#Giuseppe Giordani

[dame-de-pique]

Giuseppe Giordani - La vestale, Imprint: Firenze: Stamperia già Albizziniana, ad istanza di G. Risaliti, 1787

[valentina-lauricella]

Uno scherzo di Leopardi

(…) questo ingegno terribile del Leopardi, il quale era stato tanto greco nell'Inno a Nettuno, nella Canzone di Simonide, nel Canto di Saffo, tanto romano nell'estreme parole di Bruto secondo, tentò una volta di farsi trecentista in quel supposto volgarizzamento di Martirio: e d'alcuna cosa gli fallì il successo. Io non dirò ch'egli in cuor suo credesse di aver toccato veramente il segno, ma certo confidossi di avere ingannato il mondo; e vedrete com'egli scrivendone al cugino romano se ne compiace e si tiene sicuro perchè vi restò preso il povero Cesari (*).

(Pietro Giordani)

(*) Famoso per essere stato il maggiore dei "puristi", cioè di quegli studiosi di lingua che, tra la fine del Settecento e il principio dell'Ottocento, fecero argine all'imbarbarimento della lingua dovuto soprattutto all'influenza del francese, richiamando gl'Italiani allo studio e all'imitazione dei nostri scrittori antichi, e specialmente dei trecentisti.

Un tratto che amo molto di Leopardi è la consapevolezza che gli permetteva di valutare lucidamente sé stesso e gli altri, tanto da fargli pensare che nessuno potesse essergli giudice, esemplificato dalla frase del Giordani: egli sapeva di non aver raggiunto l'eccellenza nell'imitazione, ma sapeva di essersi avvicinato ad essa quanto bastava per ingannare gli altri. Così, fra i dolori dell'"infelice" Leopardi, posso immaginare che ci sia stato, a mitigarli, questo gratificante pensiero di essere un gradino più su di tutti gli altri…

[gabrielesalvaterra]

My review of the exhibition E se il paesaggio è simbolico organized at Boccanera Gallery Milan and curated by Linda Carrara.

Artists exhibited: Linda Carrara, Giuseppe Adamo, Lorenzo Di Lucido, Silvia Giordani, Vera Portatadino, Fabio Roncato.

[princesssarisa]

Yesterday I shared links to complete filmed performances available free on YouTube of the top 10 most frequently performed operas. While I'm at it, here are links to performances of the next top 10 most popular operas, all with English subtitles.

Cosí Fan Tutte

Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry, Eiran James, Claudio Nicolai; staged and conducted by John Eliot Gardiner)

L'Elisir d'Amore

Vienna State Opera, 2005 (Rolando Villazón, Anna Netrebko, Leo Nucci, Ildebrando d'Arcangelo; staged by Otto Schenk; conducted by Alfred Eschwé)

Aida

San Francisco Opera, 2010 (Micaela Carosi, Marcello Giordani, Dolora Zajick, Marco Vratogna, Hao Jiang Tian; staged by Jo Davies; conducted by Nicola Lusotti)

Hänsel & Gretel

Studio film, 1981 (Brigitte Fassbaender, Edita Gruberova, Sena Jurinac, Hermann Prey; directed by August Everding; conducted by Georg Solti)

Turandot

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim, Valeria Sepe; staged by Warren Mok; conducted by Paolo Olmi)

Die Fledermaus

Bavarian State Opera, 1987 (Eberhard Wächter, Pamela Coburn, Wolfgang Brendel, Janet Perry, Brigitte Fassbaender; staged by Otto Schenk; conducted by Carlos Kleiber)

Nabucco

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi, Elizabeth Kulman, Bruno Riberio, Simon Yang; staged by Robert Herzl; conducted by Ernst Märzendorfer)

Eugene Onegin

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova, Yuri Marusin, Larissa Diadkova; staged and conducted by Yuri Temirkanov)

Lucia di Lammermoor

Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; directed by Mario Lanfranchi; conducted by Carlo Felice Cillario)

Paglacci

Lirica Italiana at the Tokyo Bunka Kaikan, 1961; Mario del Monaco, Gabriella Tucci, Aldo Protti, Attilio D'Orazzi; conducted by Giuseppe Morelli)

[fashionbooksmilano]

Ephimera Dialoghi sulla moda

a cura di Sofia Gnoli

testi di Antonio Mancinelli, Maria Luisa Frisa, Alessandro Michele, Anna Piaggi, Luca Stoppini, Mariuccia Casadio, Quirino Conti, Bonizza Giordani Aragno, Maria Grazia Chiuri, Giuseppe Scaraffia, Gabriella Pescucci, Valeria Palermi, Daniela Baroncini, Silvia Venturini Fendi, Andrea Mecacci

Electa, Milano 2020, 115 pagine, 16x24cm, brossura con alette, ISBN 9788892820319

euro 29,00

email if you want to buy booksinprogressmilano@yahoo.it

La moda nelle sue innumerevoli sfaccettature è la protagonista Ephimera, un volume nato dal ciclo di conversazioni che si è tenuto al Parco archeologico del Colosseo, nella Curia Iulia, cuore della civiltà romana, tra il 2019 e il 2020.

Fugace, velocissima, radicata nel presente, la moda sta sempre sul punto di diventare qualcos’altro, di cambiare pelle. È proprio per questo che la curatrice Sofia Gnoli ha scelto Ephimera – da epi “sopra” che messo insieme ad emera “giorno”, significa di un sol giorno – come titolo di questi dialoghi. Il risultato è un libro che esplora la moda da una molteplicità di punti di vista: moda come linguaggio di segni, come espressione artistica, senza trascurare argomenti classici quali l’androginia o il dandysmo e il suo legame con il cinema e con la letteratura, con la fotografia e con il kitsch.

Il continuo scambio tra presente e passato, così come la natura polimorfica di questa disciplina si riflettono anche sulla diversa formazione dei partecipanti di Ephimera, nonché autori del volume: direttori creativi, artisti, saggisti, studiosi e giornalisti, hanno approfondito, attraverso la loro personale visione, un aspetto della contemporaneità. Attraverso tutti questi racconti, Ephimera traccia un quadro della moda con le sue mutevolezze, le sue imprevedibilità e le sue compulsive morti e rinascite. Così, tra presente e passato, tra effimero ed eternità, la moda non smette di incantare.

EPHIMERA SOFIA GNOLI L’AVVENIRE È LA PORTA, IL PASSATO È LA CHIAVE ANTONIO MANCINELLI E SILVIA VENTURINI FENDI ALESSANDRO MICHELE: ARCHEOLOGO DELLE COSE A VENIRE MARIA LUISA FRISA E ALESSANDRO MICHELE MODA: STRUMENTO DI CONSAPEVOLEZZA, ARTE DEL POSSIBILE VALERIA PALERMI E MARIA GRAZIA CHIURI LE D.P. “DOPPIE PAGINE” DI ANNA PIAGGI LUCA STOPPINI ANNA PIAGGI “PRIVATE” PAOLO CASTALDI FENOMENOLOGIA DEL DANDY GIUSEPPE SCARAFFIA IL DANDISMO DI LUIGI ONTANI MARIUCCIA CASADIO L’INDISTINTA SESSUALITÀ DELLA MODA QUIRINO CONTI OSCAR AI COSTUMI GABRIELLA PESCUCCI IL GUARDAROBA DELL’EROS: LETTERATURA, MODA E EDUZIONE DANIELA BARONCINI SGUARDI ITALIANI: LA FOTOGRAFIA DI MODA IN ITALIA BONIZZA GIORDANI ARAGNO CONSIDERAZIONI SUL KITSCH ANDREA MECACCI

23/05/24

[tfblovesmusic]

How the 24 Italian Songs and Arias and the Suzuki Violin School Are Similar, Pt. 1

As someone who partook in many spring concerts, I for one have encountered at least one instance of a classmate performing a chestnut from the 24 Italian Songs and Arias.

That instance occurred in 8th grade, in 2004, when I was clarinetist in the concert band and violist in the orchestra. One of my classmates - who previously played Ti Moune in my middle school's production of Once on This Island to commemorate the 50th anniversary of the Brown v. Board of Education of Topeka ruling - sang Giovanni Bononcini's "Per la gloria d'adoravi."

Fast forward 20 years later - to March 29, 2024. Beyonce Knowles made an allusion to another selection from the 24 Italian Songs and Arias in her gripping, country-infused ballad about domestic violence, "DAUGHTER." That time, it was Giuseppe or Tommaso Giordani's early Classical concert vocal piece, "Caro mio ben:"

Several vocal studio students, voice coaches, voice major undergrads, and pro classical vocalists took to social media upon the song's release and shared memories - both good and traumatizing - of singing excerpts from "that yellow book."

"(I'm looking forward to hearing and seeing) impressionable young singers trying to work those melismata into their renditions at a local National Association of Teachers of Singing festival," a voice teacher sarcastically commented on Facebook.

"('Caro' was) The very first aria I heard in an American theater camp," another vocalist recalled, "and they made us sing it! Mmm, flashbacks."

"(Sing 'O Del Mio Dolce Ardor' from Christoph Willibald Gluck's Paride ed Elena) next, Bey," soprano Josephine Shaw beseeched in her caption of her video on TikTok, "I'm begging you."

Unsurprisingly, Beyonce herself was an alumnus of the Kinder High School for the Performing and Visual Arts in her native Houston, TX. Thus, she and her sister Solange had their fill learning and reciting "Caro" and other chestnuts from the "yellow book" as voice students.

For this early music and historically informed performance (HIP) hound since 5th grade, "DAUGHTER" unlocked that very core memory of hearing my classmate sing Bononcini's "Per la gloria d'adoravi" in person, accompanied by piano, at a middle school spring concert, despite me being in band and orchestra as opposed to choir.

But Beyonce's "DAUGHTER" wasn't the only time the 24 Italian Songs and Arias was referred to in pop culture. Terri Fletcher (portrayed by Hilary Duff) struggles through "Caro mio ben" in her voice lessons in the 2004 musical film Raise Your Voice.

BuzzFeed ranks "Caro" as a topper for their list, "A Definitive Ranking Of 24 Italian Songs And Arias." Nina Mohan described it as the "bread and butter of classical singers. Everyone's done it, and everyone loves it." (Notably and wryly, the subheading in the article plays a pun on "Tu lo sai," an aria from a lost Giuseppe Torelli cantata.)

Photo via The Drunken Tenor on FB.

But the iconic yellow book has some thorns. Some alumnus vocal students call it a "source of torture." Some others criticized the use by students who are especially tyros in Italian diction. Some musical theater majors who are forced to trudge through it to hone and improve their vocal skills love to set it in a pit with other fuel and kindling and roast their whole sucking pigs (aka mga lechon) over it. (After all, they must be proficient in dancing, acting, AND singing.)

"My problem," a Redditor said, "is that I just don't like the songs. It's not like I haven't tried them either - I started my training with 'the 24' during my first stage of voice lessons when I was 11-14 years old. I've also sang a few of them in recitals. As I'm discovering my musical preferences, though, I'm realizing that I strongly prefer the German and French song repertoire, especially Richard Strauss, Francis Poulenc, Claude Debussy, Gabriel Fauré, and Cecile Chaminade, as well as German Volkslieder."

For many early music and historically-informed practice scholars, the issues with the 24 Italian Songs and Arias musicologically and historically run MUCH deeper than mere indifference and animosity.

To better understand how they are problematic, let's make an analogy to a similar pedagogical set of books for violin students: the Suzuki VIolin School. But before that, let's look at the "yellow book's" parent predecessor, Alesandro Parisotti's Arie Antiche.

"Parisotti collected these antique arias in what was the 19th century vogue for discovering forgotten old or antique music from the classical and baroque eras," reads a Wikipedia article.

"The taste for rediscovered music was de rigueur among musicians and audiences of the nineteenth century, with composers lesser than Mendelssohn and Brahms participating as well. Parisotti found forgotten scores and arranged their arias (or duets) for solo singer and piano accompaniment. Parisotti romanticized the pieces by altering word placement, chordal structure and/or adding ornamentation to the vocal line."

It's worth noting at the time of Arie Antiche's publication in 1885 and G. Schirmer's American edition, Anthology of Italian Song of the 17th and 18th Centuries', publication in 1894 that those arrangements of the airs were pieces of a Romantic Era umbrella music subgenre: parlor music.

"Parlor music," a Library of Congress article reads, "became very fashionable as increased importance was placed on musical proficiency as a hallmark of good taste and moral reputability. Musical prowess, particularly keyboard playing, was highly prized, and a commonly-held value was that a proper education was incomplete without the study of music."

"Parlor music repertoire frequently included sentimental songs about romantic and maternal love, odes and tributes to historical figures and leaders of the day, and patriotic songs."

Arrangements of ancient airs - as it was the case with Arie Antiche and Anthology of Italian Song of the 17th and 18th Centuries - were also included in the parlor music canon.

Around the same time when parlor music was on the rise, editors of instrumental music also romanticized Baroque music for especially amateur string players. "When Johann Sebastian Bach's Cello Suites received their first publications in Paris in the 1820s," cellist Sarah Freiberg wrote in Strings Magazine, "they were renamed 'Sonatas (or Solos).' Heavily edited with tempo markings and dynamics, essentially they were updated for the mostly budding cellists who were likely to buy them."

"There was not another edition until 1866, when Friedrich Grützmacher tried his hand at it. He’s now remembered for 'updating and improving' a Luigi Boccherini cello concerto to make it more palatable for the Romantic era, and he did something similar for the cello suites. He thought his revisions would allow hopelessly old-fashioned, otherwise forgotten works to remain in the repertoire—and his Boccherini edition is still performed today."

"Grützmacher’s 'performer’s edition' of the Bach Cello Suites is so heavily edited, arranged, and re-harmonized that it is listed under arrangements and transcriptions on the IMSLP website. His objective, as quoted in Bradley James Knobel’s 2006 dissertation on the suites, was 'to reflect and to determine what these masters (Schumann and Mendelssohn) might have been thinking, and to set down all they, themselves, could have indicated.'"

"As to Bach, Grützmacher pointed to successful performances of his own edition as 'something that would have been impossible with the bare original in its primitive state.'"

It wasn't surprising that violin and piano transcriptions of Baroque music were heavily edited at the time. Even more unsurprising was that those were the pieces pedagogue Shinichi Suzuki based the pieces of the Suzuki Violin School on.

One of them was Arthur Bent's and Norman O'Neill's violin-piano transcription of the 10th movement of the first suite from Joseph-Hector Fiocco's Pièces de clavecin, Op. 1. Perhaps Dr. Suzuki might had learned the above 1928 recording by Yehudi Menuhin and Louis Persinger by ear or read the score while he studied violin in Germany in the 1920s before teaching it in turn in his native Japan.

Just as Parisotti and the G. Schirmer publications initially pandered to amateur singers, most of whom domestic entertainers with occupations outside the music fields, Dr. Suzuki's Violin School initially pandered to student violinists who intended to make music solely for recreational purposes. "What I intend is not education for creating prodigies, but rather a mode of cultivating the abilities of children by means of the violin," he stated.

Though the intentions of edits of Baroque music in Arie Antiche; Anthology of Italian Song of the 17th and 18th Centuries; 24 Italian Arias and Songs; and the Suzuki Violin School are beneficial for respectively budding vocalists and violinists, they often deviate from the original manuscripts.

More will be explained in Part 2.

[lamilanomagazine]

Marina Berlusconi nominata Cavaliere del lavoro: «Lo dedico a mio padre»

Marina Berlusconi nominata Cavaliere del lavoro: «Lo dedico a mio padre». C'è anche Marina Berlusconi tra i nuovi 25 Cavalieri del lavoro nominati oggi dal Presidente della Repubblica, Sergio Mattarella. La primogenita del fondatore di Forza Italia, scomparso il 12 giugno di un anno fa, ripercorre le orme del padre, insignito della stessa onorificenza nel 1977. ��Desidero esprimere la mia profonda gratitudine al capo dello Stato Sergio Mattarella e al Consiglio dell’Ordine al Merito del Lavoro per avermi onorata con questo prestigioso riconoscimento. Lo dedico a Silvio Berlusconi, mio padre, che è stato e sempre sarà 'il Cavaliere'. Ha creduto in me, mi ha sostenuto e mi ha dato la possibilità di fare il mestiere che ritengo il più bello del mondo, quello dell’editore». Queste le parole dell'imprenditrice in merito al riconoscimento. «Da oltre vent’anni ho l’onore di presiedere un grande gruppo come Mondadori, vero e proprio patrimonio del nostro Paese, - sottolinea Marina Berlusconi - che ha fatto della libertà e del pluralismo la sua ragion d’essere. Voglio quindi condividere questo riconoscimento con ciascuna delle persone che lavorano in Mondadori, e, più in generale, con le persone di Mediaset e di tutto il Gruppo Fininvest. La mia nomina di oggi è allo stesso tempo un premio al loro impegno, alla loro energia, alla loro passione». Tra i 25 nuovi Cavalieri del Lavoro nominati da Mattarella c'è anche Caterina Caselli. La produttrice, autrice cantante e conduttrice è stata scelta per la sua attività nell'ambito dell'industria discografica italiana. Ecco l’elenco completo degli insigniti, con l’indicazione, per ciascuno, del settore di attività e della Regione di provenienza: Lucia Aleotti , Industria farmaceutica (Toscana); Eufrasio Anghileri , Industria siderurgica, (Lombardia); Giovanni Arena , Commercio grande distribuzione (Sicilia); Pietro Beccari , Industria moda e design di lusso (Estero); Marina Elvira Berlusconi , Industria Editoria, (Lombardia); Paolo Bertazzoni , Industria Elettrodomestici (Emilia-Romagna); Maria Chiara Boni , Industria moda e abbigliamento (Lombardia); Giorgio Campagnolo , Industria abbigliamento sportivo (Veneto); Carmine Caputo , Industria alimentare molitoria (Campania); Caterina Imelde Caselli , Industria discografia, (Lombardia); Carlo Cimbri , Terziario assicurazioni (Emilia-Romagna); Graziano Giordani , Artigianato ricami, (Marche); Raffaella Leone, Terziario cinematografia (Lazio); Matteo Bruno Lunelli , Vitivinicolo spumanti (Trentino-Alto Adige); Fausto Manzana ,Terziario servizi informatici (Trentino-Alto Adige); Giuseppe Marino , Industria ferroviaria, (Piemonte); Francesco Giovanni Muntoni , Terziario alberghiero, (Sardegna); Duilio Paolino , Industria macchinari agricoli, (Piemonte); Vito Antonio Primiceri , Terziario credito, (Puglia); Fabio Ravanelli , Industria cosmetica (Piemonte); Edoardo Roncadin , Industria e commercio prodotti surgelati, (Friuli-Venezia Giulia); Enrico Samer , Terziario logistica ( Friuli-Venezia Giulia); Antonio Serena Monghini , Industria energetica petrolio (Emilia-Romagna); Giovanni Sgariboldi , Industria cosmetici e profumi, (Lombardia); Aquilino Carlo Villano , Industria aerospazio, (Campania).... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[marcogiovenale]

bau @ mart

Presentazione di BAU 19 al Mart – Museo di arte moderna e contemporanea di Trento e Rovereto Mart > Archivio del ‘900 domenica 28 gennaio alle 15.Durante l’incontro, Duccio Dogheria farà gli onori di casa, Antonino Bove e Guido Peruz illustreranno il progetto BAU e il contenitore n. 19 fresco di produzione.Poi ci saranno in ordine misto proiezioni video (Sara Giordani e Giuseppe Calandriello) e…

[msfangirlgonewild]

Caro mio ben/My Darling Dear

Caro mio ben,

Credimi almen,

Senza di te

Languisce il cor.

Caro mio ben,

Senza di te

Languisce il cor.

Il tuo fedel

Sospira ognor.

Cessa, crudel,

Tanto rigor!

Cessa, crudel,

Tanto rigor.

Tanto rigor!

Caro mio ben

Credimi almen,

Senza di te

Languisce il cor.

Caro mio ben

Credimi almen,

Senza di te

Languisce il cor.

(English)

My darling dear

at least believe me,

without you

my heart languishes.

My darling dear,

without you

my heart languishes.

Your faithful admirer

always sighs.

Stop, cruel one,

being so harsh.

Stop, cruel one,

being so harsh!

So harsh!

My darling dear

at least believe me,

without you

my heart languishes.

My darling dear

at least believe me,

without you

my heart languishes.

Cecilia Bartoli

[colourinside]

Since I survived my performance in the student mini concert at music school last night, I thought I’d celebrate by sharing a recording of it. So this is me singing Giuseppe Giordani’s “Caro Mio Ben” (”My dear beloved”). This was my first solo performance in a very long time (two-ish years, I believe) so don’t be too hard on me :)  

[churchofsatannews]

Vox Satanae - Episode 453 - Week of October 7, 2019 A Tribute to Tenor Marcello Giordani and Soprano Jessye Norman

Vox Satanae – Episode 453 – Week of October 7, 2019 A Tribute to Tenor Marcello Giordani and Soprano Jessye Norman

Vox Satanae – Episode 453 – 171 Minutes – Week of October 7, 2019

A Tribute to Tenor Marcello Giordani and Soprano Jessye Norman

This week we hear works by Giuseppe Verdi, Henry Purcell, Richard Wagner, and Richard Strauss.

Stream Vox Satanae Episode 453.

Download Vox Satanae Episode 453.

Vox Satanae

[rudyroth79]

Concert susținut de mezzo-soprana Laura Cabiria și de organista Anna Gevorgyan la Istanbul (22 iulie 2017) Sâmbătă, 22 iulie 2017, începând cu orele 20:30, la Catedrala Franciscană „Sf. Anton” (St. Antuan Katolik Kilisesi) din Istanbul…

[princesssarisa]

Opera on YouTube 6

Pagliacci

Franco Enriques studio film, 1954 (Franco Corelli, Mafalda Micheluzzi, Tito Gobbi; conducted by Alfredo Simonetto; no subtitles)

Tokyo Bunka Kaikan, 1961 (Mario del Monaco, Gabriella Tucci, Aldo Protti; conducted by Giuseppe Morelli; Japanese subtitles)

Herbert von Karajan studio film, 1968 (Jon Vickers, Raina Kabaivanska, Peter Glossop; conducted by Herbert von Karajan; no subtitles)

Franco Zeffirelli film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons; conducted by Georges Prêtre; English subtitles) – Part I, Part II, Part III, Part IV, Part V, Part VI

Metropolitan Opera, 1994 (Luciano Pavarotti, Teresa Stratas, Juan Pons; conducted by James Levine; Spanish subtitles)

Ravena Festival, 1998 (Plácido Domingo, Svetla Vassileva, Juan Pons; conducted by Riccardo Muti; Italian subtitles)

Zürich Opera House, 2009 (José Cura, Fiorenza Cedolins, Carlo Guelfi; conducted by Stefano Ranzani; no subtitles)

Chorégies d'Orange, 2009 (Roberto Alagna, Inva Mula, Seng-Hyoun Ko; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2011 (Marcello Giordani, Angeles Blancas, Vittorio Vitelli; conducted by Daniele Callegari; English subtitles – ignore the silly references to Norse mythology and aliens that the translator threw in, they're not in the actual libretto)

Latvian National Opera, 2019 (Sergei Polyakov, Tatiana Trenogina, Vladislav Sulimsky; conducted by Jānis Liepiņš; no subtitles)

Die Entführung aus dem Serail

Dresden State Opera, 1977 (Armin Ude, Carolyn Smith-Meyer, Barbara Sternberer, Rolf Tomaszewski; conducted by Peter Gülke; no subtitles)

Bavarian State Opera, 1980 (Francisco Araiza, Edita Gruberova, Reri Grist, Martti Talvela; conducted by Karl Böhm; English subtitles)

Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Moll; conducted by Georg Solti; English subtitles)

Salzburg Festival, 1989 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Rydl; conducted by Horst Stein; no subtitles)

Théâtre du Châtelet, 1991 (Stanford Olsen, Luba Orgonasova, Cyndia Sieden, Cornelius Hauptmann; conducted by John Eliot Gardiner; French subtitles)

Vienna State Opera, 1989 (Kurt Streit, Aga Winska, Elzbieta Szmytka, Artur Korn; conducted by Nicolaus Harnoncourt; Hungarian subtitles) – Act I, Act II

Teatro della Pergola, 2002 (Rainer Trost, Eva Mei, Patrizia Ciofi, Kurt Rydl; conducted by Zubin Mehta; Spanish subtitles)

Gran Teatre del Liceu, 2012 (Christoph Strehl, Diana Damrau, Olga Peretyatko, Franz-Josef Selig; conducted by Ivor Bolton; Catalan subtitles)

Bankhead Theatre, 2018 (David Walton, Alexandra Batsios, Elena Galvan, Kevin Langan; conducted by Alex Katsman; English subtitles)

Theatro São Pedro, 2023 (Daniel Umbelino, Ludmilla Bauerfeldt, Ana Carolina Coutinho, Luiz-Ottavio Faria; conducted by Cláudio Cruz; Brazilian Portuguese subtitles)

Un Ballo in Maschera

Tokyo Bunka Kaikan, 1967 (Carlo Bergonzi, Antonietta Stella, Mario Zanassi; conducted by Oliviero di Fabritiis; Spanish subtitles)

Royal Opera House, Covent Garden, 1975 (Plácido Domingo, Katia Ricciarelli, Piero Cappuccilli; conducted by Claudio Abbado, English subtitles)

Teatro alla Scala, 1978 (Luciano Pavarotti, Mara Zampieri, Piero Cappuccilli; conducted by Claudio Abbado; Italian subtitles)

Metropolitan Opera, 1980 (Luciano Pavarotti, Katia Ricciarelli, Louis Quilico; conducted by Giuseppe Patané; no subtitles)

Royal Swedish Opera, 1986 (Nicolai Gedda, Siv Wennberg, Carl Johan Falkman; conducted by Eri Klas; sung in Swedish; Swedish subtitles)

Salzburg Festival, 1990 (Plácido Domingo, Josephine Barstow, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo; conducted by Riccardo Chailly; English subtitles) – Part I, Part II

Teatro Regio di Torino, 2012 (Gregory Kunde, Oksana Dyka, Gabriele Viviani; conducted by Renato Palumbo; no subtitles) – Part I, Part II

Chorégies d'Orange, 2013 (Ramón Vargas, Kristin Lewis, Lucio Gallo; conducted by Alain Altinoglu; French subtitles)

Arena di Verona, 2014 (Francesco Meli, Hui He, Luca Salsi; conducted by Andrea Battistoni; no subtitles)

Cavalleria Rusticana

Giorgio Strehler studio film, 1968 (Gianfranco Cecchele, Fiorenza Cossotto; conducted by Herbert von Karajan; no subtitles)

Metropolitan Opera, 1974 (Franco Tagliavini, Grace Bumbry; conducted by John Nelson; no subtitles)

Franco Zeffirelli film, 1983 (Plácido Domingo, Elena Obraztsova; conducted by Georges Prêtre; no subtitles)

Ravenna Festival, 1996 (José Cura, Waltraud Meier; conducted by Riccardo Muti; Italian subtitles)

Ópera de Bellas Artes, 2008 (Alfredo Portilla, Violeta Dávalos; conducted by Marco Zambelli; Spanish subtitles)

Zürich Opera, 2009 (José Cura, Paoletta Marrocu; conducted by Stefano Ranzani; no subtitles)

Chorégies d'Orange, 2009 (Roberto Alagna, Beatrice Uria-Monzon; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2011 (Marcello Giordani, Ildiko Komlosi; conducted by Daniele Gallegari; Spanish subtitles)

Mikhailovsky Theatre, St. Petersburg, 2012 (Fyodor Ataskevich, Iréne Theorin; conducted by Daniele Rustioni; English subtitles)

Vienna State Opera, 2019 (Younghoon Lee, Elina Garanča; conducted by Graeme Jenkins; English subtitles)

[livesets-dj-mixes-edm-podcasts]

Download Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) for free now!

Artist: Markus Schulz Show: Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) Quality: 320 Kbps 48000 Khz Genre: Trance Source: RSS

Every Thursday Markus Schulz brings his legendary dark melodic Trance sound with a 2-hour weekly edition of his famous “Global DJ Broadcast” radio show! Since 2002, Markus Schulz has delivered a slice of his trademark sound through his weekly radio show, Global DJ Broadcast. Today, it remains one of the most respected and critically acclaimed radio shows across all of dance music, accumulating over 20 FM and online syndication partners in the process. The show features Markus each week alongside some of the world’s biggest and best DJs. Guests within the past year have included Paul van Dyk, Ferry Corsten, Andy Moor, Gareth Emery, Cosmic Gate, Marco V and Max Graham. Tune in to Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) now!

Discover more Markus Schulz live sets & radioshows HERE | Listen or download more Global DJ Broadcast episodes HERE

Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) Tracklist

As we welcome the summer season and the beautiful sun-filled days ahead, Markus Schulz delivers one of his traditional 2 hour studio journeys to mark the occasion. On the show, he weaves a selection of current favorites from across the board, injects some world premieres from Coldharbour, and delivers all the usual weekly features one would expect. Hope you enjoy the show. Back with another fresh session next week, and as June turns to July, one of the most special and emotional episodes of the year awaits – the Sunrise Set.

01. Cristoph, Yotto & Sansa – Out of Reach (Club Mix)

02. Markus Schulz & SINGA – Turn Me Down (D72 Remix)

03. BT & Matt Fax – 1 AM in Paris (Paul Thomas & Dylhen Remix)

04. Ferry Corsten featuring Lovlee – Our Moon (Protoculture Remix)

05. Maarten de Jong – M4D World

06. Fisherman & Lachi – DNA

07. Layton Giordani – Astro [Sound from the Rabbithole]

08. Kryder & Natalie Shay – Rapture [Global Selection]

09. Gareth Emery featuring Dani Poppitt – Friendly Fires

10. Dark Matter & Erika K – Embedded Darkness [World Premiere]

11. Markus Schulz – Jakarta

12. Armin van Buuren & Sander van Doorn – Jonson’s Play

13. Cosmic Gate – Feel It (AVIRA Remix)

14. Giuseppe Ottaviani vs. The Thrillseekers & Ferry Corsten – Resonating Synaesthesia (Markus Schulz Mashup) [Mashup of the Week]

15. Anske & Mia Koo – Back in My Arms (In Bloom Edit)

16. KhoMha – Mind Gamer [Classic of the Week]

17. Pavel Khvaleev & Blackfeel Wite – Chasing Dreams (Club Dub Mix)

18. Copini – Lost [World Premiere]

19. Sound Quelle & Matt Fax – Sunburst

20. Mees Salome – Aurora

21. Andrea Signore – Love Story

22. Mattia Saviolo – Memento

23. Markus Schulz – Lost Multiverse

24. Aly & Fila with Deirdre McLaughlin – Gravity (Daxson Remix)

25. Tenzella – Direction

26. Arjans – Farpoint

27. GXD & Sarah de Warren – Hell & High Water

28. Ferry Corsten presents Gouryella – Orenda

29. Jerome Isma-Ae – Hold That Sucker Down (Charlotte de Witte Trance Remix)

30. DJ T.H. – Leonie (Alan Morris Remix

31. Markus Schulz & Daimy Lotus – Are You with Me (Sector7 Remix)

32. SMR LVE & That Girl – Need Somebody

The podcast Markus Schulz – Global DJ Broadcast is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, VK

[edmlivesets4u-blog]

Listen or download Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) for free now!

Artist: Markus Schulz Show: Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) Quality: 320 Kbps 48000 Khz Genre: Trance Source: RSS

Every Thursday Markus Schulz brings his legendary dark melodic Trance sound with a 2-hour weekly edition of his famous “Global DJ Broadcast” radio show! Since 2002, Markus Schulz has delivered a slice of his trademark sound through his weekly radio show, Global DJ Broadcast. Today, it remains one of the most respected and critically acclaimed radio shows across all of dance music, accumulating over 20 FM and online syndication partners in the process. The show features Markus each week alongside some of the world’s biggest and best DJs. Guests within the past year have included Paul van Dyk, Ferry Corsten, Andy Moor, Gareth Emery, Cosmic Gate, Marco V and Max Graham. Tune in to Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) now!

Discover more Markus Schulz live sets & radioshows HERE | Listen or download more Global DJ Broadcast episodes HERE

Markus Schulz – Global DJ Broadcast: Markus Schulz 2 Hour Mix (Jun 17 2021) Tracklist

As we welcome the summer season and the beautiful sun-filled days ahead, Markus Schulz delivers one of his traditional 2 hour studio journeys to mark the occasion. On the show, he weaves a selection of current favorites from across the board, injects some world premieres from Coldharbour, and delivers all the usual weekly features one would expect. Hope you enjoy the show. Back with another fresh session next week, and as June turns to July, one of the most special and emotional episodes of the year awaits – the Sunrise Set.

01. Cristoph, Yotto & Sansa – Out of Reach (Club Mix)

02. Markus Schulz & SINGA – Turn Me Down (D72 Remix)

03. BT & Matt Fax – 1 AM in Paris (Paul Thomas & Dylhen Remix)

04. Ferry Corsten featuring Lovlee – Our Moon (Protoculture Remix)

05. Maarten de Jong – M4D World

06. Fisherman & Lachi – DNA

07. Layton Giordani – Astro [Sound from the Rabbithole]

08. Kryder & Natalie Shay – Rapture [Global Selection]

09. Gareth Emery featuring Dani Poppitt – Friendly Fires

10. Dark Matter & Erika K – Embedded Darkness [World Premiere]

11. Markus Schulz – Jakarta

12. Armin van Buuren & Sander van Doorn – Jonson’s Play

13. Cosmic Gate – Feel It (AVIRA Remix)

14. Giuseppe Ottaviani vs. The Thrillseekers & Ferry Corsten – Resonating Synaesthesia (Markus Schulz Mashup) [Mashup of the Week]

15. Anske & Mia Koo – Back in My Arms (In Bloom Edit)

16. KhoMha – Mind Gamer [Classic of the Week]

17. Pavel Khvaleev & Blackfeel Wite – Chasing Dreams (Club Dub Mix)

18. Copini – Lost [World Premiere]

19. Sound Quelle & Matt Fax – Sunburst

20. Mees Salome – Aurora

21. Andrea Signore – Love Story

22. Mattia Saviolo – Memento

23. Markus Schulz – Lost Multiverse

24. Aly & Fila with Deirdre McLaughlin – Gravity (Daxson Remix)

25. Tenzella – Direction

26. Arjans – Farpoint

27. GXD & Sarah de Warren – Hell & High Water

28. Ferry Corsten presents Gouryella – Orenda

29. Jerome Isma-Ae – Hold That Sucker Down (Charlotte de Witte Trance Remix)

30. DJ T.H. – Leonie (Alan Morris Remix

31. Markus Schulz & Daimy Lotus – Are You with Me (Sector7 Remix)

32. SMR LVE & That Girl – Need Somebody

The podcast Markus Schulz – Global DJ Broadcast is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, VK