#Ghana Music Videos

[wondergirlmoliy]

[kwakurichblogger]

It is not about numbers of followers on social media or the number of monthly listeners on Spotify o. See the guy that Burna Boy's Love Damini loses too at the Grammy Awards 💀 @kwakurichblogger | 🐤: #grammys . . . #entertainment #music #video #celebrity #kwakurichworld #fashion #hiphop #dance #trending #party #news #artist #media #Ghana #nigeria #viral #events #photography #explorepage #music #sport #explore #actor #kwakurich #kwakurichblogger #album #update https://www.instagram.com/p/CoXS8YnoeXU/?igshid=NGJjMDIxMWI=

[holyfunnyhistoryherring]

[Video description: Black man in yellow shirt and green beanie. Caption reads, "This instrument brings all the vibes." He says,

"Ghana! Exactly. West Africa. OK, this instrument is called kosh kash. West Africa instrument. And I'm gonna show you how to play. Very easy. OK, open your palm and you have it like this." Instrument is two light colored balls connected by thick dark string. He has one palm facing up with one of the balls in it. And the string goes between his his pointer and middle fingers. The other ball hangs down at its end.

"Then you turn." He turns his hand ninety degrees. "Don't forget here, OK?" He presses the thumb so it part of the line of fingers. "So you have one. Two." He swings it so the dark string goes behind his palm and lands the free hanging ball on top of the one held. Then he swings it again and the free ball lands on the bottom of the one held. And then he holds both of them in that position. "Shake, shake." He shakes them and they give a sound like maracas.

"One, two. Shake, shake. One, two. Shake, shake. So, come back to the left. The same position, OK? Don't forget here." He shows the same position with the thumb on the left hand. "Then you have one, two! Shake, shake. One, two. Shake, shake. And then you go one, two! Shake, shake!" He has started showing it with both arms at the same time. When the two balls hit each other it's like a drum.

"One, two! Shake, shake! Shake, shake! Shake, shake! Shake, shake!" He has created a rhythm. He shakes them constantly. Even when one is being swung, the other continues to shake. Here he starts to sing but I no longer understand him. Probably a different language.

/End video description.]

[ghno1bloggamedia]

N⭕️.1 Jesus Christ 2 - Arathejay f. Black Sherif

check out this track…. This goes hard

AratheJay an artist out of Ghana dropped a song called Jesus Christ.

The lyrics in this song really hits the soul.

This song is so hard hitting that part 2 was made.

Then Blacko Sherif aka killer Blacko decided to jump on the remix… Take a listen

[ismegunster]

(Isme Gunster) @uhstra @dailyswiftgifs @xzxysj  @detroitlib @spongebobssquarepants @vcvc-c @cxramels @tfios-moviee @betype

[curryvillain]

Shatta Wale Laughs All The Way To The Bank With "Balloon"

Shatta Wale is onto something here. While Artists and Producers are having squabbles online, the Ghanian Dancehall King is busy getting to the money with new music. He shows why he stands out from the rest with the new single, “Balloon“. Released through Shatta Movement Records, Shatta Wale’s “Balloon” was first previewed on Social Media where it quickly gained popularity as a sound, sparking a…

[kwakurichblogger]

DJ Neptune ft. Ruger - Bienvenue Producer(s): DJ Neptune, Kukbeatz & Choke Boi Genre: #Afrobeats Released: Wed, 1st February 2023 @djneptuneuk @rugerofficial #bienvenue #entertainment #music #video #celebrity #kwakurichworld #fashion #hiphop #dance #trending #party #news #artist #media #Ghana #nigeria #viral #events #photography #explorepage #music #sport #explore #actor #kwakurich #kwakurichblogger #album #update https://www.instagram.com/p/CoJ4mp7IEZQ/?igshid=NGJjMDIxMWI=

[knobtunerradio]

Introducing new characters to the short and trying out poses… This is still the research stage and stuff like the story and plot are decided based on aesthetic choices.

This is still very tedious and time consuming work and will need all the help and support we can get. As little as sharing our process can go a long way to make our project a reality soon.

[uniteds]

part 2 of stuff that happened in the 2022/2023 football season that should send us into a coma but we’re too desensitized:

for part one go here.

1. the bayern board deciding to sack nagelsmann before the most important game of their season because he showed up to work on a skateboard

2. related: nagelsmann finding out he was sacked through social media while he was away on a ski trip

3. also related: nagelsmann getting dumped the same weekend he lost his job. 

4. todd boehly getting advice on what to do with chelsea from james corden (known west ham fan) and hiring frank lampard

5. tuchel and conte fight

6. the ghana coach taking a selfie with heung min son while son is sobbing after losing in the World Cup

7. the five minutes where both spain and germany were out of the World Cup

8. mourinho being in (and being sampled in!) stormzy’s music video

9. psg’s director of football going down to the field to curse them out

10. aguero turning up to the world cup celebrations in a full kit 

11. the pope summoning atletico madrid’s physio all the way to the vatican to treat him

12. arsenal bottling the title (2023 version)

13. rebekah vardy tried to trademark the phrase wagatha christie

14. luis enrique saying ferran torres will never play football again if he did the pacifier celebration after scoring

15. jose saying the only club he doesn’t have any feelings for is tottenham hotspur

16. mason mount having a stalker

17. jack grealish discovered what a camel is

18. the saudi team getting new cars during the World Cup

19. cho gue sung telling ronaldo to fuck off and then getting flooded with marriage proposals 

20. the princess of spain having a crush on gavi

21. luton town promoted so now you have to walk through some guy’s garden to get to their stadium

22. the gio reyna and gregg berhalter usmnt saga

23. the pogba/mbappe witch doctor saga

24. ac milan sacked maldini and now the players all wanna leave

25. conte’s press conference where he basically said “it’s the history of the tottenham” 

26. barcelona winning the league at espanyol and then the espanyol fans chasing the barca players off the pitch

27. the one pitch invader who pushed eddie howe

28. ac milan having to answer to their ultras after a match

29. calum wilson and antonio laughing at richarlison for flopping

30. klopp doing his hamstring and adding to liverpool’s injury problems

[crispycreambacon]

Cliché Then and Now

An analysis of the Fraggle Rock episode "Mokey, Then and Now" and how stereotypes permeate our perceptions

Disclaimer: I am not calling for a disavowal of the show, nor am I implying the creators were intentionally racist. I am also not African, so there are likely things I got wrong or missed out on.

Special thanks to @jazzyjuno for contributing to the essay and @madamegemknight for helping me compile screenshots!

— ☆ —

When I first watched the Fraggle Rock episode “Mokey, Then and Now”, I laughed at the usual wackiness and welcomed the surprise of a dynamic between Mokey, Boober and Wembley. However, a strange discomfort lurked at the back of my head once they traveled to the past and met their ancestors. I couldn’t understand why at first when the episode seemed to radiate nothing but the fun I’ve come to expect from this show. Then, the first song came on.

I looked up the lyrics to confirm what I had heard, and to my disappointment, I didn’t mishear. This is one of many examples of pop culture’s reference to Vodou, a widely misunderstood religion from Haiti that garnered an unfair reputation for being “dangerous” and “demonic”, and like a lot of media back in the day—even still today—Fraggle Rock utilized this to create a mystifying atmosphere with a sinister undercurrent. While the portrayal is not as negative as the caricatures surrounding it, it is still a questionable usage of an already stigmatized religion.

(From the first verse)

Who do you do? We do voodoo

(We do voodoo)

Who do you do? We do voodoo

(Who do you do?)

(From the chorus)

Eye of bat, ear of toad,

Hoppin' down the dusty road,

Lizard, gizzard, beetle stew,

These will bring good luck to you.

It's true... True Voodoo!

Caterpillar, caterwaul,

Crawling up the garden wall,

Song of shadow, air of rain,

These will make you strong again.

It's true... True voodoo!

It wasn’t just the lyrics that caught my eye. Funnily enough, I went to the comments section of the music video, and I saw someone say this.

This person is not the only one who made the connection. So have I, and that is because the instrumentation sounds like an amalgamation of different African music genres. The beginning shots even showed the past Fraggles playing drums which look similar to the djembe, a percussion instrument from West Africa.

I had originally thought the instrumentation derived solely from Afrobeat, but my friend Juno pointed out how the creators had blended music from different cultures together to create what was commonly identified as tribal music, making it difficult to pinpoint a specific genre it was emulating. She even caught similarities to music outside of Africa, namely the Axé genre from Salvador, Brazil.

Once that link had been established, I realized why I felt uncomfortable with the past Fraggles. The creators of this episode likely meant to play on generic caveman stereotypes, but in doing so, they accidentally emulated elements of African culture and their stereotypes.

• African Influences in the Past Fraggles' Culture

Take a look at the clothing that the past Fraggles wore. Their accessories and colorful patterns allude to tribal African clothing, specifically Maasai bead necklaces from Kenya and Tanzania, and other jewelry they wear are made from natural materials such as stones, plants and hay.

Covering hair is a very common practice in many African countries such as Nigeria, Ghana and Zimbabwe to the point the clothing they use to wrap their heads has its own name which is a headwrap. While the hats that the past Fraggles wear aren’t explicitly headwraps, the past Fraggles demonstrate a reverence of covering their heads to the point when Mokey accidently cited a word to force them to take their hats off, they cried out in despair.

Moreover, when people depict Africans in media or simply imagine them, Africans are often imagined as bald which is a consequence of the generalization of an important part of ancient culture and the spread of ideas propped up by eugenicists. Guess what happens when the past Fraggles take their hats off.

The past Fraggles operated under a monarchy under the “Great and Wondrous leader” Fishface Fraggle whose presentation screams of what an average person may think of when visualizing an African king. His sceptre is carved like an Asante linguist staff—which, while not held by the king, is closely related to the king—and his throne has a loose resemblance to a palanquin which, while not exclusive to African culture, is used in Ghana. To add onto the African king imagery, the past Fraggles briefly showed off fans in the first song which are associated with the king’s fan bearers in Egypt.

• The Poor Implications

On its own, the past Fraggles having African influences in their culture isn’t an awful idea. It only becomes a problem when those influences are being used in a context which further perpetuates African stereotypes.

With all of this in mind, Boneface Fraggle suddenly takes on the “savage caricature” image which depicts Africans wearing bones in their nose and speaking in “broken” English.

It wasn’t just Boneface who spoke like this. There were multiple instances where the past Fraggles didn’t follow General American English and chanted caveman speech which has been associated with Africans to imply their lack of articulation and therefore inferiority.

The savage and uncivilized stereotypes are pushed further when the past Fraggles act in an unsavory way. For instance, they have outlawed laughter, even though it is a completely natural act, and imprisoned a Fraggle for breaking this law.

When Mokey is proven to not be Blundig Fraggle as she claimed to be, they immediately called for her, Boober and Wembley to be imprisoned and tied to a rock for what is implied to be eternity.

• Why Should We Care?

After all, the creators likely didn’t consciously draw inspiration from African cultures, nor did they intend to enforce these stereotypes. In fact, I proposed they were likely focusing more on caveman imagery.

That’s the thing though. Stereotypes, especially racial ones, are ingrained in us so deeply that we can subconsciously be influenced by them when we create and enjoy art connected to their subjects. Caveman stereotypes have a lot of overlap with African stereotypes, so in the creators attempting to portray one image, they accidentally invoke another.

In spite of my speculations on them drawing from cavemen, we cannot be completely sure of the intentions of the creators when trying to portray the past Fraggles as from what I can tell, they had not made them public. Regardless of what they intended, that doesn’t erase that the culture of the past Fraggles can be interpreted as a cumulation of African stereotypes.

We may not even remember where stereotypes originate from as they are a gross oversimplification of observations from our ancestors, yet these stereotypes stick with us and our culture even if we aren't actively thinking about them. Believing and passing on generalizations is a lot easier than thinking of all the nuances of a subject and researching where these generalizations came from.

Let me make it clear: you are not a bad person for not noticing before. The creators are not bad people for unintentionally perpetuating these stereotypes. This isn’t an issue with individual morality. Stereotypes are, by their design, meant to go unchallenged for literal centuries, and people aren’t meant to ponder over their validity. They are presented as simple truths so that we won’t have to think about why they factor into how we treat and think about other people, and we won’t have to confront the prejudice that they can cause.

This is why we have to actively call out stereotypes when we do notice them because how else will we ever stop believing them so easily? If we never question why we believe and enforce them, how can we undo their harm? Even something as small as pointing out when stereotypes are used in a TV show or calling out someone who uses them for their tasteless jokes can lead to bigger changes such as dismantling the racism which benefited from stereotypes.

• So What Do We Do About It?

Moving forward, we need to be more mindful about how we portray subjects in our art to ensure we can explore them with the nuance they need and to ensure that marginalized groups aren't harmed by our art. We also need to be aware of when the media utilizes these stereotypes and how they are presented in the media’s context. Recognizing harmful portrayals in others’ work can help us stay vigilant when making our own art, and we can also help each other realize our own shortcomings and minimize the harm done in the future. We live and learn then, we can live and learn now.

[council-of-beetroot]

What do i think about when a country is mentioned or what do I associate it with

Algeria - Sahara desert

Angola - thumb pianos, Luanda being an incredibly expensive place to live

Benin - dahomey, voodoo

Botswana - diamonds and the fact that it has been called the success story of Africa

Burkina Faso - Ouagadougou formerly called upper volta.

Burundi - drums used during a revolution there. Gorillas

Cabo Verde - the shape of the country is like a ring of islands all around another island

Cameroon - soccer, limnically active lakes

Central African Republic - the French language

Chad - Lake Chad, Taureg People particularly the blue headscarves

Comoros - Anjouan Moheli and Grand Comore. Has had lots of coups

Congo DRC - my sister is into epidemiology so she talks about it a lot.

Congo - across a river from Brazzaville is Kinsasha

Cote d'Ivoire - Chocolate and the flag is the reverse of ireland

Djibouti - Lake Assal

Egypt - the pyramids

Equatorial Guinea - Spanish speaking, usually the country I use to explain why GDP per capita can be skewed.

Eritrea - architecture influenced by italy

Eswatini - I once got it confused with Switzerland, there's a holiday called Incwala

Ethiopia - a book I read a kid called "children just like me" also pizza hut, weddings, raw beef.

Gabon - oil and the fact that they have places called ogooue

Gambia - the shape and Yaya Jammeh

Ghana - also soccer, Elmina Castle

Guinea - One of the countries my sister knows a lot about

Guinea-Bissau - hippos

Kenya - Jeff

Lesotho - mountains

Liberia - my sister does a great impression of the I'm Liberian meme. Ebola, Ebola in town, don't touch your friend

Libya - Gaddafi, Has a much better flag now. A transit point in human smuggling.

Madagascar - vanilla

Malawi - perch

Mali - Houses built out of mud, west African Islamic architecture.

Mauritania - slavery, I watched a lot of videos during quarantine about modern day slavery.

Mauritius - hinduism

Morocco - markets and tangines

Mozambique - Cabo Delgado

Namibia - San People

Niger - The coup, the orange dot on the flag

Nigeria - Boko Haram

Rwanda - Rwandan Genocide

Sao Tome and Principe - water access for some reason

Senegal - I think this one YouTuber I watch is from there

Seychelles - Hetalia

Sierra Leone - Civil War

Somalia - it's shaped like a music note

South Africa - Vuvuzelas

South Sudan - Francis Bok

Sudan - There are more pyramids here than in Egypt

Tanzania - zanzibar

Togo - for here or Togo meme. I'm sorry Togo I know nothing about you

Tunisia - Arab spring

Uganda - Mr. Moseby

Zambia - the shape of the country reminds me of a fetus. There is also some really cool waterfalls I think, not sure.

Zimbabwe - Mugabe

[bathoarchives]

Exploring Mpho Sebina's Artistic Appreciation of her African and Setswana Roots

By Atang Moalosi and Tefo Kosie

Hailing from the Kgatleng District’s capital Mochudi is Mpho Sebina, a singer-songwriter who has immersed herself in producing and creating the continent's best jazz, soul, and afro-fusion music. A self-proclaimed Pan-Africanist, Mpho's music has been a true reflection of expressing her African and Tswana roots through cognizant use of local rhythmic instrumentation and vocal progressions, to say the least.

The love and use of indigenous elements prevailed notably in her 2015 debut single 'Loves Light' which she explains was inspired by the song Tselane by BLK JKS which is loosely based on a Tswana folktale 'Tselane'. The song, produced by local legendary beatmaker Favi includes elements of the staple beats and claps of traditional folk music production fused with soul. The music video features a cameo of traditional dancers and showcases the landscape of Botswana from the luscious water basins to the barren semi-desert land with the soundtrack playing behind the eye-catching visuals laying a foundation of Mpho’s start to dominance in the music scene.

stills from the 'Tjuele' music video directed by Thina Zibi

It would take a whole two years for Mpho to return and release two songs leading up to the release of her debut EP 'Neo' with very memorable moments such as the song ‘Tjuele’ which is a rendition of another famous setswana folktale with the same name. The song features ATI, another local music giant who sings the chorus repeatedly in the background. This music video in contrast only features Mpho (Tjuele's mother) and a young girl (Tjuele). In the first scene, Mpho is seen caressing the young girl’s hair, both draped in white dresses. Behind them is a famous portrait of a black woman and her son, which is beloved among the black community directly linking to the thematic affectionate scenery painted by the song and the visuals. The song has this continuous click-clack sound, reminiscent of the tune of clapping hands and matlhoa or traditional leg rattles used as a part of uniform for typical traditional dance. Remarkably Tjuele is the only song in the project sung in Setswana.

stills from the 'Slip Away' music video directed by Mpho Sebina and Motheo Moeng

‘Slip Away’ is another beautiful 5-minute song from the Neo EP of Mpho harmonizing over a midtempo beat, the song was also accompanied by a set of visuals that captures the hustle and bustle of the city of Accra in Ghana. The video includes many beautiful shots including Mpho having her hair plaited in the streets, women dressed in beautiful African attire and women carrying their belongings over their heads which is a very common practice amongst African women.

‘LORA’

'Lora' album cover designed by Tebogo Cranwell and Neo Rakgajane

‘Lora’ is Mpho Sebina's debut album, released in 2020 five years after introducing the world to her very enigmatic sound. The album cover itself is quite a striking piece. With its shade of blue background, it only highlights certain parts of Mpho's half-bodily features. The first thing noticeable is the pink highlighted corn rows, her lips and some African beads which include cowrie shells deemed very valuable in most African cultures. This album is easily Mpho's most definitive record, both sonically and visually as it sets her among the most highly decorated singers the continent boasts.

stills from the 'Pula' music video directed by Yannis Sainte-rose

The lead single 'Pula' is taken from the setswana song 'Pula Nkgodisa' which translates to ‘Rain, help me grow’ and the “Rain Rain Go Away” song. She uses rain as a metaphor for pain and shows struggle with the lyrics 'Rain Rain Go Away, I wanna go out and Play’. Later in the song she employs rain as a metaphor for growth posing a divergent perspective with lyrics 'Pula Nkgodise, Pula Mphodisa'. This song reflects on times of struggle and hope as it was released in 2020 when the world was heavily gripped by the coronavirus pandemic and a worldwide lockdown. The music video includes shots of Mpho wearing an African print headwrap and cardigan along with her Bantu knots. The conscious use of Setswana lyrics and visual nuances further displays Mpho's love for making music that centers her heritage as a Motswana.

stills from the Melodi music video directed by Yannis Sainte-rose

The song ‘Melodi's’ music video features Mpho Sebina in a few shots where she is covered by cloth and some other noteworthy scenes with her in front of the backdrop of the abstract painting which matches the colour of her African headwrap. The constant use of African clothing and artefacts in and around her visual presentations accompanying the already Afrocentric sonics just solidify the passion behind the endemic standard she has set for herself.

stills from the Dumelang music video directed by Mpho Sebina

‘Dumelang’ is a very warm and welcoming song that pretty much highlights a very important aspect of Botswana's culture-the standard gesture of greeting. The song hosts a confident Mpho giving the listeners a brief tour of the beautiful country and her own experiences within the context of the song. It also boasts visual excellence, a highly decorated facet of Mpho Sebina as an artist by showcasing parts of Botswana's culture, including scenes of her dressed in clothing sourced from local brands, also sweeping with a traditional broom/ ‘lefeelo la ditlhokwa’ close to a three-legged pot which is quite reminiscent of a traditional home in a village. Other shots include local art persons cameos including Dato Seiko, Nature Inger along with Mboko Basiami the founder of Glotto, a pan-African clothing brand from Botswana. Notably, Mpho is also seen wearing Zulu female head attire called “isicholo”, and the Basotho hat known as “lekorotlo”. Throughout the video, Mpho is dressed in clothing sourced from local brands.

‘Ntsha Nkgo’ is another rendition of a traditional song with the same title, which is often sung during ceremonies. The song touches on aspects of typical traditional celebratory ceremonies, including the culture of sharing traditional beer among family and friends especially older men hence the line ''Ntsha Nkgo re kgaritlheng le bannabagolo''. The sacred events normally include the slaughtering of an animal to be feasted during the ceremony ''Ko Boseja go tlhabilwe Kolobe hoki''

Renditions of traditional folk songs remain a constant theme in Mpho's music as she also reworks 'Sananapo' a song from a well-known folktale in 'Sananapo's Interlude'. Folktales and songs are essential in traditional culture as they are often used as a form of entertainment and an opportunity for the elderly to pass on and teach the younger generation about customs and values which are indigenous to us. Mpho's modern twist to these songs helps revive the connection between Batswana and their culture especially in modern times where most of the older generation believes that our culture is being eroded.

As we await the release of Mpho's sophomore album, It is well evident that Mpho will always centre her African heritage on her music. Alkebulan, which is the name of the next album, is quite an interesting name as it is believed to be the original name for Africa according to the oldest nubian and kinetic texts. In her interview with Drum Magazine, Mpho reveals that her album will feature female artists from different parts of Africa to celebrate the women and their africaness. She also stated that she was influenced by the various sounds of African music. 

[curryvillain]

.@KingCruff Links Up With @StoneBwoy & @Jag.HuliGin On "SHEDOENEED"

Canada-based Recording Artist King Cruff returns with new music, and he promises that it’s a banger. He has been busy recording, doing shows, and knocking out Interviews, and it’s only going up from her for the Tuff Gong Collective/UMG Canada signee. Get ready to dance to the new single, “SHEDOENEED“. Produced by Pops, Lowner, and OLivR, “SHEDOENEED” features top Ghanian Recording Artist…