#Gum bichromates

[brianrope]

Sanctuary

Photography Exhibition Review SANCTUARY | 25 Artists Sutton Village Gallery | 1 – 23 June 2024 The goal of this exhibition is to present a wide range of viewpoints about sanctuary. Australian and international artists honour the history of photography and the skill that goes into making images using traditional printing methods. The labour-intensive methods have produced handmade prints with…

[dame-de-pique]

Independent Order of Odd Fellows Encampment Lights on San Francisco's Market Street, 1904

[pinkblanc]

Returning at Dusk, by Hu Boxiang, 1930

[altproc2023]

Dunnottar Castle, Scotland Still in the damn yellow phase. Retried for the upper (with same changes as the Daviot stones below) for the upper print. Might do another magenta layer, but I like it as it is.

[pink-neon-studios]

Cyanotype / Gum Bichromate

George Stockner - 2012

[redclaysoil]

well, anna niskanen (finland), 2022. gum bichromate and cyanotype on paper

[davidnajewiczphotography]

Magnolia Blossom - thinking of printing this as a gum bichromate

[yama-bato]

Diana Bloomfield

[desimonewayland]

Heinrich Kühn Männerakt mit einer Kugel (Male Nude Holding Ball)

gum-bichromate print, framed, circa 1905

Sotheby's

[museum-archives]

The Rose

Artist: Eva Watson-Schütze

Date: 1905

Medium: Gum bichromate print

[13danka]

my daughters are 1 year old,

original gum bichromate sex doll prints scanned and enlarged to inkjet prints 27’

and gum bichromate on rubber skin

March 2023

[mybeingthere]

Photographer Diana Bloomfield speaks: "My grandparents' house, set back from the street, right in the middle of town, stood on a couple of acres. A vegetable garden in the back, pecan trees in the front, and fruit trees all around seemed commonplace. What seemed extraordinary to me were the big white hydrangeas that flanked one entire side of the property, running from front to back-- a never-ending hedge of fluffy snowballs, appearing at once delicate and airy, bold and showy.

I have always loved hydrangeas and now have them in my own yard, along with so many others: camellias, lenten roses, wisteria, Carolina jasmine, quince, antique climbing roses-- all flowers that seem of another place and time.

When I got married, our first home was a Victorian in town that didn't have much of a yard. In fact, there was no back yard at all and a very narrow side yard. The front and side yards were edged all around by an ancient wrought iron fence. A small yard, to be sure, but we planted flowers that lined the sidewalk leading to the house, and climbing vines and roses all around that fence. Some stood straight like little soldiers, but mostly they climbed, intertwined, fought for space, and grew with abandon. Each year, it was a beautiful fairy-tale like display. When we moved, 3 miles away, I would often run into our former neighbor at the grocery store. He would always stop to speak and, without fail, lean over to tell me that "the old garden just isn't the same without you."

A native North Carolinian, Diana Bloomfield lives and works in Raleigh, North Carolina, where she received her MA in English Literature and Creative Writing from North Carolina State University. She teaches photography workshops throughout the country, and in her beautiful backyard studio.

[victorianchap]

🔸 ‘Lady with Mandolin in Garden.’ Gum bichromate print (probably 1899). Artist Gertrude Käsebier (1852–1934).Source: MFA Boston. #victorianchaps #portrait #retro #gertrudekasebier #goodolddays #victorian #fashion #pastlives #oldphoto #mandolin #beauty #nostalgia #vintage #1890s https://www.instagram.com/p/CkLCWZfABV-/?igshid=NGJjMDIxMWI=

[blueiscoool]

Edward Steichen The Flatiron

Signed and dated 'Steichen MDCCCCV' (lower right). Gum-bichromate over platinum print. Sheet: 19 x 14 3/4 in. (48.3 x 37.5 cm.). 1904, printed 1905.

[altproc2023]

Daviot Stone Circle Yellow cast. For the top one, I changed the PVA sizing to a 1+1 ratio and used Christian Anderson's favorite pigments along with her recommended 25% "stock" mixed pigments, diluted down to 3% for the cyan and 4% for the magenta and yellow.

[intomore]

Edward Steichen, “The Flatiron” (1904, printed 1905),

Signed and dated 'Steichen MDCCCCV' (lower right),

Gum-bichromate over platinum print,

Sheet: 19 x 14 3/4 in. (48.3 x 37.5 cm.)

The Paul G. Allen Collection Part I / Christie’s