#Hire Perfect Film Production Company

[productionbynomad]

How to Hire the Perfect Film Production Company for Your Project

Hiring a film production company is a crucial step in bringing your creative vision to life. Whether you’re working on a corporate video, a commercial, or a feature film, the right production company can elevate your project with professional expertise and innovative storytelling. However, with numerous companies offering diverse services, selecting the right one can be overwhelming. This guide will walk you through the essential steps to hire a film production company that aligns with your goals, budget, and creative needs.

1. Define Your Project’s Objectives

Before beginning your search, have a clear understanding of what you want to achieve with your project. Are you aiming to create a brand-building corporate video, an engaging advertisement, or a cinematic masterpiece? Defining your project’s goals, target audience, tone, and overall vision will help you find a production company with the expertise and experience to meet your requirements.

Determine the Scope: Consider the complexity and scale of your project. A short promotional video might require a smaller team, while a feature film demands extensive resources.

Set a Budget: Knowing your budget helps narrow down your options and ensures you find a company capable of delivering within your financial constraints.

2. Research and Shortlist Potential Companies

Begin by researching production companies that specialize in the type of content you want to produce. Use online directories, industry forums, and social media platforms to create a list of potential candidates.

Check Portfolios: Review their previous work to assess their quality, style, and versatility. Look for projects similar to yours to gauge their expertise in handling similar tasks.

Read Reviews and Testimonials: Client reviews provide valuable insights into a company’s professionalism, communication, and reliability.

3. Evaluate Their Expertise and Resources

Once you’ve shortlisted a few companies, evaluate their capabilities and resources. A professional film production company should have a skilled team and access to advanced equipment.

Team Expertise: Ask about the qualifications and experience of their crew members, including directors, producers, cinematographers, and editors.

Technical Resources: Ensure the company has high-quality equipment, such as cameras, lighting, and sound gear, as well as in-house or accessible post-production facilities.

4. Communicate Your Vision

Schedule meetings with potential production companies to discuss your project in detail. Clearly articulate your ideas, goals, and expectations, and observe how well they understand and align with your vision.

Gauge Creativity: A great production company will not only execute your ideas but also contribute creatively by offering unique solutions and suggestions.

Assess Communication Skills: Ensure they are open to collaboration and provide transparent communication throughout the process.

5. Request a Detailed Proposal

Ask the shortlisted companies to submit a proposal that outlines their approach to your project, timelines, and cost estimates. A detailed proposal will give you an idea of how they plan to execute your vision and whether their process aligns with your expectations.

Breakdown of Costs: Ensure the proposal includes a clear breakdown of costs for pre-production, production, and post-production services.

Timelines: Verify that the proposed timeline aligns with your project deadlines.

6. Consider Creativity and Style

The creative approach and storytelling style of a film production services company can significantly impact your project’s outcome. Choose a company that matches the tone and aesthetic you envision.

Watch Showreels: Review their showreels to assess their storytelling skills and visual style.

Discuss Ideas: A creative and passionate team will actively brainstorm ways to enhance your project, adding value beyond your initial concept.

7. Check Legal and Logistical Competence

Filmmaking involves various legal and logistical considerations. Ensure the company is experienced in managing permits, contracts, and other necessary documentation.

Legal Expertise: Verify that they can handle location permits, contracts with talent, and licensing agreements.

Logistics Management: Ask about their experience in coordinating shoots, including managing equipment, crew, and transportation.

8. Trust Your Instincts

Finally, trust your instincts when making a decision. Choose a film production company that inspires confidence, demonstrates professionalism, and shares your enthusiasm for the project.

Conclusion

Hiring the right film production company is a critical decision that can determine the success of your project. By clearly defining your objectives, researching potential companies, and evaluating their expertise and creativity, you can find a reliable partner to bring your vision to life. The perfect production company will not only meet your technical and logistical needs but also collaborate with you to create content that resonates with your audience and achieves your goals.

Original Source: Hire Perfect Film Production Company

[hairmetal666]

au where Steve is a famous Disney kid and Eddie is a teenaged singer-songwriter. They get pushed together at events because they're close in age, but they just quietly dislike each other.

Steve's got a new show starting, a spinoff of the one that made him a household name. They hire a newcomer, Robin Buckley, to play his best friend and the two quickly become BFF in real life.

The show runs for two seasons but when it comes time to renegotiate contracts, neither star is interested. They're older now, ready to live life on their terms and not the company's, or in Steve's case, his parents.

As soon as the finale airs, Robin and Steve celebrate by going to a gay club. A few weeks later, an interview is released where Steve comes out as bi and talks about how his parents mistreated him; how they worked with the network to pressure him to be a perfect "all-American" kid even off screen.

Meanwhile, Eddie's an impossible level of famous. He's had number-one hits, won a Grammy, headlined an arena tour, achieved every dream he had for himself as a kid growing up in a trailer park in Indiana. He's not shocked by the news that Steve is leaving Hollywood, but he's flabbergasted that the guy isn't straight. When Eddie reads the interview, he gets this weird pang in his chest, almost like regret. But he never even liked Steve.

Steve isn't in the news again and Eddie doesn't think of him for a long time.

Steve goes to college. He loves it. Not because he's great in his classes, or anything, but because he's free to be himself for the first time. He makes friends and goes to parties and relaxes. He and Robin share an apartment.

After a few semesters, Steve decides to take a couple of theater classes, and is quickly cast in campus productions. In the vague anonymity of college theater he rediscovers his love of acting. No one has expectations of him, no one forces him to perform. He graduates and slowly starts appearing in small roles in Indie films, gathering critical acclaim. He feels good. Happy. Hopeful.

Eddie is blissfully unaware of Steve's career resurgence, experiencing his own musical highpoints, until the day where he's scrolling Twitter, sees a Variety headline that's getting a bunch of attention, "Steve Harrington in talks to star in Max Mayfield's first film." Eddie's livid.

"Maxine, what the fuck?" He growls when she answers his call.

They grew up together in the same Indiana trailer park. When she moved to Hollywood to start a career as a screenwriter, Eddie was by her side. And when her first script wound up on the Black List, his involvement on the soundtrack and original songs sealed her production deal.

She gives a long suffering sigh. "Munson," she grumbles. "I know you have a weird history with this guy, but I swear he's the right choice."

"He's a stuck up rich boy who's never been in trouble in his life."

"He's changed."

"Doubtful," Eddie sneers.

"Look. I'll set-up a meeting. Come hang out and you'll see what I mean." Before she hangs up she adds, "Call me Maxine again and I'll end you."

They invite Harrington to Eddie's recording studio. His hopes are not high for this meeting, so he's already a little thrown when Steve Harrington walks in, all grown up. He's in a crimson sweater, tight jeans, hair grown long so that it flops around his face in tousled waves that actually look genuine, windswept and golden. Eddie's eyes instinctively trace the scatter of moles on Harrington's face and neck, a pang of something hitting deep in his gut. Fuck, this dude is beautiful.

"Harrington," he greets, sticks out his hand. Eddie barely hears the answering, "Munson," because instead of a handshake, Harrington pulls Eddie in for a hug. Muscles bunch under the sleeves of the sweater, against Eddie's chest, and he's assaulted by the scent of cedar and sunshine and Steve. Eddie's not prepared for any of this.

They make small talk, Harrington sharing about going to college, falling in love with theater, Robin Buckley who he calls his soulmate. Eddie's head rings with how wrong he was about this guy; the pretty kid he grew up alongside who seemed to have the world in his hands. Max was right, he's perfect. Except.

"Let's get down to it, Harrington," Eddie says. Can't bring himself to call him Steve yet, feels that will somehow change everything and he's not ready. "I'll admit that Mayfield had the right idea about you, but can you sing? Play guitar? You have to perform my music, dude. That's not a small ask."

Harrington smirks, asks for a guitar. He gets it settled across his lap before he speaks. "I started taking piano lessons when I was 4. Voice and guitar at 7."

Eddie belatedly recalls that Harrington's parents were the worst kind of stage-parents, pushing their cute kid to perform even as he sobbed about wanting to play soccer with his friends instead of going to auditions. He has a moment of shame that he forgets as the other man begins to play. It's one of Eddie's biggest hits, a ballad about a teenaged broken heart from a kid whose name he can't even remember.

Harrington's hair flops in a swoop over his forehead, his fingers move across the strings with ease, skill. His voice is a rasp, close mimic to Eddie's own, but not quite deep enough. Goosebumps spread across Eddie's arms, his neck, and warmth pools low in his gut.

Steve finishes the song, looks up, cheeks glowing pink, honey eyes bright. Eddie's fucking gone for this guy. He wants so badly he might choke on it.

"Good?" Steve asks.

Eddie's embarrassed suddenly. Unsure. He tugs at his hair. "Yeah," he laughs. "Good."

He reaches out to take the guitar, the one Steve's already handing to him, and their hands brush. Eddie flushes. Their eyes meet and Steve smiles. Eddie's thoughts are consumed with the desire to kiss his plush pink mouth.

"You wanna get dinner? Just you and me?" Steve asks.

"Yeah, Steve," he laughs. "I'd love to."

🎬🎸🎬🎸

Fifteen Months Later

"Former Teen Heartthrobs Make Love Connection?"

Fans of musician Eddie Munson and former child star, Steve Harrington, were in for the surprise of their lives last night as the men arrived together for the premier of Harrington's new movie, Small Town Sins, written by up-and-coming screenwriter Max Mayfield, featuring original music by Munson. While Harrington's performance and the movie itself are garnering quite a bit of positive buzz, it's being overshadowed by gossip about Harrington and Munson's budding romance. They walked the red carpet together, pausing for photos as a duo, holding hands and flirting. When asked for confirmation of their relationship, Munson answered, 'we're bros,' before winking and pulling Harrington close.

There's a TikTok video embedded below the article, showing the men being interviewed on the red carpet. Their arms are loosely around each others' waists, and when their eyes meet they catch and hang for a beat.

"So, longtime fans of both of yours are going feral online right now because of the rumors that you two used to hate each other. Is there any truth to that?" An off-camera voice asks.

The men laugh. "We've always been great friends," Eddie answers.

"Eddie thought I was stuck up," Steve giggles.

"I did not." Eddie slaps at Steve, who gives him an affectionate smile.

"Liar," Steve answers.

Eddie leans into the camera like he's telling a secret. "Harrington here was afraid of me."

"Fuck off, I was not." They wrestle around for a couple of seconds.

Steve shrugs Eddie off, straightening his suit jacket. "Okay, maybe I was a little intimidated back then, but then this morning you found a pretty rock and cried about it."

Eddie shrieks, swatting at Steve until someone in a black suit and name tag shoos them down the red carpet.

Eddie walks off first, so he misses Steve withdrawing a hand from his pocket and saying, "Still have the rock, though." He flashes the red, grey, blue striped stone at the camera.

His gaze drifts away, landing somewhere in the distance, hazel eyes soft and heart-wrenchingly fond.

[hlficlibrary]

- HL Fic Library's Enemies to Lovers Fic Rec -

Remember to leave kudos and a comment on the fics you enjoyed to show your appreciation! You can find our other recs here.

♠️ the school of extraordinary lovers by stylinsoncity / @aliensingucci [M, 191k]

harry is a third-year witch and violinist at Laitswold, the only magical academy in the UK, with dreams of taking on the world, and hopefully breaking the centuries-old curse on his family while he's at it. he does not dream of facing off against his childhood rival and duet partner, but louis is back in town after six years abroad, so that's exactly what happens.

♠️ Paint Me In A Million Dreams by green_feelings / @greenfeelings [E, 112k]

Harry's one of Hollywood's biggest actors, has made a name for himself in prestigious films and lives the life of a superstar. There's just one thing missing to make it picture-perfect, but the one Harry's in love with is completely out of reach for him. Enter Louis, one of Hollywood's biggest actors himself, who just came out of the closet and taps new genres in the industry. When Louis sacks the role Harry auditioned for in Scorsese's next big film, their irrational feud starts. Who could have guessed it would get even worse when for promo season, their teams decide to present them as a couple for publicity?

In short, Harry's in love with someone and doesn't care about dating anyone else, Louis never felt home in L.A., Liam writes love songs for someone he shouldn't write love songs to, and Niall makes everything better with good food.

♠️ Flightless Bird by audreyhheart [E, 97k]

AU where Louis Tomlinson is a principal dancer with The Royal Ballet. When his rival from ballet school, moody dance prodigy Harry Styles joins the company, old wounds are reopened and old passions reignited. During the company's production of Swan Lake the secret that doomed their love is finally revealed, but will it be too late?

♠️ An Amazing Race Around the World (And to my Heart) by Thingssicant / @sunflowervolh [E, 89k]

“This year marks our thirtieth race around the world, thirty seasons of teams bound by friendship, family, and even some people who just band together for the chance at the prize. But this year, we want to remove that dynamic,” Phil said, rubbing his hands together gently.

The cameras were whirring around them, trying to get every shocked face and gasp from the teams. Louis could feel a ringing in his ears, a new nervousness he hadn’t felt during the entire journey to this competition.

He was sweating more now, more than he could blame on the California sun, as Phil started to read the names of the new teams, the members hugging their loved ones before joining a complete stranger in their new allotted spot.

Or an Amazing race Hate to Lovers au

♠️ Nothing But You On My Mind by nonsensedarling / @absoloutenonsense [E, 83k]

Louis Tomlinson is a PR manager hired to improve the image of royal bad-boy Prince Harry Styles. Unfortunately for him, that means being faced with the Prince's constant innuendos, incessant dirty jokes, and relentless flirting. Louis just wants to make it to Princess Gemma's coronation; once she's crowned Queen, his contract is up and he never has to see the Prince again.

♠️ You Drive Me Round The Bend by TheCellarDoor / @donotdialnine [M, 77k]

In which Louis is a spoilt rich kid who’s always on the phone while he drives and Harry is a struggling musician making his way down the mountain. It’s just a matter of time before they crash and burn.

♠️ Don't Want Shelter by @kingsofeverything [E, 76k]

Louis and Harry have known each other all their lives. Friends as children, they danced around each other as teenagers, and have spent the last twenty-five years either screaming at each other or not speaking at all. Except for that one time ten years ago…

When Hurricane Nicole threatens the coast, they end up stuck together in their families' old vacation home that they begrudgingly co-own.

During the storm, and in the months after, they’re both forced to reevaluate their history and what they mean to each other.

♠️ this charade (was never going to last) by @scrunchyharry [E, 68k]

On the surface, CitizenX, an international caritative nonprofit, looked like any other nonprofit, funding humanitarian missions worldwide and striving to make the world a better place, one donation at a time.

At least, that was what Harry thought, until he was hired as a computer specialist for a spinoff agency called carish, whose true purpose was to reveal CitizenX’s tangled web of lies.

As if the whole ‘industrial spy’ business was not stressful enough, Harry found himself in a hatred-at-first-sight relationship with one of his new coworkers, Louis, a man intent on detesting Harry.

When the worst happened and Harry and Louis found themselves thrown together in hiding, with only each other to rely on, Harry never could have predicted the turn their relationship would take.

Nor could he anticipate that it would all be taken away from him and he would have to decide how far he was willing to go to get Louis back.

♠️ Why Can't It Be Like That by @taggiecb [E, 63k]

Louis Tomlinson, head of his local hospital's charity fund, suddenly finds himself in the heart of the Royal family when his mother marries the third son of the reigning monarch. Such an upset in lifestyle brings a lot of changes for Louis, one of them being the need for a stylist.

Enter Harry Styles, a cutting edge fashion stylist who loves his job and prides himself on his passion. The first time he sees Louis Tomlinson on the cover of a tabloid he wants to dress him, style him, make him as beautiful as Harry knows he could be. When he's hired to do just that, he knows this will be a perfect partnership. That is, until he actually meets the man.

A fashion AU with a royal twist, where Louis doesn't need a stylist, Harry's thrilled to have a real life Barbie doll, and they're both very wrong about each other.

♠️ somethin' bout you by @missandrogyny [E, 59k]

Of all the government agents in the world, Louis had to go and land the most charming one.

♠️ Counterbalance by YesIsAWorld / @louandhazaf [E, 44k]

Harry Styles loves two things: teaching ballet and racing motorcycles. Those two worlds collide when his greatest rival on the track, Louis “Tommo” Tomlinson brings his tiny siblings to Harry’s class.

♠️ Full Moon Dreaming by jacaranda_bloom / @jacaranda-bloom [E, 43k]

Every month, Full Moon Dreaming reveals a person’s soulmate. Sometimes it’s an object or a place, or for the lucky ones, the love of their life.

Louis has given up hope of dreaming of a person, resigned to living a life devoid of that kind of all-consuming love for another and receiving the same in return.

But when a new neighbour descends on Louis’ beloved Hanson Bay and moves into the other beach house, could all that be about to change?

♠️ make this feel like home by @soldouthaz [E, 43k]

The house on West 28th Street in London is twice the size of Louis', more expensive than the price of all of his house and car payments combined, and is falling apart at the seams.

♠️ The Truth of Hearts by Rearviewdreamer / @all-these-larrythings [M, 42k]

After rising through the ranks to become one of Hollywood’s most celebrated alpha writers, the world is Harry’s oyster. Louis, another rising star alpha, is Harry’s greatest undoing, in more ways than one.

♠️ Staring Across the Room by @allwaswell16 [E, 26k]

Harry Styles has a great life. He’s a children’s librarian at the New York Public Library, he’s got wonderful friends, and he loves cooking, green tea, yoga, and his collection of bow ties. He doesn’t mind that his life seems a little structured, maybe even a little boring. But when Louis Tomlinson joins the library staff as the new Installation Coordinator, things become a lot less predictable. Louis gets under his skin right from the start, bossing Harry around, making noise during story time, and eating the last cupcake in the staff lounge. Louis may be almost offensively attractive, but Harry will not be succumbing to Louis Tomlinson’s charms, even if the rest of the library staff have.

♠️ Better Walk That (Pap) Walk, Baby by @fallinglikethis, @lululawrence [NR, 25k]

Harry sat and stared at the print in front of his eyes where the names Louis Tomlinson and Harry Styles looked to be in neon lights. It made him think back to those early days when all they’d dreamt of was seeing their names lit up on the signs for popular venues. Back then, things had seemed so black and white. Their love had grown as their popularity had, fast and intense and overwhelming. Maybe that was part of the problem. They’d never anticipated having to weave their way through a love so all encompassing at that age, much less at the same time as navigating brand new careers they’d been lucky enough to be a part of.

Harry stared at the papers as if it wasn’t him who had just signed them. He could do this. He could. He could pretend he was still as in love with Louis Tomlinson as he had been all those years ago no problem. He was now an actor in addition to a musician for fuck’s sake, he could make this work.

Or the one where, after years filled with the anger and pain that accompany a bad breakup, Harry and Louis have to try to put it all behind them, at least for the cameras.

♠️ Like Gold by ishiplouis / @pocketsunshineharry [E, 17k]

Harry has been an Adviser for Royal Families since he was 24. From French to Russian families, he has travelled the world and handled difficult situations. That’s, at least, what he believed until a week into his new position as Adviser for his Royal Highness Prince Louis Tomlinson.

Royal AU where Harry is Prince Louis’ Adviser, and Louis is anything but helpful.

♠️ Can't Buy My Love, Can Buy Me Dinner by LadyAJ_13 / @ladyaj-13 [G, 9k]

Is it ethical to accept a dinner date for the free food? And will you hate me when I go anyway?

Fact 1: Louis hates Harry Styles. Fact 2: Louis is temporarily living off toast and spaghetti hoops. Fact 3: ...Louis may be semi-accidentally dating his worst enemy.

♠️ What a Difference a Day Makes by phdmama / @phd-mama [M, 3k]

Louis makes a squinched up angry face at the name. Harry. Fucking Harry Styles. They’d been in the same RA group as freshmen and when Louis’d made a perfectly tasteful penis joke, Harry had made… well probably exactly the same face Louis is making now and suggested that Louis was… something. Louis can’t even remember, but he knows that whatever it was that Harry said he was doing, he wasn’t doing it. He loves penises, for crying out loud! They’ve been nemesises? nemesies? ever since.

♠️ Stole My Heart by @haztobegood [NR, 2k]

“Oh my god, Niall.” The door slams shut as Harry rushes into the flat. He’s still panting from his rush to get away from the scene of his crime. “You won’t believe what just happened!”

Niall is sitting on the couch in their tiny living room. He looks up from his laptop. “What happened?”

“The worst thing. I’ll never recover. I just reached into a box of free samples outside that new chicken restaurant. Only it wasn’t free samples. It was a man. Holding a box of chicken nuggets. His chicken nuggets. I stole this man’s food, Niall!”

[toomanywatchers]

alright! knew soemone took out the corkboard for this one. I totally agree though with all the stuff about the rebranding. I would suggest they are trying to rebrand themselves and make themselves better because on WW+ they do talk about how watcher wasn't exactly how they thought it would be and the pandemic really was rough for their company. And I would agree with the streamings service bc it is literally called www.watchertv.com but it is true that they are a suggested smaller company and have a relatively smaller audiance then their buzzfeed days. One thing on their part I wish they would have done differently when watcher first started was promoting watcher more on buzzfeed. They did a few times and at the very end but no one reads the discription and or the last little bits of the crdits. if they did promote it more, then maybe more of the audiance from unsolved would have come over to their company and have given them a bigger start. but with that comes its own problems of not having enough content or better content yada yada yada. One thing I did think of when I say the announcement was maybe it was a slouth of new shows were already ready to watch like a series. I quickly shot that down. Bc when would they have time to shoot 2-3+ shows? Between editing and keeping their current shows alive I doubt they had time (this is all speculation I have no fucking clue). Anyway I do think it might be stuff like maybe a new show announcements like maybe one with Sara and Joyce. As well as the somewhat annocued one with Steven and his crew. aybe a new tour and merch? Merch store has been pretty dry (minus the new patches) and we haven't had a tour since november which isn't long but idk what they do in HQ. Truly excited tho. I have my alarms set and everything. Anyway lol that's for reading my ramble too. Your theories were great, didn't mean to kind of debunk them though.

I believe you and I are on same the page and here are some of my responses to this.

With the whole BuzzFeed promoting: I don't think they had much of a say on what and how much they could promote Watcher over on BuzzFeed. If I remember correctly, BuzzFeed is very stingy on their employees/shows promoting other outside sources that could be seen as competition. Henceforth many BuzzFeed employees on contract could not appear in other YouTubers videos do to conflict of interest. In the end, it was really generous for the amount of promoting allowed of Shane and Ryan to put into the last seasons of BuzzFeed Unsolved.

The possibility of new shows: Yes, filming a lot of shows to add in this new slate would seem like a lot, but not in possible. It would seem more likely than touring as touring takes the boys away from the office and takes up a considerable amount of time and obstacles for filming schedules. Also I said how there are new names showing up in the credits of new editors and production crew, meaning they are hiring on new folks. Bigger team, more flexibility to work on new projects. Also if these new shows are less of Shane and Ryan, and more of other individuals like Steven and friends of the company it would actually mean a more balance flow of shooting. Letting Shane and Ryan have a break from constantly filming and to work on other projects within their own lives or through the company. Actually, Ronnie who was an intern for Watcher back in 2021 or 2022 I believe posted this on their instagram story:

They actually left the company sometime in 2022 possibly after the internship was up. Then when to work for GMM though that internship has come to close. Basically what I am saying is they are continue to grow their employment and with more people on the team means more flexibly in expansion of shows.

Merch???: I feel like merch could be a possible in this announcement if it's a relaunch of sorts. Especially if it's like a rebrand, selling merch to fit the new rebrand? Perfect idea to generate some revenue as for long time fans it would be a refreshing site to their merch line... and who doesn't love fresh new merch?

Don't worry guy I am also so excited! I noticed I actually don't work on Friday so I can be fully present for the announcement day! Imma be on the internet as a menace all day watch me.

[lena-in-a-red-dress]

A Chance for Christmas AU

Kara is a family blogger. The world believes her to be married with one daughter. What the world doesn't know is that her husband is actually her friend James, and her daughter Esme is actually her niece.

Kara lives in her sister's house, making the kitchen and family room her domain to film. But for all the public knows, it's Kara's house and Kara's family.

Alex loves her sister to the point of letting Esme participate, initially because Esme also loves it. But eventually it becomes less about spending time with Esme and more about the views and likes.

Just before Christmas, Kara finds out that one of the top brands in the world (Luthor Industries) is interested in sponsoring her. Turns out, Lena Luthor is a fan of Kara's blog, and has convinced her brother (her boss), that Kara would be the perfect fit.

Lex is doubtful, and so sets a seemingly impossible challenge-- he will give Kara Danvers control of the company's social media feeds on Christmas Eve. If Kara gets 2 million views, he'll give her the sponsorship. If she doesn't, well... Lena will take the fall.

Things in Kara's life are starting to unravel under the pressure of trying to get the sponsorship deal with the Luthor brand. Her family is losing patience, fully disenchanted with the vlog thing. So by the time Lena shows up to monitor the live takeover of the Luthor social media feeds, Kara is at her wit's end.

She mistakes Lena for the assistant producer she hired for the day (who never actually shows up) and pulls her inside and starts barking orders. Thus Lena is treated to a first hand look at the chaos that is behind the scenes of Kara's perfect-family schtick. When she learns the truth of Kara and James' relationship, and the fact Esme isn't even Kara's daughter, Lena nearly panics.

But in the end, she rolls with it. After all, if this test of Kara's (to get 2 million views on Christmas Eve) doesn't succeed, Lena will lose all credibility with her family, and THAT Lena will not allow.

They work together to put together a... mediocre product. They only get halfway to their viewer goal, and when their rental Santa (actually the real santa), Kara wishes aloud that she wishes to do the whole day over again. Which of course Santa makes happen.

What follows is christmas groundhog day, giving Lena and Kara (the only two who remember that Christmas Eve has already happened) the opportunity to do the day over and over again until they get it right. But no matter what they do, they always seem to fall short of the 2mil views.

Some days are better than others, some are straight disasters, but little by little, each day gets them closer to their goal, and closer to each other. They're both charming after all, and beautiful. How could they ignore the chemistry between them?

Lena also bonds with Esme. While coloring one day between shoots, Lena asks Esme if she even likes filming. Esme responds that at first she did, because it was an excuse to spend time with her favorite aunt, but now it feels like it wouldn't really matter if Esme were even in the clip at all. They don't ever really do anything together. Kara does it all herself, and brings Esme in just to get a couple takes in.

Lena also learns that James has/had a thing for Kara, but that Kara never felt the same way. He'd thought that pretending to be married on camera would bring them closer, but in the end it only pushed them farther apart, to the point that he's not even sure they're friends anymore.

Finally, FINALLY, Kara and Lena put together the perfect day. Professional decorators make the house perfect, everyone puts on their best performances, and the livestream officially hits more than 2 million views.

But the success comes at a cost. Having excluded the rest of her friends and family, they all leave the house bitterly. Even Alex, whose house Kara lives and films in, takes her family to in-law's house to spend the night.

"When we come back," Alex hisses on her way out the door, "I want you gone."

Heartbroken, Kara finally realizes what her fervor for success has cost her. Her family, the people she cherishes most in the world-- she lost sight of them. And now, having met their goal, Kara knows the day won't reset. This is the reality she will have to face tomorrow.

Or is it.

When she wakes the next morning, it's Christmas Eve again. But this time, she refuses to film she spends the day with Alex, Kelly, Esme and James. Though there's no filming, Lena comes over anyway to join them. Upon seeing this new (true) Kara, Lena surreptitiously begins to film from her phone as the family plays board games, bakes cookies, and just acts like a normal messy family.

But when Lena reveals that the feed got them the 2mil views again, Kara explodes. She feels exploited, betrayed, and doesn't listen when Lena tries to explain that the world deserves to see Kara as she truly is-- a kind soul who loves her family. She throws Lena out, and stews until Alex comes in to chat.

"It's been a long time since we've spent time like this together," Alex says quietly. "Recently, it's felt like the vlog was all you cared about-- and what really hurt the most was that it was fake. But what Lena streamed today... that was real."

Thus, now armed with her sister's blessing, Kara starts a new livestream. She bares all her secrets, tells her truth. She also vows to return to what her channel was always meant to be about.

"I stumbled into family blogging by accident, and when I did I tried to give you what you seemed to want. But the truth is, all I wanted to do was share my love of baking, cooking, and making things for my family. To share the joy of showing love. And that's what I'll be doing from now on. Just... me."

She also asks that Lena-- if she's watching-- please know that she's truly, deeply sorry.

"Please," Kara pleads to the camera. "Don't go."

She's tried calling Lena, of course, but Lena's turned her phone to do not disturb. The only call allowed to come through is her brother's, who reaches out to congratulate her.

"And don't worry," he says, "we'll be able to work with the brand change."

"What?"

"You mean you haven't seen Kara's latest video? You should. Trust me. You can thank me later."

So Lena does, and then immediately drops everything to rush back to the Danvers' home. Kara rushes out at the sound of Lena honking the horn as she pulls into the driveway, and there in her slippers she rushes into Lena's arms and plants a fervent kiss on her lips.

"I'm sorry--" Lena murmurs, eye closed as their foreheads touch.

"No, I'm sorry. I shouldn't have bitten your head off, I know you were just trying to help--"

"I love you."

Kara looks up with a tearful smile, her eyes sparkling with christmas lights.

"I love you too."

[321spongebolt]

"Spider-Man 4: New Home, New Life" MCU movie idea

While "Spider-Man Homecoming 4" is already in development, I have a couple of good ideas for what can be done, even if some of my ideas from this concept do find its way into the film, or in its 5th and/or 6th entry.

TITLE

"Spider-Man 4: New Home, New Life"

PRODUCTION COMPANIES

Columbia Pictures

Marvel Studios

Pascal Pictures

DISTRIBUTOR

Sony Pictures Releasing

RATING

Obviously, PG-13, moving on.

ROUGH STORY IDEA

(Some parts of this story may not be perfect, but this is all I got. If anyone has additional suggestions, feel free to comment.)

PROLOGUE

After the Columbia Pictures logo, we see Mac Gargan released from prison as he plots his revenge against Spider-Man for the ferry incident from the first movie.

OPENING TITLES

"Columbia Pictures presents"

"A Pascal Pictures Production"

"A Marvel Studios Production"

"Spider-Man 4: New Home, New Life"

MAIN STORY

After the title is revealed, we see Peter fighting crime in his new homemade suit from the end of "Spider-Man 3: No Way Home". As Peter restarts his life over as Spider-Man, he’s also struggling to keep up with his rent following his decision to let go of Aunt May, MJ, and Ned. The next morning, Peter starts his new college life at Empire State University. During his orientation, Peter would get a new set of friends like Johnny Storm (who would later go on to be The Human Torch), Felicia Hardy, and the MCU version of Eddie Brock. Peter and Johnny end up becoming roommates, Felicia attends the same science classes as Peter, and we also learn that Peter takes digital photography classes with Eddie. The whole class is given a project which will be due at a certain date, and whoever's project ends up in the Top 5 (or 10) will be displayed for future generations of students who walk down the halls (This will also play an important part in this story).

After J. Jonah Jameson finishes his latest video blog for TheDailyBugle.net, Mac Gargan steps in asking for a proposal to hunt down Spider-Man. JJJ hires Gargan, and they go to a lab run by Dr. Farley Stillwell. Stillwell shows Mac the Scorpion armor he’s been working on and uses Mac as a test subject. The only thing he overlooked is being able to take the suit off. Once Mac Gargan is fused into his Scorpion suit, Gargan goes on a violent rampage through New York, with Jameson fearing how he created a monster.

That night, Peter suits up and tries to take on the Scorpion, but the Scorpion is beating him to a pulp. What makes things more interesting is the fact that Scorpion's suit is bulletproof. Peter could end up getting impaled by Scorpion's tail, and Mac would have Peter pinned in a tight spot where he could kill Peter, but Spidey would be rescued by a woman with silver hair, a black mask, and a black jumpsuit with long white gloves and boots. This is Black Cat. She uses her whip on Scorpion's tail and could defeat him. Spidey would thank Black Cat for saving his life, and we learn that Black Cat knows Peter's identity. She introduces herself as Felicia Hardy, and we learn that sometime either before or after the events of “Spider-Man 3: No Way Home, Felicia is a huge fan of Spider-Man (making her one of the few people to not be affected by Doctor Strange's spell). While Peter questions the get-up, Black Cat gives Peter her contact information, reminding Peter she's a few dorms away (reference to Bo Peep’s line, “I’m just a couple of blocks away” from “Toy Story”).

When Peter gets back to his apartment, Peter gets a nightmare from the poison Scorpion gave him. In it, the dream could have something like MJ being taken from him by someone else. And Ned Leeds being the Hobgoblin, who doesn’t show mercy to Peter. As Peter tries to chase after Ned, Peter's feet are stuck in some big giant tar pit. Peter would slowly sink into the tar like he's standing in quicksand, and Peter wakes up horrified, only to see his homemade suit is now black. Peter would start to hear Venom’s voice and would introduce himself to Peter. Peter learns from the symbiote what abilities he didn’t know that symbiote had like unlimited webbing and the ability to instantly heal Peter whenever he’s scarred and bruised (basically, whatever powers the SSU Venom was capable of to begin with). Over time, Peter starts to become more and more attached to the symbiote, to the point where he merges into Peter's clothes so he'll always have it on him.

(I haven't thought up much here, but I figured I could just skip to the climax.)

On the day digital photography projects are due for the judges and professors to see, the judges and professors observe each digital photography project like panoramas, collages, and even a group of images that make the late Stan Lee’s head. Eddie’s project seems to gain a following among the observers and feel they have a winner on their hands for the #1 spot. However, before the judges make their final decision, Peter speaks up and exposes Eddie’s project for false information about Spider-Man, leaving the judges and digital photography professor mortified. Eddie's project is disqualified, and Eddie fails the semester, forcing him to clean out his dorm room and never return to ESU.

With Scorpion still running amok on the streets, and J. Jonah blaming himself for creating Scorpion, Peter decides to fight Scorpion with his symbiote suit. Peter learned from Scorpion’s last encounter, and thanks to the symbiote, he’s able to overthrow Scorpion, with Scorpion now in Peter’s place. With Peter holding Scorpion’s tail and preparing to kill him with it, the symbiote suddenly shows Peter a memory. Peter can hear (or see, depending on your view) a flashback of Tony Stark telling Peter, “If you’re nothing without this suit, then you shouldn’t have it. What if somebody had died tonight? Different story, right? Because that’s on you!”. Then another flashback would show Aunt May saying “You have a gift. You have power. And with great power, there must also come great responsibility”. Then another flashback where Andrew Garfield's Peter saying "At some point, I just... I stopped pulling my punches. I got rageful. I got bitter. I just don't want you... to end up like... like me.". Depending on the number flashbacks that would be shown, Peter would come around by impaling Scorpion's tail into the ground, leaving him for the police and sparing his life.

As Peter reflects on the selfish choices he made by wearing that symbiote, and the fact that he almost was about to kill Scorpion, Peter decides he needs to take the symbiote off. Instead of the normal route where Peter uses a church's bell tower, I was thinking that instead, Peter could enter a science lab and try mixing random chemicals to get the symbiote off him. Nothing works until Peter accidentally creates a fiery explosion, which scares the symbiote and melts off of Peter. Luckily, Peter was able to remove the symbiote before the sprinklers went off. The symbiote escapes through air vent and Peter makes it back to his dorm room before getting caught by security.

To properly end the movie, Peter would be able to attend Johnny's graduation, with Peter introduced to Johnny's sister, Susan. Susan would give Peter Reed Richards' contact information, as it would be hinted that Reed is Susan's fiancee. As for Peter and Felicia's relationship, now that Peter had learned to let go of the past, Peter would now be dating Felicia.

POST CREDITS SCENE(s)

The first post credits scene would have the symbiote fall through an air duct that leads to MCU Eddie's dorm room. The symbiote would land on MCU Eddie, and we would get a proper MCU introduction to Venom.

Another post credits scene would reveal the establishment of the Fantastic Four before they got their powers. And depending on which sequel for "Spider-Man Homecoming" or "The Fantastic Four" happens, Spider-Man should make an appearance as an additional ally.

CASTING CHOICES

As far as the new characters, I imagined that for Felicia Hardy, Sabrina Carpenter could portray her as herself and as Black Cat. As far as Venom is concerned, Tom Hardy would be able to reprise his voice role given his appearance as SSU Eddie Brock and Venom appear in the first post-credits scene for "Spider-Man 3: No Way Home".

[tintusacharlotte]

WHAT ARE THE BEST TYPES OF WINDOW TINT FOR YOUR HOME

TYPES OF WINDOW TINT

1. Dyed window tint: This is the most basic type of window tint and consists of a single layer of dyed polyester film applied to the glass surface that can reduce heat, UV radiation, and glare.

2. Metalized window tint: This type of film has metal particles embedded in it and is effective at reflecting heat while also providing privacy from outside eyes due to its reflective properties.

3. Carbon window tint: The carbon particles within this film absorb and reject solar energy, resulting in good protection against both heat and UV rays while maintaining a high level of visibility from inside the home.

4. Ceramic window tint: Featuring ceramic nanoparticles suspended in a polyester matrix, this type of window tint offers superior heat and UV protection and is virtually invisible from the outside.

WHICH HOME WINDOW TINT IS BEST?

The best home window tint for you will depend on your specific needs. Dyed windows tints are the most economical option, but offer less protection than other types of film. Metalized and Carbon tints provide better heat rejection and UV protection while maintaining a good level of visibility; however, they can reduce visible light transmission more than dyed films. Ceramic tints are the most advanced home window film available, providing superior heat and UV protection while remaining virtually undetectable from the outside. Consider all your options carefully to determine which home window film will be best suited to meet your needs.

BENEFITS OF WINDOW TINTING

Some of the benefits of home window tinting include: improved energy efficiency, reduction in glare, protection from UV rays and heat, improved home privacy, and a more comfortable home environment. Window tint can help reduce energy costs by blocking out the sun’s heat during summer months and trapping in heat during winter months. Additionally, window tinting helps to protect furniture from fading due to UV exposure and can reduce the amount of glare that enters the home. For increased home privacy, window film also serves as an effective barrier for outside eyes. By providing better insulation and comfort levels within your home, window tint is a great way to ensure your home remains cozy all year long!

HOW TO CHOOSE THE RIGHT WINDOW TINT FOR YOUR HOME

When selecting residential window tint, it is important to consider factors such as the amount of heat and UV protection you need, how much visibility you require from inside your home, and your budget. Choosing a window film that meets all these criteria can ensure that you get the best window tint for your needs. Additionally, it is important to select a product from a reliable vendor with good customer service so that you can be sure to enjoy years of performance with minimal issues.

Window film can help make your home more comfortable and efficient by providing excellent protection against heat and UV rays while also reducing glare and increasing privacy. By weighing all the available options carefully, you can find the right residential window tint for your home that will provide you with the right protection and aesthetic appeal.

INSTALLATION TIPS

When installing residential window tint, it is important to read and follow the instructions carefully. Additionally, wear protective eyewear and gloves to protect yourself from any sharp edges or debris. Make sure to measure the home windows accurately so that you can apply the film properly without any wrinkles or bubbles. If you are unsure about how to install window film, it is best to seek professional assistance for a perfect installation every time!

Hiring a professional window tinting company can help you save time and money, while ensuring that the home window tint is applied correctly. A reputable company will have qualified and experienced technicians who use high quality materials to provide excellent results. Make sure to research different companies before making a decision to ensure the best service possible.

MAINTENANCE AND CARE INSTRUCTIONS

Home window tint should be maintained and cleaned regularly for optimal performance. When cleaning home window tint, use a microfiber cloth or soft brush to gently remove dirt or dust without damaging the film. Carefully follow the manufacturer’s instructions on how to clean home window tints as different types of films require different cleaning methods.

It is also important to avoid using abrasive materials, such as scrapers or razor blades, as these can damage home window tinting. If you need to remove home window tint for any reason, it should only be done by a professional technician who knows how to safely and effectively do so.

If you are considering having window tint installed on your home, contact the professionals at Tint USA of Charlotte for a FREE quote.

[sanstropfremir]

✨🎥 with an update! I’m working on 7 different films. One of them premiered in Sundance and won an award there, but we still have a lot to do with it. It doesn’t even have a poster yet, so you can imagine. As for the rest, two of them will be shot by this autumn, one of them in Japan (hopefully 🤞🏻 this one was postponed for forever due to covid and japanese restrictions) and the other in Galicia. For this last one we are working with one of the biggest producing companies in Spain (the one from Élite) and I’m bonding with their prod coordinator, as we’re the ones that have to do the majority of the work at this stage. Next year we’ll probably shoot another two films. For one of them we’re in pursue of the main actor (the IT german actor nowadays, or at least that’s what the director wants) so we’ll see how that goes.

Our team is minuscule btw. As of right now it consist of the producer (my boss), head of development (me) and a production assistant that we hired a couple of months ago and that I’m training. We’ll also take an intern in march that I would have to train as well. So I have practically 0 mental energy once I’m home. Don’t get me wrong, I love what I do and I’m amazing at my job but I spend the days joggling between 3 languages. For each of these movies there’s a MINIMUM of 2 years to get them done. That includes writing the script, looking for financing, going to script/productions labs, going to markets (usually Berlinale and Cannes), finding the whole cast and crew, location scouting, preproduction (buying and making the necessary things for wardrobe, makeup, hair, props, transport…), shooting, editing, color correction, sound design, postproduction, finding where to premiere, distribution of the film. Insane how people disregard the absurd amount of people and time that takes to do all that. For instance, for the Sundance movie we had to coordinate with 4 countries: one did the color correction, ours sound design+lab, the third had the director and the main producing company and the fourth was the sales agent that would sent the materials to the festival. So yeah, it takes FOREVER

i WISH i was as employed as you rn yeesh. but also yes perfect example for ppl who don't work in the arts that a lot of companies are super small and a lot of your time is taken up by communication + waiting for other people + working around restrictions (language barriers, laws/codes, time differences). the actual artmaking phase is such a small part of the whole process. when i'm busy and working on multiple projects at once i'm the same, you really have no mental energy for anything else once you're 'off the clock' (and even then you're never actually off the clock bc emails will always find you)

[wenamedthedogkylo]

#only small addition I have is you *know* some of the outsourcing of captions is being transferred to specifically Uber-style gig jobs#In fact I do know - I briefly attempted one a few years back!#And hearing that this stuff tends to require special training#puts into perspective why it was taking me multiple hours to caption one episode of television

@saxoboneless hope you don't mind me building off your tags, but yes this is 10000000% part of the problem! And is sort of what I was talking about when I mentioned people starting up "shitty little slopshops of people who can prove a high WPM rate to type up captions for a pittance."

For a while both before and after my job at the captioning company, I was inundated with "transcription jobs" that were basically just "can you type above 90-120 words per minute? can you hear things? take our placement test to see if you could do transcription!" And all these "companies" wanted was for you to have a home computer that you could type fast on, maybe some headphones, and that’s it. Oh, and the rates? One of the worst I remember seeing was $0.10 per word. Best I can remember seeing was around $0.30 per word. Absolutely abysmal.

For reference, that last paragraph is exactly 100 words. And depending on what you're transcribing or captioning, it could easily take an hour or more to do that little even with a stenotype machine and training. But they weren't asking for that. They just want some schmuck who doesn't know about the barebones regulations for captions, who doesn't know how hard a job captioning/transcription really is, and who will accept pennies to do it cuz they don't know better. So if you ended up spending an hour transcribing that 100 words of text, that's between $10-30 for that one hour. And with these companies, that could be all you get for a whole week.

(And that's if they even hired you in the first place—I applied to several in desperation before I got that captioning scheduler job, and even with a WPM that ranged from 90-110 depending on the day, I never once got hired. Sometimes it was a bad day and I made too many mistakes, sometimes they didn't say why they weren't taking me on. It was a complete toss-up.)

So it's only natural that eventually studios, production companies, etc. would completely bypass even that shoddy level of effort and go straight to places like Fiverr and get unprofessional captions for even cheaper. Because hey, at least they're getting captions! That's the law, they don't have to be great captions, they just have to exist. Cuz who cares about DHoH people's money and enjoyment?

And the fact that anyone can just go to a gig site and hire someone to do shitty captions for pennies is absolutely something that needs to be legislated against! It's not something that should be acceptable when it comes to disabled people's basic needs! The Federal Communications Commission and the Department of Justice (the latter is who oversees and enforces the Americans with Disabilities Act) NEED to make some strong changes to our national laws about the absolute bare minimum standards that should be met.

And while I think it's stupid that film/tv sound editing has gotten so bad that even people with perfect hearing and no auditory processing issues need captions now, the silver lining is that maybe now, more people will actually start taking these governing bodies to task about how garbage the standards and practices for captioning are and how much they need to be updated. They don't listen to actually disabled people, but maybe able-bodied and neurotypical people will be able to cause enough fuss to make them pay attention.

I, a hearing person who likes subtitles just as a preference, shouldn't have to read a subtitle that's obvious nonsense, go back a couple seconds, and listen again in order to figure out what's going on. An accessibility feature should not be the most half-assed part of a professionally made production. Scripted media has absolutely no excuse for not having subtitles or having subtitles that aren't perfectly verbatim. Professional captioning services should be ashamed of the shoddy work that they put out. Captions should be treated as a part of the production, just like filming, editing, audio balancing, etc - and anything that releases with missing or bad captions should be seen as unfinished

[oppvenuz7]

 Exploring the Best Choreographers in Mumbai for Every Occasion

Mumbai, often referred to as the entertainment capital of India, is not only a bustling metropolis but also a vibrant hub for dance and creativity. From Bollywood films to extravagant weddings, the city is home to some of the best choreographers who have redefined the art of dance. Whether you're planning a grand event or looking to enhance a performance, Mumbai's choreographers bring unparalleled talent and innovation to the stage.

Click  Here  For  More  Details:https://www.oppvenuz.com/vendors/choreographer/?city=mumbai

---

 Top Choreographers in Mumbai  

 1. Shiamak Davar – The Pioneer of Contemporary Dance  

Shiamak Davar is a household name when it comes to contemporary dance in India. Known for his unique style that combines Bollywood with Western dance forms, he has choreographed numerous iconic dance sequences in films and live performances. His academy has trained thousands of dancers and continues to inspire new talent.  

Specialization: Contemporary, Jazz, Bollywood  

Notable Work: Dil To Pagal Hai, Taal, Commonwealth Games  

---

 2. Ganesh Hegde – The Energy Dynamo  

Ganesh Hegde is celebrated for his high-energy choreography that perfectly blends traditional and modern dance styles. He has an impressive portfolio that spans multiple Bollywood hits and live performances, known for his ability to engage audiences with dynamic and entertaining routines.  

Specialization: Bollywood, Folk, Lavani  

Notable Work: Chikni Chameli, Mastani, Housefull 3  

---

 3. Vaibhavi Merchant – The Fusion Expert  

Vaibhavi Merchant is renowned for her ability to blend classical Indian dance forms with contemporary styles. Her choreography is not only visually stunning but also rich in storytelling, making her a popular choice for both films and weddings.  

Specialization: Classical, Fusion, Bollywood  

Notable Work: Aaja Nachle, Kajra Re, Dhoom  

---

 4. Remo D'Souza – The Hip-Hop Innovator  

Remo D'Souza is a trailblazer in introducing hip-hop and street dance to Indian audiences. His innovative choreography and vibrant dance style have made him a favorite in the industry, especially among younger audiences. He has directed and choreographed several successful dance films and shows.  

Specialization: Hip-Hop, Street Dance, Bollywood  

Notable Work: ABCD, Race 3, Street Dancer 3D  

---

 5. Terence Lewis – The Modern Dance Maestro  

Terence Lewis is known for his technical expertise and innovative choreography. His performances are characterized by emotional depth and artistic expression. He has worked extensively in Bollywood films and reality shows, earning acclaim for his unique style and ability to connect with the audience.  

Specialization: Contemporary, Ballet, Modern Dance  

Notable Work: Lagaan, Dance India Dance  

---

 Why You Should Hire a Choreographer in Mumbai  

1. Tailored Expertise: Mumbai's choreographers specialize in various dance styles, ensuring a perfect fit for your event's theme.  

2. Creative Vision: They bring a unique artistic vision, enhancing the overall experience of your event through innovative choreography.  

3. Experience Across Diverse Events: From weddings to corporate events, choreographers have the experience to handle various settings and themes.  

4. Professionalism: Hiring a choreographer ensures a well-organized rehearsal and performance schedule, minimizing stress on the event day.  

---

 Types of Events Perfect for Hiring Choreographers  

- Weddings and Sangeets: Create unforgettable moments with personalized dance routines for pre-wedding celebrations.  

- Corporate Events: Engage employees and clients with impressive dance performances during company functions or product launches.  

- Film and Music Videos: Collaborate with choreographers to design captivating dance sequences that enhance storytelling.  

- Reality Shows and Competitions: Many choreographers work with television productions, bringing high-quality dance performances to viewers.  

---

 FAQs About Choreographers in Mumbai  

 1. How much does it cost to hire a choreographer in Mumbai?  

Choreographer fees vary widely based on experience and project scope, typically ranging from ₹50,000 to ₹5,00,000.  

 2. How long does it take to prepare a dance routine?  

Preparation time varies based on routine complexity but usually takes between 4-6 weeks for weddings and shorter for simpler performances.  

 3. Do choreographers provide dance training?  

Yes, most choreographers offer training sessions, ensuring participants feel confident and prepared for performances.  

 4. Can choreographers work with non-dancers?  

Absolutely! Many choreographers specialize in working with beginners, making dance accessible and enjoyable for everyone.  

 5. Do choreographers travel for destination weddings?  

Yes, many choreographers are willing to travel for destination weddings and events, with travel expenses included in their fees.  

---

 Conclusion  

Mumbai’s choreographers are not just artists; they are storytellers who bring events to life through dance. Whether you’re planning a wedding, hosting a corporate function, or producing a film, hiring a choreographer can make all the difference in creating an unforgettable experience. With their expertise, creativity, and passion for dance, these professionals are sure to leave a lasting impression on you and your guests.  

[oppvenuz]

 Exploring the Best Choreographers in Mumbai for Every Occasion

Mumbai, often referred to as the entertainment capital of India, is not only a bustling metropolis but also a vibrant hub for dance and creativity. From Bollywood films to extravagant weddings, the city is home to some of the best choreographers who have redefined the art of dance. Whether you're planning a grand event or looking to enhance a performance, Mumbai's choreographers bring unparalleled talent and innovation to the stage.

Click  Here  For  More  Details:https://www.oppvenuz.com/vendors/choreographer/?city=mumbai

---

 Top Choreographers in Mumbai  

 1. Shiamak Davar – The Pioneer of Contemporary Dance  

Shiamak Davar is a household name when it comes to contemporary dance in India. Known for his unique style that combines Bollywood with Western dance forms, he has choreographed numerous iconic dance sequences in films and live performances. His academy has trained thousands of dancers and continues to inspire new talent.  

Specialization: Contemporary, Jazz, Bollywood  

Notable Work: Dil To Pagal Hai, Taal, Commonwealth Games  

---

 2. Ganesh Hegde – The Energy Dynamo  

Ganesh Hegde is celebrated for his high-energy choreography that perfectly blends traditional and modern dance styles. He has an impressive portfolio that spans multiple Bollywood hits and live performances, known for his ability to engage audiences with dynamic and entertaining routines.  

Specialization: Bollywood, Folk, Lavani  

Notable Work: Chikni Chameli, Mastani, Housefull 3  

---

 3. Vaibhavi Merchant – The Fusion Expert  

Vaibhavi Merchant is renowned for her ability to blend classical Indian dance forms with contemporary styles. Her choreography is not only visually stunning but also rich in storytelling, making her a popular choice for both films and weddings.  

Specialization: Classical, Fusion, Bollywood  

Notable Work: Aaja Nachle, Kajra Re, Dhoom  

---

 4. Remo D'Souza – The Hip-Hop Innovator  

Remo D'Souza is a trailblazer in introducing hip-hop and street dance to Indian audiences. His innovative choreography and vibrant dance style have made him a favorite in the industry, especially among younger audiences. He has directed and choreographed several successful dance films and shows.  

Specialization: Hip-Hop, Street Dance, Bollywood  

Notable Work: ABCD, Race 3, Street Dancer 3D  

---

 5. Terence Lewis – The Modern Dance Maestro  

Terence Lewis is known for his technical expertise and innovative choreography. His performances are characterized by emotional depth and artistic expression. He has worked extensively in Bollywood films and reality shows, earning acclaim for his unique style and ability to connect with the audience.  

Specialization: Contemporary, Ballet, Modern Dance  

Notable Work: Lagaan, Dance India Dance  

---

 Why You Should Hire a Choreographer in Mumbai  

1. Tailored Expertise: Mumbai's choreographers specialize in various dance styles, ensuring a perfect fit for your event's theme.  

2. Creative Vision: They bring a unique artistic vision, enhancing the overall experience of your event through innovative choreography.  

3. Experience Across Diverse Events: From weddings to corporate events, choreographers have the experience to handle various settings and themes.  

4. Professionalism: Hiring a choreographer ensures a well-organized rehearsal and performance schedule, minimizing stress on the event day.  

---

 Types of Events Perfect for Hiring Choreographers  

- Weddings and Sangeets: Create unforgettable moments with personalized dance routines for pre-wedding celebrations.  

- Corporate Events: Engage employees and clients with impressive dance performances during company functions or product launches.  

- Film and Music Videos: Collaborate with choreographers to design captivating dance sequences that enhance storytelling.  

- Reality Shows and Competitions: Many choreographers work with television productions, bringing high-quality dance performances to viewers.  

---

 FAQs About Choreographers in Mumbai  

 1. How much does it cost to hire a choreographer in Mumbai?  

Choreographer fees vary widely based on experience and project scope, typically ranging from ₹50,000 to ₹5,00,000.  

 2. How long does it take to prepare a dance routine?  

Preparation time varies based on routine complexity but usually takes between 4-6 weeks for weddings and shorter for simpler performances.  

 3. Do choreographers provide dance training?  

Yes, most choreographers offer training sessions, ensuring participants feel confident and prepared for performances.  

 4. Can choreographers work with non-dancers?  

Absolutely! Many choreographers specialize in working with beginners, making dance accessible and enjoyable for everyone.  

 5. Do choreographers travel for destination weddings?  

Yes, many choreographers are willing to travel for destination weddings and events, with travel expenses included in their fees.  

---

 Conclusion  

Mumbai’s choreographers are not just artists; they are storytellers who bring events to life through dance. Whether you’re planning a wedding, hosting a corporate function, or producing a film, hiring a choreographer can make all the difference in creating an unforgettable experience. With their expertise, creativity, and passion for dance, these professionals are sure to leave a lasting impression on you and your guests.  

[motionvillee]

Why Choosing the Right Animated Video Production Company Matters for Your Brand"

In today’s digital-first world, video content has become one of the most powerful tools for brands to communicate with their audience. Whether you are a startup or an established business, engaging videos can help capture attention, explain complex ideas, and drive conversions. But not all video content is created equal. Choosing the right animated video production company or video production company can make all the difference in telling your brand's story effectively.

What Is Video Production and Why Your Brand Needs It?

When we talk about video production services, it encompasses the entire process of creating video content from concept to final output. This could include explainer videos, promotional videos, product demos, or corporate films. A professional video production company will handle everything from scripting, storyboarding, filming, animation, and editing to ensure your brand's message resonates with your target audience.

Why Go for Animated Videos?

While live-action videos are effective, animated video services offer a unique advantage. Animation allows for limitless creativity. You can visualize abstract ideas, bring characters to life, or simplify complex topics in a way that is both engaging and entertaining. For businesses looking to stand out, partnering with an animated video production company can help you create content that is both eye-catching and memorable.

The Benefits of Hiring an Animated Video Production Company

When searching for the best video production agency or animated video production services, it’s important to focus on a few key benefits:

Customization: A specialized animation video production company can tailor content to your specific needs and audience.

Cost-Effectiveness: Compared to traditional video production, animation can sometimes be more budget-friendly, especially for complex or niche ideas.

Flexibility: Animated videos can easily be updated with minimal cost, especially compared to reshooting live-action scenes.

Engagement: Animation captures attention quickly, making it perfect for social media and digital platforms where users have short attention spans.

Choosing the Right Video Production Company

Selecting the right partner for your video needs is crucial. Here's what you should consider when choosing a video production company or animated video production company:

Portfolio: Look at their previous work to ensure their style aligns with your brand.

Experience: The company’s expertise in your industry can play a big role in how well they can deliver your message.

Client Feedback: Read reviews or request testimonials to ensure their past clients are satisfied with their services.

Flexibility and Communication: Choose a company that listens to your ideas and offers flexibility to accommodate your vision.

Why Motionvillee is the Best Choice for Your Brand

At Motionvillee, we bring over 13 years of experience and a proven track record of producing high-quality animation video production and video production services for a variety of industries, including SaaS, blockchain, and healthcare. We pride ourselves on being one of the best video production agencies, offering top-tier animated video production services that engage, educate, and convert viewers.

Conclusion: Take Your Brand to the Next Level with Professional Video Production

In today’s highly competitive market, the right video content can give your brand a competitive edge. Whether you're looking for traditional video production services or innovative animated video services, selecting the right partner is key. Make sure to choose a video production company that understands your brand, audience, and business goals.

Ready to create captivating video content? Contact us today at Motionvillee for top-quality, custom-tailored video solutions that deliver results.

[this-is-a-sideblog]

They do, in fact, hire social workers. They are required by law to hire social workers. There are people called studio teachers certified by the California State Labor Board to oversee children's welfare on set, and whenever a minor is on set a production is required by California state law to have a certified studio teacher present*. If it’s a schoolday, the studio teacher makes sure the minor gets at least three hours of schooling on set, but even if it's not a schoolday a studio teacher must still be present, because it's also the studio teacher's job to make sure the minor is being treated well and production is following child labor law and isn't trying to have them do anything dangerous or inappropriate.

*There are actually a few special circumstances when this isn't the case, but I won’t get into them right now.

To be certified as a studio teacher, an applicant must not only have a valid teaching credential (two valid teaching credentials, in fact, for different grade levels), but also take a class put on by the state labor board about state child labor law and guidelines regarding children on set, and pass an exam about this material. There aren't many certified studio teachers, only a few hundred in all.

If the studio teacher sees something that would violate child labor laws or endanger the minor's health or wellbeing, and if the studio teacher brings this to the attention of production and they refuse to make the necessary changes, the studio teacher has the authority to call the Department of Labor and get the production shut down. This rarely happens, mostly because the production company knows it can happen and therefore will generally do what the studio teacher says.

So while treatment of child actors may not be perfect, it's not anything-goes. There is in fact always a welfare worker on set looking out for the child's interest. (Well... there's always supposed to be. While SAG-AFTRA verifies that union productions with minors have studio teachers, and student films also hire studio teachers because the film schools know the law, an indie production that doesn't have anyone checking on them may get away with not having studio teachers. They'd be in violation of state labor law, but they may not realize it, or they may not care. Still, if the Department of Labor does find out that they had minors on set without a studio teacher present, there are serious consequences.)

You might notice I mentioned California state labor law, and that might raise the question of what happens when a production shoots outside of California. The answer is that this part of California state labor law still applies, if the production company is based in California. Since all of the major Hollywood production companies are based in California, they're still required to hire studio teachers if there are minors on set no matter where they're filming. (Of course, if a production company isn't based in California and has no connection to the state, then California state labor law doesn't apply; other states and countries may have their own regulations involving children in film, but California's are probably the strictest.)

The reason I know so much about studio teachers is because I am a certified studio teacher. This is what I do for a living. I look out for children's welfare on set. (I also bring a lot of games in case the kids get bored during downtime—Connect 4, chess, Uno, Jenga, coloring books, a backpack full of LEGOs—which isn't technically a required part of my job, but helps to keep the kids happier. Well, sometimes; many kids are perfectly content to spend their downtime on their phones or tablets and then the stuff I bring doesn't get used.) I've never had to call the Department of Labor and shut down a production (or even had to threaten to call the Department of Labor), but I have, for instance, had to tell some filmmakers that no, they couldn't call the kids in in the late evening and have them work overnight.

Anyway, this may be more information than you're interested in, but I just thought you might be reassured to know that whatever the flaws of the film industry, they are required to have a welfare worker present when there's a minor on set.

The more I think about it, the more I’m convinced that child actors should have to take stage names. 

Like, I don’t think they should do interviews, I don’t think they should do red carpets, I don’t think we should bring them into celebrity culture at ALL.

I know it doesn’t avoid all of the problems with it but - as much as I dreamed of being discovered as an actor as a young child - as an adult with minor internet fame and a few roles under my belt, I am so FUCKING grateful I never was.

Having people see me and recognise me and approach me in public with my deadname and my skinny, vulnerable seven-year-old tomboy self, or that spotty, chubby, awkward teenage phase, or even the first few years of university would have destroyed me. 

I’m barely famous by any metric and it weirds me out completely now, let alone when I was stupid and sixteen. I had someone casually comment on a Live (which I don’t know why I do them, because I hate doing them) that they’d overheard me outside what they assumed to be my place of work - a place I was about to apply to work - talking about how I hated having to be watching myself constantly and be aware that sometimes people now know who I am and it was very disturbing. 

And I chose this. I didn’t go into this blind - and while I never imagined it getting to this stage - I had some idea of what this would entail. 

Some wide-eyed nine year old doesn’t. 

Fake names for child actors is the minimum. 

[daramsphotography]

Why Select a Christmas Mini Photo Session for Your Family?

One great approach to capture the enchantment of the holiday season in a happy and festive setting is to have your family take a Christmas mini photo session. Families with busy schedules can benefit from these sessions as they usually provide high-quality photographs within a shorter time limit. Mini sessions brighten the mood and heighten the festive spirit with their themed backdrops and props. Personalized mementos are produced because of families being able to display their distinct style and traditions. Mini sessions are a great way to take memorable photos without going over budget because they are frequently less expensive than longer photo shoots.

Photographic and Videographic Services for Preserving Memories in Colchester Having the appropriate experts to record these moments is crucial, whether it's a corporate function or a joyous family reunion. To make sure that every important moment is exquisitely captured, Colchester offers top-notch services including hiring a 360-degree video booth, Christmas mini sessions, and corporate event photographers.

Photographer for Corporate Events in Colchester For companies wishing to capture significant events like conferences, product launches, or team-building activities, hiring a Corporate Event Photographer Colchesteris essential. A specialized photographer knows how to record networking events, keynote speeches, and candid instants although navigating the subtleties of corporate settings. By spending money on expert photography, you can make a lasting impression by ensuring that your business events are accurately and attractively captured. Small-scale Christmas photo session Making treasured family instants is ideal over the break season. A lovely way to capture holiday moments in a lighthearted and carefree setting is with a short picture session for Christmas. These sessions are shorter in length and still produce lovely photos, which makes them suitable for active families. A small session may capture your family's own style and festive mood with themed props and seasonal settings. The final images can be printed for Christmas cards, presents, or just to keep a record of special times shared. Families can create beautiful keepsakes without committing to a long session by selecting a small session.

Colchester 360-degree Video Booth HireUsing a 360-degree video booth rental in Colchester to provide your events a distinctive touch is simple. Guests can record breathtaking 360-degree videos by this cutting-edge technology, creating immersive reminiscences for any event. A 360 Video Booth Hire Colchester proposals an engaging experience that is perfect for parties, weddings, and company meetings. The booth has top-notch cameras that record everything from every angle so that no detail is missed. These films are a great addition to any celebration because they can be shared immediately on social media or preserved as priceless memories.

[lmfilms]

Elevating Love Stories and Music: Crafting Unforgettable Experiences in Italy

Introduction

Italy has long been a top destination for couples seeking romance and elegance. From the historic streets of Rome to the breathtaking shores of Amalfi, this country offers endless opportunities to create magical moments. With LM Films, these moments are preserved through stunning visual storytelling. Whether you're a couple looking for a Professional Couple Photoshoot in Italy or a musician in need of a Professional Music Video Production Company in Italy, our team is here to bring your vision to life.

The Magic of a Professional Couple Photoshoot in Italy

Italy is rich with captivating locations that make it ideal for a couple photoshoot. Imagine strolling hand in hand through the cobblestone streets of Venice or embracing under the Tuscan sun. These scenes create a backdrop not just for memories, but for art. A Professional Couple Photoshoot in Italy with LM Films ensures that each shot tells a story of love and adventure.

Choosing the Perfect Location

Choosing the right location for a couple photoshoot is essential for setting the tone. Italy is a canvas of diverse landscapes, each providing a unique atmosphere:

Venice: The city of canals offers timeless charm and elegance.

Tuscany: Rolling hills and vineyards bring a rustic, romantic feel.

Amalfi Coast: The stunning cliffs and deep blue waters make for dramatic, picturesque shots.

Rome: Rich in history, Rome’s ancient architecture adds grandeur to any couple photoshoot.

Our experienced photographers guide couples in selecting the perfect spot that aligns with their personalities and the story they wish to tell.

Why Hire LM Films for a Couple Photoshoot in Italy?

There are many reasons why couples from around the world choose LM Films for their Italian photoshoot. Our team brings a deep understanding of lighting, composition, and location dynamics. The result is not just a series of pictures but a collection of artistic moments that capture your relationship in its truest form.

We offer more than just photography; our couple photoshoots often include:

Custom styling: Helping you choose the perfect outfits to complement the location.

Drone shots: Capturing aerial views of Italy’s stunning landscapes for a unique perspective.

Personalized sessions: We work with each couple to design a photoshoot that feels intimate and personal.

Professional Music Video Production Company in Italy

Italy is not just for lovers; it is also a haven for creatives, especially musicians. Whether you’re an indie artist or a mainstream performer, a well-crafted music video can elevate your career. LM Films stands as a premier Professional Music Video Production Company in Italy, offering end-to-end services to bring your musical vision to life.

Why Italy?

Italy’s artistic heritage makes it an ideal location for music video production. From its Renaissance architecture to the scenic beauty of its countryside, there are countless settings that can complement a variety of musical genres. Whether you're seeking a baroque palace or a modern urban backdrop, Italy delivers.

The LM Films Approach to Music Video Production

At LM Films, we approach each project with a fresh perspective, focusing on bringing out the uniqueness of the artist and the song. Our process begins with a deep dive into your artistic vision:

Concept development: We help artists develop the right visual narrative that enhances their music.

Location scouting: With deep knowledge of Italy, we find locations that align with the story being told.

Cinematography: Our team of experts uses top-of-the-line equipment and techniques to ensure that every shot is cinematic and visually captivating.

Crafting a Story through Music Videos

A music video is more than just a performance; it's a storytelling device that engages the audience on a deeper level. Our team works closely with musicians to ensure that the final product reflects their artistic essence. By combining technical expertise with creativity, LM Films is able to produce high-quality music videos that stand out.

Why Choose LM Films as Your Professional Music Video Production Company in Italy?

The music industry is competitive, and video production plays a significant role in an artist’s success. By choosing LM Films as your Professional Music Video Production Company in Italy, you benefit from:

Creative direction: Our team doesn’t just shoot videos; we collaborate with artists to create a visually compelling story.

Technical excellence: From high-end cameras to advanced post-production software, we ensure that every aspect of your music video is top-notch.

Experienced team: Our crew has worked on a variety of projects, bringing expertise in various musical genres, from classical to pop.

Integrating Professionalism with Artistry

Whether you’re in need of a Professional Couple Photoshoot in Italy or a Professional Music Video Production Company in Italy, LM Films bridges professionalism with artistry. We pride ourselves on delivering not just visually stunning content, but a service that is tailored to your needs.

The LM Films Difference

What sets us apart from other companies in Italy is our dedication to excellence in every aspect of the production process. Our team is made up of passionate individuals who love what they do, and that enthusiasm is reflected in the final product. With LM Films, you’re not just hiring a photographer or a videographer; you’re hiring a team committed to capturing the essence of your story.

Conclusion

Whether you’re capturing the beauty of your relationship with a Professional Couple Photoshoot in Italy or creating a compelling visual for your latest song with a Professional Music Video Production Company in Italy, LM Films is your go-to agency for crafting unforgettable experiences. With a deep understanding of both photography and videography, as well as a love for Italy’s artistic heritage, our team is ready to bring your vision to life in ways that exceed your expectations.

[aysathenotsogreat]

ethical generative ai exists based on consent and public domain work but those aren't the ones with VC money and exploiting the fact they basically have an "art robbery machine" if you have a basic grasp of what you're doing, so you haven't heard about them. Hell, the technology has been used in film animation pretty prominently with the lineart lines used on characters in Into the Spider-Verse. They built a machine learning program off of the line work the wanted and it worked perfect for the animation style they where using. Secret Invasion having a generative AI intro to get out of hiring actual animators after months of articles detailing how they've *specifially* made the entire industry worse and more grueling.

The problem, as always, is never inherent to the progress of technology. It's the integration of it into our existing system of wealth exploitation that makes it toxic more often than not. I was never interested personally because the idea of a computer anything text to make an image always seemed to be less artistic merit and I definitely care more about human intent. I can see where the technology can be cool for assisting in art, data analysis and especially as disability aids. However, for the most part, most of the first adopters and a majority of those who are using it are doing so to circumvent the labor time of making art for their own gain and generally have contempt for art.

It's obviously a nuanced topic (I saw a 2 hr yputube documentary about the ethics and legality of it in particular by Hello Future me if you want to think more about this stuff), but honestly just blanket opposition to for profit AI companies is probably the easiest thing to do. They steal our data to make their own assets to profit off of eventually. Because we built the modern internet where most of those actively using it are actually the product base for the advertisers that are actually the consumers of the internet, it's basically impossible to stop them from doing this. To me, it just leaves me to mock ai "artists" and yell about anti data scraping legislation. now you deal with this inevitable is up to you I guess.

anyway ai discourse is kicking off on my dash again and i just want to reiterate that i fully and 100% believe that "cutting up and remixing pre-existing intellectual property without prior permission" should never be made illegal and it would be utterly horrifying if the united states attempted to criminalize it.