#Hideo Takeda
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jareckiworld · 2 years ago
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Hideo Takeda — Surprise Attack Upon Hiyodorinoe  (Genpei War Series) silkscreen, 1985.
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victusinveritas · 5 months ago
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Art by Hideo Takeda
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medusa-full-of-wrath · 1 year ago
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Art by Hideo Takeda
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eucanthos · 2 years ago
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Hideo Takeda   (JP, 1948)
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Tattooed Man, 2015 「MONMON」 series
unique edit [img overlay]
http://www.hideotakeda.com/works.html
https://www.instagram.com/p/B091NgEgUyS/
thnx memoriesofthingspast
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sergioguymanproust · 1 year ago
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The Japanese have a morbid interest in all things related to death , something so deep and disgusting that I believe it is born out of their origins, related to Mongolians and even Tibetans and Buddhism on how their universe is represented ,hell and how dark entities are always ready to dismember and even eat corpses in the afterlife, how death preys upon human flesh.It is as if we humans are nothing but morsels to be savored and cleaned before they go to their respective place in hell or heaven. These horrific images can only come from someone who has an obscene and dark energy. The Japanese mythology is filled with strange and demonic entities that live deep in the woods. Just the look at the avatars and demons that guard the many Buddhist temples and Shinto shrines. They are there to protect Buddha or cryptid dogs in the case of shrines. Well, in my humble opinion just like we have a morbid fascination with skulls which I believe also is overrated and disgusting in my view. What is the need to celebrate death,when we know that we really never die ,we are immortal souls.We keep repeating the same mistakes over and over again.Civilization after civilization,instead of concentrating in the light we keep behaving like dark souls ! We relish in killing fellow humans ,we are constantly creating weapons of destruction,instead of building for the good of humanity. Well, it is indeed part of our psyche,our vestige of our reptilian brain and nature.Words by Sergio GuymanProust.
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Death of Taira Kiyomori, from the Genpei series, published by Taninaka Silk Editions in Kyoto on April 22nd 1985.
Takeda, Hideo (1948 - )
More from the Genpei series More japanese art
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the-monkey-ruler · 12 days ago
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Alakazam the Great (1960) 西遊記
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Director: Yasushita Taiji / Tezuka Osamu / Shirakawa Daisaku Screenwriter: Keinosuke Uekusa Starring: Kiyoshi Kozuyama / Noriko Shindo / Noriko Shindo / Tamachi Kato / Kawakubo House / Wind Festival Ryoichi / Hideo Kinoshita / Setsuo Shinoda / Nobuaki Sekine / Kuniku Takeda / Katsuko Ozaki / Michiko Shirasaka Genre: Animation / Fantasy / Adventure Country/Region of Production: Japan Language: Japanese Date: 1960-08-14 (Japan) Duration: 88 minutes / USA: 84 minutes Also known as: Saiyu-ki / The Enchanted Monkey / The Magic Land of Alakazam / 西游记 IMDb: tt0054265 Type: Retelling
Summary:
One day, an unusual monkey is born from a stone. The stone monkey befriends a fellow monkey named Rin-Rin and is later crowned king of a tribe of monkeys after he proves his courage by diving into a dangerous waterfall. He becomes arrogant as king, much to his subjects' dismay and he grows insecure when he learns about the existence of humans from Rin-Rin, who claims they are the smartest beings around. The stone monkey seeks out a wise hermit and forces him to make him his pupil. The hermit teaches the stone monkey considerable magic abilities and rechristens him Son Goku. Goku shows off his new abilities to Rin-Rin, and to further impress her, goes to heaven to retrieve the sacred fruit the hermit fed him.
In heaven, Goku causes mischief, and overpowers the celestial forces sent after him. He defeats General Kinsei and takes his staff but loses a shape-shifting duel with Jiroshinkun. Goku meets Buddha, who challenges him to fly off his hand, a challenge Goku arrogantly accepts. Goku fails and is imprisoned by Buddha beneath the Five Elements Mountain. Rin-Rin takes care of Goku during his imprisonment as his arrogance gradually fades. When Rin-Rin nearly succumbs to a blizzard, she is saved by Kanon, who heralds the arrival of the monk, Genjo Sanzo, who frees Goku and asks him to accompany him to a pilgrimage to Tianzhu to retrieve a sacred sutra. Goku accepts the mission after Sanzo places an unmovable headband around him that Sanzo can tighten at will.
During their journey, Goku and Sanzo meet a father and daughter. The daughter is pursued by a monster who wants to marry her. Goku disguises himself as the girl and takes her place when the monster, the pig-man Cho Hakkai, arrives that night. Goku reveals the deception, forcing Hakkai to flee for his home, with Goku giving chase. Goku is confronted by Hakkai's half-brothers, Ginkaku and Kinkaku, who trap him in a gourd which melts anyone inside it. Goku escapes, and tries to trap the brothers in their gourd, but he is thrown into a pit with a giant scorpion. Goku narrowly defeats the scorpion and traps the two in their gourd. Goku spares Hakkai when he hears Rin-Rin's voice and allows him to accompany him and Sanzo.
Meanwhile, the imp Shoryu informs his master, Gyū-Maō, about Sanzo’s pilgrimage. Gyū-Maō tasks Shoryu to lure Sanzo and company to his dominion of the Flaming Mountains so he can eat the monk and extend his lifespan. Shoryu attacks the group in the desert, scaring away Sanzo's horse and capturing him. Goku saves Sanzo, though Hakkai accidentally loses their food during the chaos. Later, the group comes across the castle of the man-eating ogre Sa Gojō. Gojō tries to eat Hakkai and Sanzo, but Goku defeats him and convinces him to join their pilgrimage.
When the group reaches the Flaming Mountains, Shoryu turns Sanzo's companions against each other, but Sanzo manages to calm them down. Gyū-Maō causes a volcanic eruption which blocks the group's path. Goku learns about the Basho-Sen, a magical fan owned by Gyū-Maō’s wife, Ratsunyō, which can freeze the lava flow. He and Hakkai disguise themselves as Gyū-Maō to retrieve the fan, but are caught by Ratsunyō, who captures Hakkai while Goku escapes with the fan. Shoryu tricks Goku into giving him the fan by disguising himself as Sanzo, whom Gyū-Maō had earlier captured. Shoryu freezes Goku and pushes him into the lava. Although Goku survives, he is left paralyzed and unable to use his powers.
Gyū-Maō prepares to cook Hakkai and Sanzo for a large feast with his fellow demons. Gyū-Maō betrays Shoryu and traps him in a jar. Goku and Gojō rescue a repentant Shoryu, who gives Goku a healing potion. They rescue the others in time and fight Gyū-Maō and his group. Hakkai freezes Ratsunyō and Goku defeats Gyū-Maō, causing him to fall into lava, which Hakkai freezes with the fan. The group makes peace with Shoryu and travels to Tianzhu, where they meet with Buddha and Kanon. Buddha removes Goku's headband and gives the pilgrims the sutra. They return to China, where Goku reunites with Rin-Rin and his subjects.
Source: https://en.wikipedia.org/wiki/Alakazam_the_Great
Link: https://www.youtube.com/watch?v=ydgTTsBixh4 https://www.youtube.com/watch?v=-4ytPE0o28Q
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trashexplorer · 9 months ago
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BLCD Review: Old-fashioned Cupcake 2
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Title: Old-fashion Cupcake with Capuccino (オールドファッションカップケーキwithカプチーノ)
Author/Artist: Sagan Sagan
Shop: CD + Manga
Release Date: 2021/12/22
Cast: Azakami Youhei x Okitsu Kazuyuki
Review Proper
What to say? Maybe it's the ADHD or the fact that I just came from two long BLCDs, but I'm always in a bad headspace when I listen to OFC. 😅 The second volume just went the second route of sequels: misunderstandings/insecurities featuring third-party appearances. I really get where Nozue-san's coming from and I'm not saying that his insecurities are invalid or whatever—it's just that he's the one who wanted to make their relationship low-key, but he was doing the worst job at it. 🙄And like what I've said in my review for volume 1, they don't have a big age gap, so this age gag with Nozue-san just annoys me. It doesn't help that they mention it every five pages or so. The more Sagan Sagan does it, the more Nozue-san's age sounds more like an excuse than a gag.
Yoneda Kou's spoiled me to the point that I can't accept anything less, it seems. 🤷Don't blame me for comparing, they also have a Togawa over there.
Anyway, that's enough of the plot.
Chil-chil 2023 was a lie. There is no way Okitsu placed fourth while Youhei placed 13th. If anything, they should be reversed—and that's coming from me, one of the biggest Okitsu whores on this site. But being an Okitsu simp also means I know how that man sounds like, and that man sounds awkward af in this tone. His Nozue-san is too slow and too light for him. Nozue-san does have moments where he'll explode in panic or anger, but considering how light and slow Okitsu's portrayal of him is, you would expect his explosions to be more on the lighter side, right? WRONG. HE GOES FULL JONATHAN JOESTAR TO DO IT LMAO
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SUNLIGHT YELLOW OVERDRIVE!!!
I failed to mention in my first review that Nozue-san looks like Italy from Hetalia which is why I wanted NamiD for him... if he wasn't so problematic. Anyway, thankfully, we have a live-action. I very much prefer Kouhei Takeda over Okitsu as Nozue-san. HAHAHAHAHAHA
Youhei was the true MVP of this BLCD. I don't get how he placed so low. He was very stable, and his sex appeal shined throughout the CD. It kind of reminds me of Maeno's tbh. Chil-chil 2022 might've robbed him, but this man has earned his seat at the "tops you should look out for" table in my view. Congratulations!
The BLCD was pretty accurate to the manga. Read-alongs are indeed possible with it, but I will say that I had an issue with SuBLime's localization. For one thing, the second volume wasn't consistent with the first. Togawa calls Nozue-san "Mr. Nozue" in the first volume while he calls him "Nozue" in the second.😑I don't want to go on a long rant about honorifics, but when it comes to stories where age is an important factor, I am firm in my belief that the Japanese or a close English equivalent should be used. It's a Japanese story set in Japan; it's not your culture to localize. There, I said it.
Also,
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Yes, we stan being redundant even when the original wasn't. 😌 I wouldn't be nit-picking if y'all just licensed Koi ga, SuBLime.
Still, please try supporting the official transla localization if you can. I can't say that the production was great because of Okitsu, but this actually placed fifth in the 2022 awards, so do with that info what you wish. If y'all want more office bl, then I shamelessly recommend Yoneda Kou's Doushitemo Furetakunai (Ishikawa Hideo x Nojima Kenji) and Soredemo, Yasashii Koi o Suru (Morikawa Toshiyuki x Nojima Hirofumi).
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yeonchi · 1 month ago
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Koei Warriors Retrospective Part 9: Samurai Warriors 2
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Samurai Warriors 2 (戦国無双2) Platforms: PlayStation 2, Xbox 360, PC Release dates: Japan: 24 February 2006 (PS2), 17 August 2006 (Xbox 360), 11 July 2008 (PC) USA: 19 September 2006 (PS2), 19 September 2006 (Xbox 360), 27 June 2008 (PC) Europe: 22 September 2006 (PS2), 22 September 2006 (Xbox 360), 27 June 2008 (PC)
For years, what I knew about this game and the Samurai Warriors series in general came from the Warriors Orochi games. I didn't know a lot about the figures or battles of Sengoku era Japan unless I researched it on Wikipedia or eventually played the games.
While writing my personal project in 2014, the order of adapted battles in the story for that year went as follows: Mikatagahara, Odawara, Nagashino, Shizugatake, Okehazama, Komaki-Nagakute, Sekigahara, Ōsaka and Honnōji. If I had a more proper understanding of the game and the era, I probably would have done those things in order, but then again I'm just making up my story and not entirely adapting history.
Like how Dynasty Warriors 5 was made more historical than previous games, Samurai Warriors 2 was the equivalent for its series. This game goes past Nobunaga's era to focus on Hideyoshi's unification of the land and the Battle of Sekigahara, introducing characters associated with said battles. The visuals are made golden to contrast the darker colours of the previous game.
Let's get into the guts of it right after the break.
Samurai Warriors 2
Starting off with the characters now, and one thing to note is that the character lineups are not consistent between games as characters have been cut and reintroduced as the series goes on. As such, Goemon Ishikawa, Kunoichi and Yoshimoto Imagawa have been cut from the game, but their images can still be seen in Sugoroku and the Battle of Okehazama is still mentioned at the start of the Story Mode for related officers.
Okuni and Ranmaru Mori are still in this game, but they have no Story Modes. Okuni is unlocked by winning a game of Sugoroku while Ranmaru is unlocked by playing the first two Mitsuhide and Ranmaru's Requests in Survival Mode. Their fourth (and later fifth) weapons are also unlocked in Survival Mode as well.
Here are the new characters debuting in this game:
Ieyasu Tokugawa (PC'd)
Mitsunari Ishida
Nagamasa Azai (PC'd)
Sakon Shima
Yoshihiro Shimazu
Ginchiyo Tachibana
Kanetsugu Naoe
Nene
Kotarō Fūma
Musashi Miyamoto
Kojirō Sasaki (NPC)
Katsuie Shibata (NPC)
As listed above, Ieyasu Tokugawa and Nagamasa Azai are now made into playable characters, with Nagamasa's seiyuu changing from Takayuki Sasada in 1 to Hiroshi Kamiya from this game onwards. Nene essentially replaces Kunoichi's role as a female shinobi in this game. Yoshihiro and Ginchiyo's introduction also marks the introduction of the clans of Kyūshū, most notably the Shimazu and the Tachibana (through the Ōtomo clan). Katsuie Shibata and Kojirō Sasaki are the new NPCs appearing in this game; they can be unlocked as bodyguards for 6,400 gold in the shop after clearing a mission in Survival Mode. The narrator in the Japanese dub has been changed to Daisuke Gōri, who also voices Shingen Takeda.
Hideyoshi Hashiba is now known as Hideyoshi Toyotomi from this game onwards, with his seiyuu changing from Munehiro Tokita to Hideo Ishikawa. Historically, the name Toyotomi was granted to Hideyoshi and his clan by the Emperor in 1586. In this game, Hideyoshi's surname is never mentioned and he is only known by his former name when he's an ally or enemy before the Conquest of Kyūshū (Shikoku in XL); when you play as him, he will always be known by his new name no matter what battle you play. Later games would make the distinction clearer and more accurate, with Hideyoshi being known under Hashiba or Toyotomi depending on what year the battle took place (except for the stages where he wasn't originally featured in 3 in which case is is always known under Toyotomi).
Story Mode is made up of five (individualised) stages per character (no splitting paths or special conditions) with an extra Gaiden/Dream stage after completing the first five. Ieyasu and Mitsunari, being the leading figures at the Battle of Sekigahara, get a sixth story stage. For Kenshin, Oichi, Magoichi, Mitsunari and Yoshihiro, their Dream stages are unlocked after also fully clearing the Story Modes for Shingen, Nō, Masamune, Kanetsugu and Yukimura. The stages Village Rescue (set in Saika) and Pirate Hunt (set at Ōsaka Bay) are used as filler stages for 10 characters (including Kojirō in XL).
Free Mode is streamlined from how it was in the first game; each (or rather, most) battles have only two sides to play as and they utilise one character's version of each battle from Story Mode (with some exceptions depending on who you play as). Reused stages and Dream stages are excluded in this mode. One thing you will notice is that Odawara Castle has two versions for the west and east sides, though I wish they didn't name both versions as Siege of Odawara Castle (小田原城攻略戦) even though it is technically correct. All battles are one part only (thank god), with castles being incorporated seamlessly onto the maps.
Although battle objectives/missions still exist, battles are not entirely defined by them, meaning that objectives only trigger when you approach certain areas or officers. Also, for the first time, there are no subofficers listed in the officer/Unit Info list, meaning that player characters are listed individually in the list. If you're not a listed officer in the battle, you are shown at the bottom of the list, which is still better than being listed under the commander as "Player 1" or "Player 2". Third-party armies are now displayed in a separate list to the enemy army so more than 12 enemy units can be placed on the map.
Speaking of missions and Odawara, the west map features a mission where you have to defend a siege ramp. The siege ramp in that stage has got to be the weakest siege ramp ever because every enemy that comes near it will try to attack it and it gets destroyed if you leave it alone for more than 30 seconds. The Battle of Chencang in DW5 was less intense in comparison.
Survival Mode continues from the last game. Instead of offering two (or three) modes to choose from, you're given four missions to choose, some of them free and some of them paid. Each mission has five floors and you have the option to save after each one. In the free missions, you have Search for a Hero (強き者求む) which is just randomised missions, or the request storylines from Ranmaru, Mitsuhide and Keiji which cover you for the first 50 floors.
Once you get to that point, you're able to skip up to floor 51 on a new playthrough by paying a fee. The game goes up to floor 100 but you can continue on if you want to. Floor 71 has missions to unlock two rare horses, Persian Mare and Moon Child (Hoshōtsukige/放生月毛). Floor 76 has missions to unlock Katsuie and Kojirō. Also on floor 71 along with 86 and 96 are missions to unlock three Level 4 skills, but you need to have your character's respective Level 3 skills before attempting to unlock them otherwise you're just wasting your time. The good thing is that once you've done this for one character, you don't have to do this again for everyone else. When you get those Level 3 skills, you can just buy the Level 4 skills at the shop.
Sugoroku is a unique mode in that it's a Monopoly-esque game unlike the traditional Japanese board games. You play with four opponents (human or CPU) and the overall objective is to be the first player to achieve a particular gold amount set at the beginning (from 5,000 to 50,000 gold). You can choose between a small map covering only Honshū or a large map covering all of Japan.
As you go around the board, your focus is to obtain three flags scattered randomly on the map and return to home base to move up a rank. While you do this, you buy unoccupied territories to claim rent from the other players and take occupied territories by challenging their owners in one of six different challenges (provided without a separate Challenge Mode).
If you land on a shrine, you'll get to roll two dice to determine what happens to you; you might earn gold, increase land prices (fucking Asian real estate developers lol), take another turn with one or two dice, lose gold, teleport to another square or make things happen to everyone. If you roll a double here, you're taken to achieve a goal in a challenge; completing it will give you 100 gold, but failing it will cause that reward to be rolled over for the next double roll challenge. The weird thing about the shrine dice rolls is that it's hard to determine which die will determine which category or challenge until they land and rearrange themselves (ie, if die 1 lands on the right and it decides the left number, vice versa with die 2). If they made it so you roll one die at a time or made both dice different colours, then you could have a better idea of what to expect.
This game does take some time to play, even for a 5,000 gold target. The bad thing about this is that you can't save and move onto something different, even in a single player game, but that's what emulators are thankfully good for. At the end of the game, you get about 12.5% of your final gold total to use in the rest of the game, which is just paltry for the effort required to play it. I'll come back to gold earnings later.
In battle, Special Skills are a new mechanic introduced in this game, triggered by pressing R1, then pressing either Square or Triangle. This functionality replaces ranged attacks from the first game. With the introduction of Special Skills, a very small number of characters are able to summon horses, those characters being Yukimura and Keiji (and later Toshiie in XL). If you ask me, it is a bit unfair that only three characters can summon their horses, but rest assured that this does get fixed in future titles.
Two new moveset types have also been introduced for characters in addition to the Charge Attack moveset from the last game, namely the Normal Attack moveset and Special Skill movesets. Some characters from the last game retain their Charge Attack moveset while others have their attacks reassigned for the Normal Attack moveset or nerfed for the Special Skill moveset. For the Normal Attack moveset, Normal Attacks go up to N12 while Charge Attacks go up to C8 and are single-tiered. For the Special Skill moveset, it remains similar to the Charge Attack moveset except the Charge Attacks are only double-tiered, but both Special Skills are triple-tiered.
The Musou bar is upgradable to three levels, with the maximum reached by the time you reach the maximum level of 50. You can unleash a Musou Attack as long as the first section of the bar is filled, meaning that you can only manually charge it up to that point (but let's face it, who does that anyway). The first and second level Musous only affect the colour of the finishing shockwave (from blue to green) while the third level Musou adds a secondary effect depending on the character (while also changing the finishing shockwave to yellow). The same applies to the True Musou Attack as well.
Holding down the Circle button on horseback no longer swings your weapon like it did in the last game and DW, but you can still perform Normal and Charge Attacks while charging around. This game would begin a trend of horseback Musous just being bland rampages.
The right analog stick can now be used to rotate the camera, something that would be included in future Warriors games from this point forward.
Between battles, you will be able to access the shop to upgrade your weapons and skills. The shop is run by Saya, the master's daughter from the first game's New Officer Mode (who also slaps Magoichi in the first movie of his Story Mode). She will continue to make appearances as the shopkeeper in future games.
Four levels of weapons continue to be offered from the previous game. Weapons can have up to eight slots for attributes (going up to level 20 in a similar manner to DW5) and they can also have an element that is activated when you have one level filled in the Musou Gauge. The Dark element from the last game has been replaced with the Wind and Demon/Death elements. You can upgrade your weapon with a random ability for the price of 100n + 400, where n is the number of times you've upgraded your weapon. There is a chance that you may get a duplicate attribute; the stats do stack but you can have a maximum of 3 copies for that particular attribute.
Skills are a new mechanic that replaces the item system from the first game. Characters can learn skills by buying them in the shop, levelling up or stealing (or rather, learning in the English version) from enemy officers. Excluding rare skills, you'd be looking at spending 81,600 gold to buy all non-rare skills up to level 3, then another 30,000 gold to get the three level 4 skills. Rare skills can be learnt on Hard difficulty and above by defeating certain playable officers. When your character reaches a certain level (in a multiple of 10), they will learn a quasi-unique Self Skill. Skills can be turned on and off before starting a battle.
Bodyguards are also reduced to being a single officer instead of a group of four soldiers (also similar to DW5). They can be levelled up to a maximum level of 20. There are 10 classes of bodyguards and you can keep up to 8 of them (out of a total of 54), but if you were to hire everyone, you'd be looking at spending 153,900 gold. Once again, bodyguards only have voice lines when they are killed.
My main gripe about this game are the costs to purchase things in the shop when compared to the amount of money earned each battle. Amongst the collectible items in the game, you can collect up to 100 gold at a time, with level 4 Greed giving you a multiplier of 1.8 for a total of 180 gold. Given how much things in the shop cost, you can only really afford to do so much before you run out of money. Compound that with the fact that there are 26 playable characters in this game (32 with Xtreme Legends) and it does take a while for you to get your character decently powered-up. Of course, if you've spent a lot of time on this game (particularly 18 years ago when this game was first released) then this will be nothing to you, but this is coming from me who's only been playing it for two years in the hope of eventually reviewing it.
New Officer Mode has been removed in this game, but the closest thing to playing the CAW sword, spear and naginata movesets, along with the movesets of various troop types, is by using one of Nene's Special Skills, which can make her disguise herself as a nearby soldier or officer.
No new voice lines have been recorded for Survival Mode (like with the last game), so the only voices you'll be hearing are those that were already in the rest of the game. Some lines have been recorded for player characters in Sugoroku, but I'm not sure if they were also heard in other areas of the game. This can't be traced back to lazy localisation (we haven't even got to that point yet) because I've been playing this in Japanese and I've experienced the same thing, though I suppose if the lines were voiced in the Japanese version and not the English then this issue wouldn't have stood out that much and I probably wouldn't have noticed it when I did.
Now let's talk about the English localisation of this game and hmm... are those the English voice actors being credited in the credits? Breaking with what should be tradition for Warriors games, the localisation for this game was done in Canada, the actors provided by Total Casting and the dubbing produced by Agile Sound, both being subsidiaries of Montreal-based Agile Entertainment. No justification is given as to why Koei decided to use another company instead of Voicegroup for localisation, but a lot of fans I've seen do seem to like the English dub for this game. As someone who came to this series after playing Warriors Orochi however, I honestly can't get used to it as it sounds kind of bland in some places, but hey, I guess that's my toxic nostalgia talking. Looking forward though, I can see how some character lines from this game inspired those in Warriors Orochi.
For the first time, the PC port of SW2 does not have any enhancements like DW4 Hyper or DW5 Special. Once again, given the timing of that release, the lack of Xtreme Legends features in PC ports continues to confound and infuriate.
Samurai Warriors 2 Xtreme Legends
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Samurai Warriors 2 Xtreme Legends (戦国無双2 猛将伝) Platforms: PlayStation 2, Xbox 360 Release dates: Japan: 23 August 2007 (PS2), 14 April 2008 (Xbox 360) USA: 18 March 2008 (PS2), 16 April 2008 (Xbox 360) Europe: 28 March 2008 (PS2), 16 April 2008 (Xbox 360)
Uniquely, the Xtreme Legends expansion for SW2 was released after its Empires spinoff, explaining the nearly 18-month gap between the vanilla game and the expansion as opposed to the 6 month gap in the case of DW4 and 5. At least DW3XL came out nearly a year after its vanilla release.
This game also marks the first time that (the full content of) an Xtreme Legends expansion is made available on a non-Sony console. With the Xbox Live Marketplace being the first digital game distribution shopfront of its kind, SW2XL was made available on the Xbox 360 as DLC in April 2008, it being compatible with both the physical and digital versions of the vanilla game. Such a shame it's no longer available for purchase now that the marketplace closed down at the end of July 2024.
In Japan, the DLC release was a month after a physical version was sold on 19 March 2008 in the form of a "with Xtreme Legends" Complete Edition. This also begins a confusing tradition of Complete Edition games being released alongside Xtreme Legends expansions exclusively in Japan. Such a thing wouldn't happen in the West until DW8.
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Some PS2 players have reported issues with this game, particularly those with older "fat" models and Slim models, due to the game being on a dual layer DVD-9 disc and the laser reader sometimes having issues with it.
5 new playable characters make their debut in this game:
Toshiie Maeda
Motochika Chōsokabe
Gracia
Kojirō Sasaki
Katsuie Shibata
Kojirō and Katsuie were previously made playable in Empires, but this game gives them new unique weapons. Motochika's introduction introduces the Chōsokabe clan of the Shikoku region as well. Gracia, the daughter of Mitsuhide Akechi also known as Tama(ko), is never named by any of the characters in any game she appears in. Granted, Gracia is her Catholic name and she wasn't baptised until 1587 when Hideyoshi was conquering Kyūshū, but it's kind of weird to have characters refer to her as "Mitsuhide's daughter" or something vague.
Yoshimoto Imagawa makes a return in the expansion after being cut from the vanilla game. As such, Okehazama returns as a stage in this game and a new stage, Shikoku, is introduced.
Toshiie Maeda is an example of a generic officer being upgraded to a playable character in the expansion. However, the extent of how he is upgraded when seems to vary. See, the assumption is that when a generic officer is made playable in an expansion, that officer's appearance in other stages is upgraded to their playable appearance (which does happen in later games). In the case of Toshiie in this game, some of his appearances are straight-up upgrades, but in some stages he is replaced by another generic Oda officer like Nagahide Niwa, Nagayoshi Mori or Nagachika Kanamori. This happens regardless of whether Toshiie was an allied or enemy officer in the vanilla game.
So yeah, all the Xtreme Legends trimmings are there, from Story Modes for the new characters, Novice and Expert difficulties to fifth weapons for all characters, including Ranmaru and Okuni which once again, are only unlockable in Survival Mode. Levels are increased to 70 for player characters and 30 for bodyguards.
In regards to Musou Mode, the final cutscene movie of Toshiie's Musou Mode has been changed in Western releases for the Xbox 360 and the European release for the PS2, but it is intact in the US release for the PS2 and all Japanese releases. The original cutscene shows Toshiie, in grief over Katsuie's death, punching out Hideyoshi while proclaiming his new duty to watch over him and share the burden he bears. In the changed versions, the cutscene was changed to be a shortened replay of Katsuie's final cutscene where he farewells Toshiie before resigning himself to his fate inside a burning Kitanoshō Castle. I presume this decision was made for censorship reasons due to violence, which is kind of weird considering the nature of this game and the fact that Toshiie gets punched himself in earlier cutscene movies.
New charge attacks are introduced for all characters, namely the C5 for the Charge Attack and Special Skill movesets and the C9 for Normal Attack movesets. They are all single tier and some of those attacks may also incorporate elements of their Special Skills.
Two new sections have been added to the shop. When your character reaches level 19, Special Skills will be available for purchase, but note that buying one only buys it for that character and not everyone else. To buy all 15 Special Skills you'd be looking at spending 417,000 gold per character. If you don't want to spend that much, then take note that some characters' Self Skills are the same as Special Skills such as Finesse/Spring, Resist/Balance, Omniscience/Awareness, Pressure/Repel and Resist/Confidence. Only one Special or Self Skill can be equipped on a character.
The other new section in the shop is Orb Synthesis. Using orbs, you can directly add attributes of +20 to your weapon or even change your weapon's element, even for fourth and fifth weapons and weapons with no attribute slots. Orbs are mostly obtained through Mercenary Mode, but in rare cases they can also be found in Story and Free Modes (though I suppose the chances are higher on harder difficulties). The cost to do this is x*y where 0 < x < 9 for the number of slots and y < 5 for the weapon level, which potentially makes it more expensive than when . Weapons without attribute slots (usually initial weapons) are treated as if they had one and fifth weapons are charged the same as fourth weapons. The maximum limit of three copies per attribute still applies.
Mercenary Mode is the new unique mode added to this game. It serves as a great grinding mode for experience, gold and orbs, plus this is arguably easier than Xtreme Mode in DW4XL and 5XL, probably because it carries over your gold and character stats from the rest of the game.
After selecting your character, you can choose from three battles that all have different objectives and handicaps, such as starting with low health, multiplied damage or nullified guarding. You earn gems after each battle and as rewards for completing special missions.
Guards can also be hired between battles for 10 gems each. You can deploy two guards at a time with an additional three in reserve. After playing or deploying a character for a certain amount of turns (certain rewards can reduce this), they are able to be levelled up, granting them an additional skill. Skills include automatically opening gates when approaching them, using some of your Musou gauge to create a barrier, earning an extra gem every 50 KOs and nullifying enemy quagmires (giggity)/birdlimes/tar traps, poison attacks and fire attacks. Skills apply from both the player character and the guards deployed, so it's a good idea to ensure you have as many bases covered as you can.
As you play battles with clans, they will give you rewards the more you play with them. When you play 7 battles under the same clan, you will be offered to join them as a retainer for 50 gems. Once you do, no other clan will give you rewards while the clan you joined will continue giving you rewards the more battles you play under them.
Special events will appear in the menu throughout your playthrough. Some of these may be rewards from various people, requests for assistance that unlock special missions, or offerings that unlock Precious Swords. I'm not sure if those missions expire, but if you're aiming for the second ending, then it's a good idea to complete them as soon as you have the gems for them.
There are two ways to clear Mercenary Mode. The first way is to join a clan and fight another 7 battles under them for a total of 14, at which point you can fight a battle to unite the land and clear the mode. The second way is to collect all ten Precious Swords and unlock a battle for supremacy, where you will have to fight three officers in hyper mode to clear the battle. This battle doesn't happen until you reach battle 100 because of how the Precious Swords are collected and there's nothing special after that. As such, there is no reason to replay with the second way other than to get the associated achievements/trophies because the first way is faster.
Like with Survival Mode in the vanilla game, no new voice lines have been recorded for Mercenary Mode. Is it so much to ask for consistency?
Samurai Warriors 2 Xtreme Legends HD Edition (Sengoku Musou 2 with Moushouden HD Ver.)
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Samurai Warriors 2 Xtreme Legends HD Edition (戦国無双2 with 猛将伝 HD Ver.) Platforms: PlayStation 3, PlayStation Vita Release dates: Japan: 24 October 2013
This is the version of the game I've been playing for the purposes of this review. Why did I pick this version for it? Well, I was able to get most of the Samurai Warriors games on the PS3 anyway, so why not get this version of SW2 and make RPCS3 my Samurai Warriors hub? Sure, I could play the Xbox 360 version for a widescreen experience that's closer to the original PS2 release, but why the hell should I go to the effort of setting up Xenia for it when I could just get this?
In 2013, Koei (Tecmo) rereleased SW2XL alongside Empires in an HD Edition for the PS3 and PS Vita. Both games are sold separately on the PlayStation Store, but on the PS3, they can be bundled into a single digital package or a physical disc, meaning that when you launch the game, you are greeted with a launcher that allows you to select between the two games. This also allows you to switch between the games by going back out of the main menu and into the launcher without having to change discs or exit to the Home Screen/XMB. Save data and trophies remain separate between the two games.
The main enhancement of the HD version is that this version takes advantage of the PS3's capabilities to deliver improved graphics and more enemies on screen. Apparently this version also makes use of the AI engine from the next game, Samurai Warriors 3, and while I haven't seen any Japanese sources to confirm this, I can say that you do get a bit of that feeling, particularly in Empires. All modes and characters are available from the start.
With this game also being available on the Vita, ad-hoc multiplayer gameplay is available (Sugoroku only allows you to have two players playing wirelessly against two CPU players). Cross-save functionality is also available between the PS3 and Vita through the PlayStation Network. This would also become a thing for later games, although in general, I wish Sony made it so that save files can easily be copied between different consoles, like the PS3 and Vita via USB, without necessarily having to be logged into the PSN. However, this would essentially require companies like Sony to believe in the philosophy of free and open source software (FOSS).
If there's one thing I could say about this port, it would be, WHY WASN'T THIS PORT RELEASED TO THE WEST? The localisation already exists, so it would be easy to publish a localised port of a remastered game. Considering what happened with the Western release of Samurai Warriors 3, this game could have been an easy cash grab to make up for it while also being a nostalgia trip for people who played the game on the PS2 or Xbox 360. Koei (Tecmo) aren't the only main factor in this as Sony also plays a factor in the decision to publish games and ports. This is something I'll come back to when we cover Warriors Orochi Z.
Rant: Why I play in Japanese/MobileJOY
Before I started this retrospective, I stated that I would be playing the Japanese or Asian versions of the games over the English versions where possible. There are multiple reasons for this.
Firstly, there are some games and ports that were only available in Japan/Asia, such as SW2XLHD, SW3Z and WOZ. Secondly, and this ties into the first reason, I don't want to waste time setting up and going between other emulators (like Dolphin for SW3 on the Wii or Cemu for WO3 Hyper on the Wii U) to play the games in English. As it is, I'm already playing Xtreme Legends expansions on one console per game to save time and effort.
Thirdly, and this reason is more for the later games, I play Japanese/Asian versions because I'm disappointed with Koei Tecmo's treatment of localisations, not just with the lack of English dubbing, but their translation decisions and errors. "But Azuma, translation errors existed in earlier games as well!" Yes, I know and I have noticed them despite their rarity, but I'm bringing this to the forefront because of Koei Tecmo's complacency to these incomplete localisations and apathy to their Western fanbase in regards to this. I'll talk more about this when we get to Warriors Orochi 3.
The main exception to this rule mostly involve games that I already have on portable consoles, like the first few Warriors PSP games. Playing older games in Japanese is mostly for consistency with later games. In the case of the PC games, it's a mixed bag. I already had DW8XL and DW8E in English and I recently downloaded the Chinese versions for them, DW6 and WOZ are in Chinese and the other games have language options which I might utilise, but for the most part I play in Japanese or Chinese.
Now in regards to playing with the Japanese version, you might notice a section in Camp or Options called MobileJOY (like how the "import" function is also known as MIXJOY). Basically what it involves is that you go onto Koei's Musou Mobile website (with your phone) and enter the code on the screen, then it will give you a password that you put onto the screen to unlock the bonuses, which typically involve in-game items. Some games also have additional tie-ins to GREE's 100-man-nin collaboration series, such as with Samurai Warriors 3 Empires where you can unlock characters and rare items in its 100-man-nin counterpart, and in turn, you can unlock special buildings from that game in this one.
The Musou Mobile service, and with it MobileJOY, was discontinued in March 2020. Presuming that the password is generated by the game every time it is booted or you go into the MobileJOY page, that means that the game would also have the password to unlock the bonuses, so technically all that is needed would be the formula to cracking the code. But it doesn't seem to unlock anything special so maybe that's why people don't seem to want to bother with it.
In spite of Koei's decision to use a Canadian company to localise this game (and one from Quebec no less), Samurai Warriors 2 was the certified hood classic that defined the childhoods of its fans just as Dynasty Warriors 5 defined those of others including myself. It apparently had such an impact that it got Koei to get off their asses and release its Xtreme Legends expansion on the Xbox 360 before later remastering an already HD-capable release to the PS3 and PS Vita seven years after its original release. If SW1 is comparable to DW3 and DW4, then SW2 is comparable to DW5, something that would be cemented in a later crossover spinoff series.
Empires is up next for review followed by Katana, those being the spinoffs for SW2.
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polkadotmotmot · 2 years ago
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Hideo Takeda - Black, 2009
#up
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mybeingthere · 2 years ago
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Hideo Takeda —Two Tattooed Men with Koi Carp & Dragon Tattoos, Stringing a Box Kite  (silkscreen, ca. 1980).
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byneddiedingo · 2 years ago
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Kinuyo Tanaka and Ureo Egawa in Where Now Are the Dreams of Youth? (Yasujiro Ozu, 1932)
Cast: Ureo Egawa, Kinuyo Tanaka, Tatsuo Saito, Haruro Takeda, Ryotaro Mizushima, Kenji Oyama, Chishu Ryu, Takeshi Sakamoto, Choko IIda, Ayako Katsuragi. Screenplay: Kogo Noda. Cinematography: Hideo Shigehara. Film editing: Hideo Shigehara.  Yasujiro Ozu's Where Now Are the Dreams of Youth? is a silent comedy about college boys, featuring pep squad training, elaborate attempts to cheat on exams, and their life after graduating (or not graduating). The group of four students centers on the richest one: Tetsuo (Ureo Egawa), whose father is president of an import-export company. Tetsuo and his buddies are all in love with the pretty Shigeko (Kinuyo Tanaka), who works for a local bakery and delivers bread and cakes to the campus. During an exam, in which all four are industriously trying to cheat, Tetsuo receives word that his father has fallen ill. When his father dies, Tetsuo leaves college to assume the presidency of the company -- which is in fact run by its vice-president, Tetsuo's uncle, who keeps trying to find a wife for Tetsuo, none of whom matches up to Shigeko in Tetsuo's opinion. Meanwhile, Tetsuo's buddies have flunked out, and they come to him looking for employment. They have to pass a company exam, but Tetsuo slips them the answers to the questions. Then one day, out in his chauffeured limousine with his uncle's latest choice for his wife, Tetsuo spots Shigeko with a cart with all her belongings: The bakery has closed, and she is moving to a new apartment. He sends the potential bride away in a huff, gives Shigeko a lift, and offers her a job at the company. He tells his buddies that he is going to marry Shigeko, not knowing that she has already promised to marry one of them, Saiki (Tatsuo Saito). When Tetsuo announces this, however, Saiki, who is the sole support of his mother, says nothing because he's afraid he'll lose his job, and even congratulates Tetsuo. When he learns the truth, from no less than Saiki's mother, Tetsuo angrily attacks Saiki, but he also recognizes that the real problem is social inequality, and the film ends with Tetsuo and the remaining buddies, Kumada (Kenji Oyama) and Shimazaki (Chishu Ryu), waving goodbye to Saiki and Shigeko as they set off on their honeymoon. It's a warm-hearted movie that makes a smooth transition from slapstick to sentiment, while also scoring some points against tradition and the class system. 
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jareckiworld · 2 years ago
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Hideo Takeda — The Dropped Bow of Yoshitsune (Genpei War Series) (silkscreen, 1985-1989)
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plumpeachpear · 2 years ago
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Hideo Takeda
Altamira series: 
Sea Otter 
Adele panguins
Horse silks
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notneverunless · 3 years ago
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Hideo Takeda
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taf-art · 5 years ago
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Monmon series by Hideo Takeda.
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