#He's on a rescue mission

[dcxdpdabbles]

DCxDP fanfic idea: Fishbowl Bones

Jason Todd regrets a lot of things in life. He regrets how he hurt others in his Pit Madness and how he made Tim's eyes turn weary, filled with unease, like the younger boy is watching a bomb timer tick down.

Regrets how distant he feels from his family and from his friends like the part of him who knows how to socialize stayed buried in that blasted grave.

Regrets that his stupid teenage decisions lead him to his death.

Sometimes, in the darkest corner of his heart, he even regrets being taken in by Bruce. Hewonders what life would have been like if he had stayed on the streets, if he had lived as a regular unfortunate boy.

An earlier grave, maybe, but one that didn't have him come back broken like this. He would have just been another lost soul in the city, forgotten and remembered by no one, but free of the torment of fighting all his life.

It's not good to think like that, he knows, but Jason can't help the thoughts from racing through his mind on the roughest of nights. When the smell of gun powder, copper and sweat cloat him, as screams ring in his ears.

When his soul is soaked in blood.

It's hard not to think that.

Jason has so many regrets that when he stumbles across the Bracelet of Reverse on a mission in the Infinite Realms, he slips it on without second thought.

He knows the myth surrounding it. Apparently, it belonged to the old Ghost Queen, the unfortunate wife of the old Ghost King, who abused her for years with his ring of Rage and Crown of Fire. She created it to flee to a world the King could not reach.

This is a world in a timeline similar to the moment of her biggest regret—accepting Pariah Dark's proposal. She could correct the moment and live a whole new life in that timeline, trapped in a fantasy as Clockwork closed her in, caging her within her new life.

The time god made it a punishment for her overstepping into his domain, cutting that world off from the multiverse and letting it float in its solution.

"You gain what you wanted." The Ancient of Time said, "But you will lose what you had and could have had."

No one knows how her new world went—if Pariah was sealed or not, seeing as the Queen was the one to gather the Ancients in all other timelines—but the idea of correcting the biggest mistake of one's life was tempting enough that people scrambled for her bracelet, even if the world was a trap.

The very same one Jason stumbled upon. He uses the same one, ignoring the cries of his brothers, who watch helplessly as Jason slips it on.

The bracelet picks up the regrets from the darkest corner of his heart, and in a flash sends him away. Jason blinks, from one moment to the next, his world shifts and he finds himself a homeless child with a tire iron in his hand.

In front of him, rest the Batmobile all wheels ripe for the picking.

Jason stares, the weight of his choose, hanging in the air before he turns and runs. He runs away from his future, from the pain, from his salvation and damnination in equal parts.

He eventually stops running. Surprise, his feet take him to his Red Hood safe house. Right now, it's still the broken-down and condemned arcade because it's years in the past. Because he's there is no Red Hood, defender of Crime Alley, just a lonely, underfed boy standing in the middle of the room.

Outside, he hears the Batmoible race down the street, revving its powerful engine and fading away in the distance like his fading future.

Jason Todd, age thirteen but soul twenty-five, is no longer a Bat.

Life goes on, and he learns to survive the streets again. He trains his body to move as he used to, using his skills to not be a hero but a survivor, stopping crimes if they happen in front of him.

He never goes looking for danger.

Nightwing leaves the city, and Batman no longer has his bright colored shadow. There are times Bruce gets hurt when he shouldn't have because he was supposed to have back up there to help him.

Jason ducks his head and pretends to not see.

Then, one day, Robin returns because Bruce never learns. Jason expects it, having been counting the days as they move on. He's been in this world for two years and has built a reputation for being forcefully neutral.

He won't join any gangs, but he won't let them push him around. He steals from the stupid rich with the hacking skills of his past and sends it to himself as a false insurance claim for his mother. He bought the old arcade with it- under the table in a shady deal for far more then the place is worth- and slowly build his old safe house.

He's armed to the teeth, living nocturnal, only leaving his safe haven at night. Some street kids think he's a vampire, which is amusing. Jason doesn't try to go back to school. He has the money but none of Bruce's resources.

He can't fake grades or proof of guardians. CPS is a genuine threat again, and he refuses to give them a chance to try and drag him to those houses working as fronts for trafficking or, worse, the Court of Owls recruit centers.

Jason doesn't have a plan or goal to work towards. He has no friends, family, or even small connections. He sometimes goes to cafes with TVs, watching the news while drinking coffee. He also reads the newspapers, trying to keep up with whatever mission Bruce is working on.

Crime Alley citizens are weary and dismissive of him in equal parts. They know he's little Todd, but they don't know anything else, which scares them.

How is he surviving? Where is he getting the money? How does he move like that? No one knows, but they can see it—the skills of his past life resting just underneath his skin, waiting for anyone to test him.

Jason doesn't bother reassuring them. He doesn't bother with much besides the occasional food run, laundry mat visits, gas station travel centers with showers, and TV viewing in public spaces. He stays inside his arcade- still looking bad from the outside but homey and comforting inside- filling his days with books and building machines.

He just wants to survive—nothing more, nothing less.

The entire time, he wonders when Tim will finally snap and force Bruce to take him in. It makes sense to him that the only Robin who actively makes himself a vigilante would eventually become the next Robin. Tim knew Bruce's real ID for years before his death forced him to act.

This Bruce isn't that close to the violence he was when Jason died, but he's getting there. He is becoming reckless. Tim will be forced to act sooner or later, and Jason makes bets with himself on what night will be his debut.

He is not expecting someone else completely different being the new Robin.

Jason is shocked to see the hero re-appear, rescuing Tim Drake on TV, and realizes he doesn't know who this world's Robin is. Worse, his costume starkly differs from every Robin he's known. Jason risks exposal by breaking into the Batcave, having to avoid traps never before placed and hack the Batcomputer.

When he finds Robin's file, he is even more confused by what he reads. It makes no sense, especially for Bruce to bring to this level, for a Robin to have so little information.

Even Tim's clone friend Kon-El had a bigger file when he was first found.

All he gets is a name, an age, and a meta confirmation. (Even if the word meta isn't used yet in this timeline.)

Who is Danny Fenton, age fifteen, and why does he have Clockwork's amulet on his Robin costume?

Jason prays it's not because of him. He never asked for a rescue, and he won't go without a fight. He logs out, and slips though the back caves, mentally planning on hacking Lex once more to upgrade his home against "Ectoplasm" since that what this Danny's powers are based on.

Worlds away, the Waynes wait for the Ghost King outside a swirling portal. He went in to save Jason from a fantasy world before it could trap him in his worst nightmare. Before it made him forget his real life.

He may have to follow that world's rules and play whatever role the world needed him to, but the King swore he would find Jason and bring him home.

[walk-to-gallows]

So so funny that Castiel is an ancient celestial being who got too attached to some ants and ended up being subjected to the Winchesters 24/7 family drama.

[jelly-fish-wishes]

Hopeless romantic Mario from the '86 movie is living rent free in my head.

I get so giddy thinking about this widdle man.

Tʜᴀᴛ ʟᴀsᴛ ᴏɴᴇ ɪs ᴘᴀɪɴsᴛᴀᴋɪɴɢʟʏ ʀᴇʟᴀᴛᴀʙʟᴇ ᴛᴏᴏ.

[the-badger-mole]

She knows

She knows

She knows

Zuko had thought his feelings for Katara were his secret. He'd never spoken to anyone about them, and he hadn't been treating her any differently since he'd figured himself out. His feelings were his burden alone, and he intended to keep it that way. Still, she knows ricocheted through his mind. His heart seemed to beat in time to words in his brain as he tried to process everything. The clamoring of the soldiers rushing up the stone stairs; the sound of the stolen air ship coming up behind him; the feel of Katara's lips on his.

Her fingers were clenched tight around the collar of his shirt. Zuko had just come to his senses enough to reach for her waist, intent on pulling her closer, when suddenly Katara shoved him backwards off of the ledge of the broken balcony. An airbender would've caught themselves and vaulted back onto the stone legdge. Zuko was no airbender, though. Their airbender was...someplace else. Zuko wasn't entirely sure of where. So when Zuko landed on the deck of the airship with a bone rattling thump, shock kept him there for the time it took him to refill his lungs. By the time he scrambled to his feet, the ship was already pulling away. Zuko had just enough time to see Katara turn from him to face his father's soldiers. She was outnumbered by at least a dozen, but she stood tall and firm, and even from behind, Zuko could see the determination in her stance. She would fight and die to make sure that he got away safely.

"No!" Zuko shouted. He threw himself at the railing, intent on getting back to her by any means necessary. He would leap from the deck and figure out the rest on his way back. Two sets of strong hands kept him from enacting his plan.

"Let me go!" he demanded pulling against the hold on him. "I'm not leaving her!"

"Zuko!" Sokka shouted. He and Suki pulled hard throwing him against the wall of the ship. "Stop!"

"Turn back!" Zuko half demanded, half pleaded. "We have to go back for her!" He was met with Sokka and Suki's twin grimaces.

"We can't," Suki said, grimly. "We have to get you to safety."

"I don't care about my safety!" Zuko insisted. "I can't leave her behind! Sokka, she's your sister! How can you just-oof!" Sokka's punch didn't hurt so much as it caught Zuko off guard.

"Don't you dare!" Sokka growled. He stood over Zuko, rage radiating from him almost tangibly. "Don't you dare imply I'm not just as worried about Katara as you are. If it wasn't for the fact that we need you to survive the war, I would've thrown you back to them to save her in a heartbeat. But the next best thing I can do is make sure my sister's sacrifice isn't in vain. That mean's getting you to safety and making sure you don't do anything stupid like trying to take on a whole troop of firebending soldiers.

A thousand arguments flew through Zuko's mind. They were superimposed over the image of Katara facing those same solders in his mind. Everything in him was demanding they turn around that instant and rescue Katara. His gambit for the throne was meaningless in comparison to Katara's safety. So what if she had willingly sacrificed herself? So what if he were summarily executed by his father, or even his sister? His own life meant nothing if Katara weren't in it.

Sokka was right, though. Zuko was loathe to admit it, but he was right. Katara knew what she was doing, even if Zuko was certain she didn't understand the full consequence. She'd saved his life. Again. Impotent and helpless as he felt watching her do it, she'd done it willingly. She'd done it strategically. His heart railed against it, but his mind knew why she'd done it. He had the best claim to the throne, after all. They'd talked about it to exhaustion. He'd told Katara all his worries, and she'd calmed them with her certainty that he was the Fire Lord his nation deserved. He'd never gotten the chance to tell her that he though she was the Fire Lady his nation needed, though they didn't deserve her by a long shot. He'd never told her that though he didn't deserve her, he needed her. Like he needed water.

She knew, though. She knew his weakness, and she'd used it. Zuko could still feel the pressure of her lips on his. Could still feel the way her hand tightened on his collar as she prepared to shove him away even while she was pulling him closer. She knew what she could do to him even in the midst of battle.

"They probably won't kill her," Suki said quietly. Both Sokka and Zuko looked up sharply.

"What?" Sokka gasped.

"They probably won't kill her," Suki repeated. "She's too valuable a prisoner. The daughter of the Southern Water Tribe chief? The... the friend of Prince Zuko? She's useful. If she surrenders, she will have a fighting chance." Suki's mouth was pressed into a thin, grim line. She was upset, too, Zuko realized. Maybe almost as upset as Sokka and Zuko were. Only almost, though. Zuko couldn't imagine his future without Katara in it, and Sokka had always been his sister's protector. As Zuko met Sokka's eye across the deck, he knew the Water Tribe warrior had made the same decision he had. If Katara was alive, neither would rest until she was safe again. The details of their rescue mission would have to wait until they could discuss them in private, but they would be going after her.

[glow-worms-are-believers]

Geocaching fic idea (dp x dc)

Ok so, in this Tucker gets into geocaching stuff. He's got his trusty PDA and he's on forums doing different geocaching with some of them being more elaborate. Then he comes across this old thread of riddle and puzzle-filled geocaching which seems really cool, but the problem is it looks like the thing has been shot down. Which would suck, except Tucker digs into it a bit more (so what if he tracks the IP dress and looks into the original poster's file) and finds a brand new one.

Of course, Tucker is super hyped and decide to do it. The puzzle seem really fun and even if there's no prize to find in the end, it looks like a good time. So he cracks the first puzzle and gets to the first location.

He gets there and finds that he's not alone! There's a bunch of costumed people doing the geocache thing too! They seem to be really into method acting and are all like ‘our associate has been kidnapped and these clues were left by a super villain to find him'. Tuck has done LARPing before and he can roll with it, in fact he thinks it's pretty neat. But then they try and tell him to go home.

Tuck doesn't want to ruin their vibe but this is really dope so he decides to prove he's not amateur by solving the second riddle. The people look like they respect him a bit more, but are still hesitating. Tuck figures it's cause they don't want him to ruin the LARPing part so since they're all acting as superheroes he decides to tell them he's himself a hero but he's in civies right now (which is even sorta true with Team Phantom and all!)

So they get through the clues and Tucker can't remember last time he had this much fun. The guys are such good actors, Tuck can't help but think they have to be some kind of famous, so he plans to ask for an autograph at the end of the geocaching thing. After a bit, they eventually manage to find the 'kidnapped victim' (there's even a vat of fake acid and yet another fantastic actor playing a flamboyant villain) and save the day. Tuker is so so glad they let him join in because that was epic, he does have to say goodbye though he says they should do this again sometime.

As for the bats, they just met a very competent new hero on the scene who just handed them his civilian identity in order to help save one of their own. They are very grateful (and only a tiny bit suspicious as is par for the course with the bats) and they want to offer any help they can or at least exchange contact information which they didn't manage to get since the guy left so fast. So, they look him up.

[hitlikehammers]

bring him home

rating: t ♥️ cw: Eddie in the Upside Down,; Steve on what he thinks is a retrieval mission for his body (it's not); Eddie Munson Lives; Kas!Eddie (ish) ♥️ tags: established relationship, secret pre-S4 relationship, post-S4, presumed dead (Eddie), mourning and heartbreak (Steve), happy ending (because Eddie is alive, ofc), soul-deep love

for @steddielovemonth day twenty-four: Love is the only thing we can take with us (@thefreakandthehair)

oh hey look, another day I didn't intend to write at all ♥️ but then @pearynice was intrigued by a stray half-baked idea and I struggle to not at least try to provide content in such instances ♥️

He’s only thought it since, since, but he’s actually kind of grateful no one knew. That no one could even have guessed. They’re on eggshells around him enough as it is, thinking it’s the loss, finally, that he couldn’t walk them back from, couldn’t recover them allfrom safe if not wholly sound. They think he’s dealing with survivor’s guilt or just the general blow of a failure so immense, maybe long overdue: and that’s probably part of it.

But only because it’s part of the bigger thing. The real loss.

They would have been together nearly ten fucking months, y’know; the better part of a whole goddamn year since that day at the mall, eyes catching and something just…clicking. Like the barest whisper breathing this could be something into the universe for them to catch if they wanted, and for all that’s still good in the world they both wanted, beyond any kind of logic they both fucking reached.

And Steve knows he’s worrying everyone, knows Joyce cooks for him because she’s sacred for him, knows Claudia bakes for the very same reason; he knows Robin’s gone back to biting her nails over him, and he hates that, he hates it but, like: Steve feels like he left his soul in that hellscape with the man he’d wrapped up in it; knows he left his heart there, because he gave it to that same man ages ago and never ever considered taking it back—and he’s kind of just a, a shell, now, and it’s good that they all think Steve’s just fucked up over the lost, over-inflated savior complex, Rob had muttered more than once and sure, fine—let them think that’s all it is.

It means he can plan without interference.

It means he can drive to the last oozing rift in the world with axes he found in the garage, a crowbar he grabbed at The War Zone—which he knows because he found a receipt, not because he can remember going, driving, paying; he fucking can’t—a fucking tire lift that he things is better suited to trucks than his Beemer but that’s why he needs it: he need to rip open the earth beneath his feet because maybe his heart died down there with the boy he loves in ways he didn’t know he could, not until he found those reserves of feeling inside him well up for the fact of him and maybe it’s too later for his heart, and maybe his soul’s locked in as a funeral shroud but godadmn it all—

Steve needs to bring Eddie’s body home.

Dropping through he fissure in the ground is second nature, like something calling him through the break and that feel right, because the Upside Down for what it is alone is somewhere Steve never wants to be, never wants to touch: but what it holds now what it stole from him and claimed and kept: Steve wants that back beside him, it doesn’t matter how. Cold, torn, broken, gone—Steve’s already those things himself. Now he’s just a raw nerve, but if that nerve could go numb, could freeze for so much pain, so much abuse and hurt. He feels more for the knowledge of how much things should destroy him; he thinks his body is more of an echo chamber, a void that moves but isn’t…there anymore.

Is here, because he left the best of him, the whole of him here, and he—it creaks in his knees when he hits the ground on the other side, shoots up his spine from the bones of him on contact; it should hurt, it should hurt but he can’t feel so much, and he needs to get his bearings, needs to orient, needs to figure where he is and the quickest way to Forest Hills, to where Eddie—

He can’t feel shit when he’s got a purpose, here: the first he’s had in weeks.

He moves to stand, gets to his feet at—

It’s unexpected, how much he feels the impact that knocks him back down, the weight that pushes him to the ground again and covers him, snarls at him, breathes hot and violent against his jaw, against his neck, and Steve—

Steve’ll die here, that’s clear from the hiss above him, the way he’s pinned like prey, like a meal, and the only thought he really has, in all honesty, is he’ll die here.

But he already died here, so it just feels kinda anticlimactic.

The panting against him keeps up, but it…it doesn’t go anywhere, it doesn’t become other, or more—there’s no teeth, no clawing or biting or ripping him apart, draining him dry. He doesn’t think he was afraid for any of it, exactly; his heart’s pounding but it feels distant, other and something far from him, disconnected: not a part of his shell-self, so he thinks that’s just ingrained, just an automatic response to a demo-something, probably, sizing up its meal but like, it’s not doing anything and Steve, Steve doesn’t…he’s not invested, exactly, he doesn’t even think he cares, but—

He squints his eyes open the barest crack where he’d instinctively squeezed them shut and he looks, expects the toothy petals, or even a veiny body; he looks and—

“Eddie?”

Oh, good. Heart, soul: may as well add losing his fucking mind to this place, too, third time’s a goddamn charm.

Because it’s not Eddie, it can’t be…it can’t be Eddie, and—

Not-Eddie leans into him, presses onto him full-bodied, hips to chest, thighs spread to hold him down like he’s going anywhere because, because…

Steve feels that. He feels the pressure, he feels pain where this body drags against scrapes in Steve’s skin, he feels his heart pounding, Jesus fucking Christ, that fucking hurts, but he looks at the face that’s looming over him, tipped to the side like it’s asking a question, like it’s considering Steve below, and it: the bones are sharper, the skin more pale, more drawn up tight and pulled—the eyes are red, bright like when the lighting cuts the sky, here, but everything else…

“Eddie, oh god,” Steve doesn’t want to question it, Steve doesn’t want to keep his mind if the alternative is moments with some version of Eddie whose breath he can feel again, it’s, he’s;

“Eds,” he chokes, and Eddie’s got him wholly pinned down, he can’t reach for Eddie’s face to cup it, to cradle it, so he lets his breath catch, his lungs hitch, lets the tears burn on their way from his eyes in streams as he twitches his fingers, stretches the tips to brush Eddie’s palm where he holds Steve down and—

Eddie stills, and his eyes narrow, and…

And if Steve has to die here, again: let it be at Eddie’s hands. Let it be maybe for Eddie’s…benefit, he’s wellbeing, however he survives here. Let it be for Eddie.

Always for Eddie.

But then Eddie: Eddie doesn’t let him up, still lean into Steve from the middle, but—he buries his head at Steve’s neck, and breathes in so deep, Steve gets to close his eyes and soak in the feeling of his chest rising into Steve’s own: strong.

Real.

“Known,” Eddie murmurs, shakes his head like he’s trying to shoo a fly, but then a shiver trembles through the whole of him, Steve can trace its trajectory where Eddie’s held against him, and then Eddie growls—it’s not a wholly new sound but it’s deeper, more animal in it than Steve’s ever heard and then he bites out through bared teeth: “Known.”

Then he draws back from Steve’s neck, studies him shrewdly, a little hesitant, like he’s unsure of whatever’s happening to him, in him: then he nods, chews at his lower lip in a painfully familiar move before his hands leave Steve’s wrists and he’s—

“Known.”

He’s tracing Steve’s cheekbones, the line of his jaw; he’s running his nose against the slope of Steve’s, he’s…it’s like he’s tracing him, and he does it so gentle, he almost like he anticipates it, he’s—

“Known,” and Eddie’s fucking…it’s not a growl this time but somehow whatever it is, is deeper, stronger, and he mouths at Steve’s neck again but instead of breathing him in, he’s sucking at the lines of his arteries down the sides, up and down, and then he follows the blood to the sounds, groans at a pitch Steve’s never heard before but it’s still, it’s sill Eddie, and—

“Hurt?” Eddie mouths at his chest through the layers of his clothes, sounds mournful, stills as he considers something, intent with it before his head pops up, those red eyes so wide and aching as his hands tap against Steve’s arms, frantic and—

Oh.

Oh; they’re tapping out Steve’s heartbeats to every racing clench-give echoing through his ribs and Eddie moans, almost wails, then—

“Hurt,” and he looks frantic, his eyes wild, and his mouth dropped open, bereft and seeking and oh, oh: Eddie thinks his heart’s pounding because he’s hurt, because he’s in pain and kinda, a little bit but not like that and—

“No,” Steve’s quick to try and soothe, even if his voice is barely a rasp; “no, no,” and his wrists are free to he reaches, covers Eddie’s hands and links their fingers together, feels something in him reanimate, come straight back into being just for that touch, and that it’s warm:

“Happy,” Steve gasps, and squeezes Eddie’s hands with force, with feeling; “happy, to see you,” and he closes his eyes in something like relief when Eddie’s mouth stills against his chest again; sighs when Eddie nuzzles there, like he always did, like he belongs because he always belongs.

“So fucking happy,” Steve breathes, and he feels weightless; wonders if he died. If he hit the ground and snapped his neck. If the impact was a monster and not the love of his life, somehow saved from ruin just to save Steve back in kind.

“Mine,” Eddie whispers, a little bit of a hiss for the feeling in it, the intensity sewn in as he mouths around the beat of Steve’s blood: that’s what he means. That’s his, that and everything it powers, everything it lends life.

His.

He pulls back, and Steve bites back a whimper for the loss before Eddie’s eyes find his and he looks…he looks lost, then, grasping, in need as he almost begs, like the answer is the end of all things:

“Mine?”

He lifts one of their joined hands—he doesn’t disentangle them, and fuck if Steve’s ever letting go—but he lifts them to Steve’s chest and holds there, presses down and looks pointedly at the way his palm covers Steve’s heart, looks up in askance, up and down, there and back over and again, more desperate every time and Steve tightens his fingers around Eddie’s and nods, just nods because his voice is gone, his throat’s too tight, he’s—

But Eddie sees it. Eddie understands because Eddie…

Eddie always understands what Steve can’t say.

“Mine,” he exhales like it’s the answer to the universe, like it’s proof of god and the devil, like it’s more than air to breathe and Steve’s…

Steve doesn’t even know what he is. Except: he’s alive.

He died before he left here last time, and now somehow he’s alive. “Known, s’known,” Eddie mutters, shakes his head slow and pins his gaze on different parts go Steve’s body, touches and looks up to Steve like it serves as confirmation just to meet his gaze, to watch him blink; “know, know,” and Eddie bends again, mouths at his chest and inhales sharp as he rips out, almost feral: “mine,” and then something in him gives, and he falls to Steve’s chest and Steve’s heart skips, the terror in him tangible, but he throws out his hands, lets Eddie’s grasp go to hold Eddie up and Eddie panting, gasping, something has to be wrong—

“St,” Eddie’s voice is sandpaper rough, but…but full somehow and Steve can’t name what it is, save that it makes him feel warm, from the inside, in a way he’d thought was gone forever. It prickles at his eyes and he doesn’t fight the tears:

“Ste,” Eddie coughs a little, and then he looks up, brow furrowed and muscles tight as he locks his eyes on Steve’s and grits out:

“Steve?”

And those eyes: those eyes meet Steve’s now—color in them, that depthless nightshade, drenched in that deep warm chocolate shade: Steve’s breath catches. His heartbeat skips again, but wholly different, and it looks, it feels like a weight’s been lifted; a spell’s been broken. And somehow, somehow even before anything shifted, somehow Eddie, his Eddie, he—

Whatever’s happened, whatever’s been done to him: somehow, deeper than any of it, he kept the love.

“Steve.”

Eddie’s voice shakes and he drops his weight again but this time when he presses against Steve it’s to wrap him close, to hold him a little clumsy, a whole lot desperate, and it…it feels like maybe Steve’s soul where it’s wrapped around Eddie? Like maybe he gets a little bit of it back; like maybe he can inhale and it could mean something again.

Eddie only draws back to tuck his head under Steve’s chin, to dip lower and put his lips to the center of Steve’s chest, to breathe there, like life into the heart of him again and fuck, but he feels it.

He kinda doesn’t need to know anything more, doesn’t need to have any more answers to know whatever this is, whatever Eddie needs: they’ll figure it out. Eddie’s lips are on his chest. His heart’s a mallet against Eddie’s mouth, beats up into the warm rush of his breath: there. Real.

Steve feels it.

also on ao3 🖤

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson

♥️

divider credit here

[theforgottengreatpoem]

"Find them Skullcrusher. Find them."

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[geraskierfanficprompts]

Prompt 26

Jaskier has been recognized as the runaway viscount of lettenhove by a band of bandits. Embarrassingly, they seemed to have found him in the midst of buying a personalized gift addressed "To My Beloved." Perhaps a hairclip shaped like a dandelion, or perhaps an embroidered handkerchief, or something else dainty and delightful. The bandits drag Jaskier away for ransom, even as he tries futilely to explain that his lover will NOT be polite to them if they continue down this road. I mean, whatever fancy shmancy noblewoman whose skirt he's chasing can't be that threatening to their operation, right? They write up a ransom note, intending on sending it along with a lock of Jaskier's hair, and a few drops of his blood to show they're serious. They slice across Jaskier's wrist, but there's much much much more blood than they expected, because the man slicing his wrist is suddenly missing his head. Huh. Perhaps they've underestimated Jaskier's beloved. He did try to warn them.

[hazieash]

He’s getting his husband back

[abrahamvanhelsings]

crozier being kidnapped and telling goodsir not to worry because edward will be there on the morrow, completely sure of it, like it's inevitable. edward in fact immediately going to rally the men to get crozier back and finding they held a vote without him and it's been decided they'll leave without crozier (and without the sick). edward having the choice between being left alone with no chance at crozier's rescue or his own survival, or taking up his duty and leading the men onward. crozier in hickey's camp believing in edward's sense of loyalty and edward not showing up, not knowing how edward fought for him. crozier showing up at the final camp seeing edward mutilated but alive like he told him to, only to die. thinking about edward's absolute sense of loyalty to his captain and duty towards the men tearing him apart and it never saves anyone

[dcxdpdabbles]

There are so many fics out there where Danny is either adopted by or the biological son of Bruce. In many of these he might have an existential crisis but other wise he is fine and happy to be part of the BatFam. Where are the ones where he fights against this just doesn't want to connect with Bruce of the rest of the family.

One: Bruce is a billionaire and Danny has had some bad experience with Vlad trying to adopt/get him as a son. So even if Bruce is one of "the good ones" Danny does't like billionaires.

Two: Danny for the most part grew up in a mostly normal family and home, with two Parents and a sibling. Most of the BatFam were only children and parents are dead or came from dysfunctional homes. I think Duke is the only one who really had a normal childhood.

Three: The Fenton family is pretty openly affectionate with each other and are pretty normal emotionally. Danny has a great relationship with all of them (Danny went evil in the timeline where they all died). Most of the Batfam is emotionally constipated.

Four: Danny is used to his boundaries being respected. I don't think that the Batfam is great at that. With Bruce needing to know everything, Tim's stalking tendencies, Barbra's hacking, just to name the obvious.

Danny knew that he was adopted into the Fentons. His parents had never hidden it from him, but they never treated him as anything besides their child.

He had come into their lives one day when one of Maddie's old high school friends had called, bawling that she had gotten pregnant and that her husband wasn't the father. He had discovered the truth and thrown her out, leaving her pregnant and alone on the streets of Gotham.

Maddie had been furious at the affair- she hated disloyalty- but had decided to help her only for the baby's sake.

She had driven over multiple state lines back to her home city to pick up the friend only to find out she had taken her life and left her newborn son to Maddie. While Maddie had been able to escape the hellhole that was Gotham, Rebecca never got the chance, not with her average intelligence.

In high school, the two were as close as sisters until Rebecca fell into the whisky bottles her father carelessly left around. She blossomed into a beautiful woman upon their graduation- more so than Maddie-, turning from a sweet homebody into someone who got into exclusive parties and powerful men.

Maddie had slowly drifted away from her, so far away at college, and Rebecca fell further and further into the party scene. It was a surprise that she settled down for marriage and Maddie truly believed that she had been happy with her husband.

That's why Danny was such a surprise. Maddie did not know who Danny's biological father was, but she did not care. Not after they placed the sobbing infant into her arms, and she realized that she was his mother now.

She immediately phoned Jack to tell him what had happened, and he told Jazz she was a big sister before the call ended. They told him the story about when he started to learn his colors. Not with her taking her life, of course; that was when Danny turned fourteen. This was only a few days before Danny revealed he was Phantom to them.

They were first shocked, but then they became supportive. Phantom now had two proud ghost hunters following him, shooting photos instead of guns.

It was embarrassing, but it was also nice of them.

And that was that. Danny is a Fenton, adopted, but a child of Maddie and Jack Fenton all the same.

He never gave his biological parents a thought. In fact, he all but forgot about them until Sam convinced him to take an ancestry test. He had allowed her to swipe his mouth, package his DNA, and send it off to see where his people came from, completely forgetting that he would not match with Jazz, who had done the same thing a month prior.

His results were shocking, to say the least.

Somehow, someway, Rebecca Silver had been in the system of DNA samples, and they had matched him to her alongside his biological father.

Bruce Wayne. Rebecca had an affair with Bruce Wayne, arguably one of the wealthiest men in the country, and they had sent him a message to let him know he matched with his son.

An eccentric billionaire has just been told that Danny was his. He knew that song and dance well, and it was never fun to dance to. Danny could only stare at the results with dread as Sam apologized profoundly.

"Maybe he won't see it." Tucker tried. "I mean, Wayne is probably so busy with rich people stuff he doesn't have time to even look at his emails. Especially ones that will come in spam since it's comersolized."

"Yeah, Maybe" Danny doesn't think he's that lucky.

A month later, the Fenton's home phone rings. His parents are working on a new invention on the dinning room table, Danny is stretched out in front of the TV watching a mindless cartoon and Jazz is crocheting in the love chair.

It's a typical Tuesday night where everyone is doing their own thing but close enough to each other that they can call it family time. Jazz is the closest to the house phone so she picks it up with a cheerful "Fenton house, this is Jasmine."

Her smile slowly slips away as all the blood drains from her face. Alarmed by her reaction, Danny sits up. "Jazz? What's wrong?"

His words have his parents' heads snapping up, zoning in on their daughter's rapidly growing destress. Yes, they get distracted often with their work, but the Fentons have always been loving parents.

They quickly spring into action.

"Jazzy-pants?" His dad says, walking up to her and taking the phone from her slack hand. He covers the speaking end of it, not paying attention to the call as his mom hugs his sister. "What's the matter?"

"It's... Bruce Wayne's lawyer," Jazz says faintly. "He's calling about Danny. He said that Mr. Wayne has been attempting to take Danny back and that they are going to take us to court soon."

The room goes dead quiet, and Danny snorts. "He can't do that without a letter or something. Come on Jazz, it's obviously a prank."

Someone at school likely found out and thought it would be funny to make "the biggest loser of Casper High" Danny Fenton, think a billionaire wanted him as a son. Honestly, he wouldn't put it past the A-listers.

He laughs to show how stupid this prank is, but neither of his parents joins him. Instead, his mother closes her eyes and whispers, "We received his court papers weeks ago. We've been trying to get a lawyer."

What.

She pushes Jazz into his dad's arms, where his sister is slowly panicking. His dad tries to soothe her as his mom opens the drawer under the TV, pulling out three orange envelopes. She looks remorseful as she hands them to Danny. "We didn't want you to worry. I'm sorry we didn't tell you sooner. Vlad said he would help, but he wasn't sure what he could do against such a powerful man"

And there, in overly complicated terms, is clear as day. Bruce Wayne wanted full custody of Danny Fenton and was willing to take the Fentons to court to get it done.

The man- who has never so much as met Danny, much less have a right to say what happens to him- was accusing his parents of child abuse and child neglect! He not only was trying to take Danny away but Jazz as well!

Where did this man get the audacity!?

"I don't want to go with him!" He shouts rage, making his eyes glow green. "I don't even know him!"

"I know, sweetie. I won't let him take you" His mom says, yanking him into a protective hug, and he realizes that her shirt is getting wet with his tears. Tears that fall just like the woman who raised him. "Everything will be alright."

It won't be, he knows, but he won't tell her that. He just lets his mother hold him, and when his sister and father crash into the hug a second later, he holds them just as tight.

He's not sure how they will win against Bruce Wayne, but Danny will fight his biological father every step of the way. He will not be his son.

______________________________________________________________

Bruce stares at the photo of Danny Fenton- his son. His boy, whom he wasn't aware was alive until a month ago- and the reports from concerned teachers and whatever information Barbra could pull from his classmate's social media.

Dramatically dropping grades.

Clear signs of sleepless nights.

Flinches whenever his parents pull out "ghost hunting" gear.

Strange bruises and cuts along his arms and legs.

His small stature is no longer growing properly like his peers.

It all pointed to one thing. The Fentons were abusing his son and Bruce would bet the sister was suffering from the same treatment if her own grade dropping, sleepless eyes, and desperate race to adulthood were any indication.

Bruce laces his hands, resting his chin on them as the Batcomputer slowly flips through various reports being quickly dismissed by incompetent social workers who all claim it was Ghost Hunter related and not a cause for concern.

Those same social workers all seemed to have gotten quite generous donations from one Vlad Masters, a well-known family friend of the Fentons.

He hates corruption that allows children to be hurt, more so when it;'s his own children.

"When do we go retrieve Brother?" Damian asks, green eyes narrowing in rage as the reports scroll slowly. Ever since he found out Danny is a blood sibling, all Damian has been talking about is getting his elder brother home. "I am displeased with how long it's been, Father."

"Soon," Bruce promises, aware the rest of his children gather around him. They don't speak, but he feels their protective rage at what Danny has gone through, and he knows they will use every last bit of their training to get Danny home. "Either through the courts or in person. Danny will be with us come summer."

"Good," grunts Jason. "I'll have a little chat with his adoptive scumbags when we get him."

"I'll help," Dick tacks on.

"I'll make it look like an accident," Tim says, voice leveled but eyes blazing as the reports get to the neglect section. He has personal issues about that.

Bruce has never been so proud. "Court date is set for three weeks. They can't weasel their way out of it this time."

Don't worry son, he thinks to Danny, I'm going to save you.

[theotherbuckley]

Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.

There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.

Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.

And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.

But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.

Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.

[shannonsketches]

Thinking about how Toriyama wrote an Entire Plot centering around how Vegeta has spent the last seven years learning how to be happy and comfortable with his family on Earth and how he loves his wife so much that being Gently Reminded that he loves his wife was enough to pull him out of a violent midlife crisis and made him such a powerful guardian of Earth that Heaven broke its own rules just to put him back in that position

and Toei was like 'okay but in the sequel to that plot their marriage is terrible and he's never home'

[greasydumbfuck]

i like thinking about how all the versions of frank i know are so gentle with civilians in a certain way. its always "it was my pleasure", "youre safe im not going to hurt you" and "just stay still youre fine" while hes defusing an actual bomb. its always we cant shoot at the strip club because the workers are going to get injured and we cant have that above most else. the punisher is big and scary and kills people without a second thought but if you didnt ask to be there and are just a regular guy wrapped up in situations way beyond you he is also so gentle and its driving me insane

[ryuki-draws]

Still on the Witch from Mercury roll and then the ending of Evangelion 3.0 + 1.0 happened to me, so here's birthday boy in the epilogue, living the best life on Earth.