#Global Metal Gratings Industry

[cyarskaren52]

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From @rageagainstthemachine on becoming #RockHall2023 Inductees "It is a surprising trajectory for us to be welcomed into the Rock and Roll Hall of Fame. In 1991 four people in Los Angeles formed a musical group to stand where sound and solidarity intersect. We called ourselves Rage Against the Machine." Read more from Brad, Tim, Tom & Zack from the link in bio.

RAGE  AGAINST  THE  MACHINE

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"It is a surprising trajectory for us to be welcomed into the Rock and Roll Hall of Fame. In 1991 four people in Los Angeles formed a musical group to stand where sound and solidarity intersect. We called ourselves Rage Against the Machine. 

A band who is as well known for our albums as we are for our fierce opposition to the US war machine, white supremacy and exploitation 

A band whose songs drove alternative radio to new heights while right wing media companies tried to purge every song we ever wrote from the airwaves

A band who shut down the NY Stock Exchange for the first time in its history

A band who was targeted by police organizations who attempted to ban us from sold out arenas for raising our voices to free Mumia Abu Jamal, Leonard Peltier and other political prisoners 

A band who sued the US State Department for their fascist practice of using our music to torture innocent men in Guantanamo Bay

A band who wrote rebel songs in an abandoned, industrial warehouse in the valley that would later dethrone Simon Cowell ’s X Factor pop monopoly to occupy the number 1 spot on the UK charts and have the most downloaded song in UK history 

A band who funded and organized delegations to stand with Mexican rebel Zapatista communities to expose the Mexican government’s war on indigenous people

A band whose experimentation in fusing punk, rock and hip hop became a genre of its own

Many thanks to the Hall of Fame for recognizing the music and the mission of Rage Against the Machine. We are grateful to all of the passionate fans, the many talented co-conspirators we’ve worked with and all the activists, organizers, rebels and revolutionaries past, present and future who have inspired our art."

-Brad, Tim, Tom & Zack 

Rock & Roll Hall of Fame Official Ballot Bio

The greatest rock & roll is the voice of change, and Rage Against the Machine shook the foundations of the status quo – lyrically, sonically, and philosophically. The band mixed hip-hop, punk, metal, funk, and rock in an entirely new way. They took aim at oppressive systems of power – cultural, political, and economic – and set a new standard for how to ignite a revolution through the power of music. 

Formed in 1991, the Los Angeles quartet’s self-titled 1992 debut and 1996’s Evil Empire ushered rap-rock into the mainstream and established Rage Against the Machine as a powerful force that harnessed strength from defying sonic boundaries. Zack de la Rocha’s stinging, hip-hop-inspired vocals drew on his days fronting a hardcore band. The rhythm section of bassist Tim Commerford and drummer Brad Wilk heightened the urgency of de la Rocha’s delivery with deep, heavy grooves grounded by a pummeling backbeat – no rhythm section could maximize volume while staying in the pocket more skillfully. Guitarist Tom Morello took the rap-rock hybridization further than contemporary groups. He used pedals, toggle switches, and alternative tunings to incorporate effects normally created by hip-hop turntables, samplers, and synthesizers into the language of heavy metal through Rage’s driving riffs and iconic solos.     

Rage Against the Machine were part of a musical tradition indebted to the MC5, the Clash, and Public Enemy. While plenty of 1990s rock bands supported social justice issues, Rage Against the Machine’s rebellious politics stood head and shoulders above. Onstage and off, the band members gave a voice to the powerless, calling out local and global inequalities and railing against censorship, corporate cronyism, and government overreach. Their lyrics were smart and pointed; “Freedom” highlighted the plight of Leonard Peltier, an imprisoned Native American leader, while “People of the Sun” showed solidarity with tyrannized Mexican citizens. Even today, their lyrics remain relevant. “Killing in the Name,” a stark indictment of racism and police brutality, still resonates deeply in cities across America. Rage Against the Machine forged brazen protest music for the modern world.

Selected discography:

“Killing in the Name,” “Bullet in the Head,” “Bombtrack,” Rage Against the Machine(1992)

• “Bulls on Parade,” “People of the Sun,” Evil Empire (1996)

• “Guerrilla Radio,” “Sleep Now in the Fire,” “Testify” The Battle of Los Angeles (1999)

• “The Ghost of Tom Joad,” “Renegades of Funk,” Renegades (2000)

Inductees: Tim Commerford, Zack de la Rocha, Tom Morello, Brad Wilk

[alarajrogers]

Water also destroys computers, and anything that runs off electricity, so the odds that this cooling process involves dumping the water straight up directly onto the machines seems really, really unlikely. I would assume that water heat sinks involve pumping cold water through pipes in the machines, not literally dumping water on computers.

The ocean is very, very, very, very big. Also rising. If you consumed as much ocean water as there is drinkable water on the planet, you'd see an effect, sure, but you could literally remove billions of gallons of water from the ocean and have it be a proverbial "drop in the bucket". Since the tides are constantly sloshing the water in the ocean around, there will be no local "we drained a lot of water in this one coastal region so now the water is low there" effects; drain water in one region and the tide will fill it back in more or less instantly. It's the ocean, not a lake.

What you'd have to be careful about is the impact on fish and other sea life so they don't get sucked into the pipeline. Fine grates, maybe pumping in pulses so if a fish gets sucked against the grate the suction will be gone in a second so they can get out of there... maybe there are sounds or colors that could be employed underwater that would drive most sea life away. Don't put the entrance to the pipeline on the beach or directly on the sea bed; it should probably sit inside the water at a reasonably deep coastal level but with plenty of clearance, so as to not suck in sessile creatures who live on the bottom.

The pipeline itself would consume electricity -- the ocean's at the bottom of the gravity well of the planet's surface, you can't use gravity to passively pull the water back out. But by employing wave turbines, you can recapture a lot of the energy you put into pumping back out as power you can reuse. No such thing as a perpetual motion machine, but if by using seawater to fuel solar steam plants in places like deserts you can make back more energy than you had before, you've got a net positive outcome in terms of energy.

Issues to consider:

A salt water pipe breaking would be almost as toxic as an oil pipe breaking. And salt's corrosive to metal. You'd have to be careful what you made it out of, be constantly checking, and have baffles that will drop the moment there's a loss of local water pressure anywhere in the pipe, and a means of instantly and automatically stopping the pump if that happens. And protection of the pipeline to stop bad actors from deliberate sabotage.

Solar power plants can have an impact on the local environment if they block sun that plants and animals need. On the other hand, global warming suggests that what plants and animals need right now is a lot less sun overall, so creating areas of shade in places that don't have them might actually be good for the life in those places.

The whole system requires a lot of industries to cooperate. If solar steam plants or data centers dump their salt in giant piles in the desert rather than letting spice companies sell it as sea salt, this could be very bad for the environment. If rich people are allowed to fill their swimming pools with it, this has enormous political benefits for the pipeline because as soon as the rich feel entitled to it, they will make sure it stays working and stable, but then what happens if the data centers need more and more?

I don't pretend to have all the answers but I don't think any of the difficulties are insurmountable. Humans are using very, very little of the resource of ocean water, on a planetary basis... a resource we're getting more and more of as the seas rise, and as the heat dries up freshwater sources on land, we're going to need desalinization on a massive scale. Integrate that desalinization with industries that need to use water but it doesn't have to be fresh water, especially industries that could turn moving water or heated water into power in a way that's clean, and we could build a system that helps to solve multiple problems at once.

(BTW, this is not an issue of AI. This is an issue of data centers. The whole goddamn internet is to blame, not just AI, and even if AI collapsed and burned tomorrow we would still need to do something about cooling our data centers without using up drinkable water.)

[exitrendmarkettrend]

FRP Grating Market: Strengthening Industrial Infrastructure with Durability and Innovation

The global FRP Grating Market has emerged as a key material for constructing durable, lightweight, and non-corrosive flooring solutions. Used extensively in sectors ranging from chemical plants to marine environments, the FRP grating market is growing rapidly due to its versatility and superior performance under extreme conditions. This blog explores the factors driving the market's growth, key trends, and the future outlook for FRP grating solutions.

1. Market Overview and Size

The FRP Grating Market was valued at $580.20 million in 2023 and is projected to grow to $606.01 million in 2024. By 2030, the market size is expected to reach $786.93 million, expanding at a CAGR of 4.45% from 2024 to 2030. The increasing demand for durable and low-maintenance materials across various industries, including manufacturing, chemical processing, and construction, is driving the growth of the FRP grating market.

2. Key Market Drivers

Several factors are contributing to the increasing adoption of FRP grating across multiple sectors:

Durability and Corrosion Resistance: FRP grating is highly resistant to corrosion, making it ideal for use in environments exposed to harsh chemicals, moisture, and extreme weather conditions. This property is particularly valuable in industries like chemical processing, oil and gas, and marine applications where traditional metal grates would quickly degrade.

Lightweight and Easy Installation: Compared to metal alternatives, FRP grating is lightweight, which simplifies installation, reduces labor costs, and enhances handling. Its strength-to-weight ratio makes it a suitable solution for applications requiring both strength and ease of use, particularly in elevated platforms and walkways.

Customization and Versatility: FRP grating can be molded into various shapes and sizes, offering flexibility to meet the unique needs of different industries. Its adaptability allows it to be used in a wide range of applications, from stair treads and platforms to covers and safety barriers.

Non-Conductive and Fire-Resistant Properties: The non-conductive nature of FRP grating makes it an ideal choice for electrical and electronic industries, where safety from electrical hazards is critical. Additionally, its fire-resistant properties make it suitable for high-risk environments like power plants and refineries.

Long-Term Cost Savings: While the initial cost of FRP grating can be higher than traditional materials, the long-term savings due to its low maintenance requirements, resistance to wear and tear, and durability often outweigh the upfront investment. The ability to withstand corrosion and wear in demanding environments reduces the need for frequent replacements, making it a cost-effective solution over time.

3. Market Segmentation by Type

FRP grating solutions are primarily available in two types, each with its own set of advantages and use cases:

Molded FRP Grating: Molded FRP grating is made by molding the fiberglass resin into a grating shape. This process allows for the production of gratings with integrated crossbars and is known for its high strength and structural integrity. Molded gratings are commonly used in applications that require high impact resistance, such as in heavy-duty industrial environments, offshore platforms, and chemical plants.

Pultruded FRP Grating: Pultruded FRP grating is produced by pulling fiberglass strands through a resin bath and then curing the material in a heated die. This type of grating is known for its uniformity, precision, and ease of fabrication. Pultruded FRP grating is ideal for applications where load-bearing capacity, high tensile strength, and consistent performance are required. It is commonly used in industries such as construction, infrastructure, and wastewater treatment plants.

4. Market Segmentation by Applications

FRP grating is used in a wide array of applications across various industries. The key segments by application include:

Stair Treads: FRP grating is commonly used in the construction of stair treads due to its slip-resistant surface, which enhances safety for workers in industrial settings. It is also lightweight, making it easier to install while providing a durable solution for high-traffic areas.

Platforms: FRP grating platforms are widely used in both indoor and outdoor applications, including platforms in chemical plants, factories, and offshore oil rigs. These platforms are often exposed to challenging environments, and the corrosion-resistant properties of FRP grating make it an ideal material for these applications.

Covers: FRP grating is also used in the manufacturing of grating covers for trenches, drains, and manholes. These covers are highly durable, non-corrosive, and lightweight, making them a safer and more efficient option compared to metal alternatives. Their non-conductive nature also adds an extra layer of safety in electrical environments.

Others: In addition to the above applications, FRP grating is used in a variety of other settings, such as walkways, decking, bridge decks, and railing systems. Its resistance to wear, ease of maintenance, and customizability make it suitable for numerous industries, including construction, marine, and waste management.

5. Regional Analysis

The FRP grating market has a global reach, with significant growth seen in regions including:

North America: North America dominates the FRP grating market, driven by high demand from industries such as oil and gas, manufacturing, and construction. The region's strong focus on industrial safety, coupled with strict environmental regulations, has led to increased adoption of FRP grating for use in both new constructions and retrofitting projects.

Europe: Europe is witnessing steady growth in the FRP grating market, particularly in countries with high industrial activity like Germany and the UK. The increasing demand for durable, non-corrosive materials in industries such as automotive manufacturing, chemical processing, and offshore energy is supporting market expansion.

Asia Pacific: The Asia Pacific region is expected to see rapid growth in the FRP grating market due to the increasing industrialization in countries like China, India, and Japan. These countries are investing heavily in infrastructure development, and FRP grating is increasingly being used in industrial plants, sewage treatment facilities, and coastal installations.

Latin America: Latin America is also emerging as a significant market for FRP grating, driven by growth in the oil and gas sector, mining, and infrastructure projects. The demand for cost-effective, durable, and low-maintenance solutions is fueling the adoption of FRP grating in the region.

Middle East & Africa: The Middle East and Africa are expected to experience steady growth in the FRP grating market, particularly in the oil and gas industry. With numerous offshore and onshore oil platforms in the region, the demand for corrosion-resistant materials like FRP grating is on the rise. Additionally, the growing infrastructure projects in the region are further driving the market.

6. Key Market Players

The FRP grating market is highly competitive, with several established players providing a range of products. Key market players include:

MEISER: MEISER is a leading manufacturer of FRP grating solutions, offering both molded and pultruded grating products. The company is known for its high-quality standards and customer-focused approach in providing tailored solutions.

Lionweld Kennedy: A key player in the FRP grating market, Lionweld Kennedy manufactures both molded and pultruded FRP grating products for industrial applications. Their products are designed to withstand harsh environments while providing safety and durability.

Fibrolux: Fibrolux is a global supplier of FRP grating, known for producing lightweight, corrosion-resistant products used in diverse applications, including industrial platforms and walkways.

Techno-Composites: Techno-Composites specializes in the development of innovative FRP grating solutions that combine high performance with cost-efficiency. The company focuses on providing customized products that meet specific client needs.

Strongwell: Strongwell is one of the largest manufacturers of FRP products in North America, producing a wide range of FRP grating for use in construction, infrastructure, and chemical industries.

National Grating: National Grating offers a variety of FRP grating options, including molded and pultruded types, catering to industries such as energy, waste management, and transportation.

Delta Composites LLC: Delta Composites specializes in providing durable FRP grating solutions for demanding industrial applications, focusing on safety and longevity.

McNichols: McNichols provides a wide range of industrial grating products, including FRP grating, designed to provide superior performance in both industrial and commercial applications.

7. Challenges in the FRP Grating Market

Despite the positive growth trajectory, there are several challenges faced by the FRP grating market:

High Initial Cost: While FRP grating offers long-term cost savings, its initial price is generally higher compared to traditional materials like steel and aluminum. This can be a barrier for small to medium-sized businesses looking for budget-friendly solutions.

Awareness and Adoption: Although the benefits of FRP grating are clear, some industries remain hesitant to adopt new materials due to a lack of awareness or familiarity with the technology. Overcoming this resistance and educating potential customers is key to market growth.

8. Future Outlook

The future of the FRP Grating Market is promising, with consistent growth expected across all regions. The demand for sustainable, durable, and cost-effective materials in the face of increasing industrialization will continue to drive the adoption of FRP grating in various sectors. As new applications for FRP grating emerge and technological advancements improve the material's performance, it will remain a crucial component of industrial infrastructure.

With its advantages in terms of strength, longevity, and safety, FRP grating will play a significant role in shaping the future of industrial construction and maintenance, making it an essential solution for businesses looking to optimize their operations and enhance their sustainability initiatives.

[jimitjain]

Building Safer, Stronger: The Evolution of FRP Pipe Technology

D Chel Oil & Gas is one of the leading FRP Pipe Manufacturers in India. In today’s fast-paced industrial landscape, the demand for durable, efficient, and corrosion-resistant piping solutions has never been higher. Traditional materials like steel, concrete, and PVC have been reliable staples, but they often struggle to withstand the harsh environments found in many modern industries. Enter FRP pipes, a revolutionary technology that has transformed the piping industry by offering a combination of strength, flexibility, and resistance to corrosion. This blog explores the evolution of FRP pipe technology and highlights the role of FRP Pipe Manufacturers in India in driving this innovation forward. We are one of the top-rated grp pipe manufacturers in india.

The Rise of FRP Pipes

FRP pipes were first developed in the mid-20th century as a response to the growing need for corrosion-resistant materials in industries like chemical processing, wastewater treatment, and oil and gas. Initially, these pipes were seen as an alternative to traditional metal and concrete pipes, which were prone to rust, corrosion, and degradation under aggressive conditions. Over the years, FRP pipes have evolved significantly, incorporating advanced materials and manufacturing techniques that have greatly enhanced their performance and versatility. We are also FRP Grating Manufacturers in India.

The Evolution of FRP Pipe Technology

The evolution of FRP pipe technology has been marked by continuous innovations that have expanded their applications and enhanced their performance:

Advanced Resin Systems: Early FRP pipes used basic resins that limited their chemical resistance and temperature range. Today, advanced resin formulations, including vinyl ester, epoxy, and phenolic resins, allow FRP pipes to handle more aggressive chemicals and higher temperatures, broadening their industrial applications.

Enhanced Manufacturing Techniques: Modern manufacturing techniques, such as filament winding and centrifugal casting, have improved the structural integrity and uniformity of FRP pipes. These methods ensure consistent quality and strength, resulting in pipes that can withstand rigorous operational demands.

Integration with Smart Technologies: The latest developments in FRP pipe technology include the integration of smart monitoring systems. These systems can detect changes in pressure, temperature, and flow rates, providing real-time data that helps prevent failures and optimize performance.

Environmental Benefits: The environmental footprint of FRP pipes is significantly lower than that of traditional materials. Their long lifespan, combined with low maintenance needs, reduces waste and the demand for replacement materials. Additionally, the lightweight nature of FRP pipes lowers transportation emissions, contributing to a more sustainable infrastructure.

The Role of FRP Pipe Manufacturers in India

FRP Pipe Manufacturers in India have emerged as global leaders in the production of high-quality FRP pipes, driving innovation and setting benchmarks in the industry. Indian manufacturers have invested heavily in research and development, resulting in products that meet international standards and cater to a diverse range of industries, including oil and gas, water treatment, and chemical processing.

FRP Manufacturers utilize state-of-the-art manufacturing facilities and stringent quality control processes to produce FRP pipes that are not only durable but also cost-effective. By adopting the latest technologies and adhering to rigorous environmental and safety standards, FRP Pipe Manufacturers in India provide reliable solutions that support the infrastructure needs of industries worldwide. We are also the top quality suppliers of FRP Sheet, FRP Flange, FRP Valve, and so on.

The evolution of FRP pipe technology marks a significant advancement in piping solutions, offering safer, stronger, and more sustainable options for modern industries. With exceptional corrosion resistance, flexibility, and durability, FRP pipes have become a preferred choice in applications where traditional materials fall short. 

For more details:

Website: frp-grp.com

Product: FRP Pipe Suppliers

Also visit: FRP Fitting Manufacturers in India

[whatifsandspheres]

I'm not going to argue with a bird enthusiast about their compassion for birds. I believe them. I am grateful they exist. What I will argue against is these massive energy construction projects. Just like the craze for building hydroelectric dams, this newest iteration has proven to be the same story as that was. Dams have proven to be harmful to the water table, the river ecologies, local communities, floodplains, and even geology in terms of seismic effects and deformation of bedrock. They've nearly all built up silt to the point of costing more than they are worth without reasonable down-time to clean out planned because they demand being brought back online to the powergrid so quickly. And that silt builds up quickly! Massive construction projects tend to displace responsibility, abdicate it. They don't make people aware of the reality of modern infrastructure or the dynamics of their lifestyle in the role of culture. It brushes the problems under the rug, out of sight, out of mind, no personal changes or accountability needed. "There's an app for that!" mentality. Below are some points that basically make themselves. Just like the deluded mass-industry mentality behind the logistics of massive lithium-ion powerbanks for houses, or for cars, or for the electrical grid itself-- the use of iron for these wind turbines and mass energy projects is distorted and wasteful-- unsustainable. The amount of lithium used for an EV car battery could equal hundreds of electronic devices such as medical or even mere personal use devices like cellphones and laptops. Instead, the model of planned/engineered obsolescence that is perpetuated by capitalist consumerism not only makes those electronics wasteful in design, but also in resource logistics-- so nobody would ever even see how they deserve to be the way that the lithium is allocated to begin with instead. With the amount of iron and fossil fuels expended in constructing these wind turbines, a whole global system of nickel-iron (ferro-nickel) batteries could be built that would last hundreds of years. People have no cognitive intuition to what these metals and energy can do in the forms they can take. Instead? ...

The paragraph from the book in full reads: “The concept of net energy must also be applied to renewable sources of energy, such as windmills and photovoltaics. A two-megawatt windmill contains 260 tonnes of steel requiring 170 tonnes of coking coal and 300 tonnes of iron ore, all mined, transported and produced by hydrocarbons. The question is: how long must a windmill generate energy before it creates more energy than it took to build it? At a good wind site, the energy payback day could be in three years or less; in a poor location, energy payback may be never. That is, a windmill could spin until it falls apart and never generate as much energy as was invested in building it.” Hughes told Reuters that his comments had been taken out of context and that the passage relates to capacity factory, which is the “amount of electricity a wind mill actually generates compared to the amount it would generate if it was running at 100% of its rated Generating Capacity”.

Where are ideal locations for energy to be harvested with these massive projects and how are they built? Are they always the most patient in doing things ethically, or do you think they seek a bottom-line of money?

as a huge lover of birds, 90% of the concern against wind turbines being used for energy is literally just pro fossil fuel propaganda. birds ARE at a risk however there is a lot of strategies even as simple as painting one of the blades that reduces a lot of accidental deaths. additionally renewable energy sources will do more in favor of the environment that would positively impact birds (and all of us). one study found over one million bird deaths from wind turbines. while that is a shockingly high number and we should work to drastically shrink it, at least 1.3 billion birds die to outdoor cats on a yearly basis. it was never about caring about birds

[spookysaladchaos]

Global Top 15 Companies Accounted for 52% of total Distributed Feedback (DFB) Laser Diode market (QYResearch, 2021)

A distributed feedback laser (DFB) Laser Diode is a type of laser diode where the active region of the device contains a periodically structured element or diffraction grating. The structure builds a one-dimensional interference grating (Bragg scattering) and the grating provides optical feedback for the laser.

According to the new market research report “Global Distributed Feedback (DFB) Laser Diode Market Report 2023-2029”, published by QYResearch, the global Distributed Feedback (DFB) Laser Diode market size is projected to reach USD 5.19 billion by 2029, at a CAGR of 15.7% during the forecast period.

Figure.   Global Distributed Feedback (DFB) Laser Diode Market Size (US$ Million), 2018-2029

Figure.   Global Distributed Feedback (DFB) Laser Diode Top 15 Players Ranking and Market Share (Ranking is based on the revenue of 2022, continually updated)

The global key manufacturers of Distributed Feedback (DFB) Laser Diode include II-VI Incorporated(Finisar), Lumentum(Oclaro), Anritsu, Applied Optoelectronics, EMCORE Corporation, Innolume, MACOM, Mitsubishi Electric, Thorlabs, Nanoplus, etc. In 2021, the global top 10 players had a share approximately 52.0% in terms of revenue.

About QYResearch

QYResearch founded in California, USA in 2007.It is a leading global market research and consulting company. With over 16 years’ experience and professional research team in various cities over the world QY Research focuses on management consulting, database and seminar services, IPO consulting, industry chain research and customized research to help our clients in providing non-linear revenue model and make them successful. We are globally recognized for our expansive portfolio of services, good corporate citizenship, and our strong commitment to sustainability. Up to now, we have cooperated with more than 60,000 clients across five continents. Let’s work closely with you and build a bold and better future.

QYResearch is a world-renowned large-scale consulting company. The industry covers various high-tech industry chain market segments, spanning the semiconductor industry chain (semiconductor equipment and parts, semiconductor materials, ICs, Foundry, packaging and testing, discrete devices, sensors, optoelectronic devices), photovoltaic industry chain (equipment, cells, modules, auxiliary material brackets, inverters, power station terminals), new energy automobile industry chain (batteries and materials, auto parts, batteries, motors, electronic control, automotive semiconductors, etc.), communication industry chain (communication system equipment, terminal equipment, electronic components, RF front-end, optical modules, 4G/5G/6G, broadband, IoT, digital economy, AI), advanced materials industry Chain (metal materials, polymer materials, ceramic materials, nano materials, etc.), machinery manufacturing industry chain (CNC machine tools, construction machinery, electrical machinery, 3C automation, industrial robots, lasers, industrial control, drones), food, beverages and pharmaceuticals, medical equipment, agriculture, etc.

[tsasocial]

INX promotes three to Vice President positions

The Board of Directors at INX International Ink Co. have approved the promotions of three key executive managers to vice president positions. Anthony De Francesco, Alex Folloso, and Kim Hill have a combined 50-plus years of experience, and have led their teams to new levels of innovation, productivity, and industry excellence.

A logistics professional with over 10 years of experience, De Francesco has achieved many supply chain challenges since joining INX two years ago. Prior to being promoted to Vice President of Integrated Supply Chain, he reshaped key pillars including logistic operations, procurement, and supply planning. He also rightsized inventory without impacting service, and was instrumental in reshaping the company’s transportation footprint while reducing costs.

"Prior to being welcomed into the INX family, I was blind to the heart and soul behind the color I saw every day, he recalled. "I am humbled to say I am forever changed working alongside so many talented and likeminded individuals. Recalling a quote from Ghandi – 'The best way to find yourself is to lose yourself in the service of others' – INX has brought out something in me that I just want to multiply and give back. My dedication to growing INX for the next generation is second to none, and I am both excited and grateful to contribute to our future."

Folloso joined INX as a summer intern after he graduated from college 26 years ago. As the new Vice President of R&D Metal Decorating Technology, he is the driving force behind the company’s global metal decoration and rigid plastic ink development. He also leads the efforts for manufacturing and quality standardization at INX’s 2-piece and flat sheet metal decorating facilities. A recognized industry expert, he often attends events and frequently speaks on topics related to sustainability and food safety.

"This promotion means so much to me. I am honored, grateful, and excited to continue working with some of the best people in the industry," he said. “I look forward to helping lead INX’s Metal division to be the best in the world. I thank the Board of Directors for considering my accomplishments for this role, and I want to thank all of my past and present INX colleagues who have helped and supported me."

Hill is a strong technical administrator who began her career at INX 19 years ago and has worked in all facets of the liquid ink division. The new Vice President of R&D Liquid Solvent Technology, she has expertise in raw material procurement, manufacturing, ink development, and sales in the United States, as well as with many foreign partners and subsidiaries. She also has contributed to developing control systems synthesizing INX’s in-house proprietary resin systems that are unique to the industry, and has earned the reputation as the go-to source to resolve issues and develop new technologies.

“I am honored to be recognized by INX leadership for my contributions and commitment to the company," she remarked. "I consider myself fortunate to have worked with so many talented individuals at INX, Sakata INX, and with our global partners. It has been a pleasure to watch my colleagues grow in their careers, and I look forward to contributing to INX’s future success with new and innovative solutions for our customers."

[digitrenndsamr]

Booming Energy Sector Fuels Steam Boiler Market Expansion: 2020-2027 Analysis

The steam boiler market is anticipated to witness considerable growth during the forecast period. This is attributed to the rise in demand for steam boilers in the generation of electricity from various end-use industries. In addition, an increase in investment in the power generation sector, owing to a rise in electricity demand fuels the growth of the steam boiler market. However, stringent government regulations toward environmental pollution from conventional fuel sources and high installation/initial cost associated with steam boilers restrain the growth of the market globally. Conversely, technological advancements in steam boilers toward high heating efficiency and upgrading of aging power generation infrastructure are anticipated to provide potential growth opportunities in the coming years. The steam boiler market was valued at $15.6 billion in 2019 and is projected to reach $20.0 billion by 2027, growing at a CAGR of 3.3% from 2020 to 2027.

𝐑𝐞𝐪𝐮𝐞𝐬𝐭 𝐟𝐨𝐫 𝐒𝐚𝐦𝐩𝐥𝐞 𝐏𝐃𝐅: https://www.alliedmarketresearch.com/request-sample/10978

A steam boiler is a steam-generating device or component that uses heat produced from the combustion of a fuel source to heat water filled in the boiler, thereby generating steam for various applications such as heating and power generation. The main components of a steam boiler include a shell, furnace, grate, heating surface, mounting accessories, and other accessories. Steam boilers are used in various end-use industries, including food processing, rice mills, pharmaceuticals, metal forging, chemical, power generation, and others.

Significant development of the end-use industries, such as oil & gas, chemical, metal mining, food processing, and pharmaceutical, fuels the growth of the steam boiler market. In addition, an increase in demand for steam boilers as a source of heating in cold regions drives the growth of the market during the forecast period. However, the implementation of stringent government regulations toward environmental pollution from coal-based and other conventional fuel sources and the rapid development of the renewable energy sector are the key factors hampering the growth of the global market in the coming years.

Depending on the type, the water tube boiler segment held the highest market share of about 73.3% in 2019 and is expected to maintain its dominance during the forecast period. This is attributed to the rise in demand for high operational efficiency and high-temperature steam from the power generation industry. In addition, it offers various advantages over fire tube boilers, including a high steam generation rate, easy transportation, high efficiency, the ability to work on varying loads, and others. These factors are expected to drive the growth of the market during the analyzed time frame.

𝐆𝐞𝐭 𝐂𝐮𝐬𝐭𝐨𝐦𝐢𝐳𝐞𝐝 𝐑𝐞𝐩𝐨𝐫𝐭𝐬 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮’𝐫𝐞 𝐑𝐞𝐪𝐮𝐢𝐫𝐞𝐦𝐞𝐧𝐭𝐬: https://www.alliedmarketresearch.com/request-for-customization/10978

On the basis of fuel type, the gas-fired segment holds the highest growth rate of 3.6%, in terms of revenue, and is expected to maintain its dominance during the forecast period. This growth is attributed to a rise in awareness and implementation of stringent government regulations toward low-emission fuels. In addition, gas-fired steam boiler possesses advantages such as faster steam production, less greenhouse gas emissions, better operational performance, high efficiency, and others.

𝐂𝐨𝐦𝐩𝐞𝐭𝐢𝐭𝐢𝐯𝐞 𝐀𝐧𝐚𝐥𝐲𝐬𝐢𝐬:

The Steam Boiler industry's key market players adopt various strategies such as product launch, product development, collaboration, partnership, and agreements to influence the market. It includes details about the key players in the market's strengths, product portfolio, market size and share analysis, operational results, and market positioning.

𝐒𝐨𝐦𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐚𝐣𝐨𝐫 𝐤𝐞𝐲 𝐩𝐥𝐚𝐲𝐞𝐫𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐠𝐥𝐨𝐛𝐚𝐥 𝐒𝐭𝐞𝐚𝐦 𝐁𝐨𝐢𝐥𝐞𝐫 𝐌𝐚𝐫𝐤𝐞𝐭 𝐢𝐧𝐜𝐥𝐮𝐝𝐞,

THERMAX LIMITED Hurst Boiler & Welding Co, Inc. Viessmann Limited Forbes Marshall ALFA LAVAL AB IHI Corporation Babcock & Wilcox Enterprises, Inc. GENERAL ELECTRIC Thyssenkrupp AG MITSUBISHI HEAVY INDUSTRIES, LTD.

On the basis of pressure, the high-pressure segment holds the largest market share of about 69.7%, in terms of revenue, and is expected to grow at a CAGR of 3.3%. This is attributed to an increase in demand for high-pressure steam boilers from various industries, including food & processing, pulp & paper, chemical, pharmaceutical, manufacturing, and others.

On the basis of the end-use industry, the power generation segment holds the highest growth rate, in terms of revenue, and is expected to grow at a CAGR of 3.5%. This is attributed to an increase in electricity demand from various customers ranging from individual residential customers to industrial customers across the globe.

On the basis of region, the market is analyzed across four major regions such as North America, Europe, Asia-Pacific, and LAMEA. Asia-Pacific garnered the highest CAGR of 3.6% and is anticipated to maintain this trend during the forecast period. This is attributed to numerous factors such as the presence of a huge consumer base and the availability of key players in the region. Moreover, the rise in demand for electricity from developing countries, such as China, Japan, Australia, and India, is anticipated to contribute to the growth of the steam boiler market in the Asia-Pacific region.

𝐈𝐧𝐪𝐮𝐢𝐫𝐲 𝐛𝐞𝐟𝐨𝐫𝐞 𝐁𝐮𝐲𝐢𝐧𝐠: https://www.alliedmarketresearch.com/purchase-enquiry/10978

𝐊𝐞𝐲 𝐅𝐢𝐧𝐝𝐢𝐧𝐠𝐬 ��𝐟 𝐓𝐡𝐞 𝐒𝐭𝐮𝐝𝐲:

- In 2019, the water tube boiler segment accounted for the majority of the share of the global steam boiler market and is expected to maintain its lead during the forecast period. - In 2019, the coal-fired segment accounted for about 65.3% of the share in the global steam boiler market and is expected to maintain its dominance till the end of the forecast period. - In 2019, based on pressure, the high-pressure segment accounted for a 69.7% market share in 2019, growing at a rate of 3.3% in terms of revenue, increasing its share in the global steam boiler market. - Power generation is the fastest-growing end-use industry segment in the global steam boiler market, and is expected to grow at a CAGR of 3.5% during 2020–2027. - In 2019, North America dominated the global steam boiler market with more than 33.8% of the share in terms of revenue.

𝐓𝐫𝐞𝐧𝐝𝐢𝐧𝐠 𝐑𝐞𝐩𝐨𝐫𝐭𝐬 𝐢𝐧 𝐄𝐧𝐞𝐫𝐠𝐲 𝐚𝐧𝐝 𝐏𝐨𝐰𝐞𝐫 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐲:

𝟏. 𝐏𝐨𝐰𝐞𝐫 𝐏𝐥𝐚𝐧𝐭 𝐁𝐨𝐢𝐥𝐞𝐫 𝐌𝐚𝐫𝐤𝐞𝐭 - https://www.prnewswire.com/news-releases/power-plant-boiler-market-to-reach-31-1-billion-globally-by-2031-at-5-1-cagr-allied-market-research-301780934.html

𝟐. 𝐁𝐢𝐨𝐦𝐚𝐬𝐬 𝐁𝐨𝐢𝐥𝐞𝐫 𝐌𝐚𝐫𝐤𝐞𝐭 - https://www.globenewswire.com/news-release/2023/08/21/2728811/0/en/Biomass-Boiler-Market-to-Reach-22-8-billion-Globally-by-2032-at-15-4-CAGR-Allied-Market-Research.html

𝐀𝐛𝐨𝐮𝐭 𝐔𝐬:

Allied Market Research is a top provider of market intelligence that offers reports from leading technology publishers. Our in-depth market assessments in our research reports take into account significant technological advancements in the sector. In addition to other areas of expertise, AMR focuses on the analysis of high-tech systems and advanced production systems. We have a team of experts who compile thorough research reports and actively advise leading businesses to enhance their current procedures. Our experts have a wealth of knowledge on the topics they cover. Also, they use a variety of tools and techniques when gathering and analyzing data, including patented data sources.

[trendingtopicsreports]

Waterjet Cutting Machine Consumables Market Segmented by product that is Abrasives, Nozzles, Water Filters, Grates, Focus Tubes Product in Pure Waterjet Cutting, Abrasive Waterjet Cutting App

[sueheaven]

Iron Ore Pellets Market Expectation Surges with Rising Demand and Changing Trends

Latest business intelligence report released on Global Iron Ore Pellets Market, covers different industry elements and growth inclinations that helps in predicting market forecast. The report allows complete assessment of current and future scenario scaling top to bottom investigation about the market size, % share of key and emerging segment, major development, and technological advancements. Also, the statistical survey elaborates detailed commentary on changing market dynamics that includes market growth drivers, roadblocks and challenges, future opportunities, and influencing trends to better understand Iron Ore Pellets market outlook. List of Key Players Profiled in the study includes market overview, business strategies, financials, Development activities, Market Share and SWOT analysis are:

Vale S.A (Brazil)

Luossavaara-Kiirunavaara Aktiebolag (LKAB) (Sweden)

Metso Oyj (Finland)

Arya Group Of Companies (India)

Rio Tinto (United Kingdom)

Bhp (Australia)

Fortescue Metals Group Ltd (Australia)

Atlas Iron (Australia)

Simec Group (United Kingdom)

Cleveland-Cliffs, Inc. (United States) Pelletizing Process Involves Grounding & Mixing Very Finely Particles Of Iron Ore Fines Of Size Less Than 200 Mesh With Additives Like Bentonite And Then Shaping Them Into Oval/Spherical Lumps With The Help Of A Pelletizer And Hardening The Balls By Firing With A Fuel. Iron Ore Pellets Are Important Source Of Iron Used Mainly For The Manufacturing Steel. Iron Ore Pellets Provides Better And Uniform Permeability, Owing To Their Spherical Shape And Open Pores, Resulting In Smoother Furnace Operation. Iron Pellets Provide Higher Strength, Higher Porosity, & Uniform Chemical Composition Key Market Trends: Surge In The Usage Of Iron Ore Pellets In Various End Use Industries Owing To Industrialization Especially In The Growing Economies Like China, India, & Brazil Opportunities: There Is an Increased Opportunity for the Mining Companies for the Extraction of Raw Materials Required In the Production of Iron Ore Pellets

There Are Prospects for Utilising Iron Ore Pellets in Automotive Industry

Market Growth Drivers: Growth in the Steel Industry for Manufacturing Products Like Bridges, Cars, Planes, Bicycles, & Household Appliances

Increase in the Number of Various Chemical Industries Using Iron Ore Pellets Producing Different Products like Ferric Sulfate, Ferric Chloride, & Water Treatment Processes

Challenges: The Presence of the Substitute Materials May Pose a Challenge The Global Iron Ore Pellets Market segments and Market Data Break Down by Type (Hematite, Magnetite, Others), Application (Steel Production, Iron-Based Chemicals, Others), Balling Technology (Balling Drum, Balling Disc), Pelletizing Process (Grate Kiln (GK), Travelling Grate (TG), Others)

Presented By

AMA Research & Media LLP

[ken-research-market-research]

Advancement In Technologies Lead Global Metal Grating Market Outlook: Ken Research According to the report analysis, ‘Global Metal Gratings Market Status (2015-2019) and Forecast (2020-2024) by Region, Product Type & End-Use…

[x--daughters-of-darkness--x]

How Eternal Blue launched Spiritbox into a “surreal simulation” of heavy metal stardom

It’s been a year since Spiritbox released their genre-defining debut album, Eternal Blue, and vocalist Courtney LaPlante and guitarist Mike Stringer have barely been able to process every milestone that they’ve reached in just 12 months. Who could blame them?

Spiritbox are visibly exhausted — sighing, barely able to keep their eyes open after a year that’s felt like a blur. When the band are faced with endless days of rehearsal, performing and human engagement, they have no choice but to approach everything with a tunnel vision-like focus to accomplish every enormous task that comes their way. At the moment, Spiritbox are backstage at the Dunkin’ Donuts Center arena supporting heavy-metal mainstays Ghost and Mastodon — playing to some of the largest crowds they’ve ever seen in their career on yet another high-profile tour. LaPlante has barely finished her first coffee of the day, knowing all too well that she has a gigantic day ahead of her, and immediately apologizes if she’s a little more “unenthusiastic than usual.” Currently, she’s on semi-vocal rest to conserve her voice for what is sure to be a high-intensity set, and not to mention she’ll be pulling double duty supplying her signature angelic vocals coupled with earth-shattering screams. “Usually you can’t get me to shut up, so Mike might talk a little more than me today,” LaPlante jokes over Zoom from a green room in Providence, Rhode Island. It’s not often that a group that solely existed on the internet is now tasked with putting on full-scale production shows to thousands of fans, especially on a first album cycle. While they are eternally grateful for these massive opportunities, Spiritbox can’t help but feel as if they’re immersed in a “surreal simulation.”

Because they are indeed just beginning their career, the rapid rise of Spiritbox has found LaPlante and Stringer, who are both married, at a crossroads. The last 12 months since the release of Eternal Blue have left the couple to ponder the question of dropping everything back home in their relatively isolated region of Canada and making the move to the U.S. to have some form of proper functionality in what they can only describe as a “logistical nightmare.” “Do we want to keep spending all of our money on Airbnbs and hotels to be in Los Angeles, or do we just move down here? We barely see our own home and are pretty much down in LA because that’s where most of where everything we enjoy resides now,” LaPlante candidly admits.

Since their inception in 2017, the Canadian metal outfit found near-instant online fame by breathing fresh air into heavy music with two successful EPs and a plethora of singles. By 2020, they were primed to hit the tour circuit, eventually enlisting their now-current drummer Zev Rosenberg to round out the lineup just days before hitting the road (with bassist Josh Gilbert joining later in 2022). But plans, of course, changed due to the pandemic. Spiritbox were not only forced to cancel their tour dates, with just two weeks of shows under their belt at the time — they also faced a series of setbacks when it came to getting studio time to work on what would become their debut album, Eternal Blue.

Remarkably, the sheer intensity of a global health crisis didn’t slow any momentum that the band were building at the time. In fact, it bred even more hype and anticipation for the band’s return to the stage and the next collection of songs. In July 2020, Spiritbox released their breakout single “Holy Roller,” which cemented the relatively online-based group into the category of chart-topping radio metal act and eventually secured them a No. 1 spot on Sirius XM’s Liquid Metal radio station. When it came time to hunker down and create Eternal Blue, expectations couldn’t be higher within the music industry, their fanbase and even internally. “First of all, it was too much hype. There were really big shoes to fill, which were our own shoes,” LaPlante declares. In short, it was very fulfilling and also very stressful.

Following the release of the album in September 2021, Spiritbox played just about every major rock festival in North America, sharing the stage with everyone from nü-metal royalty Limp Bizkit and Bring Me The Horizon to acclaimed post-hardcore innovators Underoath, gaining immeasurable wisdom along the way from their musical peers and even their early influences. They “were sponges,” Stringer says proudly.

“As opening band people, we all know what is so annoying about younger opening bands and the pet peeves. We are super self-aware of not disturbing anyone and not speaking unless spoken to,” LaPlante laughs. “As the headlining band, you have to be able to gently bully your opening bands to become better bands, and those guys definitely gave us tons of advice.” Underoath, she says, were the most approachable, though.

In the busy year that has passed since the release of Eternal Blue, the album has already been lauded as a classic among a wide range of musical communities, and anytime the band play a live show, it already feels like they’re playing a set of “greatest hits.” This is impressive and remarkably rare for a band with just one-full length under their belt, but not surprising due to the fact that the album was created meticulously to ensure cohesion and avoid filler that can plague larger bodies of work. Ultimately, Spiritbox wrote a timeless record that embodies the best aspects of modern technical metal while diving deep into areas of raw emotional depth that tackles subjects ranging from losing loved ones (“Constance”) to religious extremism (“Holy Roller”), juxtaposed with LaPlante’s impassioned vocals. Even the most outspoken metal gatekeepers can’t deny the allure of all that and their infectious hooks.

“It’s always been a goal for the band that people can use as a gateway into this genre,” Stringer says proudly, reflecting on the band’s accessibility. LaPlante, with perfect comedic timing, adds, “We will be your college girlfriend that teaches you how to iron your clothes and takes you from being a baby to an adult. Then you break her heart and leave her for the girl at your new job, and that’s OK, but she helped you iron your shirts — that’s who I’ll be.”

Eternal Blue doesn’t sound like a product of the era it came out in, and it wouldn’t be wrong to assume that this record will continue to be revered for decades to come due to its groundbreaking nature. On Eternal Blue, Spiritbox expertly pair everything from downtuned guitars that reflect the sonic palettes of djent and extreme metal while diving into atmospheric territory that harks back to classic Deftones — plus dystopian synth textures that wouldn’t sound out of place on a Nine Inch Nails or Bring Me The Horizon record. Much like Bring Me The Horizon, who the band describe as “fearless,” Spiritbox will likely be under a microscope going forward to see how they’ll shape and inform the next generation of metal artists. Stringer is quick to point out that “a lot of the album was written out of frustration and uncertainty.” “On one hand, it was devastating to keep delaying everything, but it also allowed us to have more of an honest perspective of what we were bringing to the table with the sequencing of the record, the feel and how it would look,” he explains.

While Eternal Blue is loaded with intensity and heaviness, there’s still a palpable, uplifting element to the music thanks to the inclusion of anthemic choruses on nearly every track. But Stringer’s interpretation of it is quite different: To him, it’s a “sad record.” While sonically the record transcends the time of its release, Stringer wonders: Will it always be dubbed as “a pandemic record”?

Despite that lingering question, one thing is for certain: They did exactly what they wanted to with the album, and it’s paid off. While the band couldn’t avoid the impending hype and anticipation, LaPlante humbly admits that they were not at all prepared for how in demand the record would be. “That’s the craziest thing about this band — it was all just a guessing game and projections,” Stringer says. “There’s no real way of knowing when everything is shut down and you can’t play shows.”

Almost an hour into our chat with the band, it’s clear that LaPlante and Stringer are beginning to make sense of their whirlwind year a little more and are able to reflect on the growth opportunities they’ve experienced not only musically but personally. For LaPlante and Stringer, their marriage is a driving force behind Spiritbox, with Stringer saying,” I feel like Courtney and I’s relationship is like hitting the lottery. This is what we have been working toward for so long. A lot of guys or women in bands have to leave their significant other, and it’s difficult.” LaPlante nods in agreement while Stringer elaborates: “We’ve been playing music together for longer than a decade at this point, and the fact that we can [still] do this together is incredible and is the best of everything. I couldn’t imagine doing it without her.”

While LaPlante and Stringer’s relationship couldn’t be stronger, the inner-band dynamic has also grown, with an increasing sense of camaraderie felt between the other members as a whole. “We are able to be a band and be in each other’s presence for more than a week now. We would really only see each other for a couple of days here and there every month or two to do fly-in dates, rehearse or do festivals. With [bassist] Josh [Gilbert] coming into the band, too, it’s starting to feel like we are a band who knows each other and understands everyone’s day to day and boundaries,” Stringer reports excitedly. This past May, the band’s original bassist Bill Crook departed the band amicably, which led them to enlist Gilbert. It’s a position that seems to be the perfect fit due to his longstanding history and experience touring the world in previous musical projects. LaPlante agrees: “He’s not only such an incredible musician, but we really appreciate the wisdom of someone who has done this for so long. He knows what he’s doing, and it’s nice having someone around who can reassure you that you are making those benchmarks and not crazy for wanting everything to be perfect.”

Perfectionism, after all, is a central theme for Spiritbox — something they not only wrestle with in how they manage and operate their band but also within the music that they write. “We’re pretty hard on ourselves,” LaPlante admits. “We’re all in different stages of how to deal with perfectionism in a healthy way. Zev is only 21, and he has a long musician journey of seeking that perfectionism that we have all been on a little longer, but it’s all syncing up very nicely.”

Because Spiritbox have always led with authenticity and honesty since the beginning, they only have one job: to be exactly themselves and, in turn, the world will follow them no matter what. They’ve thrived on being an open book, navigating the balancing act of crafting heavy songs and cinematic ballads alike, as long as they represent Spiritbox. The challenge, however, has been having people watch them figure out their identity while they’re discovering it themselves. “The challenge is training your audience, which is hard to do if you didn’t already set out to do that. The people that like our band don’t quite know who we are yet. We’re still figuring it out, but I’m also happy to not ever figure out what genre we are,” LaPlante declares.

Beyond genre, it is the lyrical depth that has allowed Spiritbox to capture so many different audiences and, in turn, transform the lives of their listeners. Fans can’t help but gravitate toward Spiritbox, who fearlessly speak their truth and pursue their dreams no matter the obstacles or detractors. Interestingly enough, LaPlante and Stringer are both in their early 30s, and while the music industry has always tried to dictate a narrative of youth, Spiritbox are living proof that timing and patience are everything. The group are also a direct rejection of the hypermasculine, and often misogynistic, history associated with heavy metal — choosing instead to highlight the beauty of femininity and amplify underrepresented voices. This has led LaPlante to be looked at as a hero in the genre, or even simply “one of the good ones.”

Like their success, becoming role models is something the band are both grateful for and “overwhelmed” by. When the subject is first brought up, LaPlante takes a moment to reflect on her influence in a genre that has historically and tragically been associated with toxic power imbalances. “It gives me great respect for being in this position, and it makes me more and more upset that other people who have been given this gift of having this wonderful connection with their fans abuse it or take advantage of their fans; I don’t want to squander it,” she reflects. “I feel like so many fans have had a bad relationship with people to whom they were so vulnerable. I want to be a band that everyone feels safe to open up and be themselves at our shows.”

For Stringer, meeting fans at a headlining show last August at the House of Blues in Anaheim stood out to him. “There were a couple of moments where people opened up to us about ‘Constance’ or a particular song that helped them, and they would start to cry,” he recalls. “After you make the music, do the work and get ready to tour, it doesn’t matter if there are thousands of people in the room. Being able to speak to those people and have them share that with you is a pretty incredible moment.” After years of engaging with fans online, the band are still getting used to having intimate moments with fans in a physical space. “This whole thing is so weird,” Stringer adds. “Coming out of a pandemic and having your career on the internet to then doing it for real — it seems not real.”

That performance was memorable for Spiritbox for other reasons. It was notably only the second time in the band’s career that they headlined a show, and it sold out almost instantaneously, proving not only that Spiritbox have no issue taking on a 2,000-person venue, but have probably been ready to do so since the release of Eternal Blue. Again, they were in disbelief. “We had played [House of Blues] on the Underoath tour, and we always thought the venue was incredible. To then announce the [headlining] show and have it sell out, it felt like another simulation-breaking moment, and it felt like a celebration,” Stringer says with joyful disbelief. The success of that night is part of what’s helping the band enter their next chapter. “It gave us the confidence to envision doing a tour like this, the confidence to make some really big decisions with what we’re going to do next,” LaPlante says with cautious optimism.

With those decisions, LaPlante is seriously considering how she can make an impact in a traditionally male-dominated scene. She wants to ensure metal becomes a more inclusive space where all voices, not just white, cis male ones, are represented. “I really want to do anything I can to make this genre more diverse, stronger and better,” she says. “It’s not just about my personal benefit. There’s so much potential in our community to treat women better, and if there are more of us in the community, it will be easier for others to make their own art within it.” While LaPlante admits that she appreciates the simple joys of applause and kind words for her music, she wants Spiritbox’s impact to go deeper. “Seeing younger girls take a stab at this kind of music is real change to me, and something that was foreign to me as a child,” she explains.

Right now, LaPlante is captivated by a certain 10-year-old singer from the U.K. named Harper who won the internet over with her now-famous audition for America’s Got Talent — a rendition of Spiritbox’s single “Holy Roller.” LaPlante flashes a wide grin at the first mention of the young singer’s name and declares, “A couple of years older, I was that [same] kid. However, I lacked the confidence that these kids [and Harper] have. They actually feel like they belong. There are also many years of psychological warfare they don’t have to focus on. Now, they can just focus on being a part of the community.”

While Spiritbox are versed in exceptional musicianship, releasing Eternal Blue just as they were beginning to hit the road was integral in their continued growth as performers and granted them the opportunity to road-test the new material — gaining new insights that they can use in the future. “We’re getting older and figuring out what we enjoy playing live, and maybe some parts don’t need to be as complex or some parts need to be pushed further,” LaPlante explains. “We like to challenge ourselves, we really do, but also it doesn’t matter how hard I work. I’ll never be like the singer of Meshuggah. Maybe I won’t be as technically proficient as these kinds of people with crazy patterns, but I just want to do my best.”

If the last year since the release of Eternal Blue has proven one thing, it’s that Spiritbox have earned an immense amount of freedom and control over their destiny. While it’s too soon to discuss concrete details of when their next album will arrive, it’s clear that in a world where music is consumed at a rapid rate, their fans are eager to see what the next step will be. Though it hasn’t been too long since they were satiated with new music — Spiritbox released their last EP, Rotoscope, in June, a three-song collection that let them toy with their sound.

It’s a nice cliffhanger for the band who are still determining their next move. “I think we’re just going to continue on the path of being upfront and honest with what we create. We’re going to get a little more extreme with certain aspects of it, whether it’s the visuals or music. Whatever we do moving forward, we are going to evolve,” Stringer says. While that remains relatively nebulous, he adds that the music will be “grander in all aspects, and a more honest version of Eternal Blue.” LaPlante isn’t so sure. “For me personally, I can’t take any more honesty than that record,” she laughs. “It took a lot out of me.” What they can agree on is that they want to be thoughtful about whatever they do next — and they’re just getting started.

[jimitjain]

Improvement of Safety in Pharmaceutical Companies with the Use of FRP Pipes

D Chel Oil & Gas is one of the premium quality FRP pipe manufacturers in India. FRP pipes are now seen as essential to maintaining safety in the pharmaceutical industries This article explores the different aspects that highlight the significance of FRP pipes, the role that manufacturers play, and the wider implications that have for plant safety.

Key Factors Affecting the Function of FRP Pipes

Material Properties: FRP pipes FRP pipes are made of a resin matrix reinforced with glass fibres, which provides them with outstanding corrosion resistance. This feature is especially important in chemical industries, where exposure to corrosive substances can corrode typical metal pipes over time, potentially causing leaks and failures.

Safety and Reliability: By reducing the possibility of spills and leaks, the main objective of utilising FRP pipes is to improve safety. Because FRP is non-conductive, it lowers the possibility of electrical risks, which makes it appropriate for use in areas where combustible chemicals are handled. We are also GRP Pipe Manufacturers in India

Durability and Longevity: FRP pipes are more durable and long-lasting than metallic equivalents. They are rust-resistant and can tolerate a wide range of temperatures and pressures, making them suitable for a variety of industrial applications.

The Function of FRP Pipe Manufacturers

Quality Standards: FRP Pipe Manufacturers play a pivotal role in ensuring the reliability and performance of FRP pipes. Adherence to stringent quality standards and certifications (such as ASTM and ISO) is crucial in guaranteeing the pipes' effectiveness in harsh chemical environments.

Customization and Engineering Support: FRP Manufacturers offer customization options tailored to specific plant requirements, including varying diameters, lengths, and fittings. Additionally, they provide engineering support to ensure proper installation and maintenance protocols are followed.

Innovation and Research: Continuous research and development by manufacturers lead to advancements in FRP technology, improving the material's properties and expanding its applicability in challenging industrial settings.

Tradeoffs and Challenges

Cost Considerations: FRP pipes may initially cost more than more conventional materials like steel. Longer operational lifespans and less maintenance expenses, however, frequently make up for these initial costs. We are also FRP Grating Manufacturers in India.

Installation and Handling: Because of their distinctive qualities, FRP pipes demand certain knowledge to handle and install. Improper installation can reduce its longevity and efficacy.

High-quality FRP Pipe Manufacturers 

FRP Pipe Manufacturers in Mumbai are known for their inventiveness and attention to detail. They are continually fine-tuning their manufacturing procedures and material compositions to improve the performance and longevity of their products. Indian manufacturers provide a diverse assortment of FRP pipes in different diameters, pressure ratings, and applications. 

Furthermore, FRP pipe manufacturers in India offer comprehensive support services such as design consultation, installation assistance, and after-sales service. Their expertise and dedication to customer satisfaction ensure that every project runs smoothly and efficiently. Clients that work with Indian FRP pipe manufacturers benefit from high-quality goods, competitive pricing, and dependable service, making them a top choice in the global market for long-lasting and efficient piping solutions. We are also GRP Sheet Manufacturers in India.

In summary, FRP pipes play a vital and diverse role in improving safety in chemical facilities. Manufacturers are essential to the advancement of technology and the maintenance of strict standards. Even while there are certain difficulties, like cost and installation complexity, the advantages of increased durability, safety, and environmental stewardship outweigh these factors. The use of FRP pipes is a major advancement in guaranteeing the integrity and safety of pharmaceutical plant operations as businesses shift towards more robust and sustainable practices.

For More Details:

Website: frp-grp.com

Also Visit: FRP Grating Manufacturers

[letterboxd]

How I Letterboxd #10: Chad Hartigan.

Filmmaker Chad Hartigan talks to Jack Moulton about his prescient new sci-fi romance, Little Fish, why radio silence is worse than a bad review, and his secret system of Letterboxd lists.

Chad Hartigan has won prizes at the Sundance Film Festival and the Film Independent Spirit Awards for his acclaimed films This is Martin Donner and Morris From America. He’s also been a Letterboxd member since way back, joining what he proclaims as “my favorite website” in 2013. Hartigan has always been an obsessive logger: he has transcribed all of his viewing data since 1998 and continues to work on filling in the gaps in his downtime.

Like many ardent Letterboxd members, Hartigan is a diligent list-maker, keeping tabs on his best first viewings of each year and assembling an all-time top 1,000 films over the summer (with an accompanying 26-minute supercut). Perhaps unusually for a member of the film industry on Letterboxd, he’s unafraid to hold back his opinions and regularly voices his critiques on even the most acclaimed films.

Hartigan’s newest film, Little Fish, is a sci-fi love story starring Olivia Cooke (Sound of Metal) and Jack O’Connell (Unbroken). Written by Mattson Tomlin, it’s set during an imagined pandemic—shot long before our own actual pandemic—wherein a disease causes people to lose their memories. It was set to premiere at the 2020 Tribeca Film Festival, and then postponed due to Covid-19. It’s now out in limited theaters and on demand, and we were delighted with the excuse to put Hartigan in the How I Letterboxd spotlight.

Olivia Cooke as Emma and Jack O’Connell as Jude in ‘Little Fish’.

You made a pandemic movie before the pandemic. How do you feel about accidentally hitting that unfortunate zeitgeist and now consequently being asked questions like this one? Yeah, strange. The questions are fine. If it wasn’t this one, it would be another that you would have to answer over and over again. One of the things that drew me to the project was that it felt like a fantasy that wasn’t necessarily rooted in reality in a way that my other [films] were. I liked that it’s old-fashioned in its attempts to purely take you somewhere and wasn’t intended to hold up a mirror to our times—but then in the end that’s exactly what it’s doing. I’m curious myself, and I’m checking Letterboxd to see the reactions from people because I really couldn’t guess what it would have been like [now].

Are there any prescient details you’re proud of getting right? I’m so grateful and happy that Jack [O’Connell] is wearing his mask correctly. That’s the number one thing that I’m glad we got right. I think it was very smart of Mattson to focus the movie on [the relationship] rather than the details of this global pandemic. I feel the reason it’s not in bad taste is because it dealt with those things as a backdrop and instead focused on people just trying to remember what’s important and clinging onto those that they love.

Onto our own favorite memory aid, Letterboxd. How did you discover us and how did you manage without us? I’ve been on since 2013, so I’m probably one of the earliest people to jump on it. I love the interface and the diary, just aesthetically it was really fun. I’ve been keeping track of what I see with analog [methods] for as long as I can remember. I have diaries and planners so I logged all that old information. If I was running for president, my platform would be that everybody is required to use Letterboxd comprehensively, because I just love to know what everybody is watching all the time.

Do you talk about Letterboxd in the real world with the other filmmaking people? Yes, and I’m often trying to convince them to join. Other filmmakers are more concerned about having their opinions on peers be public knowledge than I am, I guess. I’ve made four films now and each one’s been bigger and more widely seen than the last. The very first one was a total no-budget affair that couldn’t get into any festivals and I was very excited when I finally got it into the Hamptons Film Festival. It was about half-full and one or two people came up to me afterwards and said they liked it. This was pre-Twitter so I spent the whole next day Googling to see if anybody had written anything. I was so curious to see what people thought and there was nothing—not a review, not a blog—just total emptiness.

When the next film got into Sundance, there were people tweeting their reactions and actual reviews and I read everything. People were asking if the bad reviews hurt me. Absolutely not—nothing can be worse than the radio silence of nobody caring about the first film. The fact that people care enough to sit and write about this movie—good or bad—is a win, and I’ve carried that onward. I like to see what people think, it can be helpful in how you view the film as a success or failure. You learn and move on.

Jack O’Connell at least remembers how to wear a mask in ‘Little Fish’.

Some filmmakers have told us they’re kinder to films after making their own, but you’re not shy at all about being critical. How did making your own films change your perspective as a critic? I don’t consider myself a critic so that’s why I’d be less concerned with someone reading what I thought. Why should they put any stock into what I think? If they get hung up on it then that’s their own stuff because I’m not a critic. Like everyone else on Letterboxd, I just love watching movies. Obviously I can appreciate and understand some of the technical aspects maybe moreso than people who don’t make films, but at the end of the day, rarely that’s the thing that makes you love a movie or not. There’s a great bit in Francis Ford Coppola’s commentary track for Finian’s Rainbow where Fred Astaire’s doing a dance number and [Coppola admits] he totally messed it up because Astaire’s feet aren’t fully in frame. He’s very honest about his mistakes because it’s one of his earliest movies. Then he goes on to say that he thinks there’s the same number of mistakes in Finian’s Rainbow as there are in The Godfather, it’s just that he made mistakes on the things that don’t matter for The Godfather. No film is perfect, but if it can latch onto this one magical aspect that connects you to it, that’s what makes you love it or not.

You had a project where you chart the best films made by directors at certain ages as you reached that age. Tell us more about it. That was a great project. I got the idea when I was 26. This was back when I had a Netflix DVD subscription and it was just hard for me to randomly choose DVDs to throw in the queue. I needed a system. I decided to watch movies from directors when they were my age and see if there’s some common denominator, something I can learn. At that point, there weren’t many, there were films like Boogie Nights and Fassbinder films. Not many people had made stuff when they were 26 or 27, so it was very feasible. Every year there were more movies and more directors to add to the list and it became time-consuming. I did it all the way up until I was 34 and the reason I stopped was because I had a son and there was no way I could continue this level of viewing output.

My favorite part of your account is the fact that you log every viewing of your own films. You know for a fact that you’ve watched Morris From America 26 times and Little Fish fifteen times. Why do you log them? What counts as a viewing? I’ve clearly watched those movies many more times in little chunks but I’ll only log it if we’re sitting down and watching it from beginning to end. I have a ticket to see Little Fish in the drive-in on Saturday, so it’s going to be logged again. Why do I do it? Like I said, I wish everyone was required to use Letterboxd comprehensively. That’s what it’s there for for me, an accurate log of what I watch. This is psychotic behavior but I’m tempted to have a Letterboxd account for my son. I’ll do his views for him once he starts watching movies until he’s old enough to take over. It’ll just be, like, Frozen a thousand times but he’s not old enough to watch anything yet, so we’ll see.

Have you discovered any films thanks to Letterboxd discourse that influenced your approach to filmmaking? For sure, I can’t maybe say specifically, but once I dropped the directors my own age system I didn’t replace it with nothing. I’m a Virgo and I have a little bit of OCD, so I have to have some system. I’ve replaced it with a new complicated system where I pull from different lists and that’s now my main source of how I choose a movie to watch. I have like ten or twelve different lists, each about a thousand movies with a lot of overlap. One of them is my own list of every movie I’ve seen in a theater and I’ll go and look through that and if it’s something I want to revisit. Recently I rewatched Twister, which I hadn’t seen in a long time and is an old favorite from when I was in high school.

I have a bunch of private lists I cycle through; every movie nominated for a Spirit Award, every movie that’s won an Oscar, every movie that’s played in competition at Cannes, the top 1,000 films at the box office. There’s another great website that I use as a biblical resource which is They Shoot Pictures, Don’t They? and their lists of acclaimed films for all-time and the 21st century. I hit those up often. Something that I watched purely because of the very high Letterboxd rating and really loved is Funeral Parade of Roses. I try to see as many movies as I can that have a 4.0 rating or higher.

You respect the Letterboxd consensus. I do, but I don’t always agree with it.

‘Little Fish’ director Chad Hartigan.

Which is your most underrated or overlooked movie according to Letterboxd? I can say I was the very first person to log a movie called Witness in the City, which is an Italian noir movie I watched when I was doing my ‘directors my own age’ series. Literally nobody had logged it, so my review was like “whoa, I can’t believe I’m the first person to log this!”. It was very exciting for me because it’s great, but I’m the OG logger of that movie.

From your list of every film you’ve seen in a theater since you were twelve, which was your most memorable experience? The cheap answer is that it’s hard to top my own movies. The Sundance premiere of Morris From America at the Eccles Theater is maybe the best, but if I’m disqualifying my own films, seeing Scream 3 in a very packed theater in Virginia Beach was really fun, really rowdy. There was a trailer for a Jean-Claude Van Damme movie and I remember the climax was Van Damme going “you lied to me!!!” and everyone laughed. Someone did a George Costanza move later during Scream 3 and yelled out “you lied to me!!!” and everybody laughed again—so that’s a high. That’s the thing I miss the most about movie theaters, and the worry I have if theaters go away, is that so much of how we feel about a movie can be tied to the experience; who we saw it with, what we did before or after, what the crowd was like, or if anything strange happened. There are a lot of movies I have strong memories and affection for because of the experience of seeing them and I probably wouldn’t feel the same way about if I just watched it at home on my laptop.

I typically like to cap interviews off with what filmmakers thought was the best film of the past year, but we have your data to hand. For you, it’s Garrett Bradley’s documentary Time. Can you talk a bit about what makes the film stand out for you? One thing I learned about myself from the pandemic is that the motivation and desire to see new things is very closely tied to the theater-going experience for me. Once that was taken away and you could watch a new movie at home, it joins the pile of all the other movies. The fact that it’s new doesn’t really do anything for me. Why would I press play on Da 5 Bloods when I still haven’t seen Malcolm X? I gotta see Malcolm X! There wasn’t an urgency, so I saw far fewer films than in an ordinary year. But Time I found incredibly moving and important. Similar to what I liked about the Little Fish script, it’s so hyper-focused on one relationship and within that one story it has so much to say about larger issues and the world at large. It was an emotional and rich viewing experience.

‘Little Fish’ is on demand and playing in select theaters now. Images courtesy of IFC Films.

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Lithuania at the 1992 Barcelona Olympics

Having been the first Soviet nation to gain independence from the USSR in 1990, Lithuania represented themselves as a sovereign state for the first time in 64 years at the 1992 Barcelona #Olympics. However, in addition to the battle for medals, there was another competition brewing between two prominent Japanese designers. #HanaeMori was enlisted to design Japan’s ceremonial kits, the elegant businesslike suits inspired by Japan’s Hinomaru represented the country’s devotion to tradition, consistency and advancement. #IsseyMiyake however, was contacted spontaneously by Dr. Edward Domanskis - a California plastic surgeon turned Lithuania team physician in a bid to be their teams designer. Miyake said that he wouldn’t be expecting an invite from his home nation due to the conservatism of their sports establishment but his progressive, neo-futurism aesthetic resonated with newly-liberated Lithuania. “They put their collars a little differently from what I thought, but they're not models, they're human beings. They're enjoying themselves so much" The collection consisted of a split-hood pleated jacket, t-shirt, sneakers, metallic bottoms and matching cap illustrating an assertiveness on the global stage. He initially didn’t like the idea of incorporating a flag into his designs due to a distrust in nationalism but saw Lithuania as an exception. Constructed using lightweight polyester provided by Toray Industries, the garments were cut using a new hot metal method reflecting his approach of utilising innovative textile-engineering. Having experimented with pleats since 1988, this was the first time Miyake put this aesthetic to the public before releasing his Pleats Please line in 1993. Dubbed ‘The Other Dream Team’ for their imminent threat to the legendary ’92 Team USA. The small Baltic state didn’t get gold but restored their dignity when defeating their former overseers, Russia in the battle for bronze. Sympathising with their struggle, talent and significance in competing, The Grateful Dead band sent the team signature tie-dyed t-shirts in their nation's colours - worn during the medal ceremony.

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Amico

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