#Floyd Norman

[tootern2345]

Since February is Black History Month. Here are some black animators/cartoonists to celebrate

1. Doug Moye, Camera operator and occasional voice actor for Terrytoons

2. Floyd Norman, longtime Disney animator and artist, the first long time African-American employee for the studio

3. Milton Knight, noted cartoonist for stuff like Hugo and the Mighty Mouse comics alongside working for studios like D.I.C. & Film Roman

4. Jim Simon, designer, animator, director, and founder of Wantu Animation. He worked with Ralph Bakshi in the 60’s before branching out elsewhere.

5. Frank Braxton, the first animator in Hollywood. Ben Washam, a person from Arkansas and designer of the big boy mascot, helped him get the job.

6. Dee “SupDee” Parson, cartoonist, noted for stuff like Life With Kurami, Pen & Ink, and Rosebuds.

Some honorable mentions include Phil Mendez, (kissyfur) Glen Barr, (Spümcø) Brenda Banks, (Fire & Ice, The Simpsons, King of The Hill) Ed Bell, (Disney, WB Animation, Bakshi, and Spümco) Bruce W. Smith (Bebe’s Kids & The Proud Family) Aaron McGruder (The Boondocks) and Ian Jones-Quartey (Steven Universe & OK KO)

Happy Black History Month ya’ll!

[elleventures]

Collection of Floyd Norman Art

Hi everyone!

As most of you know, this month is Black History month. To celebrate Black History month, I thought it would be great to appreciate some of the art that was created by Floyd Norman who was the first black animator to work at Disney.

Floyd Norman is an American animator, author, writer and a cartoonist; he is well-known for Sleeping Beauty, Toy Story, the Jungle Book, and many more.

[elijones94]

🐍 Mowgli & Kaa 🐍

[eclecticpjf]

Now watching:

[squideo]

Squideo’s Favourites: The Jungle Book (1967)

The last animated film made under the creative directorship of Walt Disney before his untimely death in 1966, The Jungle Book (1967) marked the end of Disney’s Silver Age. It has become an interesting milestone in the company’s history; reflecting the studio of old while showing the first signs of the company it would become without Walt Disney at its helm.

The Jungle Book has also been resurrected by Disney’s live-action remake series, the first of its modern remakes to adapt a non-Disney Princess story. The 2016 live-action and CGI film made changes to the plot of the 1967 version to correct outdated cultural depictions, but neither can be called faithful adaptations of Rudyard Kipling’s book of the same name. Like the 1967 version, the 2016 remake shows the progression of the Walt Disney Animation Studios and how it continues to innovate while preserving its founding principles.

We’re diving into the production behind this animated film, exploring the style and techniques which came together to create this compelling story.

Creating a Story

The Jungle Book, by British author Rudyard Kipling, was published in 1894. This collection of stories were inspired by Indian folklore and Kipling’s experiences of living and working in India; but Disney’s adaptation of this popular children’s book reads very differently.

Throughout the 1950s and early 1960s, Walt Disney had drifted away from the animation department. He had been focused on Disneyland, the creation of WED Enterprises (later named Imagineering), live-action films and the development of Disney’s television programmes. The underwhelming performance of The Sword in the Stone (1963) compared to the success of One Hundred and One Dalmatians (1961), however, encouraged him to check in on the studio’s next animated feature film: The Jungle Book.

According to Brian Sibley, “what [Walt] found was that the team headed up by Bill Peet had come up with quite a sombre, dark, serious story – much more serious than any films they’d done in animation since the days of Pinocchio.” Peet and Walt Disney disagreed with the direction of the film, which ended in Peet leaving the company and Disney ordering work on The Jungle Book to be restarted.

Most of the original work was scrapped, with the exception of the song The Bare Necessities which was written by Terry Gilkyson (the song was nominated for an Academy Award). When Walt Disney assembled his new animation team, he asked if anyone had read Kipling’s book. They hadn’t, and Walt Disney said “the first thing I want you to do is not to read it."

He brought in the Sherman Brothers, who were enjoying newfound fame as a result of their work on Mary Poppins (1964). These songwriters were tasked with creating a lighter, family-friendly tone for the film. Meanwhile, the new animation team started production of The Jungle Book in 1965.

Like Disney’s other 1960s features, animators used xerography on the film. Ub Iwerks had adapted the Xerox process, first introduced during WW2, to work on film. This copying technique allowed animator drawings to be printed directly onto cels, massively speeding up the production process. It was first trialled on Sleeping Beauty (1959), and was used by Disney throughout the 1960s and 1970s. The technique also let the studio recycle cels, repurposing them for other animated films. Several cels were repurposed from The Jungle Book for Robin Hood (1973).

Animation Style

When character redesign started, animators wanted to base their characters – not on the descriptions provided by Kipling’s story – but on the voice actors. Similar to 1920s animation which used rotoscoping to trace motion picture footage of a human performer to create animated characters with life-like movement. The idea was to employ household names like Phil Harris (a bandleader and comedian) and Louis Prima (a jazz musician) and create characters which reflected their personalities. Additionally, while The Beatles ultimately didn’t appear in the film, the vulture characters were based on their mannerisms and the animators included their mop top hairstyles.

For one of the musical numbers, ‘I Wanna Be Like You’, animators used footage of Louis Prima and his band performing which they based the monkeys’ movements on. This song was later updated by Robert Sherman for the 2016 live-action adaptation, to address outdated cultural stereotypes and to incorporate plot changes. The 2016 version is much more sinister in comparison to the jazz-inspired 1967 song, reflecting an overall shift in the film’s visual style which aligns more closely with Bill Peet’s original idea.

While new animators had been hired to work on The Jungle Book in 1965, a lot of old hands remained. Most prominently were the members of Disney’s Nine Old Men. These animators were hired in the 1920s and 1930s, and all of them had worked on Snow White and the Seven Dwarfs (1937). They worked on every feature film until Peter Pan (1953), and six worked on The Jungle Book: Frank Thomas, Ollie Johnston, Milt Kahl, Eric Larson, John Lounsbery and Wollie Reitherman.

Both Thomas and Johnston – who acted as directing animators for the film’s main characters – went on to write Disney Animation: The Illusion of Life (1981) after their retirement from the company; which is still considered a key textbook for animators.

Despite the longevity of these animators, Walt Disney still told them when he thought a film was going wrong. Which included their work on The Sword in the Stone: “Walt was not a fan of the previous film in terms of styling. Walt thought there was too much colour in the backgrounds. He would even say in these notes [he wanted] a more monochromatic look for the backgrounds, a nice backdrop for the characters.”

This role of Walt Disney and his Nine Old Men kept a consistency in the company’s animated films for thirty years, and there are parallels to be made between their first film together – Snow White and the Seven Dwarfs – and their last: The Jungle Book.

By contrast, the live-action remake of The Jungle Book shows how vastly the company has changed since Walt Disney’s death in 1966. The company made its last 2D animated feature film in 2011, and its biggest hits of the 21st century – such as Frozen I and II – have been created with CGI. It also puts a lot more stock in film sequels, which Walt Disney resisted making. The Jungle Book didn’t get a sequel until 2003.

And yet the film also signalled what was to come. Employing well-known voice actors, including pop culture references, and releasing a soundtrack with several hits instead of one major song. The Jungle Book stands on the precipice of the Disney studio of old and Disney the multinational conglomerate.

“At the end of the movie Mowgli wakes from the dream of jungle boyhood and steps into the human world. This threshold moment is followed by the bittersweet departure of Bagheera the panther and Baloo the bear back into the forest, a curtain call on the final film of Walt Disney himself and the achievements of 60 years of dedicated pencil animation.” David Surman

Get Started With Your Video

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[perfettamentechic]

25 marzo … ricordiamo …

25 marzo … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Kathryn Hays, Kay Piper, modella e attrice statunitense. È stata sposata tre volte: con Sidney Steinberg, dal quale ebbe una figlia Shari Hays Wells, anch’essa attrice, con Glenn Ford e con Wolf Lieshke, impiegato nell’industria pubblicitaria.  (n. 1933) 2020: Floyd Cardoz, è stato un cuoco, imprenditore e personaggio televisivo indiano naturalizzato statunitense. (n. 1960) 2020: Mark Blum,…

[pigeonlogan]

Not me watching 2 seasons of Strike back just to see Peter O'Meara being a shitty military officer again.

And also Matthew Leitch yeeting that dead woman’s head into the truck gave me a huge jump scare.

how many shitty movies have y'all watched just to catch a glimpse of your favorite HBO war actors

[mymelodic-chapel]

Pink Floyd- A Saucerful of Secrets (Psychedelic Rock, Experimental Rock, Space Rock) Released: June 29, 1968 [Columbia (EMI) Records] Producer(s): Norman Smith

[rockpaperscissuhs]

Band of Brothers Birthdays

January

1 John S. Zielinski Jr. (b. 1925)

21 Richard D. “Dick” Winters (b. 1918)

26 Herbert M. Sobel (b. 1912)

30 Clifford Carwood "Lip" Lipton (b. 1920)

31 Warren H. “Skip” Muck (b. 1922) & Robert B. Brewer (b. 1924)

February

8 Clarence R. Hester (b. 1916)

18 Thomas A. Peacock (b. 1920)

23 Lester A. “Les” Hashey (b. 1925)

March

1 Charles E. “Chuck” Grant (b. 1922)

2 Colonel Robert L. “Bob” Strayer (b. 1910)

4 Wayne “Skinny” Sisk (b. 1922)

10 Frank J. Perconte (b. 1917)

13 Darrell C. “Shifty” Powers (b. 1923)

14 Joseph J. “Joe” Toye (b. 1919)

24 John D. “Cowboy” Halls (b. 1922)

26 George Lavenson (b. 1917) & George H. Smith Jr. (1922)

27 Gerald J. Loraine (b. 1913)

April

3 Colonel Robert F. “Bob” Sink (b. 1905) & Patrick S. “Patty” O’Keefe (b. 1926)

5 John T. “Johnny” Julian (b. 1924)

10 Renée B. E. Lemaire (b. 1914)

11 James W. Miller (b. 1924)

15 Walter S. “Smokey” Gordon Jr. (b. 1920)

20 Ronald C. “Sparky” Speirs (b. 1920)

23 Alton M. More (b. 1920)

27 Earl E. “One Lung” McClung (b. 1923) & Henry S. “Hank” Jones Jr. (b. 1924)

28 William J. “Wild Bill” Guarnere (b. 1923)

May

12 John W. “Johnny” Martin (b. 1922)

16 Edward J. “Babe” Heffron (b. 1923)

17 Joseph D. “Joe” Liebgott (b. 1915)

19 Norman S. Dike Jr. (b. 1918) & Cleveland O. Petty (b. 1924)

25 Albert L. "Al" Mampre (b. 1922)

June

2 David K. "Web" Webster (b. 1922)

6 Augusta M. Chiwy ("Anna") (b. 1921)

13 Edward D. Shames (b. 1922)

17 George Luz (b. 1921)

18 Roy W. Cobb (b. 1914)

23 Frederick T. “Moose” Heyliger (b. 1916)

25 Albert Blithe (b. 1923)

28 Donald B. "Hoob" Hoobler (b. 1922)

July

2 Gen. Anthony C. "Nuts" McAuliffe (b. 1898)

7 Francis J. “Frank” Mellet (b. 1920)

8 Thomas Meehan III (b. 1921)

9 John A. Janovec (b. 1925)

10 Robert E. “Popeye” Wynn (b. 1921)

16 William S. Evans (b. 1910)

20 James H. “Moe” Alley Jr. (b. 1922)

23 Burton P. “Pat” Christenson (b. 1922)

29 Eugene E. Jackson (b. 1922)

31 Donald G. "Don" Malarkey (b. 1921)

August

3 Edward J. “Ed” Tipper (b. 1921)

10 Allen E. Vest (b. 1924)

15 Kenneth J. Webb (b. 1920)

18 Jack E. Foley (b. 1922)

26 Floyd M. “Tab” Talbert (b. 1923) & General Maxwell D. Taylor (b. 1901)

29 Joseph A. Lesniewski (b. 1920)

31 Alex M. Penkala Jr. (b. 1924)

September

3 William H. Dukeman Jr. (b. 1921)

11 Harold D. Webb (b. 1925)

12 Major Oliver M. Horton (b. 1912)

27 Harry F. Welsh (b. 1918)

30 Lewis “Nix” Nixon III (b. 1918)

October

5 Joseph “Joe” Ramirez (b. 1921) & Ralph F. “Doc” Spina (b. 1919) & Terrence C. "Salty" Harris (b. 1920)

6 Leo D. Boyle (b. 1913)

10 William F. “Bill” Kiehn (b. 1921)

15 Antonio C. “Tony” Garcia (b. 1924)

17 Eugene G. "Doc" Roe (b. 1922)

21 Lt. Cl. David T. Dobie (b. 1912)

28 Herbert J. Suerth Jr. (b. 1924)

31 Robert "Bob" van Klinken (b. 1919)

November

11 Myron N. “Mike” Ranney (b. 1922)

20 Denver “Bull” Randleman (b. 1920)

December

12 John “Jack” McGrath (b. 1919)

31 Lynn D. “Buck” Compton (b. 1921)

Unknown Date

Joseph P. Domingus

Richard J. Hughes (b. 1925)

Maj. Louis Kent

Father John Mahoney

George C. Rice

SOURCES

Military History Fandom Wiki

Band of Brothers Fandom Wiki

Traces of War

Find a Grave

[herpsandbirds]

Ernestine's Moth (Phytometra ernestinana), family Erebidae, Norman, OK, USA

photograph by Graham Floyd

[malarkgirlypop]

Milly rock that bitch, im cackling

to fight or not to fight: band of brothers edition

just shitposting something from my drafts because I have no other content for you at the moment. Just to put this into perspective for you, I’ll let you know I’m a 5’2” 110 lb teenage girl. And yes, I will be fighting several of these men. I don’t care how attractive they are.

Dick Winters: I would not want to fight him. Like, at all. He’s a dad. But if I had to fight him, he would lay my ass out. Would definitely sicko god mode curb stomp you and then ask you “Are you okay, son? What’s going on? You can always talk to your dear old dad.”

Lewis Nixon: Oh, I would absolutely fight him solely for the fact that I’d fucking WIN. He would probably be drunk, and he’s not much of a fighter anyways. We would look back on it and laugh.

Carwood Lipton: ARE YOU KIDDING ME??? That would be like punching my mom. Besides, we know that Momma Lip will give you an ass-whooping if necessary, he’s got kids.

Ron Speirs: ABSO-FUCKING-LUTELY N OT. He would practically smell me getting ready for a fight, and I would lose the little dignity I have left when he knocks me out with one punch. He is scary, I would not fight in a million years. I would forfeit.

Captain Sobel: BITCH IT IS ON SIGHT AND I COULD PROBABLY BEAT HIM TF UP-

Harry Welsh: No, I wouldn’t fight him, but it would be funny if I tried. Actually, now that I think about it, I would win, but I wouldn’t have the heart to fight him in the first place.

Buck Compton: Absolutely not. He would punch me so hard without mercy. I would die.

Norman Dike: ABSOLUTELY, AND I WOULDN’T EVEN NEED TO PUNCH HIM MORE THAN ONCE-

Joe Liebgott: YOU KNOW THAT WHEN THIS MOTHERFUCKER AND I LOCK EYES IT’S ON SIGHT. Not that Joe and I would hate each other, we would just have that relationship were sometimes we just gotta deck the fuck out of the other person’s halls. Would fight 100%, and I actually might win because we are both skinny legends.

David Webster: I’d fight him because I’d win and it would be easy. If he thinks Shakespeare is good, we are automatically fighting. END OF STORY.

Don Malarkey: I’d never fight him, I love him too much. I’d be messing up a wonderful human being. Also, I would lose, and he wouldn’t even intentionally be trying to win.

Floyd Talbert: I could definitely have a fair fight against this man, but I wouldn’t fight him solely on the grounds that I fear he would get an adrenaline boner.

Chuck Grant: I- No. Absolutely not. He would definitely win.

Bill Guarnere: I would try to fight him for no reason and lose miserably. RIP me.

Johnny Martin: Absolutely not. Could literally incinerate me with one look. I’d be dead before the fight even started. Could roast my ass afterwards. Also, he’s got Bull on his side. No thank you, I will be minding my goddamn business.

Shifty Powers: I would never want to fight him in the first place. I would also lose. He also, like Malarkey, wouldn’t even be trying to win. I feel like he would apologize for the rest of his life if I so much as got a bruise from it. So, no.

Joe Toye: I would do it for shits and giggles and he would not be messing around. I would lose 100%. He does not think it was funny. I think it’s fuckin hilarious.

Skip Muck: I would fight him, and I stand a fair chance at either losing or winning. Idk guys, tell me who you think would win.

Bull Randleman: Are you kidding me. The man is like half a body taller than me. I would rather just die. Also, he could just like pick me up by the back of the neck and I wouldn’t be able to do anything about it??? I would not fight, and if I had to, I would lose.

Skinny Sisk: I wouldn’t wanna fight him, but I could definitely win.

George Luz: I would fight a hoe. Solely for the fact that it would be funny. Still don’t know if I would win or lose.

Frank Perconte: Would fight this little gremlin. Could probably win.

Eugene Roe: I wouldn’t fight him because JESUS DOES HE NEED ANYMORE TRAUMA??? Also, he could beat me up in like 2 minutes. He’s a friggin medic he can literally carry wounded soldiers.

Babe Heffron: No, who the hell would fight an infant. Also, he could probably beat me up. He’s got Guarnere,Toye, Roe, and all of Easy Co hey, that rhymes. I’m not taking that chance.

Alex Penkala: Yeah, I would fight him, but for fun. I would win. Don’t even ask me how I know, I just do.

Albert Blithe: What, are we trying to give the poor man MORE PTSD???? Absolutely not. I would win if I had to, though.

Roy Cobb: I WOULD MILLY ROCK THIS BITCH INTO THE NEXT MILLENIA WITHOUT A SECOND THOUGHT.

Alton More: Homeboi had the balls to talk back to Speirs. I don’t wanna find out what type of punch he packs. I’m good.

Pat Christenson: I don’t care that the man has limbs like Slenderman, we are fighting, and it is on sight. Little gossip bitch boy. I would so win.

Antonio Garcia: No, I wouldn’t fight him cause he’s baby. But I could probably win.

[oatflatwhite]

BOBSTROLOGY

A completely serious presentation by @pegasusdrawnchariots and oatflatwhite

written version under the cut!

��️Patrick O’Keefe [April 3 1926] ♈️Robert Sink [April 3 1905] ♈️John Julian [5 April 1924] ♈️Renée Lemaire [10 April 1914] ♈️James Miller [11 April 1924] ♈️Walter “Smokey” Gordon [April 15 1920] ♉️~Ronald Speirs [April 20 1920] ♉️Alton More [April 22 1920] ♉️Henry Jones [27 April 1924] ♉️Edward “Babe” Heffron [May 16 1923] ♉️John Martin [May 12 1922] ♉️Joseph Liebgott [May 17 1915] ♉️Norman Dike [May 19 1918] ♉️William Guarnere [April 28 1923] ♊️David Webster [June 2 1922] ♊️George Luz [June 17 1921] ♊️Roy Cobb [June 18 1914] ♋️Frederick “Moose” Heyliger [June 23 1916] ♋️Albert Blithe [June 25 1923] ♋️Donald Hoobler [28 June 1922] ♋️Thomas Meehan [8 July 1921] ♋️John Janovec [9 July 1925] ♋️Robert “Popeye” Wynn [July 10 1921] ♋️James "Moe" Alley [July 20 1922] ♌️~Burton “Pat” Christenson [July 23 1922] ♌️Eugene Jackson [29 July 1922] ♌️Donald Malarkey [July 31 1921] ♌️Edward Tipper [3 August 1921] ♍️Floyd Talbert [August 26 1923] ♍️Alex Penkala [August 30 1922] ♍️William Dukeman [3 September 1921] ♎️Eugene Roe [October 17 1922] ♎️Harry Welsh [September 27 1918] ♎️Lewis Nixon [September 30 1918] ♎️Ralph Spina [October 5 1919] ♎️Thomas Peacock [October 9 1923] ♏️Denver “Bull” Randleman [November 20 1920] ♑️Lynn “Buck” Compton [December 31 1921] ♑️Antonio Garcia [January 17 1925] ♒️Richard "Dick" Winters [January 21 1918] ♒️Herbert Sobel [January 26 1912] ♒️Carwood Lipton [January 30 1920] ♒️Warren “Skip” Muck [January 31 1922] ♓️Lester Hashey [23 February 1925] ♓️Charles “Chuck” Grant [1 March 1922] ♓️Robert Strayer [March 2 1912] ♓️Wayne “Skinny” Sisk [March 4 1922] ♓️Frank Perconte [March 10 1917] ♓️Darrell “Shifty” Powers [March 13 1923] ♓️Joseph Toye [March 14 1919]

6 Aries 🥉 8 Taurus 🥇 3 Gemini 7 Cancer 🥈 4 Leo 3 Virgo 5 Libra 1 Scorpio 0 Sagittarius 🥄 2 Capricorn 4 Aquarius 7 Pisces 🥈

10 🔥 13 🪨 12 💨 15 💧

20 cardinal 17 fixed 13 mutable

22 masculine 28 feminine

[elijones94]

🐆 Similarly to what I did last night, today I looked through another blog post on Andreas Deja’s animation blog in which he showcased some of Milt Kahl’s rough animation drawings of Bagheera in “The Jungle Book”. They are of the scene early on in the movie where Bagheera orders Mowgli to climb a tree to sleep in for the night: “Go on, up you go.” I even looked some other Milt Kahl drawings of Bagheera which showed how the animator observed how actor Sebastian Cabot read his lines as Bagheera during recording sessions for “Jungle Book”. Another one of Bagheera’s main animators was Ollie Johnston, whose scenes included the panther’s discovery of Mowgli, taking him to the wolves den, his nighttime discussion with Baloo, and his heart eulogy thinking that Baloo was killed by Shere Khan. Yesterday was the 56th anniversary of Disney’s “The Jungle Book”. #Disney100

[vanillablankcanvas]

Hi, I was wondering if you could draw Brozone as lana del Rey album covers

John Dory: did you know there’s a tunnel under ocean Blvd

Bruce: Honey moon

Clay: Blue Banister

Floyd: Lust for life

Branch: Norman fucking Rockwell can you draw that with poppy if you know what I mean if you look at the photo reference

Anyways hope is not to much to ask for I look forward to it <3

*SLAMS THIS ON THE TABLE*

:D

[trendfilmsetter]

Apple Music’s ‘100 Best Albums of All Time’ list:

#1. Lauryn Hill — The Miseducation of Lauryn Hill

#2. Michael Jackson — Thriller

#3. The Beatles — Abbey Road

#4. Prince & The Revolution — Purple Rain

#5. Frank Ocean — Blonde

#6. Stevie Wonder — Songs in the Key of Life

#7. Kendrick Lamar — good kid, m.A.A.d city

#8. Amy Winehouse — Back to Black

#9. Nirvana — Nevermind

#10. Beyoncé — Lemonade

#11. Fleetwood Mac — Rumours

#12. Radiohead — OK Computer

#13. Jay-Z — The Blueprint

#14. Bob Dylan — Highway 61 Revisited

#15. Adele — 21

#16. Joni Mitchell — Blue

#17. Marvin Gaye — What’s Going On

#18. Taylor Swift — 1989 (Taylor’s Version)

#19. Dr. Dre — The Chronic

#20. The Beach Boys — Pet Sounds

#21. The Beatles — Revolver

#22. Bruce Springsteen — Born to Run

#23. Daft Punk — Discovery

#24. David Bowie — The Rise and Fall of Ziggy Stardust and the Spiders From Mars

#25. Miles Davis — Kind of Blue

#26. Kanye West — My Beautiful Dark Twisted Fantasy

#27. Led Zeppelin — Led Zeppelin II

#28. Pink Floyd — The Dark Side of the Moon

#29. A Tribe Called Quest — The Low End Theory

#30. Billie Eilish — WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

#31. Alanis Morissette — Jagged Little Pill

#32. The Notorious B.I.G. — Ready to Die

#33. Radiohead — Kid A

#34. Public Enemy — It Takes a Nation of Millions to Hold Us Back

#35. The Clash — London Calling

#36. Beyoncé — BEYONCÉ

#37. Wu-Tang Clan — Enter the Wu-Tang (36 Chambers)

#38. Carole King — Tapestry

#39. Nas — Illmatic

#40. Aretha Franklin — I Never Loved a Man the Way I Love You

#41. OutKast — Aquemini

#42. Janet Jackson — Control

#43. Talking Heads — Remain in Light

#44. Stevie Wonder — Innervisions

#45. Björk — Homogenic

#46. Bob Marley & The Wailers — Exodus

#47. Drake — Take Care

#48. Beastie Boys — Paul’s Boutique

#49. U2 — The Joshua Tree

#50. Kate Bush — Hounds of Love

#51. Prince — Sign O’ the Times

#52. Guns N' Roses — Appetite for Destruction

#53. The Rolling Stones — Exile on Main St.

#54. John Coltrane — A Love Supreme

#55. Rihanna — ANTI

#56. The Cure — Disintegration

#57. D’Angelo — Voodoo

#58. Oasis — (What’s the Story) Morning Glory?

#59. Arctic Monkeys — AM

#60. The Velvet Underground & Nico — The Velvet Underground and Nico

#61. Sade — Love Deluxe

#62. 2Pac — All Eyez on Me

#63. The Jimi Hendrix Experience — Are You Experienced?

#64. Erykah Badu — Baduizm

#65. De La Soul — 3 Feet High and Rising

#66. The Smiths — The Queen Is Dead

#67. Portishead — Dummy

#68. The Strokes — Is This It

#69. Metallica — Master of Puppets

#70. N.W.A — Straight Outta Compton

#71. Kraftwerk — Trans-Europe Express

#72. SZA — SOS

#73. Steely Dan — Aja

#74. Nine Inch Nails — The Downward Spiral

#75. Missy Elliott — Supa Dupa Fly

#76. Bad Bunny — Un Verano Sin Ti

#77. Madonna — Like a Prayer

#78. Elton John — Goodbye Yellow Brick Road

#79. Lana Del Rey — Norman F*****g Rockwell!

#80. Eminem — The Marshall Mathers LP

#81. Neil Young — After the Gold Rush

#82. 50 Cent — Get Rich or Die Tryin'

#83. Patti Smith — Horses

#84. Snoop Dogg — Doggystyle

#85. Kacey Musgraves — Golden Hour

#86. Mary J. Blige — My Life

#87. Massive Attack — Blue Lines

#88. Nina Simone — I Put a Spell on You

#89. Lady Gaga — The Fame Monster

#90. AC/DC — Back in Black

#91. George Michael — Listen Without Prejudice, Vol. 1

#92. Tyler, The Creator — Flower Boy

#93. Solange — A Seat at the Table

#94. Burial — Untrue

#95. Usher — Confessions

#96. Lorde — Pure Heroine

#97. Rage Against the Machine — Rage Against the Machine

#98. Travis Scott — ASTROWORLD

#99. Eagles — Hotel California

#100. Robyn — Body Talk

[glassfirefly]

On 6 July, the Pink Floyd made their debut on Top of the Pops. […] The group, with Norman Smith, marched into the dressing room. A bevy of stylists whisked them off to wash hair and apply stage makeup. As they returned, Syd was first through the door with his hair styled and makeup in place.

Smith exclaimed, “Syd, you look wonderful!” Barrett, without a word, turned to the large dressing room mirror and stared at his reflection — a rock god with Hendrix perm, satin shirt, velvet trousers, pantomime makeup and kohl-rimmed eyes — the Piper of the underground. For whom was the Piper playing? “Rubbish! This is rubbish!” he cried. Grabbing tissues, he wiped off the makeup and scuffed up his hair. A speechless Smith thought, “My godfathers, he’s an awkward chap, this Syd Barrett.” Jenny Lesmoir-Gordon says, “When Syd had all the makeup, long hair and green velvet trousers, that wasn’t him. I don’t think he was a ‘dresser’. Syd was a nature boy. It didn’t seem to be him, all dressed up.” —Dark Globe (2010), Julian Palacios.