#Green eyes trope

[writingwithcolor]

Fantasy Race Character Coded Asian with Light Eyes (+ PSA)

creatingstories asked:

I'm writing a fantasy book and one of the main characters is an half Japanese-coded character. But he is also a half elf too so he has some magical characteristic, like clear eyes, but just because elf has some specific characteristic ( to be clear elves are not coded to any existing ethnicity, they have just specific fantasy characteristic ).

I do not want it to seem offensive. In particular I read the article about the "green-eyes Asian" and the "colored hair asian". I do not want to give him particular features to make them stand out to readers so that they’re marked as ‘special’ and not like the ‘other East Asians, as you said in the article. He is a major character and has an extremely complex arc.

Submission has been abridged for clarity.

Still green eyes in my book unless you can tell us how the clear eyes relates to magical characteristics and the magic systems of the story. It's changing eye color for an Japanese-coded character to demarcate their uniqueness in some way. OP can either give up on Japanese coding, provide us with further info, or just give the character regular colored eyes that turn clear when using magic abilities to more explicitly link the magical ability to the ~ Special ~ eye coloring.

- Marika.

Announcement: Please consider this the final Ask on East Asian characters with light/green/blue/etc. eyes, as Marika has presented a clear workaround for this trope in the case of fantasy worldbuilding.

[spookberry]

the first time I drew these two(when I was 12) they were functionally the Color Guardian's version of Jessie and James,,,

[cheebuss]

main POV horror protags from horror games I recently played as warrior cats...

alt miles under cut

[kakapim]

I'm gonna be real I've never cared much for Hakuba because there's so little of him in both series so I never got attached. HOWEVER, I DO salute him for having beautiful brown eyes in this sea of blue.

[fisheito]

"makotolookinass"

the intersection of nu: carnival and free! fans that are all here because of our favorite green haired hunks (himbos?) is so funny

but it kinda makes sense given that both nu: carnival and free! are both at their core about caring about the people closest to you and prevailing internal struggles

dang , anonn, you really cut thru all the glamours of distraction

in brief contrast, i feel like a simple creature. one who was dragged into the intersection simply because i saw some dudes with Unlikely Physiques

[notonlymice]

rumbelle + the raven king (a french fairytale) au moodboard

[heich0e]

sofia is keeping me up to date with her A Sign of Affection viewing experience and we are BOTH certain that oushi is in fact a man who was made Specifically For Me

[articskele]

I'm so tempted to friend f/o Micolash he's so funny to me

[green-lanterns-c0ck]

"accidentally kidnapping a mafia boss" JohnKyle

John's day is going bad. His car broke down in the middle of nowhere, Ohio, his mother is in the hospital, and if he doesn't get to his meeting with his rich and eccentric potential client on time, he won't get the job, and if he doesn't get the job, he won't have the money to pay for either her medical bills or the car repair.

There's no trains, taxis, or airports in walking distance from nowhere, Ohio, and John has not slept in about three days. All in all, his day is going bad, and he's very stressed and taking the random unlocked car with the keys in the ignition made sense in the moment, okay?

It's not like he plans on keeping it! He just needs to get to the airport and then he'll leave it behind and even put a bit of change on the seat to pay for the gas. This won't hold up in any court, but it made sense in John's head when he decided to do it, and now it's too late to back out, he's already two hours in. So all in all, John's day is going so incredibly badly it'd be hard pressed to get worse.

And that's when the guy sleeping in the footspace of the back seats wakes up.

[sapphire-weapon]

my inner shitposter wants so badly to make a shitpost about how capcom made ashley's eyes green in remake (they were brown in OG) because many cultures believe that green eyes are a symbol of fertility, and since eagleone is canon in re4make, this means leon canonically has a breeding kink

but like

make it really serious sounding

and just see how many people fall for it

[drunk-on-starlight]

It was an old post but in retrospect I don't think lloyd falls under the white savior trope. His parents are both coded Asian, as far as you can code lego. That does mean he's intended to be Asian too.

I don't know he's coded as such particularly well, mind, but still.

[gayofthefae]

TO TRY AND REACH YOUR BEST FRIEND WHO NEVER PICKS UP???????????????

This may be a stretch and I don't know much about the game, but I am also reading into "The event is accessible for players who have competed Chapter Two, Mission One" and how Mike's playlist implies his feelings start at the beginning of season 2.

You are eligible to be considered a "lost connection" after you've finished 2x01.

My immediate thought before reading was also that to our knowledge, grandpa sweater short haired Mike is season 5 Mike, so one could argue this is not just a depiction of 13 year old Mike...

📣📣 PUZZLE TALES NEW CHARA DROP

It's GRANDPA SWEATER MIKE WHEELER!!!

Very amazing and we love to see the throwback! It's nice to see Mike in his element again (blue) and solving problems. Plus, his in-game descriptor is "Codebreaker," a reminder that Mike Wheeler is indeed the dude that puts the puzzle pieces together. Indeed, he has not one but two abilities related to patterns.

(family ties, eh? 👀)

But here is how I know they are throwing treats to hungry Bylers specifically:

The event is called Lost Connection, and JUST LOOK at how they describe it:

HELLO???!?!?!?!

This is soooooo a nod to Mike calling Will in Lenora.

The truth is going to come out eventually!!!

Also, it's really cute that they have now released both Mike and Will from the Miwi season. Spy and Codebreaker 💛💙

[hauntedfictionland]

❝His dear princess❞

☾︎✰❛❀ Jacaerys Velaryon x Fem! Reader!

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: Jacaerys did not want you, or the vow he was bound to for life. Yet when he makes a big mistake, and potentially loses you for good. He realises just how much you meant to him.

𝐈𝐧𝐜𝐥𝐮𝐝𝐞𝐬/𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Bastardphobia, mentions of death and grief, kissing, marrage of convenience and grumpy X sunshine trope, Jace is down bad, flirty!reader, guilt and anxiety and happy ending;)

🪐𝐧𝐨𝐭𝐞𝐬: This is one of my first house of the dragon fics ever, so I truly hope it's not too bad. Jacaerys is one of my favourite characters in hotd after Alicent so I really wanted to get his characteristics and behaviour right. Also, I didn't like the way they showed his grief after Luke died, as if he just moved on after two or three days. But overall, I enjoyed writing this:)

Jacaerys was infuriated with you.

You—his betrothed, acted like you owned the castle as soon as you strutted in. Speaking with no formality and a sharpness in your tongue that only infuriated him further. And especially when you did not seem to care for his heritage, who he was. The heir to the iron throne. Yet you acted as if he didn't exist to you. As if he meant nothing to you.

A marriage pact with the martells was only one of convenience. You, a princess of dorne, he, the firstborn son of queen Rhaenyra. Yet, they were stuck in dragonstone, and needed support to match the strength of the green armies. His mother needed this arrangement more than the martells did, and you made that very clear by acting carelessly and so freely, like you were in your own home. By taunting him, sitting at the great council table with your legs on them, a coin in your fingertips and a smirk in your lips. He hated it, he hated especially how good you looked.

He hated being betrothed to you already.

Rhaenyra had told him martells were rather, open and modern people. They took part in adultery even after being married, especially with the consent of their own partner. He did not know how anyone could be okay with such acts. He did not know what to expect when he met you, but it certainly wasn't how you commented on his face, calling him one of a beauty. It was inappropriate, calling a prince by such bold remarks on the first meeting, yet you did not seem to care.

But what edged him to his limit was the day you called him a bastard.

Jacaerys had been worried, he couldn't find you anywhere. Not that he cared, he was just stressed you would create another ruckus. He looked around everywhere, the garden, the great council, the dining hall, your room, even his room, but you were nowhere to be found. His chest tightened, a restlessness growing in his stomach. It seemed he always felt that way without being with you for too long. Not because he missed you—of course, but because he wanted to ensure everything was going smoothly.

He was going around circles, head spinning with a feeling that made him uncomfortable. Where were you? did you flee the castle? or were so bored of him you went to the city to a brothel in search of another man to keep you company. Anger and jealousy filled in his chest at the mere thought of that.

Jacaerys did not seem where he was going, many thoughts inside his head, before he harshly opened a door to the library. And to his surprise, there you were, a book in your hand. ‘Adventures of Aegon the conqueror’, he could read the name of the book by how you were holding it. He felt he could breathe again. By the loud sound of the door opening your head flitted towards him. Your usual smirk growing up your lips. Something that made his heart flutter in a way he didn't want it to. He clenched his jaw, holding his fists in a tight ball.

“Where have you been?” he asks, desperate tone in his voice.

“Ah, Prince Jacaerys.” you smile, closing the book and turning your attention towards him. He hated how your eye lashes fluttered, your hair falling down in just the perfect way. “I've been gaining some Targaryen knowledge, as you can see. Since we are to be married, I thought I should know my husband's family. Don't you think?”

Husband.

That word rose heat to his cheeks, quickly clearing his throat.

“I'm not your husband.” he spoke, in a tone harsher than he intended, “At least not yet anyway.”

You smile wider, making his heart race. He was always a bit stubborn, and uptight. Yet you were always so carefree and light, always so kind with his demise. He didn't know what to make of it all. A curious look grazed upon your face, eyebrows furrowing. You sat up, walking onwards another shelf of books, lips pursued. Before looking at him.

“I have always wondered, hmm,” you say, your finger coming up to your lips, “do tell me prince Jacaerys, is it true that you were born out of wedlock?”

His eyes widened, “What did you say to me?”

You either did not notice the offend and defensiveness in his tone, or simply pretend not to. Turning to look at him, “I mean, all Targaryen children have white hair. Do they not? Even if they did not, none of your formal parents have black, dark hair like yours.”

His breath hitches, all of the insecurities he had contained in a jar of fireflies fled out the second you brought out his hair. A wall rising inside him. You were acting as if you just did not ask the most dangerous question ever. As if it did not matter to you.

“How dare you insinuate such filthy claims?!” his voice rises, almost shouting. Your eyes flicker surprise for a moment, before turning back to the usual stoic look.

“Ah, you are offended.” you state, as if he shouldn't be, “I meant no harm, my prince. I have no problem with you being a bastard. In fact, it only makes you more interesting. The thing I don't like is your distaste for the truth. One should own up to who they are.”

Bastard.

You, called him a bastard. He isn't able to speak for a moment, too tongue—tied. You....think of him this way too? you? he can't hear as you speak further, a ringing in his head. It only intensifies. Only when you start talking about dorne is when he snaps back from his haze.

“And I have thousands of brothers and sisters back in dorne, no one cares ther—”

“I don't care, what you dornish do back there, but here you don't speak to me with filths of a claim.” he grits, his voice cold, “I am the queen's son. And if I hear you say one word about that again, I will see you hanged.” his words held so much malice in them, one would believe it to be true.

Of course, he could never actually do that, the blacks needed martells armies more than ever. His mother couldn't afford them raging war at her and joining the green's side. And, he could never harm you either. It was just a baseless threat, one he said out of anger and insecurity. He immediately regretted it when he saw the look on your face; hurt. But even worse, fear. Before he could even begin to take them back, it was too late. Your spot, where you stood, was already empty.

You had seen him less and less after that. Of course, you were your usual self. Taunting and teasing him, but something was off. Something distant. He hated it. He hated how much he missed it. Your remarks, your witty replies, your cockiness. He wanted it back. He wanted you back.

Next time he sees you, it's in a completely unexpected place. Dragon—pit. He was about to ride on Vermax to patrol the skies, when he stops. There you were, sat on the hard rock, legs swinging at the edge of it and his dragon's head in your hands. You..you were feeding him. “What the hell do you think you're doing?!” he shouts, eye wide.

You turn your head to him, a smirk on your lips grows. You enjoyed the fact he was on his nerves, furious.

“What does it look like? I'm feeding this cute little angel right here.” you coo, talking to his dragon in a baby voice. Vermax was known for her temper, yet with you it magically dis—appears? a little bit inside him was flustered, heart beating faster than ever that you and his dragon, a very important part of his life, bonded flawlessly. But he shrugs it off, he has to. Flushing over you isn't his duty.

Protecting you is.

As much as he would like to deny it, you're his now. Lawfully so. And he wouldn't let anything happen to you. Especially Vermax. He wouldn't know how to live with himself if his own dragon were to be the cause of, of.. your demise. His throat burns, even the mere thought of harm coming to you feels as if he's being drowned to death. After Luke, he cannot lose anyone. Jacaerys cannot lose you. Even if that was the first thing he tried to do after meeting you. You were the most part of his frustrations yet the only thought when he's in his bed at night.

“Have you lost your mind?” he asks, his voice harsh, as if you were his child and he was scolding you for doing something childish.

“Have you had no fear? you could have died what were you even thinking?!” you falter for a moment, upon seeing the trembling of his hands and the tightness in his voice.

“Jacaerys—”

“No!” he interrupts you, “You, you could have been...do you even realise..”

Your eyes widened as he struggled to even breath, huffing for air anxiously. You quickly get up, walking towards him. He's so much inside his head that he doesn't notice your hands coming up his face, slinging through his dark curly hair. An act that slowed and claimed his beating heart down. Your soft palms make contact with both his cheeks, a peaceful shush in your voice and he finally breathes. Properly. He sighed, eyes closing as his hands came up to hold yours.

This, you, him? this felt oddly peaceful. This felt like home. Vermax watches the whole interaction with a quiet huff, turning away back to the pits. You nudge closer towards him, resting your forehead against his. Love. This felt like love. “Promise me” he starts out, his voice low and timid, “promise you will never do that again.” Instead of putting on a fight like you usually do, you nod, gently caressing his cheek. His head leaned further into your touch, putty in your hands.

“I promise.”

That, gives him great relief. “Good.”

Time seems to slow down, Jacaerys could count every freckle on your nose to cheeks, every small cut in between your knuckles or lips, every curve of smile you put on. And all the scents coming from your body that drove him crazy. You notice his lips still trembling, and above your judgement, you decide to kiss it better. He inhales a sharp breath as your lips touch his, but makes no movement to push you away. It's gentle, barely brushing against his. Jacaerys realised how they fit perfectly amidst his, and how much he was craving it all these months until he finally tasted them.

You slowly pull away, hesitantly. His eyes are still closed. Hands crawling up your waist. He speaks again, a whisper almost.

“I'm sorry. I never meant to hurt you.”

He's talking about the library, and you smiled softly, shaking your head.

“It's okay. You can't get rid of me that easily, Jace. Should have known that when you got betrothed to a dornish princess.”

You had already forgiven him. But he didn't want you to. He didn't want to be at your mercy this easily, not when he wasn't able to forgive himself. You, you had crept your way into his heart when he didn't want you to, and now he never wanted to let you go. It was all your fault.

“No I...” he shakes his head, “I never should have said that. Not only because it was so wrong but also because it was completely untrue.” Jacaerys swallows his breath, every bit of him wanted to turn away and never look back, but he couldn't do that. “I have been called names, about my heritage. Ever since I was a child. About my parenting and what not. And it's very...when anyone talks about it, it's like a bandage ripping off a new and fresh wound. No matter how many years pass by, it's still like that for me.”

You nod your head slowly, in understanding. This was raw. He had finally told you one of his darkest parts, his worst fears, and you hadn't run away.

“I understand. I should have never said that. I did not know it was like this for you.” He feels relief in your words.

But there was still something he needed to let out.

“But I...” he didn't know how hard this was for him until he started to actually say it, “I really could never mean it. What I said. Even if you have committed the worst treason or crime, even if you had taken my heart and carved it out, I still wouldn't be able to do one thing that might be even close to harming you. Believe me I have tried. And I have failed.”

He looks away from you, cheeks closing red. Jacaerys had just poured his heart out and gave it to you. But the chances of you, and feeling the same? were very dim. He sees stars when he sees you, what do you see? just him? or even worse? a filth in the name of a true born prince. A gasp leaves his lips as your fingers trace the outlines of his jaw, trailing down to his neck to his chest. You stopped at the red and black three dragons symbol made on the polish cloth he wore.

“Why do you think I agreed to this marriage? not because of this.” you point to the very symbol engraved on his chest, of the house targaryen, “If it was just for this, I certainly would have never.”

He turns his head back to you, confusion in his face. He also feels a bit of guilt in him. At first, he only agreed to this pact because his mother had no choice. Because of your house. Nothing else. And you're saying that his house didn't even matter to you when you agreed to this betrothal? then why? you did not even know what he looked like, and you simply agreed?

“Why then?”

That's the question that's now left in him. Why, if his house and title didn't matter?

“Well,” your lips curl up, a glint in your eyes, as a blush arose your cheeks, “From years I had heard stories of Targaryen princes. How arrogant and unkind they were, your cousins, Aegon and Aemond, well I certainly didn't hear anything good about them. And then you came. The velaryon prince, the son of the realm's delight, born with a kind heart and a fierceness to protect. I knew I had to marry someday, but I only agreed to marry you because I knew—you wouldn't mistreat me. Because I fell in love with the stories of the dark haired prince who had the most beautiful brown eyes ever, who protected his brother when he was a child himself, who stole my heart before he even claimed it.”

Jacaerys doesn't know what to say, his throat falls dry. It doesn't feel real, when he's wanted something so dearly and someone just gives it to him freely; it does not feel real. You do not feel real. But you are. He knows you are when your hands tug at his collar, his face close to you as you pull him towards you and your breath fanning on his cheeks. He knows this is real, and it's better than any dream he's ever had.

“I do not want our marriage to be an unhappy one.”

You say, a plea in your voice.

He smiles, wide. And he doesn't even have to make an effort this time, “For me, the words unhappy and you? well they don't go in the same sentence.”

That seals it for you, he can see that. As you kiss his words, an unspoken understanding and passion in it. Jacaerys realises he could get used to this. Kisses, hugs, reading each other books, waking by the warmth of your body besides his; in fact, there's no one else he'd rather do it by. And nothing he would want more.

𝐸𝑣𝑒𝑟𝑦𝑜𝑛𝑒 𝑤ℎ𝑜 𝑟𝑒𝑎𝑑 𝑡ℎ𝑖𝑠 𝑎𝑛𝑑 ℎ𝑜𝑝𝑒𝑓𝑢𝑙𝑙𝑦 𝑙𝑖𝑘𝑒𝑑 𝑖𝑡, 𝑡ℎ𝑎𝑛𝑘 𝑦𝑜𝑢 𝑠𝑚:) 𝐼 𝑤𝑜𝑢𝑙𝑑 𝑎𝑙𝑠𝑜 𝑟𝑒𝑎𝑙𝑙𝑦 𝑎𝑝𝑝𝑟𝑒𝑐𝑖𝑎𝑡𝑒 𝑖𝑓 𝑦𝑜𝑢 𝑟𝑒𝑏𝑙𝑜𝑔𝑔𝑒𝑑 𝑡ℎ𝑖𝑠 𝑝𝑜𝑠𝑡 𝑎𝑠 𝑖𝑡 𝑤𝑜𝑢𝑙𝑑 𝑔𝑖𝑣𝑒 𝑤𝑟𝑖𝑡𝑒𝑟𝑠 𝑙𝑖𝑘𝑒 𝑚𝑒 𝑞𝑢𝑖𝑡𝑒 𝑡ℎ𝑒 𝑚𝑜𝑡𝑖𝑣𝑎𝑡𝑖𝑜𝑛! 𝐴𝑛𝑑 𝐼 𝑙𝑜𝑣𝑒 𝑡𝑎𝑘𝑖𝑛𝑔 𝑟𝑒𝑞𝑢𝑒𝑠𝑡𝑠 𝑠𝑜 𝑑𝑜 𝑓𝑒𝑒𝑙 𝑓𝑟𝑒𝑒 𝑡𝑜 𝑠𝑒𝑛𝑡 𝑚𝑒 𝑖𝑓 𝑦𝑜𝑢 ℎ𝑎𝑣𝑒 𝑜𝑛𝑒.

[designers-teaparty]

OH MY GOD THIS FEELS LIKE FATE THE SECOND I STARTED THINKING ABOUT MY CANDY LOVE YOU REBLOGGED A POST ABOUT IT

Nathaniel candylove and satan obeyme are so confuseable for someone who's been away from otome hell for a while

fgcvshagy.jeg YOU JUST OPENED MY EYES WITH THAT NATHANIEL SATAN COMPARISON, nat used to be one of my faves especially after he got away from his terrible dad, things are falling into place for me

[sincerely-wyvern]

“Where is my brother, Prince Loki Odinson of Asgard?” 

“I don’t know anyone with that name.”

“You lie. He was seen here.”

“I don’t lie. There is no one here with that name.”

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!