#Gratuitous Descriptions of Clothing
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My super spicy hot take is that wolfwood deserves nice things.
Summary:
While visiting Meryl in December, Wolfwood chooses something for himself.
Rating:
General Audiences
Archive Warning:
No Archive Warnings Apply
Category:
Gen
Fandom:
Trigun Stampede (Anime 2023)
Relationship:
Meryl Stryfe & Nicholas D. Wolfwood
Characters:
Nicholas D. Wolfwood
Meryl Stryfe
Additional Tags:
Post-Episode: e12 High Noon at July (Trigun Stampede)
Post-Season/Series 01
Slice of Life
Gratuitous Decriptions of Clothing
Dress Up
Clothing as Self-Expression
Introspection
Self-Worth Issues
Self-Acceptance
Language: English
Words:2,463
Chapters:1/1
#jinx talks a lot#fanfic#tristamp#trigun#trigun stampede#nicholas d wolfwood#meryl stryfe#post tristamp season 1#tristamp spoilers#Slice of Life#Gratuitous Descriptions of Clothing#i just noticed the typo in the tags but its too late now imma just commit sudoku instead#dress up#Clothing as Self-Expression#Introspection#Self-Worth Issues#ww is a wet paper bag man#*slaps his ass* there's so much fucked up shit in this guy#Self-Acceptance
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Some Landlord ! Billy smut would be Perfect, if you have time. Thanks Tox đ„ș
murderbait
BILLY LOOMIS x f!READER | 2k words | The Leak WARNINGS: 18+ AU where Billy lives and is acquitted of the murders. He's now your sleazy landlord. Gratuitous slutty descriptions. masturbation in public, detailed PIV fantasy, degradation, praise, banter and bickering, light enemies to lovers dynamic, manhandling, dom Billy vibes, sexual tension, pet names, "protective" Billy. NOTES: Sure, nonnie. I offer this sleaze with love. đ€đ€
In the middle of the night, you wake up sweaty despite being completely naked and using no covers. Without putting on any clothes, you walk to your kitchen to get a cold cup of water, only to see a stack of filled ice trays next to the sink because you forgot to put them in the freezer. Ugh.
You get a glass of water and stand in front of the fridge with the door open. The air conditioner in your window feels weaker every day. Itâs so stuffy in your trailer, you wonder if youâd be better off with the window open. Still naked, you go to the kitchen window and slide it open. No matter how hard you push upward, it wonât click and stay.Â
âPiece of shit,â you mutter. But the fresh air does feel good.Â
Standing in the window with your arms raised, tits blazing, skin glisteningâŠ. something moves in the corner of your eye. Thereâs a fake security camera mounted on the shed youâre looking at. At least you always assumed it was fake, since the owners are such deadbeats. You give it the middle finger just in case, then use a pitcher to hold the window up.Â
You go back to bed for a while longer, then get up and rifle through your unfolded laundry, looking for a swimsuit. You find a bikini that appears to have shrunk, but it has adjustable strings so you put it on anyway. Next door, thereâs an extended stay hotel that has a pool. It has a cracked and faded slide, no longer in use, and half the rungs are dangling from the pool ladders. It wonât be the first time youâve snuck in there. No one seems to care, and no oneâs going to be out at this hour anyway.Â
The pool water is normally warm by sunset, but in the middle of the night, itâs cooled off enough. A weakly-inflated flamingo pool float sits atop the water, and a couple of pool noodles hug the wall. Half the pool lights are working. Thereâs no way this would pass an inspection, but sometimes it feels like barely anyone outside the area knows it exists.
You sit on the side of the pool, and as you lower yourself into the water, you look down to see your hard nipples barely contained by the shrunken, unlined triangle top, with some areola showing on one breast. The sight of your own slutty fit turns you on, and you donât fix it.Â
Kicking your legs out in front of you, you imagine Billy joining you. Billy and his dirty wifebeaters and trucker hats and jeans that fit too well. Billy and his slutty fucking selfies that you canât stop looking at every night. Billy, and that look in his eyes like he could eat you up, if only he were hungry.Â
Heâd be hungry right now, you bet. You turn to your side and use both feet to grab a pool noodle, letting yourself off the wall as you mount it. Straddling the pool noodle, you turn toward the wall and rest your forearms on the side and squeeze your thighs together.Â
Closing your eyes and resting your head, you fantasize about him. Heâs a low-life and a sleaze, and god he makes it hot. The way he moves, it shouldnât be hot at all, but youâve been watching him closer ever since he sent those selfies, and when scratches his lower belly, lifting up his tank top, exposing his happy trail, at this point it drives you fucking crazy. Like thatâs where you need your forehead. You tilt your hips for more pressure from the foam between your legs.Â
Thereâs not a single thing about him that says heâs a better guy than you thought, but maybe he is. Or more likely, you donât care. Or, perhaps most likely, you kinda like him bad.Â
Heâs not the kind of man youâd want in your life, but in your bed?Â
Itâs so easy to picture his silhouette at the foot of your bed, scratching himself, then lewdly grabbing the massive bulge in his jeans.Â
Your hips begin to move on their own, seeking friction with the foam noodle.Â
You can see him kneeling onto your mattress, prowling toward you, arms flexing, chains hanging down from his neck, dangling in the airâgod if you could feel those hit your skin. You can feel him grabbing your wrists and pinning them above your head with one hand, while he unbuttons his jeans with the other.Â
You reach down and slide the pool noodle against your front, grinding your hips.Â
Heâd probably lean in real close, say something cocky like, âyou ready for this?â Ugh, his voice. With his dick in his hand. âThink ya can take it?â Yes, yes, please. He drops his thick meat heavily against your mound. Yes, please. God, please, youâd be squirming under him, wrists pinned by his hand, lifting your hips desperately. âSure ya can handle this big cock?â
Fuck. Itâs so clear, you can practically smell him. Your whole cunt throbs and youâre gushing in your bikini bottoms. âMm,â you quietly hum as you get closer.Â
Heâd shove himself into you, youâd arch your back and moan. Heâd chuckle darkly, then his free hand would come to your jaw, dwarfing your face as he uses just two fingers and a thumb to squeeze your mouth open. The smell of cigarettes intensifies as his face hovers over yours, then he spits in your mouth. And he stays there, bottomed out, and youâve never felt so full but you need the friction, you need him to move so bad, you need him to fuck you, you beg him to fuck you, really fuck you. âYeah? Need me to fuck you?â God, yes.Â
âMm,â your face screws up. You're so wet, and your clit twitches as you rub the front of your swimsuit with the foam cylinder you're straddling.
You can practically hear him say, âPoor baby.â Heâs got half a smile, amused and in control. âYeah I'll give it to ya,â he begins to slowly retreat, pauses with his cock half-withdrawn and lowers his pitch. âWhoâs your daddy?â
The tension snaps and your lips part as you see stars.Â
Squeezing your thighs tight around the pool noodle, you ride it out, cumming to the thought of his girth stretching you with his gold chains dangling over you, hips beginning to move, jeans sitting loosely around his hips.Â
You werenât planning on doing that, but, there you are, coming down off that high in the motel pool, in your shrunken bikini, skin buzzing, so tired and peaceful you could fall asleep.Â
And then metal scrapes against concrete, stirring you from your blissed out state.Â
A shadow moves.
His deep voice at a low volume, with that edge of condescension: "All done?â
Your stomach drops. You almost donât want to look up, but you do. Itâs his silhouette, manspreading in a worn-out chair, with a cigarette in one hand and a beer in the other. The shadow of his stupid trucker hat hides his face. You let go of the pool noodle and try to subtly push it away, obviously too late. Frozen, heart racing, youâre standing with your chest above water.Â
âWhat are you doing here?â you demand.Â
âDonât worry, Iâm on my way out.â He stands up and stretches, revealing his happy trail. He twists in another stretch and god, his silhouette - his jeans bulging, clearly aroused. âAn' so are you, câmon.âÂ
âIâm still cooling off,â you protest.Â
âIâll bet.â He drops his cigarette into his can of beer and carries it with him as he approaches the pool with his face still in the shadow of his hat. Light reflects off his gold chains.Â
You make a fake effort to adjust your top and canât take your eyes off his jeans. He adjusts himself and stands there giving you a moment.Â
Then he loses patience and says, âAlright, sugartits. Letâs go.âÂ
He squats down and grabs you by the arm.Â
âHey,â you protest as he starts to manhandle you toward the shallow stairs. âAlright, alright. Damnâ
When youâre out of the pool, he looks you up and down. You feel like covering yourself up, but you defiantly stand with your hands on your hips.Â
âTryinâ to turn tricks out here?â He slowly steps toward you and his eyes are glued to your chest. âGood place to do itâŠ.prolly make a few hooker friends too.âÂ
âHow many ofâem have you fucked?â you retort.Â
He ignores the question and reaches for your chest.Â
Without blocking his hand, you look down and part of your nipple is showing again. He âfixesâ your suit, tugging it over and thumbing your nipple while heâs at it. It covers your areola but leaves underboob.Â
âThere ya go.âÂ
He puts a toothpick in his mouth and motions for you to lead the way.Â
As you exit the pool area dripping wet, you mention, âIf youâre gonna spy on me, you could bring me a towel next time.âÂ
âYeah, okay,â He mumbles with the toothpick at the corner of his mouth. âJust lookinâ out for yaâs all.âÂ
âI donât remember asking you to.â
He pulls the tab off his beer can and it replaces the cigarette that had been between his fingers. He throws the can into a bush.
As you reach the trailer park property line, he throws his toothpick into the shrubs and lowers his voice. âListen sugar, thereâs some shady fuckinâ characters over there.âÂ
You scoff. âApparently so.â you shoot him a look and canât help but check him out while youâre at it. A harsh floodlight highlights the freckles on his big, tan shoulders.Â
He keeps on, âYou tryinâ to get stabbed?âÂ
âWhat?â
âDumb as hell, sneakinâ over there, middleâa the night.âÂ
Somehow, this makes you feel stupid. Like if heâs calling someone dumb... Damn.Â
You walk the rest of the way to your trailer in silence with him following slightly behind you.Â
âLemme guess, ya left it unlocked, too,â he mutters, then opens your door himself. âFuckinâ murderbait over here,â he grumbles.
He stands with his back to the open door and waits, making your body brush his as you walk in.Â
Full body goosebumps.Â
He stands there looking at you, and you eye his pants. Slowly, he steps into your personal space, and you back up almost to the nearest wall, but not against it. There, you stop. Letting him close. With his hand on the wall, he effectively traps you, blocking you from going any further into your trailer.
The smell of Newports fills your nostrils. He wets his lips and looks from your eyes to your chest, then your mouth.Â
He brings his nose to your neck and barely grazes you as he takes a long sniff. His nose brushes your cheek, and his lips follow. Just above a whisper, he warns, âDonât do it again.âÂ
When you donât answer, he pulls back and his hand comes to your neck. Heâs gentle, not applying any pressure, but the presence of his large, strong hand is enough to feel like a threat. One that makes you more turned on than scared. âGot it?â he asks, looking at your mouth. Canât be sure if heâs talking about going over there alone or leaving your trailer unlocked, and it doesnât really matter. His eyes are wild, and itâs like heâs inspecting you, marveling at your face.Â
You whisper, âYes sir,â and await his next move.Â
He takes his hand from your neck and cups your cheek to whisper, âGood girl.âÂ
You could actually melt.
He gives your chest another look and drops his hand, incidentally brushing his wrist against your breast before he pulls up his jeans. He bites the aluminum tab and turns to leave without another word. As he walks away, your eyes are drawn to a glock sticking out of the back of his pants.Â
He looks back at you and winks before shutting the door behind himself. Â
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Thank you for reading! I appreciate your interest and engagement with him so much.
Please take care of yourselves â„ïž
#billy loomis x reader#landlord!billy loomis#billy loomis smut#toxicanonymity â ïž#scream fanfic#slasher x reader#sleazy!billy loomis#slasher smut#ghostface smut#state of fic emergency#dilf!billy loomis#x reader
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a lover's pinch | eight
joel miller x f!reader
pairing: professor!joel miller x f!reader rating: explicit, 18+ mdni summary: the one where they get caught. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, domestic bliss, gratuitous descriptions of joel reading, joni mitchell, explicit unprotected piv sex, delayed gratification, dirty talk, finger sucking, biting, academic praise kink, cream pie, who's in the pic on joel's desk??, angst, confrontation, an orpheus and eurydice metaphor uh oh, those blue panties from 3 come back to haunt us. word count: 6.9k nice series masterlist | main masterlist chapter moodboard a/n: i need someone to make me write [or not write] the way j miller phd does in this... also sorry and i hope you like it and sorry again follow @hier--soirupdates if you'd like to be notified when i share my writing this is part eight of ALP. you can read the previous parts here: one, two, three, four, five, six, seven.
Winter descends over Maine not with a bang, but with a whimper. Â
The days and weeks fold together in a blurring mess of sleep ins and papers and coffees, until suddenly a month has passed, and you hardly noticed it slipping through your fingers.
You spend less time at home, and more tucked on one side of Joelâs couch, your feet in his lap as he lounges down the other end. You dip pale toast in runny yolks at the table, listening to him on the phone to Sarah in the other room. Hear him say Iâm good, baby girl⊠Iâm really good when she asks how he is.
You ride shotgun in the truck between his place and the university, slipping out the passenger door a little early every time. Walk the final stretch lest someone notice his glasses, your hair through the windscreen.
On campus you watch him up there on his stage, a burn in your chest, and see how he seeks you out in the after. How he props you above him and returns your gaze finally. Curls his body around yours and repents for every time he had to look away.
It's warm and itâs kind and itâs trading books with scribbled notes in the margins.
Itâs rain smacking against the windows as you read, his scruffy chin nesting in the slope where your neck meets your shoulder, two sets of eyes staring at the same words.
Itâs nodding off in his bed where the sheets have started to smell like your perfume, eyelids heavy as you wait for him to get home. Itâs wearing only his clothes and being woken up by his face between your thighs, pupils blown and lips slick. Â
Itâs finding each other at the end of a long day and hearing him say, I thought about you all afternoon.
And this feeling of familiarity writhes between the slats of your ribs. A comfortable, quiet fondness that you see reflected in his eyes when he looks at you; that you hear when that tender mouth forms your name.
You gorge yourselves on it. Put lips to the crooks and thorns in each otherâs bodies and suckle on that fondness, swallow, swallow, and watch the well never run dry.
The bleed is endless. Beneath the stain of time it floods and flurries, melting the two of you together until you start to feel certain it could never end.
Until, of course and at last, it does.
Sunday.
Itâs late, you think. Somewhere in the mess where time blurs between sunset and midnight, Winter stealing hours that feel like minutes.
The curtains in his living room are drawn, low yellow light warming the room from a tall lamp in the corner. Blue spins in the on the record player, a gentle sway of sound that fills the room.
I like listening to Joni on Sundays, heâd confessed in the bathroom, bashful as he rubbed a towel over you, drying the wet ends of your hair and the slick skin of your shoulders.
He reads at the table now, strong chin cupped in his palm as his eyes flit across the pages of a textbook.
Something to do with conservation; a Minoan palace in Knossos, you think. Heâd explained it earnestly, but his curls were soft and fluffy from the shower and his glasses were resting on the tip of his nose and so youâd found yourself zoning out, eyes going from round to heart shaped as you nodded along from the couch.
Every few minutes he grips his pen and jots down a note before glancing up to check on you. And whenever this happens you avert your eyes quickly, pretending to be enthralled by the half-finished essay on your screen. You have a feeling he catches you each time, because he keeps laughing softly, tutting under his breath as he goes back to reading, foot never stopping its tap-tap-tap in time with the music. The only time he gets up is to flip the record, and soon those little laughs and huffs start to mix with Joniâs bell-like voice, and the opening lyrics to California swell through the room as you type at a glacial pace. Â Â
She sings, I met a redneck on a Grecian isle, and you glance up again, eyes turning wide and doe-like when you find Joel already watching you. He gave me back my smile, Joni sings. But he kept my camera to sell.
âHowâs the writing going?â
âGood.â Liar. âGreat, even.â Bad liar.
Joelâs eyes narrow behind his glasses, lips twitching in a clear attempt to smother a laugh, but he just nods, looking back down at his book.
Heâs wearing home clothes. Thatâs what he called them. Home clothes.
When heâd said it, still pulling them on, youâd wanted nothing more than to grip his hands and stop him in his tracks, but youâd sequestered yourself to the other side of the room instead, sorely committed to the study evening heâd suggested. But heâs in soft grey sweatpants and an even softer looking white t-shirt, and every time he sips his coffee he hums happily against the rim of his mug, and his bare foot goes tap-tap-tap and Joni sings Oh, will you take me as I am?, andâ
âCome here.â
You blink. His eyebrows raise expectantly, lips split into a broad smile now.
âUnless youâd rather stay over there and keep starinâ.â
You reach him as The Last Time I saw Richard, the final track on side two, begins to spin.
Joni sings, all romantics meet the same fate, and Joelâs knees fall apart, thighs splayed so handsomely across his chair, inviting you to take a seat. You ignore the woeful lyrics and focus instead on the knowing smirk on his face, taking a step forward, and another, until youâre stood between his open legs.
He doesnât touch you. Just smiles, all saccharine and easy, leaning back in his chair.
âMuch left to do?â He points at the laptop in your hands.
âMaybe another hundred words,â you grumble and put it down on the table. âToday, at least.â
Joel hums, eyes flicking down. His gaze skirts across the bare skin of your legs, the soft sleep shorts youâre wearing; ones he puts on you himself, and knows you donât have anything beneath.
âCome here.â He pats his thigh; stops you with a soft tut when you try to straddle him. âNaw, baby, like this.â
Soft hands tilt your hips, turn you until your back is to his chest and heâs drawing you onto his lap.
âOh.â You smile, leaning your head back onto his shoulder.
Nose turned into the side of his face, you brush a kiss to the edge of his jaw and sigh in relief as he wraps his arms around your middle and squeezes.
The space between his chest and the table is a little tight; small enough that if you were to lean forward a few inches your ribs would knock against the wood.
As if heâs thinking the same thing, Joel leans forward. Presses you against the table, one hand coming up to hold your face. His fingers are soft on your skin, offering small amounts of pressure as he grips your jaw and encourages you to look forward.
âGonna tell me whatâs on your mind?â he asks.
The hairs on the back of your neck stand up a little, skin prickling at the shift in his tone. Still soft, still quiet, yet with something⊠demanding, shifting just below the surface.
âYou,â you say, cringing at the way your voice takes on a higher quality all of a sudden. Steeling yourself, you add, âYouâre distracting me.â
âWasnât doing anythinâ,â he responds simply. âJust sittinâ over here, minding my business while you burn holes in my head.âÂ
âYou know what youâre doing.â
âI cooked dinner.â He squeezes you again. âFed you. We showered, and now Iâm readinâ.â
âYou were humming.â
Joel kisses the shell of your ear.
âAnd tapping.â
He flutters his fingers against your hip.
âSâthat such a crime?â he murmurs.
âNo, butâŠâ You sigh when his tongue snakes out, tracing the soft curve of your earlobe. âBut itâŠâ
âBut but but,â Joel mocks, and you can feel his sick smirk against your neck, teeth teasing along your carotid now. âBut all you can think about is my cock, ainât that right?â
Your stomach falls away. Everything firm inside you turns to goo as he laughs, knowing heâs right.
âSo needy,â he taunts you, holding your hip tighter as his length begins to thicken against your ass. âHad all day to ask for it.â
You donât respond, tongue tied and more uninterested in your essay than ever.
âJust lookinâ for a distraction now,â he teases lightly. âThe more you put it off, the harder itâll be to get it done, baby.â
âI know.â
âIf you know.â He hooks a finger over the waistband of your shorts. âThen finish it.â
âSânot that simple,â you whine, rolling your hips over his lap. A sharp puff of air warms the back of your neck, so you do it again. His hand tightens around your jaw.
âJust a hundred words, right?â he coaxes gruffly. âCome on now, Iâll make it worth your while.â
You feel his thick cock beneath his sweats, stiff and pressing between the crease of your thighs, melting whatâs left of your resolve. You want to grind down against it. To pull your soft sleep shorts to the side and let him sink inside with no more pretence. But you put your hands on the desk, eyes on the screen, and Joel slides his warm palms beneath the hem of your t-shirt. Floats them over the curve of your stomach, the soft flesh around your ribs, waking thousands of tiny hairs that cover your skin until his fingers meet your chest, and he cups your breasts.
You shiver, lids growing heavy as he squeezes and tickles at your skin. Your nipples harden to peaks against his rough palms, and he sighs at the feeling, face resting against the back of your neck as he plays.
âFuck,â you sigh, voice a broken buzz in your throat as he pinches one of your nipples between his thumb and forefinger. âI thought you wanted me to write.â
âI do,â Joel murmurs unconvincingly. âA hundred words, go on.â
Hands like lead on the table, it feels like an impossible task. Even more than it did ten minutes ago. You force yourself to lift your fingers to the keyboard, vision sharpening as you look for where you left off. You try to shut him out, try to ignore the way his tongue warms the skin on your neck, the way the hairs on his thighs tickle against yours, and begin to write.
But he doesnât make it easy.
The second you finish the first sentence one of his hands drifts down your stomach to cup your pussy over your shorts. You flinch, heart galloping in your chest when he sighs in your ear.
âJoel,â you whimper, pleading already. âI canât if youâŠâ
âYou can,â he soothes. The warmth of his palm is suffocating, so hot against where youâre already wet and wanting. Thick fingers press against the fabric, nudging it between your slick folds until it goes damp. âJust ignore me, baby.â
âEasier said than done,â you reply. You type five more words, chest rattling with heavy breaths as he paws at you, thumbing at your clit through your shorts.
His breath is hot and heavy against your neck and his soft curls tickle your skin as you try to focus.
âIgnore me,â he repeats, and you squeak as he tilts you forward. A rush of breath spills from your mouth, chest flush to the desk, ass suspended above his lap as he shifts behind you. And when he pulls you back down, you sigh pathetically over the fact that heâs pushed his sweats down.
The full weight of his length presses against you, nestled between the rounded flesh of your ass, and you manage to mumble his name.
âJustââ Youâre panting now; considering begging. ââI can do this later. I will finish it later, I swear, justââ
Joel nudges your shorts to the side and presses a finger between your folds. A ragged gasp stutters out of you, finger jammed against the keyboard. A steady stream of kkkkkkkkkkkkkkk fills a line of the document as he smears your wetness up to your clit.
âFuck,â you mumble, hips tilting forward, trying to chase the feeling.
âNone of that,â he tuts quickly, other hand slipping down and pinching the skin at the inside of your thigh. Youâve only backspaced half of the kâs when he slips two fingers inside you. âCome on, now.â
Thirty words fly as he crooks his fingers inside you. Slow and gentle, thumb rubbing messy circles against your clit as he works you open.
âThatâs it,â he coos, pressing a third finger inside. Your cunt sucks desperately at his fingers, the skin of your face warming as you catch a glimpse of your reflection on the laptop screen. Jaw hanging low, a silent prayer for relief written across the open slant of your mouth. âMy smart girl. Knew they didnât give you that degree for nothinâ.â
You gasp and swat at his wrist, but a satisfied little smile cracks your face for a moment when he laughs. Only for it to fall seconds later when he lays a sharp bite to the back of your shoulder. You moan, voice cracking around his name, rutting desperately against his hand.
âYou can do it,â he flatters you, sickly sweet and entirely convincing as he strokes at your insides. Curling and stretching until youâre turning to a wet trembling mess in his lap, wobbling through half-assed sentences that you arenât sure even match up with your essay outline anymore.
âGood,â Joel murmurs. âThatâs good.â
âDonât look,â you slur out, heart pounding at the idea of him reading anything youâve written in this state. âItâs f-for your class, you canât look.â
âNot lookinâ.â He noses at the back of your ear. Presses an open-mouthed kiss to the hinge of your jaw. âJust lookinâ at you, mâalways just lookinâ at you.â
âIâll finish it.â You switch up your tactic now. Voice low and breathy, the back of your head resting heavy on his shoulder, eyes longing to close. âTomorrow, Iâll write itââ
âTomorrow?â His thumb drags harder on your clit.
âYes,â you gasp, stomach tensing. You feel a bit floaty all of a sudden. Locked out of your own mind, all thoughts spilling from between your thighs as desire grips you, consumes you. âPlease, justâŠâ
âWhat, baby?â he prompts. âSay it.â
âJust let me sit on your cock,â you groan. âPlease, I canât think right now, Iâll finish it, I promise.â
âYou fuckinâ promiseâChrist,â he grumbles, fingers drifting from your tight clutch. âJust a little more, baby, for me.â
You donât even really know how it happens after that. Ears roaring, skin tight, everything is a blur as you write and write and write and he presses his leaking tip between your folds works you down onto his length. Hands everywhere, so warm, so rough, holding your thighs, your waist, your breasts, your shorts to the side. Slower when your gasps spin higher, you think, always knowing when to ease up, when the burn gets too much too quick.
Joel grips your thighs, prying them apart until your calves are on the outside of his, and then heâs shifting his legs open wide, giving your own no choice but to follow. You feel the full weight of him in this position. The long, thick stretch of his cock inside you as your legs dangle listlessly over his lap, toes straining and failing to reach the floor. You can do nothing but rest heavily across his thighs, those hands still everywhere all at once, and whine pitifully as your walls spasm and clench around him, coil inside pulling tighter and tighter.
Vision waning, the text on your screen warbles as Joel slips the pad of his finger against your clit and begins to play with it. Soft little rubs that have you going tense and leaning forward on the table, braced on your elbows and grinding down into his lap, desperate for release, for movement, anything. It feels like your brain is splintering into a thousand tiny pieces inside your skull.
âYouâre so wet,â Joel rasps, forehead heavy against your shoulder blade as he groans. âPretty pussyâs drippinâ all over me, honey. You really need it that bad?âÂ
You say something you think, mouth moving and eyes rolling as his hips shift up in a weak little thrust. Just one.
âKeep goinâ.â He sounds pained, half-drunk as the words stumble out of him.
Your mind slips further from your grasp and youâre typing pure gibberish. Slurring messes of letters cloaked in perfect punctuation. Your fingers fly across the keys, painting commas and full stops and semi colons around complete and utter bullshit as your cunt flutters and your belly stirs.
His finger glides and his cock pulses and your vision darkens and you come. Shoulders hunched, table digging into your forearms, you fold forward and cry out as an agonisingly brief orgasm rips through you.
Itâs over before itâs even begun, but Joel groans and offers a shallow thrust, your cry turning to a gasp as he grips your thigh for dear life.
âOh good girl,â he murmurs, fingers slowing against your nerves, not wanting to overwhelm. âFuckinâ squeezing me so tight, baby.â
âJoel.â There are tears in your eyes now. Liquid frustration that pools against your waterline and threatens to spill when he still doesnât fuck you how you need him to.
âHow much left?â he asks roughly, rocking his hips against yours in a steady pace now. Gentle, rolling movements that snag on the heels of your orgasm and hold it close.
âHuh?â Â
âHow many words?â
âI donâtâŠâ Your eyelids flutter. âI donât know.â
âShit, sweetheart,â he laughs a little then, rueful but not unkind. âThatâs gonna be hell to edit.â
With a furious groan you slam the laptop closed, the sharp smack of metal on metal filling your ears as he grips your hips and really starts to fuck you.
Itâs not fast though, not rough. Just deep, lingering strokes that grind against the end of you and nudge you stumbling toward the edge. He pinches your clit between the tips of his middle and ring fingers, rubbing slow drags up and down against the hood like that. Moaning and sweating, you slip your hand over his. Press lower and let your fingers glide around his girth, thick and vascular between your thighs, hot skin wetter every time he pulls out of you.
âFeel that?â Joel pants, teeth nipping at the top of your spine. âYouâre creaminâ for me, baby. Fuck, IâI need to taste it.â
âShitâoh god.â
He grips your wrist and drags it up, chin harsh against your shoulder as he sucks your fingers into his mouth.
The groan he lets out is filthy as his hot tongue snakes out to lick the webbing between your fingers, and you tip your head to watch his eyes roll back. His thighs tremble beneath you, but you canât be sure itâs not just the vibrations of your own body tricking you.
But no, itâs him. His hips stutter against yours, deep plunges stilting into shallow movements, and he stalls deep inside your cunt for a second on the end of every thrust, as if his brain is short-circuiting.
You hook your fingers in his mouth, the tips digging into the gums behind his teeth, and tug him back to reality. He nips at your fingers and moans, hand falling heavy between your thighs again. And he doesnât stop now; keeps pushing and pinching and fucking and grinding until your pussy is pulling tight and slick around his length and your fingers are fanned loose and shaky across his face, and you can hardly breathe except to say Joel or please or oh my god.
âCan feel it,â he grunts breathlessly, skin smacking against yours in a sharp staccato beat. âDeep breath, baby, câmon, let me have it.â
âYour teeth,â you gasp feverishly. âBite me again.âÂ
âFuck,â he snarls and then heâs grating the hard line of his incisors along your shoulder.
The sweet pinch of his canines digging into your back sets your cunt aflutter around him, mouth hung open in silent ecstasy as he fucks you full of his seed and you suck it in deep, tight with longing, still panting and high when it begins to drip from where youâre connected, spooling around his cock and smearing between your thighs and his.
His chest heaves against your back. Chest hair damp wet sweat, dripping through your thin shirt until it canât decide whether to cling to his skin or yours. Thereâs an ache at the base of your spine, maybe a muscle pulled, and his thumb presses into the flesh there as if he can sense it.
Sounds come back slowly. Joniâs finished and the needle tracks around the runout groove on the record, a little crackle flaring every few seconds where the two channels join. Joelâs breathing too, rough against your shoulder, harmonising with the wet sound of his lips peeling from your skin.
You tilt your head to the side.
Wild eyed, cunt-struck, Joel knocks his nose against yours. Groans low when you flick your tongue out to graze across his bottom lip. Heâs bitten it rough and ragged and red, and you want to soothe the sting. His glasses are on top of his head, smudged lenses tucked amidst wild fluffy curls.
You try to kiss him, hard and wet, but he stops you with a hand to your jaw. Cradles your face and strokes your cheekbone and wipes the spittle from your lips before kissing you lightly. Chaste and gentle, like the two of you are ten and have never kissed anyone before, have never been brave enough to use your tongues.
That invisible bleed in your chest drips heavier. You picture a thick spurt of red against your chest cavity as he kisses the corners of your mouth, the tip of your nose, your eyelids.
âYou good?â he asks quietly.
You nod, smiling when his lips catch and drag across your skin with the movement of your head.
A moment passes like this. Searching kisses dotted over your smiling face. The swell of your cheeks, the ends of your eyebrows.
âSometimes I feel like you arenât real,â Joel confesses. A bare bones whisper that tickles the skin between your eyebrows, where his lips rest now. âLike you might just melt away if I donât hold on tight enough. Disappear if I look away too long, and Iâll be stuck tryna convince myself that you were ever really here.â
Twisted up in his arms, you can feel the way his heart batters against his chest, thrashing through to vibrate against your back. He might as well be plucking the admission straight from your own mouth.
âIâm real,â you murmur against his neck. âIâm here, itâs real.â
âMe too,â he says. Something wet tickles your skin, but itâs gone in a second. Rubbed over by his thumb, soothed with another kiss.
I love you, you think, but when you speak it comes out as, âNo melting.â
Joel laughs softly. Kisses you again. âNo melting.â
Thursday.
âIt was too much.â
âIt was fine.â
âI said the word grateful three times.â
âFour, actually.â You chew the inside of your cheek and shrug apologetically. âI counted.â
âJesus,â Joel sighs, reaching up to a drag a hand over his face.
Heâs pulled his desk chair all the way across the office. Tie loosened and top buttons undone, he slumps in it a little. His thick knees almost brush against yours where you sit in his armchair.
âHey, I liked it,â you smile, bumping his knee. âIt was nice - shows you care.â
âWell, you ainât all that hard to please,â Joel smarts, lip quirking up into a sly grin.
Mouth open in a scoff, you feign offence, dragging your laptop from your satchel and making a show of ignoring him.
âHow the mighty fall,â he continues, sighing dramatically and tilting his head over the back of the chair. The light coming in through the window hits his face just right, and the grey hairs in his curls shine. âGrateful to have been your professor⊠asshole.â
âDonât be precious,â you laugh softly. âYouâre just embarrassed because you said you were going to miss us.â
âThat was a lie,â Joel tuts, brushing you off with a hand in the air, biting back that grin. âI ainât gonâ miss any of you assholes. And when those final papers come inââ He taps a finger against the top of your laptop ââIâll be sayinâ my prayers that any of you can string a worthwhile sentence together.â
âIf youâre lucky,â you drawl, batting his hand away. âYouâll teach some of us again next year. And when that semester finishes, youâll say all of that shit again, because youâre a sap, Joel Miller.â
Joel stares at you for a moment, face softening, and then clicks his tongue on the roof of his mouth. âSmart ass.â
âAnd you love it,â you quip easily, only balking a moment later when the word hangs awkwardly in the air. Hands pausing on your keyboard, you glance up, neck hot, only to find Joel watching you still. Face suspended in a small smile; eyes light as he nods.
âI do,â he says after a moment. âBut youâre on thin ice, wise guy.â
He plucks a book from his desk and spreads it open on his lap, either not noticing or simply not caring as you watch on, slack jawed. I do.
After a moment, Joel taps his foot against yours again. âWrite.â
So, sucking in a breath, you do. Time passes and rain starts to drizzle against the window as you write, and Joel reads. Having forgotten to put a record on like normal, he hums lightly under his breath; some tune you canât place but still nod along to. Every few minutes he turns his page, and the sound sends a shiver down your spine.
You hate the way he holds books. Hate the way he cradles the spines, thumb hooked around the footnotes to hold his page. Hate the way his fingers trace the stanzas as he reads, tender and patient, and always afraid to miss something. Hate most the way the tendons on the backs of his hands flex when he turns the page. How the veins around them go fat and blue the longer he does this, as if all the blood in his body is sprinting towards the words. Itâs a dangerous sort of eroticism, watching him read. You hate how much you love it.
In need of reprieve, you focus on your own hands. Crack tired knuckles and stretch out cramps and aches, taking a moment to peer over at his desk. The picture frame youâd once been so curious about is propped on the edge of it once again.
You can see Joel behind the glass panel, sporting a shit-eating grin with Sarah, clad in a graduation gown, tucked proudly against his chest. Taken the day she finished high school, you know now. And youâd never noticed it that first time, months ago, but Ellieâs face rests in the corner of the picture. Pink tongue stuck out and eyes pinched shut; sheâd snuck her head into the frame at the last second apparently.
You gaze fondly at it, and feel that familiar warmth in your chest over the fact that heâs put it back out. No more hiding.
âWhatâre you lookinâ at?â Joel glances over his shoulder, and then smiles.
âItâs a good photo,â you say. âYou look so happy there.â
âI was. Itâs one of my favourites,â he nods, adjusting his glasses on his nose. He seems to consider you for a moment, eyes flicking around your face, fingers fidgeting with the corner of his page. âHey, I uh⊠Sarah actually called yesterday.â
He pauses. Takes an unusually deep breath and folds the book shut.
âOkay.â You blink, confused. âIs she alright?âÂ
âYeah.â He nods quickly. âYeah, yeah, she was uh, she was askinâ about the holidays, and ifââ
The office door creaks open, and Joelâs mouth seals shut as Rachel walks hastily inside, rushed words filling the small room. Â
âJoel, sorry, I need to grabâoh.â
Thereâs an odd pause after the words catch in her throat. A moment of uncomfortable stillness as the three of you inhale all at once, glancing around the room as if seeing it for the first time.
You and Joel arenât touching, but your knees rest close, one of his feet in the space between yours on the carpet. Laptop propped on your knees, your final essay still lays open with a stream of edits pasted through the margins, cursor blinking at the end of the word nostos.
Joel, tie undone and sleeves rolled up, looks painfully casual in your presence.
âSorry.â Rachel blinks, hovering awkwardly as the door clicks shut behind her. âI didnât realise you had a⊠a meeting today?â The end of her sentence flares up, as if sheâs confused, phrasing it like a dubious little question.
You offer a smile in her direction and hope it comes across as relaxed, a little encroaching even; as if you are the one who has interrupted; the one who should not be here.
âItâs fine,â Joel supplies easily, straightening in his chair to give her his full attention. His face gives nothing away. Stoic and calm, the way youâd imagine him to be if you werenât here at all. âEverything alright?â
âYes,â she says, frowning like sheâs affronted by the question. Looks between the two of you again, listless fingers curling at her sides. âJust came to get that Livy copy back
You look back at your screen and will yourself to type something. To appear casual, studious, as if your heart isnât lodged in the base of your throat.
âSure,â he nods, gesturing vaguely toward his desk. âItâs in one of the drawers on the left.â
Rachel nods, walking over to the desk, and as her back turns you spare a glance at Joel. Find him already looking at you, eyebrows pulled down a little. Pink lips mouth Itâs fine, married with a soft nod of his head, and for the second time in seconds you attempt a smile.Â
Thereâs the sound of wood sliding against wood, and then a soft, tired kind of silence. The lack of sound seems to swell, the air in the room thinning, your eyes focusing on Joelâs fingers on the armrest of his chair, tap tap tap, Rachelâs unruly curls somewhere past that, her face downturned, looking at something. Wary breaths held in unison, synced heart beats racing. Itâs fine, itâs fine, no melting.
âIs this some kind of joke?â
Your head snaps up. Joel turns in his chair and begins to ask whatâs wrong, but all that ends up coming from him is a sort of choked noise, rough around the edges, and breathless in the middle. Chest on fire, you let yourself look past him to where she stands.
Her gaze is hard as she stares Joel down from across the room. A slip of blue; soft material visible between her fingers, held up for a stunned chorus to see.
Your hearing deafens a little as you look on, motionless, a vague memory of birthday boy and got your cute little panties all soaked thinkinâ âbout my cock? playing in your mind. Of a damp patch on his shirt as he tucked blue into his desk drawer.
Joel says Rachelâs name, you think. Can see the way his jaw moves, the way her dark eyes sharpen, flitting back and forth between the two of you. And then, like a volcanic eruption or the swell beneath a wave, realisation crests the hill and Itâs fine cracks and crumbles and turns to dust in your grasp. You donât know what she knows, or how she knows, you just know that she does.
âYou⊠what is this?â Rachelâs face shifts into something uncomfortable. A warped, grotesque shot at a smile. But as her lips curl upward, eyebrows down, itâs nothing but a contorted mess that blurs endlessly between confusion, surprise, and then horror. âThis⊠her? Sheâs the reason youââ
âRachel.â Joelâs entire body is wound tight. You can see the edge of his jaw from where you sit; the way his shoulders pull back, tight he watches her.
Your body seems to hold itself together for a moment. Breath caught on an inhale, lungs expanded, eyes frozen on the hard line of his nose, the arm of his glassesâplaces you feel safe to hover. But then she speaks again, and everything lurches back into focus. Like a needle scratching on a record, or tires squealing as a car pulls to an abrupt stop at a redâthe words make you cringe, chest deflating and face crumpling.
âJesus Christ, Joel,â sheâs saying, and her voice raises, louder to match the disbelief in her tone. âYou⊠sheâs a fucking student.â
When the fear hits it doesnât come slowly. It strikes hard and solid; an icy sheet of dread that sucks at your fingers and numbs your extremities. Cool and abrupt, it sinks to your bones and promises that youâll never again feel anything but this. It laughs in the face of your warm kind month, pressing its chilled ice picks to the back of your eyes until they burn.
Her words hang heavy in the air, thick weights that press down on three sets of shoulders, and you have never wanted anything the way you want to see Joelâs face right now. To look at him and believe that this isnât as bad as you know it to be. See that mouth tell you itâs fine and remember how it tastes.
Instead, a fear-stricken Orpheus, you will yourself not to look at him. Despite that longing, the way your arms beg to stretch out, to hold and be held, you do not look. No, you donât think you could suffer the double death of both knowing this is happening and seeing him know it too.
In his place, you let your eyes turn to Rachel, and find that she already stares at you, small mouth cracked ajar in incredulity.
Mind whirring, racing, stumbling; fumbling to pin back together the pieces of who you once were in her eyes and who you are now. This woman you admire so, whose career path youâve dreamt of, whose wit and quirk has propelled you, invigorated you.
Itâs agonising to watchâthe way her face morphs into something so unfamiliar as she looks at you now. An expression that once held only admiration, kindness, marred here by an inexplicable sense of pity. Not hate, or contempt, which perhaps would be easier to handle. Easier than the way those dark orbs go round and solemn with worry as they fall upon your anguished frame. Itâs a slap in the face; camaraderie washed down the drain like the dregs of a long overdue bath, as she grips your soiled underwear in her fist.
Joel says her name, youâve lost count of how many times heâs said it now, and she spurns his attempt at placation like a snake. Fast and deadly, venom dribbling from her tongue.Â
âSomeone else?â she says, and her voice is like never before. Mirthless and cold, fury laced through every word. With a sharp jerk of her elbow, she tosses the underwear across the room. They land against Joelâs chest, caught silently in his fist. âYouâre fucking sick.â
âThis isnât what you think it isââ Joel starts, and you think you hear his voice shake.
âIt isnât?â She laughs cruelly at that. âYou havenât been sleeping with one of our students?â
The cursor blinks on your screen. Nostos, nostos, nostos, nostos.
âListen, can we talk about this somewhere else?â he asks. âNot like this, Iââ
âOh, is this not a convenient time for you?â she scowls. âJesus Christ.â Â
The urge to speak bubbles in your chest. You donât even know what youâre going to say until the words are spilling from your lips, disjointed and warbled, a voice that doesnât even sound like your own.
âI pursued him,â you say.
You can feel them looking at you. Can hear the way you must sound to her, like some kid and not a woman whoâs almost thirty years old and just as much to blame. But you canât stop it. Â
âWeâre both adults. He never made me do anything I didnâtââ
Joel says your name sharply. His fist, in the periphery of your downturned gaze, grips your balled up underwear so tight that the blue is entirely invisible within the thick masts of his fingers.
You suck in a breath, and it feels like the last bit of air in the room disappears into your lungs, so you hold it there. Keep it safe inside and figure that if all three of you were to suffocate then at least the truth, and all the foul consequences that come with it, would die here with you.
âCan you give us a minute?â
Silence falls in the lull after those words, and it takes a moment for you to look up, finally. To realise that the double death wasnât in looking at Joel, but in understanding that heâd spoken these words to you, not her.
Eyes locked with his, you feel the fear move to your side. Hang low until it ebbs and flows in the space beneath your ribsâa sharp ache with no end in sight. He looks tired; resigned. Mouth thin and downturned, cheeks splashed with red.
You think you must say something. Some fumbling, awkward acknowledgement, because Rachel is giving you that look again and you canât bear it. Canât stand those eyes, that misplaced pity.
You collect your things, hands numb as you pile them into your bag and head for the door, skin prickling in defence against the silence that follows your movements.
Outside his office, alone in the long corridor, you know you should go. Should follow the wall down the stairs, out to your car, and not look back. Can you give us a minute? But that sharp ache leaves you cowering against the wall, limbs heavy, ear to his door.Â
âRach,â Joel says softly, and itâs so familiar that your stomach rolls, lids fluttering closed. âIt isnât what you think, just let me explain, alright? We met before the term began; before she was my student. Before.â
âAnd then?â
âWhat?â
âI said, and then?â Rachelâs voice is steely. âYou met her before and, what, you saw her in class and decided it was fine to let it continue? Youââ
âEverything was consensual. You know me, I would neverââ
âItâs not as simple as that, and you know it. Did you not think about what would happen if you were found out? Her credibility will be destroyed, Joel.â
âI knowââ
âI mean for fucksake, her first major presentation was given at a conference where you were the keynote speaker. How do you think this will look?â
âFuck, I know. Can you keep your voice down, please.â
Thereâs a brief silence. You hear shuffling, feet against carpet, and a dull spike of fear flares in the back of your mind. The idea of getting caught a second time, eavesdropping from outside the door. Against better judgement, you donât move, and Rachel speaks again.
âYouâre wrong,â she says. âI donât know you. I⊠you arenât the man I thought you were.â
You donât hear Joelâs response over the drumming in your ears. Hot blood thrashes and roars inside your body, veins pounding with terror. Hands shake damp and weary at your sides, thinking hard, hard, grasping for solution, for the chance to say Iâm sorry, Iâm so sorry, this is my fault.
But he must have said something because then you hear it. A low fragment of a human voice, words spoken clear as day. They slice through your ears and have you peeling away from the door, swallowed by a white-hot longing to disappear as you stumble down the hall, the stairs, until youâre sucking in cold air on the pavement outside. Â
Itâs raining hard now. Thin spray that comes at you sideways, lashing at your face and blinding you. You curl your back to the downpour and search thoughtlessly for your car, hands outstretched, those words of hers ricocheting off the inside of your skull.
When you find it, you press your key into the door and slump inside, and you still canât avoid it. She might as well be standing right by the door, peering in at you. Shock in the jut of her brow, disappointment in the slant of her mouth as she whispers those words over and over through the crack in your window.
"I donât care if you love her, Joel. I have to report you.â
refs:
joni mitchell's 1971 Blue album. [life changer]
the hollow men by t. s. elliot [fat juicy banger of a poem]
orpheus and eurydice from metamorphoses by ovid, tr. by a. d. melville
thank you for reading x
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Post-Mission TLC
Beefy!Bucky x GN!Reader
Description: Just you and Bucky, in the tub, and you taking care of him
Warnings: unapologetic fluff!, Nonsexual nudity, me-typical gratuitous use of pet-names, Everyone is alive, Bucky is an Avenger, cuddling,
A/N: I've been writing a lot of hurt/comfort as of late, so let's get some No Hurt Just Comfort.
((18+ only below the cut please and thank you!!))
Bucky stumbled through the door of your shared apartment of the Avengers Compound, exhausted
The mission had been grueling, and he wanted nothing more than to collapse in bed beside you
You broke into a huge smile when you saw your boyfriend, racing to him and wrapping your arms around his neck.
âWelcome home, Sweet Boy,â you kissed his lips, âhowâre you doing?â
Bucky let out a little groan, and you noticed that he was leaning against you
He never slept well on missions, you knew that.
But what you didnât know was that he hadnât been able to sleep longer than about three hours collectively over the last two days
When taking the HYDRA base he, Steve, and Sam had ended in a long string of guerilla attacks from their goons, leaving all of them taken out.
You looked at him with concern when you looked him in the eyes, âBaby, are you okay?â
âTired,â he hummed, fighting to keep his eyes open.
You took his face in both hands and stroked his cheekbones.
âOh, Baby BoyâŠâ you cooed, brushing his hair behind his ear, âcâmon, Buck. Why donât I run you a bath, and after we can get all cozy in bed?â
He hummed, and you helped him kick off his boots before carefully removing the harnesses, belts, and holsters from his body.
âCome on, Baby. Follow me.â You took his hand and led him to the bathroom.
You sat him down on the toilet, turned on the water, and began to gently remove the layers of leather and Kevlar until he was bare chested in front of you.
As you worked you caught your boyfriend looking at you with sleepy, loving eyes, and pressed a kiss to the tip of his nose.
âMy handsome soldier,â you stroked his cheek with your thumb, âI love you.â
Bucky gave you that dopey, lop-sided grin you couldn't get enough of, âlâveâyâtoo.â
You smiled at his slurred words and helped him to his feet, helping him out of his socks, pants, and boxers.
âC'mon Baby Boy,â you said, gently helping him into the tub, âlet's get you washed up.â
âGetânâwiâme?â he asked, giving you the biggest puppy dog eyes you've ever seen.
You nodded and slipped off your clothes, âof course, Honey.â
Once you were fully bare, you sat down in the tub behind him, pulling him into your arms.
It was a little difficult, since Bucky was so much larger than you, but eventually you managed to get him nestled against you, his back pressed against your chest
You grabbed the plastic cup that you kept by the side of the tub for instances like this and smiled, âalright Sweet Boy, head back. Iâm gonna wet your hair, okay?â
He did as instructed and you dipped the cup in the water, shielding his eyes and pouring it in his hair over and over.
Buckyâs eyes drifted shut and he melted at the feeling.
When his hair was sufficiently wet, you grabbed his shampoo and began to massage the soap into his scalp
He sunk down as you continued to scrub.
Bucky loved the way that your hands felt in his long locks, how your nails gently scratched against his headIt made him melt
âAlright, Baby Boy,â you cooed, âlet me rinse, okay?â
Bucky nodded, and the warm water was poured on his head again, your hands working to rinse him, and your lips peppering little kisses along the scarred skin of his back.
Once his hair was free from bubbles, Bucky felt you running your hands through his dark locks, gently finger-combing the knots out
His hair had gotten so much longer since heâd joined the team, growing well past his shoulders and making it hard to keep it free from tangles on missions
(He was still too nervous about having scissors or clippers near his head to cut it short again, despite his wants)
You always made sure to take extra care with his hair when he returned, and it made him melt.
Always so gentle, so loving and tender with your touches
Bucky could cry, it felt so good.
He didnât even realized heâd dozed off while you were working until you nudged him awake
You had a soft washcloth in your hand, youâd washed his back while heâd napped.
âI know youâre tired, Baby Boy,â you cooed, kissing his shoulder, âbut you need to stay up just a little longer, okay? I gotta finish getting you washed up, youâll sleep a lot better once youâre nice and clean.â
He nodded, blinking sleep out of his eyes as you helped him turn to face you
You gently washed the dirt and soot from his face, ending with a a little peck on his scruffy cheek
His eyes were getting heavy as you cleaned every inch of his body with the utmost care, so once you were done you took him in your arms and let him rest for a few minutes before helping him out of the tub.
You towel dried him off and guided him to sit on the closed lid of the toilet.
âAlright, Honey,â you smiled, âIâm gonna get you some clothesââ
âNooooooo,â Bucky whined, looking at you with puppy dog eyes again, âwanâskin-on-skinâŠâ
âAlright, Baby, whatever you want.â He made a happy little hum, âIâm gonna comb your hair and then we can lay down, okay?â
He stayed so still for you as you carefully worked the knots out of his long, dark locks, finishing by spraying some leave-in conditioner into his hair.
âCâmon, Bucky,â you took his hand and led him back into your bedroom, âcome lay down with me.â
While you turned down your bed you handed him the water bottle he kept on his nightstand
âCan I get you to drink something for me, Sweetheart? We can lay down in a minute.â
Bucky took some long sips off of it as you got settled in bed. You smiled.
âCâmon Darling, come lay down with me.â
You took him in your arms the second he laid down, pulling his large, warm body to you.
Bucky laid down on top of you, and you let your one hand rub his broad back while the other stroked his hair
He was asleep within minutes, his peaceful little snores filling the room.
You smiled softly and kissed his forehead, cradling his head against your chest.
âGood night, Baby Boy. Sleep well, I love you.â
#bucky barnes#bucky barnes fluff#buckybarnes#james bucky barnes#james buchanan barnes#james barnes#bucky barnes x reader#beefy!bucky
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Content warning for ;; Bondage, Strangulation, Suggestive poses & expressions, drooling, NO NSFW
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Hello...! Hi...! I posted this extremely late, I'm sorry (ÂŽTÏT`) I had it finished by last night (six hours past my usual bedtime, might I add) but I was so tired I couldn't manage a proper description, forgive me.
Anyways! This post is a bit spicier than the last but not technically NSFW, so I think I'm in the clear? If not, please inform me so I could know to add 18+ to the description and/or the bio of my blog.
I honestly can't believe how many people have seen my last post! Like, a million I think! I'm still in shock at how my notes have skyrocketed, so please be patient if I sound less than gratuitous, the metaphorical brownie with metaphorical substances has not yet metaphorically hit. But yeah! Here's my favorite gross wet lovers! I hate them... I want to put them on a clothing line... stay tuned, because I have something special planned for day three of Ribbun Week, it'll really knock your socks off!
EDIT : I TITLED THIS WRONG, IM SO PEEVED-
#the amazing digital circus#tadc#digital art#fanart#tadc fanart#ribbunweek2024#ribbun#tadc gangle#tadc jax#jax x gangle#gangle x jax#gangle#jax
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feed my Frankenstein ; Frankenkyle x reader
summary: stripper!reader decides to dress up like a zombie for Halloween, and when the girls bring Kyle to the strip clubâŠ. He makes the decision for himself that heâs going to be with his kind. w a r n i n g s: 5k words! stripper!reader, female reader, cunnilingus, rough sex, violence, mentions of blood, biting, graphic descriptions. kyle being a big, horny zombie who doesn't understand his strength. a/n: [đ part of lizzie's halloween fics! đ] probably some errors, whoops. I didn't want to label this as dead dove don't eat, but Kyle literally tries to eat reader, so be warned, I guess??? also my ending is very... cliff-hangery. don't come for me, this fic took on a life of its own very quickly. thank you for reading if you did!!! full fic & taglist under cut!â / ao3 link here! / âȘ recommended playlist here! âȘ
You dab a stippling sponge against your neck, hiding an edge with a speckle of grey makeup. Youâd put a lot of effort into your silly little zombie look - but it was Halloween after all, and hardly any of the other girls had dressed up. Sure, theyâd started out in low-effort costumes of Dorothy Gale and Snow White, but as soon as those came off, they were just their normal selves again. You⊠not so much. You went the extra mile. Youâd spent hours applying prosthetics on your limbs, and painting your flesh to mimic the rotting corpses seen in cult classic horror films. Specks of blood around your perfectly lined lips, uneven skin, stitches from your neck down the front of your body.
It wouldnât be everyoneâs cup of tea, you knew. Some of them would lose their boners at the sight. It was time for your first shift. The club was rowdy, you heard it from behind the door. You lean against it, gulp down the last of your water, and fluff your hair before spinning on your red, patent leather heels and pulling open the door.
âI donât know if this is such a good idea, MadisonâŠâ Zoe confesses, nervously. She holds onto Kyleâs arm tightly, guiding him around a booth like an elderly man. He was already entranced by the vibrant lights that swept back and forth in shades of orange and green. It reminded him of his show. ColoursâŠ.
âOh, please.â With a roll of her eyes, Madison flips her blonde hair over her shoulder. âThis is the best place to put a braindead man⊠look, theyâre everywhere.â
Men cluster around the stage, watching hungrily as women take their clothes off, gyrating their hips close enough to their faces that they could reach out and take bites out of their full asses. The bouncer in the corner makes sure that doesnât happen, though.
Over the PA, a loud voice says: âAlright! Put your hands together for our resident nerdy girl, our very own reanimated sexpotâŠâ
As though it was on hinges, Kyleâs head swings heavily to face the stage. H
âLook, heâs already fitting in.â Madison nips.
You prance forward, reaching for the pole in the centre of the stage. Men holler your name, the few regulars that came every night you were working. Youâd earned yourself a reputation as the nerdy girl because of your penchant for dressing up on the themed nights. Your hips roll to the beat of the song, coming daringly close to the hands that hold dollar bills. When they donât get the chance to slip them into your outfit, they flutter at your feet, decorating the stage. You undo the tie of your shirt, revealing white bikini with gratuitous blood spatter. Youâd done that yourself.
You wrap one leg around the pole, latching onto it. As it spins, you reach behind your back, undoing the tie of your top. Your breasts fall free, nipples hardening in the air conditioning. You hold the bra out proudly, smiling as the hoots and cheers fill the room.
âCâmon,â she starts, taking hold of Kyleâs thick wrist. His skin is always slightly cooler than everyone elseâs. She remembers how cold the inside of his mouth was when they first â She blinks away the thoughts, actually disgusted by the idea. After all, sheâd never really wanted to fuck a dead guyâŠ
âHey!â âWatch it, sweetheart!â âGet outtaâ the way, youâre blockinâ the view, toots!â
Madison ignores the heckling, and continues to the front, pressing her bony hips against the lip of the stage.
âHey! Dead bitch!â
Her voice is loud enough that it carries over the music, and you furrow your brow. She wasnât wrong, but the bitch part seemed unnecessary. Still, you make your way over to the cluster of them, and bend at the waist to hear her.
âYeah - what?â You ask, still swaying to the song.
âThis is our little zombie â â
âHis name is Kyle,â The other girl interrupts pointedly. Madison throws a look towards the other girl, who nods with a fake smile. Truly, she didnât care what you called him. As long as she didn't have to deal with him, she was happy.
âKyle â and he needs a babysitter. Heâs a littleâŠâ she makes a face, stretching her mouth out in a sneer. You knit your brows together again, unsure what that means.
Kyle, you think to yourself. What a frat boy name. In fact, he looks like a frat boy with really really good makeup. Full head of curly blonde hair, dark eyes, strong but soft features⊠looks like he can absolutely devour a keg.
Heâs wearing an open black shirt and jeans, and beneath the black shirt, you can see raised flesh, scars like he was put back together. Funny that youâd chosen to do a dance number to Feed my Frankenstein.
âDo your job and keep him entertained, okay?â She pulls the peeking string of your thong far enough out to freely press a one hundred dollar bill against your hip and lets go. It snaps back against your skin, hard enough to sting. You wince.
Before you have time to protest, the girls are walking back towards the entrance without their little zombie in tow. One of them casts a woeful glance over her shoulder, and youâre left wondering why if she cares so much, why was she still walking away? You fill your lungs with air, exhale and lower yourself down onto your haunches.
âHey baby,â you coo, wrapping a single blonde curl around your index finger. Itâs angel-soft, and bounces back as you let go, straightening up. He seems to melt towards your touch, starved for it. âI like your costume.â
He watches as your ample cleavage sways with the gentle motion of your body. He repeats the word back to you, laboriously. âCosâŠtumeâŠ.â
âThatâs right,â you say, running your hands over your thighs as you stand upright. The long heels of the shoes elongate your legs, making you tower over the clubâs patrons. âI like it, itâs cute.â
Kyle watches wordlessly as your hands glide over your body, carefully skipping over the stitches at your knees, along your stomach, and finally up to the long stitch around your neck, which to him is holding your head on. Kyleâs eyes blink repeatedly with recognition.
You dip down, reaching for his hand. The crowd wooooâs as you hand him the string of your skirt. He grips it hard before looking at it deeply. You take one step back, flashing a coy expression to the men in the front row. Another step, and the tie begins to slip through the bow, unravelling. Another step and the skirt falls to your feet. A cacophony of approval fills your ears.
Youâre in nothing but the blood-spattered bikini bottoms now, and you sink to your knees again, flashing Kyle a bright smile. He blinks, your skirt awkwardly hanging from his hand by the string.
On all fours, you crawl towards him, popping your ass to the beat of the song. Dollar bills shower the stage, and when you slide your knees out to the sides, allowing men a delicious view of your backside, someone tucks another $100 in your bikini.
Kyle is watching you, but his hands drop to his groin where he makes a fist, and rubs it awkwardly over his now-throbbing erection. You immediately notice this, and your eyes widen. Thatâs a sure fire way to get kicked out, and for whatever reason, youâve clocked him as too innocent to let that happen. Thereâs either a) something wrong with him, or b) heâs really committed to acting like a clueless, braindead boy. Both options require action.
âOkay, okay,â you murmur, guiding him to the side of the stage. Thereâs an empty chair, and with a heel, you push him back into it. Sit. Stay. He does. Good boy.
He never takes his eyes off you though, and every time youâre looking at him, his jaw hangs slack, staring at you with half-lidded eyes. He keeps trying to get up, and you have to slowly shake your head at him, teasingly. He seems to understand that gesture, and stays put.  Â
As you dance, you find yourself watching him, too. Inexplicably drawn to him, for whatever reason. You donât usually take guys to the back, but $100 is a pretty good tip. Besides, you didnât want to run into that girl again, and especially not angry.
As your routine comes to an end, Kyle gets up out of his chair, knocking into the edge of the stage. A few guys turn their heads, trying to figure out what this guyâs deal is. Youâre too busy picking up your tips, and gathering your clothes to notice. With arms full, you race to the back, throw on a t-shirt and bolt back to the front, praying that Kyle is still where you left him.
He is. He may be trying to climb up on the stage, head craning in the direction of where you exited, but he's still there. You heave a relieved sigh, and saunter up to him, softening your expression.
âHi, KyleâŠâ you murmur sweetly. You slip your arm underneath his, linking it with yours and softly pulling him down into a normal standing position again. Thereâs a small moment of processing and trust before he looks at you and smiles very weakly.
Destinee is next, and while sheâs a nice girl, you absolutely loathe her taste in lighting. You enjoy a good rave, sure, but this is like the Electric Daisy Carnival in a much, much smaller space.
You learn very quickly that Kyle doesnât like it either. At all. In fact, he might dislike it more than you. As soon as the beat is thumping and the bright red and orange lights are washing over the establishment, Kyle wrenches away from you, covering his ears. A low groan starts in his throat, bubbling up through his lips until heâs practically screaming.
âShhh, shh itâs okay!â You try desperately to console him, but he canât seem to hear you. Glancing nervously at the guests around you who are starting to take notice of him now, you smile apologetically. âKyle, itâs okay!â
Thereâs only one solution - the private dance rooms. Theyâre quiet, secluded and a perfect spot to store a stressed out zombie boy for a few hours. You looked towards the spiral staircase that led upstairs, and hesitated. You were a dancer who rarely used the private rooms. You had been hard pressed to avoid being alone with any man, especially one that had paid you and felt entitled to whatever he wanted to take. Kyle, however, didnât seem like the type to⊠well, do that. Or even articulate that he wanted to do that â did he even understand that youâd been paid to babysit him? Likely not.
You force his hand down as gently as possible, interlacing your fingers with his. âKyle,â you say. âKyle, look at me.â
His head moves sluggishly, and his eyes gradually follow. He looks at you with big, black eyes, the surrounding skin darkened and mottled. In the changing lights, he looks so lost, and your heart throbs desperately. Shucking the worries of whispers aside, you lead him through the club towards the wrought iron staircase.
âHey Lance,â you say. âPrivate room open?â
âThey sure areâŠâ he replies with a large grin, his heavy accent coming through. Lance was one of the bouncers and rotated positions, so you had gotten semi-close with him. He enjoyed your presence and penchant for the strange. âLast door on daâ left.â Â
With Kyle in tow, you head down the long, red hallway. Each of the doors were painted black, with gold trim. Kyleâs gaze travels from each door, picking up on the various sounds that seeped from behind them.
âOkayâŠâ You say, your voice a touch softer than before as you push open the last door, praying that itâs been cleaned adequately. You cock your head to the side, urging him inside. His concerned eyes swept from you to the door and back to you before he finally decided that it was safe enough for him to enter. âLook, no strobe lights. No loud music. Just you and me.â
âYou⊠and meâŠ.â He grumbles. The door clicks shut behind you. His words are painfully slow and slurred, but you canât help be charmed by the innocence of them. âYouâŠ. YouâreâŠ. l-like me.â
âThatâs right, baby⊠Iâm like you.â In a quiet, joking whisper, you say: âRaaaaauuuuggghhhhhhâŠ. Brains.â
Kyle seems to like this. The tiniest of smiles forms on his mouth. His chest heaves, and without warning, he lunges for you. His strong arms wrap around you in a steely grip that at first terrifies you; your arms are pinned at your sides, locked into place. His tongue slips over your collarbone, wet and cool like heâs just finished eating ice cream. It slips over your neck, along your jawline, and up behind your ear. Heâs licking you, devouring you with such pressure that he has to have eaten some of the makeup by this point. You wince as he nips at your ear lobe, his teeth grinding down on the flesh. With some inhuman gurgle, he descends, covering your chest in his saliva.
You were used to men being hungry for you, acting like rabid dogs the second that they caught a glimpse of your plump tits or your juicy ass. It was part of the gig, came with the territory. But not this. This guy was on something. Had to be. Without warning, he yanks your cropped shirt up, and his jaws clamp down on the meat of your exposed breast. You yelp, pushing him off. He looks hurt or confused, or maybe both. Immediately, you scramble, feeling like youâve just taken candy from a child.
âHey no.. itâs okay. You can bite me⊠I like being bit. But not too hard, honey⊠that hurt.â
He doesnât understand. Or he doesnât look like he understands. His brows knit together sadly, while the dark, ink pools he has for eyes glaze over.
ââŠ.biiiiiiiiiiiiiiteâŠ.â He says.
âSoftly,â you finished, with your cutest zombie voice. âBiiiiite softâŠlyâŠ.â
He cranes forward, mouth finding your flesh again. His teeth continue to graze your skin, slightly softer than before though, so maybe he does understand. His tongue lolls out sloppily to taste every inch. He nears the jumbled up mess of liquid latex on your elbow, and you expect him to stop, or skip over it â but he doesnât. He feels uneven, soft flesh and his front teeth clamp down on it with a guttural sound. He rears his head back far enough for the liquid latex to streeeetch, and snap.
This gorgeous, blonde boy has a chunk of faux flesh hanging from between his teeth. Fake blood dots his pale lips, and heâs looking at you with the most confused expression youâve ever seen on a man. Itâs a grisly sight, really, but it fits the theme of the night. Heâs committed to the zombie act, youâll give him that.
âHey, hey, take it easy, spit that outâŠâ You reach up, rubbing the fake blood off his bottom lip. flatten your slender fingers on his broad chest, skin smooth like stone except for the deep scars. These are really good prosthetics. You canât even see the seam. Because there arenât anyâŠ
Like a dog, he drops the wrinkly skin-toned mass from his mouth and frowns. He looks genuinely disappointed, like he expected blood and guts. âB-bad⊠th-that⊠didnât tasteâŠ.. goooodâŠâ he stammers. "Hun..gryâŠ..â
For a moment, youâre frozen. Your realization clicks into place painfully slowly, slower than his brain seems to move. Heâs really too good at the whole zombie act, and a panicked thought writhes its way into your mind, penetrating it the way that a tissue absorbs blood. Just sucks it in, becomes a part of it. No, no way.
Heavily masking the nerves in your voice, you clear your throat and reach for his shoulder. You stroke the smooth roundness of it, raking your nails against his skin. âYou want something that tastes good, baby?â
That âsomething good' is your cunt. Youâll let him eat you out so you can think. You assume heâll eat you out like most men do â boringly â and you can process the realisation that this poor creature in front of you is actually really badly scarred, and possibly, a victim of head trauma, or something. Because thereâs no way youâre meeting an actual zombie. Even on Halloween in New Orleans. Thatâs insane. So, youâre going to let him eat you out while you sort this out in your mind.
That was the plan, anyway.
Except the second you sink into the vinyl chair, heâs on his knees, looking at your pretty cunt with hungry eyes and the visual wipes your brain clean. It was like you put a plate of food in front of a starving man. His mouth opens. You untie both sides of your underwear, letting them fall to the floor. His eyes drop heavily, watching every move.
At first, his tongue juts out, curiously tasting what youâve put in front of him. It presses between your folds, pauses, before wiggling around. Your eyelids flutter; you were ready to zone out, but Kyleâs inexperience, his curiosity feels so good.
âGood,â he growls, the word vibrating your cunt. His cool breath washes over your core, sending a chill up your spine. He delves deeper, tasting more of you.
His tongue flicks at your clit, flipping the swollen bundle of nerves mercilessly. Your whole body is trembling, and you feel the first of your orgasms rushing towards your centre. Carefully, not wanting to scare him, you grip his angel curls and ride his mouth slightly. Shit. Almost instantly, the throbbing starts and you make a mess of his poor boyâs face, squirting over his lips and chin.
âYou like that?â You ask, through uneven pants. The first of the night always feels sooo good.
He nods heavily on your cunt, still lapping up the juices that leak from your slick hole. Your legs start to quiver and a fire burns deep within your cunt. You try to pat his shoulders, wordlessly telling him to stop. His tongue delves in, and he freezes.
âKyle?â You ask nervously. Unconsciously, you clench around his tongue. He snaps to life, like someone flipped a switch in his brain. His strong arms wrap around the front of your thighs, tightly. Very tightly. He starts to pull you off the chair, lifting you up into his arms. Your ass cheeks are pressed against his chest and the back of your head is on the chairâs cushion now. Heâs holding you tightly, upside down, still swallowing mouthfuls of your sopping wet cunt. He canât seem to hear your desperate, pleading cries to stop.
You blink back tears, your vision throbs. You donât know if itâs because the blood is very obviously rushing to your head, or because youâre coming again so quickly, but heâs drilling his tongue into your cunt like thereâs a cream centre. If there is, heâs found it.
A scream fills your lungs and your body lunges upwards, trying to find leverage â something, anything to hold onto. She clenches again, pulsating around his cold, slippery tongue. Kyleâs practically drinking you with each clench. The overstimulation is crippling, and you canât help but scream out.
âKYLE! STOP!â
At the shrill sound, he immediately drops you and your body hits the ground with a heavy thud. Your ass aches a little from the fall, but itâs nothing thatâs going to ruin the night.
Heâs frowning at you, his lips and chin glazed with your cum.
âS-sorryâŠâ he grumbles. âSorry. Bad.â
âNo, no⊠not bad. Accident. Accident. Kyle?â
You call his name and heâs looking at you with those big, hopeful, dark eyes of his. You can tell â he isnât sure if youâre going to scold him, or praise him and the uncertainty terrifies him. You get to your knees, crawling towards the sofa. Once youâre up on it, you pat the spot next to you three times.
âCan I see?â You gesture to your own body, tracing the remaining prosthetics with a single finger before pointing to him. He looks down, his bottom lip jutting out. He nods after a few seconds and lumbers over to you, sitting down heavily. Â
Your fingers dance over his skin. He was literally pieced back together. His head, his arms, his legs, the lower half of his torso⊠he was sewn back together like Frankenstein. Different parts connected as one. Youâre sitting next to an actual zombie.
And then it dawns on you. Those girls. Youâd seen them before. You knew their faces. They lived in the massive mansion on Jackson Avenue. They were witches. Witches were a dime a dozen in New Orleans â in fact, it was weirder if you didnât practice some kind of craft. But zombies⊠youâd only ever heard stories. Youâd never seen one, let alone be eaten out by one.
You stroke Kyleâs broad chest. For being a zombie, heâs surprisingly soft. Youâd always imagined them as dried out, crusty creatures, but he only had a few patches of dry skin. In fact, he had more patches where you could see dark blue pooling underneath his skin, where blood had settled after death. He is cold however, and thatâs the most jarring part.
You ease him back on the leather sofa, making sure his head goes down softly onto the arm rest. Â
âItâs okay, KyleâŠ. I like your body.â
âCostumeâŠ.â He says. You shake your head.
âBody. Body.â
His hips give the tiniest little buck, and it slips between your ass cheeks. He whimpers, trying to get a visual of what heâs feeling. Gradually, his thrusts increase in pressure, and you adjust for your own pleasure.
When you adjust, forcing his cock to slide in between your cunt instead, he feels the slick warmth, and his feral nature returns, stronger than before. His thrusts pick up, and he seems to realise that you are a living thing, with pulsing blood and a throbbing heartbeat. Something else is throbbing again, too.
You whine and match his thrusts, letting your head loll back.
Kyle has a different idea, and before you can stop him, he has your forearm in his mouth, teeth clamped down on the soft, warm flesh. It only takes a few seconds for you to feel the stinging ache consuming your arm. It hurts⊠bad. The muscles in your fingers contract, twitching limply. He aggressively shakes his head, and your heart drops. The terror sets in, and youâre suddenly running cold.
âKyle, no- OW! KYLE!â
He shakes his head again, biting down harder and digging his the ridges of his teeth deeper into your skin. You donât necessarily feel the flesh tear, somewhere near the top, but you certainly feel the warm flow of blood that drips down your arm, dribbling onto his chest. Your pupils dilate. The blood keeps flowing, and you feel him start to rear his head back. Something pulls back with him. The ache is replaced by a searing burn, and you realise that if he pulls back any further, heâs going to pull off skin. Youâre panicking now, and donât know what else to do but try again. This time though, you roar at him, bringing back your zombie voice. Itâs not so cute this time. âRaaaaaaaaauhhhhhh, KYLE. KYLE STOP. STOP!â
You try to rip your arm away from his mouth, while pushing his head. Thankfully, his powerful jaw goes slack and your arm slides out, strings of spit stretching from his lips. Your blood is smeared across his chin and bottom lip, and collects in the corners of his mouth.
With your vision bouncing thanks to Kyleâs furious thrusting, you look at your arm, watching the bright crimson well up in the indentations of the bite mark. Amidst the rest of your makeup, the bite doesnât look out of place. You hold your arm out further, trying to come up with a story for this one. Maybe the makeup had stained in an absolutely mind-blowing way. And you had a reaction to it, hence the bizarre swelling and scabbing. That sounds good, sounds believable.
âWant⊠moreâŠâ He says, and your stomach drops, praying that he doesnât mean more flesh. Youâre not sure you can handle another one. Mid-thrust, Kyleâs thick, veiny cock angles just right and slips into your cunt. She swallows him easily, still wet from being eaten â a mixture of cum and Kyleâs viscid, slimy saliva. You plant both hands on his chest, letting out a breathy, melodic moan. He feels good enough to make you forget about the bite, and as you begin to ride him, it seems that he forgets too.
Youâre taking control, grinding on top of him, using his cock like your own personal toy. Itâs hitting every spot you want it to, pressing into your walls with its girth, and you canât help but whine about it. Pausing to smear your blood across Kyleâs chest with your middle finger, you leave deep, red streaks across pale skin. You shouldn't find that hot, but you do.
Kyle wraps both hands around your waist, pulling you down onto his cock relentlessly, each thrust feeling harder than the last. You lean forward, pressing your tits against his almost bare chest, and allowing him to take control, thrusting his cock up into you. The slightly bent positioning of his cock, head grinding against your spongy insides is enough to make you cum right then. You donât though, holding back, clenching your pussy as tight as you can.
âYou like it, Kyle?â You ask, through shaky pants. âYou like that?â
Kyle nods, heavily, his darkened eyes watching the way that your body quivers on top of him, wordlessly marvelling at the way your thigh muscles contract and shake on top of him every time he slips out, and buries himself inside your dripping pussy again. He loves how it feels, even if he canât articulate it the way he wants to, the sensations are everything he wants. Everything.
He grips you harder, lifting you off his cock and slamming you back down, repeating this violent display of strength over and over again. Your cunt shudders, unable to hold back your orgasm any longer. Kyle feels it first, and the sudden tightness has him growling, snarling and pushing his length into you as deep as he can. Kyle digs his heels into the sofa, lifting his legs. You feel the pressure against your cervix as he bottoms out, and press against his cock, forcing his cock deeper into you, until you feel the ache. You ride out the waves of your own orgasm, feeling his as it comes in thick, sticky ropes.
Thereâs a gentle knock at the door, and you quickly get to your feet, pulling your shirt over your head. You scramble, trying to find the bikini bottoms and once theyâre tied, you throw open the door. Itâs Lance, who is looking very concerned. Your legs are pressed tightly together, in fear that Kyleâs load is going to start dripping down your thighs and onto the floor.
âMiss Y/N. The club is closing⊠are you alright in there?â
Closing? What? It was bareley eleven when you brought him into the room. The seedy, slick realisation that youâd been fucking this zombie for almost four hours made your cheeks blossom with heat. You immediately tuck your bitten arm behind the door, flashing Lance a charming smile.
âYes! Fine! Just uh, finishing up a dance. Hey - Lance⊠did two girls ever come back, asking for this blonde guy in here?â
He pauses, thinking. After a few moments, he shakes his head and apologises.
Okay, guess heâs coming home with me, then. âThank you, Lance. Iâll be down in just a second.â
You shut the door and lean against it, looking at the zombie on the sofa. Heâs staring up at the ceiling, a small smile on his face. âKyle, do you live on Jackson Street? Where do you live?â
He sits up abruptly, turning his head to face you. âUhmâŠâ He murmurs. âBigâŠâŠ white.â
âBig white house?â You repeat, making a house shape with your hands. He nods.
âYou wannaâ go home?â
~
After throwing on a pair of dolphin shorts, collecting your duffel bag and giving Lance a generous tip, you have Kyle in tow, fingers laced tightly with his. Jackson Street was maybe a twenty minute walk, something you both could handle.
Despite it going on 3 AM, the streets were still filled with partiers, people in masks, and drinks in their hands. You and Kyle blend in as you walk, heading down the busy roads. Once you arrived at the Mansion, the gates were open, a fine mist spilling into the sprawling yard.
The woman who answers the door is beautiful, graceful and composed. She wears all black, her honey blonde hair cascading graceful over her shoulders.
âGood Evening,â she says.
âGood Evening. Um.. this is going to sound strange, even for Halloween, but, umâŠâ You want to continue. Desperately, but for some reason, you already know the answer. He does belong here. As though sheâd said it to you, plain as day, he belonged here, this is where he stayed.
Zoe and Madison mustâve forgotten him.
Your brows furrow, indignantly. How could they?
Cordeliaâs plump lips flatten into a knowing smile. You swallow, suddenly feeling uneasy. You scratch at the liquid latex on your neck, fiddling uncomfortably with one of the edges of the prosthetic.
âWell, Kyle⊠here you go. Go withâŠ?â
âCordelia.â
âCordelia. Go with Cordelia, youâre home now.â
Kyle seems somewhat hesitant, but when Cordelia holds out a hand, he obeys and lumbers inside, looking over his shoulder at you one last time.
âThank you for bringing him home,â she says, softly. âWould you like to come inside?â Â
You consider that for a second. Deep within the wetness of your bones, and the warmth of your blood, you feel like you should. Thereâs something extremely comforting about this place, but⊠âNo, no thank you. I should be getting home. Itâs Halloween. Weird things happen on Halloween.â
She smiles again. âThatâs quite a bite you have on your arm⊠did Kyle do that?â
âOh, uh⊠yeah. He got a little excited earlier, Iâm a dancer, and uh, yâknow. Men.â
âI have something for that.â
You look down at your bite again, it looks nastier than before. You clear your throat, ready to reject and explain that your older sister is a nurse and sheâll help, but instead, and youâre not quite sure how that happened, youâre walking through the doors. Kyle is delighted to see you again, pausing on the grand staircase to look at you.
Cordeliaâs hands end up being very, very soft.
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Tempered in the Fire - Part Three
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Pairing: Blacksmith!Din Djarin x F! Reader
Summary: Ireland, almost a decade after the rebellion of 1798. You are an unusual woman: married, but alone; a widow, with no certainty her husband is dead. When your local blacksmith is badly injured in an accident and unable to work, you have no choice but to travel to the next forge, run by a man of few words whose uncertain origins and dark complexion make him stand out among the locals. You are immediately intrigued by this mysterious, taciturn figure - and the striking little boy heâs taken as his apprentice.
Word Count: 7.1k
Rating: Explicit; 18+ MDNI (chapter; series)
Content (chapter specific): Blacksmith!Din AU; historical setting; references to violence; references to infertility; references to spousal abandonment; strong language; period-typical misogyny; references to and non-explicit descriptions of past experiences of psychological abuse, sexual assault and non-consensual sex, and of domestic violence; abusive and derogatory language; smut; PiV sex; fingering; technical infidelity; angst.
Use of the Irish language with translations as needed.
Important A/N: In one section of this chapter, Reader recalls exactly how badly treated she was by her husband before he left. This means brief discussion of psychological, physical, and sexual abuse. I have tried to handle these issues as sensitively as possible and without gratuitous detail or description. (I am writing as a survivor of emotional abuse, and I want to express my gratitude for the vital advice and support of other incredible survivors, including of other forms of abuse experienced by Reader in this story).
Further A/N at the end of this chapter.
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RĂ©altĂn snickers as you tie her up hastily outside your little cottage, adrenaline coursing through your body. It doesnât take long to throw a few things in your leather saddle bags: some clothes, your sewing kit and a supply of fabric, the money tucked under your mattress. Itâs not much, but it might be enough to get you out of here before he comes looking.
You wrap your best shawl around your shoulders and go outside to check on your little milk cow, safe in her stall. She blinks her big brown eyes at you, kind and trusting, and you rub her muzzle affectionately.
CĂĄit, your nearest neighbour, peers through the window when she hears RĂ©altĂn trotting up the lane. Sheâs waiting at the door before youâve pulled up, sensing all is not well. You spill out your excuses.Â
âItâs family matters. All happened very suddenly. I canât say more, but Iâll be back as soon as I can - will you look in on my cow, make sure sheâs fed? You can have whatever milk sheâll give you, of course.â
CĂĄit nods, though she seems a little sceptical. âYouâre sure youâre alright, a stĂłr [sweetheart/treasure]?âÂ
You bring the shawl around your head and mount RĂ©altĂn again. âI am. Thanks, CĂĄit. Iâll see you soon.â
Itâs only when youâre halfway to your parentsâ smallholding that you realise you canât stay there, either. In your panic and haste you hadnât thought it through. If Searlas wanted to find you, it would be the first place he came looking.Â
Dusk closes in, and slate grey clouds gather overhead. The heavens open and your tears start to fall as you bring RĂ©altĂn to a halt on a quiet lane.
GrĂł stirs his little bowl of vegetable and barley stew, lifting out pieces of carrot on his wooden spoon before dropping them back in the bowl and giggling at the satisfying plop they make.Â
His father shakes his head. âNĂĄ bĂ ag sĂșgradh le do bhĂ©ile.â [Donât play with your meal.]
The little boy is the first to spot the horse arriving out of the darkness, pointing to the window. Din looks out cautiously, dark eyes surveying the small area outside the cottage illuminated by the candlelight coming from within.Â
Nothing.
The knock on the door is hesitant, and Din silently gestures to his son to stay put as he answers.Â
Sheâs soaked to the skin, red woollen shawl weighed down with rain, eyes reddened and fear written all over her face.Â
It is all Din can do to stop himself reaching out and pulling her close to him, to comfort and reassure her, to make sure she is alright. Instead, he simply stands back and beckons her inside.
She babbles her explanation: the errant husband returned, in the army, her worry that he would seek her out.Â
âIâm so sorry, Din, I⊠I just didnât know where else to go.â
Sheâs shaking, and he doesnât know if itâs the cold rain or her panic thatâs doing it.Â
Before Din can speak, GrĂł has materialised at her side, and reaches up for her hand. His big eyes look up at her with the kind of affection Din has only ever seen the boy show to him, and at times to PeigĂ.Â
She looks from GrĂł to his father and back again. And then she breaks down.
âThere isnât much left, Iâm afraid. But youâre welcome to it.â
Din looks from the cooking pot to you, sitting in a chair by the hearth with a blanket wrapped around your shoulders as your shawl and outer bodice dry out.Â
âIf youâre sure?â
He nods and ladles the stew into a bowl. You accept it gratefully, realising that it had been many hours since you last ate. It is a simple meal and all the better for it, the steaming broth warming your bones and the vegetables and barley filling your empty stomach.Â
Din sits in the other chair and scoops GrĂł up into his lap. The little boy smiles in your direction as you eat, and you notice heâs wearing the little shirt you made for him. You summon up the words, speaking hesitantly.
âAn mhaith leat do lĂ©ine, GrĂł?â [Do you like your shirt, GrĂł?]
His enormous eyes light up and he nods enthusiastically, turning round to look up at his father and laughing delightedly at hearing you speak his language. Din ruffles his sonâs fair hair and smiles at you.
âThank you for mine, too. You didnât have to. Iâll make sure youâre properly paid.â
You nod towards the bowl of stew. âThis is payment enough. Once my things are dry Iâll get going. Iâm sorry, I didnât mean to put you out. I panicked, and -â
GrĂł sighs and nestles in against Dinâs broad chest, trying to keep his eyes open but losing the battle against sleep. Din stands, carefully shifting the little boy in his arms and gesturing with a tilt of his head towards the loft.Â
âStay.âÂ
âIâve already outstayed my welcome, Din, I donât know what I was -â
âStay.â He repeats the word, half-order, half-plea, as he stands at the foot of the makeshift wooden ladder leading up into the loft.Â
You nod, watching as the blacksmith expertly ascends with his son in his strong arms, a lantern in one hand. Din is wearing a sort of woollen jumper over his old shirt, and you canât help but notice the stretch of the knitted fabric across his broad back and shoulders, the way it draws the eye to the muscles of his chest.Â
An unexpected wave of pleasure ripples through you. You shake your head, as if trying to rid your body of the feeling.
While Din tucks GrĂł in, quietly humming to him, you rinse the bowls from dinner and tidy up the main room of the cottage. Thereâs what looks like a settle bed against one wall, and what you presume is Dinâs bed against the other, near the back window: a basic frame, simple bedclothes, a trunk at the foot of the bed.Â
âSo youâll stay?â
You turn to face Din, speaking in hushed tones as he descends the ladder. âI will stay for tonight.â
He looks at you, dark eyes hooded and serious. âYou should stay as long as you need to. You are afraid of him, and I presume with good reason.â
âHe might not even come looking for me. Heâs gone so long, after all. But -â You pause as the traumatic memories of the past swirl in your mind. âBut him reappearing like this, and in uniform⊠He is not a good man.â
Din tilts his head and looks at you. You are grateful that he doesnât pry further. âI can keep you safe here. Heâll never know.â
Before you can protest, heâs crossing the room and pulling out the rectangular, boxy bed frame from underneath the settle and rummaging in a small cupboard for blankets and pillows. âYou can sleep here, if youâd like. Or in my bed, over there. Either way, Iâll sleep in the back store, or the forge.â
âAbsolutely not. That back little room is too cold, too small. And the forge is no fit place for someone to sleep.â You help him arrange the bedding for the settle bed. âI grew up sharing a one-roomed cottage with my entire family, Din. This is no hardship at all, nothing irregular, as long as you donât mind.â
He shakes his head and retrieves a half-burned candle from the mantle above the hearth, lighting it from the small lantern before handing you the lamp. Din leaves you to get ready for bed, taking the candle and going to change in the back store so that you have privacy. He calls out to you, checking that he can come back into the main room.Â
âCome ahead, Din.âÂ
Tucked into the settle bed, you can barely make out his silhouette as he comes into the room. His solitary candle illuminates his strong profile as he gets into his own, wooden-framed bed across the room.
âAre you comfortable? Warm enough?â His voice, soft and low, carries in the quiet.
âI am. Thank you for this. I am so grateful.â
âSleep well.âÂ
Lights extinguished, you can hear Din shift in his bed and his breathing enter a slower, steady rhythm as sleep descends.Â
You lie awake in the dark, thoughts racing. So Searlas had fought for something - for his kingâs shilling, no doubt, and they were only too desperate for men to fight in the wars against France. Searlas had spat bile and vitriol in â98 about the United Irishmen and the Defenders, the groups that had led the rebellion, blaming dangerous French ideas of liberty, equality and fraternity for poisoning peopleâs minds.Â
It made sense, now, that heâd have abandoned you to take up arms against those ideas. But you knew Searlas too well for it to be a moral crusade, or a stand taken on principle. Most likely, heâd spent the intervening five years doing as little as possible for as much reward, and probably whoring his way around Europe.
You try to push him out of your mind as you seek sleep, your brain seeking comforting thoughts and images until it settles on the recent memory of a pair of sparkling brown eyes, looking at you in the firelight.Â
Searlasâs hand is rough around your arm, and you know youâll have a bruise there tomorrow. He drags you away from the fair and along the back road from the village, muttering abuse as you jog along trying to keep up with him.Â
âI saw you talking to him. The way you looked at him, the way you whored yourself around him. Filthy slut that you are.â
âSearlas, heâs my second cousin, I havenât seen him in yearsâŠheâs family, I was talking to family!â
He pulls you harder to him before knocking you, deliberately, into the thorny hedgerow that runs along the dirt road.Â
âWatch yourself. You should be more careful of your footing. Stupid bitch.â He hauls you up and pushes you roughly along the road.Â
âWhen we get home, Iâll show you what happens when you act like a common whore in front of the whole place.â
âSearlas, please, please donât, not againâŠâ
âYouâre a fat, useless, barren slut.â He spits the word at you. âAnd youâll take your punishment from your husband.â
You have learned since the first time he âpunishedâ you this way that crying out, or crying at all, only prolongs the agony. So you try to will your mind out of your body as your husband pulls your legs apart and pins down your arms, spitting insults as he forces himself on you.
You are not really here. You are in the back field, in springtime, with wildflowers in bloom. You are looking at the slate-grey sea, wind whipping at your face and hair. You are not really here, not really at the mercy of this cruel and violent man.
Sometimes, you try to focus on the words of the songs of liberty you know, the poems that sing of a dream of freedom.
You are not really here. You are free.Â
You wake with a start and for an instant you canât remember where you are. A sickening panic thrums through your body and the sides of the settle bed feel like theyâre closing in on you.
You sit up and turn your head only to be greeted by a pair of big dark eyes, staring intently at you over the edge of the bed. GrĂł smiles widely and begins chattering away, unaware that your addled brain is unable to keep up.
Dinâs broad figure emerges from the back room, carrying a pot that he places on the metal crane over the fire, to warm its contents. He tuts when he realises that GrĂł is by your bed.
âNĂĄ bac lĂ©i,â he says, somewhat sternly. âTĂĄ sĂ an-tuirseach.â [Donât disturb her, sheâs very tired.]
GrĂł turns and reveals your head and shoulders, visible over the edge of the settle bed.Â
âYouâre awake. Iâm sorry, I hope he didnât wake you. Heâs young, he is curious.âÂ
You shake your head and reach for your shawl, wrapping it about you. âNot at all. I⊠I woke by myself.â
Din beckons to his son and leads him by the hand in the direction of the door that opens onto the forge. âWeâll leave you for a bit. Thereâs some warm water in that pot over the hearth, if you want to wash. And a basin and rags, on the table.â
âThank you, Din. Iâll be glad to make some breakfast once Iâm dressed.â
He inclines his head towards you and carries the little boy into the forge.Â
While Din works and GrĂł helps out around the forge, you busy yourself with cleaning, mending, and preparing meals for your hosts, by way of a thank you for their kindness. The cottage is well-kept and tidy - an indicator of Dinâs meticulous nature, you muse - and doesnât require more than a little dusting and sweeping to get it ship-shape again once youâve pushed the settle bed back under the seat.Â
The midday meal is simple - floury potatoes, piled high in a bowl, and served with butter, milk, and a little salt for Din. GrĂł eyes up the fresh pot of jam you had brought in your saddle bags, but his fatherâs wagging finger dissuades him as he eats his own little bowl of potatoes. Sitting at the wooden table, sharing the meal with them and listening to the chatter between father and son, you feel that familiar pang of loss, of yearning for what might have been.Â
You distract yourself by thinking about the evening meal.Â
âI can stay and make something for the supper, later,â you announce, as Din lifts his head and meets your gaze with those penetrating dark eyes. âAnd then Iâll leave you. I canât abuse your hospitality any more than I already have.â
The blacksmith shakes his head as he peels another potato and dips it in the golden-white liquid in his bowl. âAt least wait until you know itâs safe to return.â
You know, deep down, that itâs still too soon to know. But you also know that the smith and his son are already just about able to feed two people, let alone three.
Din turns to his son and ruffles his hair as GrĂł closes his eyes in delight. He whispers to him and the little boy grins before hopping off his chair and racing out to the back field, whooping and laughing to himself.
His father stands up and begins to help you clear away the empty dishes.Â
âYou - you were unsettled in your sleep, last night.â
You keep wiping down the table. âWas I?â
You can feel Din looking at you. âYou were. And this morning. You sounded upset.â
âProbably just a bad dream.â
Din sighs and hesitates before asking the obvious question. âWas it about him?â
âIt was.â
Tension crackles in the turf-scented air of the cottage. For an instant you think about telling him everything: every fist, every bruise, every torn garment, every time your husband used and violated you in spite of your protests.Â
The image of Din wrapping you up in his strong, protective embrace floats into your mind, unbidden.
He breathes deeply. âHe hurt you.â
âHe did.â You finally look at the blacksmith, whose soft, compassionate expression comes as a surprise. âI felt more of his fist than his lips, I suppose you might say. But that was better than -â
You inhale sharply, summoning as much courage as you can bear. It is difficult to know how Din will react. But thereâs something in your gut that tells you he can be trusted, unquestioningly.
âIt was better than the alternative. When heâŠforced himself. OnâŠon me.â
You stare down at the floor and feel heat rising in your cheeks. You have never told another soul about this, and are unsure why youâve unexpectedly chosen this stoic man to be the first to know.
The silence hangs heavy between you, broken only by the sounds of your breathing and the crackle of the hearth.Â
When he eventually speaks, Din chooses his words carefully. âYou have to stay out of reach of a man like that. If you could even call him a man.âÂ
He picks up his leather apron and the grey fabric he uses to cover his nose and mouth while he works, and opens the door into the forge, pausing for a moment as he looks back at you.
âStay. Please. Until you know youâre safe from harm.â
You wake before him the next morning, stealing out of the settle bed to dress in the back room, before quietly putting on water to boil for breakfast and freshening up. There is still some milk in its heavy, lidded container and you pour it into an earthenware jug before setting it on the table.
You hear a stirring from the other side of the room as Din lifts his head from the pillow and yawns, somewhat startled at the sight of you. You bite back a giggle at his skew-whiff bed head, the wavy brown strands sticking up this way and that as his eyes adjust to the light.
He smiles and shakes his head when he realises youâve prepared breakfast.
âYou didnât have to do that.â
âI was awake, and I wanted to. I have to find some way to return your hospitality, after all.âÂ
Din discreetly reaches for the pair of breeches folded neatly near the end of the bed, and you instinctively turn away as he slips them on before getting out of bed and climbing the ladder to the room above, where GrĂł is already happily babbling away to himself.Â
The blacksmith and his son head to the forge after eating, after you refused their offers of help with clearing up after the meal. As you wash the dishes in a stoneware basin, using some of the leftover hot water, you find yourself slipping, once again, into a fantasy of this being your life: this happy, safe domesticity, away from harm and mistreatment.Â
The memory of the soft smile that had appeared on Dinâs face that morning, when he saw you preparing their meal, enters your mind. You close your eyes, a rush of warmth and something like desire coursing through you.
âNo.â
His eyes, now, warm and kind and so inviting as they looked at you. The glimpse of tanned skin under his nightshirt.
âNo. It cannot be. No.â
You open your eyes and delve deeper into the tepid water, scrubbing the plates and mugs clean and resolving to leave today - just as soon as you could be certain no danger awaited you at home.
At mid-morning, the sudden sound of a womanâs voice inside the cottage is almost enough to make you drop the bundle of clothes youâre carrying inside from the washing line.
Sheâs small, with an unruly mop of wild auburn curls, and a demeanour that indicates her wiles and toughness.
PeigĂ. It seems strange to see her here, away from her yard full of half-mended carts and spares.
She doesnât spot you at first, too busy hauling in a milk can and a couple of baskets filled with random packages wrapped in brown paper. Food, you guessed.
âOnly me, lads! Came by with milk and a few bits and pieces I have going spare after calling into the village, I know a growing little chap whoâll eat them right up, so he will. Dâyou know they changed the coterie of redcoat bastards at the barracks, Din? And one of themâs a local lad, fecked off and left his wife there a few years ago and now heâs back and heâs going mad looking for her and -"
The woman finally looks up and sees you standing near the hearth.Â
âOh. Oh, lord bless us and save us!â
âHello, PeigĂ. Iâm sorry, did I give you a fright?â
She rounds the table to get a closer look at you. âGod almighty, girleen, it is you!â She pauses and takes a step back, concern written on her expressive face. âDid⊠did you know about, er, him? Reappearing, that is?â
You nod. âThatâs why Iâm here. And by the sounds of it, that was the right thing to do.â
She turns her head quickly towards the door that leads to the forge, as if half-considering whether to summon Din to find out what, exactly, the wife of the prodigal soldier is doing lying low in his house.Â
âYouâre not⊠ye arenât⊠you and himself, are youâŠâÂ
Itâs pretty clear what PeigĂ is thinking, and you canât exactly blame her. An anxious wave crashes through you, as you realise that your choice of hideout may well lead the community at large to suspect impropriety - on your part, of course.Â
âNo. And if anyone else suggests that, kindly correct them on my behalf.â You put the bundle of clothes on the table and fold your arms. âI had nowhere else to go that he wouldnât suspect. I came here in a panic. Din and GrĂł took me in and fed me.âÂ
PeigĂ lifts the baskets onto the table, a sympathetic expression on her face. âWell, your instincts were right. Your husband - not that he should really claim the title, given how long heâs been gone - has been out to your smallholding looking for you, and to your parentsâ place, and heâs been asking around for you.âÂ
She takes a few of the packages out and arranges them into little piles. âLook, I donât know your business but Iâm guessing you have a good reason not to want to see him again, for being so frightened that youâd flee your own home. So you can trust me, I wonât say a word.â The earnestness of her expression and the kindness in her eyes tells you that she means it.Â
âThank you, PeigĂ. Iâd intended to go home later today, I canât outstay my welcome, butâŠâ
âBut Iâd give it another little while,â she finishes. âUntil he decides youâre not worth the bother.â
The door from the forge opens and Dinâs broad silhouette appears, face still covered with the grey cloth. âPeigĂ?â
âThe one and same, Din. Brought you and that lovely little lad some bits and pieces. Now, whereâs my darling boy?â
On cue, GrĂł tears in from the forge, little bare feet racing across the flagstone floor to greet PeigĂ with a tight hug as she sweeps him up into her arms. He immediately starts chattering away to her, pointing from his shirt to you excitedly.Â
âWell, arenât you a lucky little chap, having new friends to make you clothes and everything!â She swivels around to face Din, his son playing with PeigĂâs curls. âYou donât need to explain why sheâs here, the poor girl. And she should stay put, in my opinion. Provided thatâs alright with her hosts, of course.â
âWhat have you heard?â Dinâs voice is cautious.
âOnly that heâs been sniffing around the place and asking questions. Nobody knows sheâs out here, though.â She ruffles GrĂłâs mop of fair hair. âYou know me, Din, I know everyone and I hear everything. And Iâll be out here quick as anything, the minute I know itâs alright for her to go home. That alright with you, girleen?â
âIf itâs alright with Din.â
His dark eyes meet yours. âItâs fine with us. We will keep you safe.â
PeigĂ looks from you to Din and back again, eyes narrowed and one eyebrow arched, before setting GrĂł back down on the ground.Â
âRight so, Iâll be off. See you next week, Din - if not before.â
You keep telling yourself that youâll soon be able to go home. But, with every day that passes over the course of the next week without a visit from PeigĂ, a new, more uncomfortable feeling grows inside you.
I donât want to leave here.
You settle into a comforting, reassuring routine: a little housekeeping and cooking, mending and sewing, playing with GrĂł, occasionally helping Din with checking the list of items left for repair. GrĂł alerts you if anyone comes down the lane to the forge, giving you time to scramble up the ladder to the attic and hide. Itâs not that you expect Searlas himself - more that you fear heâll find out if anyone from the locality spots you in the cottage.Â
You notice Din smiling more, these last few days. Sometimes, you catch him looking at you, eyes kind and warm. And he, in turn, has caught you looking at him.
By night, you sit by the fire together for a little while: you with your mending or knitting, talking, sometimes - and more you than him - but sometimes simply being in a companionable silence that doesnât demand interruption.Â
This evening, he descends the ladder from GrĂłâs sleeping attic, candlestick in hand, and sets the light back on the mantel. The flickering flame throws shadows here and there, the brighter light of the fire illuminating Dinâs profile against the whitewashed walls.
He joins you, sitting in one of the sugĂĄn chairs in front of the fire. He silently watches you, taking in your nimble fingers as you darn a pair of socks by firelight.
âYou have a nice voice,â you say quietly, not even looking up from your work.
âIâŠâ He seems a little taken aback. âAre you making fun of me?â
You look up, surprised and a little hurt that heâd think that of you. âOf course not! I heard you singing to the little lad and it was nice. Itâs a compliment, Din.â
He looks sullenly into the fire. You reach over to pat his arm, to offer a little more reassurance and kindness, but he pulls away suddenly as if your fingertips were aflame. You jerk back your hand just as quickly. Had you broken some sort of rule?
âIâm sorry, Din, I didnât mean to - I meant no harm.â You cast your eyes down again towards the stockings.
âItâs only that Iâm not used to it.â
You look up quizzically. âNot used to compliments?â
He meets your eyes and huffs a laugh. âWell, thatâs true too. But I mean I am not used to being touched. At least, not by anyone other than my boy.â He looks away again. âIâm the one who should be sorry.â
âLetâs call it evens, then, will we?â You yawn softly and let the darning rest in your lap. âI think it might be time for bed.âÂ
You go through the evening routine established with quiet ease over the past few days: packing away your darning while Din smothers the fire and pulls out the box-like bed frame of the settle bed for you, setting out the few meagre cups and plates for breakfast on the sturdy wooden table while he retrieves pillow and blankets for your bed.Â
âThere might just be enough jam for GrĂł to have for breakfast,â you tell him, peering into the bottom of the last jar youâd given them. Din stands beside you at the table and smiles.Â
âHe makes light work of it, Iâm afraid.â
You shrug and place the jar on the table, resting your hands lightly on the edge. âIâm glad. Itâs nice to make a child so happy in this world.â
For a moment, thereâs no sound except the occasional crackle of the candles and the rain beating its steady rhythm against the walls and windows of the little cottage.
Din rests his own broad, calloused hands on the table. With trembling fingers, he places his right hand gently on the back of your left.Â
He doesnât look directly at you, instead stealing the odd glance as he tries to gauge your reaction. You turn your hand over so that your palm is touching his, letting your fingers intertwine with his long, thick digits as you softly squeeze his hand and turn to look at him.
His hands are still shaking a little, but his impossibly dark eyes are warm and wanting as they look intently into yours.Â
He moves a step closer. He brings the back of your hand to his lips. You exhale a little, a breath tinged with pleasure and surprise, and your fingers seek out the rough stubble on his jaw. He lets go of your hand, gently, and traces his fingertips across your cheek with surprising delicateness.
His kiss is a little awkward, at first, as if heâs afraid you might disappear entirely as soon as your lips meet. When you lean in and reciprocate, though, he responds in kind: strong arms pulling you close as he kisses you hungrily, moaning into your mouth as you wrap your arms around him.
And then itâs over.Â
He breaks away, breathing shaky, body almost trembling, face turned away from you.Â
âNo. We canât. Youâre⊠youâre married, itâs not the way to - Iâm sorry. I shouldnât have laid a finger on you.â
You walk quickly to the settle bed, keeping your back turned to Din. âIâll go in the morning. Iâve exploited your kindness for far too long as it is.âÂ
His own bed creaks a little as Din sits on it and sighs. âYou wonât be safe. I can protect you, here.â
âIâm a married woman, Din, remember?â You fling a pillow down onto the straw-filled mattress in frustration. âSo I shouldnât need you to protect me. And Iâd obviously only be a temptation. A harlot.â
You pick up your nightshirt and shawl and cross to the door that leads to the tiny back room, so that you can change for bed. You keep your face turned away and your eyes trained on the flagstone floor. That way, at least, he wonât see your tears.
âThe thing is, Din,â you say quietly, as you pause in front of the simple wooden door, âover the last few days - in all the time Iâve known you, indeed - youâve been more husband to me than he ever was, in the ways that really mattered.âÂ
âMo chuisle.â [My darling]
His voice, soft but pleading, cuts through the stillness like a prayer. When you turn to face him, heâs standing by the side of his bed, big dark eyes threatening tears of his own, beautiful hands twisting and rubbing nervously together. Youâve never seen him like this.Â
âSay it again.â You move towards him, shawl wrapped around your upper body.
âMo chuisle.â He takes your hand and you instinctively move closer, leaning in to feel the warmth of his broad chest. Slowly, cautiously, Dinâs strong arms reach around your body to hold you to him.Â
You stay like that for a few moments, listening to his heart beating, learning the notes of his scent: fire and metal. His large hand caresses the back of your head, his lips find your cheek with soft, lingering kisses.
âLet me keep you safe, mo chuisle. Here, with us.âÂ
You look into his dark eyes, mapping the laughter lines around them and the contours of his nose, his mouth, his strong jaw.Â
When you first met Din, you werenât sure if he was a handsome man or a striking one. You were wrong on both counts.Â
He was a beautiful one.
He holds your gaze for a few seconds, before your lips meet his again. Slow caresses give way to more urgent, hungry kisses, your hands holding Dinâs face as he holds you tight, feeling the softness and contours of your body under the layers of wool and cotton in your garments.Â
You stay like that for a little while, lips and tongues blissfully moving together and hands roaming over each otherâs body, exploring these strange and enticing new territories.Â
Din trembles under your gentle touches, the feeling of someone elseâs tender caresses almost overwhelming after so long alone. For the first time in your life, you know what it is to be held and cherished with care as he holds you, seeks out your softness and your warmth, presses his lips experimentally to the fragile skin of your neck and dĂ©colletage, and sighs with pleasure.Â
His mouth moves gradually lower, and you loosen the neck of your blouse and undo your light wool bodice to grant him greater access. Those long, thick fingers, marked and calloused by his trade, trace the line of your breasts under your short linen stays. Â
âOh.â He exhales the word, closing his eyes as his fingertips press lightly into the soft flesh.Â
âDinâŠâ
Dinâs dark eyes flick open and meet yours, his sadness palpable. âIâm sorry, mo chuisle, Iâll stop.â
You murmur a silent prayer that he wonât think less of you for what you say next.
âDinâŠdonât stop. I - I want to. I want you. I want you to have me. Please.â
He flushes and looks away, still holding you close.Â
You speak softly but firmly. âI know thatâs very forward of me, Din, butâŠâ You run your fingers idly through his hair and he leans into your touch. âWhy did you turn away?â
âBecause Iâll be a disappointment to you.â His eyes meet yours again, dark and sad.Â
âIt has been aâŠlong time.â He looks embarrassed, colour flushing his cheeks. âIâŠIâve lain with, wellâŠonce or twiceâŠbut IâŠIt wasnât like this. It wasnât -â
âIf you donât want to, you know thatâs perfectly fine.â
âI want to. I want you.â He pulls you tight to him once more, and brings his hand to your breasts, gently kneading the flesh and slipping a fingertip here and there under your light stays as he sucks your neck and pulls your bodice open all the more.Â
âI wonât hurt you, my darling,â he murmurs.
âOh, Din, I know. You never could. Let me undress for you, a stĂłr, hmmm?âÂ
Din looks on as you discard your bodice and your skirts, followed by your woollen stockings. You undo your short stays, leaving you as naked as youâve ever been in front of another human being for a very long time: just your pale, light shift, undone over the dĂ©colletage and stopping just at mid-calf, the outline of your body entirely evident in the simple, thin undergarment.Â
His dark eyes appraise you, mouth slightly open. The width and curve of your hips. The thickness of your thighs. The little protruding pooch of your belly. The line of your shoulders. The gorgeous weight of your heavy bosom.
âOh, mo Dhia.â [My god]
Din hastily takes off his knitted pullover and undoes his breeches and stockings, and soon he, like you, is standing barefoot on the flagstone floor, dressed in just the creamy-coloured linen of his undershirt. He closes the short distance between you, caresses your cheek with one hand and reaches for the other, holding it gently.Â
âPlease take me to bed, Din.â
Itâs strange, at first, to nestle beside him in his bed, to smile at each other and giggle quietly as you map each otherâs bodies with roving fingers, curious lips, and wandering eyes.Â
You are no virgin. But this has some of the sweetness and curiosity of a first time, or at least how you had once hoped a first time would be. On your wedding night, Searlas took your virginity and shattered your romantic delusions, adding insult to injury by checking the sheets to see if youâd bled.
Itâs different tonight, here in the blacksmithâs bed. You are both a little awkward, a bit hesitant from your years alone, the time spent seeking a kind of release in your own hands, the years that passed without as much as a loving touch from someone else.Â
The feel of another now, at last, sets you trembling. Dinâs breath hitches when you caress him through the thin linen of his undershirt, and when you reach under his shirt and wrap your fingers around his cock he moans so loudly that you have to put a hand over his mouth, for fear of waking the little boy soundly asleep on the floor above.
You stroke him for a little while, hand still gently pressed over his lips to stem the flow of grunts and moans that threaten to spill out.Â
âIâll stay quiet if Iâm kissing you, mo chuisle,â he whispers against your hand.
You smile and move your palm away, and Din swiftly finds your mouth again as his hands grope your breasts. Itâs exquisite torment - the sheer pleasure of his strong, broad hands being on you, his soft, warm mouth meeting yours, while the ache between your legs grows more and more insistent.Â
You take his hand and gently guide it under your chemise and between your folds. Dinâs eyes widen.Â
âEver touched a woman here?â
He shakes his head.Â
âWould you like me to teach you?â
A slow, entranced nod of agreement.Â
You bring his long, thick pointer and middle fingers to the sensitive little nub youâve learned to massage when you needed release in your years alone, guiding Dinâs motions as you teach him what you like. What you need.Â
Heâs a quick learner, enraptured by the little whines his fingers start to pull out of you and the way your hips buck in response to the careful touch of his hand. He reaches for your breasts with his free hand, fondling them with endearingly clumsy enthusiasm while he continues to finger you.Â
âYouâre wet,â he grunts into the side of your neck, fingers now tracing around your entrance as he explores you for the first time.Â
âFor you,â you whisper, close to coming. âBecause I want you to have me.â
Dinâs kiss tips you over the edge and you whine against his broad chest as pleasure courses through your body. He looks astonished.Â
âGood?â
âSo good, Din,â and you return his kiss, still stroking his cock. âYou learn fast, a stĂłr.âÂ
His eyes are dark with desire and want as he plays with the hem of your chemise, hitching it up over your thighs.Â
âCan I have you, mo chuisle?â His voice is hushed, reverent, almost; his face open and genuine as he gazes into your eyes.Â
You nod and sit up, casting off your shift before helping him out of his shirt. Your fingers trace over the marks and scars on his body, lips pressing lightly to them, to the strong, beautiful muscles of his arms and torso, to the side of his neck.Â
With his pointer finger, Din draws soft lines and circles down your breasts and around your nipples, before gently bringing his warm, plush lips to each one in turn. Strong arms wrap around you and ease you down onto your back as his mouth continues to explore your body. He strokes his cock and moans softly as your hips buck up towards him, marvelling at the way you are responding to his touch.Â
He is a beautiful sight, nestled between your legs: broad body above yours, hands and lips exploring you, eyes blown completely dark with desire, and hard cock pressing against your core. You wrap your arms around his neck and pull him down for a long, deep kiss.
There is no moment of doubt in your mind, no worry about how this lovemaking is âwrongâ, by virtue of the legal status that still binds you to a man who never held up his end of the bargain, nor had any intention of doing so.Â
Nothing in your life, you realise as you reach down to help guide Din inside you, has ever felt so right.
He takes you slowly, gently, biting his lip as he sinks into you and bottoms out with a groan he desperately tries to suppress as he adjusts to the feel of your wet, warm pussy.Â
He opens his eyes and caresses your cheek, smiling softly. âMo cailĂn ĂĄlainn. [My lovely girl.] Is this - do you like this?â
The feeling of his heavy cock pressing, filling, stretching you so beautifully is a revelation, a far cry from the pain and abuse that characterised your previous experiences. Suddenly, you understand why other young couples youâd known had been so desperate to go to bed together. Â
âItâs just perfect, a stĂłr. And for you, is this - does it feel good for you?âÂ
Din breathes your name and closes his eyes for a moment. âSo very, very good, mo chuisle.â With a gentle kiss, he begins to move his hips as you whine softly at the gorgeous sensation. He moves slowly, at first, his sheer pleasure as he drags his cock in and out of you written all over his face and in every pant and whispered gasp of your name that issues from his soft lips.Â
Your knees hitch instinctively, your body acting on your innate need to take him even deeper inside of you. Dinâs broad, calloused right hand finds its way to your hip, making you cry out as his fingers sink into the soft flesh, while his left eagerly gropes and massages your tits.Â
âThatâs it, darling,â you purr into his ear, urging him on as he starts to fuck you harder and faster. âYes - yes, Din, there - thatâsâŠoh, godâŠâ His eyes widen as he watches your head rolling back in ecstasy. He buries his face against the velvet skin of your neck, kissing and licking and nipping you until youâre stifling your moans against his dark, wavy locks.Â
âMy good, good girl,â he whispers, moving his lips to your tits and muffling his grunts and groans against your body as his rhythm starts to stutter and falter. Heâs close. âWhere, love?â
âInside me,â you hiss, âfinish inside me.â
He comes hard, moaning into his pillow as he spills his release deep within you. You trail your fingers through Dinâs damp, mussed-up hair and kiss the side of his head, over and over, until he pulls out and flops back beside you.Â
You turn to face him, chuckling softly at how wrecked he looks. âYouâre very good at that, you know. Not bad for a man who thought he was going to disappoint me.âÂ
Din grins, wraps an arm around you, and pulls you in for a long, slow kiss.
Dawn reaches its gentle rays into the little cottage and finds two lovers still tangled together, naked beneath the blankets.Â
Din wakes you with kisses: to your lips, your forehead, your cheeks, your neck. You nuzzle against him, still basking in the warm glow created the night before.
Thereâs a certain sadness in his kind eyes. Regret?Â
âWhat is it, Din?â
He looks at you, reluctant. âI just wish you were mine, mo chuisle.â
In that instant the warm glow is gone, replaced by stark cold. Heâs right. Youâre not really his. You canât be.Â
But, says a little voice inside you, you are. What else are you, if not his?
You kiss his cheek and reach for his hand. âI am yours, Din. Donât you remember what I said last night? Iâm yours - and you are mine - in all the ways that truly matter.â
Further A/N: With thanks to @agentjackdaniels for her astute observation a long time back about the similarity between mo chuisle and mesh'la!
A settle bed was a common piece of furniture in eighteenth and nineteenth-century Ireland. Essentially, it was a kind of high-backed bench with a deep base that could be pulled out to act as a spare bed. A sugĂĄn chair is a traditional Irish form of domestic chair with a woven straw seat and wooden frame.
#tempered in the fire fic#din djarin au#blacksmith!din djarin#blacksmith!din djarin x f!reader#din djarin fanfiction#historical AU#the mandalorian AU#the mandalorian fanfiction#pedro pascal character fanfiction#pedrostories
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Hi caro hope you're doing well ! I was wondering what Billy magnusen body type was ? His features are like soft and rounded ,even his muscles, I thought maybe a romantic or a natural type ? Anyway thanks and have a great day đ
Billy's a Pure Natural Kibbe body type imo! đ
Torso + face + hands sport width, blunt shoulders, rather tall at 1,80cm, slim hips, strong thighs, arms & face more compact than elongated, neither petite nor balanced, frame dominant. All pure soft yang indicators. Like all Ns, he easily gains a muscular physique with the shoulder area most prominent.
Face: Neither slim/long like D nor full like R, nor contrasting in features like a G. SC could be possible and would be my second guess (he's often dressed as a C), tells me he's in the middle of the spectrum, but the body is too T-shaped + muscle-prone to be balanced. Kibbe's N face description:
"Facial bones are broad or prominent (nose, cheeks, jawline - blunt, not sharp). Eyes may be very straight and small. Lips are straight and slightly thin. Cheeks are taut." That's Billy! (i.e. very goodlooking)
Naturals are close to men's cultural beauty `idealÂŽ (FN), but less imposing, lanky, nor as asymmetric. They radiate "friendly, sporty, fit, handsome" instead. They're not thinly modelesque like otherworldly intimidating Ds, not flawlessly dandy-like Cs, not petitely youthful like G, nor softly rounded like Rs. They are effortlessly, likeably masculine with athletic blunt frames.
Charlie Hunnam, Frenkie De Jong (!), Robert Redford, Jensen Ackles, Alexander Ludwig, all from the N family, they resemble him.
Billy's roles have been a mixed styling bag (D and C clothes are too formal/boxy and sleek on him, R is cartoonishly ornate, G is too much), but the Instyle photoshoot... The lumberjack/rugged leisure look with minimal tailoring slash detail + strong fabrics is his forte. Pure Natural is THE casual archetype. To dress N up, you dress them down. All else is artificial.
Beard, looser longer hair, earth colors, the Kibbe recommendations really transform him. He becomes so much more intense, and even more handsome. Relaxing the lines, voila:
I first thought SN for him, too! But compare Kit Connor, Soft Natural incarnate: Billy's less yin. Kit is mega buff, but with notable lushness and an hourglass on top like a Romantic. The softness adds to his bevelled/wide/athletic N bone structure, around his cheeks, legs, chest, jaw, lips. He's both N and R.
Kit's not R, he towers over petite Joe Locke (FG)'s yin height. But even at his most muscular, Kit is still full and rounded in flesh instead of tautly ripped and T-shaped like Billy. Gratuitous pics incoming:
Typecasting them, Kit is the cute n sexy sports guy next door (N + R), Billy is the fun jacked athlete going on an outdoors adventure (N). SN is more androgynous, small, like Tom Hardy, Jungkook. Rs and TRs are below Billy's height range (e.g. Jimin); have curly yin hair, sloped shoulders, full lips, rounder eyes, think Nick Jonas, Kit Harrington.
Natural is less petite, and their arm/shoulder/rib area is always the most powerful part of their body. They're a wall, have more vertical. I can see some softness in the arms and thighs but the face isn't as luscious/sweet like yin. Just naturally (pun) athletic.
Hope you enjoyed the analysis and found it helpful! <3
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FRANKIE SAYS RELAX (Frankie Morales x fem!massage therapist!reader) ***teaser***
18+ explicit content - with peace and luv, MDNI*
A/N(s): Title is a mashup of the song title Relax by Frankie Goes to Hollywood (a fitting 80âs song about getting your nut!) this wonât be everyoneâs cup of tea, if you donât like it respectfully move along ok? Ok.
Warnings: BUTT STUFF GALORE (Frankie receiving!!!!!), sub!Frankie, inappropriate / unprofessional massage therapist behavior but they already know each other and are friends prior so itâs kinda less bad? ITâS CONSENSUAL and this is a work of fiction!!!!, dirty talk, praise KINK, pet names used in excess, mutual sexual tension, dirty thots (reader & Frankie!), gratuitous descriptions of frankieâs body ody ody, this is just super horned up, author regrets nothing
Frankie sheds his clothes, boxers and all, and slips under the thin sheet. He doesnât dwell too long about his nude state, knowing himself well enough that heâd chicken out and never show his face around you ever again.Â
You knock softly on the door and wait a beat until you hear a response from the other side. You call out to him too, âyou good, Frankie?â
âIâm uhâready,â he responds.Â
You practically melt into a puddle when you are presented with an unobstructed view of his broad back and shoulders. Heâs fucking gorgeous.Â
You wonder if anyoneâs ever told him how beautiful he is. Your eyes follow each line of definition, particularly intrigued by the prominent lines that trail up and out from his lower back.Â
 Your self-indulgent gaze lands on his ass. Itâs cute, adorable even. The thin material covering his lower half leaves little to the imagination, the perky and plush flesh of his butt calls out your name.Â
Youâve had plenty of attractive clients before, but never any you actually wanted to touch outside of the massage, and none of them were Frankie fucking Morales. Your moral compass and professionalism are fighting tooth and nail to keep you grounded.Â
âOkay, Iâll start with a gentle touch and once you get used to it, I can do it harder,â you say, and immediately cringe at your word usage. You half-ass salvage it by adding âyou know, increase the pressure as I go.â You hope he canât hear the shaky exhale you release.Â
#frankie morales smut#frankie morales x reader#frankie fic#frankie morales x f!reader#frankie morales#frankie catfish morales#catfish morales x reader#pedro fics#pedrohub#pedrostories#pedro pascal fandom#signal boost#ao3 fanfic#fanfiction smut#smut#small creator#small writer#support creatives#support writers#Frankie morales is babygirl#sub!frankie#smut smut smut#clawing at my cage#fanfic writer
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Shadowheart leads them down from the House of Grief into the Sharran catacombs below.
Upstairs was warm, welcoming, as part of its facade as a place of healing and comfort. The cloister offers no such illusion. It is cold, the walls lined with shadows, the only light from flickering torches set every few feet.
(A/N: Fun fact - the scene is lit to appear as if light is coming from barred windows above the player, but I had a look around with freecam and there's nothing there, just solid wood. XD )
A few locked doors provide little resistance to the blade of Lae'zel's greatsword. Shadowheart explores the secured rooms with a strange combination of nostalgia and pain.
In one room, they find a vast array of disguises, clothing of a hundred different colors and styles.
Documents are strewn in a corner of this room, records of Sharran activities. Some of them speak of the mission Shadowheart herself was sent on - the quest for the artifact now in Rakha's pack, the githyanki power it holds, and its unexpected illithid occupant.
Rakha is far more interested, though, in another report she finds crumpled on a desk:
This is the first description she has seen of her activities as Gortash's ally from anyone other than Gortash himself. It sends a cold chill down her spine - but also rouses a flicker of curiosity.
"You know this place?" she asks Wyll. "The Devil's Fee?"
"I was a little young to be consorting with diabolists when I was still in the city," Wyll says dryly. "Perhaps Karlach would know?"
"Perhaps." Rakha squints at the piece of paper, then pockets it restlessly.
-----
The other room smells of blood.
Rakha looks at the broken, gore-streaked body on the table for several minutes, searching herself for any trace of the beast's eager hunger at the sight. But there's nothing, just a sort of weary familiarity with Shadowheart's words.
She too learned to kill people in a place very much like this. She remembers the noblestalk memory, Sceleritas passing her a scalpel, the blood pouring over her hands.
The Sharrans are not like the Bhaalists, not precisely. They are colder, more methodical, less gratuitously sadistic.
And yet their victims are just as dead, all the same.
-----
Finally, just before the final door, she finds a notebook labeled "The Unburdening."
She remembers, now, the strange mental prodding that went along with Viconia's questions, so subtle as to be beyond notice at the time. The Mother Superior was searching her thoughts, her memories, for anything Shar might desire.
Rakha takes a certain savage pleasure in this idea. She has very little memory to harvest; Viconia would have found nothing of use, surely.
She does wonder, though... had she gone through with it all, what this mirror might have chosen to take from her.
-----
"I remember this now," Shadowheart says bitterly as they descend the final steps towards the cloister's inner sanctum. "A whole stolen childhood spent in these halls. The Mother Superior must be close. Soon this will all be over."
Rakha does not answer, but thinks it will be no more over for Shadowheart than it is for herself. Viconia did not "map" Shadowheart - but the answer would no doubt be the same as the one Rakha found.
The scars will linger, though their cause is gone.
#bjk plays bg3 durge#rakha the dark urge#rakha is having such a massive bummer of character growth today XD#this whole place sucks tbh#fuck you viconia
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I think you're a pretty cool dude, with lots more passion and A LOT more resiliance that I think I'll ever have, maybe even more than you think you have :P
I regret to say it, but it might be partly cause of the spite I've accumulated over the years alongside my passion.
Frontiers being Grass Simulator? Time to work even harder on my gratuitous location descriptions.
Decades of Tails getting fuck all of substance in fanworks aside from existing as a means to make Sonic/Shadow look good? Fine, I'll use him then.
Decades of soft Eggman and upstaged Eggman in fanworks? Fine, I'll write him then.
Decades of folk (and arguably certain official material) failing to portray Sonamy and other contractually obligated canon/canon ships in a way that feels believable or equal? Nothing to lose by writing an OC/canon ship, cause at least I'm attempting to make it work for both sides.
Being told over and over that your character has to be a douche in order to be multi-faceted? Nah, what if I make Trudy one of the friendliest and most polite members of the cast instead, because there's more than one universal way to provide character depth.
Critics hammering down that all clothing choices must be realistic and practical for every character? That's nice, anyway here's Trudy wearing a cape now because it's cute and suits her personality.
"All you care about is Eggman" Nope, but just for you, I'll write a Mario fic where the villain is still him.
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Paint the Devil on the Wall by MuseumGiftShopEraser
@museumgiftshoperaser
Rating: Explicit
64,609 words, 6/6 chapters
Archive Warning: No Archive Warnings Apply
Tags: Minor Robin Buckley/Nancy Wheeler, Past Billy Hargrove/Steve Harrington, artist!eddie, Eddie POV, Enemies to Lovers, Forced Proximity, and they were ROOMMATES, unstoppable force (mommy issues), meets immovable object (daddy issues), past abusive relationship, mentioned childhood physical abuse, Alcohol, Weed, Drugs, Addiction, Period-Typical Homophobia, mentioned homophobic parents, Mentioned Death of a Parent, Autistic Robin Buckley, Explicit Sexual Content, Light Dom/sub, Praise Kink, but they're like really intense about it, Masochism, Begging, Under-negotiated Kink, Safeword Use(Yellow), writer takes liberties with the amount of security at art galleries, gratuitous descriptions of the painting process, Steve and Robin are platonic soulmates in every universe, Angst with a Happy Ending, 80s New York art scene AU, Alternate Universe - No Upside Down (Stranger Things), Gay Steve Harrington, Queer Eddie Munson, tattoos as plot devices, Art, Art History, Painting, pottery
Summary:
If Eddie had known that sharing his New York City art studio with Robin would include her buddy Steve, he never wouldâve offered it in the first place. There. He said it. If that makes him a bad friend, so be it. Because Steve is around all the time. Pastel and prissy. Sculpted from marble, yet dressed like a Macyâs mannequin. Always hovering. They got Robinâs potters wheel up the stairs last week, a three man effort he can still feel in his lower back, and now sheâs fucking teaching him. Full on, arms wrapped around his waist, hands guiding hands. Someone grab him a bucket, âcause Eddieâs about to throw up. Heâs not even good at it. Steve can barely get the hump of clay centered on the wheel and he refuses to get stains on his clothes. Itâs fucking clay. It comes out in the wash. Steveâs shirtless approach to pottery is borderline offensive to the arts.
Thanks for the rec! This recommendation is apart of our Writer's Wednesday! All of the recs today are written by @museumgiftshoperaser. Want to nominate an author? Fill out this form!
You can submit fic recs to our asks or the submission box!
#writer's spotlight#steddie#steddie fic recs#steve harrington#eddie munson#steve x eddie#stranger things#Artist Au#enemies to lovers#angst with a happy ending
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A Year of Falling | Ben & Arlo | M/M | Chapter 8
I decided to play around more with Ben's allergies. I used to only be into illness sneezes, but that seems to be changing with time so I'm having fun exploring this new part of myself lol. That being said, the rest of this fic will almost definitely be illness sneezes. Except for Chapter 9. Chapter 9 will continue on from where this leaves off.
Content Warning: Mess (kind of). Nothing egregious, but there's a few descriptive mentions of Ben's runny nose.
Word Count: around 5,300
Link to all parts: A Year of Falling
Chapter Eight: July â âJustâ AllergiesÂ
Ben stares down at the kitchen sink, coffee cup in hand, while he frowns.Â
âArlo, I think we need to rename your cat,â Ben says, looking over his shoulder at Arlo whoâs rubbing his eyes with one hand and stifling a yawn with the other.Â
âMhm and why is that?â Arlo mumbles, shuffling forward to have a look at the object of Benâs focused gaze.
When Arlo finally notices the issue, a laugh escapes him.
âArlo, this is not a humorous situation. Itâs unhygienic,â Ben says even as the corner of his own mouth threatens to quirk upward.Â
But Arloâs still laughing. He reaches a hand out toward the orange, fur covered obstruction in the sink thatâs been preventing Ben from washing out his coffee cup. Arlo runs his fingers through Classyâs slightly dampened fur. The cat looks up at Arlo, blinks slowly, then begins to purr like her belly is full of a thousand bumblebees.Â
âDonât listen to Ben,â Arlo says into the catâs fur after picking her up and bringing her to his face. âYou are highly sophisticated and deserving of your name.â
Ben rolls his eyes. âShe threw up all over your pillow last night. Then laid in it. I hardly call that classy behavior.â
Arlo now has the cat cradled in his arms as he rocks her back and forth like an actual baby. âHush, now. Sheâs a perfect little lady, â Arlo coos at the cat, his gaze full of adoration and warmth that Ben feels oddly envious of. Has Arlo ever looked at him like that? Ben shakes his head at the outrageously absurd thought and moves closer toward Arlo.
âGood morning,â Ben says, smiling as he finally gets a thorough look at the very rumpled looking Arlo.Â
Arlo is wearing his oversized school sweatshirt. Ben is pleased to see heâs also wearing a pair of Benâs pajama bottoms. The two are similar enough in size that they can easily wear each other's clothing. Ben is less inclined to borrow items from Arloâs wardrobe, but it stirs something inside Ben when he sees Arlo wearing his clothing â especially when itâs something so incongruent with Arloâs personality. Ben loves seeing Arlo wear his old AC/DC tees, or better yet â his Terrifier t-shirt Felix got him for his last birthday. Arlo would never watch something with such grotesque and gratuitous body horror, so seeing him wear a shirt based on the horror movie franchise never fails to bring a smile to Benâs face. Itâs knowing that Arlo would never choose the shirt on own â that heâd lazily picked up the shirt from wherever Ben had carelessly left it and deemed it good enough because it was Benâs. Itâs the sole reason Ben constantly âforgetsâ some of his clothing at Arloâs.Â
ââMorning,â Arlo says, his face breaking out into the fullest of smiles that lets Ben see the way his front teeth overlap each other.
Arlo mentioned having braces as a child, but itâs clear they werenât a permanent solution. Benâs sure many dentists would love to trap Arloâs beautiful teeth back behind braces, and if one even so much as suggests such a thing, Ben will march straight to the dentistâs office to give them a piece of his mind â not that Ben imagine this being a realistic scenario since Arlo would surely refuse to be someone in their thirties with braces. The attention that would bring would be unacceptable to someone like Arlo. Ben spends a moment mentally expressing his gratitude that things like Invasalign are wildly expensive, or Arlo would probably actually consider it.Â
âHave I ever told you how much I love your smile?â Ben asks as he moves closer toward Arlo before wrapping his arms around his waist.
Arlo snorts. âOnly every day.â
Ben buries his head against Arloâs neck, simply taking in his scent. Thereâs nothing exceptional about the scent on its own â just faint traces of the cheap bar soap and laundry detergent he uses. But itâs Arloâs scent and that fact alone makes it exceptional.Â
âHmm, not nearly enough then,â Ben responds, face still settled against Arloâs neck.Â
Arlo laughs. âYou know, when we first met, I never imagined you to be so⊠I donât know? Romantic, I guess?â
âIâm literally sniffling your neck right now. So, are you sure you didnât mean to say âcreepyâ?â Ben teases, his voice muffled against Arloâs skin.
âItâs sweet. Youâre sweet.â
At this, Ben draws back, putting some distance between them, and scoffs. âDefinitely not true.â
Arlo rolls his eyes, but rewards Ben with another beaming smile. âDonât criticize my judgement making skills because I will take it as a personal offense. Itâs literally my job to analyze stories and toâŠ.â He pauses, seeming thoughtful. âTo uncover truths that may not be so obvious at first glance. And your story, Ben, is less inconspicuous than you seem to think.â
Ben narrows his eyes. âTake that back. Iâm enigmatic as hell and I will not hear otherwise.â
Arlo laughs again. âYou drove to three different stores last night after working both your jobs just to find my favorite brand of vegan chicken nuggets. Without me even asking. Face it, Ben, youâre a sweetheart.â
Ben feels his features contort in what heâs sure to be a comical degree of disgust. Then, to further the effect, he shudders. âI am not a âsweetheart.â Jesus, Arlo, youâre going to make me throw up. I had to drive to three different stores because you needed to eat something besides your weird almond, butternut squash kale whatever-the-fuck salad you were eating because no matter what you say, thereâs no possible way youâre getting enough protein in your diet. And you love those âchickenâ nuggets so somebody had to go and get them and you certainly werenât going to so ââ
Benâs words are interrupted by Arlo gently cupping Benâs cheeks, the expression in his eyes going past fondness, making Benâs stomach churn in both excitement and unease.Â
 âCan I kiss you?â Arlo asks, softly.
Ben freezes for just a moment as he feels his heart thump, but manages a simple nod and an âMhm hmm.âÂ
âYou sure?â Arlo asks, voice almost a whisper.Â
âIâm sure,â Ben says, trying to keep his voice steady. In reality, heâs less sure than heâs letting on, but he finds comfort in the knowledge that Arlo will pull away the moment Ben expresses the slightest amount of uncertainty.
Arlo smiles, then leans in closer. Arloâs breath is warm against Benâs skin. Ben ignores the sudden thundering in his chest as he moves his hands tentatively to rest on Arloâs shoulders. Benâs experience in kissing is limited due to the basic fact that he simply finds no pleasure in it. Heâs done it with previous partners because it was expected, but all it succeeded in doing for him was causing him to feel like an alien; he doesnât have the instincts other people seem to have when it comes to this kind of thing, so the whole act feels mostly mechanical. But when he and Arlo discussed Benâs boundaries on all things intimacy â a conversation that had been surprisingly easy to have with Arlo â Ben had expressed that he was okay with kissing, as long as Arlo asked first and didnât expect Ben to be any good at it.
This is the first time Arloâs asked, and Ben canât possibly say no when heâs said yes to several other people in the past who were much less important to him than Arlo. Itâs not that Benâs especially uncomfortable or feels any actual repulsion at the prospect of kissing Arlo. Itâs more that he doesnât want to give him a shitty experience when he deserves only the best.Â
But Arlo shuts off all Benâs thoughts of self-reproach when he presses his lips softly against Benâs. Arloâs hands wrap around Benâs waist, pulling him in closer. Ben relishes in finally not having to take the lead in a situation because heâs utterly out of his comfort zone and has absolutely nothing to offer. Itâs clear, though, that Arlo doesnât need guidance. His movements are slow and careful. He cards one hand through Benâs hair, running his fingers through the strands while they kiss. Ben loves having his hair played with and Arlo knows this. So Ben focuses on this while Arlo guides them through the kiss.Â
Arloâs lips are chapped and Ben is sure heâs coming across as awkward as hell â what the fuck is he supposed to do with his hands? â but still he finds it to be a ⊠well, not a passionate experience, but a pleasant one. He knows by now that kisses are never going to elicit âsparksâ or âfireworksâ for him, so heâs not disappointed or surprised when they donât come. He instead relishes in Arlo being close â in being able to fully take in his scent and feel the warmth from how close their bodies are.Â
The kiss would be considered brief by most peopleâs standards, but for Ben, itâs the longest one heâs managed without wanting to squirm in discomfort. When they break apart in a way that feels relaxed and natural and he sees Arlo still looking at him with a gentle smile, Ben releases a breath he didnât realize he was holding.Â
âYou okay?â Arlo asks, brows knitted
âYeah. That was⊠nice,â Ben says. âI like having you close,â Ben says, his cheeks warming at the admittance.
âThatâs good because I feel the same,â Arlo says, his warm gaze still fixed on Ben.
Ben stares for a moment before frowning. âIâm â Iâm sorry I canât give you more,â he says, looking down at the floor for a moment before fixing his gaze back to Arlo. âYou deserve more, and itâs not fair for you to have to make that kind of sacrifice. I mean, I can barely even kiss you. And I know I brought this up when we first had the conversation about me being ⊠um⊠the way I am, and I know you said you were okay with it, but Iâm telling you again that if you donât want to be with someone heh heh â etâshieew! Etâshieew! ETâshiEW!â Ben managed to bring an arm quickly up to cover the unexpected sneezes. He scrunches his nose and blinks at Arlo. âOkay, those were really sudden, whoa. Sorry.â
Arlo rolls his eyes and snorts. âBless you, and Iâm glad your sneezes interrupted you because you were speaking complete nonsense.â
Ben furrows his brows, but then his breath hitches, and heâs back to burying his face in his arm. âEtâShhHH! EtâSHHH! ETâSHIEW!â He sniffles and looks up, groaning. âFuck, I hate allergies,â he says, sniffling thickly again, but then remembers what they were talking about. âAnyway, I was not speaking nonsense,â he continues, ignoring how his voice now sounds thick with congestion. âItâs important to me that youâre well-informed about what youâre signing up for.â
Arlo sighs and pulls out a chair to sit down in. âBen, you talk like Iâm signing up for a medical procedure. Youâre a person. You donât need to list out your personality traits like their nasty side-effects.â
Ben joins Arlo at the table, taking a seat across from him. âI know that. And I think Iâm past feeling any kind of shame toward my⊠sexuality, I guess. But, itâd be wrong to ignore it. You have the right to want sex and itâs a simple fact that I canât really give that to you. So you shouldnât feel like youâre stuck â heh â like youâre st-huh-uck with â fuck Iâm going to ââ He brings his arm back up to his face. âEtâshiew! Etâshieeew! Tâshiieew!â Ben sighs and rubs his annoying nose vigorously with the back of his hand. âAnyway, I donât want you to feel stuck with me.â
âI donât feel like Iâm stuck with you, Ben,â Arlo says, giving his own sigh as he gets up from his seat to walk over to the kitchen counter. He comes back quickly with a box of tissues that he hands Ben before sitting back down. Ben pulls out several of the tissues and reluctantly performs a very necessary nose blow as Arlo resumes speaking. âYouâre saying words like sacrifice andâŠ.â He breaks off, sighing, seeming to carefully consider his words. âOkay, for some people, sex is a key component to their relationship. And thatâs fine. If thatâs something a person feels like they need in their relationship, then yes, they should find a person that can meet that need. But Iâve told you that I donât need that. I mean, Iâve had a relationship where Iâve made sacrifices. Jeremy and I had plenty of sex, but BenâŠ.â Arlo shakes his head and gives a wry laugh. âThat kiss we just had? That meant more to me than any of the intimate moments I had with Jeremy in the six years weâd dated.â
 Arlo pauses for a moment as Ben blows his nose again. Ben keeps his gaze locked on Arloâs, wanting to show heâs attentive â that heâs listening to these very important words, but his nose is also uncomfortably full, so he has no choice but to empty it. âSorry,â Ben says with a sniff, pleased with how his voice sounds less riddled with congestion. âI promise Iâm listening. Itâs just that my allergies are wreaking havoc today.â
Arlo frowns. âIâm not surprised. I got a high pollen alert on my phone. Itâs supposed to be a record breaking amount or something. You sure you want to go to the cookout thing later?âÂ
Ben narrows his eyes. âYes, I want to go. Me and Felix always celebrate the 4th together and I never let my allergies get in the way. And besides,â Ben says, shooting Arlo a knowing look. âDonât think youâre going to get out of socializing that easily. Youâre hanging out with us tonight and youâre gonna have a great time and thatâs just all there is to it,â Ben says, definitively.Â
Arlo winces at being called out, so Ben smiles. âAnyway, stay on track. You were saying very pleasant things before. About how Jeremy sucked at sex so bad that an awkward kiss with an asexual was better than anything he could provideâ Ben says, motioning Arlo to continue.
Arlo canât hide the amusement from his features that always appear when Ben criticizes his ex. âIt wasnât awkward. You are just⊠just ridiculously wrong about so many things sometimes, Ben,â Arlo says before his expression sobers. âAnyway, my entire point was that you need to quit thinking Iâm making some kind of sacrifice by dating you. A sacrifice would be⊠It would be dating someone who wouldnât buy me a stuffed animal just to make me feel a little better when Iâm sick. It would be dating someone who wouldnât drive to three different stores for my chicken nuggets,â Arlo says before letting out a wry laugh. âGod, Ben, do you know how many times Jeremy tried getting me to eat meat? When weâd first started dating, he said it was âcuteâ that I was vegetarian, but eventually he started going on about how it was a âhassleâ having to cater to my diet â that it was annoying having to look up a restaurantâs menu to make sure there was something I could eat before going out. And, yes, Iâm sure it was annoying ââ
âWhat a giant asshat,â Ben interjects. âPlease let me abduct him and send him to Australia so he can get eaten by a spider,â Ben interrupts, not able to help himself. âOr kicked in the face by a kangaroo at the very least. Oh my god, Arlo you canât tell me you wouldnât love that.â
Ben doesnât miss the soft, fond expression Arlo wears or the way his mouth twitches. âShh, stop interrupting me. As I was saying ââ
âRestaurants suck, anyway,â Ben continues as he becomes fixated on the idea that Arloâs ex cared about something so trivial. âI mean, maybe I just think that because I work at one. But seriously, as long as you eat, I couldnât possibly care what it is youâre eating.â Ben pauses for a moment before continuing. âThough I really do think you need more protein. I know you say broccoli is packed with protein, but surely you need more and ââ
Arlo reaches across the table to take Benâs hands in his, a smile playing across his face. âBen, hush for just a moment, I am begging you.â
âSorry,â Ben says with a wince.
Arlo shakes his head, still smiling. âAnd you think the sacrifice Iâm making in this relationship comes from you being asexual, when really itâs putting up with your inability to let me finish a sentence.â
âNot even true. I let you finish that one just fine,â Ben says, smiling sheepishly.Â
Arlo snorts, then sighs heavily. âBen, I need you to understand I wouldnât be in a relationship with you if I werenât okay with your boundaries. I promise you I am. And⊠well, if that ever changes, though I donât think it will, but if it does, I promise to be open with you about it, okay? But for right now, I really, really need you to understand that what you have to offer is more than enough to make up for the fact that sometimes I⊠uhâŠâ Arlo looks down, biting his lip, a blush spreading across his cheeks. âThat I have to take care of certain things by myself.â
âThatâs just it, though,â Ben says, forcing himself to ignore how cute Arlo looks trying to avoid mentioning anything explicitly sexual. âThereâs no possible way Iâm worth that, Arlo. Buying you vegetarian chicken nuggets and stuffed kangaroos â an animal you hate by the way â is not enough to justify having to give upââ
âBen,â Arlo says, interrupting Ben this time. âIf you go on any more about things Iâm âgiving upâ Iâm literally going to spontaneously combust from frustration. I accept and am happy with what youâre able to give me and you need to understand that. And, besides, you still do⊠uh, some things⊠I mean, itâd be okay if you didnât, but I do like when you, uh.âŠâ
Arloâs cheeks are so red that Ben has to interrupt him this time or Arlo will surely melt into a puddle right here in the kitchen. âYes, well, I do get some enjoyment from pleasing you a little even if I donât personally enjoy being the object of any kind of sexual act,â Ben says, then smiles as Arloâs blush deepens. Ben wonders, not for the first time, how itâs that heâs the one who can easily talk about all things sex-related when heâs supposed to be the asexual one of the two. âAnyway, Iâll trust your word for now. That youâre okay with everything. But, you have to tell me if that ever changes, okay?â
Arlo rolls his eyes, but smiles. âOf course I will. And you have to tell me if you ever get tired of dealing with someone who has a chronic illness.â
Ben stares, his mouth open. âArlo, that is not the same thing.â
âBen,â Arlo states firmly, staring at Ben with an uncharacteristically severe expression.Â
Ben stares for a long moment before sighing. âYeah, fine. If I ever get tired of you and your weird forks and spoons, Iâll let you know.â
âItâs more than just weird forks and spoons, Ben, and you know it.â
Ben sighs again. âI do. Iâm sorry. I donât mean to⊠to minimize it, I guess. I justâŠâ Ben sighs again. âListen, letâs just eat breakfast. You get some coffee in you and Iâll get some more coffee in me and we can have a nice little morning together. Then thereâs still a lot â a lot heh hh hIT-chiiieeww!â Ben rubs his increasingly itchy nose with the back of his hand that he just sneezed all over. âUgh. Thereâs still a lot I need to do before heading over to Felixâs later.â
âAnd youâre sure you even feel like going?â Arlo asks, genuine concern etched along his features. âYou already sound pretty stuffy and we will probably be outside for a while. You know⊠in the place where all the pollen is?â
Ben snorts, which just succeeds in making him sneeze again. When he recovers, he looks back to Arlo. âYes, Iâll be fine. Itâs just allergies. Iâve dealt with them my whole life,â he says, sniffling thickly.Â
He is feeling pretty itchy already and itâs early in the day. It will be fine, though. Heâs excited to spend time with all his favorite people in one place, so heâs not going to let something as mundane as allergies get in the way of that.
____________
Ben wonders how his cause of death will appear on his death certificate. How exactly does one professionally word the phrase âdrowned in his own snotâ?Â
âHiih IHDTzâSHiieewww!âÂ
Ben grabs the handkerchief from its spot on the couch and uses it to scrub violently at his nose. No matter how many times he rubs it, blows it, or uses it to sneeze, his nose remains at hellish levels of itchiness.Â
Ben glances up through bleary eyes at Arlo as he walks into the living room. âArlo, my face is made of ants,â he declares as he rubs even more vigorously at his nose and eyes.
Arlo blinks, then furrows his brows. âUm⊠what?â
Ben uses one hand to scratch his left ear, which does absolutely nothing to alleviate the deeply rooted itch, and uses his other to rub the bridge of his nose. âAnts, Arlo. Fucking ants. My face is composed of a-ah-ants-chuuuh! AHtsâhuuuhh!â He sniffs thickly from behind his handkerchief covered face and groans. âTheyâre crawling all inside my face and my ears and my whole head and god,â Ben whines, lowering his hankie and resting his head in his hands.
He hears Arloâs footsteps come toward him, so while his eyes are closed, heâs not surprised to feel a soothing hand on his back. âYou donât sound like youâre feeling very good,â Arlo says, his soft voice managing to break Ben away somewhat from his pity party.
Ben wants to respond with an eloquent explanation of how heâs not feeling good because of the aforementioned army of ants setting up occupation in his sinuses, but instead he offers only a weak âugh,â before doubling over to sneeze down at his lap.
âBless you,â Arlo says, still rubbing Benâs back. âI really think you should stay in and rest.â
Ben sits up straighter and looks at Arlo. âItâs only allergies,â he says, using the back of his hand to wipe his streaming nose. He grimaces at the wetness. âI donât need to ârest.ââÂ
Arloâs brows knit together. âI donât knowâŠ. Your body really seems to be putting up quite the fight against something. I feel exhausted just looking at you,â he says, then offers a sheepish smile as if to soften the words.
Ben stares at Arlo, his mouth parted since breathing through his nose has become impossible. While air doesnât seem to be able to travel through his nose, snot certainly does because Ben feels moisture dripping past his nostrils. He quickly sniffs it up, but the dampness is still present, so he once again recruits the back of his hand in his efforts to not become a mucus-soaked blob of a person.Â
Arlo laughs softly, then quickly brings a hand up to cover his mouth. âSorry. I donât mean to laugh. You just do truly seem miserable and, honestly, I think going out is only going to exacerbate the, uh⊠ant issue.â
âIâm goi-heeehhh â Iâm going out. Iâm goi â heehhh hehh hh? Iâm going to see some fireworks if it ki-hih-kills me-heehhhh.â Ben stares up at the ceiling light as he feels his nostrils flaring. âOh god, I need my ha-hahhh-handkerchief fuck!â Ben grabs the already soaked piece of cloth from his lap and shakily brings it up to his face, clutching it firmly against his face. His shoulders tremble and tears slip from his eyes, running down his cheeks.Â
Arlo shifts closer to Ben and rubs soothing circles on his trembling back. âOh, BenâŠ. Can I maybe do something for you? Get you something?â Ben hears Arlo say, but itâs as though the voice is coming from a far distance and not just mere inches away.Â
âIâm ab-about to have a very, ver-heh-ry bad ti-haahh-time. Maybe just leave so you donât have to â HEH! â So you donât have to s-s-s-hiiihh-see it,â Ben manages to say through his shaky, hitching breaths, his voice still muffled from the handkerchief.
He can tell thereâs dozens upon dozens of sneezes itching to break free and as sweet and understanding of a soul as Arlo is, Ben can only handle so much embarrassment. Itâs one thing to sneeze a few times here and throughout the day. But what Benâs getting ready to have is decidedly not that. He wonders distantly if Arloâs ever seen an allergy attack from Ben. Heâs seen Ben sneeze â sure. Everyone whoâs spent more than ten minutes with Ben has probably seen him sneeze more than a few times.
But has Arlo ever seen one of his attacks before?Â
Ben doesnât have long to ponder this or to make the wise decision to head to the bathroom because his body is done stalling. Itâs officially declared war and is ready to use all reinforcements to dispel the invading irritants.
He takes one deep breath â filling up his lungs to their full capacity â before the first sneeze is out.
âHHHHH HHHHH HEDâZCHHIIEEEWWWW!â
He hears Arlo say something, though Benâs well and truly past the point of conversation and canât even begin to decipher the words.Â
âHHH HHHH HHIIIHHHH! HIH IDZâCHIEWW! IDzzâCHIiieeew! IDtsâCHIIIEEEWWW! AHHHHH! HHHH HHHH F-fuuhh-uhhhh-fuuccckkk! ADtzâCHIIEEWW! Adtâzchiieewww! ADtâchiieewww! Heh heh heh HETâchiieeww! HH Chiew! CHIEW! CHIEW! CHIEW! HHHH! CHIEEWW! Heh-chhhh! Heh-chhhh! HEH! HEH-chhh! HEH-CHHHHH!âÂ
Ben weakly attempts to blow his nose, but even that tiniest passage of air triggers another sneeze. âAHHdtzâCHIEW! CHIEW! CHIEW! CHiew! ETâshhh! Etâshhhh! Etsshhhh tâshhhhhh tâshhh eâtshhh eâtshhh HHHHHHHHHHHH! Hidzâchiew!
Ben manages to raise his head from his soaked handkerchief. He feels more sneezes burrowed inside him, scratching to get out, but he takes a moment to breathe.
âBen? Hey, are you okay?â Arloâs voice is so impossibly gentle and laced with such genuine concern that Benâs heart aches to hear it. He wants to take Arloâs hand in his and reassure him, but thereâs no chance of that happening because âÂ
âAdztâCHIIEEEEWWW! AtâCHieewww! Adtâchiiieeeeww! Adtâchiiieeeeww!Adtâchiiieew! Adtâchiieeww! Adtâchiiieeeeww! Adtâchiiieeeeww! HH! HHH! HEHEdtâCHIIEEWWW!â
Ben takes another deep breath before heâs stuck in the same cycle.
He knows several minutes must pass before he finally can finally get in multiple sneeze-free breaths. When he does, he leans back into the couch, his eyes closed, as he focuses on getting slow breaths in and out.Â
At some point, he feels something cool touch his hand and he opens his eyes to see itâs a water bottle. Ben takes the water bottle with a trembling hand from Arlo and takes a few sips. Then he puts the cap back on and presses the cool bottle against different parts of his face, relishing in the small amount of relief it provides to his swollen eyes and nose.
âHere, these might help,â Arlo says, as he passes a tissue box to Ben. Ben pulls out several â his handkerchief long past being of any use â and uses them to blow his aching nose.Â
He lets the tissues fall to his lap, then he curls up on the couch and rests his head on Arloâs lap. This isnât at all a common occurrence for the two, but Arlo doesnât miss a beat and immediately begins threading his fingers through Benâs hair.Â
Ben knows he should be embarrassed by the whimpering sounds emanating from him, but he canât help it. He should also be embarrassed by the whole scene he just threw, but how can he when heâd just had the most brutal allergy attack heâs had in years? All the energy reserved for useless emotions like embarrassment left him â along with what feels like his entire soul â during the attack.
âThat sounded so bad, Ben,â Arlos says finally, breaking the silence that had fallen between them. âAre you sure youâre okay? I mean, that was⊠that was an event. Iâve never seen you like that.â
âIâm okay. Miserable, but okay,â Ben says, sighing. âTheyâre getting worse â my allergies, I mean. Every year they seem to just get worse.â
Arlo hums before using his fingers to massage Benâs scalp. Ben groans in pleasure. âDoes that feel good?â Arlo asks and Ben can hear the smile in his voice.
âGod, yes,â he moans. âLetâs just stay here forever, okay?â
âStay here with you forever? Iâve never wanted anything more.âÂ
At this moment, Ben feels like he should say something. Three words that have been gnawing at him for months. But he canât. Every time he utters so much as âI,â his heart pounds and his stomach feels sick, and surely that canât be a good sign. If he really⊠if he really loved Arlo, then surely it should be easier to say.
So instead he says âWe need to get ready to leave.â
To Benâs immense disappointment, Arloâs fingers stop moving.Â
âI â Uh⊠Ben, I donât think we do need to get ready to leave. Youâre not feeling well enough to go anywhere and ââ
âItâs just allergies,â Ben repeats for surely the five-thousandth time today.
Thereâs a long pause.
âUm, all that happened while you were inside. I donât think an outdoor gathering is the best place for you right now,â Arlo says softly, resuming playing with Benâs hair.
âDonât care. Iâm going anyway,â Ben mutters stubbornly into Arloâs lap. He then rolls over, so heâs staring up at Arlo. âAll I ever do is work. When Iâm not working, Iâm either too sick or too tired orâŠâ Ben trails off, not wanting to talk too much about the main reason he usually chooses not to go out. âOr in too bad of a mood to even enjoy my time off,â he settles on saying. âSo Irefuse to miss out on something I do every year for something as⊠something as stupid as allergies.â
Arlo lets out a long sigh. âI get it, okay? I know what itâs like to feel trapped by your bodyâs limitations. So, if this is something you really want to do⊠Then, fine, I guess?â Arlo says, sounding more than a little dubious. âBut you have to take care of yourself, okay? I know you canât take medication, but if you start feeling bad, go inside the house at least.â
Ben smiles up at Arlo. âI will. Promise,â Ben says lazily.
He slowly straightens up on the couch, ignoring the heaviness of his eyes and the all-encompassing fatigue now deeply settled into his body. Heâs going to have a good time tonight even if he has to force it to happen.
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Iâve already commented this on the chapter, but thought I might as well contact you here too. In the notes of chapter 44 of Free, you mentioned not having any images for Azâs suit. If you could give me a more detailed description, I would love to try and draw it. I donât know if it will live up to your expectations, as Iâm not the best at drawing clothing, but Iâd like to give it a try. I may or may not already be working on a drawing of their rings⊠đ«Ł
Aaahhh! Hello! I'm so sorry I've not replied to your chapter comment yet - I've got sooooo many that it's going to take me a fair while. *eep*
Basically the outfit in my head isn't TOO far removed from Aziraphale in the show around the time when Crowley requests the Holy Water (1862 - yes I knew this off the top of my head, although I did go back to double check it...do I need a hobby? No. I refuse.) - but more cohesive and fancier, and in the colourways described in the story (light blue for the exhibitions and cream/off white for the wedding) and with a bit more vintage detailing - think gratuitous Victorian embellishments.
I'm a steampunk lover, so it's difficult for me not to tip too far over into making it a bit too steampunky, which my version of Jae's outfits probably ARE.
Here are some images from my mood board:
Obviously with a bowtie, however. OBVIOUSLY. Marc Darcy seems to have a good handle on a traditional-vintage cut with a good eye for colour, although he doesn't have any light blue suits. And of course the lining would be Az's tartan.
Thank you so, so much for being so supportive and interested in my baby. I've loved writing it so much and to receive so much interest and to be given fanart has exploded my brain.
Massive love to you!!
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Paint the Devil on the Wall
by MuseumGiftShopEraser
Rating: Explicit Archive Warning: No Archive Warnings Apply Relationships: Steve Harrington/Eddie Munson, Robin Buckley & Eddie Munson, Robin Buckley & Steve Harrington Characters: Eddie Munson, Steve Harrington, Robin Buckley, Nancy Wheeler, Murray Bauman, Billy Hargrove Additional Tags: Minor Robin Buckley/Nancy Wheeler, Past Billy Hargrove/Steve Harrington, artist!eddie, Eddie POV, Enemies to Lovers, Forced Proximity, and they were ROOMMATES, unstoppable force (mommy issues), meets immovable object (daddy issues), past abusive relationship, mentioned childhood physical abuse, Alcohol, Weed, Drugs, Addiction, Period-Typical Homophobia, mentioned homophobic parents, Mentioned Death of a Parent, Autistic Robin Buckley, Explicit Sexual Content, Light Dom/sub, Praise Kink, but they're like really intense about it, Masochism, Begging, Under-negotiated Kink, Safeword Use, (Yellow), writer takes liberties with the amount of security at art galleries, gratuitous descriptions of the painting process, Steve and Robin are platonic soulmates in every universe, Angst with a Happy Ending, 80s New York art scene AU, Alternate Universe - No Upside Down (Stranger Things), Gay Steve Harrington, Queer Eddie Munson, tattoos as plot devices Words: 64,609 Chapters: 6/6
Summary
If Eddie had known that sharing his New York City art studio with Robin would include her buddy Steve, he never wouldâve offered it in the first place. There. He said it. If that makes him a bad friend, so be it. Because Steve is around all the time. Pastel and prissy. Sculpted from marble, yet dressed like a Macyâs mannequin. Always hovering. They got Robinâs potters wheel up the stairs last week, a three man effort he can still feel in his lower back, and now sheâs fucking teaching him. Full on, arms wrapped around his waist, hands guiding hands. Someone grab him a bucket, âcause Eddieâs about to throw up. Heâs not even good at it. Steve can barely get the hump of clay centered on the wheel and he refuses to get stains on his clothes. Itâs fucking clay. It comes out in the wash. Steveâs shirtless approach to pottery is borderline offensive to the arts. #038 in the steddie big bang
#steddie#steddie fic rec#multi-chaptered#50-100k#artist eddie#enemies to lovers#roommates#angst with a happy ending#au no upside down
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Scale of 1 to 10 how accurate have artists been with drawing Viola-Chan as you envisioned her (tho I know she's reader so things aren't explained and kept general). As a writer who does reader inserts I personally like to imagine I am reader (I mean... it's a gratuitous fic I'm writing so isn't that normal?đ„Ž even tho I won't go into detail about how I've imagined reader reader to look bc it's supposed to be inclusive)
ANYWAYS what I'm asking is have artists captured what you saw Viola-chan as looking like (whether you envision her as you or not since it's your fic âalso totes normal if you do i think anyways)
i am very strongly Death Of The Author on this one. what i picture doesnât matter! what the artist views and drawsâthatâs for them to share, and i like seeing all of them!
i try very hard to keep things as neutral as possible, so i donât describe hair texture, my insert-chans never blush, and i keep descriptions of clothing as utilitarian as possible.
reader-inserts can be very pale-skinned oriented. and that really bothers me. iâm white, so iâm represented just fineâbut what about black readers? what about people with very short hair? what about fat readers? what about very skinny readers? i want them to feel as welcome with my fics as everyone else. thereâs a limit, of course, to how inclusive you can be. but i want to get as close to it as i can and still tell a good story.
so yes. i have an image in my head for violist-chan. but youâll never know what it is! :p
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