#How does one know when having a favorite character is going too far

[bwat5-blog]

A Sister's Love: Jinx & Vi

**Spoilers For Arcane**

A while back I had a short but pleasant discussion with someone on one of their posts about Jinx's treatment of Vi, and how it can feel like Jinx doesn't seem to care about Vi in many instances. In hopes of further discussion, I posted in the community where many of you wonderful folks shared your thoughts on the subject and I got a lot of really good insight into this as well. I was thinking about that this morning and it got me thinking about Jinx in general, and more specifically the times when even if it's not as clear, her love for Vi shines through.

I've said this many times but it bears repeating. I am aware that I have been quite harsh on Jinx. The unfortunate reason for most of that is that a significant amount of Jinx fans have an obsession with comparing her to Caitlyn or Vi that borders on the fanatical. But my issue has never been, and will never be with the character herself. I think she is absolutely amazing as a character and loved watching her story unfold.

*I do this every-time but I think it's important. Especially because some of you have shared with me that your own mental health is what has made you connect with Jinx so strongly. I understand and recognize that her mental health plays an immensely important role in her character's journey. I am in no way, shape or form a qualified mental healthcare professional. So any disrespect or lack of sensitivity is not my intention*

Jinx & Vi:

The journey of these sisters is heartbreaking and inspiring in equal measure. It is many people's favorite part of the story and for good reason. They are so close when the show begins and ripped apart by the darkness in their world. Only to fight their way back to one another through love and sacrifice.

But their story is not without conflict. In fact at their lowest point they almost kill one another. There is much that can be said about Vi's love for Jinx, the times she fails her, and those important moments, but I want to focus on Jinx right now.

I don’t have exact quotes on hand, but someone in the community made an excellent point during our discussion. Even when Vi and Jinx are at odds, and Jinx’s hallucinations try to convince her that Vi no longer loves her—that she’s been replaced by Caitlyn—Jinx fights back. She defends who she knows her sister to be, even if she can’t always silence those voices. It’s only pain, fear, or manipulation that pushes her too far, making her lose her grip on what she knows to be true.

During the horrifying sequence when Jinx is being saved by Singed, she hallucinates. And who does she hallucinate in that terrifying moment when she is in terrible pain and in such need of comfort? Vi. Even though she just tried to kill Vi on that bridge. The vision is only corrupted when Caitlyn appears, which all stems from Silco and Sevika feeding Jinx's paranoia.

Okay. I know what some of you are thinking seeing me post ANYTHING about the dinner party on a Jinx positive post. Hear me out. There is no question that Jinx does ALL sorts of fucked up shit here. But we are talking about her love for Vi. What does she want here? She wants things to be like they used to be. She wants her sister. She is in such a dark and twisted state that she cannot see how terrible her actions are, but at her core, she wants her older sister to love her like she used to. She doesn't hurt Vi (I mean aside from the bonk). Additionally, and again- I AM NOT SAYING SHE DIDN"T DO TERRIBLE THINGS HERE- Even with all she did to Caitlyn, she knows Vi cares for Caitlyn, she views Caitlyn as the one who was taking Vi from her, and yet she doesn't kill Caitlyn and she easily could have. This is not about justifying anything she does. It's about looking for what lies beneath the darkness in her to see the person she has the potential to be again.

Here at their lowest moment, when Vi and Jinx have almost killed each-other, and Jinx is glad Vi is the one who is going to finish her, Jinx screams "NO!" when Isha does this. She doesn't want Vi to die.

Vi is at her worst during her pitfighter arc. I'm not going super in-depth on this because this post is about Jinx but Vi is in a self-destructive spiral and totally alone. It's quite clear in one moment that Jinx is there in the crowd but if you slow down the whole sequence you actually see her there a few times. This was primarily what I was discussing with some other people and I believe Jinx was watching over Vi in the best way she could process. I'm sure there was some degree of pleasure in seeing Vi cast out by Caitlyn at first, but with all other signs pointing to Jinx caring for Vi I don't think Jinx was here laughing at her sisters pain. More trying to be there and watch over Vi but with no idea how to approach her with all that happened.

*I fully recognize there is a degree of speculation on my part for this point but I think it's reasonable, feel free to let me know if you disagree!*

With everything that has happened between them, the fact that Jinx comes to collect Vi when she finds out about Vander speaks volumes. There is still much to be worked out between them but she wants their family to together again including Vi. And although I couldn't find the GIF for it, when jinx is in the dark with her lighter after Vi and Vander fight is such a heart wrenching moment. She is clearly so afraid that she has caused the death of her sister, her dad, or both. She cares so much for those that she has left.

Jinx and Caitlyn's history is the furthest thing from simple. But in this moment, Caitlyn cast Vi out, hit her, became the commander and placed Zaun under martial law all because she wanted Jinx (this is not a who is right and who is wrong I'm just making a point), Jinx would HATE Caitlyn. But she knows what she means to Vi. And she just saw Caitlyn save Vander. Jinx easily could have let Rictus finish Caitlyn then jumped in if it was just about saving Vander but she still jumps headfirst into the fight.

In the aftermath of Isha and Vander's death, Jinx could easily have escaped Caitlyn. But Caitlyn tells Vi that all Jinx wanted was to make sure Vi was safe after Vi sacrificed herself to protect her.

Jinx's mindset in this moment is a complicated topic. But I want to focus her feelings about Vi. Vi has come and broken her out of jail, risked everything for her again. And Jinx realizes Vi will never give up on her. Even at great cost to herself. So Jinx punches her and leaves her, and almost begs her to start living for herself. Because she knows Vi cannot give herself that permission. She wants Vi to choose her own life, and to choose love.

Free and clear, obviously Jinx was going to do something horrible but thankfully Ekko talked her down. Even still, she could have done anything. But what does she choose to do? She chooses to ride to war with her people, honoring Vi's faith in her.

And of course, the absolutely devastating final sacrifice (I know she's alive but you get it) of Jinx saving Vi's life when the pain and grief finally overwhelm the fearsome brawler. I have mentioned it many times, but Jinx's core belief is that everyone who gets close to her dies. She thinks she is a curse on all who love her. But in her last action, she saves the life of the older sister she knows will always love her, and who never gave up on her.

I have touched on most of this before but it was just on my mind this morning. I hope I didn't bore anyone. I know there are LOTS of strong feelings about Jinx and like I have said over and over nothing here is about justifying the wrong she did. It's just about looking at those moments that showed her true colors even when she herself couldn't see them. Hope you enjoyed, take care!

[poppyknitt]

Also, wanna add that Roots of Pacha is an in-development farming sim, too! No idea how "cozy game" it is but its cozy for me. It's based on a fictional interpretation of neolithic (i think) era groups and extremely fun. I can not recommend the game enough. Looked it up, and the only controversy i can find looks to be a publisher dispute that evidently resolved, as they're back on steam and have been for a while. (Adding a more in-depth explanation of what i like below. Going into depth about roots of pacha as it is one of my favorite games and I don't have many of those).

It's a bit different in that there's currently no combat, and while there is a bit of ease added through using the wiki, you can absolutely figure a lot if not all of it out on your own. There is animal domestication, lots of seasonal and a few year-by-year shifts, and from what i saw, polyamory! You can choose whether to do that when you get to the appropriate amount of hearts with a second/third/fourth/etc romanceable npc. Currently, there does seem to be a thing that no matter your intentions, romanceable npcs do interpret your kindness as romance by default, but I don't know how normal that is as I'm not actually that big on the genre, and I haven't looked to see if there's plans to modify that. Just know some npcs apparently take being only your friend a bit harder than others.

Also theres a sapphic couple w 3 wolves as their pet and a son. I love them forever. Another few notable things (albeit a marginal spoiler) are that several characters, romanceable and otherwise, address some very real topics. A widower who is trying to move on with his daughter who doesn't want the life he's trying to give her, a man who comes home with a family he didn't have before & the family learning to live with these new people, misunderstandings that led to xenophobic beliefs, and mental + physical disability. While no characters have confirmed diagnoses, it is interpretable that at least one is autistic (imo, as an audhd individual myself), directly shown that another is physically disabled and uses a cane/walking stick, and several other conditions can be inferred if you wish to do so. There's probably more I've missed, as I'm not even that far in! Imo this game is so inclusive, and that plus everything else makes me love it so much.

Sun Haven still doesn't have credits

The game Sun Haven is a cozy farm sim in a magical world. It released in Early Access in 2021, and exited into its full 1.0 launch in 2023. It has over 15k Steam reviews and over a hundred dollars' worth of DLC.

The game still doesn't have credits of who worked on it.

I don't understand why this is. For more than a year, folks (myself included) have politely asked on the community Discord server where the list of people who worked on the game is, and it's always ignored. At most, the team makes their comm manager say "they're coming soon."

Implementing credits is not difficult. Even most Early Access titles including a WIP credits in the game. It's a list of text. It's the bare minimum you can do. It's really disrespectful to both your devs and players to not want to share who made the game. Also a red flag.

It's become clear enough from the Discord that the game enlisted a fleet of contract workers, plus fan volunteers, plus machine-assisted work like for language translations.

I don't know if the credits are missing because the director doesn't care about the team, or is embarrassed, or is trying to hide something. I hope they reverse course soon. But I can't in good conscience recommend anyone play or support Sun Haven.

There's lots of great cozy farming games out there: go play Littlewood, Fields of Mistria, Fae Farm, Disney Dreamlight Valley, or heck...go play some more Stardew Valley.

[wisteria-lodge]

What do you think of Bellatrix? Would you have liked to explore more dynamics about her?

I *love* unpacking sibling dynamics and toxic relationships, so of course I find Bellatrix fascinating. (Also "Bellatrix Lestrange" might be my favorite name in a series full of very good names. 10/10.)

To me, what's key about Bellatrix is that she's the oldest of the three Black sisters. She could have been written as the indulged, attention-seeking bratty baby... but that would be a less interesting character.

Growing up, I think Narcissa was probably the quiet, passive child. That's her strategy when Voldemort shows up and she's once again living with a powerful, unstable authority figure. (I mean we have no info about what Cygnus Black was like, but he's Walburga Black's younger brother, and I imagine they probably enforced each other's extremism and intensity after their brother got blasted off the tapestry.) Narcissa's strategy is fade to the background, don't react, don't let them see what you're thinking, let them ignore you.

(I also think it's very believable that she went subtly went low contact with the Blacks after she married Lucius. The Malfoys have *always* been much more squeamish about violence, and much more politically moderate. I think Narcissa likes that.)

Andromeda you can take in a couple of different directions, but she was probably the problem child/scapegoat. And if she wasn't before she married Ted, she DEFINITELY was after. She also looks so much like Bellatrix that Harry does a double take, which I think... would have really bugged Bellatrix growing up, and informed their dynamic. Bellatrix sees herself as SO exceptional that she wouldn't want to be compared to anyone... but if she were, then it would be important that any casual comparisons come out in HER favor. (Which can't have been fun for Andromeda.) It's interesting that Voldemort underlines the connection between the two sisters as a way to get under Bellatrix's skin, and it works *really* well. She's got a competitive streak.

Because Bellatrix would have 100% grown up the *Golden Child.* Powerful, driven, beautiful in a striking way. The Daddy's Girl energy is off the charts (and she was probably Aunt Walburga's favorite too.) Bellatrix is described as acting like a queen, which is exactly how she sees herself. She grew up in an echo chamber not only telling her that people like her were special and better... but that she was the most Special one within the Special group.

So she meets Lord Voldemort. He's beautiful, driven, brilliant, power levels off the charts. He's Grindelwald born again (but straight) (probably.) He's not just the Dark Lord, he's a King. He wants to rule the world as an immortal god-king. He tells Bellatrix that this is going to happen, and she believes him.

And like - of course she's into that. But also, seeing yourself as a temporarily embarrassed Immortal Goddess Empress requires such a specific self-concept. You are going to need a delusionally high opinion of yourself... but also enough talent/power/beauty/external validation to carry that idea into adulthood.

(also Rodolphus... he doesn't count. Good Marriage was just another box to check as a young woman so Bellatrix could remain Perfect. The rules are different if you're a Immortal Goddess Empress anyway. Any consort she had would be so far below her own power level, or the power level of her King, that he literally would not matter. But she's not going to have a *kid* with Rodolphus. She's Voldemort's favorite, Rodolphus is not good enough. You sire PRINCES with the KING.)

Voldemort of course would know all this. And we see him have so much fun finding ways to creatively torture Lucius. He's a sadist in general sure, but there's something specifically about bringing pureblood royalty low that he gets REALLY into. He *likes* bringing up the werewolf nephew-in-law and and watching Bellatrix scramble desperately for ground, crying, while the rest of the Death Eaters point and laugh. Until he tells them to cut it out, because he's the only one with enough power to do that.

And then Bellatrix goes back to her room and probably constructs a whole narrative about how that was actually Voldemort protecting her, because she's the most Special, and it's all in good fun really. Because the alternative is having to admit that she's not extraordinary, she's just a punching bag (like Lucius Malfoy.) This is where a lot of her anger and instability come from. Every time she's in a situation where someone else is doing something *more* or *better* ... she lashes out.

In the main timeline of the books this mainly shows up in her dynamic with Narcissa. Bellatrix tries to give orders in Malfoy Manor (I am sure it really annoys her that Voldemort is using her sisters house as his HQ. That isn't how it's supposed to go.) Narcissa is sacrificing Draco for the Dark Lord? Well, Bellatrix would have five sons (hypothetically) and sacrifice them all (happily.) She tries to shift the blame for Department of Mysteries thing 100% onto Lucius, and gets really defensive when Snape implies that he has more emotional intimacy with Voldemort than she does.

But she's still really, really useful, and Voldemort knows this. She is talented, and powerful, and his best enforcer. So he would have so much fun dangling that carrot just out of reach, forever. The prophecy makes such a big deal about Voldemort marking Harry "as his equal," because that's just not a thing he does. BELLATRIX certainly isn't his equal.

(dumbledore though... we can maybe revisit.)

[baddiewiththebook]

Over the Years | e.m x reader [18+] | EXTRA

-> The origin story of Eddie Munson, and how he fell in love with the worst person he possibly could - his best friend.

-> eddie munson x you (she/her)

-> friends to lovers, slow burn, angst

-> warnings - strong language, suggestive themes, smut [18+]

a/n EXTRA, EXTRA, READ ALL ABOUT IT. This my dear readers is a bonus chapter that does not have to be read to understand the story. But, I do hope you take a look to feel more connected to our favorite characters. xo

-> <-

January 1984*

It’s cute, really. Whenever one of you slip and you feel a clatter of your two front teeth hit his, Gareth muffles out ‘sorry,’ but you couldn’t care less. You slot your lips against his over and over again, while melting deeper into his touch.

The taste of his breath. The tenderness of his hands gracing your thighs. Teasing and testing the waters of too far or just far enough. Your heart beats bounce against one another.

Somewhere in the background, film credits bounce across a black screen. You’ve lost the plot a while ago, and you don’t really care to find out what you’ve missed.

Gareth has snuck you into his home, while his mom is at work. It’s a perfectly snowy afternoon that should have kept her longer than it usually does to drive back home. Since the weather was worsening, Sarah worried for her son. She’s come home early.

Footsteps nearing separate you in a flash. Too little too late. She stands with a hand on her hip, and a folded lip that tells him exactly how much trouble he’s gotten himself into.

“It’s late,” you purposefully skip kissing Gareth ‘goodbye’ due to sheer embarrassment. Waving a short hand at Miss Jones, you scamper out of there faster than a rabbit being chased by a hunter.

Gareth wants to shrink into the couch, but offers an ice breaking smile.

“Dining room,” his mom instructs.

This is where all serious conversations happen. Whenever Gareth is flunking out of a class, he gets a lecture in the dining room. Or, when he scratched paint off of his mom’s car because he rode his bike too close. Dining room lecture.

Now, what?

As most of the lectures go, Gareth is sat across from his mom. She lays her hands on the table flat, as though she’s counting the knuckles in each hand. This is a common technique to calm her from her frustrations, or too think properly over what she’s about to say.

“Gareth,” she begins. “I’m very happy you’re in a relationship with someone you really like. It’s not appropriate to have her here when I’m not here. Especially, like that.”

“Mom,” Gareth squirms.

“Don’t slouch.”

He rolls his shoulders back.

“Are you-,” she wants to be there less than he does. But, the least she can do is make sure that he’s respecting you. “Are you safe?”

Completely red in the face, Gareth digs his nails into the wood of the chair he sits in. You’re not even there yet in your relationship. How could she ruin something good, before it even happens?

“Because you know- you can buy condoms at the store. I- I could pick you up a box.”

Gareth puts his head down.

“Sit up,” she taps the table. “This is important.”

“Mom,” he groans, “you cannot buy me condoms.”

“I could- just this once. It’s not just for you, you know.”

“I’m going to bed,” Gareth pushes out his chair.

“There are diseases!” She warns all but too late. Her son has scampered away to his room upstairs. The door shuts quietly.

-> <-

It’s later in the evening when Gareth rises from his nap. At the time, he’s forgotten the earlier conversation with his mom. He assumes it’s safe to come downstairs.

While he rummaged through the fridge for a snack, he overhears his mom on the phone. Judging by her pitch, the call is important.

“Gareth,” she urges from the dining room.

With few words, she hands the telephone over to Gareth. Trading him the phone for his snack, she dives out of view into the living room. There’s only one person that could be on the other line that she so willingly gave up the phone for.

“Dad?” Gareth speaks into the telephone.

“Hey, kiddo,” he bellows, “your mom wants me to talk to you about some things.”

“Oh my god,” Gareth covers the phone with his left hand. Shouting to his mother, he says, “You called, dad?!”

-> <-

[February 1984]

tags -> @leelei1980 @sheneedsrocknroll92 @jesuisbuginette @starrywhitenight @meetmeatyourworst @munsonburn3r @5tud10-54r4h @pvdulmol @loveryanax @am0iur

[gabbiecasso]

Sharing my recent journal entry about Neve Gallus and myself, so let me yap

One of the biggest reasons Neve means so much to me is because I see myself in her. I’ve always been logical and analytical, always trying to figure things out—why something works, why it doesn’t. That curiosity naturally led me to problem-solving, but it also made me intellectualize my emotions instead of just feeling them, even though I know I’m a deeply emotional person.

Neve’s struggle is not that she lacks emotions—it’s that she feels too much. She’s the kind of person who catches the smallest inconsistencies, pieces together the truth with precision, and always seems to know what’s really going on. Her logic is sharp, her deduction skills nearly unmatched. And yet, when it comes to her own emotions, she shuts them down. Not because she doesn’t understand them, but because she does. She knows that if she lets them take over, they might unravel everything she’s built—her discipline, her duty, her control. And god, do I feel the same way.

The way I see it, our logic isn’t just a tool—it’s a shield. We both intellectualize our emotions, treating them like puzzles to be solved rather than experiences to be felt. But emotions aren’t rational, and the more we try to categorize them, the more they slip through our grasp. So instead, we repress them.

But repression isn’t the same as control. Neve’s emotions don’t disappear—they linger beneath the surface, showing up in subtle ways. In the way she hesitates before making a choice that should be easy. In the way she avoids thinking about what comes next. In the way she convinces herself that as long as she keeps moving forward, she’ll be fine.

Her emotional logic is a paradox—she tries to rationalize feelings that, by nature, resist logic. And deep down, she knows she can’t keep running from them forever.

When my emotions rise and start clouding my judgment, I panic—not because I don’t understand them, but because I know myself. I know how deeply I can feel, but I don’t always know how far those feelings will take me. I think Neve is the same way. She’s confident in herself, but she doesn’t know her breaking point.

And maybe that’s why falling in love can feel so terrifying for someone deeply logical and analytical. You can study it, observe it, notice the smallest details, and even rationalize why a person makes you feel the way they do—but love isn’t something you can fully understand. It has to be felt. And for someone like Neve, who’s spent so long relying on logic, that’s exactly what makes it so daunting. She knows she has feelings for Rook, but acknowledging them isn’t the same as allowing herself to feel them. So she represses them, over and over again.

Man, human behavior and emotions have always been my favorite topics, so stumbling upon Neve’s character was such a treat. But honestly? Watching her struggle was like watching myself, LOL. Not to mention, we both share the same deep-seated need to be of service to others. The need to fulfill a duty, god. As someone who thrives on acts of service, I get it. When you want to be there for people, you start taking on everything yourself without even realizing it. Sometimes it’s so second nature that I don’t even notice I’ve gone out of my way to do something I swore I wouldn’t—like taking a route I hate just to make sure a friend gets home safe—until someone else points it out.

Learning to balance logic with emotion—understanding my feelings while also allowing myself to truly feel them—and balancing the need to be of service to others and to myself, it has been a lifelong journey.

It's exactly the reason why I draw.

I’ll remember Neve for a very long time. I don’t think I’ve ever come across a fictional character who mirrors me this well.

I don't follow zodiac signs religiously but me being a Capricorn (Sun) and Virgo (moon) is too much of a coincidence that explains my overly logical + overworked ass LOL

[wonderfulworldofmichaelford]

Psycho Analysis: Gerald Robotnik

(WARNING! This analysis contains SPOILERS!)

You may not know this, but Jim Carrey is actually really good at playing villains. Like, it’s a pretty obscure fact about his career. So obscure that despite him playing at least three of the funniest villains I’d ever seen growing up, I completely forgot about them when I did the Psycho Analysis for Ivo Robotnik back when the original Sonic film dropped.

But now I know better. The Grinch, Count Olaf, the Riddler… Carrey is a master of playing cartoonish creeps. And Ivo Robotnik has proved to be the best and most fun of all his villainous roles, evolving beyond the simple yet fun egomaniac scientist of the first film into something that hews far closer to what Sonic fans might expect from the world’s sexiest fat man AKA Dr. Eggman. In fact, Robotnik might be my favorite villain role of his, and one of my favorite villains of all time.

Now what if we doubled that?

Sonic the Hedgehog 3 went bigger and better than its predecessors, and considering it was introducing the most popular character in the Sonic franchise who isn’t the Blue Blur himself—Shadow—it kind of had to. And that meant giving us not one, but two Jim Carrey performances. In this movie, the typically posthumous Gerald Robotnik is alive and well and out to enact some revenge. It’s a pretty bold and different approach to the beloved story of this Sonic adventure… so how does it work out?

Motivation/Goals: Gerald Robotnik is motivated by revenge, much like in the games, though this time he’s around to pursue it himself. After what G.U.N. did to Maria, he wanted to completely dismantle and destroy them. But the thing is, his decades of stewing in his hate and rage made him a little cuckoo, and now his hate extends to not just G.U.N., but the entirety of the human race… as well as himself.

Performance: Jim Carrey had already perfected Ivo over two films, but I think there may have been a little worry he’d make Gerald too similar and ignore what made fans love him in the game. Of course, we needn’t have worried; not only is Gerald a distinct character from his grandson, he still manages to be a truly despicable human being, perhaps more vile than he’s ever been before. He’s still as wacky and ridiculous as Ivo, but unlike with Eggman he manages to drop the silly at just the right moments to make Gerald a genuinely threatening monster.

Final Fate: No firing squad for Gerald this time; no, his ending here is much more undignified, but also incredibly well-deserved and satisfying. After callously trying to send his grandson into the vacuum of space, Ivo surprises the old man with a super-charged Sonic quill into his ass which sends him flying through the air into the chaos energy. He then proceeds to be disintegrate with a little pop like a bug in a zapper.

Now, this may seem incredibly cartoonish and even ridiculous as a way to defeat such a villain… But read the rest of this analysis to see just how disturbingly vile Gerald ends up being. I think this truly absurd and cartoonish death is exactly what the movie needed to do to rerail things and keep it from going way too dark. And, if you think about it, his death is still colossally fucked up, particularly because Tails seems a little too chipper about committing murder.

Evilness: For most of the movie, he seems like he’ll end up being like… a 6 or 7/10, like clearly a bad guy but one with an understandable motive that you can root for. G.U.N. do not come out of this film smelling like roses, and when you see the full extent of what they did to Shadow it’s hard not to root against them.

But then comes the third act. He reveals he wants to kill everyone and himself, he reveals he doesn’t give a shit what Maria would want because he’s so utterly consumed with misanthropy, and he drops the coldest line ever to reject his grandson… Yeah this guy is a 10/10. Maybe even a 10.5/10. He is genuinely fucking callous and vile and monstrous.

Best Scene: Without a doubt it’s the scene where he and Ivo dance through the lasers.

This scene is great for multiple reasons. The most obvious reason is that t’s an amazing example of the movies effects and how well it showcases the dual Jim Carrey performance. Like, this must’ve been a bitch and a half to make look convincing, especially with Ivo picking Gerald up and swinging him around. It’s amazingly well done, the choreography is great, and “Galvanize” by the Chemical Brothers kicks ass.

But it also works as a further highlighting of the character of Ivo, how he’s still desperately cramming in family fun now that he feels he has someone who cares about him… and it also makes the later reveal about Gerald sting all the more.

Best Quote: Remember that line in Frozen where Hans coldly reveals he’s a villain to Anna? Remember how it’s a stupid twist that doesn’t make sense, yet the line is one of the rawest in all of Disney’s canon? Imagine that except the twist actually works and is effective. That’s what Gerald gets:

“Oh, Ivo… You’re no Maria.”

This single line completely recontextualizes everything Gerald has done up until this point. Every single bit of fun and goofiness now comes off as deliberate manipulation of Ivo to help in his schemes. It also highlights just how single-minded and insane he’s become in his pursuit of revenge; here he has a living member of his family, someone who could fill the void Maria left, but he coldly rebuffs them because he is too consumed by his own hate and rage.

Final Thoughts & Score: I fucking love Gerald.

Jim Carrey really went above and beyond here (and considering they sent him the script in gold and let him play with himself on camera, why wouldn’t he?). He manages to make Gerald hilarious and goofy but also perfectly captures his grief, rage, and hatred when the third act hits. And that third act is genuinely impressive even when he gets into a scientifically-enhanced slap fight with his renegade grandson; just his eerily calm statement of his desire to commit murder-suicide with the entirety of the Earth, his callous brushing off of both his grandson and Maria’s desires, his flippant shrugging off of the worth of Shadow’s life when the hedgehog betrays him… It’s honestly shocking just how nasty Jim Carrey manages to be without completely dropping the inherent goofiness he brings to his roles. In fact, his goofiness just makes it more chilling when he drops the act and gets going.

Frankly it’s surprising just how much nuance there is in such a goofy role, how much can be read in to his actions. Like they really didn’t have to put so much work into the silly villain in the second sequel of a video game movie franchise, they could have easily half-assed Gerald or even just had him be posthumous to save themselves a lot of work. But they didn’t do that, they brought him in, managed to flesh him out and give him depth while still keeping him true to the core of the character, and they knocked him out of the park. Of course, Carrey’s amazing dual performance where he goes out of the way to interact with himself is a big plus too. The sheer spectacle is at least 50% of what makes Gerald so fun to watch.

All in all, Gerald is one of the greatest live-action family film antagonists ever seen, and he’s a big part as to why Sonic the Hedgehog 3 is so great. And best of all he continues to show that the human characters related to Eggman are the best in the franchise. Easily a 9.5/10 for me, with the .5 less than his grandson only because we get far less time with him since, you know, he fucking dies at the ends of this one and isn’t going to develop more. But the fact they manage to make him so well-rounded in just a single movie is worth a lot.

[paranormaltheatrekid]

No thoughts

Only her

[innerfare]

Fingering You - Part 1 

Summary: you already know from the title

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid

Genre: pure smut

CW: NSFW // fingering, bondage, mentions of oral sex, penetrative sex, and slight anal, mentions of creampies, dirty talk, Daddy Zoro, Mean Dom Kid

——— 

Luffy: 

The hardest part about fingering you is not going down on you. It’s quite rare that he sticks his fingers between your legs without lapping at your folds mere seconds later. But on the occasions he does simply finger you, it’s to tease you. There’s a part of you that’s always hoping this side of Luffy doesn’t come out, and there’s another part of you that’s always hoping it does, the side that throws you on the bed, ties you up face down, and slides his finger up and down your aching cunt, from clit to ass, telling you how his favorite thing in the world is when you cum but refusing to let you do so, only ever slipping one finger inside you at a time and always pulling it out when you start to clench around him. When Luffy decides to finger you, it’s a long night. 

Zoro: 

Daddy Zoro fingers you for your own good. At least, that’s what he tells you. He’ll never admit that sticking just his pinky finger into your little hole and feeling the tightness around his smallest digit makes his cock throb harder than it ever has before. He’ll never admit it’s the first thing he thinks about in the morning, before even thinking about getting himself off. He’ll definitely never admit that he now gets hard when he eats and gets sauce on his fingers because it reminds him of your desperate princess cunt. He’ll only ever tell you it’s for your own good. How else is his fat cock going to fit inside you? And if his cock is inside of you, his fingers might just wind up in your mouth. Probably his favorite thing about fingering you is the way he can use his fingers to push his bodily fluids, be it spit or semen, inside of you. 

Sanji: 

He’s the absolute best at fingering you, hands down. He’s almost religious in the way he goes about it, too. After all, his hands are precious to him, and so is your pussy. Putting the two together is a spiritual experience as far as he’s concerned. He takes it very seriously, always making sure whatever door the two of you are behind is locked, and taking plenty of time to kiss you like you deserve and worshipping your tits. He can work you to the brink of orgasm just by playing with your nipples, though he’s never content just to do that. The first time he slipped his hand into your panties, he came in his pants, and though he’s managed to build up a resistance since then, there’s still nothing better than sliding his fingers into your cunt and feeling you melt into him, especially considering he can focus solely on your pleasure when he does. 

Ace: 

Fire Fist Ace has one filthy mouth. Everyone knows it. Even for a pirate, he’s notorious. When the Whitebeard Pirates make port, the girls are always gossiping about what the handsome young pirate said to them after a bottle of sake and some heavy kisses. But only you know the true depths of it. He’s always throwing his weight around, pinning you against a wall or down on the mattress, crowing you with those broad shoulders and that big chest, pushing your legs apart and shoving first one, then two long, thick fingers into your tight pussy, his hot lips on your ear the entire time telling you that your pussy is his, that he’s the only one who gets to touch your cute little clit, that when he makes you cum (and he most certainly will), you’re going to get on your knees and thank him properly. And that you do, night after night, the two of you always fucking for the final round (or two). 

Sabo: 

How many times has he slipped his hands under your skirt and gotten you off when there’s someone nearby or within earshot? Neither of you have any idea because it happens so often. He pushes two fingers right into you and thumbs your clit every time, working an orgasm out of you like it’s nothing, biting his lip as he studies the flush that appears on your face and often brushing you off if you try to reciprocate the pleasure. He always grins when you give him that panicked look that says you’re about to cum and you’re worried someone might hear, his favorite part being the way you hang onto him as you do as if he’s going to protect you. The way you cling to him afterwards as you recover from your orgasm only makes it so much better for him. He’ll never stop doing it. 

Law: 

He actually didn’t have a lot of experience when you two first started fooling around, but he his hands were always one area where he felt exceedingly confident. It came naturally to him, rubbing you through your panties until your wetness was soaking through, pushing the fabric to the side to stroke your warm folds, sliding his fingers into your tight hole and promising it’ll be his cock next. It’s like second nature to him, to the point he’ll start doing it without fully realizing. If you sit in his lap, his hands will start creeping up your thighs, and the next thing you know, you’re tossing your head back and holding on for dear life while he fingers you with one hand and squeezes your tits with the other. He gets off to the sense of control it gives him, relishing how he can make you squirm with just a stroke of his thumb and the way you squeal when he jams a finger up your ass. 

Kid: 

Honestly, you need to stop whining. He’s doing you a favor. Yes, somebody might see you completely naked and exposed (he’s still completely clothed, of course) on the deck of the Victoria Punk in broad daylight. And yeah, it’s embarrassing how wet you are, so embarrassing he doesn’t even stop you from hiding your face. But he’s doing you a favor by stuffing his thick fingers in your cunt, stretching you like a cock (a regular sized cock, at least, not a Eustass Kid sized one). He doesn’t even touch your clit until you’re on the brink, and then he thumbs it mercilessly. And don’t think for a second your mean dom boyfriend won’t laugh at you when he pulls his fingers out and finds them coated in your cream, telling you that if you’re that desperate you should follow him back to his cabin to get fucked properly. You don’t hesitate to do it, trailing after him like a puppy. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[prettyboykatsuki]

— ❈ YOU'RE SO PRETTY, BABY.

▸ prompt ; companions and their responses to being called pretty boy / pretty girl.

▸ a/n ; bit of a generic post im sorry forreal. while i was originally just going to write this for astarion i had ideas for. all the other companions.

most of the characters have a reader w a specific class or background, all varied! also spoilers for gale, shadowheart, karlach, and lae'zel.

reader / tav is always gender neutral!

▸ wc ; about 4.5k, about 700+ words per companion.

ft. astarion, wyll, gale, shadowheart, karlach, lae'zel

no minthara or halsin bc i could not bring myself to write it. but maybe later if enough people ask lol.

❈ ASTARION ;

Astarion tries his very best to find your affection for him trite, even when he knows it doesn't feel that way. It's an instinct for him, one you'll simply have to make peace with you if you're really planning on tailing him to the end of the world.

Truth be told though, he likes your generally affectionate nature. He hasn't reached a point he can admit this so openly, but the comfortable and easy way you reach for him is nice. He likes how your hands seem to stretch for him, the way you cling to his spine when you sleep in his tent and the likes.

And while he is not stranger to hypocrisy, he thinks it'd be amiss to try and bar you from calling him any pet names when he calls you so many. He's got quite a few handy. Darling is a favorite, followed by dear, and sometimes my love when he can muster up the courage to mean it instead of saying it like he's trying to perform.

You like to call Astarion by his name though, most often. He isn't exactly sure why you're so fond of it, and truthfully he's done little to consider his own name. You say it wonderfully though, tasteful and loving and soft.

Sometimes you gasp it in offense or horror or shock, other times in pleasure. Sometimes you whimper it in your sleep, groping around until your hands fist in the material of his shirt and you drag him back to you.

In any case, he's used to hearing his name. So hearing you utter the words pretty boy to him, he can't help but be a little shocked.

You're a little tipsy. A hard, arduous journey of fighting githyanki soldiers has taken a terrible toll on your normal inhibitions. You're quite flushed while you're drunk, and all the same sitting in his lap like you've not a care in the world.

Astarion doesn't mind holding you. In fact, he's thinking of all the terribly teasing things he can say to you come morning. So far, you've done nothing but mumble. It's a sudden movement, your hands clasped around his face.

"Feeling forward are we darling?" He says, like second nature. It's so reactionary it's banal, though he does have some enthusiasm since the flirtation is directed at you. Instead of your usual giggling, you stare at him with your lips parted.

"I suppose I am pretty boy," You reply, a completely foreign confidence in your voice that stops him dead in his tracks. Underneath the thick layer of flirtation is sincerity so unmistakable it almost proves to be too much "Could I ask you to keep me company?"

Astarion is, eternally grateful about the fact you don't get much more than that out of you. He spends the entire night thinking about it. You're certainly not the first to call him pretty, and that particular phrasing has been thrown to him more than once.

Yet it rings a little differently. The way you said it so tenderly, your hands stroking the nape of his neck and cupping his face. Well, it's not nothing. He can't decide if he hates it or not until the next morning comes.

Your eyes flutter open as light pours through the open part of his tent. You reach over to him with a deep sigh, engaging in some quiet morning affection when you repeat yesterdays sentiment.

"Good morning, my very pretty boy," You say - and this time Astarion is sure whatever he is feeling he has not ever felt previously "Sorry for the antics last night."

"So your memory hasn't failed you. Good to know." Astarion says back. You laugh lightly. "Your charming little pet name worried me quite a bit."

"Nothing to worry about my love." You say, warm and nuzzling into his neck likely to cool yourself from over-heating "I really do find you very pretty."

He can't help the feeling that floods his sense. He likes it even though he feels a little clingy, but perhaps there's no need to admit that.

"Oh, really, darling? How sweet you are. Tell me again, then. Just for kicks this time."

❈ WYLL ;

it's a matter of getting used to it for Wyll.

For the first month of your adventuring together, pretty boy, had been a somewhat condescending substitute for his name. Among other ones, like daddy's boy and prince. None of the pet names held any real affection.

You liked getting under his skin, after all.

You didn't get on at first, not for a long while. You're a rogue, a ratty street urchin turned mercenary who'd spent your youth climbing through the soil and mud of the Lower City's underbelly. Your words verbatim, not his. At first, your resentment for him caught him off guard, especially because Wyll prefers to keep the peace and get along with everyone. But, he had a difficult time understanding you, even with his people skills

Eventually it clicked that your resentment was less towards him, and more towards what he represents. You're a Baldurian, but one abandoned by the city and it's people. What else could the Ravengards represent if not the future you never had a chance to look towards.

It was easier after that. And Wyll had promised to himself to observe you closer. In that, he found to like you a great deal.

He's fond of pet names in general, but more fond of you lately. At the beginning of your adventure, it was a little difficult to get accustomed to your... roughness. You lack delicacy, but you're not exactly silver tongued.

Yet, you're not as cruel as you make yourself out to be. Contrarily, while you've traveled together, Wyll bore witness to only gentleness. Nothing more. The words you spoke about only doing things for coin had been clearly disproved by your countless acts of charity. Especially gentle and kind to children, and especially unforgiving to the rich and unhelpful.

Once he got used to it, there was something kind of...sweet about it. To see you say one thing and do another had it's own novelty that Wyll grew fond of you.

It was the night of tiefling party that roused his feelings. That night, he'd watched you play with the tiefling children all night, teaching them tricks of the trade.

And you'd started falling for him, too, judging by the way your usual snark was nowhere to be found.

Especially vivid is the change in your tone when you call him the same way you did before.

"We'll take a short rest for you, pretty boy." Your voice murmurs, looking carefully over his wounds while place down your own weapons "Get your spells back. Organize our things in the mean time."

He gives you look, examining your own worry before his smile stretches into one of fondness. It doesn't bother him at all, not anymore. No, lately - it sounds rather fond, and each time Wyll hears it, it does something for ego.

"No need for the concern, though I am appreciative," He says, not bothering to mask the smug quality in his voice at your change. He delights in it a little, admittedly . "I'll be alright soon enough."

You don't seem to notice, too busy wiping your blade of fresh blood, metal shiny as moonlight. "And there's no need for your heroism, Blade of Frontiers. Have some discernment about time and place."

You look up at him with your brows furrowed, and Wyll can barely help himself. "Are you worried I'll lose what's left in my appearances? I'm just telling you there's no need to trouble yourself over it."

It takes you a while to register to his words, but when it finally does - your eyes blow wide. The look of embarrassment on your face is well worth it.

"I thought you hated when I called you that." You say coolly.

"It's not so bad," He says back tenderly, staring at you "At least not anymore."

You pout a little. Wyll fights some unspoken urge to kiss you. A little longer.

"I prefer when you're acting oblivious,"

"Sorry to disappoint."

He lets his head lay on the wall behind him - reaching a hand for yours instead, trying to rest up as promised. He sees you smiling from the corner of his eye and affirms it to himself. You squeeze, soft, but otherwise say nothing about it.

Yes, lately, nothing you say could get under his skin. Even when you so obviously try.

❈ GALE ;

Gale is always the poet, never the muse.

He thought highly of his relationship with Mystra, and in many ways still does. He loved her. This much is true. He can't say for any certainty if she had loved him just as much, or at all. He wasn't the first mortal, and would hardly be the last.

But he loved her, enough to write about her and wax poetic about all that he'd lost.

When Gale examines any of his past relationship, he realizes this is some kind of pattern. Gale is good at being loving, but he does not know for certain if any of them loved him back. Or if he was loved in the way he loves - if it was anything near close. Gale had thought, at one point, it was just matter of destiny. Gale is after all, a man who bleeds with all he has.

He can't blame anyone for loving him less than when he is categorically too much. He thought that way for a long time, destined himself to never find love again or beg for Mystra's forgiveness for some new found purpose.

When you came into his life, he hadn't been sure what would come of your relationship. Certainly a brain parasite would make camp a difficult place for romance, but the two of you managed against all odds. Among all the things that Gale finds astonishing about your relationship - it's your affection for him that catches him the most off-guard.

It's a little sad, he can admit. But it's true. When you speak to Gale, your voice is always soft. It's never demanding. Before, always, there had been some kind of expectation. Gale had to be a certain way, to pour himself into someone else for the sake of it being returned.He loved. Surely he loved.

But now, lately, you love him back. Overwhelmingly. The easiness of your love makes him feel a little... spoiled. Which is embarrassing, at the stage of life he's in. He finds the whole thing tips him over the edge. The heat creeping up his neck every time he remembers. Your hand brushing against the back of his neck, cupping his face so gently.

Gale, perhaps unsurprisingly, is fond of your various pet names. All of them sound good. Make him feel important and desired. You like to call him a bookworm, sometimes you call him baby (which he really likes much more than he is ever willing to admit), and other times you settle on saying my love.

Pretty boy is new. Pretty boy is different, and makes heat crawl up the back of Gale's neck like a smitten school boy.

It has a special effect on Gale.

In between classes, spoken with your hands cupping his face as he leans on his desk. The sunlight is pouring through the large paneled windows, casting a warmth on your expression. Gale is sat on his desk, making you eye-level.

"I'm glad you've come to see me," Gale says to you first, breaking a period of comfortable silence. You're a busy person, given all the heroics. Gale finds it troublesome, despite the fact you've moved with him to Waterdeep. Your reputation precedes you "It's been ages,"

"Of course I'd come to see you, pretty boy," You hum, thumb brushing under his cheek - carefully drawing a line "You're very healing to look at."

The effect is rather immediate. As soon as the words leave your lips, spoken to him so lovingly - he unlocks a part of himself he always seems to forget about. Forgets himself in a fundamental way, the flurry of heat and euphoric sensation of adoration washing over him like water.

He gives you a look, and you laugh - pressing your thumb to his lower lip as you lean in for a kiss. "Stop pouting, will you?"

"I'm doing nothing of the sort," He insists, kissing you despite him. You laugh into, warm and bubbly. For a minute, he remembers all he might've lost had he done what Mystra told him.

He's glad he's alive. To feel you.

"You very much are," You reply back, once you've managed to pull away from each other "Don't be so surprised. You've always been very pretty to me."

He blushes again, deeper, and closes his eyes.

❈ SHADOWHEART ;

You don't often communicate your feelings to Shadowheart through words.

You're something of a stoic. Of the few people in Shadowheart's past who remain by her side, many of them communicate about how surprised they are about your partnership. Shadowheart is known to be a little snarky, witty. She used to be very prickly, at the start of your adventure together - so everyone questions how you were able to win her heart.

Truthfully, Shadowheart didn't know what to make of your personality at first. There's a silence to you. Maybe she should expect this of paladin so loyal. A Paladin of Torm, the unswerving enemy of injustice and corruption. You've always been a devout person, putting action and justice over everything. She hated it at first, a natural response for a Sharran, she figures.

Once she'd left it all behind, she could no longer use it as an excuse.

Truth be told, Shadowheart had always liked that aspect of you. Your devotion spoke to something greater than your oath or even your god. You had simply believed in the world, and inadvertently in her. You saved her from herself, her parents from her fate, and then some.

Your devotion to her as a lover isn't something so different. She often thinks you would swear yourself to her if you could. For Shadowheart, your affection is akin to worship. Every morning, the animals are tended and the flower bed is damp. You wake her mother up without a start, remind her of where she is without making her feel ashamed. You're good to her father, talk to him of worldly politics at the dinner table.

She has no complaints to make about you. Your love for her is tangible, something she can reach out and touch with her fingers.

She's unused to hearing your affections, though. Unused to hearing the words.

You lay together in the darkness. You're alone tonight, the entire cabin empty. Her mother and father have gone together on an outing together, after you accompanied them into the city. You've finally returned, put the horses up in the stable, and have to come to her side.

Shadowheart likes to lay in your arms. She lets herself curl into your weight, inhales the scent of your skin - earthy and rich as you let your arm fold around her waist. She lays ontop of you today, her whole body on yours like a blanket.

She looks up at you, her her tied loosely. She can practically feel how glowy her own expression is as she examines you - sees her reflection in your irises.

You let your hand lay over her back, reaching up underneath her nightwear to lay touch her skin. She gives you a look - her smile small, sincere. Your own expression is tired from travel, but fond. You insisted on taking her parents instead of letting them go alone.

She loves you more than she cares to admit.

"You're staring." She comments blithely "See something you like?"

Normally you'd flush a little at this, silent as you kiss her forehead or cheek. This time though, you use your fingers to brush the stray hairs from her face and nod.

"Yes, pretty girl," You hum, nonchalantly. Sagely. "I really do,"

She's so caught off guard, she can't help but gape. She lifts herself slightly to stare at you in shock.

"I've never heard you talk like that. Not once while we've been together. I mean.. you've called me beautiful but," Shadowheart stumbles, a fluttery feeling in her stomach she'd rather ignore "But it's never like that,"

"I think it more often that I say it,"

"And you always think to call me that?"

"Like I said, often," You look over he carefully, before your lips pull into an easy smile "You're pretty to the point I want to tell you all the time,"

Shadowheart is scarcely embarrassed by anything. She's a practiced woman at this point in her life. It's almost juvenile the way the words effect her. It's you saying it that makes all the difference. The way you've said it that makes her squirm. She lets out a little puff of air, silent as you laugh.

"Pretty girl," You repeat, warm and gentle and laced with exhaustion "You're the most beautiful girl I've ever met."

Shadowheart tucks her face into your neck, voice as soft a murmur as the sound of her own heart rings in her ears.

"Don't make a habit of talking like that," She huffs "I already know, but I suppose it doesn't hurt to hear."

You smile brightly. "I'm glad,"

❈ KARLACH ;

Karlach adores you, utterly and completely.

She's a little caught off-guard by it. Just when she'd convinced herself she couldn't love you more, you surprise her all over again. She'd probably harbored some sort of affection for you from the start of your adventure together, when you'd gone to bat for her and make sure Wyll didn't take her head as a trophy.

Since then, though - on your journey together, she'd taken careful notice of you. And gods, she likes you. You're very different she must admit. Where Karlach is strong and fiery, you're cool and calculated. She figured that's just what magic users are like, but Gale is pretty keen on correcting this assumption. You're a sorcerer, specifically, means the whole magic thing is in your composition and not your study.

Which explained why your head isn't the books like their local wizard. She does find you to be rather charming. You're good at talking your way in and out of almost everything, and you can outwit even the cleverest people on camp. You'd think it'd make you... annoying. Or cruel. And sure, you're a little calculating - but mostly, you're sweet.

Karlach's really never met anyone like you before. Her companionship is a little limited because before the Blood Wars, she was a rag-tag kid in the street of the city. But you grew up in a noble house, learned to charm and finesse your way through everything. You know how to read situations before they've even happened.

And you always explain them to her afterwards.

You make Karlach nervous, strangely. Which is wild! When it comes to socializing, she can get along with almost anyone. You though, you always see right through her. You know when she's using her own personality as a shield, and you always know just when to intervene. Or when to say nothing, and just let her sit with you.

The day she blew up at you, after defeating Gortash - you'd handled it better than she could've hoped. You were comforting, and kind, and let her feel it out without making her feel bad. With you, she felt hopeful despite knowing that the end was probably going to come for her eventually.

With you, she thinks she could endure even the end of the world.

You're in the city now, no longer sleeping in the woods. When everyone else has gone to bed, Karlach finds you in the study, a room attached to the main living quarters.

She knocks before entering. Your voice is soft as you tell her to come in. Dressed in your comfy night clothes, your hair damp from washing up. You're bent over the desk with a furrow in your brow that Karlach finds sweet.

"Hey, baby," She asks, her heart thumping soft "Hope I'm not disturbin' your research."

"Of course not," You reply back, encouraging her towards you "I'm actually due a break."

Wordlessly, you sit up from your chair, pointing for Karlach to sit. She follows through, a little confused as to what you're doing before you plop yourself back into her lap. She throws her head back in laughter.

"Don't know what I was expecting there," She giggles, arm curling around your waist "All cozy?"

"Mm," You melt yourself into her embrace, turning to look at her. Your eyes are soft, free hand cupping her face "I'm cozy. What's keeping you up, pretty girl?"

The words catch her off guard completely, her engine flaring from the heat.

"Shit, what's with that?" She glances down at you, smiling like the cheeky fucker you are "I can't get any redder, you know? It's making my engine burn."

"You like it, no?" Your voice is smooth, smug in a way that gets her hot "My pretty girl,"

Karlach stares at you as you say it. Traces the curve of your lips, the slight arch of your brow. Asses the weight and warmth of you as you lay your legs over her lap and feels her body start to react. She didn't think it was possible to feel so complete by someone, even among the impending doom at the end of the world.

With you it fades away to nothing. Permission to want freely, she had no idea she had wanted that so bad. She had no idea she could want more when you'd already given her so much.

It's nice to be greedy. A little greed is fine, after everything.

"If you keep talking to me like that, we're going to do a lot more than just sitting, you know?" She tells you seriously.

You smile and laugh but don't deny her "Only if you say please,"

❈ LAE'ZEL ;

The Githyanki do not fall in love.

It's a fact of the culture, a mark of their honor. Love is for the soft, tender fleshed species of the material planes. It does not suit warriors, not the ruthless githyanki who spend their entire lives training the sword and learning magic. Love had always been a flimsy concept to Lae'zel. To the point she'd never thought about it or cared too. For the gith, there is only pleasure and carnal desire. The foolishness of longing can only be harbored in the lesser existence of the outer-world. The world outside of her creche.

For a long time, this was true for Lae'zel. She had never intended her time in the material plane to weaken her in the ways in which it did. Or that the experience of a ghaik parasite trapped behind her eyes would will her into cooperation with lesser beings. In many ways egregious, unfathomable. In trying to rid herself of one parasite, she'd found herself another one - more intolerable and more consuming than the first.

You. What a foreign and remarkable bond. From the beginning she had told you the truth, that the gith do not love and she would not be able to love you. Though she could admit passion, admit admiration for your courage, admit possession - she could not admit love. She knew nothing of it.

Over the course of your journey, you'd managed to prove her wrong. Slowly stripped bare of the identity she'd made her life around, you stripped Lae'zel down to her soul. Her most honored solider, and most formidable ally. When the time came, you'd told her to do what she must, to liberate her people. That you'd be there when she returned.

That you'd wait for her.

Months apart with few visits in between meant that each time Lae'zel sees you must make every minute count. Enjoying your body and indulging in carnal pleasures is only so much of that. What Lae'zel looks forward too most, she must admit, is the gentleness of your touch whenever she comes back to Fae'run.

Soft warm whispers among the indulgent plush of bed sheets and candles. A room that smells like lavender and oak, prayer books and scripture littered on the desk. A cleric of Bahamut, and a soul strong as steel.

But this, her head resting in your lap as you stroke her hair so carefully, is what she's missed most of all. No doubt she's going soft.

"Chk. You are smitten by the text in front of you as if you have forgotten of my return,"

You look down at Lae-zel with a laugh, carefully placing said book down on the bedside table. The voice you speak with her is different from her own. Tender fleshed even in your speech, you let her curl herself into you.

A vulnerable position, open to whatever may come.

"I'm sorry, pretty girl," You hum. The words practically startle her "I don't mean to neglect you. It was an interesting passage."

"Pretty...It is true among the githyanki, I am among the finest of their ranks," She replies, turning herself towards you - getting comfortable "Yet still, something stirs."

"Are you embarrassed?" You reply, delighted as her frown deepens. Before she has a chance to argue with you, you lean down to press your lips against hers briefly "How sweet of you."

"I do not get embarrassed," She insists, scowling as you begin to giggle at her "It was merely unexpected."

"You're beautiful to me, Lae'zel." You hum, stroking her cheek gently as she continues to lay herself across. Your eyes are tender and lidded. That look of obsession she recalled from the months prior returned in full, and no longer hidden. Unlike your other mortal companions, or the pale elf - there is nothing hidden in your words. No agenda "More beautiful than anyone else. At least to me. Getting to look at you so closely is a gift."

She softens, her hand gripping yours resting on her chest

"When it is over," She says seriously, a solemness to her voice "I will return to you. This I swear. Without you, the liberation of my people would be no less then a dream,"

You return her smile in kind.

"My pretty, wonderful girl," You hum. She loves you. She thinks she understands it now "I know you'll return to me, nailo. You always keep your promises."

"Yes," She says, an unfamiliar emotion overwhelming her "I will not forsake all we have promised."

The affection in your voice shakes Lae'zel to her core. Initial abrasion fades only into warmth. It's not so bad to hear, even if it is tender fleshed.

▸ a/n ; the word reader uses for lae'zel is elvish for swift winds!! reader is meant to be sort of a book worm so you do not need to picture them as a elf and more of a linguist.

this is the most substantial thing i've written in the last few weeks so commentary is very appreciated. i'd be willing to do a minthara and halsin addition to this eventually if anyone is interested!!

anyways, baldurs gate companions i love u. reblogs so appreciated !

[nobodyfamousposts]

Scarlet Lady Top 10 Favorite Characters: Number 10

For @zoe-oneesama

Okay, I realized as I was writing these that there is way way WAY too much to each of these and why to be able to put them all into one post, so I'm breaking them down into individual essays focusing on each one to keep them palatable.

So without further ado....

Number 10: EVERYONE

Yeah, I know it may be cheating but at this point it was the only choice I could make.

I came to regret making this list, specifically because I couldn’t seem to make up my mind as far as who all would be on it. I reread the entire series. I kept switching people in and out as I was reminded of characters or scenes I loved. And I came to a realization that there is no character in the whole of this series I didn’t enjoy to some extent that they didn't deserve some love in this list and I kind of wish I could have added all of them just to give them all some spotlight.

Yes, it is partly because everyone is vastly improved compared to Canon. But as I reread the series, it came to mind that if Canon didn’t exist and I didn’t have the comparison between the characters, I still very much would have loved this series and everyone in it.

Cause and Effect Exist

It's important to have a setting in which the characters and their actions make sense for the world they live in. When the setting is supposed to be modern day earth, we need the people to be able to show that they are capable of surviving in it on a day to day basis without being so massively incompetent that they would do something like accidentally ingesting poison. Or forgetting how to breathe.

I would think it would be obvious, but sometimes Canon makes me wonder. Which is never a good look for a show that is supposed to have some level of seriousness and involve superheroes.

Here’s the thing Canon can’t seem to get: when a majority of the things that go wrong in a plot are because of everyone having to be stupid to make the plot work, you have a problem with the writing. Changing the material in a story so that younger people can enjoy it does NOT mean dumbing down the characters and throwing in arbitrary lessons with no real reason to them. Even if the show itself is geared towards kids, you can’t treat the audience like they’re stupid.

In Scarlet Lady, the people aren’t stupid.

Silly, yes. Wrong, often. Overdramatic, definitely. But while they may make stupid choices sometimes, they aren’t so dumb that anyone should have concerns about their ability to function at a higher level than an overcaffinated 2 year old.

They’re fooled initially the way many of us would be with a biased story that hits the news first. Oblivious to the problems in a situation that they logically wouldn’t have much direct insight into. Prone to making mistakes and incorrect judgement the way that anyone would. That's normal. That's expected.

But they’re not so incapable as to forget things that happen right in front of them between one day and the next. Or even between one scene and the next.

Things carry over. We see cause and effect. We see consequences—bad and good. And those consequences extend not only for the episode or season but for the entire series.

Aurore KNOWs Alec cheated her before and maintains a tight control over him and prevents more of his antics.

Adrien and Alya maintain a cold attitude towards Lila for some time after her reveal as a liar. And it even remains a point against her as used by Chloe as herself and as Scar to discount what she says.

The boys of the class remember Adrien’s “love letter to Marigold” and try to win him her merch because they’re bros like that. 

Adrien himself remembers the instances of his dad being a massive prick and instead of being surprised and “sad boi uwuwu” each time it happens like it’s supposed to be a surprise that the massive prick would choose to be a prick, he very clearly moves through the stages of grief to the point of a sort of acceptance that involves planning around and even for him.

Gabriel’s horrible parenting and general lack of concern for Adrien or his wellbeing as he ends up a casualty of various akuma attacks was played off for laughs when such incidents occurred. Then they were brutally called out against him in the Finale as a way to counter his claims of doing everything for Adrien’s sake. And the big reveal of the Birthday Scarf…utilized in the last way anyone would have wanted.

And Chloe is perhaps the biggest example as her antics ARE NOT forgotten or ignored by anyone. The classmates still interact with Chloe and are relatively nice to her, but they don’t just forget that she’s treated them horribly. They don’t act surprised when she does anything horrible. Nor does anyone just laugh it off or excuse it as “just who she is”. We see follow up to her behavior—the class fully expecting her to cause trouble and actively try to plan around it. People calling her out on past behaviors. And even bigger consequences as time goes on. Such as Adrien breaking off the friendship. And a blink and you miss it fridge logic moment in Ikari Gozen when you realize that when they said she was banned from all future Gabriel-involved competitions, they meant it.

The fact that by the time the big reveal happened that Chloe was Scarlet Lady, no one was shocked.

Story-wise, this is showing the passage of time and the effect the events of the story are having. It’s showing that there is lasting impact and that what happens to the characters matters.

Meta-wise, this is Zoe rewarding us for paying attention.

Continuity exists in Scarlet Lady. Time exists. The people exist. When anyone does anything, you get the sense that they aren’t operating in a vacuum. The things they do matter. There are consequences. There is an impact. And if there is an impact in the story, there will be an impact on the audience.

Which leads to…

Character Depth/Character Growth

Usually in TV shows of this nature, if there ARE character arcs for the side characters, they only occur over the course of a single episode devoted to focusing on them before moving on elsewhere. 

Canon didn’t give us that much at all in favor of having every episode that should focus on other characters learning and growing instead forcing Marinette to be wrong in some way and learn an arbitrary lesson that often would have better served for someone else.

In Scarlet Lady, the arcs we get are impressive for all that they’re relatively unobtrusive. They aren’t big. They aren’t world-ending. And the thing is, most change in life isn’t. It can just FEEL that way.

Like the way it felt for Kim when he first found out Ondine liked him and then had his confession to her screwed up.

And the way it felt for Kagami when she lost that first match against Adrien.

Then there’s the way it felt for Chloe when she was dismissed by her mother, had her popularity go downhill, and ended up losing her Miraculous.

…or the way it felt for Adrien when he discovered his dad was Hawk Moth.

The reactions we witness are in a great part due to actions outside of the characters’ control, but are ultimately a result of the experiences they have had and the ways they have changed as a result.

The question becomes: are the characters that we meet at the beginning pretty much identical to how they are at the end? Is the world?

The answer in Scarlet Lady is no.

Whether because the characters themselves change or our perception of them does, we can see that they have all undergone some sort of events that create a difference between the start and end points.

Not all of them HAVE to undergo some big emotional arc. Not all of them NEED to. But the characters still mostly go through some sort of growth by the end that I feel make them stronger and healthier people.

You’ve got the big life-altering changes like Lila and Sabrina.

You’ve got the little changes like Nino and Ivan.

You’ve even got the most minuscule, beginning stages of change in Chloe.

You’ve got growth that creates such perfect setup with Mylene when she starts off scared and traumatized by how things went with Stoneheart then is the one who confronts him in the end. And the parallel between the finale and the beginning when she returns him to normal by kissing him just like they did in that first episode to change him back then, too! (Just….GOD, I CANNOT GET OVER THIS!)

You’ve got them reaching out and making friends and relating to people they hadn’t before.

And by the end of it all, we get characters who feel like people rather than props.

They don’t all have to change. They don’t necessarily need to go through an entire emotional arc and back again. They just need to be part of the world they’re in.

Nino doesn’t just pop into existence when Adrien or Alya need someone to interact with. Kagami isn’t just a non-horrible or non-evil love rival for Adrien or a stepping stool for him to “practice“ at being in a relationship before it’s time for him to try the “real thing” with his endgame pairing. Luka isn’t just a decent guy who is the only actual form of support for the female lead and yet only lacking that precious “male lead” title or all around just not “Adrien enough” to fill the role.

Adrien isn’t just a “sad boy” meant to be a main love interest, Villain’s Morality Pet, and the one everyone idolizes and chases after just cuz he’s the male lead and that’s how you show he’s desirable I guess. Marinette isn’t the atlas keeping the story alive because no one else is apparently capable of learning lessons and changing, or even just the bare basics of functioning as individuals. Chloe isn’t just there to be horrible for no reason and get away with it so she can continue to be horrible until the writers suddenly need her to be sympathetic.

And the rest of the classmates aren’t just some Greek chorus there to fill the background.

We see them interact. We see them making jokes or jabs. We see them even…*gasp* having different opinions!

And on something as major and life-controlling as feelings about the “Hero of the City” no less! Why, that’s the sort of thing that would break up friendships and determine who you can sit next to at the cafeteria! The horror! The scandal!

And…oh hey. This puts the characters in different groups. It links them with characters other their Canonically designated pairings and groups. This lets them disagree on things and not need to vilify any of them. This creates implications that add depth to the story and to the people in it.

The characters can disagree without being enemies. They can be wrong without having to be evil. They can make mistakes without having to be stupid. And they can change and grow—both for better and worse.

And we see both and in different ways. SO many different ways.

Adrien goes from excited and impulsive to buckling under the forced responsibility and weight of a partner who hinders more than she helps.

Lila goes from selfishly bad and self-serving to selfish but friendly with better direction of her talents in a less self-serving way.

And Chloe just goes from selfish and bad to selfish and worse..

I mean, it says something that the combination of Lila’s growth and Chloe’s fall from grace resulted in Hawk Moth being unable to use Lila as a tool for his Heroes Day plot like he originally intended.

The key is that whether they necessarily grow or become better people, these characters are still IMPACTED by the events around them and AFFECTED as a natural result of the world they live in. 

You can’t help but feel for them in some way as a result. It’s part of why I love them.

The other part of why I love them is a bit more epic though…

Crowning Moments of Awesome

If there’s one thing I love, it’s seeing characters be awesome. I love it when characters get to be awesome. I would love to see more of it. Especially when the ones involved are characters you wouldn’t normally expect or get to see have a chance to shine.

And it’s when you see these characters be awesome that you really get the sense that yes, this character would work as a hero.

Seeing Max help against Robustus. Seeing Kim help against Odine. Alix stepping in during Pharaoh, calling out her brother’s fan fiction, and helping the heroes escape the security system at the Lourve. Alya stepping in during Copycat to clue Chat in to what’s going on and later keeping Anansi distracted to keep her away from Chat while he’s trapped. Rose kicking Nightmare!Chat in the face to defend Marinette even when she’s on the run from her own nightmares in Sandboy. Luka leading groups twice to stepping in and helping the heroes deal with akumas. Nathaniel standing up for Marinette and Sabrina when they’re accused in Rogercop and then helping the heroes in Reverser.

These little moments of support make such a big different and really make it make sense that the heroes would trust these people with magical jewelry to help them in battle.

And the little moments of characters being petty or strong or smart or turning the tables or just showing off what they’re capable of. Even without superpowers.

Adrien getting petty revenge for Nino and finding a tactic to counter Gabriel in the future.

The Police Force in Rogercop just saying “Nope” to obeying an obvious akuma. 

Zoe manipulating akumas twice to help the heroes. Her two Reasons You Suck Speeches to her mom and Bustier.

Every instance of payback that Tikki gets against Chloe.

Everyone in the Finale. Just…EVERYONE in the Finale. The characters who manage to avoid akumatization by either spotting the flaws in the illusion or refusing to give in to fear and even protecting others. Nora smacking any akuma that enters the home. Claudie pulling off Power Mom and ordering Max to stop attacking the city then helping to calm him down. Prince Ali and Juleka freeing Rose by kissing her! Chris, Ella, Etta, and Manon saving Mylene! Mylene saving Ivan with a kiss in a direct callback to how they first got together in Stoneheart! (Yes, I am still stuck on that!) Ondine saving Kim! Lila and Sabrina saving Alix! Luka facing Riposte alone and unarmed and then Kitty Section saving Kagami! ALL of the Heroes making a final comeback to help take down Hawk Moth for good! Just—AAAAAH!

How could Miraculous have peaked with this in Season 2 when this is Grand Finale material? Because there are few things more awesome than getting to see ALL the characters the heroes met and befriended and helped throughout the course of the story stepping up at the final battle to help take the Big Bad down!

Like…can we just take a moment to appreciate how everyone gets a chance to stand out in some way? Not all of them necessarily good, exactly (looking at you Andre). But still stand out and be memorable. Even characters who didn’t originally get much focus. Especially characters who were originally functioning as cardboard cutouts to fill a scene.

Anyone remember Aurore? How for the FIRST akuma in the pilot of the series and one who is quite frankly the most interesting and noteworthy, we don’t really get to see her again except in the background.

In Scarlet Lady, we got to actually look in to the contest and how she lost as well as the aftermath. She wasn’t some arrogant showoff who deserved to lose to the “sweet down to earth rival”, she was a girl who legitimately tried her best and had valid reason to be upset. Seeing her get revenge on Alec for cheating and humiliating her on live TV was well worth it.

Or how about the Photographer? Just there to take photos of Adrien in the park for a photo shoot or be the school photographer, but otherwise has no personality and is only remembered for his weird “spaghetti” line.

In Scarlet Lady, his role is two-fold. He acts as a sort of supporter for Adrien in his crush. Taking really good pictures of him being happy with the girl he likes. Taking more class photos at the behest of this girl for the sake of a friend who missed out on the class picture. And then there’s his OTHER role as a sort of antagonist to Chloe. He becomes one of the only ones in the early seasons willing and capable of dismissing her tantrums.

They’re both given more character. They get moments to stand out and BE awesome. So is everyone.

EVERYONE. From the classmates and big named characters we see regularly to the side characters who only appear once or twice. They all get some good scenes and focus that give them their own identities. All of them are memorable. None of them can really be ignored or forgotten. And part of what made making this list so difficult was that I found myself getting attached to pretty much everyone as I came across each of them that I couldn’t quite make up my mind.

Everyone in this fic has done something to make me happy and warrant my approval. Even the characters I normally wouldn’t like at all had their moments to shine and elicit an “okay, that was cool” from me.

Thus I grant this spot to everyone. To all the characters I don’t get the chance to mention. To all the ones I like albeit somewhat less than others. To all the ones I know are horrible but can’t help but like regardless. To all the ones I fought with myself for THREE MONTHS over which one would get this spot.

I love all of them.

[writer-freak]

Foreplay | Lads x gn reader

Characters: Rafayel, Sylus, Zayne, Xavier and Caleb

Warnings: SMUT foreplay duh, talks of guys going down on you and using their fingers, no specific genitalia mentioned though, still not sure how to write Caleb, english isn't my first language

A/n: So after seeing the trailer for Caleb I needed to write something (even though I don't have a proper grasp of his character yet). I wasn't sure how to write Caleb so I wrote him a little sweeter but maybe I will change my mind about that when he's actually out. <3

Rafayel

When it comes to foreplay, Rafayel is the perfect man. He loves when he has the upper hand, but there’s also his more submissive side that often shines through, like every touch is deliberate, as if he’s worshiping you with his hands and mouth. And while he’s obsessed with going down on you (it’s no secret it’s his favorite) there’s this perfect tension when you take the upper hand.

He can be a tease though, and he’s so good at it it’s almost unfair. He’ll start slow, trailing kisses along your thighs, his lips brushing your skin just enough to leave you aching for more. His teeth graze sensitive spots, pulling soft gasps from you as he watches, completely transfixed by every reaction you give him. He lives for the way you squirm and arch under him, dragging things out until you’re practically begging for him to give in.

But when you flip the script? That’s when Rafayel’s sub side shines through. He’ll let you take the lead, let you tease him, his breath hitching as your touch makes him falter. He tries to hold back, biting his lip as you test his limits, but when you push him too far, the control he clings to tends to snap. His hands grip your thighs, and his mouth moves like he’s starving, lips and tongue working you over like you’re the only thing he needs to live.

And then his fingers join in, they curl just right, dragging you higher and higher as his mouth continues. Every gasp or moan of his name drives him wild, and he smiles with pure satisfaction, like he knows exactly how good he’s making you feel. And the truth is? He does.

Sylus

Sylus is such a tease, it’s basically his default setting. He’s playful, always grinning like he knows exactly how close you are to losing it, and he lives for that moment when you finally do. For him, foreplay isn’t just a warm-up, it’s the main event. He’s patient, too languid, deliberate touches that seem almost lazy until you realize every single one is perfectly aimed to drive you wild.

He’ll start light, his fingers barely grazing your skin as he traces over your body like he’s memorizing every inch of you. And the way he circles around your most sensitive spots without quite giving you what you want? Maddening. He eats it up, watching the way your body reacts, testing what makes you shudder or gasp, like he’s studying you and enjoying the hell out of it.

His voice is part of the whole act, too. It’s low and smooth, wrapping around you as he leans in close, whispering filthy promises and details about exactly what he’s going to do next, his breath warm against your ear, sending chills down your spine.

When he finally decides to really go for it, it’s a total game-changer. His fingers plunge deep, curling just right, stroking that spot that makes you forget how to breathe. And he stays right there with you, lips brushing yours, swallowing every moan and gasp like he can’t get enough of the sounds you make. Sylus isn’t just about getting you off, it’s the way he unravels you, slowly, that he seems to love the most.

Zayne

Zayne is more about the slow burn, the build-up that makes every second feel electric. He loves the tension, the way your breathing shifts, the hunger that builds between you. For him, foreplay is a lot of kissing and touching, his hands are everywhere, mapping you out as his mouth claims yours like it’s the only thing that matters.

He’s deliberate, maddeningly so, his touch slow and sensual as he explores every inch of you. His fingers trace over your curves, his lips following close behind, leaving heat in their wake. And when he starts to stretch you open, his gaze locks on yours, watching every shiver and arch like it’s his favorite show. He drinks in the way your body reacts, and there’s this silent intensity to him, like he’s completely focused on you, on making sure you feel every ounce of pleasure he’s giving you.

Zayne knows exactly what he’s doing, and he’s relentless about it. One second, he’s teasing you with featherlight touches that leave you squirming, and the next, his fingers are deep, stroking you in a way that makes your mind go blank. He knows how to keep you teetering on the edge, gasping for air, your body begging for release even if you’re too wrecked to say the actual words.

The best part for him? Knowing he’s the one unraveling you. He doesn’t just want you to fall apart, he wants to watch, feel it, be the reason you lose control over and over again. And when you do, there’s this satisfied look in his eyes, like he’s just claimed another victory.

Xavier

Xavier is the kind of guy who makes foreplay almost feel like an art form. He’s focused, deliberate, and painfully thorough in all the best ways. He loves taking his time, starting slow as he lavishes attention on every inch of you, leaving no spot untouched. His touch is precise, his kisses soft and lingering, like he’s savoring every moment and determined to make it last.

His favorite? Using his mouth on you. At first, he’s unhurried, his tongue and fingers moving together in perfect rhythm, his control almost annoying as he builds your pleasure in slow waves. He watches every reaction, focused on every little shiver, every soft gasp, like he’s reading your mind and knows exactly what you need before you do.

But then there is a shift. The way your body responds, the way you gasp his name, the way your hips buck against him, it does something to him. Sweet and controlled turns hungry and desperate, his focus crumbling as he gives in to the way you’re turning him on. His grip tightens, his movements grow faster, more insistent, like he can’t hold back anymore.

He’s relentless now, his tongue and fingers working you over with an intensity that leaves you trembling, his soft groans muffled against your skin as if he’s as wrecked by this as you are. The connection between you is electric, and he’s completely lost in it, completely driven by the way you fall apart under him.

And when you’re left spent and shaking, Xavier looks at you with this mix of pride and satisfaction, his own breathing ragged. There’s nothing cocky about it, just this certainty that he’s not finished with you.

Caleb

Caleb our newest guy has that mix of curiosity and raw hunger that he brings. There’s this energy about him, like he’s as fascinated by how your body reacts as he is turning you on. He loves using his mouth, taking his time to explore every inch of you like he’s discovering something new. But his favorite? Teasing you until you’re begging for him to take control.

He starts slow, his hands barely brushing your skin, just enough to make you shiver and squirm, desperate for more. His kisses follow the same rhythm, soft and teasing at first, but then they deepen, turning hungrier with each one. He’ll find those sensitive spots and graze them with his teeth, loving the way it pulls those sharp little gasps from your lips.

And when his fingers finally slide between your thighs? It’s game over. Caleb doesn’t hold back, his touch relentless as he builds you up, orgasm after orgasm, until you’re a complete wreck beneath him. He’s close, always close, his lips brushing your neck, nipping at your skin just enough to leave a mark, his voice low and rough in your ear. “I want to hear you fall apart for me,” he murmurs, and the way he says it makes your whole body respond, like you couldn’t deny him even if you wanted to.

For Caleb, it’s about learning every inch of you, watching you lose yourself under his touch, and knowing he’s the one who got you there.

Divider by: @anitalenia

Hope you enjoyed <3

[kianamaiart]

who’s been your favorite character to write so far!!! (idwtbamg)

Oh man that's so toughhhhh

I REALLY enjoyed writing Zira. Her dialogue comes the most natural to me (i relate to her a lot). But also they're inspired by one of my favorite characters ever, Toko Fukawa and getting Bennett Abara to also voice them was huuuge. Idk if y'all get this but when you can hear a character's voice in your head super clearly it makes it sooo much easier to write them

Aika was also super fun. She's loud and most of the time talks in a kinda cheesy, confident way (very shounen protag) but then when she's in magical girl form it's a complete 180. Much more down to earth and bitter LOL. Anairis ate with both versions of her in the recording studio hehe

I'll say that Eclipse was (and is) the hardest for me to write. The flowery language and theater kid energy isn't as natural for me haha. While writing him in the pilot I was worried it might be too corny or basic but Aleks brought such a unique, unhinged vibe that made it way more fun and his improv really heightened each scene he was in. And since recording him, I have a much stronger sense of his character and am better at writing him

There's not much of DeVoid in the pilot and I'm still figuring out her character as I go! The little comics I've been doing are me feeling her out more. I initially was kinda going the Jessie Team Rocket route with her where she's got more goblin energy when no one's looking but I've kinda enjoyed doing this more stoic take. Her delivery is almost always serious but she'll say things that are funny or surprise you in a "why does this eons old alien know these slang words" kind of way (this is how I write Gramma on Big City Greens LOL). That said, she's been a tricky one to figure out but really fun

tldr they're all my faves but if I had to choose I'd say Zira

[mysicklove]

𝐎𝐍𝐄 𝐓𝐈𝐌𝐄 𝐓𝐇𝐈𝐍𝐆

DAY 14: LEG HUMPING

With: Ryomen Sukuna

Word Count: 4.4k (wow)

Warnings: Sub! Sukuna, Gn! Reader, Yuuji and reader r dating (Yuuji x reader), lots of threatening of death/small violent acts,, reader slaps him, sukuna has 2 cocks in his true form, heavy power dynamics, mention of subspace, previous cuffing, small mounts of blood

A/N: i feel like i wrote this while i was high, but i was sober. idk. this is unedited but i will edit it tomorrow morning

“I fucking hate you, you know that? Despise every cell of your body.”

You hold back a laugh, running your fingers through his hair, which earns another near animalistic growl. “Well aren't you dramatic, King of Curses. Where did my Yuuji go?”

Sukuna glares up at you, lips curling upward. He was kneeling, with his hands chained behind his back, while you sit on a chair, crossed legged. He was in the position Yuuji was in seconds ago. The position that Yuuji asked to be put in. Sukuna, obviously did not agree to this arrangement.

Yuuji must have lost control when he sank into the subspace. Just for a second, which was all the curse needed to arise. He was watching the entire time, snickering when Yuujis begs got too dramatic, or joining in on the unwelcomed degradation when the boy started to cry. 

But the only time the king was silent was when you spoke. He would conjur himself on Yuujis arm, face, hand, and just listen.

His vessel was a pervert, really, and you were too. He watched the boy go through the most humiliating things, and still he would always end up begging for more. The curse would rather die than to steep as low as Yuuji did. It was pathetic, truly. 

But sometimes, when Sukuna sticks around for too long, he finds himself hypnotized by your voice. It was always so soft with Yuuji, full of adoration, but he could not miss the authority that oozed from your tone. Strict rules that were meant to be followed, commands that were not dared questioned, and punishments that were no empty threats. He was there when Yuuji was also punished, in those rare times. They were not fun, even if the brat held a raging hard on through it all.

But overall, Sukuna was strangely enamored by your character. He was always top dog, the strongest, the king of curses, but what about you sends a shiver down his spine? Why does he want to hear your doting words? Not to Yuuji, but to him. 

Sukuna realized not long after having these thoughts that he wants to fuck you. Or maybe just get a handjob while you whisper lewd things in his ear, the way you did to the brat. Or maybe you'll wrap your lips around his dick if he was to play nice for a bit. 

It will be just a one time thing. Just so he knows for sure that he doesnt want you. Yuujis thoughts of you must be clouding his. Tonight he was here to confirm.

“Brats gone. You’ve broke him or something. Humans do that,” Sukuna pipes up, rolling his eyes, and glancing back at the cuffs he has on. He rips them off without hesitation, sending the metal falling to the ground.

Sukuna was lying. Yuuji barely was dipping into the subspace, and you know his limits well enough. Sukuna was out because he wants to be out with you. But alas, you want to see how far this will go, so you continue to play with him. A fake pout covers your face and you sigh. “Those were Yuujis favorite cuffs, was that necessary?” Not a lie. 

Sukuna dramatically stretches his hands out, cracking his knuckles and rolling his shoulders. He still remains on his knees. “Annoying things. Not like they would work on me.”

“Yeah, because they weren't for you.”

He stares at you, flashing his teeth. “He could have broken out of them too.”

“But he wouldn't have. He is good.” Your foot presses on his thigh, where it was previously resting, and Sukuna raises an eyebrow at you. You were into this, he could tell. 

But he wasnt going to let you know, that he was also strangely intrigued as to what was going on right here. So, he rolls his eyes, and shifts under your foot, but doesn't move completely. “Doesnt fucking matter. Whatever. Brats pathetic.”

“He’s not. Dont be an ass,” You sigh, leaning back into your chair, and cracking a smile at the ceiling while you think about the scene that is about to unfold. Never would you have thought he would be coming to you. You always had small fantasies of fucking Sukuna, but you would never act on them, frankly because you knew that the curse wasnt interested. He was the one to nearly spit on the two of you during these times. But now, the cards were in his hands.

Sukuna’s hands creep onto your lower leg, and you try your best to ignore it. His nails gently scratch over your skin, and you dont dare to move. Instead, you let out a dramatic breath, and then press onto his thigh again. “Now what do I do…” You, very obviously, prompt, and Sukuna wants to roll his eyes.

“You want me to fuck you, that right?” He in turn teases, seeing if you will take the bait. The both of you are teetering on ice, waiting for eachothers next move.

To this, you lean forward, resting your arms on your knees so that you are face to face with the curse. He doesn't even flinch, just stares with an amused expression, while your fingers trail along his jaw. “But thats not what you want, is it?” You purr, face nearly inches from his. “And besides…Thought you hated me?”

He grins at you, smile borderline predatory. “I do. You make my vessel do disgusting things.”

“You watch us a lot, don't you Sukuna?”

He falters for a second, and then suddenly he feels your foot moves from his thigh, and toward his boxers. Yuuji was only wearing his black briefs when he was sent to Sukuna's domain. “Do you get off to it?”

The familiar glare replaces the smile, and his nails dig into your skin, harsh in warning, but not enough to draw blood. “As if. You two make me sick. You are corrupting the brat. You're disgusting.”

He can tell he is beginning to tick you off, but he does not mind, especially the way your foot slowly begins to press down on his cock. “Then why are you here Sukuna?”

“To fuck you,” He quips, rolling his eyes as if it was the obvious – he did already tell you this. The hand on your leg doesn't let up, and he hitches a breath when you step almost uncomfortably hard on him. A shiver runs down his spine, and he loathes the fact that maybe he is getting off to this.

“And why would I allow you to?”

But alas, his pride would never let up. “Allow me to? You think you can tell me what to do all of the sudden. I could kill you in a heartbeat.”

You roll your eyes at his bared teeth and the narrowed red eyes that are looking up toward you. “You are the one kneeling before me.” 

He doesn't move from his position and the two of you stare in silence. You restrain from voicing your approval, not wanting to piss the already tempermental curse off. 

Sukuna sighs and taps on the skin of your leg, signalling you to continue. “Get on with it. I want to see how gross your desires can be.”

“Will you be good for me and listen?”

“Is that what the boy does?”

You cock your head to the side, fighting the urge to furrow your eyebrows at him. “Yuuji? You know the answer to that question, you voyeur.”

The curse pinches at his brow, obviously peeved by your statement, and you cant help but giggle lightly at hin. “Not a voyeur. Just want…Whatever. Now for fucks sake, do something. Yes, yes I'll listen, do you want me to bark or some shit? I am not as pathetic and moldable as your other toy.”

The slap comes quick, sending a stinging sensation to his cheek, and Sukunas eyes nearly pop out of his head. He slowly brings his hands up to his face, touching the now pinkened skin, before turning to you. He didnt even have time to process it, or get angry about it, before you spoke. "Enough with the insults to Yuuji. Are you looking for some sort of attention?”

“Fuc-”

Another slap directly to the same spot, and Sukuna knows this time that he could have blocked it. You were a human, your attacks were slow, weak. But he didnt block. He let you do this. He was going mad, he had to be. 

His face stings, and your hand comes forward to grip at his jaw. He tries to hide a wince, but you watch him clench his teeth together. “Are you done?”

He had two choices in the matter. One to keep, willingly, Sukuna notes with much hesitancy, get slapped around, or he can get his dick possibly wet. He came for the latter, and so he will abide, even if it damaged his pride. He looks away, and that is the best answer you'll get. “Good. Well that was easy. Does your face hurt?”

Sukuna barks a laugh, and you raise your eyebrows. “Do you have any perception of how weak you are?”

You raise your hand up immediately to strike, and the curse flinches, preparing for what was to come next. But you just keep your hand there, eyes widening in glee, while Sukuna borderline growls. He doesn't say anything though, so you lower your hand, and rest it on his head. The act causes his whole body goes rigid, but he continues to remain silent.

“I want you to put your hands behind your back.” Your first command toward him, and Sukuna, as embarrassing as it is, feels his heart begin to pound. His mouth goes dry, and he slowly releases them from your leg and slides them behind him, his wrists crossing over. 

A playful smile pulls at your lips, and you lean over to him, ruffling up his hair as if he was some sort of dog to be pet. “Good little curse!”

Sukuna's heart pounds in his chest, and he begins to grow restless. His cock throbbed pathetically at the words, and he was embarrassed to admit that the praise felt nice. Different than the deranged pleasure he felt from the slap, and the harsh tone, but….Good overall. He nods with a scoff. “Yeah, yeah. Can you fucking hurry up.”

His hips gently buck into the pad of your sock, and you try your best to stay calm. He was liking it, all of it was so weird, but endearing, so you didnt move to stop him. “Are you getting frustrated, ‘kuna?”

The nickname has him catching his breath, and shifting on the pads of feet. The tone of your voice was sickenly sweet, and if he allowed himself to, Sukuna could melt into it. He tries to hold some of his dignity. “N-No,” He stutters out, and then curses under his breathe of how stupid he must sound. He quickly recuperates himself. “What do you want from me, you sick fuck?”

“Anything I want?���

“Don't hold your breath.”

You slowly remove your foot from his crotch, and the curse bites his tongue to hold back a complaint. He watches your eyes travel to the ceiling, lost in thought, before you turn back to him with a small grin. “Take your boxers off, and then put your hands back where they were. Exactly where they were.”

Sukuna was not shy, and neither were you, so he is quick to remove the article of clothing. Though of course this was Sukuna, so it was unnecessarily dramatic. He slices the thin fabric open with a single nail, and then throws the useless cloth away. Then he sighs when he looks down. “Of course the brat is small.”

Yuuji was many things, but small was definitely not one of them. He is well over the average size, and it was borderline intimidating. If Sukuna was calling Yuuji small then you didnt even want to know what the curse was carrying. “Small compared to your inhuman-freakish cock?”

“-s”

Your furrow you eyebrows and hum in question.

Sukunas grin is cocky, his body reeking of arrogance, even if he was the one kneeling. “You forgot the “s”. Cocks. Plural.”

Your face controrts to first shock, fear, and then finally lands on distain. “That's disgusting.”

“You say that now but when you are drooling on them later–” Another slap across the face, and Sukuna actually didn't see this one coming. It stuns him speechless for a moment, but then he shivers, cupping his cheek with one of his hands. His eyes flicker to you, but they don't hold any disdain in them – he simply just watches, curious of your next move.

He fails to notice the glob of precum that falls onto the floor after the slap. “Ah, are you leaking Sukuna? Does getting hit turn you on?”

It may be the pain, or may be the psychological aspect of it all. If he says something wrong, he gets punished, and for some reason or another, that drives him insane with desire. He gulps, taking a deep breath to regain his composure. “Of course not. I am not the pervert here.”

“But I bet I could make you do some perverted things.”

His cock, as humiliating as it is, likes the sound of that. It noticeably twitches, and he hopes that more pre doesn't slip out before starting anything. His hands shift from behind his back, but he doesnt dare to move them. “Yeah? How far does your twisted mind go?”

“Far. But I dont want to scare you off too badly tonight,” You sigh, leaning back comfortably in your chair. Sukuna holds off a growl, peeved at how you worded the statement. “Guess you can just hump my leg.”

He laughs, loud and proudly, but your smile withstands. You rest your cheek on your palm, and you wait for the booming laugh to die down. It does, not after long, and slowly when he realizes that you arent joking, the curse glares as you. “Oh fuck off. I told you I am not to be your dog.”

You sigh, and stand up from your chair. “Guess we will end here for the night then. Send Yuuji back when he is well rested.”

A clawed hand wraps around your leg, and Sukuna bares his teeth at you. “Fine. I'll do it. Would you stop being so dramatic?” He gets out through clenched teeth.

You nod and sit back down in your chair, kicking your leg out. Sukuna eyes it, as if unsure of what to do. “Mount it,” You encourage, shaking your limb ever so gently.

“I know how to, you fucking idiot,” He bites, and then slowly uses his knees to push himself forward. His red eyes lock onto yours, and he stares at you the entire time as he straddles you. Your foot rests beneath his body, and his cock barely grazes your lower knee. One hand rests on the back of your leg for security, and the other onto the edge of your chair.

You gulp, and move your leg upward, pinning his cock in between his stomach and the skin of your leg. The curse doesnt dare to move, and he holds a wince when he glances at the glob that drips from his tip and smears onto your leg. A token sign that he is unbelievably turned on. “Drooling over me already? I'm flattered.”

He narrows his eyes at you. “Bite your tongue before I rip it off.” 

You don't even flinch at the threat, instead applying more force upward, making the curse curl inward on himself as he tries to lift his hips upward, away from the foot. “Get on with it,” You command, leaving no room for complaints. 

His eyes flicker toward you when he hears the strictness in your tone, and he blinks when you glare at him. He gulps, ignoring the pleasant shiver that runs down his spine. But he doesn't dwell on it, because you lower your leg again, and he is free to move. His hands feel strangely shaky, but he hides it well, not wanting to know how much power, Sukuna is discovering quickly, you have over him. 

He lines his cock to the middle of your leg, and thrusts forward without much hesitancy. The skin is soft, and it glides over with little resistance, and Sukuna’s eyes are glued to the spot. 

Its strange, not as pleasurable like all the previous women he has fucked, nor a warm throat, but for some reason or another, it sends his head spinning.

His hips retreat, and they push themselves upward against the plush of your leg. Eventually he falls into a steady motion, entranced by his actions. It's pathetic, and gross, but why did it feel so good? A leg shouldnt be pleasurable –  it doesnt wrap around his cock like he wants it to, but it is strangely addicting. 

He realizes quickly why it feels that way – Sukuna is no idiot. He likes the psychological part behind it. He likes that he is kneeling for you, and getting off to something so measly as this. It makes him feel gross compared to you – nothing more than skum, and you, must be some sort of god. It turns him on so much he can barely stand it.

His head falls forward, and it taps onto your thigh. His whole body seems to tremble, and the timing of his thrusts seems to pick up – they are quicker, frantic, and his cock nearly slides off more than it should. 

Your fingers fall to his head, and this time he doesnt move, in fact he seems to melt into the touch. This was weird, and you were both intrigued, and slightly scared. “You really seem to be liking this, huh?”

He doesn't respond for a long second, maneuvering his fingers to hold onto the back of your  leg with his thumbs left in front of the limp. It provides a makeshift “O” and finally the curse feels like he is actually fucking something, rather than just grinding. “There ya go,” He mumbles to himself, as if lost in a trance. His cock slides itself between your leg and his thumbs, and its driving him insane.

When he doesnt respond, you tug backward on his hair, forcing him to look up at you. To your surprise, he doesnt glare at you, nor let out a biting remark; instead, the curse moans. Its low, and holds a sort of vibration to it, but definitely there. “Oh you fucking freak.”

He lets out a lazy grin, neck uncomfortably craned upward. You watch the way he licks at his teeth, and he breathes out, “More.”

You press your leg deeper into him, and Sukuna in response lets out another gutteral moan, except this one holds a whine to it. The sound travels straight to your groin, and you sit up in your chair, eyes slightly widening. “What changed, king? Dont tell me your getting off to grinding against a mere human peasant like me?”

He lets out a small, breahthless laugh, but doesnt dare stop his motions. “Just this once. Just this once let me, and th-then I swear you are dead.”

Your leg is glistening in some small areas, from when he leaked and spread it into the skin with his tip. He stares at your face the entirety of it, even when you look away to glance at his cock. “But ‘kuna, whose leg will you frot against if you kill me? Aw dont tell me, youll find another to cling to. Y’know I am the only one who can take care of you.”

You drop his head and he goes back to resting his forehead on your knee. His pants are warm against your leg, and you feel him shake his head.

You are right of course. He would never dare show another this side of him to another. He doesnt want to either, even if he never would admit it outloud. “J-Just stop it. Please.”

Please was not in the king of curses vocabulary. Your eyes widen with glee. “How much do you like it? Tell me, does my leg feel good?”

“Does. Fuck. Fuck, I hate you. I hate you.” He nods his head into your leg, hiding his face. His body turns a shade similar to his hair, and it begins to glisten with sweat from his movements. He lets out small breathless moans, and stares at the tip moving up and down the fake color.

His body seems to curl around you your limb, as if trying to trap it in his hold. His lips, much to your surprise, press themselves to your knee and you can hear the smallest chant.  “Love it. ‘S mine. Mine. Mine. Mine.”

You raise your eyebrows at the deranged, borderline creepy words.  “So you hate me, but love my leg? Don't tell me you got some strange fetish.”

You feel his canines hover over the space just above your knee, a small warning from the curse. You blink at him, surprised by the small resistance, but dont do much. He licks at the flesh a second later, and pulls away. You have to bite back a laugh.

His hands by this point have dropped, and are instead clawing at your chair. He doesnt need them anymore, considering that he is so close to you that that his stomach and your leg are stimulating him on both sides.

“Fuck. I'm close,” Sukuna mumbles into your skin, pressing himself impossibly closer. You wish you had your phone to take a picture – he was basically cradling your leg as if it was some sort of prized possession.

“Are you asking me for permission?”

“N-No. ‘m not. Can I?” He paws at your thighs, nails threatening to dig into your skin. Of course he would never, at least not in this meager state.

“No.”

He bares his teeth at you and glares, but his eyes convey his true feeling: panicked. His pace doesn't slow though, and your leg is now sticky from the amount of precum lost. “I-Im going to whether you like it or not. Fuck. Fuck you. I hate you. Ngh, can you just–just agree!”

His mouth is back onto your knee, sending it sloppy kisses, and small bites. His tip is pulsing red, and it begins to throb. His legs were beginning to tremble, and he tries to focus on not cumming. For some unknown reason, Sukuna wants you to allow him to.

“But you were a brat all day? Boys who threaten death, dont deserve certain privileges,” You hum, and then run your fingers through his hair. “But I am a mere human, and you the king of curses. Why would you listen to my commands?” 

Sukuna bites his lip, immediately tearing blood. It dribbles down his chin, but he is quick to wipe it off, and reheal himself. His brows furrow and he scowls at the floor. The only noises let out are the grunts of his movements, and the moans that seem to get higher in pitch with each coming second. 

He is lost in thought. The curse doesnt understand why he wants permission, but he needs it. He cant cum without it, it was bound to dissapoint you if he did. The thought leaves a sour taste in his mouth, and finally, the pathetic words that he has been thinking this entire night come spilling out. “Cause I want you to! Command me, give me orders, do something to me. J-Just I–fuck! I need it!” 

“Why?”

He was growing frustrated and more panicked as the seconds go by. He was moments from cumming. “Because I–I ngh–Want to please you! Would you just fucking…” He warbles, praying that tears don't come. “Let me cum. I beg you. Let me. I'll do anything.”

Your heart pounds in your chest, and blood flows to your crotch. His watery eyes blink up at you, and he continues to rut against you, like some sort of dog. But thats what he is, or seems to want to be. So, you cock your head to the side, and provide him with a lazy grin. “Go ahead, Fido.”

His red eyes seem to light up at the approval, and he nods to himself as if bewildered by your agreement. But, he does follow through with the plea, and suddenly he is cumming. His whole body trembles, and he holds onto your leg with such force that you have to slide your hands on to of his, in a slight warning to be gentle. Cum shoots out onto your leg, but you can barely see it, considering his body has caved in on himself. He continues to rub himself out even through it all, as he pants into your knee. The curse wears a lazy grin through it all, and lets out small high in pitch moans. 

He collapses backward, landing on his ass and panting to catch his breath. You glance away for a second, at most two, to look at the cum stained on your leg. A chuckle falls from your lips. 

When Sukuna recovers, he goes straight back to scowling at you. In a heartbeat, he stands over you, borderline growling at you. His nails dig into your shoulders, and your eyes widen at the quickness of it all. Then he leans forward, a near inch away from your ear he whispers, “Don't get your hopes up. This will never happen again. Do you hear me?”

His nail presses uncomfortably hard into your skin, and so you are forced to nod. And with that your vision goes black.

For the next two weeks, Sukuna doesnt conjure up on Yuujis body anytime you are around. You dont mind it too much – it did save you from bickering with the arrogant prick. But to be honest, you were a little disappointed, having call his bluff. 

You werent disappointed for long.

Low and behold, two weeks later from the incident, you find yourself faced to face with the King of Curses, who was already kneeling before you. 

He glares at you, teeth on full display, as if he didnt realize what position he has put you guys in. “If you mention this to anyone, I will tear you to shreds.” Is all that he says.

But you arent too picky. So you grin, and hold your leg out.

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[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[moonlitdesertdreams]

Stuck like glue

Request: "I'm going to scream your domestic character joining coop on his travels from her cabin is SO good 😭 I was wondering if you would write something with the same character in her cabin when coop turns up from nearby having taken one too many bullets? Or maybe he's sick and needs some jet. Some hurt/comfort fluffy sweetness"

A/N: Thank you to the awesome anon who sent the idea! Maybe not AS fluffy as we wanted, but there's for sure some soft Ghoul going on in here. And, oh yeah, the reader has a dog now. No description of said dog has been given, so please imagine as you'd wish.

Tags: Fallout, Cooper Howard, Cooper Howard x F!Reader, Cooper Howard x You, Ghoul x Reader

WARNINGS: Canon-Typical language and violence, brief mentions of sexual interaction.

Summary: Your favorite Ghoul needs to be patched up after a spat with some Raiders, and you always know just how to make him feel better.

Word Count: 2.0k+

Gif credit to @elisefrost from this set

You’re outside attempting to hang clothes to dry when you hear it. 

The soft but distinct sound of jingling metal comes from behind your cabin. You set one hand on the pistol strapped to your thigh and walk in that direction, eyes peeled for any movement. A bark echoes the sound from your porch, and you snap at your four-legged companion in an attempt to get him to stay. 

“Tiger!” You hiss. “Quit!”

 He relents with an indignant huff and returns to the porch, while the metallic noise keeps up in a steady pattern, akin to the cadence of a slow walk. You tilt your head at the thought and eventually move the hand off your pistol; only one person would dare tread this close in broad daylight with such carelessness.

“Coop?”

You don’t see him anywhere, but you’re almost certain it was the sounds of his old spurs that caught your attention. 

“Cooper if you’re tryna scare me, you know I'll gut you.” The threat is an empty one, but saying it gives you some hope that it’s indeed him and not a Raider or Slaver looking to score some loot. 

“No need, babydoll.” His voice sounds ragged, tired. “Don’t think I could scare a bunny rabbit at the moment.” 

You follow his voice to your left, and find the Ghoul leaned up against a tree. He’s practically swaying in the breeze, very apparently unsteady. You rush over just as he slides down and collides with the dirt.. 

“Cooper! What happened to you?” 

Your hands flutter up and down his arms, brusquely checking for any injuries. Nothing obvious jumps out at you, but he heals fast and external wounds are rare. A wheeze claws its way up his throat and morphs into a hacking cough. You recognize the sound as the need for a Vial, and grab at his bag. 

“Do you have any on you?” 

A stuttered cough answers. “Fresh out… s’why I came here.”

Your stash of Vials had been growing just about as long as you’d known Cooper. When you traveled together, he’d hand some off to you for safekeeping, and there always ended up being extras. Upon your return home, he’d tell you to keep them. It wasn’t shocking, given that he found his way back every couple of days.

“Alright, come on.” You crouch down and position yourself beneath Cooper’s arm. 

You can tell he’s weak by the way he leans into you, knees wobbling relentlessly as you pull him up. Another round of coughing wracks his body and you squeeze him reassuringly. 

“Couch isn’t far.” You chose your words carefully, avoiding any inkling of pity. Having an already deteriorating Ghoul is enough, let alone a defensive one who hates being pitied. 

Cooper does his best to keep up with your steps, but his movements are sloppy and uncoordinated. You can feel the heat radiating off of him through his jacket and hear him wheezing beside your ear. Stepping onto the porch gives him some trouble, but you manage to haul him up and inside the door. Tiger whines nervously, circling the pair of you as you trek inside. The Ghoul collapses onto the couch as soon as it’s within reach. 

After making sure Cooper’s not going to slide off the couch, you continue to the med-kit in your makeshift kitchen. The Vials are hidden at the very bottom, wrapped in cloth for extra cushion to prevent shattering. You decide there’s more than enough for him to take two, and carefully extract the mysterious chem. 

Cooper’s laid out on his back when you return with the Vials. One arm is thrown over his eyes and the other dangling off the side of the couch with Tiger perched beneath. The dog nuzzles his favorite person’s hand for attention, and it elicits a chuckle from you. Even as the only conscious person in the room, you were still second in Tiger’s eyes. 

“Coop.” You shake his shoulder gently. “Hey. Hey. Where’s your inhaler?”

You nudge his hat away and he blinks slowly. “Mmm.”

“Ok then.” You mutter and pat down his jacket, searching for the contraption he always carries. The coat yields no results, and you pat down his pants until you feel it tucked away into the pocket at his hip. “Finally.”

Cooper shuffles ever so slightly when you slip your hand into his pocket. “H-hey now. I know you love me, baby, but I-I ain’t got it in me right now.”

An errant smile pushes its way onto your lips. You snap the meds into place on his inhaler 

“Open up.”

He fails to heed your instructions, and you ultimately end up forcing the inhalant into his mouth. It never works instantly, but within a minute or so of administering it there’s movement. One of Cooper’s hands lifts to cup yours, puffing on the inhaler again. 

You release your hold on it and rock back onto the balls of your feet. It’s then you take note of the holes in his clothing, and run a hand down his chest. There’s numerous holes, some as big as your finger and others no larger than a pinhead. 

“Cooper, what happened to you?” You sit on the edge of the couch beside him as he takes his first deep breath without Chems. 

“I just turn’d in a bounty and some Raiders jumped me.” He looks down at your hand on his chest. “Bastards shot me ten or eleven times. Damn buckshot got me good.”

You nod. “I can tell. You were in a bad way, Coop.”

The Ghoul sits up slowly beside you so his legs can swing off the couch. “I’ll be good as new, soon as this stuff starts workin’ good.” 

Tiger hops up on the couch next to him, tail wagging with excitement. The dog licks your cheek on his way to Cooper and pushes his nose into the Ghoul’s shoulder. You chuckle at the interaction, patting the dog’s shoulders. Coopers are still hunched with exhaustion, and his deep-set eyes look even more so. 

“Well until they do, you rest.” You stand, glancing out the still-ajar door. “It’s getting dark anyway.”

Cooper, as usual, opens his mouth to protest. If there’s anything he hates, it’s feeling useless. 

“No arguments.” You point a finger at him. “I mean it.”

He grumbles, but relents. “Fine. Only if you turn somethin’ on that ol’ TV of yours.”

The television turns out to be a perfect method of relaxation. You have to remove Cooper from the couch temporarily, but wrestle it into the pullout bed form and line it with blankets. The Ghoul had given in to his exhaustion rather easily at the prospect of a comfortable bed and kicked off his boots to climb all the way in. You hung his coat on a nail by the door, but made sure to leave his guns, lasso, and assorted weapons within arm’s reach. The TV played some old soap opera from before your time while you snagged a couple of hard candies- a luxury item, as the nearest settlement called them- and made to settle in. 

Cooper had managed to prop himself against the back of the couch, feet kicked out down the length of the thin mattress. Tiger, seeking attention as per usual, is curled up against his right leg. A wet nose rests just beneath Cooper’s knee and twitches in interest when you unwrap the first candy. 

The Ghoul might as well be a dog himself for the way his ears perk at the sound of a wrapper. 

He watches intently as you very gracefully clamber to sit next to him. You pop the fruit-flavored candy in your mouth and scoot around until you find comfort. In this case, it’s leaned up against the Ghoul beside you, head dropping onto his shoulder. His breathing is still shallower than you’d like, but a vast improvement from where it was when he’d shown up. 

“You ain’t gonna share?” 

You open your fist and offer up one of the candies. “I suppose I could. But only for you.”

A smirk twists the corners of his scarred lips. You poke at the candies and attempt to read the labels to no avail. 

“I’d offer you a choice of flavor, but…” You shrug, looking back up to your Ghoul. “Slim pickings.”

He lifts a bare hand to your chin, tilting up. “I think the pickin’s are just fine.”

You smile and lean in to meet him, lips falling into a familiar dance.The hand on your chin slides down to grip your nape and holds you firmly in place. It’s not long before the candy is gone from your mouth. Its remnants remain, mingling with the taste of gunpowder and smoke. A few moments pass before you decide to separate

“Miss me much?” You inquire, cuddling yourself down into his side. 

His arm raises to accommodate your body and lowers it back down to encircle your shoulders once you’re settled. “I always miss you darlin’. For a variety of reasons.”

You hum softly, “Yeah? Why’s that?”

Cooper’s hand trails up and down your arm, leaving wide trails of gooseflesh. “Well, the main one happens to be the lack of entertainment.”

You scoff. “I’m your entertainment?”

“Fuck yeah, you are. ‘Specially when you’re hollerin’ at scavengers and shootin’ anything that moves.” The Ghoul chuckles to himself. “Or trippin’ over a sleeping yao guai.”

You shove him playfully. “That was one time, and I shot it dead anyway.”

Cooper pulls you towards him, and you shift until you’re between his legs, back pressed against his chest. “That you did, sweetheart. I ain’t forgot.”

He grabs the nearest blanket and tosses it over your entangled bodies. You curl to the side and rest your cheek to his chest. Tiger shuffles his body with a huff, apparently frustrated with the lack of attention.

“What would you do without me?” You tap his chest gently, relishing in the warmth he produces. “Other than get eaten by a yao guai?”

The Ghoul scratches Tiger’s head. “Prolly go feral. Chase around some folk to scare em’.”

You know he’s joking, but the thought of losing him to ferality scares you to no end. Particularly since he’s just shown up on death’s door and almost hacked a lung onto your floor.

“Don’t say that.” You lift your head to catch his eye. “Please.”

Cooper may be a gruff old Ghoul with a dreadful outlook on the world, but he softens ever so slightly at your words.

“You know I don’t mean it, sugar. You’re stuck with me, whether you like it or not.”

Two scarred fingers hook beneath your jaw and pull you back up to his lips. It’s tame at first, but the Cooper you know wastes no time making an appearance. His teeth nip at your lip gently and one rough hand slides up your side until it cups your breast. You press into him eagerly, climbing upwards until your thighs slot around either side of his hips. He responds by grinding them into you, delicious friction warming you from head to toe.  

Tiger decides he’s disgusted at this point, and hops off the couch with a comical groan.

Unbothered, one of your hands latches onto the lasso that is tossed on top of his pile of weapons. You loop it around his neck, gripping either side of the rope and pulling him in. Cooper smirks against your mouth. 

“Oh I love being stuck with you, Cowpoke.” You whisper against his mouth, earning yourself a quick bite to the bottom lip.

The Ghoul grins and quickly shows how much strength he’s regained by reversing your positions. He snatches the rope faster than you can react, and wraps the fingers of one hand loosely around the column of your throat. There’s just enough pressure to shoot a pang of arousal between your legs. Cooper knows you’re squirming, and presses a knee there to relieve some of the ache. 

“Glad t’hear it.” He murmurs into your neck, “‘Cause I sure as hell ain’t goin’ nowhere.”

And you wouldn’t have it any other way.

-------------------

thanks for reading, much love ❤

Read More: Fallout Masterlist

[2amriize]

.ᐟ RIIZE jerking off ༉‧₊˚.

req: hiii can you do what type are they while jerking off?? like how loud they are, how needy, maybe if they mind getting caught, what are they getting off to etc

warning: SMUT CONTENT, MINORS DNI !

masterlist

⭑.ᐟ shotaro

I don’t think he’s super needy, so he wouldn’t do it very often.

But when he does, he enjoys it a lot.

He makes sure no one can interrupt him when he does.

I feel like Shotaro isn’t very vocal while touching himself

he just lets out soft sighs or whispered moans.

But his soft moans would be SO pretty.

He definitely does it while watching videos, but they have to involve deep intimacy.

He’s just a romantic.

⭑.ᐟ eunseok

I picture Eunseok jerking off in his chair in front of his computer

He doesn’t really care if someone else is home, though he wouldn’t love being caught in the act

still, he doesn’t always double-check that the door is locked

whimpers, gasps, and low grunts

not too loud, though.

he also swears while doing it.

he watches videos or reads smut

but he can also do it by imagining scenarios with characters that turn him on.

okay, but maybe he gets loud when he finishes

guys, I’m dizzy thinking about this, so I’m gonna stop here.

⭑.ᐟ sungchan

This boy is so needy… SO needy.

By far the neediest one.

I feel like the slightest thing could turn him on.

He doesn’t need much

he can touch himself while watching almost anything… or just by thinking.

I think he’s more the type to imagine situations in his head that turn him on.

Also, he groans. ALL THE TIME.

Random thought: I feel like he might also enjoy doing it while looking at himself in the mirror.

⭑.ᐟ wonbin

He is so whiny…

He just can’t stop making sounds.

Even the slightest touch would have him whining and letting out frustrated moans.

It’s like he physically can’t hold back.

He’d also be pretty loud.

He uses his hands, but I think he prefers rubbing against something.

He might even use toys sometimes, but rubbing is definitely his favorite.

While thinking about scenarios with a specific person.

⭑.ᐟ seunghan

He definitely grunts and sighs, but in a very soft way.

He doesn’t need to be in his room specifically to do it.

He’s not overly needy, but when he feels like he needs to, he just does it.

He doesn’t care if he has to excuse himself to go to the bathroom during dinner.

Most of the time, he uses his imagination or thinks about things he’s seen that he found way too hot.

Random thought: I feel like he’s a big fan of sexting.

⭑.ᐟ sohee

He is LOUD.

He tries not to be, holding back his moans because he doesn’t want anyone to hear him.

It feels weird for him to hear himself, so he’d probably cover his mouth.

But he just can’t repress his sounds no matter what.

He needs visual content for it, always going back to the videos he knows he likes.

The closer he gets to finishing, the more desperate and verbal he becomes.

⭑.ᐟ anton

His worst nightmare would be getting caught, so he always double-checks the door is locked.

I see him as someone who does it with his eyes closed, imagining scenarios with his crush.

Anton lets out small moans and sighs, but he tries to keep it quiet so no one hears.

Even so, being Anton, he wouldn’t make much noise anyway.

I feel like he really enjoys listening to moaning and smut audios, so that’s what he’d use most often.

Sometimes he’d even mutter phrases as if responding to what the person in the audio is saying.

masterlist // taglist: @regularsuh @gacktsa @totheseok @kkumistars @taroddori @enhacolor @ladylilith @electric-hearts @astrobymarwa @layluv123 @sunflowers1610 @nctrawberries @synkjellies @ramyeonzprincess @yuzuksi