#Grand Astoria Hotel

[adlertours]

Dubai Package - Valid till Sep 2024

#DUBAI #THEPEARLOFTHEMIDDLEEAST 5 Nights / 6 Days  Valid till 30 Sep 2024 USD 383 Per Person on Twin / Double Sharing Basis Package includes: ~ 3* #GrandAstoriaHotel on Bed & Breakfast Basis. ~ Half-Day #DubaiCityTour. ~ #DesertSafari with Belly Dance & Dinner. ~ #DhowCruise with Dinner. ~ #BurjKhalifa Observation Deck Non-Prime (124th Floor) + Dubai Mall + Fountain Show. ~ Full-day…

[trendspostneel]

Embark on a magical sojourn in Orlando, where an array of distinguished hotels promises an enchanting stay. The Disney Springs Resort Area beckons with its immersive charm, offering a gateway to the wonders of the Disney universe. Experience the epitome of luxury at the Epcot Grand Suites, where lavish accommodations blend seamlessly with the allure of Epcot's attractions. Immerse yourself in the wild elegance of the Animal Kingdom Lodge, where each moment feels like a safari adventure.

For those seeking a blend of sophistication and whimsy, the Grand Floridian Resort & Spa and Magic Kingdom Deluxe Resort & Spa stand as iconic beacons of opulence. The Wyndham Lake Buena Vista Resort and Hilton Orlando Buena Vista Palace offer contemporary comfort and convenience, providing the perfect base for your Orlando escapade.

Discover European-inspired elegance at the Four Seasons Resort, where impeccable service meets luxurious surroundings. Enjoy a cozy retreat at the Holiday Inn Orlando, where hospitality is at its finest. Indulge in the epitome of luxury at the Waldorf Astoria Orlando, where each detail is crafted for an unparalleled experience. Lastly, the Polynesian charm of Disney’s Polynesian Village Resort transports guests to a tropical paradise, creating an oasis in the heart of Florida.Whether you're surrounded by beloved Disney characters or experiencing the upscale allure of renowned resorts, each hotel in Orlando, from the grandeur of Disney's offerings to the contemporary comfort of Wyndham and Hilton, ensures that your stay is a magical chapter in the captivating tale of this vibrant city.

[dreaminginthedeepsouth]

Photographed by Martin Schoeller for The New Yorker in 2002:

 "I was hired by the New Yorker in 2002 to photograph Robin Williams, and after doing my research what stood out most for me was that he was a very physical comedian. I came up with this idea to photograph him swinging from a chandelier in a grand hotel room. Most publicists shoot down these kinds of wild ideas, so I didn't tell anyone what I was up to, but rigged up a chandelier at the Waldorf Astoria hotel for him to swing from. When Robin got there and saw what was happening, he lifted up his shirt and showed me this enormous scar on his shoulder. He'd just had surgery and couldn't so much as lift his arm. He was so disappointed! He really felt bad about not being able to do it, because he loved the idea and really wanted to help me accomplish my vision. 

Unlike most Hollywood stars, he was unfazed by his success and position. He talked to everyone from stylists to the crew, to the hotel staff. We ended up asking a maid at the hotel to swing from the chandelier instead, and I asked him to just sit there and read a newspaper, which I think in the end was an even funnier, more unexpected picture.

[Follies Of God]

[wynsummers]

i've been thinking about the whole "friction in his jeans" thing a lot lately, and while it is certainly one of the more iconic instances of the lyric in the CD booklet being different from the actual song, it is far from the only one. on top of that, there are quite a few lyrics that play with double meanings that only become clear when they're written out.

so, i present a collection of every lyric in the fob CD booklets that differ from the final version, punctuation and double meanings that aren't noticeable unless the song is written out, and any other interesting details i find in the process, or a really long post of me cornplating about fob:

disclaimer that if the difference is small enough/doesn't change the meaning of the line i won't include it because that would take me years (for example, the book says "light that smoke for giving up on me" and patrick says "yeah, one for giving up on me" but literally who cares that changes nothing. everything i include here is relevant, i think)

follow-up disclaimer that there are a bunch of fucking typos in every single one of these books because these boys never proofread anything but unless i think it's significant in some way i probably will skip it

TAKE THIS TO YOUR GRAVE:

tell that mick:

"I hope you choke on those words, that kiss, that bottle - I confess / now ash yourself out on the insides, when I said I loved you I swear I lied"

grand theft autumn:

"someday i'll appreciate in value, get off my ass and call you... but for the meantime i'll sport my brand new fashion of waking up with my clothes on at 4:00 in the afternoon"

saturday:

"pete and i said goodbye to astoria with promise and precision and mess of youthful innocence"

(most of these are just silly but this one fucking hurts)

sending postcards:

"fake it like you matter - cause that's the biggest secret you have to keep"

chicago is so two years ago:

"that means that I believed every single lie you said (and learned from the best)"

"cause every pain of glass that your pebbles tap negates the pains i went through to avoid you / and every little pat on the shoulder for attention fails to mention i still hate you" (pain of glass instead of pane of glass - i think this is supposed to be a parallel. that or pete just misspelled pane)

patron saint:

"I'm holding out and I'm holding on to every letter and every grudge"

*flashes forward 20 years to hmlag*

anyway

FROM UNDER THE CORK TREE:

our lawyer made us change the name of this song so we wouldn't get sued:

"we're good friends only when you're on your knees"

sugar:

the icon, the legend

"don't mind me, i'm watching you two from the closet wishing to be the friction in his jeans" 🎉🏳️‍🌈

dark alley:

"joke me something awful just like kisses on the necks of 'just friends'"

"I'm hopelessly hopeful that you're just hopeless enough"

champagne for my real friends, real pain for my shrimp friends:

"you steer away in a rearview mirror, make my head swim"

i slept with someone in fob:

"someone old, no one new / always borrowed, always you"

THIS ONE!! THIS FUCKING ONE [CAR CRASH] [SIRENS]

ahem. anyway

sixteen candles:

"i confess, i'm just messed up / dropping 'i'm sorrys' like you're still around"

XO:

"to hands"

(that's it. no "between legs, and whatever it takes" just hands. just fuckin. to hands)

"to hotel stares/stairs" (wordplay!! to clarify it literally says "stares/stairs" in the book)

"choose awe or sympathy"

also in the last verse it says 'to the "love"' with the quotes which is just kinda funny

INFINITY ON HIGH:

this ain't a scene:

"crashing not like hips or hearts"

i'm like a lawyer:

"i only keep myself this sick in the head cause i know how the words get you (off)"

"collect the bad habits that you couldn't bare to keep" (idk this one might just be a typo)

hum hallelujah:

similarly, this might also be a typo, but "versus" is spelled "verses"

(after) life:

ok. ok. hear me out. this is the cornplatiest i have ever been. but on genius it says "death's in a double bed"

and on the lyric book it says "deaths in a double bed"

that changes everything!!! (not really, i know) it's not death as a concept or figure or whatever it's deaths. as in multiple people dying. aaaaaaaaaaaaaauuuuuuuuuuaaaaaaaughhhhhhhhhhh

moving on

carpal tunnel:

"we take the sip from life's lush lips"

the line "we might've started singing just a little soon" isn't listed, it's just the goodbye line twice

"but i'm just tired yawns for fawns"

you're crashing:

"the cause, the kid, the charm, and the curse"

ginasfs:

"lips pressed this close to mine"

"but the prince of this failing empire knows" (hhhnnnggggggghhh)

"i've already given up on myself once but the third time is the charm" that's not how numbers work pete <3

"just kind of figured on not figuring myself out"

FOLIE A DEUX:

folie a deux doesn't have a lyric book. just portraits of the boys with empty white pages that have their names written on them. my poor beautiful masterpiece

BELIEVERS NEVER DIE VOL. 1:

fnowae:

not a lyric but for some reason the whole fuckin song is in quotes

SAVE ROCK AND ROLL:

the phoenix:

another punctuation thing but instead of "hope to die" it's "hope-to-dies"

"you're wearing our vintage misery"

alone together:

"my heart is like a stallion, they love it more when it's broke in" instead of "broken" (i love double meanings!! i love wordplay!! i love pete wentz!!)

where did the party go:

"i will appear to you if you make yourself shake fast enough"

the mighty fall:

the lyric book straight up doesn't have big sean's part 💔

rat a tat:

at the end there's this "talk less / mean more / let's be electric / like we were before" that i have literally never heard so i'm assuming it's a neat little cut lyric

save rock and roll:

"i will save the songs / the songs we're singing"

AMERICAN BEAUTY / AMERICAN PSYCHO:

irresistible:

"coming in announced" this one. this one's just a typo. come on boys it's been 12 years at this point read the books more than once

"i just dragged my nails on the tile / i just follow your scent" ?? idk

"this will not be a battle"

ab/ap:

for some fucking reason it just says "she's an american beauty" three times at the start of the song 😭

"and as we're drifting off to sleep" isn't in there, it just says "and all those dirty thoughts of me, they were never yours to keep"

the kids aren't alright:

indulge me once more, reader. i am cornplating again

instead of "former heroes who quit too late and just wanna fill up their trophy case again" it's "wanted to" do you understand why that makes me insane

also they have it as "will put your curse in reverse" instead of "we" which could be a typo but could also be a neat little change

uma thurman:

"you cut me deep like uma thurman"

jet pack blues:

"i'm the kind that can turn june to september / the last one that you'll ever remember"

"between these two white highway signs"

immortals:

"i try to picture you without me but i can't"

M A N I A:

hold me tight or don't:

the line "i'm pretty sure that this isn't how our story ends" isn't included

wilson:

"i know it's just a number but to me you're the 8th wonder"

sunshine riptide:

they didn't include any of burna boy's lines 😒

SO MUCH (FOR) STARDUST:

smfs doesn't have any lyric changes that i noticed, just the usual typos.

update: future emma here, upon further contemplation I have decided to add the line "I'd never go, I just want to be invited" since the first verse definitely says "I'll" (thank you sugarweregoinin and foliejpg for inspiring this revelation)

and there we have it! if you're insane patient enough to have made it until the end, thank you for reading and i hope you enjoyed! if there are any i missed/any in CDs that i don't have please let me know i find these so fascinating (if you couldn't tell). i just love getting glimpses into their writing process and seeing how the songs we know and love evolve before they get to us. i might also do a post about how spotify/genius gets a bunch of their lyrics wrong because it pisses me off but this is all for now, good day/night!

[citizenscreen]

The First Tony Awards for Excellence in Theatre, were held on April 6, 1947, in the Grand Ballroom of the Waldorf-Astoria Hotel in New York.

[machetelanding]

Robin Williams, photographed by Martin Schoeller for The New Yorker in 2002.

"I was hired by The New Yorker in 2002 to photograph Robin Williams, and after doing my research what stood out most for me was that he was a very physical comedian. I came up with this idea to photograph him swinging from a chandelier in a grand hotel room. Most publicists shoot down these kinds of wild ideas, so I didn't tell anyone what I was up to, but rigged up a chandelier at the Waldorf Astoria hotel for him to swing from. When Robin got there and saw what was happening, he lifted up his shirt and showed me this enormous scar on his shoulder. He'd just had surgery and couldn't so much as lift his arm. He was so disappointed! He really felt bad about not being able to do it, because he loved the idea and really wanted to help me accomplish my vision. Unlike most Hollywood stars, he was unfazed by his success and position. He talked to everyone from stylists to the crew to the hotel staff. We ended up asking a maid at the hotel to swing from the chandelier instead, and I asked him to just sit there and read a newspaper, which I think in the end was an even funnier, more unexpected picture."

[moons-rising]

✨ ASTORIA

— Fond of luxuries, grand parties and fine drinks, she runs the clan's only hotel... an old building long rumored to be haunted.

[freehawaii]

HAWAIIAN ANCESTRAL BONES AT RISK ON MAUI

Hawaii News Now - April 5, 2023

Tensions surrounding the planned expansion of a luxury hotel on Maui are rising. The Grand Wailea, a Waldorf Astoria Resort, has been wanting to expand for years. But protectors of ancestral bones, or iwi kupuna, say enough already. “I feel I was really called to do this. Like I was tapped on the shoulder and said, ‘come and help,’” said Clare Apana, head of Malama Kakanilua. Apana, along with Hooponopono o Makena president Ashford Kaleolani DeLima, are committed to protecting iwi kupuna on Maui. DeLima’s ancestors are from South Maui, where the Grand Wailea is located. “You feel this wind? This wind is gentle. That’s because my kupuna knows that I’m here speaking about them and trying to tell the truth,” DeLima said. DeLima, Apana and others say the Grand Wailea was built on sacred burial grounds. They are against the resort’s plan for expansion and renovations. “This is one of the areas where you find concentrations of burials. You don’t find this on any other property. You may find burials … but you don’t find burials in the concentrations that are on this property,” Apana said. The Grand Wailea wants to add 137 guest rooms, enhance its landscaping, pool amenities and restaurant facilities and improve its infrastructure. Maui Planning Department recommended approving the project with conditions in 2019. But last month, a Maui Planning Commission’s appointed hearing officer recommended that the Grand Wailea’s permits be denied until they can make “adjustments in the areas of traditional and customary native Hawaiian practices, traffic and water.” The permits are needed to complete the expansion. The resort says the project scope was reduced by nearly 40% to reflect community feedback and avoid ground disturbance in areas of archaeological or cultural sensitivity. “The hearing officer’s report was a welcome confirmation of Grand Wailea’s enhancement plans and commitment to being a good steward,” said William Meheula, counsel for the resort. “We agree with almost all of the recommendations, including that the project’s archaeological inventory surveys and monitoring plans that were approved by the state met the legal requirements, and have submitted a response largely supporting the report and demonstrating the project has satisfied the necessary conditions to proceed if approved by the Maui Planning Commission.” The hotel says its commitment to giving back is reflected in the more than $5 million donated to nonprofits over the last seven years. The resort’s managing director added that the hotel employs more than 1,200 people, and that the expansion will create hundreds more jobs. Apana and DeLima said all they want is respect. “The right thing to do is malama the iwi,” DeLima said. “Show respect and not only make money....”

[justforbooks]

Iris Apfel was finally recognised as a great, original fashion stylist in her 80s, when the Costume Institute at the Metropolitan Museum in New York had a sudden gap in its 2005 exhibition schedule. Many curators knew Apfel, who has died aged 102, as a collector stashing away clothes, especially costume jewellery, both couture-high and street-market-low, so the institute asked to borrow some of her thousands of pieces.

When Apfel wore them herself, dozens at a time in ensembles collaged fresh daily, they had zingy pzazz, so she was invited to set up the displays. There was no publicity budget, and her name was modestly known only in the interior decor trade, yet the show, Rara Avis: Selections from the Iris Apfel Collection, became a huge success after visitors promoted it online. It toured other American museums, changing exhibits en route because Apfel wanted her stuff back so she could wear it.

Apfel’s grandfather had been a master tailor in Russia; her father, Samuel Barrel, supplied mirrors to smart decorators; her chic mother, Sadye (nee Asofsky), had a fashion shop. They lived out in rural Astoria, in the Queens borough of New York, where Iris was born.

As a child, her treat was a weekly subway trip to Manhattan to explore its shops, her favourites the junk emporia of Greenwich Village. She was short, plain and, until her teen years, plump, but she had style; and the owner of a Brooklyn department store picked her out of a crowd to tell her so. During the Depression all her family could sew, drape, glue, paint and otherwise create the look of a room, or a person, on a budget of cents – the best of educations.

She studied art history at New York University, then qualified to teach and did so briefly in Wisconsin before fleeing back to New York to work on Women’s Wear Daily. Furniture and fabrics were in short supply during and after the second world war, and Iris began to earn by sourcing antiques and textiles; if she could not find it, she could make or fake it cheaply.

In 1948 she married Carl Apfel, and they became a decorating team: he had the head for business and she the eye. Unable to find cloth appropriate to a period decor, Iris adapted a design from an old piece and had it woven in a friend’s family mill; she and Carl then set up Old World Weavers in 1952, commissioning traditional makers around the globe.

Photographs and home-movie footage from the next four decades showed Apfel, adorned with elan, haggling for one-off items in souks, flea markets and bric-a-brac shops. She is the most decorative sight in each shot, her ensembles put together with complex cadenzas atop an underlying, tailored, structure– they are like jazz – not a statement, but a conversation.

Apfel was the last of those 20th-century fashion exotics who presented themselves as installations. Although she wore a priest’s warm tunic to the White House (President Richard Nixon underheated the place), plus armfuls of cheap African bracelets and thigh-high boots, she was not an exhibitionist like the Marchesa Casati, and, with her vaudevillian comic timing, was far funnier than the imperious Vogue editor Diana Vreeland.

Also, she never ever bought full-price: her many rails and under-the-bed suitcases of couture were sale-price samples, chosen for their cut, fabric, skilled craftwork and colour dazzle (“Colour can raise the dead”). She might wear them over thrift shop pyjamas, or under a Peking Opera costume, with hawsers of necklaces atop. Money could not buy personal style, she said, prettiness withered, beauty could corrode the soul. All that really mattered was “attitude, attitude, attitude”.

Old World Weavers discreetly refurbished the White House under nine presidents, as well as grand hotels and private houses, before the Apfels sold the company in 1992. They retired to a quiet life in their apartment on Park Avenue, New York, its decor an extension of Apfel’s outfits (bad garment choices were cut up for cushions), and in a Palm Beach holiday home where the Christmas decoration collection stayed up all year round, along with cuddly toys and museum-class folk art. Clothes shopping, and the improvisation of an outfit, became Apfel’s daily ritual, as cooking might be to a gourmet.

But after the Met show, and a book, Rare Bird of Fashion (2007), Apfel was back in as much full-time employment as she could manage in her 80s and 90s (she had a hip replacement because she fell after stepping on an Oscar de la Renta gown). She was cover girl of Dazed and Confused, among many other publications, window display artist at Bergdorf Goodman, designer and design consultant – superb on eye-glasses; she wore large, owl-like, frames to stylise her aged face into a witty, unchanging, cartoon.

She took seriously her responsibilities to fashion students on her course at the University of Texas, teaching them about imagination, craft and tangible pleasures in a world of images.

Her career lasted – nothing was ever too late: in 2018, Iris Apfel: Accidental Icon, a book of memoir and sound style advice; in 2019, a contract with the model agency IMG; and last year, a beauty campaign for makeup with Ciaté London. The documentarian Albert Maysles trailed her for Iris (2014), filming this “geriatric starlet” – her term – as she dealt drolly with new high-fashion friends, or laughed at an “Iris” Halloween costume (glasses, a ton of bangles).

She watched as a storage loft of her antique treasures was listed in lots for sale, and as white-gloved assistants from museums that had begged a bequest boxed up her garments; she still had, and wore, the shoes from her wedding. All things, she said, were only on loan in this world, even to collectors. The point was to enjoy them to the full before bidding them good-bye.

Carl died in 2015.

🔔 Iris Barrel Apfel, decorator and fashion stylist, born 29 August 1921; died 1 March 2024

Daily inspiration. Discover more photos at Just for Books…?

[doomandgloomfromthetomb]

The New York Dolls, Waldorf Astoria, New York City, October 31, 1973

How are you celebrating Halloween this year? I'm taking a time machine 50 years back to see the New York Dolls in the Waldorf-Astoria's Grand Ballroom. Or, rather, I'm going to watch this raw video of this legendary occasion ... it's a blast, but I'm sure nothing could compare to actually being there.

Will Hermes set the scene in his Love Goes To Buildings On Fire: The Waldorf-Astoria was the epitome of uptown, up-tight, upper-crust New York; whoever agreed to give the ballroom over to the Dolls and their wasted fans was either clueless or wickedly subversive. By midnight, a thousand-some freaks of various stripes were packed into the ballroom entryway, pressing against doors that were supposed to have opened at 11:00. Tempers flared, doors were smashed, and someone lit a stink bomb in the hotel lobby in protest. Security guards admitted a portion of the mob but hundreds were turned away. Arthur Bell described the scene as "Malcolm McDowell in A Clockwork Orange and Joel Grey in Cabaret by the dozens, chains and hoods, silver buttocks, scarlet breasts, dildoed noses," with old-school trannies washing down demerol capsules with swigs of whiskey.

In other words ... Happy Halloween!

[royalteachitchat]

Unbelievable!

[m1autorepair]

📅 On this day in 1953, the iconic Chevrolet Corvette made its grand debut at the Waldorf-Astoria Hotel in NYC during GM's Motorama. Designed by Harley Earl, it was the first all-fiberglass-bodied sports car mass-produced in the U.S. The initial 300 Corvettes were hand-built in Flint, Michigan, sporting a polo white convertible body, red interior, and black top. 👌 A Blue Flame six-cylinder sat under the hood connected to a two-speed automatic transmission. Fast forward to 2024, and now we have an electric-hybrid Corvette, the E-Ray! ⚡️ Could this car usher in a new generation of Corvette history? #corvette #automotivehistory #chevy #chevrolet

[fridagentileschi]

L'Hotel Plaza di New York in una foto del 1910.

L'Hotel si trova a Manhattan, nella Fifth Avenue, la via dello shopping newyorkese, la zona sud di central park, cuore verde della grande mela..fu progettato nel 1907 e deve misurarsi con la fama dei due maggiori alberghi di lusso del tempo: l'Ansonia e il Waldorf-Astoria Hotel.

Il Plaza fu immortalato negli anni Venti dallo scrittore Francis Scott Fitzgerald, che lo impiegò nelle sue pagine come frequente ambientazione, e fu dimora di reali, miliardari e celebrità le più varie.

Anche il cinema onorò l'Hotel rappresentandolo in moltissime pellicole, tra cui "Intrigo internazionale" di Alfred Hitchcock del 1959, poi "A piedi nudi nel parco" (1967), "Appartamento al Plaza" (1971) e in anni più recenti "Il Grande Gatsby" (2013).

Per chi volesse pernottare una notte nel famoso hotel i prezzi si aggirano intorno ai 350 euro nella bassa stagione...possono arrivare anche intorno ai mille euro a notte e anche piu'...

[colourme-feral]

Here’s my alternate masterlist for Vice Versa the Series, sorted by filming locations.

Suvarnabhumi Airport

- Gyo brings Talay to the airport to welcome Puen back

Jump Master Skate Haus

- The Association of Thai Citizens in the Alternate World headquarters

The Mall Lifestore Ngamwongwan

- Puen and Talay follow a pair to find out if they are dating or not + Puen goes to the bookstore

- Talay recounts his dreams of Kita in the other universe and what he is up to

สนามยิงธนู Arc82

- Talay tries to talk to Tun at the archery range

AUA Language Center

- The 26 Pictures office

found venue

- Talay and Mek go location scouting at Greyllery and are joined by Puen

Bangkok Sculpture Center

- Talay goes for a job interview

- Talay tries to meet Puen at Puen’s company

- Puen clarifies his relationship with Talay to reporters

- Talay meets Up Tup and Aou Tou + introduces Puen to them

Serealscape studio

- Tun’s part time wedding photographer job

- Puen gets asked about his relationship with Talay during an interview for his movie

HATO HOME

- Aou and Fuse go to a veterinary clinic to prepare for Fuse’s role as a veterinarian

109MHz BKK

- The bar where Tun works part-time

Mischa Cheap

- Talay tries to find the person who is his portkey + Friend Credits has a group meeting about their movie

Feng Zhu

- Pang, Puen and Talay have dinner together

Sunny Side good vibe cafe

- Talay meets Joe Pramote

Man-Se! Khaosan

- Friend Credits’ drinking place

Symmetry BKK

- Talay and Puen go location scouting for a cafe

Na-Oh at ChangChui

- Talay and Puen meet Mhok Mek

Downtown Abbey at Marwin Villa Hotel

- Tun's part time cafe job

King Two Bedroom Royal Suite, Waldorf Astoria Bangkok

- Tess’ apartment

Kene Hotel Bangkok

- Talay eats with his friends after bombing his job interview

- The hospital that Talay wakes up in as Tess

Letana Hotel

- Tun’s apartment

- Talay meets Tess’ friends and Puen crashes the metaphorical party

- After missing a meeting with Tess’ dad, Puen goes to apologise to Talay

- Talay and Puen go on a date

- Puen reconciles with Up and Aou after missing the meeting with Tess' dad

- Talay talks to Gyo about his relationship with Puen

- Gyo tries to meet Puen on Talay’s behalf

Secret Space

- Puen, Talay, Som and Prae go to test if they are each other’s portkeys at a maze

International Garden and the area near Sala Puth-Chan in Suan Luang Rama IX Park

- The final cursed Lay’s ad, in which Puen proposes to Talay

Benchakitti Park

- Talay and Puen go to meet their potential port keys at a park

Chula Art Park in Chulalongkorn University

- Puen and Talay learn about the romantic meaning of pink lotuses in the alternate universe + they go on a ride to relief their stress

Puey Ungphakorn Centenary Hall and Park at the Thammasat University Rangsit Campus

- Talay, Kita and Fuse’s university

- While filming, Tun falls into the pool accidentally, triggering the return to his universe

CU Centenary Park at Chulalongkorn University

- Puen and Talay go to the set of their movie and... experience snow

Bangkok University

- The movie premiere of Long Distance Relationship, Friend Credits’ first movie

Movio Town

- One of the show’s Lay’s ads featuring Talay and Puen

Ratchaburi Grand Canyon

- The Friends Credits team goes camping together

Masterlist

Locations that I wasn’t able to identify

[dertaglichedan]

EXCLUSIVE: FEMA officials are staying at $1,000-a-night luxury hotels in Maui amid recovery efforts in Lahaina

FEMA officials have been slammed by Maui locals for their slow response to the devastating wildfires that ripped through Lahaina earlier this month 

But DailyMail.com can reveal they are staying at three five-star hotels, Fairmont Kea Lani, Four Seasons, and the Grand Wailea Astoria, during recovery efforts 

Federal government rates for this week at all three resorts start at an eye-watering $1,000, company sources revealed 

Bungling U.S. government bureaucrats dispatched to the Maui disaster zone are shacked up in $1,000-a-night luxury hotels on the Hawaiian island, DailyMail.com can reveal.

Officials from the Federal Emergency Management Agency (FEMA) have been slammed by locals over their slow response to the devastating wildfires that have claimed at least 114 lives and left thousands of people homeless after their houses were scorched to the ground.

But that has not stopped the under-fire agency from splashing taxpayer cash to put up more than 1,000 of its personnel at four bank-breaking resorts in Wailea after the deadliest wildfire in the U.S. for more than a century that caused an estimated $5billion in damage.

The beachside resorts are popular among the rich and famous and located about a 45-minute drive away from the fire-ravaged town of Lahaina.

[dadukos]

❛ this your idea of laying low? ❜ (lovingly. also bitchily. but mostly lovingly.) — @softersinned. re : crime starters , accepting.

𝐖𝐇𝐄𝐑𝐄 𝐈𝐒 𝐓𝐇𝐈𝐒 ? she seems to have lost track of her grand tour — could be london, with the shade of grey peering from the windows. could be anywhere at all in the world, really, wouldn’t much make a difference. what makes a difference is astoria’s presence, bright as ever like the sun itself sent an emissary to check on her — she stands in the doorway and the immediate instinct is to say GOD NO, not when i’m like this. ❝ can you … please, be quieter ? ❞ fred’s features contorting in a grimace of pain, everything aching — she’s getting too old for hangovers, and this is precisely what she fears astoria will point out. with that loving, sharp eye of hers: just as caring as it is ruthless. rubbing her temples, fred steps aside to let her in: her hotel room draped in chaos, though she’s pretty sure her demise happened somewhere out of here, last night. astoriawas there too, she thinks — in some sort of rock disco club where fred ended up ditching her friend for a dave gahan wannabe that proved to be not nearly as exciting as his idol. maybe it’s fair that she should get to judge her. 

what was it she’d said, back in the states ? gonna take a trip, lie low for a while, find myself ? one could argue she did, in fact, find herself — a supernova grade of a fuckup and all the chaos that follows. ❝ go on, let it out ❞, fred sighs, turning to the minibar to grab a diet coke and press it hard against her forehead. when she sits back down on the bed her shoulders are low, her eyes pleading — some sort of child accepting the inevitable lecture. not that it’s particularly in astoria’s cords to point fingers, but a part of fred would welcome it. a dose of tough love as a remedy to cure hangovers. this performance, however — not as praise worthy as her usual ones. fred sighs, lets herself fall down on the bed, and groans. ❝ i’m glad you’re here ❞, she says. ❝ but i’d be so grateful if you could avoid telling me exactly how ridiculous i got last night. ❞