#Hugo Reinhold Karl Johann Höppener
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OTD in Music History: Celebrated German Symbolist visual artist Hugo Reinhold Karl Johann Hoppener (1868 - 1948), better known by his professional pseudonym "Fidus," is born in Lubeck. After finishing his studies and relocating to Berlin in 1892, Fidus quickly became a regular contributor to various illustrated German magazines. He created many ornamental drawings and was one of the first artists to shrewdly leverage advertising postcards in order to promote public interest in his work. Fidus was a devotee of Theosophy (a religious sect that espoused mysticism) and became interested in German mythology at a young age. Although many of his early illustrations contain dream-like abstractions, his later work tends to focus on representing peasants, warriors, and other archetypal figures displayed -- often nude -- in natural settings. Regrettably, in his personal life Fidus was an extreme political reactionary who enthusiastically embraced the rise of Nazism in the 1930s. Despite his own enthusiasm for the Nazi party, however, the Nazis did not return the favor; indeed, in 1937 much of his original work was seized and the public sale of his art within the Third Reich was forbidden. By the time he died in 1948, Fidus had faded into obscurity... it would not be until a new generation rediscovered him in the 1960s that his artistic reputation would rise once more and his aesthetic sensibilities would begin to influence the "psychedelic" concert posters which were being produced to advertise rock concerts... PICTURED: A c. 1910 real photo postcard featuring a reproduction of one of Fidus's most beautiful and moving music-related images, "Beethoven" (c. 1903).
#classical music#opera#music history#bel canto#composer#classical composer#aria#classical studies#maestro#chest voice#Hugo Reinhold Karl Johann Höppener#Fidus#symbolist#classical musician#classical musicians#classical history#opera history#history of music#history#historian of music#muscian#musicians#diva#prima donna#Beethoven#Ludwig van Beethoven
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Fulfillment by Hugo Hoppener Fidus (1868-1948) Fidus (Hugo Reinhold Karl Johann Höppener) (1868-1948), ‘Satana’, ’'Jugend’’, 1904
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Não merece nem título
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Fidus (Hugo Reinhold Karl Johann Höppener)
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Fidus was the pseudonym used by German illustrator, painter and publisher Hugo Reinhold Karl Johann Höppener (October 8, 1868 – February 23, 1948). He was a symbolist artist, whose work directly influenced the psychedelic style of graphic design of the late 1960s.
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Fidus (Hugo Reinhold Karl Johann Höppener) (1868-1948), ‘Frühlingslust’, ''Jugend'', #13, March 28, 1896 Source Frühlingslust translates to something like wanting or yearning for Spring or spring’s delight or spring’s pleasure. My German isn’t wonderful.
#fidus#hugo reinhold karl johann höppener#german artists#jugend#jugend magazine#jugendstil#silhouette art
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Fidus, Der Verlorene Sohn (The Lost Son, Lucifer), 1892
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Fidus [Hugo Reinhold Karl Johann Höppener], Jugend, 1896.
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A Water Nymph by Hugo Reinhold Karl Johann Höppener, also known as ‘Fidus’, (German symbolist artist, whose work directly influenced the psychedelic style of graphic design of the late 1960s, 1868-1948)
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Fulfillment by Hugo Hoppener Fidus (1868-1948) Fidus (Hugo Reinhold Karl Johann Höppener) (1868-1948), ‘Satana’, ’'Jugend’’, 1904
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1894 (Fidus (Hugo Reinhold Karl Johann Höppener)), 1868-1948 (Tanze, nach Diefenbach)
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Es Werde Licht! Artist: Fidus (Hugo Reinhold Karl Johann Höppener). Published in issue number 36 - 1904 of Jugend magazine (August 26, Munich).
#i just couldn't leave out those two dragons#jugend#escapism#art#illustration#Hugo Höppener#jugendstil#art nouveau#dude was wack#but I find this picture very compelling#fidus#dragon
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Fidus (Hugo Reinhold Karl Johann Höppener) (1868-1948), ''Das Leben'', #27, 1905 Source
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Hugo Reinhold Karl Johann Höppener (1868-1948)
Ouroboros, 1896
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△ "Be a little more feminine. Not only does the woman have to be liberated from men, the man has also to be liberated from men. There is a great need for a men's liberation movement - not liberation from women, but liberation from all the nonsense that has been taught to him down the ages: Be hard! Be steel! Don't bend! Break but don't bend! Man has been taught to be hard like a rock - man has missed much. And now women are following in the same tracks. It is a dangerous situation. If the woman also follows the man, she will be a second-rate citizen, she will never be equal to man. And not only that: if she follows man and becomes hard, as lib women ARE becoming - their faces are becoming hard, their bodies are losing roundness, softness, vulnerability, they are becoming more and more angry and less and less loving - the danger is that that will be the end of the whole of humanity, if it happens. The only hope for humanity is in the quality of feminineness - the only hope. The hope is not with Hercules, Attila, Napoleon or Nietzsche, the hope is with Krishna, Jesus, Buddha, Chaitanya, Meera - with a totally different kind of people... And we have to turn men and women BOTH into a kind of feminine lovingness, forgiveness, compromise, devotion, empathy." ▼ ~ Osho (art by Hugo Reinhold Karl Johann Höppener)
#hugo reinhold karl johann höppener#art work#Osho#quote#female principle#sacred feminine#divine feminine#masculine principle#harmony#gnosis#Jantra
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