#Gregory Tripi

[thebutcher-5]

Ma (film)

Benvenuti o bentornati sul nostro blog. Nello scorso articolo siamo tornati da tradizione a parlare di film animati e questa volta abbiamo preso in esame la DreamWorks e la Aardman che ancora una volta collaborano insieme, dando vita a Wallace & Gromit – La maledizione del coniglio mannaro. Wallace e Gromit hanno aperto una loro società, la Anti-Pesto, che si occupa di proteggere il raccolto dei…

[brokehorrorfan]

Ma's original motion picture soundtrack is available on vinyl for $30 via Death Waltz Recording Co. in conjunction with Back Lot Music. The score is composed by Gregory Tripi (Rememory).

The album is pressed on 180-gram "Blood and Beer” colored vinyl, which is limited to 500 numbered copies. It's housed in a gatefold jacket featuring artwork by Sara Deck.

[soundtracktracklist]

Gregory Tripi - composer and musician #ost #filmmusic #composer #musician #music #movie Gregory Tripi is an American composer, musician, who is best known for his music to I Am Fear (2019), American Street Kid (2019), Ma (2019), Manhunt: Unabomber (2017), Twisted Metal (2012), Rememory (2017), Vandal (2019), The Fix (2019).

[blackdieselcinema]

Celluloid Synths: Ice Cold Noir

'Celluloid Synths: Ice Cold Noir' is now streaming on my Mixcloud page. The fourth & final mix in the series (showcasing the best cinematic electronic music) is a sinister, spellbinding tribute to my favourite film genre. (Best enjoyed with a glass of bourbon.)

https://www.mixcloud.com/blackdieselentertainment/celluloid-synths-ice-cold-noir/

Featuring music from Game Night, Gone Girl, Good Time, Heathers, Only God Forgives, Out of Sight, The Social Network, Too Old To Die Young and Uncut Gems.

Featuring tracks from Annie, Chromatics, Cliff Martinez, Crystal Castles, Daniel Lopatin, David Holmes, David Newman, Gregory Tripi, Nine Inch Nails, Oneohtrix Point Never, Robert Smith and Trent Reznor & Atticus Ross.

[cinemastnet]

REMEMORY Movie Review

REMEMORY (PG-13)

Released By Lionsgate Review By John Pugh

Great films, leave us with memorable impressions. Unfortunately, for Mark Palansky‘s new sci-fi drama, REMEMORY, it is all too quickly forgettable. Palansky’s 2006 directorial debut PENELOPE, was a fun whimsical romance that never really took itself too seriously. His recent efforts were perhaps taken a little too serious for my liking.…

[lakeshorerecords]

'Rememory' Soundtrack: Accolades For Gregory Tripi's Score To Peter Dinklage Sci-Fi Drama | Soundtrack Dreams

‘Rememory’ Soundtrack: Accolades For Gregory Tripi’s Score To Peter Dinklage Sci-Fi Drama | Soundtrack Dreams

I am sure I haven’t heard such perfect ambient pieces like “Resolution”, “I can’t understand what you’re saying” or “Whoever you really are” anywhere else this year… Count this one as one of my favourite scores of 2017.  – Soundtrack Dreams Soundtrack Available Now: [Download/Stream] In this latest review of Gregory Tripi’s score to Rememory, Soundtrack Dreams showers the score with praise!  See…

[penta-and-spica]

Those Big Doe Eyes by Gregory Tripi Spotify http://open.spotify.com/track/2eCp4wqvyPPCMSWjzWTaBo

[invieres]

[Spotify Playlist] - YT links - [8tracks Playlist *le sigh*] 

(a mix for when your heart and your mind are your worst enemies- discomfort, disassociation, torture, survival)

Trent Reznor & Atticus Ross - A Thousand Details | Josiah Altschuler - Over the Falls | Cliff Martinez & Gregory Tripi - Only God Forgives | Two Fingers - Fools Rhythm | Noisia - Machine Gun (16bit remix) | T.T.L. - Deep Shadow | Civil Twilight - How’m I supposed to die | Regina Spektor - Après Moi | Patrick Wolf - The Libertine | Kanye West - Monster (Karetus remix) | Timber Timbre - Obelisk | Blue Foundation - Eyes on Fire (Zeds Dead remix) |  Cœur de Pirate - Ain’t No Sunshine

[gingernutsofhorrorposts]

(via BACK LOT MUSIC PRESENTS MA (ORIGINAL MOTION PICTURE SOUNDTRACK) FEATURING MUSIC BY GREGORY TRIPI) Back Lot Music is excited to announce the upcoming release of the Original Motion Picture Soundtrack to Ma, the new thriller from Universal Pictures, directed by Tate Taylor (The Girl on the Train, The Help) with music by award-winning composer Gregory Tripi (The Fix, Rememory).  The album will be released digitally on May 24, 2019 and will feature the entire pulse-pounding original score from the feature film.  A vinyl version of the album will be released on Mondo later this summer.

[krakowergroup]

GREGORY TRIPI’S ORIGINAL SCORE FOR MANHUNT: UNABOMBER TO BE RELEASED

Tripi’s score is so period-perfect that it feels like an inextricable part of Unabomber by the end of the run. … the score haunts cliffhanger endings and amps up tense moments. – Sean Colletti Tripi’s score for Manhunt: Unabomber has been the perfect marriage of sound and vision. – Tracking-Board.com (November 30, 2017– Los Angeles, CA) –Discovery Channel will release the Manhunt: UNABOMBER – Original Series Soundtrack onDecember 15th.  The soundtrack features original music by composer Gregory Tripi (Rememory, The Knick additional music).

“When [director] Greg Yaitanes and I began discussing the music for Manhunt, there wasn’t any temp track or decisions made other than going in an electronic direction,” explained Tripi.  “Greg had been a big fan of the music that Cliff Martinez and I did for The Knick, so he and the music supervisor, PJ Bloom, approached me about doing the show.” Manhunt: UNABOMBER tells the dramatic and gripping true story of the FBI's hunt for the Unabomber, the deadliest serial bomber in history. The story focuses on FBI Agent and Criminal Profiler Jim "Fitz" Fitzgerald (played by Sam Worthington of Avatar and Hacksaw Ridge), who pioneered the use of forensic linguistics to identify and ultimately capture the Unabomber, Ted Kaczynski (Paul Bettany, Captain America: Civil War, Avengers series and A Beautiful Mind). This series features both Bettany and Worthington's first major leading roles on U.S. television. As a fresh faced Criminal Profiler and the newest member of the Unabom Task Force (UTF), Fitz faced an uphill battle not just against the Unabomber - one of the most sophisticated and brilliant criminals in history - but also against the bureaucracy of the UTF itself as his maverick ideas and new approaches were dismissed by the system. “The face-to-face meetings between Sam Worthington and Paul Bettany (FBI agent Fitz and The Unabomber) had an interesting dynamic -- something that almost felt like a call and response. It leant itself to a music gesture, which came out very naturally,” said Tripi.  “That thematic element made it’s way in and out of several cues through the season.” In addition to the Fitz/Unabomber theme, Tripi wrote a theme for an unusual character.  “I had an idea about making The Unabomber’s Manifesto into a character by giving it a theme,” he explained.  One of Tripi’s pieces became the recurring ‘end-title’ track for the series.  “Greg Yaitanes came up with the idea of re-using this particular piece of music as the ending of each episode. It’s a disturbing swell of sound and pulses, and really ends each show with a rush of tension. It got better with each episode, really becoming part of the personality of the show.” Gregory Tripi is an award-winning composer based out of Los Angeles, and owner of eSonic Productions. His music has been heard in several top Hollywood motion pictures and television series, including Dark Places, The Knick, Drive, Contagion, Drag Me To Hell, and the videos games Twisted Metal and Far Cry 4. In addition to Manhunt: UNABOMBER, his recent projects include Rememory. Gregory’s compositions have been featured in national advertisements by Adidas, Lincoln Motor, Ghost House Pictures, The Coca-Cola Company, and many more. His music has been awarded the Georges Delerue Film Scoring Award and the Thomas Dolby Production Award, and his scores have been heard in Academy Award® and Emmy Award® winning films. Gregory is a recipient of the BMI Pete Carpenter Fellowship, and The Academy of Television Arts & Sciences Music Fellowship. # # # www.greg-tripi.com For more information contact KrakowerGroup[at]gmail.com, or @KrakowerGroup on Twitter

[ieatmovies]

REMEMORY (2017) Ce long-métrage rejoindra probablement les étagères des connaisseurs, aux côtés d’œuvres telles que l’inoubliable PREDESTINATION (2014): en effet, REMEMORY possèdes de nombreuses qualités, à commencer par sa narration. Il est toujours intéressant de voir les capacités d’interprètes sortant de leur zone de confort: on parle ici de l’acteur Peter Dinklage, trop rattaché à son rôle de Tyrion Lannister dans la série GAME OF THRONES (2010-2017), prouvant avec ce film qu’il détient le talent nécessaire pour se démarquer de son habituelle attribution. REMEMORY a l’avantage de nous présenter un protagoniste principal au physique hors-normes, s’imposant justement à l’écran pour d’autres raisons -l’exemple rare d’un Warwick Davis (STAR WARS, 1977-2017 ainsi que HARRY POTTER, 2001-2011 ou encore LEPRECHAUN 1993-2003) n’étant pas le plus courant- qui vont mettre en lumière toute l’étendue de son jeu: le scénario plaçant dans un contexte assez réaliste son histoire de S-F avant-gardiste (de par son futur proche), nous allons suivre le parcours atypique de Sam Bloom. Ayant perdu son frère dans un tragique accident de voiture un an auparavant, cet homme mystérieux va se lancer dans une enquête concernant la mort subite de Gordon Dunn, un inventeur célèbre ayant mis au point un dispositif technologique permettant à son utilisateur d’extraire ses propres souvenirs et de le regarder sur un système portatif doté d’un écran: oui, même ceux que l’on pense avoir ounlié. Cette quête, dont l’origine restera dans l’ombre assez longtemps pour nous tenir en haleine, ne cédera pas à la facilité, le long-métrage usant de ses twists habilement: c’est donc muni du dit appareil que Sam Bloom ira enquêter sur les sujets ayant aidé l’inventeur, les réponses résidant dans leurs souvenirs. REMEMORY va donc explorer sa thématique via de fortes scènes, chaque personnage utilisant la machine réagissant différemment, laissant peu à peu éclater la vérité: par chance, cette mécanique narrative n’est pas la seule. Au cours du visionnage de REMEMORY, de nouveaux questionnements émergent, en simultané avec d’autres révélations: sans jamais stagner pour autant, le long-métrage va embellir son sujet, le dramatiser, le disperser pour mieux le réunir. Forçant l’attention, REMEMORY remet en question l’utilité de la dite machine, propice à des effets secondaires altérant la perception: malgré ce danger, naîtront de magnifiques instants d’émotion, soulignés par un traitement visuel subtil, à l’exemple de ce vieillard frappé d’Alzheimer recouvrant temporairement sa mémoire pendant sa session avec l’appareil, avant se sombrer à nouveau dans les limbes de l’oubli. Ou encore cette femme terminant sa séance entourée de bulles se savon, que son cerveau perçoit, mais qui ne sont en fait qu’une image résiduelle du souvenir -sans spoil, vous croyez quoi?- qu’elle vient de revivre: quelle beauté d’écriture! Confession morale, remise en question, assomption salutaire, quête de justice, REMEMORY parle de tout ça à travers son prisme réunissant une quantité d’éléments normalement difficiles à traiter dans un seul film, et ce sans se planter, en partie grâce à l’ingéniosité -et au culot- de Sam Bloom, antihéros attachant. Impossible de faire l’impasse sur le score musical de Gregory Tripi (compositeur entre autres de ONLY GOD FORGIVES - 2013 ou du jeu vidéo TWISTED METAL -2012) dont les compositions electro-chill font mouche, concordant parfaitement avec les séquences-clés du film, malgré leur format classique. REMEMORY est donc un film intelligent, ne se reposant jamais sur ses acquis, au message positif malgré sa dramaturgie nécessaire: cette fable de S-F “avant-gardiste” de par sa sage forme vaut le détour, exhalant un doux parfum de nostalgie dont la transcription exemplaire en fait son atout premier, qui de plus est dotée d’un montage très propre. L’humilité intellectuelle disparaissant de nos écrans au profit d’une avalanche décérébrée d’action colorée, ce rafraîchissant REMEMORY est un petit bastion de qualité, prouvant à lui seul que toute histoire est bonne si elle est bien racontée. Jetez-vous dessus sans attendre. NAIN-TELLECTUEL /20

[soundtracktracklist]

Ma Soundtrack

Ma Original Motion Picture Soundtrack by Gregory Tripi #MaMovie #Ma #ost #soundtrack #music #thriller #movie

Original Motion Picture Soundtrack (OST) from the film Ma (2019). The music composed by Gregory Tripi.

Source: Ma Movie Genre: Original Motion Picture Soundtrack Music by Gregory Tripi Label: Back Lot Music Format: Digital Release Date: May 24, 2019

Ma is a 2019 psychological horror thriller film written by Scotty Landes and Tate Taylor, directed by Tate Taylor. The film stars Octavia Spencer,…

[moviemorning003-blog]

The Complete Detail Of Dark Places (2015) Name Dark Places (2015) Storyline Libby Day is a lifeless woman who survived the massacre of her family in their farmhouse in the countryside of Kansas when she was eight. She's been living on donations and lectures ever since. Thirty years ago, the police believed that a satanic cult was responsible for the murder of her mother and two sisters, and her brother Ben was convicted with her testimony in court. Today, however, an acquaintance, Lyle Wirth, invites Libby to visit "The Kill Club", where amateurs investigate famous crimes, and she finds that they believe Ben is innocent. Libby needs money and, in return, accepts to revisit the slaughter of her family and comes up to the painful revelations and the ultimate truth. Detail Of Dark Places (2015) Director Gilles Paquet-Brenner Writer

Gilles Paquet-Brenner

Gillian Flynn

Produced by

Tobin Armbrust -- executive producer

Jason Babiszewski -- co-producer

Jennifer Berman -- co-producer

Azim Bolkiah -- producer

Alexander Yves Brunner -- executive producer

Cesar Canavati -- co-executive producer

Gabby Canton -- co-producer

David Chidekel --co-executive producer

A.J. Dix -- producer

Stars & Cast

Charlize Theron -- Libby Day

Sterling Jerins -- Young Libby Day

Nicholas Hoult -- Lyle Wirth

Christina Hendricks -- Patty Day

Corey Stoll -- Ben Day

Tye Sheridan -- Young Ben Day

Andrea Roth -- Diondra

Chloë Grace Moretz -- Young Diondra

SSean Bridgers -- Runner Day

J. LaRose -- Trey Teepano (as J LaRose)

Shannon Kook -- Young Trey Teepano

Jennifer Pierce Mathus -- Diane

Natalie Precht -- Michelle Day

Madison McGuire -- Debby Day

Lori Z. Cordova -- Magda

Denise Williamson -- Crystal

Jeff Chase -- Calvin Diehl

Drea de Matteo -- Krissi Cates

Music by

BT

Gregory Tripi

Genres Drama | Mystery | Thriller Country UK | France | USA Language English Release Date

USA -- 18 June 2015

Mexico -- 5 June 2015

France -- 8 April 2015

Singapore -- 2 July 2015

Filming Locations Shreveport, Louisiana, USA Certificate N/A Box Office Of Dark Places (2015) Budget $20,000,000 (estimated) Opening Weekend N/A Gross N/A Technical Specs of Dark Places (2015) Runtime 113 min Sound Mix Dolby Digital | Datasat Company Credits of Dark Places (2015) Production Company

Exclusive Media Group

Mandalay Vision

Cuatro Plus Films

[kathleencoleman-blog]

07-16 PARK CITY, UT - JANUARY 25: (L-R) Composer Gregory Tripi, Director Mark Palansky, actor Martin Donovan, actor Peter Dinklage, actress Julia Ormond, Producer Lee Clay, Producer Dan Bekerman ... http://dlvr.it/PVxM6l

[penta-and-spica]

Who's In the House? by Gregory Tripi Spotify http://open.spotify.com/track/2ZOsjLGbr3OQIOon4bi8U2

[penta-and-spica]

All In Boxes by Gregory Tripi Spotify http://open.spotify.com/track/3MuO3vovwDiJ2vdDcsogli