#Gregor and the marks of secret

[knightofthenewrepublic]

[bubblesandpages]

Suzanne Collins, manufacturing fake dating scenarios since 2006

[prophecyofgray]

"Beware, Underlanders, time hangs by a thread..."

hello hello! this september 1st marks the 20 year anniversary of gregor the overlander, the first book in the underland chronicles series by suzanne collins! i wanted to do something special to celebrate and i thought a little (re)read event would be a lot of fun!

all of the details are in the images above (image descriptions provided), but here are the dates once more:

Aug. 7th-11th --- Gregor the Overlander

Aug. 12th-16th --- Prophecy of Bane

Aug 17th-21st --- Curse of the Warmbloods

Aug 22nd-26th --- Marks of Secret

Aug 27th-Sept. 1st --- Code of Claw

and remember to use the tag #TUC20 during the event to meet and interact with other fans + #TUC spoilers for any new readers we may have during this time. i'll be going through and reblogging posts, so feel free to tag me (@prophecyofgray) as well!

one more thing: i think it'd be a lot of fun if we did something extra special on the anniversary itself, but im not sure what. feel free to share ideas in the tags <3

that's it for now! boost this if u can + spread the underland chronicles agenda to your friends >:)

fly you high!

[aldoodles]

There’s more than one way to spin

[shriikey]

My artistic rendition of one of the sweetest moments in fiction. <3 Every relationship in the Underland Chronicles is so gentle and emotional and heartfelt.... I adore these two, always.

Written scene below the cut:

     “To even involve you in the nibblers’ plight was unfair of me. You owe them nothing.”

     “I didn’t try to help them because they owed me anything,” said Gregor. “What was happening to them was wrong.”

     “But when you see what the prophecy demands of you, that may not be enough,” said Luxa. “I declared the war for the nibblers’ sake. You share no history with the nibblers. We humans here have many reasons to be indebted to them. What have the nibblers ever done for you?”

     The breeze ruffled her hair, pushing it back from her face, giving him a clear shot of her eyes. They were asking for an answer. Needing to know if she could count on him.

     “They saved your life,” he said.

     And for just a moment, Luxa’s face softened and she smiled.

[yesthefandomfreakblr]

I think about that scene in Mark's of Secret, where Luxa is telling Hazard bedtime stories, all the time. How Gregor wonders how anything can ever be done if humans and rats teach their babies to hate each other. It's something I've thought about a lot since I first read the series in elementary school

Y U P. It is a rooted issue.

[i-only-know-fandoms]

Since we're all talking about Suzanne Collins again now that the BoSaS movie is coming out soon, can we talk about her first book series, The Underland Chronicles? I know we all know she doesn't hold punches in THG, but holy shit, she does not hold punches! Those books literally changed me

[thesweetnessofspring]

Gregor truly has such great parents. They've taught him how to be responsible, curious, intelligent, respectful, kind, caring, and selfless. It's what's made him the warrior in all of the prophecies, more than being a rager. Gregor doesn't really want to be a rager, except for when it comes to defending himself and others. Gregor's family is poor and don't have much, and so Gregor is giving to his sisters so that they will have enough to eat. He's constantly remembering things that his parents have told him before, whether that's practical information or how to behave. And he listens to them, remembering advice they'd given him before, and when he does, things get better. And as they are both alive, sick but alive, he is secure in knowing that he has two adults who love him in his corner.

Which makes Pearlpelt's backstory all the more tragic. He's the great white rat and as such as the potential to lead the rats, to bring peace. But he suffered at the hands of his father. He was taught violence when his father killed his littermates. He was encouraged to gorge on his mother's milk without those littermates to share with, teaching him selfishness and lacking regulation. He watched his mother and father fight to the death, reinforcing the danger of the world and leaving him without the love or guidance of his mother, who so clearly adored and loved him. Ripred and the other rats who acted as Pearlpelt's guardians were given a pup who had already been greatly scarred by his early years, lacking in regulation and attachment. It's no wonder they couldn't figure out how to handle him. And he doesn't know how to handle himself, reducing himself to sucking and biting on his tail to attempt to curb his own mounting anguish.

Gregor, warrior and rager, could have ended up as Pearlpelt did--lacking in control and unsure of who truly loves him--without his parents. And Pearlpelt, the Bane, could have ended up like Gregor--compassionate and seeking peace over violence--had his parents been more like Gregor's.

[originalwinnercheesecake]

The Bane Was Never Going To Be Okay

I have been a fan of the underland chronicles for 16 years. I spend time on its tumblr page, but I don't usually post on it though because I consider TUC on of the more nuanced series I have read and i could day that has not already been said. I made 1 post a couple years ago though where I answered a frequent posters theory about Gorger and twirltoung being siblings with my own theory that the rats Razor and Goldshard were Ripred's siblings (this would make the Bane both Razor and Ripred's nephew). That theory was reblogged a couple times back then and I even saw it referenced recently.

I might be late for TUC month, but I finally thought of some more posts that I want to make another post of. Let's talk about Pearlpelt/The Bane and his relationships with his parents/gaurdians.

He had 7 that I can name.

The first two are his bio parents Goldshard and Snare. We know Snare was at the start the Bane's downward spiral. He was the first to introduce violence, fear, and gluttony to The Bane when he killed the other pups in the litter because the rats were starving and Snare wanted to make sure his future weapon, sorry (not sorry) his son, got all of Goldshards milk. (Unessisarly as Ripred points out that even in those hard times any numbe of families would have taken the extra pups). It is also stated that Snare used to beat The Bane when he was just a pup.

For Goldshard, before the Bane and her other pups, she was in love with Snare. Even among other rats king Gorger and close followers of his, like Snare as an example, were known to be ruthless and bloody monsters. People in Goldshard's life (her big brother Ripred) warned her that Snare was no good and to stay away from Snare. Unfortunately she did not listen. She married him and moved far away from everyone with Snare, to a remote hard to reach, and not often visited corner of the rats land. The other rats in the pack there were probably snares troops, no one to help Goldshard. And once her pups were born she was stuck. Where as Snare saw the Bane as a weapon Goldshard wanted something else for her baby, but wasn't able to get it. When his white coat grew in she tried to forgo his prophetic name and tried to call him pearlpelt, but Snare and all the other rats still called him the Bane, and in her final moments even Goldshard uses the name. She wanted to protect the Bane from Gregor, waking the serpents to sink the ships and eat the questions was her idea.. But when she saw both Gregor and Snare outside the den she looked at Snare: her husband, the Bane's father and abusor, her other pups murder, and she attacks the bigger threat first, losing her life in the process . Her last word "Don't" was the start of a plea for her baby's life. This leads Gregor to conclude she was a loving mother. 6 months later he meets an adolescent Bane, who is already an unstable mess. On page 29 of Marks of Secret when Gregor and Ripred are discussing the Bane and his issues Gregor remembers Goldshard and says this "Maybe if Goldshard had lived" "Maybe he would have been okay". On the next page Ripred replies "But she didn't so we will never know". Well when I was a kid and first reading the books I tried to make up an AU where Goldshard survived her battle to the death with Snare, Gregor and Ares are then somehow able to get both Goldshard and the Bane to Ripred, and the pair live together in happiness, and the Bane never grows into the monster he became... But that is all a fantasy, for more reasons than the obvious this book is fiction, and Goldshard actually died. No actually going over what happened to the Bane's gaurdians and why, well even in a world where Goldshard was able to escape with her baby she would have still likely died, this time at the Bane's paws. The Bane did grow up with love after Goldshard, but it did nothing to stop what he became.

Ripred was guardian number 6. He did not love the Bane. Actually by the time Ripred was forced to assume Gardianship he flat out hated the Bane. (Once again my theory is Ripreds hatred came from a mix of the Bane reminding him of Snare, compounded with Ripred unfairly/rightly blaming the Bane for the deaths of Goldshard/Razor.) But it was also mentioned that Ripred and the Bane had only been together a week. Taking the Bane to Regalia may have been a last ditch effort to get him away from Twirltoung, and the Bane's melt down where he insisted Ripred's "hated him" and kept him "prisoner" "all his life'.. I do believe Ripred when he said he wasn't unkind to the Bane as a pup... This is mostly because I genuinely believe that Ripred did not have much to do with the Bane when it was a pup. I believe that he left Razor (the Bane's other possible Uncle) to raise him, and only checked in from time to time to see how Razor and the Bane were doing and to try and shoot down any ideas the Bane had about becoming a King or carrying on Snare/Gorger's conquest. Ripred mentions he used to have give up food to the Bane during the starvation, but that could be explaned by Razors struggles to provide for the Bane and Ripred wanting to help Razor (whether you believe me about Ripred and Razor being brothers or not, it's clear from Razor's first mention that they had some kind of personal relationship).

But let's talk about Razor for a moment. He does not get enough love or recognition from the fandom, and that's a shame because from what I can tell, despite joining King Gorgers guard at one point (he was likely forced. Even Gregor could tell was ashamed to be there) he seemed like a really good guy. He took the Bane in six months into the starvation, and raised and loved him as his own. Both Ripred and the Bane have nothing but good things to say about Razor as a parent: How kind he was, how much he had loved the Bane, that he tried to teach him survival, and went hunry for him. Razor did his best to give the Bane all the love that Goldshard had, to be everything that Snare should have been as a father.... The Bane repaid all of this by killing Razor. He threw him off a cliff over a crawler carcass. This happened between CotWB and MoS, which means that the rats had control over that river and were eating well again. So the crawler carcass was not the only food they had seen in days or anything. They could have shared it and then gone fishing if the Bane was still hungry. But no, as soon Razor tried to take part of the carcass for himself the Bane attacked his loving father, pushing/hitting him so hard he fell off a cliff and died. Then he had the desparete/dirangged idea to try and conceal his crime by eating Razor. Shudders. To the Bane's credit he did feel bad about it afterwards. When Ripred tells Gregor he cries and tries to say it was an accident, he did not know how hard he had hit Razor. He can also give a (bad and unjustafiable explanation), which is more than he could do for the next two.

Gaurdians 4 and 5 where named Clawsin and Ratriff. They were both attacked by the Bane a week before Gregor met him in Regalia. This leads me to believe they were raising him together and are a mated pair. While we can assume they were both part of Ripred's pack, they do not show up on page with names, and we know nothing about their personalities. But still they took him in knowing what he did to Razor. Knowing how dangerous he was. Knowing that Ripred probably really did not want the Bane in the pack after what happened, they still took the Bane in and tried to finish raising him. Now Ripred reports the two as having been maimed (not killed) by the Bane. When getting into specifics Ripred says that the Bane blinded Clawsin in one eye and ripped off one of Ratriff's forelegs. First shudders again. Secondly while Clawsin might have been able to survive, as long as the Bane's clawmarks weren't to deep and did not become infected; unless Ratriff immediately got some serious web gauss and medical care, they died from what the Bane did to them. Also unlike with Razor the Bane cannot even say why he did it. He cannot remember if they had done anything to him or what the fight was about. He just did it in a fit (reminder he is not a rager) and then they were lying maimed, and he could not stay with them anymore.

I am going to skip over having his army attack Ripred and throw him in the pit, because as established that their relationship was long broken and the pair where at that point enemies in a war. Let's talk about Twirltoung now. She was never the Bane's official guardian, but she had a huge influence on shapping what he became. While we know she was puppeting him and never truly loved him, the Bane thought she did and seemed to regard her as a surrogate mother. When she dies the Bane links her to Goldshard one last time by accusing Gregor of killing her "just like you killed my mother". Snare killed Goldshard though, something the Bane remembered and had had explained to him growing up. And he actually killed Twirltoung moments before, violently and deliberately, ripping off her head because an enemy he hated told him with one sentence that Twirltoung was using him so she could take over, which this notably persuasive rat vitimly denied. Failing for maybe the first time in her life to trick someone. Then the Bane immediately forgot what had happened and made up a fake story.

Twirltoung is the only gaurdian we see the Bane kill on page. But her death mirrors every other one in the Bane's life. It was violent and terrifying, and terrible like all the others. The Bane quickly forgot it just like with Clawsin, Ratriff, Goldshard, and possibly Snare. Last he killed her because he greedily wanted a crown and in a moments decision saw her as a threat to him getting it. Mirroring Razor being killed because he tried to take some of a meal the Bane greedily wanted all to himself. As well as the Bane's littermates being killed because Snare thought Goldshard would struggle to feed her pups, and greedily decided it all should go to the pup with a snow white pelt.

Hunger, greed, violence, loss. All of these hardships and horrors were truly part of the Bane's life from birth to death. Mercy, love, and kindness were there too. First from Goldshard, then Gregor and Ares, then Razor, Clawsin and Ratriff,... Ripred for sometime in-between. But none of it had the effect on him that its givers tried to make. He was lost to the horrors in his life until eventually, he willingly became them. All the good laid to waste.

[sofia-gothicquirks]

I'd like to thank all content creators of the underland chronicles ❤ you all are the best, i love this fandom

[tangents-within-tangents]

Recently reread the Underland Chronicles so I decided to dig through and find the old fanart I did when I first read the series like 11 years ago (wow i’m old) so please enjoy

Featuring my Mark Crilley manga phase, my terrible handwriting lol, ✨copic markers✨, random details I latched on to for some reason, FEELs wtf bro, and me somehow missing the fact that Luxa got a haircut in book one, and spoilers (fr go read these books if you haven't they are so good)

Luxa and Henry (and questionable armor choices??)

The weave texture was meant to show that their clothes are made of spider silk (Idk what the random thigh pouch is supposed to be tho)

Hamnet and Hazard (and long arms so they can hold hands lol)

Queen Luxa

Yeah 13 year old me really latched on to Luxa and tried to make her my personality lolll

And for some reason the fish-shape crystal thing really stood out to me I guess

And the turtle trapdoor, I remembered that bit specifically during my reread bc I pictured this drawing I did of it. (I also vaguely remember writing (like by hand in my notebook) a mini missing scene fanfic about Luxa using the turtle trapdoor when she snuck out to join the quest in PoB XD)

(Don't ask about that size difference lol)

Okay here come the scenes/spoilers (and FEELS)

(and apparently I thought that holding Ares' claw meant his foot instead of his wing)

There you have it lol

I also distinctly remember making like a montage of Lapblood moments (the dart frog jumping near her face, strangled in the vines, sinking in quicksand (all near death experiences apparently, rip she had it rough), and Gregor brushing her fur) bc those were the moments I remembered and kept picturing during my reread. But unfortunately I could not for the LIFE of me find it!

Anyway, looking at your old art is cringeyyyy but it's still kinda fun too. This really is not how I picture the characters or clothing and stuff anymore, I might do some redraws if I ever find the time/motivation (lol as if) 

[anxiousdragoncollector]

I feel no remorse

Btw this is the same friend who I posted about before who said she liked Henry and I said "yea he's great"

[overandunderland]

I have hella thoughts about the most recent episodes of the Return to Regalia Podcast. I'm just so behind on other shit 😭. I will say the first 5 minutes where they talk about The Overland almost being an abusive relationship. ABSOLUTELY.

Oh my GOD absolutely. These people and this country have abused the fuck out of Gregor, low-key gaslit him into feeling BAD about NOT being there.

I remember the scene where Gregor is low-key like putting on a huge show about being tired and wanting Mrs.Cormaci out of the house so he can talk Underland shit.

This entire nation conflated this CHILDS head with unavoidable visions of Grandeur, and though he's smart enough to IMMEDIATELY see through some of their bullshit. It doesn't stop him from feeling the NEED to take it on anyway. Does that come from being Parentalized at a young age? Does Grace blame her self for that? Does Elliot/Eli/Gregor's blame himself? I don't recall a lot of what his dad says or does by the time we get to Book 4 and 5. I don't recall what his thoughts are on the matter.

But it's so bad even Mrs Cormaci has to write a letter to bring him back up to earth. And for a moment he literally has a "WAIT IM A PRE TEEN. I DONT WANNA DIE, AND I THINK THE QUEEN IS SKIBIDING MY RIZZ." .

And to top it all off, all the manipulation and abuse, it becomes personified in Solovet by book 5. And we get hints at it in the first/second book.

ME AND MY 🥷🏾 HATE SOLOVET on the dead homies. Rip Ares, Rip Twitchtip. Fuck Solovet, but we'll get there when Im back on.

Get her babe 🫶🏾

[prophecyofgray]

i was looking for a different quote but then started looking thru quotes from marks of secret and just. wow man. Holy fucking shit.

do you ever just. do you ever. do you everjusrfjemwmrjwlntwlntlwnrkdkeor d o you ever just remember the underland chronicles

[oneunexpected]

This, I think, is my best chapter-by-chapter playlist so far, especially in the last eight or so songs. It's for Marks of Secret, and I hope you all enjoy! Listen along here.

1 - Symphony no. 5, mvt II by Pyotr Ilyich Tchaikovsky - This is a looooong chapter. It mostly establishes where Gregor’s family is at after the events of Curse of the Warmbloods. I didn’t really have a song in mind for it, and I still don’t. Maybe one day I’ll come back and change this, but for now it’s the second movement from Tchaikovsky’s second movement, because it’s got a little sadness, a little contentedness, a random jumpscare (like the Bane), and this chapter has all of that.

2 - Paranoid Android by Radiohead - The Bane is moody and unstable and so is this song! When Thom Yorke sings, “When I am king, you will be first against the wall,” I think about the Bane and Ripred. Another line I like is “Ambition makes you look pretty ugly / Kicking, screaming Gucci little piggy.” Pearlpelt’s our Gucci little piggy, deluded on all the things Twirltongue’s promised him.

3 - No Surprises by Radiohead - Back to back Radiohead! I struggled with this choice because this chapter covers a lot and has three pretty distinct tonal shifts. I related the line “A job that slowly kills you” to Gregor’s increasing anxieties about his role as the Warrior, both in regards to Ripred’s request he help him kill the Bane, and the specter of the next prophecy, which he asks Nerissa about. The song’s lyrical content is pretty dark, but the tune is sorta peaceful, so I hope this song doesn’t take you out of the chapter’s happier moments.

4 - Rhiannon by Fleetwood Mac - I wanted a song about some sort of dark temptress for Twitchtip. I don’t know many. It was either this or Jolene, and Jolene doesn’t seem quite as shadowy as Rhiannon does, so here we are.

5 - May I Have This Dance by Francis and the Lights ft. Chance the Rapper - This song is so sweet, and so is this chapter. It’s about setting down any burdens you carry to just enjoy someone’s company.

6 - Cover Me by Björk - “This is really dangerous / Cover me” are good lines for the first time Luxa really ever asks anything of Gregor. I chose this version over the album version because I like the arrangement more, but you’re welcome to check out the other version, or the remix, which is longer.

7 - You’ve Been Flirting Again by Björk - Luxa and Gregor fight a ton in this book, and I could have chosen this song for any one of those times, but process of elimination sort of led me here. The last verse in particular, “How you reacted was right” followed by “Give her some time, give her some space,” fit well in this chapter. You can almost hear Ares telling Gregor that in the dialogue.

8 - Reptilia by The Strokes - While I chose it mostly just because it sounds like a fitting song for a combat scene, I like the repeating prechorus lines, “Please don’t slow me down if I’m going too fast / You’re in a strange part of our town.” Seemed like good lines for Gregor’s out of control raging here. Lyrically, there’s plenty here to imply the narrator is sort of struggling with himself, and that his partner (or whoever he’s addressing in the song) is losing patience with him, which fit close enough with the aftermath of what Gregor does here.

9 - Just a Game by Birdie - My obligatory Hunger Games soundtrack song for this book. Chose this song for the date subterfuge — Gregor doesn’t know how much of his quick lie reflects how he really feels.

10 - Hide and Seek by Imogen Heap - “All those years / They were here first.” You might know this song from the Lonely Island/SNL digital short “Dear Sister,” one of the greatest gifts to the internet, or from its sample in Jason Derulo’s 2009 classic “Whatcha Say.” Mysterious, creepy, heartbroken, it’s everything I wanted for the picnic bunch investigating the Fount.

11 - Earth by Sleeping at Last - This is probably a little on the nose, since this is a song that uses an earthquake as an extended metaphor, but I think lyrically it works with Luxa really well here. She’s got her tough walls, but like the narrator saying, “Fault lines tremble underneath my glass house / but I put it out of my mind / long enough to call it courage / to live without a lifeline,” this is the chapter where she learns she has to rely on the people in her life, namely her cousins. She needs Hazard the same way Gregor needs Boots. But she needs Howard, too, because as tough as she is, sometimes she needs someone to take care of her sometimes.

12 - Your Best American Girl by Mitski - Gregor and Luxa talk about the date subterfuge, and they both sort of mutually imply that if they weren’t (very literally) living opposite lives, they’d be interested in one another. This song captures that sort of cultural divide and yearning in spite of it.

13 - Shout by Tears for Fears - I’m jumping the shark. I had no clue what to use here. I went with this to try to represent Howard as a moral compass. I got nothing.

14 - Running to Stand Still by U2 - Consider this my return to form, because this was a song I knew I wanted to use from the beginning. This song is about a woman in a lot of turmoil deciding that she’s “gotta do something about where we’re going,” and, well, this chapter is about that, too. On a personal note, this song has been one of my favorites since I was a child, and I really hope you enjoy it. The last verse is so haunting: “She is raging, she is raging / And the storm blows up in her eyes / She will suffer the needle chill / She’s running to stand still.” Luxa’s decision is going to have horrific consequences. But in her eyes, it’s what’s necessary to finally be still.

15 - Joan of Arc by Arcade Fire - Luxa is the Joan of Arc in question here, the Regalian’s “muse,” as the song puts it. Gregor’s upset with Luxa, and he questions his place in the upcoming war, which I thought fit well with “I’m the one with the heavy heart / ‘Cause I’ll follow you.”

16 - The Ruler and the Killer by Kid Cudi - Thank you once again to the Hunger Games for delivering me a song about themes Suzanne used in both series. This is a great song for the version of the Bane we see in this chapter, who is a compelling orator rallying his troops to do something unspeakably evil — even though we don’t know the extent of his atrocity yet. “When I talk, you should listen / All of you belong to me / Come on, we should get it going / Now what I want is specific, hey hey.”

17 - Butchered Tongue by Hozier - How kind of Hozier to release this song last week! We learn a little more about the extent of the Regalians’ colonizing behavior here, and since that’s done largely through discussing the different languages in the Underland (and how not knowing English can be a death sentence for other creatures, as it nearly was for the Scorpions), I thought this song was a good fit. Also, it sounds cool.

18 - Ribs by Lorde - I chose this song for the moment Luxa and Gregor have here, when they’re just enjoying one another’s company, feeling very far from the war waiting for them. Gregor reminds himself soon he’ll leave her land forever, but it’s no comfort. Lorde laughs with a favorite friend “‘til her ribs get tough,” but like Gregor, she knows “that will never be enough” to sustain their relationship in the face of lost innocence and the passage of time.

19 - Redbone by Childish Gambino - Since this song is about paranoia in a relationship and the sense of being surveilled (or even stalked), I chose it for the discussion about the rats that attacked Gregor under the palace, and Luxa and Howard’s anger at Ripred and Gregor for not taking the gnawers’ omnipresent threat.

20 - The Night We Met by Lord Huron - This is Gregor and Luxa’s biiiig fight, the one that clues in Ripred to Gregor’s attraction to Luxa. I chose this song for Gregor’s haymaker, the suggestion that Luxa and Gregor could forget that they ever met each other, mirrored in the repeating line, “Take me back to the night we met.” I also like the lyrics, “I am not the only traveler / Who has not repaid his debt.” When he’s cooling down from the fight, Gregor thinks about how much he and Luxa owe each other, how interconnected their lives have become and that reminds me of those lines.

21 - Never Tear Us Apart by INXS - I think this is a good song about the relationship bonds have and their devotion to one another. I particularly like it for Ares and Gregor, especially because the chorus reminds me of the circumstances of their bonding. “I was standing / You were there / Two worlds collided / And they could never tear us apart.” This chapter is one of the most important moments for Ares and Gregor’s relationship. Ares has to give his trust up completely to Gregor to “let him fly for a change,” as Gregor says, and I think Gregor’s behavior is so touching, whether for his insistence that he be the one to bring Ares in, or the way he rambles reassurances to keep Ares calm. Ares begging Gregor not to leave him is like a punch to the stomach every time I read it. I wanted this chapter’s song to reflect how unshakable their relationship has become.

22 - O Children by Nick Cave and the Bad Seeds - I won’t try to analyze this song too much because I’d be here too long, but I encourage you guys to go read the lyrics to it, because I think they’re all impactful. One of the verses that led to my selection was “Poor old Jim’s white as a ghost / He’s found the answer we lost / We’re all weeping now, weeping because / There ain’t nothing we can do to protect you.” I see Cartesian as Jim, finally getting the horrific proof of what he always suspected — the gnawers are trying to kill all of the nibblers.

23 - Mothers of the Disappeared by U2 - This song was written about the Madres de Plaza de Mayo, the mothers of the activists and political dissidents forcibly disappeared — that is to say, kidnapped, tortured and murdered — by the United States-backed Argentine military junta that ruled from 1976 to 1983. I encourage you all to read about the Madres, because they were remarkable, and if you’re American, I think this is a historical event you need to know about. I think it is up there among the worst things this country has ever been responsible for. But I digress. I chose this song for its lyrics, a very poetic depiction of witnessing political violence, and the beautiful expression of grief in the music. The last two verses are haunting: “Night hangs like a prisoner [God, what a line] / Stretched over black and blue / Hear their heartbeats / We hear their heartbeats / In the trees, are sons stand naked / Through the walls, our daughters cry / See their tears / In the rainfall.” The picnic squad are the only witnesses of what’s happened, the only ones left to “hear their heartbeats,” and it sets the course for the rest of the series — and really, each one of their lives.

24 - The Unforgettable Fire by U2 - On the nose, but I chose this song to use the volcano itself as the unforgettable fire in question. “Walk on by, walk on through / Walk ‘til you run / And don’t look back / For here / I am” reminded me of Gregor when he’s trying to find the rest of his party or a way out of the ash or… anything, really, to save him from his situation. I don’t know what I’d interpret the “I” to be in that situation. The nibblers? The volcano? His despair? It all seemed to fit.

25 - Fly On by Coldplay - When Pandora dies, Luxa tells Howard that she’ll “fly with him always,” which is what reminded me of this song. The song goes, “Fly on, right through / Maybe one day I’ll fly next to you,” which to me fit well with Howard teaching Hazard how to carry the memory of his loved ones.

26 - Orphans by Coldplay - I don’t know why it seems like any time I use the same artist more than once for one book, I use them back-to-back, but I love this song for this book. Get ready for some serious lyrical dissonance. It’s a happy-sounding song, but it’s about how war tears lives apart. I chose it for the refrain, “I guess we’ll be raised on our own, then / ‘Cause I wanna be with you ‘til the world ends / I wanna be with you ‘til the whole world ends,” which reminds me of Gregor and Luxa at the end of this chapter. The idea of kids who sort of have to raise themselves fits well for both of them, too.

27 - Trouble in Town by Coldplay - Okay, I know three in a row is a little ridiculous. I mostly liked the way this song sounded for Gregor and Ares speeding back to Regalia to warn the city about the impending attack, and because it’s from the same album as “Orphans,” it was already on the brain.

[seagullcharmer]

me in 2021: i am never going to reread the underland chronicles

me now: augh augh augh