#Gouache and watercolor on board

[tomoleary]

Harrison Fisher (1875-1934) Cosmopolitan magazine cover (August 1933) Source

[sunlilys]

maginel wright enright barney. duck, duck, geese!, 1937.

[thedancingemu]

Faerie Forest: Mold Imp

I didn't think Mold Sprites could get this big? It's looking at us, do you think we should run?

~

Watercolor, acryla gouache, white pen and a little colored pencil and grey copic fine liner on Arches watercolor board. 2.5"x3.5" ACEO format, matted to 4"x6".

Original available

[acrosscenturiesandgenerations]

▪︎ The Queen of Sheba.

Date: 1911

Artist: Edmund Dulac (British, 1882–1953)

Medium: Pen and brown ink, watercolor, and gouache, with graphite and color wax crayon, on artist’s drawing board.

[weary-hearted-art]

Louis Comfort Tiffany, Stained Glass Window Design, date unknown. Watercolor, gouache and graphite on board

[thunderstruck9]

Charles Burchfield (American, 1893-1967), Night Sky Over Roof, c.1916. Watercolor, gouache and pencil on paper laid down on board, 20 x 14 in.

[vanessagillings]

I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?

Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:

MY ART PROCESS!

Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)

A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!

ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.

Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:

I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):

Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):

I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!

You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:

I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)

All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:

I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)

Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.

And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:

Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.

So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.

The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.

Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛

[thelostcanyon]

Varied Bunting by Andrew Steuer III.

Watercolor and white gouache on cold press watercolor board.

[marveltrumpshate]

Want to participate in Marvel Trumps Hate, but don't know what to offer? Think outside the box!

Stumped on what to offer because you don't write fic or draw? Marvel Trumps Hate welcomes a huge variety of fanworks and fan labor (see our sign-up post), so there are different ways you can contribute. You'll be amazed by the breadth of skills, talents, knowledge, and types of creative expression found in fandom!

Here's a smorgasbord of offers that we've either had before or seen people discuss as possibilities for MTH 2024 or future years to help inspire you. What you can offer is not restricted to the list below; these are just examples to get you brainstorming about what you can auction off because trust us, even if you think you might not have something to offer, you probably do!

ART (VISUAL/ILLUSTRATIVE)

Drawings/illustrations

Single-page and multi-page comics

Pixel art

Paintings (oil, acrylic, gouache, watercolor)

Mixed-media artwork on canvas

Ink-on-bristol art

Embroidery on canvas

Pour paint/spin art

Rotoscopes

Digital coloring books

AUDIOVISUAL WORKS

Fan music or filk inspired by characters, ships, or fics

Podfics

Videos (fic trailers, themed edits, vids set to songs)

Animations (making original art/animation or turning existing art into animation)

BETA SERVICES

Editing

Cheer reading

Soundboarding/planning/development work

Fact-checking

Culture-picking

Sensitivity reading

Knowledge about specific topics or experiences (e.g., identities, lifestyles, professions, interests, fields of study)

Research

CRAFTS & MERCH

Candles

Lip balms

Soaps

Stained glass/suncatcher

Scented beanbag-style sachets

Candy/chocolate/baked goods/jellies/sweets

Fic/character/ship/theme boxes (like book boxes)

Pins, magnets, patches, charms, standees, key chains, ring holders, calendars, stickers, bookmarks, temporary tattoos

Sculptures and clay figures

Ceramic mugs and other ceramic items

Apparel/wearable accessories (shirts, jackets, scarves, gloves/mittens, hats, face masks, regular masks, cowls, pajamas/onesies)

Backpacks, tote bags, itabags with custom window shapes, leather dice bags, wallets, pouches/pencil cases

Plushie animal or Tsum Tsum versions of Marvel characters

Dolls (crochet, needle felt, matte board, hand-sewn)

Embroidery hoops/wall art and cross stitch pieces

Jewelry (diamond painting, macrame, metal, crochet, wire, beads)

Woodwork/wood burning (cheese board, box/chest, USB stick, coasters, photo frame, alphabet blocks)

Glasswork

Custom Funko Pops

Paper cut light boxes

Pillow cases, quilted pillows, baby blankets, dishcloth/washcloths, potholders

Handmade leather journals

Linoleum stamps

Dog/cat/pet toys

Artbooks, paper doll books, and coloring books

Hand-dyed yarn skeins

Custom tea blends

DIGITAL (GRAPHIC DESIGN)

Gifsets

Graphics/edits

Mood boards

Photo manips

Fic covers/posters/banners

Icons and headers

Webweaving

Tumblr or website layouts

Digital calendars

Wallpapers

Custom Discord emojis

FAN LABOR & TRANSLATION

Typesetting

Bookbinding

Recipes based on characters, ships, or themes

Names, tags, and summaries for fics

Audio/sound editing and/or soundscaping for podfics

Book cover design and printing

Art/comic/fic translation

Website/game/AO3 skin coding

Fic rec lists

Fic playlists/fanmixes

Knitting/crochet patterns

Art coaching

Help with launching and organizing fan events

WRITING

Fic

Poetry

Meta posts

Social media AUs

Physical letters written by characters to the reader or between two characters

Remixes of your fic or an existing fic with the author's permission

Whether you can do something on this list or something else altogether (we're sure there are a lot of other things that you can do that we haven't thought about or seen before), we hope you'll consider signing up before the deadline: September 28, 11:59 PM ET.

[tomoleary]

Charles Addams (1912-1988) Morticia Addams and pet original cartoon illustration (January 1946) Source

Morticia, Addams Family cartoon Pets 2.0 Bats

[psikonauti]

Robert Caney (British,1847-1911)

Lake Scene with Fairies and Swans

Watercolor and gouache on board

[chantssecrets]

Burton Silverman, "Go Tell It on the Mountain." Illustration for James Baldwin's book of the same name. Mixed media with watercolor, wash, and gouache on board.

[thedancingemu]

“Faerie Forest: Nightfall”

5"x7", watercolor, acryla gouache, colored pencil and a little white pen and grey Copic multiliner on Arches art board.

original available

[cosmicanger]

Charles Ephraim Burchfield

The Sun and Queen Anne's Lace, 1961-1962

Watercolor and gouache on pieced paper laid down on board

44 × 26 3/4 in | 111.8 × 67.9 cm

[naniya27]

A year ago i painted this wenzhou with watercolor galaxy BG and hated it so i kinda just abandoned it taped to the board, today i finally got time to finished it with gouache

[thunderstruck9]

Francisco Toledo (Mexican, 1940-2019), Personaje y mujer toro [Figure and bull woman], 1973. Gouache, watercolor, and ink on paper laid on foam board, 22 ½ x 30 in.