#Happy Massee

[scintillulae]

[nellarw95]

Happy Heavenly Birthday Michael 🎂💔

Michael Groo Massee 🤍

September 1,1952 - October 20,2016🙏🏻

We Miss You So Much 🕊️♾️

Buon Compleanno in Paradiso 🎂💔

1 Settembre 1952 - 20 Ottobre 2016🙏🏻

Ci Manchi Moltissimo 🕊️♾️

[byneddiedingo]

Joaquin Phoenix and Marion Cotillard in The Immigrant (James Gray, 2013)

Cast: Marion Cotillard, Joaquin Phoenix, Jeremy Renner, Yelena Solovey, Dagmara Dominczyk, Magda Wampuszyc, Angela Sarafyan, Ilia Volok, Antoni Corone, Kevin Cannon. Screenplay: James Gray, Ric Menello. Cinematography: Darius Khondji. Production design: Happy Massee. Film editing: John Axelrad, Kayla Emter. Music: Christopher Spelman.  

[ginalover]

Gina and Happy Massee attend Beckham—the documentary recounting the life and career of football star David Beckham, directed by actor and director Fisher Stevens, May 2024 in NYC.

[mlobsters]

supernatural s3e4 sin city

sam was happy, briefly, in this episode. a novelty. but hey, i know you, you were scully's dad! and also the same dude in twin peaks and stargate: sg1.

the xfiles s1e13 beyond the sea - don davis as william scully

don davis in stargate: sg1 / don davis in twin peaks

okay but this is also one of the few episodes i know by name because of the aforementioned beyond the sea song usage. and well. her dad dies. it's a good episode.

the xfiles s1e13 beyond the sea - brad dourif as luther boggs

and i include brad dourif because i always get him mixed up with someone i spnhiky'd in the last episode? michael massee, thinking that he was in dune. something about the eyes. but no, it was brad dourif that was in dune with the stained lips.

dune (1984) brad dourif as piter de vries

this got a little offtrack because i didn't do an hiky for the xfiles ep originally. so we're smushing into the spn one. which doesn't matter because this is basically for my entertainment and memory retention purposes.

[srhuesos]

Madonna photographed with a Polaroid camera by set designer Happy Massee in Ronda (Málaga, Spain) during the filming of the video for ‘Take a Bow’ in late 1994. 

[fashionbooksmilano]

Diary of a Set Designer Happy Massee

polaroids

Photographs Happy Massee, Foreword Malcolm Venville, Book Design by Fabien Baron

Damiani Editore, Bologna 2016,160 pagine, 140 illustrazioni, english            ISBN 978-88-6208-485-7

euro 45,00 signed copy euro 100,00

email if you want to buy: booksinprogressmilano@yahoo.it

'Diary of a Set Designer' presenta le Polaroids scattate da Happy Massee nel corso di 25 anni di lavoro come set designer. Attraverso un affascinante viaggio nel tempo, questo libro ci riporta ai giorni in cui le Polaroids erano lo strumento fondamentale per progettare e costruire un set cinematografico. Lungo un percorso che si snoda tra celebrities, luoghi cult e incontri fortuiti, ad una ad una queste immagini raccontano la straordinaria carriera di Happy Massee.

  One of the industry's top production designers, Massee has enjoyed a career spanning the realms of theater, film, commercials and fashion. He has worked with established directors such as Wes Anderson, David Lynch, David Fincher, Michel Gondry and more, while in the world of fashion he has collaborated with the likes of Inez and Vinoodh, Peter Lindbergh and Craig McDean, and worked for brands such as Gucci, Valentino, Armani, Bulgari and Swarovski. His film credits include, among others, Broken English, directed by Zoe Cassavetes, and Two Lovers, directed by James Gray, and he has designed sets for music videos such as Jay Z's "99 Problems" and Madonna's "Take a Bow." In this volume, "the images of personalities, sets, locations and encounters," Massee explains, "all tell a story related to my work and travels, and the people I met while on them. The images, raw and unretouched, are candid, and capture my art as well as my life as I like to travel through it."

28/04/20

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:@fashionbooksmi

instagram:         fashionbooksmilano, designbooksmilano      tumblr:                fashionbooksmilano, designbooksmilano

[athingcalledbliss]

Kris Grikaite by Ezra Petronio for Ingenue Self Service Spring/Summer 2018

[lostsentinels]

[loueale]

Photography HANNA TVEITE Styling ESTHER MATILLA Set Design HAPPY MASSEE Makeup CYNDLE K Hair MARKI Nails MAKI SAKAMOTO Casting ANITA BITTON

[flustermag]

Hanna Tveite + Happy Massee - Zara - Man - Fernando - August 2022 by Lalaland Associates Limited

[universomovie]

Zendaya - Valentino Rendez-Vous S/S 2022 Campaign

Zendaya – Valentino Rendez-Vous S/S 2022 Campaign

Valentino Rendez-Vous S/S 2022 CampaignSource: valentino.comPublished: February 2022 All people in this campaign: Pierpaolo Piccioli – Designer Michael Bailey Gates – Photographer Law Roach – Fashion Editor/Stylist Kim Kimble – Hair Stylist Sheika Daley – Makeup Artist Happy Massee – Set Designer Stephen Galloway – Choreographer Chaun Legend – Manicurist Zendaya – Actor

[byneddiedingo]

Joaquin Phoenix and Gwyneth Paltrow in Two Lovers (James Gray, 2008)

Cast: Joaquin Phoenix, Gwyneth Paltrow, Vinessa Shaw, Isabella Rossellini, Moni Moshonov, Elias Koteas, Bob Ari, Julie Budd, Iain J. Bopp, David Cale. Screenplay: James Gray, Ric Menello. Cinematography: Joaquin Baca-Asay. Production design: Happy Massee. Film editing: John Axelrad. 

A Jewish man who lives with his parents falls in love with a pretty blonde shiksa, despite his parents' urging him to marry the nice Jewish girl whose parents are involved in a business deal with them. Seen this one, have you? Was it an early Woody Allen movie? Or the one with Richard Benjamin and Cybill Shepherd? It was a comedy, right? With lots of ethnic jokes and some cringey scenes? No, it's a James Gray movie set in Brighton Beach. Oh, then the son is a hitman and the business deal is a shady one involving the mob? And it's bleak and unforgiving in both mood and setting? Sorry, no. It's a tender, romantic film, perhaps still a little bleak, about some damaged people who nevertheless find a resolution to their problems. Two Lovers marked a remarkable turn in Gray's filmography, not so much away from the melancholy New York streets of his first films as toward a perception that there's another side to the lives led there. Gray knows the clichés and stereotypes that his plot evokes and deftly avoids them. There's even a bar mitzvah scene that in other hands would have been fertile ground for ethnic stereotyping but just skirts it. It helps that he has actors who know how to avoid the clichés, too. Gwyneth Paltrow, who is sometimes mocked for epitomizing an aloof upper-middle-class image, finds the poignancy in her role as the kept woman of a married hotshot lawyer (Elias Koteas). Isabella Rossellini completely ignores the Jewish mother stereotype while managing somehow to remind us of it. Vinessa Shaw is terrific as the nice Jewish girl who may hear the ticking of her biological clock but doesn't show that she feels pressured by it. But mostly it's Joaquin Phoenix's film as Leonard Kraditor, a man in early middle life who has never found a place in life that wasn't prepared for him by someone else. He opens the film with what may be a suicide attempt -- he's tried it before -- from which he decides to rescue himself. He's had a breakdown before and is on medication, and he's something of a screwup in his work for his father's dry cleaning business, but he realizes that he's still loved by his somewhat bewildered parents. When he gets involved in a relationship with Paltrow's Michelle, a head case and a druggie, we fear for the worst -- which almost happens. But then it doesn't, and in a scene that might have been sentimental, except that it was created by Gray and Phoenix, one of the best director-actor relationships in film, things turn out at least provisionally okay. And we recognize that sometimes that's just the way life is.    

[brandonimhotep]

Being Beyoncé, For ELLE Magazine 💛💙♥️ “🙏🏾 I began to search for deeper meaning when life began to teach me lessons I didn’t know I needed. Success looks different to me now. I learned that all pain and loss is in fact a gift. Having miscarriages taught me that I had to mother myself before I could be a mother to someone else. Then I had Blue, and the quest for my purpose became so much deeper. I died and was reborn in my relationship, and the quest for self became even stronger. It’s difficult for me to go backwards. Being “number one” was no longer my priority. My true win is creating art and a legacy that will live far beyond me. That’s fulfilling.” ~Beyoncé Hair by Neal Farinah and Nakia Rachon; makeup by Sir John; props styled by Happy Massee at Lalaland; tailoring by Tim White; produced by Benjamin Bonnet at Westy Productions. https://www.instagram.com/p/B56521_AzYA/?igshid=4n07wz4kknbq

[artwalktv]

Cecile wants answers, but, actually, she doesn’t. After her ex-boyfriend’s return to New York triggers overwhelming feelings of doubt and confusion, she embarks on a series of telephone conversations, all of which ultimately only distract her from the one conversation she really needs to have. *Sundance Film Festival 2017 Official Selection *Palm Springs International ShortFest 2017 Official Selection An Alldayeveryday Film Written and Directed by Annabelle Dexter-Jones Co-Writer Ellen Greenberg Producer Andrew Runkle Executive Producers Lucy Sumner, Derek Pitts & Francesca Campbell Director of Photography Deering Regan Production Designers Happy Massee & Cosi Theodoli-Braschi Original Music Mark Ronson Composers Brian DeGraw & Alexander Dexter-Jones Editor Sophie Corra Costume Designer Stevie Dance Casting Director Jessica Daniels, CSA Colorist Mikey Rossiter @ The Mill Supervising Sound Editor & Mixer Ryan M. Price, MPSE Titles Designer Adam Squires, CHIPS Starring Cecile - Annabelle Dexter-Jones Jed - Noah LeGros Jules - JD Sampson Agnes - Colby Minifie Donald - Brandon Micheal Hall Dr. Saltzman - Art Garfunkel Zoe - Tara Summers Valentine - Joséphine de La Baume http://bit.ly/2q6lhyc http://imdb.to/2EwcVDu cecileonthephone@gmail.com http://bit.ly/2qb2rpJ

[nntodayblog]

The Crow reboot: Character details, start date revealed

The Crow reboot: Character details, start date revealed

AJ Caulfield@aj_caulfield5 hours ago

The Crow will soon come back to life for director Corin Hardy's reboot, and now fans know a bit more about what to expect from the movie thanks to a casting breakdown that reveals character details and a filming start date.

Courtesy of Dread Central, the information indicates that the reboot of The Crow will remain mostly faithful to the story of filmmaker Alex Proyas' adored 1994 original, but will make some interesting changes and add few new faces to the fantasy-drama mix, which is led by Aquaman actor Jason Momoa as Eric Draven, otherwise known as The Crow.

The Crow reboot will seemingly scrap original character Skank (played by Angel David) and replace him with a new guy — Ratso, a "wannabe T-Bird" with a "bad face, bad skin, bad teeth" and a "hatred of all things beautiful and proud."

Additionally, the characters Albrecht and Top Dollar (originally played by Ernie Hudson and Michael Wincott, respectively) will get a gender-bending treatment for the reimagining. The new Albrecht, a detective rather than a sergeant, is described as a woman in her early 40s to early 50s, a "world-weary soul in a rumpled suit" who's haunted by the unsolved murder cases of Eric Draven (made famous by the late actor Brandon Lee) and his fiancée, Shelly Webster. Though Albrecht will struggle with marital issues and get caught up in "fighting against an ever-increasing wave of crime and corruption in the city," she has "the heart of a warrior" and is "determined to prevail against all odds."

As for Top Dollar, he transforms from the city's biggest crime boss into a "lean, reptilian woman who came of age amidst lust and cruelty and has survived by embracing both." Aged 20 at the youngest and 30 at the oldest, the new Top Dollar is T-Bird's girl and the co-manager of Hotel Reno, where she uses her charm to "draw in susceptible girls"; has an "almost psychic instinct for seeking out a lie"; and possesses a "withering gaze" that makes her "something of a Medusa."

Top Dollar was the central villain of the OG The Crow, but it appears that in the reboot, it's T-Bird (originated by David Patrick Kelly) who takes the top spot of the big bad. The rebooted character's breakdown reads, "Strong and wiry with the cold eyes of a wolf and an endless hunger where his heart should be. Lacking in conscience, covered in prison ink. Has taken over the old Hotel Reno on the outskirts of town where he rolls with Top Dollar and his notorious gang. Tonight he becomes a made man, but deep down he knows he wants it all."

The refreshed version of Eric's fiancée Shelly is described as "a dancer with effortless talent" and an "undeniable beauty … matched only by her passion to teach dance to the inner city girls at her home studio." T-Bird and Top Dollar's gang brutally murder her, however, a tragedy that sets off a "violent chain of events as Eric seeks to avenge her death."

Dread Central also provided breakdowns for Funboy and Tin-Tin, characters played by Michael Massee and Laurence Mason in the original movie. Here's the new description for Funboy: "20s – 30s, his bloodstream a seething cocktail of illegal pharmacology. His eyes fixed in the stare of a man seeing visions. Funboy runs T-Bird's drug kitchens at the Hotel Reno. He wears a long leather trench coat sporting a happy skull-face." And here's the breakdown for the updated Tin-Tin: "30s, a hulking monster of a man with unstoppable fists. T-Bird's indefeatable champion in the ring. Mean and tough. Accustomed to being shunned, grateful for the society of savages who have taken him in (T-Bird, Top Dollar, Ratso, Funboy, Gideon)."

It remains unclear who might play these characters, as studio Sony hasn't announced an official cast roster.

According to the new info, The Crow reboot is set to start shooting this July in Budapest, Hungary. This seems to line up with past reports that noted the movie would begin pre-production in February. The film doesn't yet have a release date.

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