#HE BASICALLY KILLED EVERYONE JUST TO GET A HAPPY ENDING!

[tinylongwing]

Vide Noir's dual narrative structure

All right, here it is, me making good on at least one of my meta threats. Lord Huron's album Vide Noir can be interpreted as an album with two parallel, contrasting narratives - that of the lead protagonist Buck Vernon, as well as that of Johnnie Redmayne.

Disclaimer: this is an interpretation I think is pretty sound and well-reasoned, but I make no claim to any of this being proven canon information.

---

For those unfamiliar or who need a reminder, the primary narrative is this: the year is 1967, and we start near the end of Buck's journey, as he awakens from being black-brained (Lost in Time and Space). Having just suffered an overdose on the drug vide noir, his memories are slow to return to him, but return they do - his fiancee, Leigh/Lee Green (from here on Leigh but both spellings have been used), left him without a word one night, and he decided to follow, heading west to Los Angeles from their home town of Detroit, Michigan. He's been struggling to find her, checking every bar in the city in case she was booked to sing at one as her move was the result of her chasing her dream of becoming a singer. He doesn't remember a lot about himself, really, after that overdose, but he remembers her, and his love for her makes him desperate to find her.

We're then taken back to the night he left to find her (Never Ever) and his journey is mostly linear from there - he meets a fortune teller, Lady Moonbeam, who tells him that pursuing Leigh will end in his ruin, but he refuses to accept her advice and pushes on (Ancient Names I & II). He laments that he's been some kind of fuckup, that maybe he chased Leigh away through his own behavior, but that he still loves her and begs for her to return (Wait By the River). At some point around here he also learns of the drug vide noir and contemplates using it himself for clues.

(Note that unlike in the movie, in the album, nothing suggests that Buck suffered from a murder attempt by Z'Oiseau's henchmen but that instead he may have overdosed himself in an attempt to find Lee. However, there's plenty of reason to suspect that the film is the canon interpretation here anyway and the henchmen kidnapping Buck just doesn't make for a song I guess.)

One way or another, he winds up black-brained, where some deep existential truths of the universe are revealed to him (Secret of Life - namely that everyone and everything dies in the end, and that a human life is brief, fleeting, and ultimately meaningless within the context of the universe as a whole). He somehow reawakens rather than dying (Back from the Edge) and, again, understands that nothing he does will ever matter, has never mattered*, but that *even though* he's suffered greatly already on this quest, he's still committed to trying to find Leigh, pitting himself against that careless universe (The Balancer's Eye).

So he keeps searching (When the Night is Over) until he finds a clue, or a helping hand of some sort, that leads him on the right path to his beloved Leigh (Moonbeam). We get one more reminder of the forces at work here - vide noir is some awful stuff, it nearly killed him, Leigh herself is hooked on it now, it shows you terrible truths and nightmares beyond human comprehension (Vide Noir) - and when all is said and done, as Buck thinks he's about to "rescue" Leigh from her fate and bring her back to his fantasy of a perfect happy life together, she rejects him. He came all this way through time and space, and she doesn't love him at all in the end (Emerald Star).

---

I consider this the primary narrative here because it makes use of all the songs on the album, it has a clear start and ending and a mostly linear structure, and the album basically serves as a soundtrack to Buck's fool's errand. The film agrees - every scene is centered around his journey, after all. But we have context from Lord Huron's other albums, as well as the lyrics and musical stylings of multiple songs on Vide Noir, that show us that Buck isn't necessarily the only narrator on this album. Strange Trails, of course, came out three years prior, and features songs by multiple fictional bands performing songs which serve as narration for a diverse cast of characters. Unlike on Strange Trails, where each track has a writer or band specifically named and assigned to it as well as a character narrative, Vide Noir does not give us such conclusive information, but we can still put clues together to understand at least some of who the in-universe performers might be on Vide Noir.

Most likely, multiple of these songs are by the Buck Vernon Band - this is pretty obvious. Buck's semi-autobiographical music is all over Strange Trails, usually referencing a girl he loves, sometimes referencing that the girl left him, often giving her different names, all starting with L (Fool For Love's "Lily", and "Louisa").

But the other band that we can easily identify as performers on Vide Noir are the Phantom Riders. For those who need an introduction, this is the band composed of four members of the World Enders gang, with Dale Redmayne at the helm as lead writer. They were seen previously on Strange Trails as well, with banger surf/rockabilly hits like Hurricane, Until the Night Turns, and The World Ender. As a storytelling tool, they are primarily brought in to tell us about the man-turned-undead horror entity known as The World Ender himself, and then otherwise mostly we get their songs about Dale's brother Johnnie Redmayne, who is introduced to us in Strange Trails as a fun-loving and presumably fairly young guy, a thrillseeker and hedonist, who lives for the moment as if the world could end any day. The Buck Vernon Band jumps in between some of these songs with an interjection to tell us that wait, Johnnie is dead, or was, but he got back up. In Dead Man's Hand, Buck speculates that Johnnie could have been murdered or may have killed himself, accidentally or intentionally, upon first seeing him. It's in Vide Noir that we actually learn more about the circumstances of Johnnie's death.

Before we get to that, let's first identify which Vide Noir songs are by the Phantom Riders. This isn't all that hard to do. Any song that references The World Ender is presumably theirs - that gives us Secret of Life right away ("I sit alone in the dark, and I try to remember the words you spoke when you summoned the Ender"). This is reinforced in the Alive From Whispering Pines webseries, episode 423 - Secret of Life, when played, shows a skeleton prop the band has jokingly referred to as Cobb Avery on their social media posts in the past, and after the song ends in this episode, the tune continues in a slowed and distorted fashion through a clip of a WBUB movie version of Dead Man's Hand showing Johnnie rising from the pavement when Buck is about to bury him.

Ancient Names Parts I and II are presumably written by the same band as a two-part song. In the Vide Noir film, the Phantom Riders are performing Part II in the underground club. Additionally, in Alive From Whispering Pines episode 426, after Tubbs Tarbell is done reminiscing about the band and their nihilism, Ancient Names Part II is the next song covered - and often in this series, the structure of the segments between songs are intentional and related to either the song they precede or the song they follow, so it's likely that the placement of the Phantom Riders' appearance followed by a track they're associated with is meant to help confirm them as the performers. In addition, Ancient Names Part I references a fortune teller, and we know from the film that the fortune teller in question, Lady Moonbeam, is associated with the World Enders and knows the Redmaynes.

The last track on Vide Noir that is most likely theirs is the title track, Vide Noir. We have two points of evidence for this - one lyrical ("Many evils have I enjoyed, prowling the night raising hell with the boys" which feels like a pretty direct reference to the World Enders' nighttime violence) and one musical - the main melody of Vide Noir is identical to that of Ancient Names (and Fortune Teller's Theme, actually). In Strange Trails, using the same melody for multiple songs was an easy way to tie Frankie Lou's songs together, and here we can see that it ties two Phantom Riders tracks together directly, indicating that not only are they both by the same band, but that Vide Noir is a followup to Ancient Names part I, in which our fortune teller did warn us things would go very, very wrong.

(And besides all of that, the Phantom Riders tracks on Vide Noir all tend to be similar in musical style - psychedelia-flavored garage rock with a heavy bass line, in contrast to other songs on the album.)

With those songs identified, we should also be aware of just how much Lord Huron seem to love their dual narratives. In Strange Trails, we have a really concrete example of this with The Night We Met. This song was in-universe written by Frankie Lou, presumably about her doomed relationship with Z'Oiseau and how much she wishes she had never met him to begin with (as she echoes in her dialogue in the Vide Noir film when speaking to Buck in her dressing room). However, the music video for this song shows not Frankie and Z'Oiseau, but instead Buck, driving west, while reflecting on his own failure to keep Leigh, wishing he could go back in time and fix things, and meanwhile kind of hallucinating her as he goes. In the album Long Lost, we get another dual narrative in I Lied, which is performed by Donny and Midge but is also sung by Leigh in Vide Noir, foreshadowing her breakup with and lack of love for Buck. There are certainly other dual narratives in both of those albums to be found as well - so what we should keep in mind here is that often, songs can be written and performed by a character or band in order to narrate for themselves or someone close to them, but that just as in our real-world movie soundtracks or our favorite character playlists on spotify, those songs can be applied to other characters in different (but somewhat similar) situations than the ones they were written for.

So! We have four Phantom Riders tracks on Vide Noir, all of which were presumably not written originally in-universe about Buck Vernon, because why would they be, Buck and the World Enders only briefly cross paths and at the very least we know that Ancient Names Part II was written well before he ever met them. Instead, it makes the most sense if like the bulk of the Phantom Riders songs, these tracks serve Johnnie's narration instead.

---

If that's the case, what does that give us? Winding around and through Buck's journey is this second storyline. Johnnie Redmayne, having used and enjoyed vide noir himself abundantly ("I had a vision tonight that the world was ending" as one probable example), decides it's time to get his hands on bulk quantities so as to get the Enders in on controlling the flow of the drug in LA rather than letting Z'Oiseau maintain a monopoly, thereby also increasing revenue for the members of the gang.

It's Moonbeam who warns him to knock it off first. We know, thanks to the film, that he'd spoken to her at some point about his plans to investigate the source of the drug at Tobey's arcade and try to get his hands on some to sell. Whatever his exact plan was, in Ancient Names Part 1, Moonbeam warns him that pursuing this is going to get him killed. Vide noir isn't just a drug, it's something extremely dangerous, tied to dangerous people, and he needs to get away from "her" (and note that frequently throughout music history, drugs have been personified as a "her" or an unnamed lover, whether for poetic reasons or to evade censorship that might come from talking directly about drug use - and Cursed, off Strange Trails, is one more in-universe example, where "her" refers both to Leigh Green and to drug use, specifically vide noir).

Immediately afterward, Ancient Names Part 2, in addition to serving as a very classic sort of World Enders nihilism anthem, can easily be interpreted as Johnnie saying "fuck that, I do what I want, you only live one life anyway and even if it kills me, I want to make my mark before I go out." Death is something hypothetical - sure, it'll get him some day, it gets everyone, and maybe Moonbeam is even right, but he isn't going to let her warning stop him.

On Strange Trails, Buck and Johnnie cross paths at Dead Man's Hand. On this album they only cross thematically, and the pivotal moment of intersection might be Secret of Life. This song may be the point at which Buck learns some forbidden secrets revealed by taking vide noir as discussed above, but its lyrics speak a lot more specifically to Johnnie's experience, implying some connection between him, vide noir, and the World Ender.

It may be that as we see with Buck in the film, perhaps Johnnie too has suffered the effects of being black-brained prior to taking it due to the time and space-bending effects of the drug (notice, for example, in Strange Trails we get Johnnie's story in a scrambled chronological order) and here he's confronted with the harsh truths of what those past visions of his possible future mean for him: he has been set on a path that is no longer avoidable due to his eventual future overdose. So perhaps it's at this point that he acknowledges that he is going to die sooner rather than later and that his life and death will not have meant anything to the greater cosmos, but this information, which was new to Buck, is not something Johnnie fears. Johnnie is hardly new to this point of view. He's seen past echoes of the knowledge imparted by vide noir throughout his life, both in his future visions of the end of the world (again see Until The Night Turns) and in the knowledge passed on through other World Enders, including their own motto ("The fair, the brave, the good must die", or in Secret of Life here, "The darkness comes for all of us").

(As an aside, there's still a lot to unravel with Secret of Life that I haven't touched on here. It's a fascinating song with some really mysterious lyrics. I've speculated at length in the LH discord about some additional interpretations this song could yield but won't veer off topic here.)

And yet despite what looks like a very certain and dire end, Johnnie maintains hope that perhaps he, too, will live past this. Because if Cobb Avery did, why can't he? This is part of the gang's core mythos - their founder is a dead man. He clawed his way back out of the grave for revenge, they thought it was just so fucking cool that he was unkillable that they had to join him, and together they dismantled the Winthrop Corporation, one murder at a time. When the police finally caught up to him, they lynched him - but the noose did nothing, for he was already dead, and now in the form of a skeleton, he called the gang to his side (see Strange Trails: The World Ender comic book). In the ensuing chaos, he flees, the gang heads west and relocates to east Los Angeles, and in the time contemporary with the events of Vide Noir, he is still present among them but this appears to be unknown to the public (Daily Trails prop, by Kim Berens, used in both Vide Noir and Alive From Whispering Pines where it was modified to Ten years later).

Whether The World Ender is readily visible to and known by most members of the gang at this point is unknown, but we know that those who were black-brained can see him (in the film, Buck sees him approaching, bumps into him, plunges into a hallucination of his own future, and when he comes too, the Ender is gone). Given the Secret of Life lyrics, it's reasonable to guess that Johnnie at least can see the World Ender just fine and one way or another, in speaking with him and in conjunction with consuming vide noir, has learned enough secret knowledge to make some kind of choice - and this is what later enables him, too, to drag his way back to the world of the living.

Fate catches up to Johnnie and as we learn in the film, his death was at the hands of Z'Oiseau's henchmen for trying to gain access to dealing in vide noir. Like Buck, he is black-brained - forced to swallow enough of the drug to kill him. And so the track Vide Noir opens with the Fortune Teller's Theme previously heard in Ancient Names Part 1, and that tune is woven through the track - Moonbeam's "I warned you, I told you so" to both of these fools who disregarded her advice. Although, again, the lyrics are clearly meant primarily to narrate for Johnnie - "Many evils have I enjoyed, prowling the night raising hell with the boys, getting high on a pure black void" sounds a lot more like what Johnnie gets up to than Buck. We are given a glimpse of his last words and final thoughts as life slips away and his consciousness is sent straight to the final edge of the cosmos.

---

So ultimately, this is what we're left with:

Vide Noir is an album that tells the story of Buck Vernon, whose fiancee has left him. His journey culminates in a near-brush with death, in finding Leigh, and in learning that she does not love him and that he's nothing, his life is worth nothing more than dust and that none of it mattered or will ever matter, that once he eventually dies he will vanish and be forgotten in time.

Vide Noir also tells the story of Johnnie Redmayne, who for once tries to do something that isn't just for his own hedonistic pleasure but that might actually help bring in money to support his friends and family, but he's too headstrong and impulsive to listen to the warnings he's given, and is killed in the attempt.

One lives who probably shouldn't have and comes out at rock bottom and now has to work out how to move on from here, and one dies a nihilist who should presumably just accept the inevitability of death, but has the knowledge and absolute stubborn determination to enable his eventual return, following in the footsteps of Cobb Avery.

And what happens to both of them afterward? Well, we don't know. Hopefully some day (SOON?? BEN PLEASE) we'll get the opportunity to find out!

[muggle-born-princess]

So wait.

When Chloe uses a Miraculous for selfish desires, she is condomed for her actions.

But when Gabriel uses a Miraculous to literally DESTROY the goddamn world, he's considered a hero?!

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[spacedlexi]

it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope

it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)

the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well

these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)

all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem

they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[hecksupremechips]

Time for me to be completely changed as a person! *just watched falsettos*

[krenia]

"Finally it charged time to transfer the Marie piece and finish all the shipart—"

*random Aiden 30 minute [something] instead appearing*

[samuraisharkie]

just finished watching Uncle Vanya for the first time. I think Doctor Astrov and the Professor should kill themselves

[arolesbianism]

Some Brute doodles plus a bonus Button

[nereidprinc3ss]

just like heaven

in which flirty!reader finally confesses her feelings to a pining spencer reid after a night out. she's slightly buzzed. it's complicated.

fluff (some angst) warnings/tags: fem!reader, reader drinks alcohol, dirty jokes, so much flirting and banter, some arguing kinda, but spencer is such a gentleman, everyone gets flustered at least once, they really wanna kiss, happy ending a/n: gif :D I hope u like this! not bandages reader but like same vibes. like an AU for my AU

“Emily!”

You drawl the ee sound long, the same way you reach across the table and wiggle your fingers at her half-empty glass. Thin dark brows dart up beneath that glossy sweep of reddish-black hair. 

“Oh, wow. That’s unsettling. What?”

It’s been at least an hour since you had a drink of your own, but enough alcohol is still flowing through your veins so as to render her offensive comment inoffensive. You love Emily. You love the Tequila Sunrise sweating onto the sticky table in front of her which she’s not going to finish. 

“I think she wants your drink,” JJ assists, cheek balanced tipsily on a propped up fist. 

“Uh…”

Emily’s doe-sweet eyes flash uncertainly behind you. 

“I’m basically sober,” you insist, laying your head on your outstretched arm and letting your hair cascade as you bat your lashes, offering her your sweetest smile. “Please, Em?”

It does not go according to plan. She scoffs. 

“Are you flirting with me right now?”

“... Would that work?”

“Oh my god, just… cool it with the fuck-me eyes,” she laughs. “You can have the drink.”

You sit up, turning just barely over your shoulder to address Spencer. 

“See? Emily buys me drinks. Basically.”

She slides the drink toward you, with a subtle roll of her eyes that you choose to interpret as affectionate under the dim canned lighting. As you sit back, content and free drink in hand, her eyes slide to Reid in the seat next to you, brows arching. 

“Are you sure you can handle her all on your own?”

“Handle me?” You frown deeply as Emily gathers her purse and slides out of the booth, followed shortly thereafter by JJ. “I don’t need handling.”

“Then why do you have a handler?” JJ teases.

You slump against the worn vinyl, stirring what is mostly orange juice. 

“He most definitely is not my handler. He’s my science project.”

“I got it,” Spencer assures your friends, with his trademark flattened smile. You can’t help but watch him with a grin of your own, flipping the straw in the drink and nibbling on the end until it’s stained sparkly pink. Goodbyes are issued, and soon it’s just the two of you. Perhaps it’s a tipsy delusion, but you think he seems to relax slightly when you’re alone. His eyes are easy on you. “You know, you’re not actually decreasing the amount of germ transmission by using the other end of the straw.”

“Mm… pretty sure alcohol kills germs, Doctor.”

At that, you giggle. 

Doctor. 

Soon you’re covering your face and having a full-fledged laugh attack. 

“What?” Spencer asks. From between your fingers you can see that he’s smiling guardedly, brows furrowed in a way that reminds you he’s often worried about being the butt of a joke and not knowing it. “What’s funny?”

“Nothing,” you assure him quickly, gathering yourself. “I just… can’t believe you’re a doctor.”

“Why not? What’s so unbelievable about that?”

“You’re so young.”

And handsome. 

“I’m not that young. I’m older than you,” he defends. Only by a handful of years, but you know he’s defensive about his age after a lifetime of being told he looks young for—well, everything. 

“You’re… 32?”

That’s not right—you know as soon as you say it.

“Thirty three.” He very politely captures a hand—your hand—that had at some point ended up a little too close to his eye. You’re not sure what you planned to do once it got there—you don’t recall moving it at all. 

“Sorry.” You take your hand back, choosing to instead fiddle with a button on his coat ponderously. “33 is a good age.”

“Yeah?” Spencer laughs, angling his head as if to regard you from a new angle. It warms you all over. Burns in some places, like a shot of liquor down your throat. Makes you just as dizzy, too. “You have a lot of experience being thirty three?”

“No, I just…” your cheeks heat and you wrestle with a timid smile, averting your gaze and dropping your hand for fear his grin this close up might actually kill you. “I like 33 year old you.”

“So… you didn’t like me when I was thirty two?”

“Stop,” you beg, a self-effacing laugh into the cup of your palm. “I can’t banter. I’m not at peak performance.”

The truth of it hits you, and you sigh, folding your arms on the table and resting your cloudy head. Only then, from this new perspective, do you allow yourself to fully admire Spencer Reid. He is smiling at you, and your heart does skip a beat like you’ve got some school girl crush. These days he wears his hair falling over his face, messy on purpose, and always smells so nice. You wonder when he started caring about that stuff. You want to see what products are in his shower, and learn why he chose that cologne, or how he decides to pair his socks. He probably has some sort of algorithm. 

“Spencer,” you begin, the serious quality of your voice diminished by the smush of your cheek against your arm. Still, he tries to respect your tone, zipping the smile and answering with a playfully twitching brow. 

“Hm?”

You want to push the hair out of his face. Why is he looking down at you like that? Like he likes you?

“You’re a very good handler.”

His eyes narrow as he considers this, but the glimmer in them could still spark a forest fire. You’re probably grinning like an idiot. 

“Oh, I couldn’t handle you. You know this.”

You hum thoughtfully. 

“I bet you could. Wanna try?”

Spencer shakes his head, huffing a laugh through his nose. To his credit, your bold-face innuendos don’t always send him into a tailspin these days. 

Just sometimes. 

“You need a ride home, don’t you?”

You sit back up, stretching your arms out. 

“You don’t have to. I could get a cab.”

“I know,” he assures you, still a hint of amusement playing at the corners of his lips. Why. Is. He. Looking. At. You. Like. That?

“Will you let me drive?”

“I would. But, you know, my affairs aren’t in order.”

You roll your eyes as he gets out of the booth and offers you a hand. 

“I’m not that drunk.”

Spencer just wiggles his fingers. 

“If you can recite the alphabet in reverse you can drive my car.”

You roll your eyes again. Obviously he’s fucking with you, because 1. He’d never let you drive even the slightest bit inebriated, and 2. He knows you can’t say your ABC’s backward when you’re dead sober. 

The truth is you’re more buzzed than anything. You could get up and walk fine without any assistance, but he’s offering you his hand, so you take it. After you’re standing, you wonder how many excuses could you possibly dream up to get it back in yours. Should you pretend to fall?

No. Not quite worth your self respect. 

“You know…” you muse, reveling in the brief brush of him against your back as he holds open the door for you, “it’s a good thing you didn’t become, like… a medical doctor.”

Now walking side by side on the street, he glances over at you, a poorly veiled smile on his perfect face. Like a trap door brushed over with a few leaves. He wants you to see it.

“Why’s that?”

A breeze ruffles your hair. The brisk cold and the walk seem to be making things crisper already. You shrug, bunching your sleeves in your hands against the increasingly frigid night. The skirt and tights you’d chosen were perfect for a stuffy dive bar. Not so much for an early DC spring. 

“Nobody wants a hot doctor.”

He looks down at the sidewalk, hands pocketed, but the curve of his lips doesn’t lessen.  

“Hm. You’re drunker than I thought.”

“What? No! I’m—barely!” Again he laughs at you, and again you flush, looking down and counting the cracks in the pavement as you journey slowly under the bath of yellow street lights. “Why do you say that?”

“Because you called me hot.” He sounds almost delighted as he grins sheepishly around the final word. 

You snort. You’ve said worse things, more graphic things within the past few hours alone—but you suppose they’ve all been more like dirty jokes than compliments. 

“Yeah. You think you aren’t?”

Sandy locks fall side to side as he carefully measures a response. His cologne is warm—sort of smoky. It’s very nice. He doesn’t seem like he’d wear cologne. Have you already thought about his cologne tonight? Once was probably enough. 

“I just think sober you wouldn’t have said that.”

“But don’t you prefer it when I’m aggressively flirting with you? I mean, I know I do it sober too, but it's not as good, right?”

A silent stretch begins and shortly ends, and you don’t mind it. Right now, everything is a winding path through the woods. You’re willing to follow any fork off the trail if it means spending more time with him. 

“I guess I wasn’t aware that was what you were doing.”

“Oh, bullshit,” you laugh, and it echoes through the canyon of a nearby alley, “I’m not subtle, Reid.”

“I don’t know! You—for all I know that’s just how you are! I mean, what did Emily call them earlier, your—your fuck-me eyes?”

Like he does when he’s flustered, he gets shrill and stuttery. It’s nice to be reminded that he’s still a complete dork on the inside—and the outside, too, as pink stains his cheeks like watercolor. You smirk at him in your periphery, watching him against the darkened city backdrop. 

“You noticed those, huh?”

“No,” he denies forcefully, but his brow is pinched like he doesn’t quite believe himself, “I mean, yes, I notice when you look at other people like that, but that’s not what I would call them—I wouldn’t call them anything, I’d just call them your eyes, you know? Not that you always look like you’re soliciting… the implication isn’t there, it’s just—I notice when you flirt with other people! With Emily, and Derek, like, not even half an hour ago. You’re lucky Hotch wasn’t there. You’d probably have given him a heart attack.”

“I’m more concerned with yours, to be honest.”

“My heart is fine,” he laughs. “Worry about my dignity.”

“Hm. I was going for both. Guess I’d better try harder.”

You don’t notice you’ve come to a stop until you’re face to face in front of his vintage Volvo. Spencer is standing closer than usual, hands perpetually stuck in that nice wool coat. He’s all windswept and pretty, smiling crookedly and eyes sparkly with humor. A strand of hair sticks to your lip gloss, and you brush it away, tucking it behind your ear and squinting up at him against the chilly breeze. The flush is either from the nip in the air or your brazen flirting. 

“Or, you could go easy on me. I’m frail. Like a… sickly Victorian child.”

Again his brow knits and he smiles like he knows what he’s said is ridiculous. But his tone is gentler now. Softer. Invites you to fall in deeper and see what you might find. 

“And ruin all my fun? Toughen up, Reid.”

For a long moment, you don’t get a response—only his eyes, soft and thoughtful on you, before you’re distracted by the sweet bow of his lips. If he notices you’re staring, it doesn’t seem to bother him. 

But something evidently does, as when he next speaks, it’s troubled. Curiosity straining against a rope that says maybe it’s better if I don’t ask. 

“Do… do you actually flirt with me? When you’re sober, I mean.”

He expects to be ridiculed. In his most vulnerable moments, he’s still bracing for rejection—turning his cheek slightly so he’s ready for the stinging blow. It opens a fissure in your chest. You frown, and speak gently. 

“Yeah, Spence. More than anyone else. You really don’t notice?”

Sometimes his face is so expressive, in the pull of his brow and tightening of his eyes and the way he wets his lips. But he probably doesn’t know that. And he can’t seem to meet your eyes, instead choosing to study the leather of your heeled boots. Sounds of late-night traffic, of tires on wet asphalt buffer the pauses between sentences. 

“I notice… when you talk to Derek and Emily and JJ and Penelope the exact same way you talk to me. I didn’t think…”

Another gap in conversation, filled with the chatter of some group pouring out of a bar somewhere. You realize he’ll need some gentle prompting to bridge it. 

“You didn’t think what?”

When his eyes flash back up to meet yours, you have a feeling like he’s shutting the pipes off. 

“It’s—uh—” he clears his throat— “it’s not important, we can—we’ll talk about it a different time. We should—”

“Wait.”

He’d been turning away but snaps right back to look at you as if on command, wearing a brand new face that tells you he’d like to wipe the past minute or so completely away. 

“Yeah?”

“Spencer. I wanna know what you were going to say.”

“I told you. It’s nothing.”

“You didn’t tell me. You mumbled evasively and walked away. We were in the middle of something and I want to know what you were going to say. Please?”

“Well, you’re drunk,” he finally sighs, and it’s a bit sharp. Stinging. 

“I am not drunk,” you defend, and it feels true, with a bitter cold lashing at your cheek and blood heightened from the walk. “You know I’m not too drunk to have a coherent conversation. Why are you being weird?”

“Because I asked you to drop it! We can’t have this conversation right now, all right? I shouldn’t have brought it up.”

Your stomach flips, and your breath comes a little heavier. Spencer is clearly frustrated with you. Maybe being on the wrong end of this mild vexation, and so suddenly, should make you feel guilty, or some kind of bad—but all you feel is a sort of buzz in the tips of your fingers and the thrum of your heart, something deeper than excitement pooling in your veins at having inspired this sort of passion. It means he feels something. Something for you. 

“I’m sorry,” he tries halfheartedly, unable or more likely unwilling to stay angry at you for very long, “you didn’t—”

“What conversation?”

It’s jarring how quickly this has spun on its head. The very air you’re breathing seems to have changed. The metropolitan soundscape is a rife undercurrent of tension and louder from all the words unsaid. 

Finally he swallows. 

“There’s no conversation. I’m—it was a poor choice of wording. I just meant we should get you home.”

Before he can make it to the driver’s side door, you’re calling out. 

“You think I don’t like you. And I just flirt with you ‘cause I flirt with everyone.”

Spencer stops, and turns to face you once more, sighing and head dropped to one side like you’re doing something incredibly inconsiderate. He’s never looked at you like that before, but you don’t let it shake you. 

“That’s what this is about, right?”

He says your name, but you don’t let him get further than that. 

“No, I think there is a conversation here, and saying I’m not sober enough to have it isn’t fair and you should have said something before and I think you should just say it now.”

You’re pushing his buttons with a heavy hand, though your own voice shakes. He’s feeling it too—you’ve never been so short with each other. His voice is raised. 

“What am I supposed to say?” 

It boils over. 

“That you like me!”

It rings. 

Then it’s silent. 

His face is mostly blank. A little sorrowful around his eyes. 

It’s cold, jumping into the deep end like this. 

“We can’t talk about this right now,” he finally says, glancing to the side as if to suggest a situation the size of the whole city. 

“Spencer, I—”

“It’s impossible to have a meaningful discussion until your judgement isn’t impaired, otherwise it’s—”

“I am telling you that I flirt with you because I really like you.”

“I—”

It appears you’ve truly thrown him for a loop.  For a moment his jaw works at nothing, a soliloquy of words go unspoken, and then he’s stuttering and fumbling for the right thing to say, looking everywhere but at you. 

“I can’t—that’s—regardless of whether or not it’s even true—”

“It is true.”

“Could you—stop?” He pleads. “You can’t tell me that. I mean, the power imbalance when you’ve been drinking and I haven’t—it’s—I mean, it's coercive. Because I brought it up, I asked an inappropriate question—or at least started to ask it, and you—not that it was your fault, I’m the responsible party in this instance, but if tomorrow you realize you never wanted to tell me—so I have to take that with a grain of salt. I’m just—I have to pretend I didn’t hear that, alright? And you can’t say it again.”

He’s ridiculous. You shift your weight onto one foot casually. 

“That’s not very nice. I just confessed to having a huge crush on you and you’re gonna leave me hanging?”

There is an undeniable sort of pleasure in the bright of his eyes, and you phrased it that way on purpose, just to see him preen and glow—also to see if you could make him trip all over himself some more. Right now, despite the liminal space your relationship may or may not be occupying, you’re teasing him like you always do. Like he’s a friend, because he is. Before anything else. 

He tries to glower, barely. 

“Were you listening to me at all?”

“It was hard with all the stammering. I thought you might pass out.”

“I might,” he grumbles, and the admission pleases you greatly. Your lips tug as you admire him for a moment—watch his defenses go down and his features ease into something more inviting. 

God, maybe you really had been too hard on him. Maybe he really didn’t expect that you would like him back. 

You’re struck with the need to reassure. 

A dampened clack emits from your shoe where the heel hits the ground as you step down off the curb. 

“You know… I do like you. A lot. I mean it. And I’m glad I told you, because... you like me too, right?”

He raises his brows, like don’t do anything stupid, as you approach unhurriedly. It’s good to see that you haven’t broken his spirit completely. 

Less than a foot away, you stop. Close enough to be in his space. Too far for him to have the grounds to step back. 

His eyes are careful on you, analytical as always, constantly predicting an infinite number of outcomes to any given scenario. That’s how he keeps his footing in the world. But he’s never very good at predicting you. And it helps that his razor sharp intellect is dulled, some, with affection. Attraction. 

It shows in his eyes. He’ll let you push boundaries he knows he shouldn’t. More so if you keep speaking to him this softly. Almost whispering.

“Tell me you like me, Spencer.”

Because he hasn’t yet. All the heavy lifting has been done for him, and that just won’t do. 

First, he opens his mouth, and you watch the internal debate, a million things he could say, spinning round in his eyes like pinwheels. Rules, and buts, and caveats.

In the end, he just clears his throat. Speaks in the same secretive tone. Low enough to be intimate.

“I like you.”

Such a simple thing has never made you feel so airy before in your life. You steal another glance at his lips.

“So it’s really not that complicated. We could probably just kiss.”

He tinges pink.

“We definitely can’t.”

“You also said we couldn’t talk about it, and yet…”

“Talking is different. As far as I’m concerned, nothing you say to me tonight is binding. Whatever just transpired happened completely off the record. We can… talk about it tomorrow, but right now, you and I are friends.”

You shrug.

“Friends can kiss.”

“No, they can’t,” he says definitively, though not without a healthy dose of sardonic self-awareness and a dark smile. His hand finds your waist, and it’s glancing, if anything a light push, but you’re delighted nonetheless. Almost as pleased as if he really had kissed you. “It’s cold. I’m ready to leave.”

You’ve pushed him enough for one night. And it is cold. So you shuffle around the car with quick steps to the passenger side door, hooking your fingers under the biting metal handle and waiting for him to unlock the vehicle. 

You’re shivering as your thighs press against leather upholstery, only the thinnest layer of synthetic material protecting your legs. Spencer is already starting the car, but the engine is too cold to bother turning the heat on yet. 

“I think it’s colder in here than outside. Look at my hand.” You hold it up for him, and it is discolored, waxy, as he mindlessly takes it between his own much warmer ones. “I thought alcohol was supposed to keep you warm. Didn’t that chef on the Titanic survive hours in the ocean because he was hammered?”

“That’s a myth. Not the chef—he did survive, but it was a complete anomaly. Alcohol causes vasodilation in the dermis layer of the skin, so you feel warmer, but it draws blood flow away from your internal organs and significantly raises your likelihood of developing hypothermia.”

Does he notice how he’s holding your hand? Carefully pressing his thumbs to the center of your palm and pushing up through your love and life lines, cupping the fingers, before sandwiching them between his own and generating friction the way a child furiously rolls a play-doh worm?

“I guess I’m really not that drunk, then.”

He’s not expecting it, and maybe he doesn’t know what to make of your exceptionally gentle tone at first. It was a mistake, you think, as he relinquishes his hold on your hand, and you curl it to retain the memory of his warmth. But then he tucks hair behind your ear, like he’s done once or twice before, and smiles in a way you don’t quite understand. 

“I know.”

You won’t push him. You won’t ask for anything else, and you won’t demand an explanation. Spencer is special. It can all wait, because you have something good with him already. Something important. Something like holding hands. 

It comes as a surprise when he leans across the console, and you lean in a trance to meet him, and another surprise when he gently redirects, pressing his lips to your cheek, close enough to match the corners of your mouths and nothing more. 

You’d let him do it a hundred times over, but he draws back after a fraction of a lingering second, and finds your hand to stroke the back of it, forgotten in your lap. 

“You said no kissing,” you murmur, as if in a dream. If you had the wherewithal to be embarrassed maybe you wouldn’t be ogling so much. 

“Compromise.”

If anything, you should be the cheek-kisser. But there will be time to feel slighted about that later. Time to amend. For now, you look ahead robotically. 

“Is there a rule against friendly hand-holding?”

“Probably,” he says.

But he lets you hold his hand in your lap the whole drive to your apartment, anyway. 

[bluerosefox]

Invites

"OMA, kill meeeee" Ellie, aka Wrath complained as she allowed her head to 'thunk' on the cafeteria table in the Watchtower she phased into in order to sit in next to a boy dressed in red, yellow, and green.

"Aren't you already halfway there?" Came Robin's response as he took a drink of his water, eyeing his teammate with a raised eyebrow, though it was difficult to tell with his mask in place.

"OMA?" Asked Superboy on the other side of the boy.

"Shush you." She said towards Robin before answering Superboy "Oh my Ancients, it's like OMG but like for us ghosties."

"Tt" "Oh!" Came both their responses.

"So..." began Superboy after a few minutes of silence between them as he looked at Ellie like a confused puppy "Why?"

Ellie groaned and just stayed slumped on the table as she said "Da's dumb Observants council is hosting another dumb ball to try to get him or me hitched again, and like always I'm forced to attend because I'm Da's heir. We both hate it with a passion, most are just stuck up, power hungry, social climbers trying to get into our pants for the royal titles... Espcially if they become our Forevermores."

"Tt, why not just get rid of them? Or simply have your Father dismiss the ball." Robin said, his eye twitching in annoyance just at the thought of it. A ball sounded even more annoying than the gala parties he is made to go to.

"Sounds stressful... Also Forevermores?" Superboy asked, he was always curious of Ellie and her ghost culture but never knew what could be asked or not, he had been warned to never ask how a ghost died after all and that question is normally asked in every ghost hunter video on the internet.

"Forevermores is our term for the ONE. The one and only we will ever be with. Till our final end takes us we are always to be with them only. We are core creatures and bonding on that level is like sacred, we don't rush into bonding like that though. But everyone in the Realms hopes to be either become mine or Da's. And the ball is their best chance at meeting us on neutral grounds." Ellie explained as best as she could for Jon, it was hard trying to explain the type of level a Forevermore was "And to answer you Robin, Da can't. The Observants, despite how annoying they can get with their dumb demands, are part of the system council for the Realms, they're sadly needed to keep things in check hence their name. Da and his friends are still trying to find a loophole to get rid of them though. They were only created when they put Tyrant King to sleep and they still sadly have some backings from other powerful ghosts in the Realms, even an Ancient or two and in order to fully dismiss them we need all Ancients on board. And the ball keeps a lot of ghosts, especially the more powerful ones, errr I guess happy? Most just use it to gossip on neutral grounds, others just like to dance, network, or other junk like that. Basically, when it's not about them trying to get mine or Da's hand in ghost marriage, it's fun so Da can't dismiss it, it'll ruffle to many feathers."

"Wow..." "Tt." Were the response from her teammates.

"Yeah. Da really isn't happy because someone suggested inviting powerful people from a few Mortal Realms this time. Somehow it got approved. So... here." She said as she reached into her own chest, phasing her hand in, and pulled out two green envelopes and placed them on the table in front of them. Both boys stared in surprise to see their names written in dark purple ink and the stylized DP on it.

"CW let me invite you guys personally. Everyone else should be getting theirs in about a few minutes complete with a blaze of green fire and spooky vibes." Ellie said with a strained smile, both happy to invite them but also dreading the questions she'll no doubt have to answer once the invites were sent.

[milf-harrington]

i read a fic yesterday (return of the king) where Steve swapped with Eddie at the last second at the end of s4 and ended up being the one who died and had to be left behind and then he came back as a vampire and it just got my brain TICKING.

So role-reversal AU where steve is the one who comes back basically kas-ified as is the common trope with eddie, but where eddie goes to steve, steve goes to robin.

lets say, for funsies, that they managed to kill vecna and max only ended up hospitalised for a broken elbow and a twisted ankle (from falling on it), so everyone has the time and space to grieve.

Steve’s death hits Robin the hardest because he was her person. He was her i-wish-we-could-just-merge-into-one-being. Her ride or die. Her soulmate. And he’d been taken from her, torn apart and left to rot in the very world he’d tried so hard to protect her from. 

The others give her space to let her mourn quietly in her bedroom, dressed in steve’s clothes and listening to his music like if she just tried hard enough she could still merge them together and let him use her lungs to breathe, her heart to pump his blood, her head to share his thoughts. that she could single handedly go from a me to a we.

And then, one day, Robin starts acting weird. She doesn’t know the Wheeler’s phone number and on her way to find it in the phone book, she found the Munson’s first, and when Eddie picks up it’s too a very chipper Robin asking for a lift to the shops where she proceeds to buy an alarming amount of red meat and refuses to answer any questions.

And she’s just- happy. She’s weird and happy and keeps calling Eddie to ask him about Dungeons and Dragons lore and if he can take her to the library or to the butcher and if he can let her borrow his jumper please? I get cold easily. And then she just keeps stealing clothes, from everyone. Sometimes she asks, sometimes she’ll just take a jacket off of the back of a chair and act like nothing happened, sometimes she just sneaks off to go rooting through washing baskets.

Then comes the day she invites Eddie over, probably a week or so after her initial journey into Weird-Ville, nervously rambling about nothing right up until she closes the front door behind them and runs into Eddie’s back because Eddie’s just spotted Steve-fucking-Harrington peering at him from around the corner. 

Apparently, a not-exactly-dead-anymore Steve crawled through Robin’s window one night and has since taken up residence underneath her bed. 

“He was kinda- not all there, at first.” She tells him, chopping a steak into cubes and dropping them into a blender. Steve, winged and fanged and tailed, leans against the counter and watches her with sleepy eyes. “But we’ve been working on it.”

After the initial pants-shitting shock of having her dead best friend re-appear as a creature of the upside down, Robin had simply accepted it and moved on. Happy to have Steve back no matter what it looked like. 

And what it looked like was blending raw meat, and reading together in the bathroom to bring back his ability to talk, and stealing clothes for the veritable nest Steve was building in her closet. The next step in her plan to re-domesticate her best friend, had been to introduce him to another person: Eddie, evidently. 

Steve promptly spends 5 minutes being a feral little creature, scenting Eddie within an inch of his life like he’d done to Robin, and then attempting to plant him in his nest like a little ornament. 

Just. idk. feral kas!steve seeking out robin for safety, who slowly re-introduces him to his humanity and then his future boyfriend.

[zours025]

Zombie apocalypse face au I've been thinking of...

Thoughts/details on the AU and an alt color vers of the first drawing (luring you into my evil cave) ⬇️⬇️⬇️

Face as unrelated parties... All normal humans. Caname and fruk (separately) wandering the world after generic zombie outbreak. Theyre some of the last ones left so they rarely meet people and need to depend on the other party heavily. Blahblah its miserable everyone is sad and hurt and tired. Francis had to cut off Arthurs leg to prevent an infection. Arthur has to learn to lean on Francis for a lot of stuff and they learn to get over past grudges and such... 😇 Alfred is bitten at some point and hides it from Matthew. Matthew knows, but he's basically lost any will to live and is ready to die whenever Alfred turns because. Well. "I'm only living for him anyways..." type of sentiment... They ignore it and it's never brought up but it's like. I know you know that I know that- Anyways. So those two are trying their hardest to live out their last days in relative happiness. Doing fun stuff. Appreciating the simple things, landscapes, each other's company, etc... That is until they bump into Francis and Arthur in a totally horrible state. And it's like "Well... We can't just let them die can we? We have nothing to lose anyways." So they watch over the two and care for them and once they're all in okay health they decide to stick together and move on. But Arthur and Francis are clearly more determined to live than Mattie and Alfred and they're good fighters. So they wanna keep em around, all while hiding that Alfred is slowly dying and is eventually gonna kill them all. Milking Francis and Arthur's good will... Eventually new relationships form between the four and inevitably weird "betrayal!" and jealousy type feelings show up... Francis is tired of just sleeping with Arthur and when he gets mad he flirts with either of the twins... And the like... Well I haven't thought the whole thing through but these are the important emotional bases to the idea I guess...

I wrote a scenario for many different possibilities of first-to-dies (because i find them all interesting and bcuz twitter oomf asked and i have no restraint. lole)

Alfred dies first: Most obvious scenario (like hes already a bit zombified and clearly hes getting physically weaker) Im imagining a terrible scenario no matter what. Matthew probably finds him first all hunched over and stuff womdering whats wrong before realising that it's finally the end of the line. Francis/Arthur aren't far behind and they blow "Alfreds" head off without hesitation. Obviously causes a rift between the two and Matthew, who broke their trust by hiding this from them. Matthew is inconsolable for a few days, he thought he had more time. Despite the lie I think Francis and Arthur would end up feeling sympathy. They try to keep Matthew up on his feet but frankly I think this would end with him blowing his brains out eventually anyways... 😊

Alternatively Mattie has been mentally preparing himself for a very long time and he immediately kills "Alfred" and then himself in quick succession. Francis and Arthur are haunted by the memory of the two for the rest of their trip.

Arthur dies first: Similarly, I think its easy to imagine this. He's missing a leg and mostly needs to be near someone else to survive zombie attacks/ambushes. Would probably accidentally get separated from the group and get overrun... Might use himself as a distraction to allow the other three to get away in a particularly dire situation... In a way he thinks hes just dead weight anyways and he wants to see the other three live knowing that he doesn't have much left to offer them (Francis would disagree). Francis is obviously very upset and he loses sleep over the memory of Arthur, his last "real" link to his normal life before all of this. But I think Francis is stable enough to prioritise the twins he took under his wing. He knows they need someone to keep them together, so he toughs it out. Everything is fine till Alfred turns some many months later. By then, Francis developed a strong attachment to the two and doesn't have any regrets. Would probably struggle against Alfreds strength to allow Matthew to escape or something along those lines...

Francis dies first: I can also see him just getting killed by sheer numbers. I think he grew very fond of the twins pretty fast + had to be Arthurs protection for a long time and so he developed this feeling of "I need to keep them all safe at all costs". I don't think itd be as much of a letting go type thing as Arthur. It's more calculated and would only happen in a worst-case scenario. I think Arthur would be pretty irritable for the next few weeks, a lot of things remind him of Francis. It bothers him since he wants to just forget and move on, but he finds that his feelings are more difficult to control than he initially thought. Yells a lot at Matthew and Alfred and gets into petty fights. Its not pretty, but they have their moments... In the end, it's not like he wants to make them suffer. They're all he has left now. Hes trying his best. Has a lot of days where he just wishes he had been the one to die instead.

Matthew dies first: Honestly I'm imagining a non-zombie related death, like an accident with one of the guns or some unrelated illness or like. Falling onto a branch? Falling from high up in general? Setting off a trap? Lol idk. Something that allows Alfred to hold Matthew during his final moments or at least look into his eyes. I think hes also the most liable to flip out on everyone and just kill the four of them all together idk ❤ Crazy girl ❤ It shocks Alfred immensely. He expected to be the first one to die and he's really upset about the whole thing. Outwardly, he cracks jokes and tries to convince the other two that he's fine but he's very much not. Doesn't really know what tk do with himself. Just goes through the motions every day. Francis and Arthur notice the slight change in behaviour but don't really say anything and pretend everything is fine. Playing at being a normal family. Arthur and Francis try spending lots of time with Alfred but nothing really helps. Eventually Alfred turns without ever telling them he was infected and they all die the end. Alternatively he kills the other two and then himself on like a random Tuesday. ❤

Bonus: Everyone except Alfred dies lol. Alone in the desolate empty landscape. Welp!!! What now!!!

If you saw my first post of this text part no you didn't im editing this and putting it here with the drawing its more organised ❤ okay ❤

[usomads]

Never Have I Ever // Jey Uso x Reader

Author's Note -> So I had this interesting little idea and figured I'd write it out for y'all... not sure how I feel about it yet but lmk if you like it 🤭 Oh! I have a masterlist now too, so you can check out some other stories I did recently :) happy reading!

Plot -> An innocent game leads to a new first, and new love.

Pairings -> Jey Uso x Fem!Reader (Y/N)

Warnings -> Drinking, Cursing, Hickies, Oral (Fem!Receiving), Unprotected P in V, Creampie, Not Proofread, MDNI

Word Count -> 3.3k

Game Night. The one night a month where you, Josh, Jon, Trin, Joe, and Galina could have a night to yourselves. No kids, no wrestling events to stress over, just drinks and quality time with your people. You met them through work, and although you were part of the production crew you ended up clicking with them right away. Whenever you all were inevitably on the road for shows, you traveled together, stayed at the same hotel, ventured the cities together, you had basically become part of the family.

Game Night originally started as a couples get-together for Jon, Trin, Joe, and Galina but seeing as you and Josh were always around they happily extended the invitation to you two, despite both of you being single.

You were close with everybody in the group, but yours and Josh’s relationship was by far closer than the relationships you had with the others. Josh was the first WWE superstar to greet you on your first day on the job, showing you around and helping you get acclimated to your new work environment. Within the span of a couple weeks he was inviting you to family events, and the rest is history.

After helping yourself to a mixed drink in Joe and Galina's kitchen, you made your way back to the living room where everyone was congregated as they were trying to figure out the next game to play. “Why don’t we spice it up?” Trin suggested, “how about a game of ‘Never Have I Ever’?”

“Jesus, Trin. What are we, high schoolers?” You chimed in, “Might as well get a bottle out and start spinning it too.”

“Oh c’mon, Y/N, live a little,” she teased, “Sounds to me like you’ve got some secretssss!”

“Ugh, fine, whatever. Start already, before you kill my buzz.” 

One by one everyone started taking turns going in a circle stating things they hadn’t done before; some sexual, some embarrassing, and some targeted to get certain players to put their fingers down. After a few rounds everyone in the group only had one finger remaining, and it was your turn. All you had to do was give one confession and everybody would be out of the game, making you the winner. You being as competitive as you were, you saved the best one for last. And you knew it would get everyone out. “Okay umm,” you paused dramatically even though you knew what you were going to say, “Never have I ever… received head.”

You smiled triumphantly as one by one, the group started putting down their fingers. Choruses of “Wowww, you had to go there,” “That’s so unfair,” and strings of curses came from everybody. Everybody except Josh.

“Nah, uce. That means nobody wins. Ma, the whole point of the game is to say somethin’ you haven’t done. You gotta put a finger down.”

“I know the rules, Josh,” you retorted, “I did say something I haven’t done. Which means I win.” “Wait, wait, wait. Girl, you’ve never had a man eat you out?” Trin asked shocked, her question making everyone realize what you had just said.

Josh interjects before you can respond, seemingly annoyed, “She has, Trin, she’s bullshittin’ rn. Because there ain’t no way-”

“There is a way, Josh, because it hasn’t happened. I’ve never had a man go down on me.”

Waves of shock cascaded across the room at your response. How could you go your entire adult life without getting your pussy eaten? It’s actually fairly easy,  just sleep with shitty dudes that don’t wanna reciprocate and there you have it. You’ve experimented a little bit within your sex life, but something as elementary as getting head was something you had yet to check off your bucket list? You can’t really blame everyone for being so surprised about it, shit you probably would be too if you were in their shoes. It seemed like with every second the group sat with this new revelation more and more questions were getting asked, almost an overwhelming amount.

“Okay okay chill, damn. Didn’t realize I was playing ‘truth or dare’ all of a sudden,” you joked before shifting to a more serious tone, “But yes, I’ve sucked dick before. Yes, I’ve been fingered. No, I’m not bullshitting. And yes, my taste in men is ass. Haven’t found a single one that wants to go down on me, yet they expect me to go down on them. Crazy I know, but it is what it is. Men ain’t shit apparently. Now there, did I cover everything?”

“So…,” Jon piped up, “What the fuck y’all be doin’ then? Just straight to pound town and that’s it? No warm up?”

“Pound town is crazyyyy,” you laughed, “But not exactly. Actually, I can break down every time I’ve ever had sex with somebody. It all follows the same steps: kiss on each other for a bit, take all our clothes off, I’ll suck his dick, we fuck, he cums, and then it’s over with.”

“Wait, girl, are you saying you’ve never cum during sex? If that’s what you’re saying honey, I’m sorry, but we gotta find you a fuckin’ man. No more of these boys that you’re messin’ with.” Galina asked.

“Oh, no, I have before. Just a handful of times though, most of the time I’ve gotta finish myself off after. Can’t really expect me to finish if you don’t warm me up a bit, you know?” You responded.

“Man, what the fuck is wrong with this generation? Giving your girl head should be a requirement, these boys you’re fuckin’ with are weird as fuck, Y/N, my girl’s right. We gotta find you a real man,” Joe stated.

“Oh, trust me, I agree with y’all. It’s why I just stopped having sex altogether; Imma have to finish myself off anyways, might as well not waste my time.”

“Y/N, babes, how fuckin’ long has it been since you’ve gotten dick?” Trin asked, anxiously waiting for your answer.

“Um…” Wow, you really had to think about it. “If I remember right, then around Christmas time…” “Oh, so less than a year then. For a second there I thought-”

“Of 2022,” you interrupted. Man, if earlier was chaotic, this new confession was fucking bedlam. Everyone seemed to be losing their minds, except Josh, who had stayed silent and kept his eyes locked on you throughout this entire exchange. 

“Alright, alright, yes I get it. It’s insane, I know. It is what it is, I guess. But as much as I’d love to continue sharing about my travesty of a sex life, I desperately need another drink. Anyone need anything from the kitchen?” Everyone started listing their drink of choice, and you were having a hard time keeping up with it all, until Josh spoke for the first time since your revelation.

“I’ll just come with you, seems like everybody needs something right now. You’re gonna need help carrying everyone’s shit.” You smiled at him, silently thanking him, but he didn’t say a word- he just followed closely behind you to the kitchen. You immediately went into bartender mode, making everyone’s drinks to bring back to the living room, but Josh stood still watching you from the entryway of the kitchen- still not talking.

“Hey, Josh, you mind helping me make a couple drinks real quick? I need some help over here,” you chuckled, but stopped when you noticed he wasn’t responding and turned to look at him.

“Why didn’t you tell me?”

“Huh?”

“Why didn’t you tell me about you not getting your needs met? You know I would’ve helped you out, ma,” Josh asked, closing the distance between you two.

You furrowed your brows in confusion, turning back to finish making everyone’s drinks. “Helped me? What does that even mean? Look, I really don’t wanna talk about this right now, so can we put this convo on the back burner until the night is over with? Good, now help me carry these drinks back to the living room, would you?” You sighed, grabbing a few cups before brushing past him to head back to the group- leaving Josh alone in the kitchen with his thoughts.

After a couple more games and a few more drinks, it was time for everyone to head out for the night. You rode to Joe’s house with Josh, who you hadn’t talked to since the conversation earlier in the kitchen. You were crashing there for the night, 1. Because you knew you’d have a drink too many and wouldn’t be able to drive, and 2. Because staying over at each others’ houses was a common occurrence nowadays. You both said your goodbyes to the group and headed back to his place. The car ride was silent, neither of you talking to the other and only the low hum of whatever songs were on Josh’s playlist. You stared out of the window the whole car ride, watching the blur of the city lights pass by and replaying you two’s conversation in your head over and over. What did he mean by, “I would’ve helped you out?” How would he have helped you?

You’re snapped out of your thoughts by the car pulling into Josh’s driveway and being put in park. Josh got out quickly, while you sat for a second to let out a deep breath you didn’t know you were holding. Well, here goes nothing.

You got inside and went to take your jacket and shoes off, barely getting yourself situated before Josh spoke.

“So, are you ready to talk about it now or are you just not gonna address it?” Sigh, here we go.

“What is there to address, huh? All I did was tell the truth, I haven’t had a guy go down on me before. I don’t really understand what the big deal is.”

“The big deal is that you should’ve told me about this a long time ago,” Josh replied, “If you had told me I could’ve done something about it.”

“Done something about it? How, Josh? What could you have possibly done about it? It doesn’t even matter and honestly, I don’t understand why you’re so worked up over it.”

“Oh, c’mon Y/N, don’t act stupid. You know damn well if I had known about it I would’ve offered to be your ‘first’.” Sorry, what? You blinked hard, trying to make sure you heard him correctly. “Shit, as far as I’m concerned, offer’s still on the table,” his voice lowered, making slow strides towards you and backing you into the door, “What kind of ‘best friend’ would I be if I didn’t make sure you were taken care of, hmm?”

You shivered at his words, feeling the lust that was oozing from his words engulf the space between the two of you. You’d be lying to yourself if you said you hadn’t imagined Josh like this before. Hell, he’s who you think about when you’re touching yourself at night. Sure, he was attractive, but lately you’d developed feelings for the man. You craved him in more ways than one, but never in a million years did you think you’d actually end up in this position- trapped between him and the door while he dragged his fingers along your sides, trailing further and further down…

“So, what’s it gonna be,” he paused, his hand finally reaching your core and rubbing you through your leggings you were wearing. He groaned, feeling your wetness that had soaked through now pooling on his fingers. “You gonna let me take care of you baby?” He leans in to whisper in your ear, “Imma eat this pussy in every room of the house mamas, make you cum in every one of ‘em too. All you gotta do is say the word.”

Your skin felt like it was on fire. The sultriness in his voice had you ready to completely give yourself to him. You had completely soaked through your leggings at this point, and were convinced if they weren’t so restricting you’d be dripping wet for him. You had a choice to make: let him take you right here and raise some question marks surrounding your friendship, or decline his offer and leave yourself hot and bothered? Lucky for you, your voice made the decision before your mind did.

“Please, Josh, please.”

That was all it took for him to smash his lips into yours; desperately but passionate, lovingly yet intense. Your tongues battled for dominance while the two of you hastily removed any article of clothing separating you, craving to feel the warmth of each others’ skin with nothing in the way. Both of you were now left in just your undergarments, relentlessly kissing each other like your lives depended on it. His lips made their way to your neck, leaving trails of hickies in their wake. You moaned his name and fisted his hair with each one he created, trembling with every graze of his teeth or lick of his tongue.

“You… have no idea… how long… I’ve wanted this,” he muttered in between each bruise he made. Your head was thrown back against the wooden door, relishing every moment.

“Me too,” you breathed out, and it was the truth. You had only recently come to terms with seeing him as more than your best friend, but deep down you knew your feelings had begun months prior. He was all you ever thought about, and here you were, melting underneath him as he ensured not a single inch of your body went untouched by his lips. 

His hands traveled to the back of your thighs and by pure instinct you jumped into his arms, holding you tightly as he carried you to your first stop: the kitchen. Josh laid you down on the island countertop, goosebumps erupting all over as the cold surface touched your skin. You arched your back for him to remove your bra, and once removed, he placed a trail of kisses starting from your breasts and moving down to your sternum, then your stomach, and finally your hips, where the band of your thong rested. Looking up at you, his teeth grazed the soft skin before latching onto the waistband of your thong, before sliding it down your legs. His hands slowly traveled up your calves and to your thighs, spreading them apart to give him a look at what he’s been craving since earlier this evening.

“Such a pretty pussy,” he hummed, “And all mine too. Look at how wet you are for me already, baby. Can’t believe you’ve been hiding her from me all this time, ma.” And with that he lowers his head and licks between your aching folds, your eyes widening and rolling to the back of your head the moment his mouth makes contact. He hungrily attacks your folds as your fingers weave themselves into his hair, pushing his face deeper into your pussy. The moans coming from your mouth are uncontrollable, repeating his name over and over as you fall further into oblivion. 

“Tastes so sweet, baby girl, could eat you for every meal.” His words vibrate through your core and your pussy flutters. You inadvertently buck your hips but his arm stops you, holding you down so you can take everything he’s giving you right now. His mouth wraps around your clit, paying special attention to the sensitive bud and you arch your back at the touch- feeling a familiar pressure building up in the pit of your stomach and quickly reaching its peak. “F-fuckk, Josh, feels so good. I’m gonna-”

“Let it out, princess. Show Daddy how good he makes you feel.”

Your orgasm rips through you, sending your body into a state you had never experienced before. You were writhing underneath him, holding onto his hair for dear life as your eyes roll into your skull and your back arches off the countertop. Strings of profanities and pants of his name cross your lips, lost in the flood of pleasure stemming from the hardest orgasm you’ve ever had. You finally begin to take control of your breathing again, attempting to slow it as your body gives out and lies limp on the marble, completely wiped out. Josh lifts his head to reveal himself, mouth and beard dripping in your wetness. He smiles softly at you, proud that he was the first to eat your pussy and proud that he was able to make you completely fall apart for him. He leans up to you and gives a soft kiss to your lips, before lifting your body from the countertop and carrying you once again. “Oh, baby, I’m not done with you yet. I said I was gonna eat you in every room of this house tonight, and you know I don’t break my promises.”

“Ohh f-fuckk! J-Josh, I- I can’t, I’m-”

“Yes you can, mamas, gimme another one. You can do it, princess.” You were now on your 5th orgasm of the night. Josh had kept his promise alright, making you cum in the kitchen, living room, his office, master bathroom, and now his bedroom. You’d think after that many times a man would be exhausted, but with every time he had made you cum he had gained more energy. It’s like making you cum was his food source, and it was driving him to keep going. Once again you came hard from his mouth and tongue, vision turning white and seeing stars as you hit your orgasm. You were for sure tired, but one thought kept you going: you wanted his cock. Bad. 

“B-baby,” you panted, still coming down from your last orgasm, “Please… I want you. Fuck me, please.”

“You just came on my face 5 times, and now you want my dick? Fuck baby, you sure you can take it?” “Fuckk yes, Josh, just please… I need it, baby. I can handle one more.”

Josh takes off his boxers and climbs on top of you, passionately kissing your lips as he pumps his cock and rubs his tip up and down your sensitive pussy, making you whimper into the kiss. “You’ve been so good for me tonight, baby girl. Imma take good care of you, I promise. You ready for me, baby?”

You nod, staring into his eyes as he slowly enters you. You cry out as his cock fully fills your pussy, already close to cumming again.

“Fuck, Y/N, so fuckin’ tight. Taking me so well,” he hisses, slowly thrusting inside of you. He wraps your legs around his waist and peppers kisses on your forehead, cheeks, nose, and lips, whispering praises to you as he slowly pumps in and out of you. Your pussy tightens around him, signaling you’re close, making him moan loudly in response. “Shitt, do that again, mamas. Squeeze my shit just like that, gonna make me fuck you full of my cum, baby.” You dig your nails into his shoulders and moan in response, “Is that what you want, baby girl? You want Daddy to fill you up ‘til you’re dripping my cum? Want me to cum deep, don’t you baby?”

“F-fuck… oh my god… please, Daddy. Want your cum in me so fuckin’ bad… s-shitt, Josh, I’m so-”

“Go ahead and soak this dick, pretty girl. I’m there too, baby. Cum for me.”Any energy you had saved was completely wiped out, coming undone again for him as he buried his face in your neck and pumped you full of his cum. Both of your moans echoed in his room, engulfing you two as you fell apart together. Josh collapses on the bed next to you, you both breathing heavily, and silent. Nothing needed to be said, as you nestled into his side and drifted to sleep with only one thought on your mind: Never have I ever… well now I have… and more. 

[atlabeth]

dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.2k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake. 

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 

“Great,” Prentiss mutters. “How bad is it?” 

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 

“Our guy probably isn’t trained in anything, then,” Rossi says. 

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes. 

“Maybe he thinks he’s doing them a favor,” Reid says. 

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs. 

JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 

-

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 

They’ll find whoever did this. That’s what gets him through it. 

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 

“What has he been charged for?” 

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail a little less than a year ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs. 

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 

“Remember,” Prentiss says as they come to a stop together, “be nice.” 

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock. 

You don’t live in St. Louis. And your last name certainly isn’t Hartford. 

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says. 

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 

He nods. “I had a change of heart.” 

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Louis area.” 

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts. 

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 

You glower at him, but you stay silent. 

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 

“Ask away,” you say. “Doesn’t mean I’ll answer.” 

“Lucas Hartford,” Prentiss starts. “He’s your brother?” 

You nod. “He lives with me.” 

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 

“Why is that?” Hotch asks. 

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 

“What about your parents?” she asks. “Surely they’re a better option than this.” 

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 

“Really?” 

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 

And he didn’t even know when she died. 

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went last year.”

“I’m sorry for your loss,” Prentiss says. 

You nod your thanks, the notion a bit numb. 

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 

“I take it this was as much of a surprise for you as it is for me.” 

Hotch nods. “We came here looking for your brother.” 

“Does your team know about our history?” you ask simply.

“No.” 

“Do you want them to?” 

“…No.” 

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 

“Pass that along to your brother, too,” Hotch says. 

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 

Prentiss nods. “Thank you again. Have a good day, and stay safe.” 

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 

“Garcia?” Prentiss asks after she picks up. 

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 

“On it,” Garcia says. “I’ll call you back when I’m done.” 

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  

You’ve changed a lot. So has he. 

And now your brother is a murder suspect, and you could be covering up for him. 

That’s the only thing that should be on his mind. 

-

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 

Mia draws out a mirthless laugh. “You are not accusing me of this.” 

“I don’t have anyone else to accuse!” Cleo shouts. 

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 

“You have no idea how happy I am to see you,” you breathe. 

“What’s going on in there?” Aaron asks, amused. 

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss. 

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 

“You keep saying things like that, and I might not mind,” Aaron muses. 

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity. 

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 

Falling in love with Aaron Hotchner has been the easiest thing in the world. 

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

- 

You had sky-high aspirations when you were younger. 

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 

All you’ve ever wanted to do is help people. 

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 

Because god— what are the odds? 

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 

If the cops want to invade your privacy even further, they can get a goddamn warrant. 

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 

You wonder what he sees when he looks at you. 

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 

“Not one for small talk,” you remark. 

“I never have been.” 

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 

You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.” 

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.” 

“And home is?” 

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 

“We prefer to get our information from the source,” he says. 

“Sources can lie.” 

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 

You swallow the memory. It still tastes as sour as the day it happened. 

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   

“None of those sound like questions,” you say. 

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 

“I don’t know,” you admit. 

“You don’t know,” he repeats. 

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I stay out of his business.”

“And you’re telling me you haven’t questioned it?”

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 

Aaron’s eyes sharpen. “What did you say to him?” 

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 

“You didn’t tell him—” 

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 

“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 

“Please,” you scoff. “He won’t hurt me. He never has.” 

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 

“That’s an awful lot of faith to put in someone who hasn’t earned it.” 

“I’ve gotten good at that over the years,” you reply. 

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 

“And you’re wrong, by the way.” 

“About what?” he asks. Again, unshaken. 

“I don’t have a law degree,” you say. “I dropped out.” 

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 

“Why? You were only a year out. You had stellar grades.” 

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. You know he already knows it, but it still seems to have some effect on him. “Went a couple months after I was meant to graduate.” 

“…I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 

You huff a mirthless laugh. “Excellent profiling.” 

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 

“You know th—” 

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 

The room feels a lot colder all of a sudden. “Sure.” 

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 

“The profile—” 

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 

“I suppose we’ll find out,” he says evenly. 

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 

You have to be right. 

The room feels even colder. 

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 

You wonder the kind of things they’ve come up with about you and him. 

-

Morgan whistles when Hotch walks out of the interrogation room. 

“She does not like you.” 

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 

And Hotch knows your past is your business—he just can’t believe you never told him. 

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 

“Other fathers to take his place,” Morgan realizes, and he nods again. 

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch… 

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 

Hotch doesn’t get why a side of his brain still thinks this way about you. 

“They sent a new one in,” you say. 

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation. 

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 

Time doesn’t always heal all wounds, he thinks. 

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks. 

“The more we learn, the more I suspect him,” Morgan says. 

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet. 

But for your sake, he hopes his gut feeling is wrong. 

-

Spring has finally sprung in DC, and you couldn’t be happier. 

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s chest as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 

Aaron says your name, and you hum. 

“Are you listening?” he asks. 

“Of course,” you say. 

“Your eyes are closed.” 

“I don’t need my eyes to listen,” you say wryly. “What’s up?” 

You feel him tense for a moment, feel him adjust his position slightly. 

“I got a call from Haley,” he says carefully. 

Your eyes open and you frown. 

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 

“…Okay,” you say slowly. “Do you want to see her?” 

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask. 

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 

You chew on the inside of your cheek, trying to think as you look at Aaron. 

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 

“Go for it,” you finally say. 

He frowns, like he was expecting the worst. “Really?” 

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 

“Thank you,” he says. 

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 

“I love you,” he says. It feels more like a reminder than anything. 

You entangle your fingers together and press a kiss to the back of his hand. 

Sometimes you need reminders. 

“I love you too.” 

-

“Four more bodies,” Prentiss mutters. “God.” 

“You can say that again,” Morgan murmurs. 

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 

No one expected this to happen so soon. 

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 

He sees Jack in every single one. He can’t help it. 

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.” 

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 

“You think he’s devolving,” he says, catching on. 

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 

-

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 

“What are they?” Hotch asks. 

“He was on the road all night when the third happened,” Reid says. 

“And how do we know?” Prentiss asks. 

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 

“What about a second unsub?” Morgan suggests. 

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 

“Maybe we’ll figure something out in questioning,” Reid says hopefully. 

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  

“And?” Hotch asks. 

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 

Hotch frowns. You? 

“You’re sure?” he asks. 

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 

“And you’re sure about that, too?” Hotch asks again. 

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died a year ago from liver failure. Hartford got out of jail nine months ago after a six year stint.” 

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 

“He’s trying to get back at his dad,” Prentiss says. “We know that.” 

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods. 

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 

“His next crime will probably be his last before he goes out himself,” Reid says. 

“You think it’ll be a murder-suicide?” Morgan asks. 

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 

“The last victim,” she says as she starts following him. “The one person he never managed to save.” 

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  

“What’s up, sugar?” she asks. “Got anymore leads?” 

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 

“What would I do without you?” he asks. 

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 

“Always,” he responds, and he hangs up. 

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 

“We’ve got an extra one for you,” Reid says, reading his mind. 

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  

And he does. 

-

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 

A shiver runs through you, the weather only partly to blame. 

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 

Of course you have to deal with this now. 

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 

“You’re already packed.” 

You shrug. “I’m nothing if not efficient.” 

“I could’ve helped you with all this,” Aaron says, frowning. 

“Why do you think it’s done already?” you ask. 

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 

“You didn’t have to do that,” he says. 

“You know what they say about a clean break,” you intone.  

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 

His lips pull into a taut line. “I didn’t cheat on you.” 

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 

“That’s not what happened,” he says, but you’re already shaking your head. 

You take the box from him and smile thinly. 

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

-

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 

“They haven’t been back, have they?” 

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 

He huffs, and you can practically hear him roll his eyes, but he stops. 

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit. 

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 

“I agree with you,” he says. 

“That’s it,” you muse. 

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 

“…Of course,” he says, and he takes it back. “Glad I could help.” 

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.” 

You roll your eyes. “I know I told you about him when I visited you while we were together.” 

“I remember you telling me how he broke your heart,” Luke says. 

“That’s not what I’m saying.” 

“Then what are you saying?” 

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 

“What have they said about me?” he asks. 

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 

“Don’t worry,” he says. “I’m careful.” 

“I doubt that,” you say wryly. “Still, though. I worry about you.” 

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 

“I worry about everything,” you say. “It’s my thing.” 

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before. 

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 

Then, there’s nothing. 

-

Hotch has been breaking every speeding law there is. 

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 

His hands tighten on the steering wheel. 

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters. 

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 

It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  

Aaron Hotchner is not going to let you die. It’s as simple as that. 

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 

And now… 

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 

“Thank you,” he says. 

“Good luck, Hotch,” Garcia says softly. 

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 

-

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 

And if there’s ever been a fucking time to be persuasive, it’s now. 

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 

He shakes his head. “I know you. You’d run.” 

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 

“…You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 

“I’ve always believed in you,” you say. 

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.” 

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother was dead, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 

“I wouldn’t dare,” you say weakly. 

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 

You refuse to die here. Even if you have to claw your way back through the gates of Hell inch by inch—you will not die here. 

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 

“I didn’t,” you insist. “They’re profilers—they figure things out.” 

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 

“Put the gun down, Lucas,” Aaron says. 

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats. 

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 

“Trust me,” Luke says. “I’m not losing her.” 

He flicks the safety off and you flinch. He’s going to kill you. 

“Put the gun down,” another agent warns. 

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think. 

“Really?” Luke chuckles. “You think you hold the cards here?” 

“It’s okay,” Aaron says. “Go.” 

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 

“Wow,” Luke muses. “They really trust you.” 

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 

“No,” he whispers. “No—we can’t.”  

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 

And then it happens so quickly you barely process it. 

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 

The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 

“You were shot,” he says with your name. “We have to get you to a hospital.” 

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 

And as the world goes black around you for the second time, you see his lips form your name. 

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 

-

You wake up in the hospital alone.  

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 

The real surprise is that you wake up at all. 

Lucas is dead. 

He tried to kill you. You thought he succeeded. 

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 

And you can’t stop playing it all over in your mind. 

He was going to kill you. 

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 

Had it not been for Aaron Hotchner. 

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 

“How long have you been here?” you ask, your brows furrowing ever so slightly. 

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 

“And how long have I been here?” 

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask. 

Aaron glances away. “You died on the table. They managed to bring you back, but…” 

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 

He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 

“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 

“And I just don’t know what to do,” you repeat, barely a whisper. 

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 

“Aaron,” you start shakily, but he continues. 

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together. 

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 

Aaron shrugs. “I make time for the things I care about.” 

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 

“Okay.” 

And he stays. 

This time, he stays.

[storiesfromgaza]

"Mom, does it hurt when we get bombarded? Do we feel the pain, or do we just die at once?"

These are the questions that Reporter Youmna El Sayed began with in her interview conducted by the AJ+ network to document her struggles with her children and the suffering of all the people of Gaza

When my kids ask me, 'Mom, does it hurt when we get bombarded? Do we feel the pain, or do we just die at once?' and I have to tell them, 'No, don't worry. It's not going to hurt.' Their father reassures them, saying, 'Don't worry. It just happens once, and that's it.' In the past, we would comfort our children, saying, 'Don't worry. It's going to be okay. It's going to end soon. You'll be fine. We'll be fine.' Everything is shaking—constantly. But now, every night, we tell them, 'Don't worry. We're together, sticking together. If we die, we die together.' Death has become a looming reality since the Israeli army encircled Gaza city. The bombardments have been relentless—from the land, air, and sea. Our building is in a perpetual state of tremor. Three days ago, we awoke to the smoke of nearby fires filling our homes. We sought refuge in the basement, the best option with the least smoke, but it was still overwhelming. The kids were coughing, suffocating, and their eyes were itching. But when it comes to my children, it just hits me so hard, Dina, and I just feel that I can't control it anymore. I can't be that strong, brave woman who's able to control things or get things under control because they're my weak part. I feel a loss of control, unable to maintain the facade of strength and bravery. Judy, usually full of life, now appears quiet and terrified

She doesn't eat much. She doesn't feel like doing anything. I tried to speak to her about things, you know, bring back some happy memories, and I said, as usual, 'What would you like to do the first thing after this war ends?' She told me, 'Mommy, I don't want to do anything except for this war to end. I just want these bombardments to end, everything—the destruction, the despair, the loss.'

I think they tell you that now—we're just hearing news of people dying every now and then—people that we know, friends, colleagues, everyone around us. And it just, you know, really, like, 'May he rest in peace,' and that's it. I just—we just go on because we were just waiting for our turn. You mentioned to me that food is scarce and supplies are low. What is the water situation? We can starve, right? We can go on without food, even as adults. But without water, I'd rather die from bombardments than die from thirst. I don't want my kids at the end to die from thirst. Are you still thinking to move south, and what would that look like? The last attempt was a couple of days ago, and we found out that to move south, we need to walk for at least 6 to 7 km on foot and not carry anything at all with us—none of our belongings. Basically, walk this distance while we raise our hands to show that we surrender, just holding our IDs in one hand and raising the other. And I think that's just extremely humiliating. And it's not just that, you know?

You remember the massacre that everyone saw on TV screens for the civilians that were bombarded on the road? They're still lying there. Until this day, lying there in the streets, their bodies. The crows and the birds are eating from them, and no one has been able to pick them up. The Israeli army has not allowed anyone or ambulances or any medical teams to come to pick these people up and to bury them. How can I let my kids go through a street while they see other children and other people killed and thrown just like that, lying in the street like that, while birds are eating from them? I think that this is just inhumane and more cruel than anything. This is not to worry about fighting Hamas or Palestinian fighters. This war began by eliminating and wiping out the Palestinian people in Gaza. This isn't a war against Palestinian fighters nor Hamas; it's a genocide against Gaza.