#Hubert van eyck

[armchairarchivist]

Hubert van Eyck and Jan van Eyck, Detail from The Ghent Altarpiece

[oldsardens]

Hubert van Eyck and Jan van Eyck (After) - Saint Barbara reading

[granstromjulius]

Hubert van Eyck and Jan van Eyck

[bootlicker-olympia]

Title: The Ghent Altarpiece (detail) Artist: Hubert and Jan van Eyck Date: ca. 1432 Medium: Oil on wood Size: 375 cm × 260 cm

[notalicent]

HOUSE OF THE DRAGON + art (4/∞)

Queen Jadwiga's Oath | Józef Simmler Portrait of a Lady | William Oliver The Ghent Altarpiece | Hubert and Jan Van Eyck

[paleparearchive]

Happy birthday!

Today, February 6th, is the birthday of that person who gives way too much importance to his younger brother! Happy birthday, Hubert!

He has made a comment to you all♪

"I'm happy to hear it from Jan, but I'm also very happy to hear everyone else's wishes!"

Jan: The birthday surprise for Bert-nii was a huuuge success!

Hubert: Oh come on... I was so scared, so don't do that again! Still, thank you.

Under the cut you'll find Hubert's birthday message and everybody else's birthday wishes!

Hubert: Today is my birthday and Jan said he's going to celebrate it. He's making preparations now, but... I'm a bit worried.

Millet: Hubert is always working hard, so I hope he can take it easy on his birthday.

Raffaello: Hubert-kun always puts his brother first. At least today he can be the star of the show.

Giotto: Happy birthday, Hubert! Here, a stuffed sheep for ya.

Jan: Happy birthday, Bert-nii! Let's celebrate a looot!

Sisley: Hubert-san, these are some sheep writing materials. It's my present for you.

[bishopsbox]

source: @esculturasblancas

The Ghent Polyptych (1432) by Hubert and Jan van Eyck.

Large image here / Imagen grande aquí.

[diioonysus]

art aesthetics: dark acadmia

[armchairarchivist]

Hubert van Eyck and Jan van Eyck, Detail from The Ghent Altarpiece

[bebs-art-gallery]

The Lamb of God (1432)

— by Hubert and Jan van Eyck

[virgocurator]

Close up of the Virgin Mary

Panel from the Ghent Altarpiece by Hubert and Jan Van Eyck 1426-1419

I haven't posted in a while. A lot of changes have been happening in my life, but I'm finally starting to settle down again. This panel in particular stuck out to me in my Northern Renaissance class. :)

[archive--ooo]

cardinal thomas lawrence, dean of the college of cardinals

the lamb of god, hubert and jan van eyck / isaiah 53:7 / to a friend with a religious vocation, elizabeth jennings / conclave (2024)

[paleparearchive]

Character profile - Hubert

GENERAL DISCLAIMER: please keep in mind that I got access to these game profiles from gamerch, but unfortunately not all of them have all the information. Wherever you see a "//", it's because that info wasn't on the site and I couldn't find anyone who unlocked it. If you happen to have it, please send it to me! Also, some characters will have more infos than other because they had more cards in the game.

Other note: know that, in this case, "strength" is their painting technique or what they use in paintings.

Name: Hubert (Hubert van Eyck)

CV: Abe Atsushi

Catchphrase: "Self-denying Brother Complex Older Brother"

Hobby: Baking sweets, collecting miscellaneous goods

Likes: Jan, sheep merchandise

Dislikes: Insects

Height: 165 cm

Birthday: February 6th

Favourite food: Curry and rice

Disliked food: Celery

Strength: Detailed and well-balanced picture composition

Special skill: General housekeeping

Relationships with artists: Jan is the most important person for him. He and Millet are housework buddies and Hiroshige is his tea buddy.

How he became an exclusive member: //

What he wants to do: //

Sleeping time: "Let's see, Jan should sleep for 8 hours… Huh, me? I would say about 7 hours for me."

What he wants now: "Sheep merchandise… If possible, I'm interested in a sheep backpack that was recently released."

[whencyclopedia]

Jan van Eyck

Jan van Eyck (c. 1390-1441 CE) was a Netherlandish Renaissance painter who was famous in his own lifetime for his mastery of oil painting, colouring, naturalistic scenes, and eye for detail. Amongst his masterpieces are the 1432 CE Ghent Altarpiece, otherwise known as The Adoration of the Mystic Lamb, and the Arnolfini Wedding Portrait, a tour de force in optical illusions. A pioneer of using oils for realistic effects, his work was influential on Renaissance art but especially on Italian artists in the second half of the 15th century CE.

Early Influences & Style

Jan van Eyck was likely born in Maaseik, Belgium c. 1390 CE. His family was aristocratic and he may have had an elder brother, Hubert van Eyck (d. 1426 CE), although this figure remains a highly mysterious one in the world of art (see below on the Ghent Altarpiece). Jan van Eyck was first active in art in 1422 CE when he worked for the Bishop of Liège. However, none of Jan's early works can be definitely attributed to him. Works are usually associated with his hand because of a belief (by no means certainly attested either) that he worked as an illuminator of manuscripts as a young man. It is for these stylistic reasons that Jan van Eyck (and/or his brother Hubert) are frequently identified as the creators of the miniatures within the illuminated manuscript known as the Turin-Milan Book of Hours.

Another early influence was the work of Robert Campin (c. 1378-1444 CE) who was active in Tournai, Belgium. The realism and luminosity in van Eyck's work may well have been inspired by Campin's paintings, even if van Eyck overshadowed him during the Renaissance period and beyond. Van Eyck's later works are more securely identifiable and are often signed or carry the inscription: 'Johannes de Eyck'. An additional mark of authorship was the artist's family motto: 'As best I can' or 'As I am able' (Als ik kan or Als Ich Can), perhaps also a pun on his own name. It is in his later works that we can best see his definite and quite unique style of painting.

In the 15th century CE tempera remained the most popular medium for paintings, but Jan van Eyck would master the technique of oil painting, one of the first Renaissance artists to do so, even if it was not a new medium. Oils allowed for greater subtlety in colours and tone, and they permitted the achievement of real depth in a painting that tempera panels or frescoed walls could not match. Consequently, van Eyck's work is typified by its high degree of naturalistic detail, achieved using the very finest of brushes. Everything in his paintings, from the skin of a face to the distant hills seen through a background window, is rendered in minute and utterly convincing detail. Other Eyckian features are the brilliant colours, rich texture and overall finish. Yet another feature of the artist's work is his frequent use of everyday objects in scenes to obliquely signify religious ideas. A shell, for example, signified the resurrection of Jesus Christ while Gothic architecture symbolised the New Covenant.

Continue reading...

[visualpoett]

The Adoration of the Mystic Lamb, from the Ghent Altarpiece (detail)

Artist: Hubert & Jan van (1390 1441) Eyck

[lostartworks]

Ghent Altarpiece -  Hubert and Jan van Eyck