual actions across lives. The accident serves as the center, binding the narratives together. After different choice done by the characters, they got different results and consequences.
This film blends denotation and connotation, while constructing myths that critique inequality, highlights its enduring impact as a cinematic masterpiece. This kind of narrative technique is something I can learn to lead the audience through layers of confusion to find the ultimate truth. In various seemingly ordinary plots, I can cleverly use denotations and connotations to enrich the story completely.
Bibliography
IMDb (n.d.) Amores Perros (2000). Available at: https://www.imdb.com/title/tt0245712/?ref_=ttmi_ov (Accessed: 12 December 2024).
Iñárritu, A.G. (Director). (2000) Amores Perros. [Film]. Mexico: Altavista Films.
Saussure, F. de. (1983) Course in General Linguistics. Translated by R. Harris. London: Duckworth.
Silverman, D. and Torode, B. (1980) The Material Word: Some Theories of Language and its Limits. London: Routledge.
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Recuerda Congreso a exintegrantes de este poder con la instalación del altar de muertos
Recuerda Congreso a exintegrantes de este poder con la instalación del altar de muertos
Ciudad Victoria, Tamaulipas.-El Congreso del Estado realizó el evento de instalación del altar 2024, donde el Presidente de la Junta de Gobierno, Humberto Prieto Herrera, resaltó que esta festividad invita a recordar y honrar a los seres queridos que se han adelantado en este viaje, “especial mención a la memoria de nuestro querido amigo Diputado Juan Ovidio García García”. Al reunirse Diputadas…
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#ProyeccionDeVida
🎥 Cine Peruano. Sesiones Especiales, presenta:
🎬 “ROJO PROFUNDO”
🔎 Género: Documental / Política
⌛️ Duración: 94 minutos
✍️ Guión: Maga Zevallos
🎵Música: Pio Peña y José Martínez Concha
📷 Fotografía: Johan Carrasco
🗯 Argumento: Un viaje por la vida de una de las figuras más representativas de la izquierda peruana, Javier Diez Canseco Cisneros: su niñez, su época escolar y universitaria, su intensa vida política, su incansable búsqueda por la igualdad y la justicia social, su férrea defensa de los derechos humanos y su incansable lucha contra la corrupción.
👥 Intervenciones: Eduardo Cáceres, Liliana Panizo, Pedro Francke, César Lecca, Javier Mujica, César Hildebrandt, Aída García Naranjo, Humberto Campodónico, Edmundo Murrugarra, Hugo Blanco, Edmundo Cruz, Avelino Guillén, Glòria Cano, Raida Cóndo y Julián Legaspi
📢 Dirección: Maga Zevallos
© Productora: Hiperactiva Comunicaciones
🌎 País: Perú
📅 Año: 2023
📽 Proyección:
📆 Miércoles 24 de Julio
🕖 7:00pm.
🏪 Cine Club de la Universidad de Ciencias y Humanidades (av. Bolivia 537 - Breña)
🚶♀️🚶♂️ Ingreso libre con DNI.
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Cómo me imagino los juegos de Uncharted con actores de doblaje mexicanos (parte 1)
Los juegos fueron doblados al español latino en Argentina no en México
#uncharted#nathan drake#elena fisher#victor sullivan#chloe frazer#sam drake#charlie cutter#Harry Flynn#rafe adler#atoq Navarro#gabriel Roman#jose antonio macías#mireya Mendoza#carlos segundo#leyla rangel#andres Gutiérrez#humberto solórzano#edson matus#gerardo García#raul anaya#blas García#fandub#fancast
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Gracias de antemano por sus comentarios Nombran a Jefe Interino del Departamento de Transporte en Ciudad Juárez Ciudad Juárez, Chih. - A partir de ayer Mario Humberto Echánove García ocupará de manera temporal el lugar de Jefe del Departamento de Transporte en Ciudad Juárez, dio a conocer el subsecretario de Gobierno del Estado en la Zona Norte, Luis Mario Dena Torres. Será él quien esté liderando esfuerzos en la dependencia estatal en lo que se... Sigue leyendo: https://www.adiario.mx/estado/juarez/nombran-a-jefe-interino-del-departamento-de-transporte-en-ciudad-juarez/?feed_id=160547&_unique_id=6671b86a11f82
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Brillan charros saltillenses en Piedras Negras
En el Congreso Estatal de Charrería reconocen trayectoria de Ángel Humberto García Reyes José Luis Dávila Publicado: 4 mayo, 2024 Piedras Negras, Coahuila, fue sede de las emociones de la charrería en donde se vive el estatal de esta disciplina, y en el cual se reconoce la trayectoria del gran jinete Ángel Humberto García Reyes. Dicho evento es el primero que en la era moderna de la charrería…
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Carmen Lilia Canturosas refrenda su compromiso de trabajar de la mano del Colegio de Ingenieros Civiles
NUEVO LAREDO, TAM.- Ante la presencia de más de 50 miembros del Colegio de Ingenieros Civiles la candidata Carmen Lilia Canturosas Villarreal de la coalición Morena, PT y Verde Ecologista refrendó su compromiso de continuar trabajando en sinergia para concretar la transformación de Nuevo Laredo. Durante una reunión encabezada por el presidente del Colegio de Ingenieros Civiles, Julio Manuel García Zamora, la candidata dio a conocer que en su propuesta para el Plan de Gobierno 2024- 2027 y dentro del Eje 4 “Para la Transformación de Nuevo Laredo” se encuentra la inversión en la infraestructura urbana con más de 750 obras públicas prioritarias del 2024 al 2027.
“Comprometida con todos ustedes a seguir trabajando e impulsando la obra pública, para que sea ese polo de desarrollo que Nuevo Laredo necesita, estoy aquí porque quiero su voto confianza saben que soy una mujer de palabra y de compromiso, sé que vamos por el rumbo correcto y por eso estoy buscando la reelección porque no podemos dejar que nos arrebaten la transformación”, señaló. Canturosas Villarreal, explicó que con apoyo y gestión de las autoridades federales se construirá con base en los requerimientos técnicos que determine la Comisión Internacional de Límites y Aguas (CILA), el paso superior vehicular bulevar Luis Donaldo Colosio Murrieta y Paseo Colón; Proyectará la continuidad del segundo anillo periférico hasta Carretera Nacional. También modernizará la avenida Reforma, entre el monumento a Benito Juárez y 15 de Septiembre; construirá el parque Reservas Territoriales para la convivencia de todas las familias.
Por su parte de los miembros de este gremio destacaron la visita de la candidata Carmen Lilia y el haberles explicado las acciones que tiene para darle continuidad al cambio que se vive en Nuevo Laredo. “Es muy importante por todas las propuestas que tiene dentro del ramo de la construcción y será de gran beneficio, nosotros somos los encargados de ejecutar dichas obras, vamos a apoyar en todo lo que podamos, nos enorgullece que nos tomen en cuenta como colegio”, opinó García Zamora, presidente del Colegio de Ingenieros. Angelica de la Mora Campos, miembro del comité directivo del Colegio de Ingenieros, destacó la extensa propuesta que tiene Canturosas en la obra pública con la que no dudó su gremio será muy favorecido.
“Me parece muy importante que tenga el tiempo de venir con nosotros como gremio de la construcción pues que somos muy representativos en la ciudad, porque el avance que a habido en la ciudad nosotros estamos 100 por ciento involucrados, si es muy importante que se haya acercado con nosotros a escuchar nuestras peticiones”, manifestó. El ingeniero Juan Humberto Moreno, agradeció la apertura de la candidata para también escuchar propuestas que ayudarán en el desarrollo de Nuevo Laredo y reconoció el cambio que ha tenido la ciudad. “Es muy agradable la visita de la candidata pues es bueno saber que nos tiene contemplados para futuros proyectos y es bueno integrar a la ingeniería a la ciudad, es bueno todo lo que se ha hecho, es positivo, se han hecho muchos cambios y es muy bueno que venga la candidata para escucharnos”, dijo. En esta reunión estuvo presente Carlos Canturosas Villarreal, candidato a diputado federal, por la coalición Morena-Verde y PT. Al finalizar el evento los miembros del Colegio de Ingenieros entregaron a los candidatos algunas propuestas para que sean consideradas en el plan de gobierno. Read the full article
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