#Hope you like your stay

[aaronofithaca05]

A little introduction to me (updated)🌊⛵

Hi everyone I´m your host: Aaron of Ithaca; rest where ever you like! UTC: +2 (Peninsular Spain, western European summer Time )🏖

I identify as male while my pronouns are he/him.

I´m a marine biology college student but shitty poster first an foremost. I don´t have a problem having a civilized and researched conversation with anyone. I have an interest in the sea (if it´s Mediterranean better), music, geography and more.

I´m also a Winion (if you know, you know) and mythology nerd. The main topics of this blog are: Odysseus, The Epic Cycle and related works, Ancient Mediterranean cultures and geography. Also I may upload my own doodles and sketches, I´m not a professional artist. tag: aaron's doodles or aaron's sketches.

My interest are as follow: gardening, scuba diving and sailing, cooking, reading, hiking and...

Mindless scrolling of Epic the Musical and Graeco-Roman mythos daily.

Art by @wolfythewitch My musical taste is condensed in musicals, 70-2000's pop, rock and alt, but I also enjoy fan songs, heavy, punk, romantic and so much more, It's really rare If I like a Reggaetón song (It's not my fave genre). My favourite songs are "Mediterráneo" of Serrat and all from Epic: the musical!.

If i have an “a e s t h e t i c” is as fluid as water

Also like animal crossing, sky:cotl, Heathers, SIX (kinda new) etc…

Here's my skykid hugging a manta

My favourites foods are: migas, arroz de calamares o costillejas (calamari rice or ribs rice) , pan de Calatrava, torrijas, and so much more...

A little warning

Just don’t be an asshole and we’ll be fine. Assholes are: homophobic, transphobic, racist, ableist, Any sort of troll, and the likes of that, if you treat a person worse than a loved one then leave.

My blog will be a safe place for all and if your behaviour fall into any one of these, you make it unsafe and need to GET OUT!

If you speak Spanish or a related languague: please tell me in advance if you want to be called in masculino, femenino o nuetro. ÉL, ELLA, ELLE or another pronoun that represents you!.

If I seem too extreme tell me as I don't like making people uncomfortable when talking with me :D. I give you permission to tell me to shut up. I wanna promote a good place to talk in and not making anyone feel weird with my things.

PROFILE PICTURE DONE BY @iroissleepdeprived!

Moots:@jarondont, @iroissleepdeprived, @nikoisme, @perroulisses,@poshgirlsstuff, @katerinaaqu @incorrecthomer, @dootznbootz, @nyx-of-darkness-1620, @sunshines-child, @random-krab, @ironspdr6700, @fangirlofallthefanthings, @twomanyfandomshelp, @thehighpaladin, @the-decapoddecapod, @myblacknightworld, @simugeuge, @itszorrito67, @incorrectatlas @tunguszka20

[badolmen]

WARNING 18+

19

[sabh0]

My roman empire is that custom-made badge Dazai has sewn inside Chuuya's jacket after the Lovecraft fight

[lasagoofs]

i binged all of rogues! the podcast on a recent trip and had an absolute blast so here's a sketch dump of the sillies. more sketchbook stuff under the cut

[swampybogg]

[bruciemilf]

Re: your most recent ask YESSS SAY UT LOUDER!!!!!!!! BRUCE LITERALLY STOOD BY HIS PARENTS MURDERER'S BEDSIDE WHILE HE DIED BECAUSE THERE WAS NO ONE ELSE WHO WOULD!!!!! BATMANS COMPASSION AND EMPATHY IS SUPPOSED TO DEFY BELIEF, ITS SUPPOSED TO BE BEYOND COMPREHENSION!!!!! HE IS THE LODESTONE FOR EVERY ROBIN, THEIR GROUNDING FORCE, THEIR MORAL TRUE NORTH!!!!!

Yeah!!! To me, Bruce is not moral creature. He’s a virtuous creature

[faunandfloraas]

just one bite...........

[zannolin]

the pevensies never getting to stay in narnia as long as they did that first time makes me crazyyyy like they had years. YEARS. and then they lost it and they got to go back but it was for a matter of days. days. just long enough to remember the things you lost. to find pieces of yourself again. and then they had to go, and peter and susan never got to go back. at least edmund and lucy were there for weeks aboard the dawn treader, even if it wasn't in narnia itself. probably it was more cruel than anything that susan and peter went back for hardly any time at all.

[jkvjimin]

(103/∞) the perfect nose for butterflies to land on it ♡ for @cosmicdreamgrl 🤍 | cr. qdeoks

[poorly-drawn-mdzs]

Old Men(tor) Big Naturals

(for @3luecactuz)

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[vaguely-concerned]

'my cousin is all stomach and no heart' is such a funny thing for illario to tell rook if he maybe is picking up on a little bit of a Vibe going on there. the 'LMAO. well good luck with that friend. better hotties than you have tried and failed and dashed themselves against the legendarily unamorous cliffs of my cousin's complete obliviousness and lack of interest to no avail. (optional 'may I suggest a more hah-hem *undoes another few buttons on his shirt that thing is open almost to his navel now it's borderline obscene* available dellamorte for your consideration. I mean if you're like in the market for one anyway' devious undertone as you see fit)' energy is off the charts.

(illario is above all a funny petty bitch and that's why I love him so indescribably. no no lucanis is right we need him around to drop shade like this he is in fact also an essential crow. we all contribute in our own ways)

[twentyfivemiceinatrenchcoat]

and… hm… what if we slipped up around satoru and called him our husband instead of boyfriend?? 🧐

deer in headlights stare . he turns into some sort of Creature for a moment but recovers quickly and plays it off a lot better than suguru does….. definitely teases you relentlessly for the rest of the day so good luck with that. he’ll be insufferable . i do think the domesticity of it all makes his heart burn a bit !!!! but he’s not the type to daydream about marriage the way sugu would…. i think he’s just a little caught off guard (and secretly flustered.) but again !!! gotta play it off!!!!!! can’t have you knowing how much he liked hearing it!!!!!!!!! esp in a canon au where he probably can’t ever give you something that concrete :’)

basically . he is a guarded loser with intimacy issues and i want him deeply 🙂‍↕️🙂‍↕️ he is very husband coded to me …….. trophy wife ………….

[torchwood-99]

book!Aragorn is much more fun if you embrace him and enjoy him as the diva princess; who, despite being a hero of Man and the one true king, somehow still manages to have a way too good opinion of himself, that he is.

For a guy with such an impressive track record, it'd be quite a feat to be too full of himself, to give himself too much credit, but book!Aragorn manages it.

This is a PSA: brought to you by Hama the Door Warden.

[bisclavret]

eoin macken deserves so much more credit for consistently playing gwaine as if he's always choosing his words carefully around merlin or biting his tongue altogether so he doesn't say something that might jeopardize their relationship

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.