#Hierophany

[noosphe-re]

Every sacred space implies a hierophany, an irruption of the sacred that results in detaching a territory from the surrounding cosmic milieu and making it qualitatively different.

Mircea Eliade, The Sacred and the Profane

[aguavida]

“Mircea Eliade coined the term hierophany to describe the way that the divine reveals itself to us, transforming the objects through which it works. When we make a tree or a stone or a wafer of bread the subject of our worshipful attention, we transform it into a hierophany, an object of the sacred. For the believer, this means that absolute reality has been uncovered, rather than anything fantastical projected upon it. Hierophany is the experience of perceiving all the layers of existence, not just seeing its surface appearance. The person who believes, be it in an ancient animism or a complex modern religion, lives in an enhanced world, having been given a kind of supernatural key to see wonder in the everyday. “For those who have a religious experience,” said Eliade, “all nature is capable of revealing itself as a cosmic sacrality. The cosmos in its entirety can become a hierophany.”

Enchantment - Katherine May

[lifeinthegladhouse]

today she told us she had just been to br4nson.

so we shared about that.

she also wrote a book, ash and something, and theres a portal painted in her house from before she bought it. second time ash and portal came up in this city. book...writing.

later i saw G*ne's gravestone randomly posted online from a shared group of his band.

he who also was in brnson, mo.

why? it was random. today isnt a significant day, not the day he died or was born.

[k-star-holic]

Phantom Singer 4' Riberante Hypocenter "After cousin Son Tae-jin, 'audition winning'

[eeirernst]

Saint Theresa on Extasis

[comparativetarot]

Strength. Art by Klaus Piechocki, from The Hierophanies Tarot.

[givemearmstopraywith]

i just watched someone saying "christianity is and always will be the cultural appropriation of religions" and they mentioned the resurrection, which surprises me a little. do you know what they could be referring to? they also called it a very common trope and i'm no theologian, don't know that much about other religions or mythology, so maybe you could help?

resurrection narratives are absolutely not unique to christianity. there are resurrection narratives in the religion of ancient egypt (osiris), greece (adonis, zagreus, dionysus, and attus), and sumer (dumuzid and inanna). all of these predate christianity by centuries. to consider resurrection myths appropriation is, however, rather ignorant: the mythologies of the ancient near east are absolutely woven together, to the point where they are almost indistinguishable from each other, especially in the early history of the hebrews. the roman empire was heavily influenced by hellenic culture, religion, and philosophy. consider dionysus, the god of wine: plutarch stated that the stories of osiris and dionysus were identical and that the secret rituals asociated with them were obviously paralleled: the second century AD saw the emergence of greco-egyptian pantheons where the god serapis was synonymous with osiris, hades, and dionysus. this is also similar to the interrelationship between inanna, ishtar, asherah, astarte, and multiple other near eastern female deities (and she likely played an influence in the development of lilith as well). how much did the cult of dionysus influence later rites of the wine and the eucharist in early christianity, especially given that within fifty years of christ's death most christians were greeks? romulus and remus were said to have been born to a virgin, and so was the founder of zoroastrianism, zoroaster, a religion that influenced platonic philosophy and all abrahamic faiths.

christianity is more guilty of appropriation that most other faith practices of appropriation because of the crudeness and hatefulness with which it borrowed judaism and then turned on the jews. but attempting to divide western and near eastern religious traditions into pure (original) and impure (appropriated) is next to impossible. otherwise we can start trying to particularize everything as either pure or impure and discard what we deem as "impure" or unoriginal because we think it is valueless, hackneyed, or unethical. religion does not work like that. christianity does require critical consumption and practice because it has both appropriated judaism and because the way in which it exerted itself as a dominant religion over other faith practices. and the appropriation of judaism must be especially viewed as troubling, because judaism cannot be compared, historically, to religions like those of ancient egypt and greece because until the state of israel it was never a dominant or state religion, and the fact that it survived some odd thousand years without being recognized as a state religion is part of why it's particularly interesting. of course, that has changed now, but this ask isn't about israel/palestine and i won't dwell on it this issue much except to reaffirm that christianity appropriating an oppressed minority religion that emerged out of colonial contexts is very different than christianity utilizing aspects of ancient greek religion or zoroastrianism, and also different from jesus being included in islam, for instance.

interestingly, quetzalcoatl, from the ancient aztec religion, was the patron of priests and a symbol of resurrection. this gestures to the hidden sacred, eliade's hierophany: the hidden holiness, the sacrality and beingness of something beyond ourselves, that underlies all existence, with its own explicit truths that emerge consistently in faith practices that, unlike those of the near east, never interacted. maybe we all carried the same stories out of the cradle of civilization; maybe there is a perpetual and accessible truth that transcends boundaries. i don't know. but everything is borrowed. everything is copy. humanity is not capable of true originality: and isn't that beautiful? everything is taken in communion. everyone is interconnected. everyone wants to believe something, and we seem to be universally compelled by the same truths, motifs, meanings, and stories.

[slack-wise]

Troika, Hierophany. 2019, 11077 10 mm black and white dice. 46.7 × 31.8 × 1.6".

Sebastien Noel

[fatehbaz]

In 1678, a Chaldean priest from Baghdad reached the Imperial Villa of Potosí, the world’s richest silver-mining camp and at the time the world’s highest city at more than 4,000 metres (13,100 feet) above sea level. A regional capital in the heart of the Bolivian Andes, Potosí remains – more than three and a half centuries later – a mining city today. [...] The great red Cerro Rico or ‘Rich Hill’ towered over the city of Potosí. It had been mined since 1545 [...]. When Don Elias arrived [...], the great boom of 1575-1635 – when Potosí alone produced nearly half the world’s silver – was over, but the mines were still yielding the precious metal. [...]

On Potosí’s main market plaza, indigenous and African women served up maize beer, hot soup and yerba mate. Shops displayed the world’s finest silk and linen fabrics, Chinese porcelain, Venetian glassware, Russian leather goods, Japanese lacquerware, Flemish paintings and bestselling books in a dozen languages. [...]

Pious or otherwise, wealthy women clicked Potosí’s cobbled streets in silver-heeled platform shoes, their gold earrings, chokers and bracelets studded with Indian diamonds and Burmese rubies. Colombian emeralds and Caribbean pearls were almost too common. Peninsular Spanish ‘foodies’ could savour imported almonds, capers, olives, arborio rice, saffron, and sweet and dry Castilian wines. Black pepper arrived from Sumatra and southwest India, cinnamon from Sri Lanka, cloves from Maluku and nutmeg from the Banda Islands. Jamaica provided allspice. Overloaded galleons spent months transporting these luxuries across the Pacific, Indian and Atlantic oceans. Plodding mule and llama trains carried them up to the lofty Imperial Villa.

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Potosi supplied the world with silver, the lifeblood of trade and sinews of war [...]. In turn, the city consumed the world’s top commodities and manufactures. [...] The city’s dozen-plus notaries worked non-stop inventorying silver bars and sacks of pesos [...]. Mule trains returning from the Pacific brought merchandise and mercury, the essential ingredient for silver refining. [...] From Buenos Aires came slavers with captive Africans from Congo and Angola, transshipped via Rio de Janeiro. Many of the enslaved were children branded with marks mirroring those, including the royal crown, inscribed on silver bars.

Soon after its 1545 discovery, Potosí gained world renown [...]. Mexico’s many mining camps [...] peaked only after 1690. [...] Even in the Andes of South America there were other silver cities [...]. But no silver deposit in the world matched the Cerro Rico, and no other mining-refining conglomeration grew so large. Potosí was unique: a mining metropolis.

Thus Don Elias, like others, made the pilgrimage to the silver mountain. It was a divine prodigy, a hierophany. In 1580, Ottoman artists depicted Potosí as a slice of earthly paradise, the Cerro Rico lush and green, the city surrounded by crenellated walls. Potosí, as Don Quixote proclaimed, was the stuff of dreams. Another alms seeker, in 1600, declared the Cerro Rico the Eighth Wonder of the World. A [...] visitor in 1615 gushed: ‘Thanks to its mines, Castile is Castile, Rome is Rome, the pope is the pope, and the king is monarch of the world.’ [...]

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For all its glory, Potosí was also the stuff of nightmares [...].

Almost a century before Don Elias visited Potosí, Viceroy Francisco de Toledo revolutionised world silver production. Toledo was a hard-driving bureaucrat of the Spanish empire [...]. Toledo reached Potosí in 1572, anxious to flip it into the empire’s motor of commerce and war. By 1575, the viceroy had organised a sweeping labour draft, launched a ‘high-tech’ mill-building campaign, and overseen construction of a web of dams and canals to supply the Imperial Villa with year-round hydraulic power, all in the high Andes at the nadir of the Little Ice Age. Toledo also oversaw construction of the Potosí mint, staffed full-time with enslaved Africans. [...] Toledo’s successes came with a steep price. Thanks to the viceroy’s ‘reforms’, hundreds of thousands of Andeans became virtual refugees (those who survived) and, in the search for timber and fuel, colonists denuded hundreds of miles of fragile, high-altitude land. [...] The city’s smelteries belched lead and zinc-rich smoke [...].

The Habsburg kings of Spain cared little about Potosí’s social and environmental horrors. [...] For more than a century, the Cerro Rico fuelled the world’s first global military-industrial complex, granting Spain the means to prosecute decades-long wars on a dozen fronts – on land and at sea. No one else could do all this and still afford to lose. [...]

By [...] 1909 [...], mineral rushes had helped to produce cities such as San Francisco and Johannesburg, but nothing quite compared for sheer audacity with the Imperial Villa of Potosí, a neo-medieval mining metropolis perched in the Andes of South America.

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Text by: Kris Lane. “Potosi: the mountain of silver that was the first global city.” Aeon. 30 July 2019. [Bold emphasis and some paragraph breaks/contractions added by me.]

[bernardperroudart]

Bear Kirkpatrick. Hierophany .

[noosphe-re]

Etymology of ‘hierophant’

"expounder of sacred mysteries," 1670s, from Late Latin hierophantes, from Greek hierophantes "one who teaches the rites of sacrifice and worship," literally "one who shows sacred things," from hieros "sacred," from PIE root *eis-, forming words denoting passion (see ire) + phainein "to reveal, bring to light" (from PIE root *bha- (1) "to shine"). In modern use, "expounder of esoteric doctrines," from 1822.See Translation (beta)

—Etymonline

[eesirachs]

the thing about prophets lying to god is that he lies right back. and when prophets shrug under their mantles and gesticulate signs with no hierophany and all boredom, god, too, does something that sounds so much like a sigh, flippantly throwing signs back at his prophets with a kind of dull theater. the god of the bible could care less how he is spoken to. only that the speaking happens. and anyway, i am starting to think he gets a kick out choosing people who spit in his face

[dominarianplowshare]

I wrote about Auras!! Give it a read!!

[nastrond-skelly]

Today i learned the word Hierophany

[comparativetarot]

Temperance. Art by Klaus Piechocki, from The Hierophanies Tarot.