#Greenwood Academy

[chippdhearts]

Carla Gugino (ft. Bruce Greenwood) at the 75th Creative arts Emmys

[ticenchantedtoc]

I'll be participating in Artfight 2024!

This will be the first Artfight since I started experimenting and getting comfortable with digital art. I only have one new character posted this time, but that's because I spent my time updating two other references. My art has improved and changed a lot in the past year, so I'm really excited for this Artfight season. Here's hoping for a third winning year in a row!

[courseyoulovemeyoudontknowme]

Pride & Prejudice (2005, Joe Wright)

10/12/2023

Pride & Prejudice is a 2005 film directed by Joe Wright, based on the novel of the same name by Jane Austen.

In the England of the late eighteenth-century, Mr. Bennet lives in his country house with his wife and their five daughters: the sweet Jane, the intelligent Elizabeth, the studious Mary, the immature Kitty and the wild Lydia.

At a ball given in their honor, Bingley, accompanied by his haughty sister Caroline and his friend Fitzwilliam Darcy, meets the Bennets and feels an immediate, reciprocated liking for the eldest daughter, Jane.

During her stay at Charlotte's house, Elizabeth and the Collins couple go to pay homage to Lady Catherine de Bourgh, Mr. Collins' patroness and a wealthy landowner.

Furthermore, Elizabeth discovers that Wickham had deluded the feelings of Georgiana, Darcy's sister, by trying to induce her to elope with him, in order to obtain a dowry from her brother, which Darcy had however refused.

Meanwhile, Lydia is invited to go to Brighton, where she will have the chance to spend a lot of time with the officers headquartered in the city.

The film's soundtrack is by Dario Marianelli. For the music written for this film the composer was nominated for an Oscar for best original soundtrack. The composer was inspired by the early works of Ludwig van Beethoven.

[uzumaki-rebellion]

Spinning the Block Part 1

Pairing: Terry Richmond x Officer Jessica "Jess" Sims

Warning(s): 18+, Angst, Mentions of Racial Tension.

Summary: Jess Sims attempts to pay her respects.

Word count: 3.2K

"Turned into an inconvenience

You only want me when convenient

I know that I could probably block you

But for some reason, I wanna see you

And you know I give a damn about you

You got me sittin' here thinkin' about you

And how your name triggers all my emotions

Into my eyes, into an ocean"

Normani – "Insomnia"

Jessica Sims knew in her heart she had no right to be at Michael Simmons' mother's house.

She'd driven an hour from Shelby Springs into Greenwood carrying a homemade lemon pound cake in the passenger side of her slate gray Dodge Durango. Her mother's recipe had her SUV smelling like fresh butter, sugar, and citrus.

The closer she got to the neighboring town, the tighter her fingers gripped the steering wheel, worrying if she'd see Terry Richmond again. He'd been on her mind for weeks…haunting her. She lost sleep and her nerves were so bad she had to get a prescription for sleeping pills just to function daily. Jess tried every home remedy from chamomile tea to a glass of warm milk before bed to fight insomnia.

Nothing worked.

Each night she crawled between cool sheets and stared at her bedroom ceiling, wishing things were different. Wishing she'd done things differently. Terry's smoldering sea-green eyes always came into focus, taunting her, preventing much needed rest.

When he walked into her police station to file a robbery complaint, she'd believed her department ran a tight ship. Her training had taught her to be fair but firm in following the law by the books. Chief Sandy Burnne had been her mentor, the one who recruited her straight from the police academy. She planned her law enforcement career while in college, joining the police academy a year after graduation. Her family wasn't too keen on the idea, preferring she use the hard-earned sociology degree to get a regular job and start a family like her older brothers. Jess had other plans. She wanted to be the first Black female police chief in Shelby Springs.

Wielding a badge and a gun allowed her to protect her own community. She had a certain charmed way of speaking to people that let them know not to test her, but that she'd hear them out with their problems whether they were in the wrong or right. Her excellent reputation around those parts gave her access to places that would unnerve the average person. She grew up a tomboy running around hunting with her father and brothers, physically fighting anyone who crossed her. She abhorred a bully, and that caused her problems with some of her colleagues that used their badge to sling their dicks around. Jess didn't go along to get along, but she picked her battles carefully to achieve her long-term goal: to run the department herself one day.

Men tested her all the time, and she did her job ignoring the micro and macro aggressions. Chief Burnne always had her back despite the cracker ways he tried to keep under wraps. He came from an era of uneducated Cajun rednecks filling up the department. Nowadays, there were more cops coming onto the force with education, melanin, and sometimes a vagina. A lot of old-school men didn't like that. Chief Burnne didn't either, but he accepted her and showed Jess respect when she did her job well. She impressed him, and he took her under his wing. She never revealed her goals to have his job in the future. Staying quiet, observant, and efficient worked to her advantage. Chief Burnne opened up more that way, spilling his tips on how to handle the job and people his way.

That is…until Terry Richmond showed up.

Jess misread his intentions from the start.

The second he strode into the office, she sensed a cockiness in him that smoldered beneath the surface. Most Black men in Shelby Springs were older and paunchy from a sedentary lifestyle and good Country Cookin', or lean youngsters with hustler's dreams of getting away from small town life. Terry was built strong and muscular, like a brick shithouse. He carried himself different. Spoke with controlled diction. He was a country boy for sure, but one that didn't work around Shelby Springs. She would've noticed his striking looks at the bars or cookouts broadcasting that he was living mighty fine. Employment was good with the new petrochemical plant ten miles away, and the Black community she lived in thrived with folks making good money, something that hadn't happened in over thirty years. Black folks, especially the men, being flush with cash and a pride about themselves irritated the white community. Negroes were acting a little too uppity lately. Buying new cars and scooping up property. Getting their homes built from scratch. Purchasing big fishing boats to use on Lake Tremblay. Sending their kids to college.

Tensions erupted in bars, public gatherings, and even football games at the local high school whenever white and Black people mingled in the same spaces. That's where Jess worked her magic. If she caught word of trouble brewing, she'd make a phone call to family and friends, giving a warning about police sweeps and rednecks making a commotion. The community grapevine activated and her people acted accordingly to stay far from trouble.

When it was her time to do patrols, Jess stayed visible in the white areas a lot. Her paternal great-granddaddy Adelore Seraphin was a fiery white Cajun who never married her great-grandmother, so she never gave their only child, Jess's granddaddy, his surname. The Sims family were proud Black Cajuns who turned their nose up at white trash. Adelore was considered trash because he wouldn't divorce his wife to marry Zema Sims. There was something about her Paw Paw's wife not giving him a divorce on account of them being Catholic. Granny Zema was an African Methodist and didn't give a damn about what Catholics thought about divorce. Paw Paw left that white lady and built Granny Zema a house to show that he was for real about building a life and family with her. So that's what they did. The white wife kept the marriage title, but Granny Zema kept the man.

It was a scandal, and as far as her Paw Paw was concerned, his only issue was that he didn't want that other woman to get part of his pension. She never did because she died before him, a bitter alcoholic, still screaming about the Black bitch that stole her husband. Technically, Granny Zema didn't steal him. She had him first, but back in their time, they couldn't get married because of miscegenation laws. So they broke up and Paw Paw married the white woman…and lived miserably. He started tipping out and one thing led to another. Jess's granddaddy, Hebert Sims, was born.

Jess's connection to Adelore Seraphin meant she had white Cajun relatives all up and down Shelby Springs. The kin on that side, who knew the family tree had an extra dark branch, tolerated Jess when she made patrols or answered calls of domestic disturbances in that section of town. Nothing on her screamed Seraphin except for her eyes. She had Paw Paw's discerning eyes. So did her daddy. She moved in the world like a Sims, but them pale kinfolk recognized her as the great-granddaughter of that trouble-making Seraphin behind her back. That gave Jess intimate knowledge of how outsiders perceived the proud, flourishing Black community. Trouble.

So when Terry Richmond rode his fine ass into Shelby Springs, he was already a problem before Lann clipped him with the police cruiser.

When he sat down in front of her while she typed in his descriptions of who robbed him, his tone was confident. His demeanor crafty. She was shocked that he recorded their conversation, equally shocked by Chief Burnne's sudden aggression toward him. Lann was an asshole to everyone, overcompensating for some deep-rooted male insecurity. Her first thought was that the Chief might've known something about Terry that she didn't, and she expected to be filled in on the matter. Drug couriers were a thing within small towns, and it wasn't above suspicion that drug runners would use a decoy disguise to pretend they were regular citizens going about their day. She went back and forth in her mind about Terry's reason for carrying so much cash in a backpack on a bike. It looked and sounded suspicious, especially with the drug busts they'd done a few months previously on the bridge during a police chase. She had picked up her own distant white kin at his house, the run-down place full of meth and illegal fentanyl. Opioid use was up. Drug dealers were racking up millions transporting that cash economy and product across state lines in Louisiana grew. Chief Burnne's own nephew had died of a drug overdose ten years ago, so anything that had a whiff of drug activity got his hackles up.

That was the hard line story they fed Jess for five years as she accepted civil forfeitures as a necessary part of police work. Portions of white and Black men from Shelby Springs and other bordering towns thrived in the drug trade. Sex trafficking, too. Her department prided itself on breaking the supply chain.

It had all been a lie.

Chief Burnne's lie. His department…his rules.

Jess had been inadvertently complicit.

A rule follower, and a staunch believer in the church of right and wrong, she turned a blind eye to activity that should've raised suspicions. Instead, she quietly looked out for her people on the domestic front, dousing potential flames of racist attacks, especially with all the MAGA crowd flaunting their bigotry and jealousy. Jess was more worried about racist attacks happening. Red necks were openly riding around in trucks carrying lynching ropes with right-wing slogans for bumper stickers. The south was always going to be the south, and America was always going to be America…the United Racists of America.

Jess literally couldn't be bothered if suspicious men passing through town carrying ridiculous amounts of cash got hemmed up. She damn well wouldn't coddle grown ass Black men if they got busted for doing crimes. Her daddy instilled in her a strong bullshit detector for her dealings with that.

"Sweetheart, Black men have to decide for themselves if they want to do right in the world. Black women can't keep the cape on forever, or come running with mops and brooms to clean up their messes. If Black women can get up every day and build up their community in the same terrible conditions as us, then they gotta stop babying these men who tear it down. There's no excuse for a Black man not wanting better for himself or his people. We done come too damn far to be the new terrorists against our own women and children."

Jess listened well. Applied it to Terry.

Something in her gut knew something wasn't right, but she didn't want to put herself out for some stranger who might've been tearing people's lives apart transporting thirty-six thousand dollars in cash. Black people always suffered the most with drug addiction and drug crime because of generational poverty and the predators who took advantage of that. Terry could've been lying to cover his ass for a drug cartel. She didn't know him, didn't know who his people were. He came into her life that day and turned it upside down. The only silver lining she clung to in the end was that she saved his life twice. Once when Officer McGill almost blasted him with a rifle when Terry dragged Marston behind a cruiser to safety. Jess slammed her hand on the weapon. McGill looked shell-shocked by the turn of events. She felt the same. Her boss had shot a fellow officer and made a speech to them all about how he would cover it up. If Chief Burnne harmed a white man that easily, he wouldn't blink twice before taking her out. The second time was when she carried out a PIT maneuver and knocked Burnne away from Terry, providing his last escape. The death of his cousin and the treatment he received in Shelby Springs were irredeemable. All she hoped for was peace in her own mind that she acted on the right side of judgement.

Jess followed her SUV's navigation system and pulled onto a street full of cars parked everywhere. She passed by Rosa Simmons' single family brick house with a large manicured lawn. Mourners milled about the front and the entrance door was wide open. After all the legal and medical inquiries, along with the criminal investigation, it took the Simmons' family three weeks to get Mike's body returned for burial.

She parked two blocks away and smoothed out her most subdued black sheath dress. It was plain and appropriate for the occasion. She carried the pound cake in a round Tupperware container and listened to her kitten heels click-clack on the narrow sidewalk. Her stomach churned, nearing the home.

"Hi..hello…hiya doin'?" she said, passing people she didn't know on the walkway to the house.

Heads nodded at her with sorrowful eyes and stooped body postures. The atmosphere inside the modest home was thick with heartache. Jess contemplated doing a pivot right back outside, but an older woman in her fifties with short-clipped hair sitting on a recliner noticed her.

Mike's mother, Rosa.

"My condolences, Mrs. Simmons," Jess whispered.

She didn't want to bring attention to herself and stepped forward, past a throng of people carrying plates of sliced ham, potato salad, and baked beans.

"Thank you for coming…oh you brought something, how thoughtful."

Rosa stood up.

"I can take that," Rosa said.

"Ma'am, I can put it with the other food."

"Mm-hmm, yes, the dining room table is right back there. Did you go to school with my Michael?"

"No, ma'am. I knew him from somewhere else. I'll put this away."

"Okay, baby. Fix yourself a plate while you're in there."

"Thank you."

Jess's eyes darted away and took in the other mourners. Her heart thumped a triple rhythm. It was best to put the cake on a table and leave. The stress of feeling like a traitor to her own wore on her nerves.

Delicious odors of soul food guided her nose to the dining room. The dining table could've buckled under the weight of so much food. Folks old and young helped themselves to fried chicken, crawfish, turnip greens, gooey macaroni and cheese, and a pot filled with smoked chiltlins.

She pushed a crock pot of brown gravy aside to make room for her cake next to a half-eaten sweet potato pie.

"Who let this woman in here?!"

A light brown woman with soft, shoulder-length curls glared at Jess, her lips curled into an angry snarl. Everyone looked at Jess curiously, wondering what was going on.

"Mama! Who let this dirty cop into our house?"

Rosa rushed into the dining room. Jess held out her hands.

"I just wanted to give my condolences—"

"You're the reason my brother is dead! Who let her in? Who?!" Mike's sister screamed.

The anguish in her voice brought tears to Jess's eyes.

"I'm sorry…everyone, I'm sorry…Mrs. Simmons…"

In her peripheral, Jess noticed Terry coming from a back room wearing a dark suit. She ran away as fast as her kitten heels could carry her. She knocked into people and brushed past other family members on her way out the door.

"Jess!"

Terry's deep baritone called to her, and she pumped her legs faster. Reaching the car, she fumbled for her key fob and unlocked the SUV. She jumped in and Terry banged on her window.

"I'm sorry I came. I didn't mean to upset your family," she said, starting her vehicle.

"Roll down your window."

His commanding eyes stared right through her. She rolled her window down partially. Wiping tears away from her cheeks, she faced her front window, unable to look at him.

"I know it wasn't easy for you to come here."

She shook her head, and a violent sob choked her throat.

"Listen…give me your number. I'd like to speak with you about all of this… at a better time—"

"No…this was a mistake…I'm sorry…I have to go—"

"Fucking bitch!"

Mike's sister threw Jess's cake on the car. The Tupperware container burst open and the pound cake crumbled all over the hood.

"Livia! Stop!"

Terry walked toward his cousin, and she ran from him toward the sidewalk. Other family members had followed them to watch the scene. Jess's stomach sank to the floor of her car.

"You did this to Mike! You goddamn greedy cops sent my brother to die and I fucking hate you! Get outta here, you murdering bitch!"

Livia picked up a heavy rock and threw it at the passenger side window, fracturing the tempered glass. Terry lifted his cousin up by the waist and carried her away. Jess drove off quickly. Cake crumbs fell away from her hood and she screeched her tires with a hasty exit.

She didn't hold back on crying, allowing her tears to wash away the shame and embarrassment.

Back in Shelby Springs, she paced the floors inside her house, drinking whiskey, and pondering her fate. Mike's burial was only the start of her troubles. Next came a lawsuit Terry filed against her department. It would probably finally bankrupt them like the last legal settlement they paid almost did. With the dashcam evidence, plus her, Summer, and Marston's testimony, Terry was sure to win a large payout. Her career was in jeopardy, and their department possibly disbanded.

She downed a half glass of Uncle Nearest whiskey and looked at her black dress. The audacity of her showing up in Greenwood thinking she could dip in and out without consequences.

Jess had to face her part in Terry's life being traumatized forever. Losing her job was a small price to pay for his lifetime of pain.

She leaned her head against her living room window in the dark and watched a swarm of fireflies do a light dance outside. Her grandfather used to say seeing fireflies brought good luck. Jess desperately needed that to be true.

Crawling into bed with her dress still on, Jess stared at her ceiling again, semi-drunk and all cried out. She thought about Terry calling out her name and running after her. He didn't sound mean or angry when he spoke to her briefly. Asking for her number surprised Jess, because…why? What could they talk about that would fix the wide valley between them? Maybe he wanted to yell at her too, get his justified anger off his chest. She deserved it.

Jess curled into the fetal position and thought of Terry. Even in mourning, he looked handsome in his suit. For the first time in weeks, she fell into a deep sleep without having to use medication.

Taglist:

@nahimjustfeeling-writes

@planetblaque

@kindofaintrovert

@thedondada05

@blackburnbook

@avoidthings

@slutsareteacherstoo

@nayaesworld

@notapradagurl17

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@blackerthings

[mumms-the-word]

When was Gale Chosen by Mystra?

I’m going to get so much hate for this but here we go

I’m looking at lore timelines for Faerûn (for fic purposes but also because it’s interesting) and I’m curious when people think Gale was named as one of Mystra’s Chosen. There's a poll at the bottom of this post for you to vote your answer!

Assuming, of course, that things like the Spellplague, Mystra’s death/disappearance, and the Second Sundering/return of Mystra happened, finding the exact year that Mystra chose Gale is tricky.

For context, here is a timeline of relevant things that happened according to Faerûn lore (I explain this more in this old post about Mystra’s timeline if you’re curious but that post doesn’t matter for this poll specifically)

1385 - Mystra dies(?) and anything resembling a goddess of magic goes silent for nearly 100 years; The Spellplague begins and the 4e rules for D&D kick in, so magic is different than normal; SUPPOSEDLY no gods name any (new) Chosens during the Spellplague era, but no one seems to agree on how long that rule lasted Early 1400s? - Elminster hears Mystra's voice but she seems otherwise silent for everyone else (her silence is explained mostly in Ed Greenwood's Elminster novels, in case you were wondering where I pulled that factoid from) 1457 - Gale is born (assuming he's 35 in the game) 1465 - Gale (age 8) accidentally sets fire to his neighbor's rose bush and meets Elminster for the first time 1479 - According to Bury Elminster Deep, Elminster meets Mystra's spirit trapped in a bear and begins finding/possibly naming(?) other Chosen of Mystra and gathering power for Mystra so she can survive the upcoming Second Sundering (Gale is 22) 1480ish - According to Elminster Enraged, Elminster restores power to Bear!Mystra and she Quietly Returns; we still haven't seen her with a physical body, she seems to be just spirit and stardust (Gale is 22-23) 1484 - The Second Sundering begins; various gods are returning and the magic rules of the Weave are changing back to pre-Spellplague normalcy (Gale is 27) 1487 - Mystra now has a physical body because she does this Big Reveal at the end of The Herald (another Elminster book) by physically entering a room where five of her Chosen are; this is known officially as Mystra's Return; additionally the Second Sundering wraps up, so all the gods are locked into their domains and the Weave is officially back to pre-Spellplague normalcy (Gale is 30) 1491ish - Gale (age 33-34) loses his Chosen status after searching for the Karsite Weave and getting plagued with the Netherese orb 1492 - BG3 begins (Gale is 35)

So if that's the timeline we're working with, when do YOU think Gale was selected as one of Mystra's official Chosen? Keep in mind that Chosens, according to Faerûn/D&D lore, are extremely rare and carefully selected, though Mystra does tend to collect and name more Chosens than the average Faerûnian deity.

You can base your answer off anything. Vibes, original lore, game content, Gale's dialogues, your gut feeling, idc. Just curious to see when people think Mystra made his Chosen status official.

I'm also curious whether you think Gale becoming Chosen happened before or after he started a sexual relationship with Mystra, but that's a separate question you can answer if you feel like it.

Curious to see the results!

[earlycuntsets]

mcr shows on youtube pt. 4 (2011 - 2023) last one :]

-> pt. 1 (2002 - 2005)

-> pt. 2 (2005 - 2007)

-> pt. 3 (2007 - 2011)

08/05/2011 pnc bank arts center holmdel nj - the academy is my beautiful romance

08/13/2011 hersheypark stadium hershey pa - the academy is my beautiful romance

08/20/2011 first midwest bank amphitheater tinley park il - the academy is my beautiful romance

08/26/2011 little john's farm reading england - em

08/31/2011 rogers arena vancouver canada - catie cunningham

09/03/2011 usana amphitheater west valley city utah - delaney nye

09/04/2011 comfort dental amphitheater greenwood village co - the academy is my beautiful romance

09/09/2011  capitol federal park at sandstone amphitheater bonner springs ks - the academy is my beautiful romance

09/11/2011 dte energy music theater clarkston mi - justanotherkilljoy

09/18/2011 farm bureau live at virginia beach va - the academy is my beautiful romance

09/20/2011 verizon wireless amphitheater charlotte nc - the academy is my beautiful romance

1/22/2012 gold coast parklands gold coast australia - the academy is my beautiful romance

02/03/2012 adelaide showground adelaide australia - the academy is my beautiful romance

02/05/2012 mccallum park perth australia - myxinfinitexromance

05/19/2012 north beach asbury park asbury park nj - ryan hanratty

12/20/2019 the shrine expo hall los angeles ca - gabe havel photo

05/16/2022 the eden project day one st austell england - the academy is my beautiful romance

05/17/2022 the eden project day two st austell england - the academy is my beautiful romance

05/21/2022 stadium mk milton keynes england - TheChickenGiraffe

05/24/2022 royal hospital kilmainham dublin ireland - the academy is my beautiful romance

05/28/2022 sofia gardens cricket ground cardiff wales - the academy is my beautiful romance

06/04/2022 bologna sonic park arena parco north italy - the academy is my beautiful romance

06/06/2022 olympiahalle munich germany - the academy is my beautiful romance

06/07/2022 budapest park budapest hungary - the academy is my beautiful romance

06/09/2022 progresja warsaw poland - the academy is my beautiful romance

06/11/2022 o2 arena prague czech republic - the academy is my beautiful romance

06/13/2022 stora scenen gröna lund stockholm sweden - live from stockholm

08/19/2022 paycom center oklahoma city ok - tony

08/23/2022 bridgestone arena nashville tn - the academy is my beautiful romance

08/24/2022 heritage bank center cincinnati oh - the academy is my beautiful romance

08/29/2022 wells fargo philadelphia pa - ronaldb2985

08/30/2022 mvp arena albany ny - the academy is my beautiful romance

09/05/2022 scotia bank toronto ca - the academy is my beautiful romance

09/16/2022 riot fest douglass park chicago il - geoffrey gardner

09/20/2022 prudential center newark nj - deadhoarse

09/24/2022 fla live arena sunrise fl - the academy is my beautiful romance

10/03/2022 tacoma dome tacoma wa - seattle concerts

10/05/2022 oakland arena oakland ca - HisoKu

10/07/2022 t-mobile arena las vegas nv - wormspeddler (smeagles)

10/08/2022 aftershock discovery park sacramento ca - the academy is my beautiful romance

10/09/2022 barclays center brooklyn ny - the academy is my beautiful romance

10/15/2022 kia forum inglewood ca - the academy is my beautiful romance

10/23/2022 when we were young day day two las vegas - the academy is my beautiful romance

10/29/2022 when we were young fest las vegas nv - PichyJr

11/18/2022 autódromo hermanos rodríguez mexico city mexico - leashalia

03/11/2023 the outer fields at western springs auckland new zealand (soundcheck) - the academy is my beautiful romance

03/23/2023 qudos bank arena sydney australia - the academy is my beautiful romance

-> pt. 1 (2002 - 2005)

-> pt. 2 (2005 - 2007)

-> pt. 3 (2007 - 2011)

[heavenboy09]

HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU

THE 1# AUSTRALIAN 🇦🇺 ACTOR IN THE WORLD 🌎♥ & THE LONGEST LIVING ACTOR TO PLAY A SUPERHERO ON THE BIG SCREEN FOR 17 YEARS

He was born in Sydney, New South Wales, to Grace McNeil (née Greenwood) and Christopher John Jackman, a Cambridge-educated accountant. His parents were English and had come to Australia in 1967 as part of the "Ten Pound Poms" immigration scheme. Thus, in addition to his Australian citizenship, He holds British citizenship by virtue of being born to UK-born parents. One of his paternal great-grandfathers, Nicholas Isidor Bellas, was Greek, from the Ottoman Empire (now in Greece).

He is an Australian actor. Beginning in theatre and television, he landed his breakthrough role as Logan / Wolverine in the X-Men film series (2000–2017), a role that earned him the Guinness World Record for "longest career as a live-action Marvel character", until his record was surpassed in May 2022. He is the recipient of various accolades, including a Primetime Emmy Award, a Grammy Award and two Tony Awards, along with nominations for an Academy Award and a British Academy Film Award. Jackman was appointed a Companion of the Order of Australia in 2019.

He reprised his role in 2003's X2, 2006's X-Men: The Last Stand, and the 2009 prequel X-Men Origins: Wolverine, where Troye Sivan played the younger version of James Howlett. He also cameoed as Wolverine in 2011's X-Men: First Class. He returned for the role of Wolverine again in 2013's The Wolverine, a stand-alone sequel taking place after the events of X-Men: The Last Stand, and reprised the character in the 2014 sequel X-Men: Days of Future Past and briefly in the 2016 follow-up X-Men: Apocalypse. In 2015, Jackman announced that the 2017 sequel to The Wolverine, Logan, was the final time that he would play the role. It earned him the Guinness World Record of 'longest career as a live-action Marvel superhero'.

PLEASE WISH THIS LEGENDARY AUSSIE 🇦🇺 MARVEL ACTOR OF A LEGEND & ALL AROUND ENTERTAINER OF ENTERTAINMENT A VERY HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊

YOU KNOW HIM

YOU LOVE HIM & LADIES YOU CANT HELP BUT LOVE HIM

& YOU JUST CANT LIVE WITHOUT HIM

AINT THAT RIGHT, BUB

THE 1

&

ONLY

MR. HUGH MICHAEL JACKMAN🇦🇺 AKA JAMES HOWLETT LOGAN AKA THE WOLVERINE 🐺 OF X-MEN

HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MR. JACKMAN & MANY ALL YOUR DREAMS & YOUR LIFE BE FILLED WITH HAPPINESS FROM HERE ON OUT.

#HughJackman #Logan #Wolverine #Xmen #DeadpoolandWolverine

[simchanel]

RUMOR RUNDOWN TABLOID📷!

Billboard-chart-topping singer-songwriter Lennon Greenwood was captured by paparazzi outside a San Francisco courthouse, following a divorce hearing with academy award nominee, Jesse Foster. The couple’s tumultuous split, which has garnered significant media attention, began nine months ago amid swirling rumors of infidelity involving Foster and his co-star, Sophia Blake. The rumors first surfaced during a press tour for their film, “Between Us”.

The situation escaped dramatically when an explicit video featuring Foster and Blake was leaked, further fueling public and media speculation. The scandal has not only overshadowed the film’s release but also significantly impacted both Foster’s and Greenwood’s public images. As the legal and personal drama continues to unfold, both parties are navigating the fallout from their high-profile separation.

[lucawrites11]

What are your headcannons for evie. Love your work by the way

okay i couldn't decide what age to go for with evie but i eventually landed on some lyon headcanons because i don't think i'll end up writing much about that time:

it takes evie longer to learn french because she's only two when they moved but she spends most of her time around the team because she wasn't old enough for school or nursery

she is really close with shanice van de sanden like lucy because she speaks english - they have little dance parties

she also gets close with ada and kadeisha buchanan because they speak english (she was very disappointed when kadeisha signed for the bad blues (chelsea))

when she learns to speak french better (between three and four), she also gets close with wendie (she's not intimidated by her at all)

when izzy christiansen, nikita parris and alex greenwood move to lyon, they are all little besties because she knows her from city/lionesses - she was closest with keets tho

she becomes famous in the woso world while at lyon after being lucy's mascot when she was three. she saw a ball and decided to run off and score a goal. lucy had spoken about having a child but the image of lucy chasing after a three-year-old perfectly dribbling a ball and scoring was everything the world needed

lyon treated evie well because it would look very bad for me if they didn't, lucy had already spoken about adopting her because of her sister's death

she went to a british international school and was signed to the lyon academy after the mascot incident, she signed (scribbled on) a contract and everything and staged photos

when city signed lucy again, they recreated those photos for evie's signing to the city academy

(i have more in so many situations for all the kids, i love talking about it, thank you so much for asking)

[kicksaddictny]

Nike x Di'orr Greenwood SB Dunk High

Hailing from the Navajo Nation in Northern Arizona, Di’Orr Greenwood is a revered figure in the skateboarding world. With an impressive resume including stints with iconic brands like Patti McGee’s OGBetty, Apache Skateboards, Propel Skate Academy, and Las ChicAZ, she's not only a skilled skateboarder but also a sought-after instructor across Southern California and Phoenix, Arizona. What sets Greenwood apart is her unique fusion of creativity and indigenous heritage, evident in her distinctive skateboard designs that often incorporate elements of her Navajo roots, from graphic motifs to native cedar wood craftsmanship.

Now, Greenwood embarks on her latest artistic venture with a collaboration on the Nike SB Dunk High. This upcoming shoe release pays homage to her cultural background and deep ties to the skateboarding scene. Expect a vibrant burst of colors with turquoise blue and rugged orange dominating the side panels, complemented by a Decon-inspired design that exposes foam tongues and features a sleeker ankle collar. Multicolored accents adorn the heel, tongue, and sole, while the insoles boast a graphic depiction of Arizona's valleys and desert landscapes, serving as a poignant reminder of her roots.

Stamped with her name on the tongue tags and set atop a white midsole, the shoes are finished with a black, gold, and turquoise rubber outsole. The Di’Orr Greenwood x Nike SB Dunk High promises to make a statement both on and off the skateboard, capturing the spirit of creativity, culture, and athleticism. Keep an eye out for its release on Nike shelves and online this summer, priced at $145 USD.

[dentwy]

number 7: here is greenwood

GREENWOOD!!!!!!!!! WOOO!!!!!!!!!!!!!!!!!! okay i'm cool. "here is greenwood" is a shoujo manga serialized in hana to yume from 1986 to 1991 written and drawn by nasu yukie. in 1991 until 1993 it got adapted into a 6 episode ova and this is kinda where it ends i feel. i wouldn't say it has had any kind of major impact in the medium, the genre or any major group of individuals, but god i do think it did stir something inside me.

i either tend to gravitate towards stuff that isn't particularly popular, because i'm trying to come off as cooler than i am or simply because it just happens naturally. couldn't tell you, but finding that one little thing you end up enjoying so much without anyone else seemingly caring about it is always fun regardless of your personality. turns out it's a lot easier to become the biggest fan of a thing no one has seen, you know. a bit like becoming the world record holder of a game no one has cared to speedrun, it's just funny.

picking out what consists of "my favorite shows of all time" isn't so easy once you've been watching media more seriously after a while, those starting years will definitely shape you up and become a major part of the main stuff you like. even if you fully know it's bad, you hold it close to yourself because it was there at the start, and it's always nice to think back on that. so, it often happens with me where i certainly enjoy something enough to think of it as "this could be a favorite, but does it deserve the spot?". not even sure right now if greenwood deserves it, but i don't know if it matters that much. i decided to make a list of "favorites that aren't favorites" because of greenwood and even if it doesn't stay there and goes up into the list, it sure means something.

ironically, i don't quite think this show came out as a surprise to me as i'd been hyping myself up before even getting into it. it did, though, take turns i wouldn't have seen coming and i'm glad for that. these days i honestly tend to watch anime based on the soundtrack and it's no different here. the soundtrack showed up in online platforms on september of last year, which is around where i found out about it since i already follow nagata shigeru (even if i haven't even seen ocean waves, he just makes good tracks). my first mention of it over discord was me getting mad at my bank while i was dealing with my phone insurance after i tried reading one piece and got my phone stolen 13 pages into the first chapter, but that's a story for another day. i just said "this is the soundtrack of me killing a man" with a link to shun's theme , which is honestly accurate for any man killing activities. in context however, there's a bit more to the story.

this is why, to anyone caring to read, i want to do the longest and probably only essay / analysis / backtrack / retrospective / whatever the hell for "here is greenwood" you will find online. i HAVE to be that guy. otherwise, what have i been obsessing over this thing for around a month? the show has 6 episodes while the manga has 11 volumes (although viz squished it into 9 which is better), so i'll be basing myself on the pacing of the anime in relation to the manga, back and forth between them so the chapters match up. the manga does, however, have more stuff to it throughout half of its runtime so it's gonna be a lot of that i suppose. although, and i'll get into it later, the anime seemingly ends up being the more enjoyable version of the two. otherwise, skip to the tldr in bold letters to avoid reading the long ramblings of a crazy man skimming through a show and manga you probably haven't seen and read.

we begin with the hero of our story. he doesn't really have anything that would actually make him a hero, he's just a teenage boy just starting his first year of highschool at ryokuto academy. his name is hasukawa kazuya and i don't blame people for making him the least popular of the 4 central characters on myanimelist, but he's still technically the main character. our dear boy kazuya is moving into the ryokuto dorms, because it turns out he's kinda the unluckiest guy you'll ever meet. his older brother just married the girl he had a crush on, and since they don't have any parents left, they're all living under the same roof, something he simply can't stand anymore. he took the entrance exam for this prestigious boys only school and managed to get in, but in the process he: almost got ran over by a car while he was visiting the school, barely managed to take the entrance exam since the trains were stopped by a blizzard, had his acceptance letter delayed in the mail, and got an ulcer the day of the entrance ceremony that forced him to stay hospitalized for a month. even if god is against him, he persevered, and finally got in.

kazuya is hot headed (almost literally since he's prone to getting nosebleeds), overly serious yet still a bit of a goofus. he's not particularly smart, but he proves himself with the sheer effort he can put into the things he wants to achieve. he often feels like he needs to be stronger and grow on his own, failing to rely on others, as he doesn't really like getting pampered either.

he is introduced to the dorm head, ikeda mitsuru, and the president of the student council, tezuka shinobu. the two most popular, best looking, and important members of the dorms, currently on their second year of highschool. these two are the ones that will introduce him to "greenwood", as they call the dorms, since the full name is kind of a mouthful.

inside room 210 rests his roommate, which he's quickly informed is, in fact, a girl. according to them, kisaragi shun was born a girl, it's just that her birth certificate and every record lists her gender as male. by this point, 8 minutes into the first episode i'm already clocking out. i understand we're talking about japan here and it's the 1980s (rest assured, this becomes more evident as it goes on), but i have the sneaking suspicion that gender identity can't be this series' forte. from my understanding, hibari-kun does tackle these topics in a proper manner and it was also a manga from the 80s, so perhaps it's not completely unheard of. besides, shoujo manga isn't known to be scared of tackling stuff the rest would never dare, but still. me, the audience, and the guy on screen, kazuya, are being informed that he absolutely must keep this fact a secret from the all the boys at the school. if he does not, there will be consequences. added to the fact this guy is seemingly pissed off at his brother for not being "manly enough" since he "works as a nurse" at this school (and also the fact he got married to the woman he liked, even if she's at least a decade older than him), we're not looking too hot. whatever, i'll give it the benefit of the doubt.

3 days go by for kazuya living with a girl in his room, often going outside to let her change, being uncomfortable at night and trying to ignore people's comments of his situation. he finds out, however, that it was nothing more than a farce. shun isn't a girl, he's just a cute guy with long hair. this dude got tricked into thinking otherwise only so everyone in the dorms could bet on how long it would take him to figure out. "damn! i lost... if only it took one more day..." you hear a guy in the background. greenwood, refers to "a nest for bandits and villains" which is all this place is. as much of a prestigious school as this may be, it doesn't speak for the people actually attending it.

there's the guy that sleeps with his motorcycle, the club used to devote their time to a made up religion, or the duo that rent out their room as an arcade. the main trio that will share their time with kazuya stand out as much as anyone else, if not more, so we should get into them.

shinobu (on the right) is the son of a prestigious family. he's calm and collected, devious and cunning. not a lot seems to change his expression, as he's swift and decisive yet his has his mischievous side as he often enjoys messing with people, and specially his roommate. mitsuru (left), is the handsome, aloof guy that simply loves giving kazuya as hard of a time as he can.

shun, aka the most popular character in the show, is a confident, assertive and strong willed young man. it just so happens he kinda looks like a girl. it is very often played for jokes, but not once does he mind it and finds enjoyment in it himself. he is, in fact, "a guy with a gender", as you could say. he leaves his hair long because he likes it, he dresses up however he feels like and often more feminine because he finds it fun, and he just knows who he is and what he wants to be, which is highly respectable. i was mentioning earlier about his theme and it's honestly pretty fitting for the guy, there's something magical and cheery about it that really sticks out, while having a tone of that seemingly feminine side.

these four are the rag tag greenwood team, getting into trouble, helping others and messing with each other. guys that maybe wouldn't usually be friends with each other, but it's always the time and place that will bring people together.

most of volume 1 isn't too dissimilar from episode 1, they change around the order of some scenes for it to make more sense and remove or add dialogue for it to flow better, but most of the main events stay intact. kazuya's main goal is to stay far from his home to avoid thinking about sumire, the woman he loves and his now sister in law. this is what he's in greenwood for. it's not as simple as "running away" from it and his feelings, but trying to come to terms with it, get distracted, and find himself. the main overarching theme of this series is moving past a love that was not meant to be. whether it's by moving away, making new friends or finding new love, the goal is the same. ironically, the people around him don't really allow him to move past so easily, since his brother is still around all the time, his friends kinda make fun of him for it (because it is funny) and sumire herself is so oblivious to it that it keeps stabbing him in the heart which, yeah, i get it.

not sure if you, dear reader, has had the experience of being in a dorm with other people, or going through a moment of unrequited love, but it doesn't get any realer than this! for one, living with people close to you for a while is just a nice experience. always having people to rely on, to hang out with, to talk to, at any given moment. almost to the point you may start depending on it. as a matter of fact, the room i shared with other people for a bit was 211, the same one mitsuru and shinobu are in! for the other, trying to move past something like that isn't the easiest. in fact, it may just be the aftermath that's the hardest and that takes the longest, that is, finding the same feeling somewhere else. filling that spot with something new, or someone new. cannot really blame a guy for trying so hard to change his life around.

kazuya decides to stay in the dorms for summer vacation, as he insists he does not want to set foot home, and sumire decides to pay him a visit. not only her but his brother kazuhiro also plays fun with him at times simply because he likes to see his reaction. he's kind of a goat, but he does genuinely care for his brother. later he's informed he can't stay in the dorms for winter holidays, which is what forces him to go back home for once.

half of the first volume doesn't get adapted probably to improve the pacing, although the extra chapters also don't feel too substantial to the story overall. in one of them the lights go off at the dorms and a couple of girls get in, which they initially think are ghosts, only to turn out they're not. it's not that exciting of a chapter and the show does a better version of this a bit later on. besides, i believe that not showing as many female characters in the ovas works better for the series, as opposed to the manga which starts doing it more often from here.

after kazuya goes back home for the first time in a while, the boys meet up out in the city. here, they find a strange looking girl being tailed by men in suits. it only turns out this girl is "nitta mieko", an idol that simply wanted to get some free time for herself while her agency wouldn't let her. uh, she becomes a bit of a prominent character throughout the manga, while she doesn't really appear at all in the anime. to the actual plot itself, she doesn't do a whole lot, she just comes and goes from time to time. not much against her, it only feels like she's just there.

for another chapter, they're already on valentine's day, meaning they will get chocolate. shun mentions he's straight and he had a girlfriend already which the rest find strange, i suppose. both mitsuru and shinobu get all the girls from other schools to wait outside and throw chocolates at them, to which they run away from. kazuya has one girl that's a bit obsessed with him, yet he doesn't remember her name nor who she is. she mistakes shun for a girl, so she gives up on him quick, though. i'm a bit iffy with this chapter because even if it is supposed to be a well known fact that mitsuru is constantly getting girls to ask him out (and he's generally also unlucky with said girls) the anime doesn't actually show much of that, unlike the manga. i don't think this is bad though, it's more of a thing they just say but never really show as you're kind of invited to fill in the blanks for yourself. since it is only 6 episodes they obviously skip around a lot of parts of the year, and i don't think it's quite necessary to see everything they do, as getting a glimpse around their life is all you need to understand how they're doing and what a random day in greenwood can be like. the manga almost incessantly needs to show both mitsuru and shinobu as the popular guys and since we're talking about an all boys school, even if they are popular, it doesn't feel like it's something that should happen so often and at such a big scale, in my opinion.

kazuya also simply not knowing who the girl that has a crush on him seems off and a bit too early. i suppose his mind is still focused on sumire, sure. so, he's probably not ready to move on that quick? even then, the situation kind of presents itself in front of him and he simply fumbles it for no major reason, he simply does not know the girl from his previous school.

the final chapter sets up the next volume, where mitsuru gets abducted by none other than shinobu's big sister. the anime does a funny thing here on episode 2 where they kinda tell you "go read the chapter for context" but it doesn't really matter. the episode centers around shinobu's sister, nagisa, kidnapping shun's little brother, reina, who obviously looks like a little girl because feminine looking boys is a staple of the kisaragi household. this is, in turn, a direct sequel to the manga chapter.

nagisa hates her brother because he's kinda just better than her really. she's stuck up, pretentious, demanding and selfish. since they were little she always wanted to be seen as the superior one, and because shinobu doesn't give a damn about anything, he never really cared about whatever she tried doing to him. part of their father's favoritism towards shinobu must certainly come from the fact she's a woman, i will not deny that, and she has the right to be mad. she's still an awful person though and only wants her to be the one to inherit the family business. so, to "take revenge" on him, she decides to kidnap his friend. genius!

part of the volume is dedicated to them finding out it's her and then going to save him. in the process mitsuru tries to escape and makes fun of her. he ends up with only his underwear on to, uh, make it worse for him? i guess? in the process of escaping mitsuru gets his face cut which was supposed to be something they planned on doing to ruin how pretty he was or something, but apparently mitsuru has superpowers so the skin on his face simply fixes itself instantly. now, greenwood isn't scared of the supernatural, weird things will happen. but having his face regenerate is a bit too much in my opinion. i think it would be a really solid joke for him to "suddenly be fine the next page" instead of it actually and legitimately being superhuman. would play on the meta and sell the ridiculousness of it even more. which seems even weirder considering nasu loves to play with meta jokes. she will often draw herself commenting on facts or details that don't really make sense so she can address them herself, or have the characters directly refer to her or the manga as a whole. in this same chapter in fact, she mentions how it doesn't make sense that they're still in their first and second year of highschool if holidays are already over. i think some of these jokes are fine, but nasu loves doing it a little bit too much for my taste.

anyway, what the anime does instead, as i mentioned, is have shun's little brother be the victim. nagisa decided that she won't deal with boys anymore and only cares about girls now, so he picks up reina instead (unbeknownst to her that he's actually a boy). i think this take on it is better, since shinobu ends up knowing what the deal is way faster and manages to figure out a plan for the rest of the boys to follow. reina does, too, mess with her and her agents by asking for food and to take a shower, which gets weirder than it should! these guys kinda get really flustered about the supposed little girl they've kidnapped which is extremely weird (one of them even trying to peep while he's taking a shower!). nagisa is also really weird about it at the start but we know for a fact she's a terrible person so whatever. it tries to follow with the joke that people often mistake the kisaragi boys for girls, but it could've been something else, you know. specially when it's grown ass adults we're talking about, but whatever, it's still a fun episode. all of this ends with shinobu giving his sister a final warning, effectively pointing a gun at her and saying he was gonna take care of her this time for sure. only to turn out it's a toy gun. a little detail that stands out at the end of this episode, in a strange way, is mitsuru making fun of kazuya for developing a crush on igarashi miya, a girl from an all girls highschool that will become relevant later. it's a bit funny because by this point they have never shown the two of them interacting, and the first time that he will see her is later on in the anime. however i think it's mostly working as a little nod of foreshadowing, as the events in the ovas don't really seem to be in chronological order.

what is honestly surprising is the chapter that follows this, still on volume 2. a side story about two guys from the dorms in room 117 ending up as a couple and finding out they're gay. i'd honestly recommend just reading this chapter, as it's surprisingly good and i'm almost left wishing they had adapted it. they sure do the "but it can't be, he's a guy!" / "there's no way i'm a homosexual!" and sure, one of the two guys also does look like a girl, but it's cute and well handled in my opinion. throughout both the show and manga kazuya stays as the guy that like, simply doesn't know gay people exist, i think. he's not inherently homophobic, i'd say. he's always genuinely shocked as if he doesn't know what just happened, almost to the point it's funny. it simply does not process in his mind and he resets.

next chapter is about girls from another school taking pictures of mitsuru with his shirt off because it's too hot? and shinobu has diarrhea. the one after that, the boys go to the pool. everyone there thinks shun is a girl (as usual) so they ask him to go into the women's dressing room, and the lifeguard gets disappointed to find out he's a guy, but their outfits are sick so it's fine.

we continue to see kazuya being the one taking care of dorm head duty since mitsuru is away for the week. reina rolls up to the dorm and he's actually way more of an annoying brat than in the anime. kazuya lowkey bullies the kid and thinks shun should be rougher with him, or something. he still kinda has that thing of being disappointed that his brother isn't tough for whatever reason.

volume 3 starts school sports festival, not a thing we see in the anime. shun is dressed up as a cheerleader, kazuya is the fastest runner alive, shinobu set up bets for each team. typical stuff. later we see a girl show up at the school because her girlfriend was going there to see someone else. every single one of the boys absolutely loses their mind at the sight of a "real lesbian" who they thought was nothing more than a myth, and then it just turns out the her girlfriend saw mitsuru dressed up as a woman as part of the festival event (which they never even showed) and she was interested. rest of the volume is mieko showing up again asking for a favor because someone is trying to assassinate her, the boys celebrating new year's, a kid trying to figure out if shinobu is evil to get into the journalism club, and the motorcycle guy getting a real girlfriend.

a thing the manga definitely does better over the anime is showing the rest of the people in the dorms. although i barely even up remembering their names, they sure are there and have their own things going on. they do become more prevalent and they're part of greenwood as a whole. i just don't particularly feel like they stand out as characters themselves? some of their stories are fine and all but they serve as a bunch of background dudes that chip in at stuff most of the time. while it is cool to see the dorms more lived in, they're also not so important that it makes them feel like they actually matter, if it make sense.

as the manga goes on it starts feeling like a bit of a bottleneck. by no means is it not entertaining, it's simply that it jumps around between stuff that doesn't feel like it amounts to a lot. probably the reason why as i continue explaining things here i go over these chapters with stuff to say about them. next is volume 4 though! so almost halfway through!

this volume shows us the woman that shinobu's older brother (because it seems he has one) was supposed to marry. i believe, she doesn't really amount to much in the story, so i won't even go into detail about her. they go into a flashback with how shinobu and mitsuru met in their first year and fought, to then end up respecting each other. it's cool.

the rest of the volume is half a dragon quest parody and the other half a ghost story. both of these do, in fact, appear in the anime. however, they do so in a different way. in the manga, the fantasy manga parody is really just that, a sort of spin off that goes for a couple chapters. in the ova, the boys at the dorms plan on filming a movie to show at the festival, which is honestly such a cooler idea. they show them going around planning and filming stuff. shinobu and mitsuru even have to go pose for the self insert manga author that uses them as reference for her next manga so they can get the outfits they need. it's a whole process of them showing how they're doing this indie movie at their own school while cutting into the actual scenes of the supposed movie, real neat stuff.

in the other chapters, they go to a hotel shun's family just acquired and stay for the night. it just so turns out it's haunted and a bunch of girls try to get the boys to become ghosts as well so they can be together. mitsuru, however, manages to exorcise them since his family runs a shrine and he simply knows how to do that (?). ironically, he's the one that needs to get an exorcism in the ova.

this episode is one of my favorites by far. the lights go dark in greenwood, just like they did in volume 1 long ago. this time, mitsuru gets haunted by a girl he doesn't know. what's funny about this is that she is just a normal, cute girl and nothing else. she hangs around, talks to them, plays games, etc. fully visible to everyone, you simply can't touch her. mitsuru gets into trouble for bringing a girl into the dorms since he's clearly not allowed to, but it's not like he can do anything about it. he gets really stressed out and consistently asks her to leave him alone (which, wow. rude). i'm almost definitely biased here but this girl is actually voiced by the same woman that does my favorite character in the trails series, so, yeah. she's just really cute and fun and doesn't really hinder his daily activities in the slightest so seeing him get really pissed off about it is entertaining. the way the episode starts is also my current favorite thing ever:

this episode perfectly encapsulates the charm that has me tied to greenwood. the music, the characters, the wacky situations that get oddly real for short spans. by the end of the episode, she reveals that there isn't any major reason for her to be haunting mitsuru besides the fact that he's good looking. she simply hadn't ever kissed anyone before dying, and she wanted to do that. he strictly refuses because he's a little baby bitch and she leaves. instead, a day later, she tricks him by picking up the cat and having him kiss it. except that she's actually not done with him because she still likes him, so she brings a bunch of other ghost girls to mess with them. really funny. again, ironic, how he's the one getting haunted this time and he can't do anything about it.

the two final episodes of the anime are the most relevant arc of the series, which won't happen until much later in the manga. so we keep moving.

volume 5 takes place around the school festival, the one they made a movie for in the ova. kazuya gets tricked into a game of ping pong to see who would get the main role for the play they're doing, while shun does also take part of a different play. basically, we get 3 of the 4 main guys to dress up as women. shun's play is lupin's castle of cagliostro, which did also happen in the anime as an extra special segment at the end of that episode and it's really neat.

the rest of the volume has a new guy show up claiming that kazuhiro isn't worthy enough to be married to sumire. this guy is just her cousin, which is also in love with her, so let's leave it there. at the end they show a flashback into how the two of them met back in college, to then get introduced into the hasukawa household. this flashback is neat overall, it gives further information on how they've been doing as a family of two brothers, and a bit of insight into both kazuhiro and sumire's relationship.

sumire has been with them since kazuya was around 14, while she was in her early 20s, which i suppose isn't too terrible for him to fall in love? it obviously wouldn't work out regardless of the circumstance, but this isn't something they actually ever try to push for or imply it could've happened. not a lot more than teenage love, you know. what is actually fun is getting the news that sumire is pregnant with a boy. it doesn't really shape the story at all, but in the large scheme of things it does try to show the shift between their relationship and kazuya's feelings, which is great to see.

volume 6 has one chapter of shinobu meeting an alien that tells him he has a specimen that looks exactly like him who recently escaped containment. shinobu shoots him and doesn't flinch at the idea of killing someone that looks exactly like him, maybe because he's more of a robot than whatever this alien made could be, but we're still stretching the logic of this manga the more we go.

following chapter is the boys playing baseball against a friend of mitsuru's, fun chapter. the dorms move on to the next year, and they do actually start their second and third year of highschool. kazuya is the one becoming the dorm head this time, either because mitsuru likes to mess with him and / or because he does genuinely respect the guy. kazuya isn't too sure himself, though. some new students show up like the kid from singapore who they keep trying to explain things to as if he's some sort of otherworldly being, and he also shows signs of being completely clueless on how stuff works like not even knowing what a school trip is. i asked someone i know if this is true and they said that people in singapore do know what a school trip is (as i assumed), but sure. the school trip does happen, where they meet mieko once again and she asks mitsuru to do some modelling for a tv ad. this becomes a whole thing with mitsuru not being sure whether or not he wants to do it because like, his brother will think that he's only doing it to attract the attention of his "real parents" because actually he feels that he's not really part of his family since he's adopted? it's weird, the adoptive part will come into place later (although it's not that big either).

in volume 7 kazuya's nephew is born and they need to take care of him because sumire was gonna give them a couple of tickets for the ice ring. in the ice ring, two girls try to trick shinobu and mitsuru into becoming their partners because they need a couple to do competitive ice skating, or something. the conclusion is shinobu saying "why doesn't one of you get a sex change?" and they think it's genius and leave it at that. hooray for surgery. there's another three side stories with an edo era spin off, the boys going into the kisaragi onsen, and the duo in the arcade room getting cursed by an evil videogame you have to beat in one go.

it doesn't end with, but midway through we got the start of the main final arc, the one with igarashi miya. miya is a girl mitsuru used to know back on his previous school, she seems to be a bit of a delinquent that got into trouble with some girls over turf conflicts. she needs a place to stay for the night and tries to get help at greenwood. kazuya insists in helping her and offering his room even if it's strictly forbidden, because he sees something in her eyes. there's a certain sadness and uncertainty he's not sure about, so he wants to know more.

she explains to kazuya about her situation, and it turns out, she's not as tough as she seems. she doesn't like that people see her as a delinquent, she's not strong, she's a bit of a scaredy cat and is always trying to keep herself from crying. in the process of helping her and getting the girls from the other school to stop annoying her, kazuya realizes that, whoops! he kind of likes her! unfortunate for him, she already has a boyfriend. she does really insist that he's a good guy since he's always been there for him. on the other hand, kazuya wonders why was it because of him that she turned into a delinquent, or why doesn't she ever feel loved by him. she feels that he doesn't like her for who she is but rather he believes he likes her because they've always been together. not a lot he can do about it though, as he doesn't really have an excuse to see her again.

the anime doesn't change much here, the episode starts with kazuya already dwelling about her as they usually do with these episodes, starting with the aftermath of the events and recapping on what happened to them. i do like this, i'll say.

volume 8 is the last one before overlapping with the final episode, so it's mostly filled with extra chapters. there's one about a boy not going to class because he hates one of the teachers, another one with mitsuru getting tailed by a girl (again) who loves the made up version of mitsuru she imagined while seeing his commercial, devilwood again with the dragon quest fantasy manga parody, and the sports festival once more. the thing i like about the sequel to the sports festival is how kazuya gets into the track team to distract himself from thinking about miya, which seems to work for a bit. not essential, but realistic.

another one of the chapters is him falling off a ladder and landing in an alternate dimension where everyone is female, which is actually kinda fun, if not a little bit short. they call it "cherrywood" instead of greenwood, and there's actually a version of this they had the voice actors record as part of the drama cds. there are a couple of these mainly for the special chapters like the sports festival and stuff, they're neat. once kazuya comes back to his world the boys in the dorm keep dropping themselves off the ladder to see if they can go there as well so it's pretty funny.

i think the girl that was obsessed with mitsuru is somewhat a different version of the ghost girl from episode 4, although this one gets so mad at so many things he does that he legitimately cannot go around doing anything without having this girl break into tears, so it's funny i'll let it slide. i insist that having mitsuru be overwhelmed by girls all the time doesn't give the vibe of the "all boys dormitory life" that most of the series tries to push forward, but only some of them wouldn't hurt too much, i suppose.

we arrive to the final volume, as well as the last episode. had you been reading and watching these alongside, you would have a decent grasp of all the activities these people have gotten involved with. the thing is that, the 6 ova episodes released some time after the manga was already finished, meaning that it's not like anyone actually expected you to go back and forth between each other. it would be impractical to do so anyway without knowing what actually gets adapted and not. i've seen people mention that the way these episodes are formatted makes it so only a fan of the original manga would be able to enjoy it, with how much time is skipped between each one. i can't really agree with this point, as it is very much structured in the normal episodic anime way, only with some details here and there that probably don't end up being super clear since they weren't addressed but don't actually hinder the overarching narrative or actual character interactions. after all, these dynamics work well enough on their own to be used in whatever situation they get in. it's not that the manga does not do this, but it often feels like they're there to fill time rather than to simply entertain. more often than not, the chapters feel disorganized, same-y and as if they don't have any major purpose to be there than simply "what if x thing happened". it happens, and it's over. probably not inherently a bad thing, i guess it's a matter of presentation after all. ironically, the manga may just feel like more targeted towards fans than the adaptation, as it really takes a long while for these relationships to grow and develop. if i get too many details, it'll get stale and won't feel like i'm really learning much until something major happens. if i just get the core elements, i can build the gaps myself. less can definitely be more. dudes will be dudes, after all.

in that regard, the episode starts with kazuya helping out at mitsuru's house. the place used to be a bigger temple, but over time the land was reduced and the place isn't what it used to be. not a big deal for them though, as they still maintain the place. it's a nice family of 4. mother, father and siblings. sho, mitsuru's younger brother is only a few weeks younger than him, as by the time they found mitsuru outside their house, it had already been a little bit since he was born.

adoption is usually treated as a careful subject matter, but i don't really think it should be. throughout the manga, mitsuru has his moments of doubting himself, his past, where he comes from and his family. he cares about them and they care about him, specially his brother, but there's always a weird air to it. since he is the older son, he would be the one to take over the shrine, which he's not really sure if he wants to do himself. his mother makes sure to tell him that he doesn't need to worry about it, he should just do whatever he wants to do. his brother misses him, but he needs to focus on himself too. sho seems to be angry at him because mitsuru mentions how he is trying to go live on his own as soon as he can. this is where we get a little bit iffy.

from what i am able to gather, mitsuru feels indebted to his family. they aren't blood related, so sure, he loves them but he knows that they had no right to take him in and they did anyway. it's not that they actually show any sign of it being a pain on them or anything, he is just a son to them. i suppose he feels bad for taking his brother's spot for the shrine, but he doesn't even need to take the place if he doesn't want to. so, in the end, "wanting to leave home as soon as possible" is kinda just a normal thing i believe. i mean sure, deep down it's probably because he doesn't want to be more of a burden, and even if he's not he still wants to make their life easier. this is fine. he makes it such a bigger deal than it should ever be, though. his brother gets pissed at him and his response is "i'm not trying to be an outsider, i am an outsider" my guy what are you saying. kazuya goes as far as to ask him if he ever thinks of his blood related parents and he says no, so what is even his deal? mitsuru wonders to himself if you can still be family even if you aren't blood related, kazuya says that it's love that matters. unfortunately this is literally where this ends and it will never be brought up again or be concluded, because miya appears in front of them. it's unfortunate that it doesn't really get any closure, i feel exploring the meaning of family, specially with kazuya's situation being a thing, could be a really cool addition to the series. nevertheless, it doesn't happen. mitsuru just says that, he feels like he has to leave home as soon as he can, his brother doesn't like this mentality, and that is it. not even the manga chooses to explore this further, that's all there is.

they bump miya and his boyfriend tenma on their way back to the dorms, kazuya still sees that expression in her face, as if she's about to cry but she's holding back. now before getting ahead of ourselves this guy isn't abusing her or anything, he is kind of just a dude. not the best dude, but a dude nonetheless. miya has been wanting to say thanks to kazuya for a while, but she never gathered the courage to go visit him and say thanks. she would go nearby the school and then run away, never sure herself of why she was doing that. this time with the opportunity right in front of her, the only thing she manages to say is "i'm sorry". inevitably, this almost kills kazuya and gets him sick for a couple of days.

"sorry" doesn't really cut it. sorry for what? she didn't do anything. kazuya decides to give her a call after his brother convinced him to. his counseling is essentially: "you shouldn't care about the other guy, focus on yourself", which is fair enough i suppose, but i think a situation like this is very much gonna depend on who you're talking about. kazuya doesn't want to ask a girl with a boyfriend out, no one wants to be the guy that steals someone else's girlfriend really. but you know, there's something going on here too, as she doesn't seem particularly happy with him either. i think this brother bonding is a good moment for the two of them, although not the most particularly touching. kazuhiro is a fun guy, he is confident and he would do anything he needs to get the girl he loves (he did, after all, get the girl his own brother loved). it does come off as a little weird piece of advice from his part, but it works in context so that's all he needs to call her. she does, however, say sorry again and hang up instantly.

"i heard hasukawa got rejected by that delinquent girl", no! he hasn't even said anything to her! so the guy decides to wait outside her school to see her. he stays for a week until he finds out she was hospitalized, they find where she's staying and she's already gone. he sends her a letter but tenma grabs it before she can read it. luck is never on his side. persistence, however, never fails. a little bit of a bizarre thing here, tenma explains how "you need a special permission from their parents to date the girls from this school" which i don't - know, if it's a real thing or not in some japanese schools and honestly i don't even feel like looking it up right now. they both leave and run away from kazuya, leaving him alone.

then, on their way home:

which is an excellent moment, although my favorite part of this is how loud the trains are it's so funny to me i can't even begin to explain. tenma is a bit of a self centered prick, he mostly shows off his nice side but he's the guy that wants things to go his way all the time, you know. he didn't particularly do anything wrong, he's just a bit of a toxic influence on miya. he's the reason she became a delinquent so maybe he would care about her more (or get scared and dump her), he's the reason why she doesn't feel loved or particularly pretty, he's the reason why she's so sheltered. having a guy like him that won't let you do the things you want, always holding your hand and trying to keep you "safe" isn't part of a healthy relationship. kazuya is the one that incites her into being herself, opening up, finding her strength and dealing with her weakness. "i'm with you", is what he replies to her once she tells him how he feels. it's about finding that person that will be there for you, the one that will always be around and, most of all, love you unconditionally.

the rest of the manga has a little bit of the aftermath and how the people at greenwood are doing. it, once more, doesn't stand out from the crowd. they're not bad chapters, they're fun. the story is already over, though. the final chapter is actually nasu drawing a bunch of reader requests she never got to do and kazuya inviting some of his friends over to show them around greenwood and work on a project (friends we have never ever seen nor have been mentioned before now, but whatever). here is greenwood in all its glory.

if you didn't care to read all of that, great. this is the tldr; greenwood is about finding that next opportunity. mainly in love, but in most things in life. the anime adaptation takes things in some fresher directions, streamlining the experience and focusing on what is important. in the span of 6 episodes we get to know these guys, what their deal is and how their relationship works and shapes who they are. some more than others, but meeting new people you care about and will be there for you when you need it (for better or for worse) is what makes us human, and what inevitably helps us grow as people. grow out of pains, grow into understanding others and what makes us who we are.

there's something special about the serenity behind it all that i can't quite put into words, hence why i didn't go into much detail. the backgrounds are often soft and share a clean palette with a watercolor texture to it that makes it feel like a never ending dream. compared to the manga in this case, nasu's art is nice and specially with the covers and colored pieces, but it does take a while for characters to particularly pop or look like themselves as they often suffer from the same face syndrome shoujo manga can be known for. color goes a long way into helping battle this. the manga does also often rely on jokes that maybe aren't as funny in the current age, so there's that too.

the music helps sell the impact of it all, with the magical orchestra that follows around the almost play like scenarios that overcome greenwood on a daily basis. as the subtitle reads "under the tree of memories", like looking back on the moments that mattered the most and shaped the future. the theme of greenwood echoing behind this feeling. some of the other songs they made for the show sell the fun of it all as well i'd strike a comparison with ocean waves considering it's the same director and the same guy doing the music, but i haven't actually seen that so there isn't anything i can mention.

in retrospect, 6 episodes isn't really a whole lot. there's 3 of them that center around some plot and then the other 3 are extra content that focus on whatever the hell they felt like. it's obviously not something for everyone, i'm not gonna come out and say this is a must watch or anything like that, only how i feel about things. stuff doesn't need to be deep, it can just be for self fulfillment. it's often the mindless things that get the most enjoyment out of me, being there to have a good time before anything else. exactly what they do here at any moment, picking out a day at random and making the most out of it. a day where any one of these bandits will get into trouble and they'll come out of it with a smile.

i could wish it was a bit longer. maybe add some of the chapters with the other boys at the dorms, add the part with kazuya's nephew and then him entering the track team and idk, maybe the one with mitsuru and his commercial to actually give an ending to his whole adoptive family thing. alas, this is what we get, and i will not complain.

had it been at a different point in my life i watched this, i probably wouldn't care as much. it speaks to a part of me i hadn't learned about years ago, and would probably only look back on fondly into the future. those things that happen and make you rethink stuff for a good while and, in turn, open your horizons. so, feeling identified with media and connecting with stuff is a bit of what we do this for, i think.

[jellybeanium124]

They DID get nominated, for writing and producing

"Barbie" was nominated for best screenplay and best production design. There is no "best producing" award. I have a film degree so I know what those terms mean better than most people, and production designer and producer are two entirely separate jobs. Producers oversee the logistics and noncreative aspects of the film, and PD is the head of the art department, overseeing costumes, HMU, set design, set dec, and props. The PD on "Barbie" was in fact a woman, Sarah Greenwood (art dept is notably the pinkwashed department in the industry and to this day where you'll find the most women in film).

Now, yes, "Barbie" is up for an academy award for "Best Adapted Screenplay" with Greta Gerwig and Noah Baumbach both listed as writers on the official website. That still doesn't erase the fact that Gerwig was snubbed for best director, and Robbie was completely snubbed. Robbie was a producer on "Barbie." Not the PD.

[halfcourtyeet]

The Encounter with Elliot, and Mill Valley

On leaving the library today, I noticed an attractive girl in an outfit similar to mine, with shoulder-length brown hair. Let’s call her Elliot. Her deep voice I noticed first, so she may be non-binary. Elliot and I talked about many things — her trip to Japan, comic book artists, furries — and then parted abruptly. She said she moved here from Britain, she talked about her struggling to get her giant parents’ SUV in the local car wash, mentioned her trips home to England and her study abroad in Japan. Soon, though, I noticed her polite discomfort, her skills at social ballet. Finally, I noticed the ease at which she brushed me off to resume her business.

It is only now that I have taken time to manifest myself away that I can express my distaste for her.

As soon as I knew she was from Belvedere — the small, ultra-wealthy island in the Bay that hosts the San Francisco Yacht Club — I thought of a simple but memorable Prince lyric: “Right then and there, I knew I was through.” Her family possesses wealth immeasurable and incomprehensible to me. My family possesses poverty and economic trauma immeasurable and incomprehensible to her. How could we ever understand each other?

My middle school and high school peers were just like this (in fact, Christian G., who I went to Tam with, walked past me as I was talking with her. Even if we had locked eyes, I would have not said hello.) I am sure this is the same with any other upper-class (now borderline high-class) suburb. Their children are raised without struggle in sunny green locales, without community in giant family houses, and without emotional awareness in a culture that promotes capitalizing on others even over its own blasé hedonism. The children grow up to be adults working in (ideally) engineering, health, law, or management, and at worst, Wall Street. They pick up on their parents’ careful social movement from a young age and learn no other language, certainly not the language of the working-class, despite their urgency to imitate and emulate the cultural works of the poor (black and brown people, mainly.) They build a wall of pleasantries, excuses, and economic euphemisms around their hearts, and let nobody in, even those closest to them.

I hate this town!

It is class. It has always been class. As she cut me off from conversation, I left the library in a half-jealous stupor and noticed school had ended for the day. The children flooded the street in their white and white-passing brilliance. High-end SUVs orbited the roundabout, and slim white women in visors and sunglasses walked strollers briskly and escorted their children to safety once again.

Down at the pizza place, I noticed the arrogance of the kids leaving “North Bridge Academy,” the perfection of their haircuts, the willingness to be loud and make noise with no adult nearby to reprimand them. North Bridge itself is in the same building as Greenwood School, where I went to school on financial aid for a sorry five years of my childhood. That was before Mill Valley had the full audacity to host a children’s “academy.” Nothing from their behavior on the street showed me they were learning manners, at least.

I continued home, my mood worsening in the midst of all these thoughts. Mill Valley’s East Blithedale Ave., one of its two de facto main streets, is basically set up to give victory laps to the privileged trophy wives that wander the town — lines of salons, boutiques, art galleries, furniture stores and wineries pack the air-brushed rows. Any history that once existed here is sanitized or priced out of its rent. Its affluence possesses tyrannical villainy: it is rich to the point of being evil. Even the Mexican laborers I’ve noticed have a certain smugness to them for screwing their employers over pricewise, which seems to do nothing but repeat the cycle of vengeful exploitation the town’s residents cultivate. (Still, this is probably something I should figure out by interviewing.)

I know I sound like an old man here, but I cannot shake this feeling any longer without saying anything about it. Does this atmosphere not bother anyone here? Does it not frustrate them or make their stomach churn with gall like it does mine? Is everyone in this town so fucking tone-deaf to their own conscience that they think this fucking over-gentrified yuppie-tech wax museum is how people should live?

Elliot couldn’t understand why I didn’t like Mill Valley; she said she liked it just fine. Why wouldn’t she? Her blindness to the truth of things, I can’t even begin to imagine. She is so lost in the sauce that she opens her mouth and fails to taste the bitterness of her own words.

I stopped to get a slice at Stefano’s Pizza. This is one of the few locations in town from my childhood that has never changed or been gentrified, save for the price being increased in the wake of America’s inflation crises. I don’t even remember the name of the man at the counter, but he still works here day in and day out, just like he did when I wore cargo shorts and light-up sneakers. He did not smile at me or ask how I have been. He has seen what happens in this town. I tried to say a few kind words as I order, but to establish something with him now would require a confidence bordering on arrogance.

To him, I must also be the problem. Even though I was a transfer student, I went off to college and left the town behind. But consider how I spent two years largely surrounded by other transfers, and even those who went for four years often got financial aid (or predatory loans) to help mitigate their tenuous economic circumstances.. Their desperation to be, their ambition to escape, their imagination in telling their stories, all had a beautiful familiarity to me.

Even now, somewhere south, far and away from this evil little town, is a transgender girl in a messy room, half-dressed and overworked. She does not know how much longer she can stay in Santa Cruz with rent this high. She is poor and she is scared.

You will never know her, Elliot.

[mikefaistinfo]

Onstage, ‘Brokeback Mountain’ Is Still a Tragedy

Much has changed for L.G.B.T.Q. people since Annie Proulx’s short story was published in 1997. But a new theatrical version is a reminder that homophobia is far from over.

By Douglas Greenwood - Reporting from London (May 12, 2023, 5:00 a.m. ET)

In 2016, when the theater director Jonathan Butterell was considering a proposal to adapt Annie Proulx’s 1997 short story “Brokeback Mountain” for the stage, he wondered how to translate the prose’s vast landscape and insular emotions into a play.

Last month, in a central London rehearsal studio, Butterell and Ashley Robinson, who wrote the play, tried to answer that question. To help the cast connect with Proulx’s story of a cowboy and a ranch hand falling in love against the wide-stretching landscapes of 1960s Wyoming, black-and-white photographs of American plains and mountain ranges were tacked to the walls during rehearsals.

“The vastness has been there from the very beginning,” Butterell said in a recent interview. When it came to evoking the story’s emotional landscape, the director had stuck one sepia-toned photograph, of a lone cowboy in a snow-covered Wyoming, behind a pillar. The image “speaks to the bit of us that feels alone in the world,” Butterell said. “Maybe he’s at peace with this, maybe it’s the source of his agony.”

Butterell’s “Brokeback Mountain” opened in previews May 10 at @sohoplace in London’s West End. It’s the first time the story has been adapted for theater — an opera by Charles Wuorinen premiered in Madrid in 2014 — and each version now follows in the footsteps of Proulx’s text and the film that popularized it: Ang Lee’s 2005 Academy Award-winning adaptation, which is often cited as one of the best L.G.B.T.Q. films of all time.

Butterell said he was aware of his audience having expectations based on the film. “They’re inevitable,” he said, “but I don’t mind that.”

This theatrical version also has some Hollywood clout. Its lead characters, Jack Twist and Ennis del Mar, are played by the BAFTA-nominated actor Mike Faist and the Oscar-nominated actor Lucas Hedges.

In late 2016, Robinson first wrote a treatment for what he called a “memory play” based on the short story, after speaking with the composer Dan Gillespie Sells and Butterell. Robinson’s script stated that the Wyoming setting should not be conveyed “in a purely literal sense,” and his story is set in 2013, with an older version of del Mar reflecting on the years he spent with Twist between 1963 and 1983.

Proulx approved of Robinson’s vision. She has “high hopes for the play,” she said in a recent email interview. “When I read Ashley’s script several years ago, I thought he had done a fine job.”

In Proulx’s story, del Mar and Twist’s interior worlds are conveyed by an omniscient narrator. In the stage adaptation, music does much of that work.

“These two men can’t sing,” Gillespie Sells said, because “they don’t have an emotional dialogue.” Instead, a character called The Balladeer — played by the Scottish singer-songwriter Eddi Reader — sings with an onstage country and western band. “She takes us through time,” Butterell said. “Sometimes it’s from night to day. Sometimes it’s 10 years.”

“Brokeback Mountain” will be the first time its two lead actors have appeared onstage in five years. Faist, who plays Twist, originated the role of Connor Murphy in “Dear Evan Hansen” on Broadway, and has had more recent success in film, including Steven Spielberg’s 2021 remake of “West Side Story.”

Hedges “hadn’t acted in a while” when he was sent the script, he said, having been focusing on writing instead. The “Brokeback” offer and playing del Mar changed that. “There wasn’t an angle I didn’t love about this,” he said.

As the project entered its final week of rehearsals, both actors were grappling with the process in different ways. Hedges said he was experiencing “tragic and triumphant ups and downs” about his own work. “I have a day where I think I’ve figured it all out, and then a day when it all disappears,” he said. The “collective experience” of theater was daunting compared to working in film, he said, adding that onstage, “I can’t use tricks to make it through.”

Faist concurred: “It’s a challenge, and it’s terrifying,” mainly because of the expectations of having to match the source material and 2005 film, he said. “But as terrifying and frustrating as it is, I really am having the time of my life,” he added.

Butterell said that Faist and Hedges were “as men, as actors, very different creatures.” Faist, he said, had “a sense of life and vivacity,” while Hedges “has this deeply complex interior landscape that’s very much of Ennis.”

Neither Hedges, Faist nor Butterell had revisited Lee’s film since they were approached for the project. “The truth of the matter is, no matter what, he’s not Heath Ledger and I’m not Jake Gyllenhaal,” Faist said of the film’s two lead stars, who both earned Oscar nominations for their performances. He and Hedges, Faist added, would both bring their “own weird things” to the roles.

The production has forced Faist to confront his “traumas,” he said. “We can take those traumas, turn them around,” he added, and, he hopes, make the audience “think deeply about their own lives.”

Following the success of the “Brokeback Mountain” film, Proulx said fans of her text sent her fan fiction that rewrote the ending of her short story, claiming the original was too sad. She told the The Paris Review that those fans had “misunderstood” the story and stated that it was, most importantly, about “homophobia.”

This is the first adaptation of “Brokeback” to be released since the Supreme Court made gay marriage legal in all 50 U.S. states. Robinson — who lives in Brooklyn but was raised in the tiny town of Lockhart, S.C. — said he wrote it to remind audiences that gay trauma still exists.

“These stories aren’t necessarily being told anymore because of a trend to put onstage what we want the world to be,” he said, referring to the theater community. “That’s a wonderful thing to do, but we shouldn’t cancel out all of the opportunities to talk about what’s going on underneath it.”

Butterell added that the fight against homophobia was “not over” in Britain either, citing a recent spike in the number of attacks on L.G.B.T.Q. people.

“This is a tragedy,” Butterell said of the play. “Of course love exists — I don’t want it to be solemn — but the tragedy of this piece is that fear wins.”

Find this article here: https://www.nytimes.com/2023/05/12/theater/brokeback-mountain-play.html

[bri-is-spookyyxx]

⭐︎ Study blog day 3 ⭐︎

Easing myself back into things today after my exhausting weekend :)

Tuesdays are my busiest day of the week, as i have all 3 lessons and only 1 free period, and volunteering after college for 2 hours, so the day has been very tiring 😭

Nevertheless, today i did 1 hour 30 minutes of organic chemistry questions, 45 minutes doing a chemistry practical which really helped me understand the material better, and my small win for the day is that i asked a question in psychology that's been bugging me since last week! Hope everyone else is doing well, remember that free time to yourself is important too, everyone ♡. treat yourself to a hot chocolate or coffee tomorrow!

📖- for the love of animals - Dr James Greenwood

🎧- Harry potter and the goblet of fire - narrated by Stephen fry

🎵- vampire banquet- Fox Academy

[cathygeha]

REVIEW

The Still Point by Tammy Greenwood

A well written story that made me once again wonder if parents help their children fulfill dreams of or if they push their children to live out the dreams they once had for themselves. As a child, I wanted to take ballet classes but was never allowed to do so. I love attending ballet and have enjoyed stories and movies since childhood that had ballet as the theme. As I began to read, I realized that this was not a book I was willing to invest time in reading word for word. I could not relate to the mothers or their daughters, become invested in the plot, or feel moved. In the end, I read the first part, the end, and skimmed the middle.

Thank you to NetGalley and Kensington Books for the ARC – This is my honest review.

2-3 Stars

BLURB

Dance Moms meets Little Fires Everywhere in award winning author Tammy Greenwood’s addictive new novel set in the hyper cutthroat world of ballet girls and their mothers as they compete for a prestigious prize… “She had never seen Bea dance like this. Ever sat spellbound as her daughter grew from a little girl into a woman before her eyes…” Ever, Lindsay, and Josie have ushered their daughters—Bea, Olive, and Savvy—through years of dance classes in their coastal California town. They’ve tended bloodied feet, stitched ribbons to countless pairs of pointe shoes, and in the process, forged friendships that seem to transcend rivalry. But now Etienne Bernay, enfant terrible of French ballet, has come to their conservatory. Not only will he direct this year’s production of The Nutcracker , but he’s brought along a film crew to document his search for one special student who will receive a full scholarship to the Ballet de Paris Academie. For the girls, this is the chance to fulfill lifelong dreams. For Ever, recently widowed and struggling financially, it may be the only way to keep Bea dancing. And Bea is a truly gifted dancer—poetic and ethereal, breathtaking to watch. Lindsay, meanwhile, frets that Olive is growing tired of the punishing reality of training, while Josie has no such qualms about Savvy, who is a powerhouse of ambition. From auditions to casting to rehearsals, the cameras capture the selection process, with its backstabbing and jealousy, disappointment and triumph. But it’s behind the scenes that Bernay’s arrival will yield the most shocking revelations, exposing the secrets and lies at the heart of all three families—and the sacrifices women make for their children, for friendship, and for art.