#Genre: Heist

[laurasimonsdaughter]

Heist movie where everyone in the team has a fairy tale code name:

Frau Holle, head of the operation, pulls the strings, coordinates from above

The Fairy Godmother, arranges everyone's covers and equipment, supports from the side lines

Jack, world class burglar, bit too impulsive for his own good

Molly Whuppy, world class con artist, has a friendly rivalry going with Jack

Donkeyskin, master of disguise, you won't even know you're talking to her until she chooses to introduce herself

Goldilocks, housebreaking prodigy, cocky young upstart

[aleksanderscult]

Hello, I started following your blog pretty recently and I agree with most of what you think. I felt so confused when I finished the books and came on tumblr to see everyone hailing malina as the perfect relationship and I was glad to know that I wasn't the only one who disliked him.

I wanted to ask you something, im not sure if I saw this on this blog, but someone said that zoya is an example of toxic feminism in YA fantasy. Which checked out to me, but it also felt that bardugo added misogyny, feminism and toxic feminism in the SaB series.

Misogyny since alina had to face sloot-shaming in every book (almost entirely by Malyen ugh 😒). I felt that she really tried and suceeded to be feminist with genya, since she actually stood up for herself and had many facets to her personality. She also wasn't an important character just because of her beauty or anything super superficial. Genya IS a strong female character, and she wasn't 'broken' by the king, despite the foul things he did.

But zoya.. my god, I really wanted to like her, but I just couldn't. She is mean and hot headed to the point where I really don't see any redeeming factors to her. I always liked 'mean girl character who isnt as shallow as she seems' in fantasy novels, but she didnt exactly have a redemption arc either. If the darkling had warned her about expanding the fold in the first book, she would have fought for him. I think she isnt a strong female character, but just a girl who is a bully and decided to help mc since the antagonist hurt her specifically. She doesnt even think of the other casualties of novokribirsk. I think the 'break nikolais heart, I'll comfort him and make a magnificent queen' part was a joke, but still....

Please excuse my yapping. I haven't read crooked kingdom and nikolais duology, so I don't know if the characters had any developement since then, so please ignore any innacuracies of this text pertaining to that. Do you have any thoughts on this?

(Do you allow emoji annons? If so, can I be 🎀 annon?)

(Of course I do! You can use any emoji you want and ribbons remind me of coquettish things 😍)

Genya in S&B was my favorite version of her. She was traumatised by the King's abuse, that's true. But she wasn't solely that.

(Here's a meta about that version of her that I once did)

She was very brave, vengeful, intelligent, politically aware, had a sense of humor and was kind. There were different aspects to her personality and wasn't solely "the victim" as many fans of the Grishaverse like to portray her. But in Nikolai's duology Bardugo either forgot how to write complex situations within a court or just doesn't know how to (or it doesn't suit her 🙃).

She threw all the blame to the Darkling (as if he was entirely at fault for her sexually abuse), forgot that Grisha were serfs meant to please and serve the royal family (hence why the Darkling gave her to the Queen) and also forgot how it was the Queen who withdrew her protection and allowed her husband to abuse her. Also, a slight amnesia to how Genya herself decided to stay and take revenge. Essentially, the character became Leigh's mouthpiece to remind the reader that the Darkling is a heartless motherfucker that is undeserving of redemption. How banal.

Now about Zoya. Zoya is the typical female character that we encounter in media nowadays. A girlboss that kicks ass, is rude, has no sensitivity and threatens everyone. Again, cliché. But Leigh broke her own in-universe laws when she gave Zoya the protagonist's role.

Meaning:

The narrative with Alina as a protagonist: "You can't have feelings for your enemy!! You can't be independent! You need to depend on your toxic, childhood friend and...what is this? Power?? You took three amplifiers?? WELL SAY GOODBYE TO YOUR POWERS THAT KEEP YOU HEALTHY AND STRONG!!"

The narrative with Zoya as a protagonist: "Take the amplifiers, take the power to turn into a dragon, let's also have a Saint in your head giving you advice and guess?!? You just got promoted into a Queen and soon enough you will marry the love of your life!! Kudos!!"

That's basically what happened.

It would be an amazing end if only:

- Otkazat'sya didn't hate the Grisha's guts.

- Zoya had the qualities of a leader and a Queen instead of being handed the throne on a silver plate from an illegitimate son who failed in his job.

- The author didn't break her own rules just to prove and show how "awesome" her protagonists are.

- The same author didn't copy paste the storyline of Daenerys Targaryen into Zoya's (somehow she needed to appear cool and sympathetic)

- Half of the fandom didn't hate the primary protagonists now than they ever did before.

So basically Leigh infuriated the fandom even more about Alina's fate when she gave Zoya everything.

And about your question if the characters had any development in the later books after the trilogy. I've got some bad news, my friend. 🥲

[theosjunkdrawer]

Once again thinking about(watching) tiny heist - the moment in ep 5 when Ti sets the flame thrower off and Brennan is about to move on, but Justin stops him with a "hey!" And there's silence at the table for a second before he leans forward and says "That didn't set off the bomb?" AND BRENNAN. JUST STARES AT THE CAMERA. AND GRINS.

Anyway. Tru ttrpg moment

[raifuujin]

“I just don't like Gosho's use of ideas nowadays” do you have some examples? I’ve been feeling the same but I still don’t have like articulate thoughts on it

Well, 'nowadays' has been for. About ten years, ish? The most glaring example that always sticks out in my mind is the Sun Halo MK chapters, with the complete and utter waste of the very common fanfic tropes of 'Aoko gets suspicions' and 'Kid gets injured around someone'. But it kind of matches the general problem I have with his writing that I don't think used to be this bad: He's trying to stuff too much around the strict case-by-case structure (or for MK, introducing the heist-by-heist structure) without actually giving anything focus. (And for MK it's so much worse because he writes it so rarely, that he makes everyone cameo every time but they tend to just get hand waves to whatever drama plot gets instigated by Kid having his next heist.)

For DC, it's the whole. 1) Overarching plot with the BO and suspects and 'here's the available suspects for who's involved with the BO that we introduce one at a time at the end of cases and then maybe leave more clues about them during future cases'. 2) Dangling character or relationship progress and then constantly pulling it away, usually as a joke. 3) When we do occasionally get some of the major plot, it's all at once and then maybe mentioned once in the next case, but otherwise completely dropped. (Amuro and Akai and Kudo tea party tease also lingers as a 'Gosho is just evil at this point'.) Basically rigid structure that doesn't allow for much of the subplots aside from breadcrumbs.

For the current situation, it's also tied into interview comments. Which. have no bearing on the story until he actually uses them. But instead of even that, the movie gets exciting stuff instead and puts it in a giant limbo of is it meant to be canon or not, because no one has been able to settle on that for any movie, even as some details get connected back to the manga more and more.

It's bad writing. Gosho has been a bad writer for a long time, and it's kinda just getting worse. It's my opinion that it's because he tries to have his case after case after case (because mystery manga), and then stuff little bits of everything else in the seams, whether it works well with the case he's writing or if it's a good delivery or (more usually) it's just. Kinda tacked on.

It's partially because of time investment, partially because I have low standards of entertainment, and partially because I want to see how it all ends that I stick with DC. MK is. Similar, but hurts more because I really hate how it morphed into the DC structure when old MK had more you could do with it. Gosho will never drop his rigid case-by-case structure at this point, but it really would be better if he did at this point. Things need development that they're not allowed to have. Or at least smooth out the lines between his hints. And stop with Heiji and Kazuha, just. God. Stop. Is this how people felt about Kid appearances? I feel like at least when people were mad about Kid, they knew nothing was going to happen from the get go, the romance 'tease' is just painful.

[princehendir]

Thoughts now that I've finished Six of Crows

- I have definitely aged out of YA

- "I didn't watch very many heist films in prep for this actually" yes ma'am, we could tell.

- still pretty fun. I will be reading the second one.

- "I love you but I respect myself too much to settle for what you're currently offering" is an absolutely insane thing for a YA girl to say to a brooding bad boy love interest I loved it so so much 10/10 epic iconic good for her.

- scary Nina 👍

[allsassnoclass]

omg I just saw the drabble prompt thing!! if you're still doing it, can I request 54 for mashton? -megs 💙

hi @igarbagecannoteven, whipping this out from a year ago!

mashton: “Finally, some common sense.”

Michael walks into the dining room to find his table covered in what look like blueprints, copies of some old documents, and a photo of what appears to be a very fancy, very blue painting, printed on plain printer paper and wrinkled from the ink.  Luke, Calum, and Ashton are all seated around the table in various states of disarray, and the conversation immediately dies when Michael enters the room, which isn’t suspicious at all.

“Uh, hi guys,” he says, looking at Calum still in his pjs, Luke all dolled up, and Ashton in his workout gear and his hair messy, like he’s been running his fingers through it in frustration.  “What’s up?”

“Nothing,” Luke says mulishly.

“Luke wants–ow!  That was my shin, you fucker!  Luke wants to steal a painting,” Ashton says, glaring at the guy in question.  Michael tilts his head and steps closer, wrapping an arm around Ashton’s shoulders.

“What the fuck, Luke?” he asks.  Luke sighs.

“You know my friend Sammy, right?” Michael nods because he has, in fact, met Luke’s friend Sammy on multiple occasions.  “His grandma had this painting.  It was a gift from his grandpa, the artist was a friend of his, but they lost touch and it’s just been a painting ever since.  Two weeks ago some guy approached them about it, said he was the grandson of the painter.  He gave them a whole sob story about lost art and how difficult it is to find works by small artists, then showed them a will saying the artist left the painting to him.  He offered them a couple hundred bucks and they felt bad, so they gave him the painting.  Well, it turns out it’s going to be part of a museum exhibit and this guy wasn’t the grandson, he’s some random art collector who knew this piece is worth over a hundred thousand dollars.  He lied to them to get the painting, and the police said they can’t do anything about it because Sammy’s grandparents technically sold it.  I want to get it back for them.”

“Luke, you can’t steal a painting,” Michael says, grabbing the museum pamphlet with the painting front and center.  “You’re way too clumsy and gangly.  You’ll get arrested, and the grandparents would have to keep the painting hidden anyway or they’d be charged with harboring stolen property.”

“Finally, some common sense!” Ashton says, throwing his hands up.

Michael opens the pamphlet and reads the short piece on the exhibition while Luke grumbles.

“I can’t stand that this guy got away with stealing from them and there’s nothing anyone can do,” Luke says, laying his chin in his hands.  Calum rubs his back in sympathy.

Michael glances at Luke and feels a pang in his chest at his dejected expression.  Luke has a big heart, and he doesn’t like it when people get hurt.  He can be the most cynical out of all of them, but he also constantly hopes that the world and the people in it won’t prove him right.  This must be eating him alive.

“You can’t steal the painting,” Michael reiterates, “but you could grift him out of it, or at least distract enough for Calum to steal it.”

Ashton’s head hits the table with a thunk that makes Calum wince.  Michael rubs his back while he works through this betrayal.

“Me, grift him?” Luke asks, lifting his head slightly.  “I don’t know if I can.  I’m so awkward.”

“Think about it,” Michael says.  “Yeah, you can be awkward, but once we get some confidence in you, you become a completely different person. Remember how easily you charmed the manager of that restaurant into giving us a free meal?  And you completely dominate on stage.  You totally could do it.”

“You know, he has a point,” Calum says.

“And you!” Michael says, turning on him.  “You’re quiet and unobtrusive, plus you’re fast and surprisingly agile.  You could totally sneak in if the grifting doesn’t work.  Sure, you’re too big to fit in an air vent, but maybe we can get Sierra to help.”

“You’re all insane,” Ashton groans, rubbing at his forehead.  “You realize that museums have security, right?  If this guy is into shady stuff like stealing paintings from grandparents, he’s going to protect the stuff he stole.”

“Good thing we have someone here who works in cybersecurity and did a brief stint testing security systems for an insurance company,” Michael says, doing jazz hands.

“Baby, no,” Ashton says, turning big, sad eyes on him.  Normally they would have an effect, but not when Michael knows he’s right.

“Baby, yes,” he replies, cupping Ashton’s cheek.  “We can do this.  We just need a good plan.”

He raises his eyebrows, waiting.  He doesn’t dare look away from Ashton, but he can feel the force of Luke and Calum’s pleading, too.

“No,” Ashton states.  “Absolutely not.”

“I mean, the other option is that we try to do this ourselves and get arrested,” Michael says.  “I don’t think you can afford bail.”

“I’d leave you in there,” Ashton says.  Michael pouts, then threads his fingers through Ashton’s hair.  It’s a dirty trick, but it works, because Ashton tilts his head up to meet Michael’s eyes again.

“This guy stole a sentimental work of art from an elderly couple, and he’s probably done it to others.  Our justice system is too fucked to do anything about it.  Someone should.”

“‘Someone’ doesn’t mean us.”

“Why not?” Michael asks.

“Why not?” Ashton repeats, a disbelieving laugh bubbling up.  “Why not?  I don’t know, Michael, maybe because none of us have stolen anything bigger than a candy bar from Walmart? Or because if this goes wrong our lives will be ruined forever?  Or because we don’t know anything about this guy or his security system?  Or how about how you can’t hack an actual human security guard, which the museum has a lot of?”

“Every team of thieves has to start somewhere,” Michael offers.  “We won’t let it go wrong.  We’ll do our homework and be prepared.  As for the security guards, you’re literally going to go teach a self-defense class at the gym this afternoon.  You can take care of it.”

“You’ve got to admit, it sounds almost feasible,” Calum says.  Next to him, Luke has a cautiously hopeful look on his face.

“Almost,” Ashton insists.  “Almost doesn’t mean it’s a good plan.”

“That’s what we need you for,” Michael says.  “You’re good at plans.”

“I thought you needed me to knock out security guards,” Ashton counters.  Michael beams.

“What can I say?  You’re invaluable.”

“Don’t flatter me right now,” Ashton says.  “Flattery will not help you, especially when all of us get arrested.  What happened to the grandparents harboring stolen property?”

“That won’t matter if we take him down,” Luke says.

“Exactly!” Michael agrees, pointing emphatically.  “If we prove that he stole the painting or ruin him in some other way, then the physical stealing will be an afterthought.”

“If that doesn’t work, we can swap it with a copy, then have someone authenticate it and make him look like an idiot,” Calum offers.  “The authentication papers he already has are fake because the grandparents didn’t have any.  Maybe we just need to give authorities an excuse to look closer at them.”

“If we can’t get him arrested for stealing, let’s get him arrested for forgery,” Michael says.  He wants to rub his hands together and laugh maniacally.  Oh yeah.  Everything’s coming together.

Ashton sighs, long and heavy.

Right.  They still have to convince him.  As crazily feasible as this plan seems now, Michael  knows that they won’t have any hope of pulling it off without Ashton’s eye for detail and careful contingencies.  Michael may bring the drive, Luke the heart, and Calum the glue of their little group, but Ashton gives all of them direction.  He always has.

“Hey,” Michael says, kneeling next to Ashton’s chair with a hand on his thigh, thumb swiping over the skin his shorts leave visible.  “If you really think this is impossible, we won’t do it.  We can’t pull it off without you.  But if there’s a chance that we can help Sammy’s grandparents, I think we should.”

Ashton sighs again, looking at Michael long and hard.  He turns his gaze over to Luke and then Calum in turn, taking in their pleading and hopeful faces, then gives his attention back to Michael.  Michael holds his breath.  Ashton searches his face, and Michael doesn’t know what he’s looking for, but he hopes he finds it.

“When is the exhibit?” Ashton asks eventually.

“It starts next week and runs for two months,” Luke says, pushing the museum pamphlet closer to him.  Ashton presses his lips together, then nods.

“Right,” he says.  “That means we have two months to think of and execute a plan.  We’d better get started.”

Luke whoops.  Michael leans forward and presses a kiss to Ashton’s cheek, then pulls up a chair.  They have a painting to steal.

[dormarunt]

T minus 13 until the Berlin spinoff.

We're getting Ralicia, an Andrés who's inexplicably (although I assume the series will explain) called Berlin, a hot new cast of characters and if I'm not mistaken, *the* Champs Elysees heist that helped make De Fonollosa into the legend he is in canon LCdP.

I hope it's more than a fun, romantic heist movie, and I do hope it won't be a blip that gets forgotten (and/or cancelled) before the new year rolls around. Basically - please, please be good and memorable! It may be the last we get of these characters; I hope it's as good, if not better, than Pedro & the rest of the cast say it is.

[a-dotrivenitupontop]

fuck your horoscope what do you refer to each genre in the afterparty season two as

[homoeroticvillain]

the type of movie or show i can always get myself to watch will be heists or gentlemen thieves or etc cause i can call it research for geistverse

[mydemonsdrivealimo]

heist au but it's just bryce being the annoying one they send w anyone against them bc he will piss them off bc he doesn't stop talking and just drives them absolutely insane

[aprotestforyourheart]

I’ve been very slowly working my way through watching every season of d20. At first the sheer amount of content was kinda overwhelming but now that I’ve finished a starstruck odyssey and moved on to neverafter I’m a little bummed that after this I’ll be finished with every main intrepid heroes season :(

[chayscribbles]

what kind of cats are they? :)

*starts vibrating*

so Zeya would be a feral little black cat who hides behind crates and WILL hiss at you if you get too close. actually hold up imma google some visual references

Gabi would be a chumby little calico who is nervous at first but will warm up to you eventually and is very sweet

Leo is a long-haired brown tabby who is Definitely Judging You. she will protest if you try to cuddle her (secretly she likes it)

the twins Illiana and Kalen would be majestic ragdolls who are also Definitely Judging You and are spoiled rotten

and Euna is a bengal with wayyyy too much energy

[francesderwent]

Jonathan Stroud: Kipps wore his uniform to the ball

Netflix: fuck that he’s gonna wear a tux and he’s gonna look extremely hot

[yougotcheddared]

i have 121 movies that i haven't watched downloaded, but instead of watching any of them i am rewatching oceans 11 again

[cinema-hallucinations]

Prompt: Write a movie concept where pets commit crimes behind their owners' backs.

Title: Pawsecuted

Logline: By day, Mittens the cat and Duchess the Doberman are pampered pets. By night, they lead a double life as notorious jewel thieves, pulling off daring heists alongside their ragtag crew of criminal critters. However, when a ruthless new dog gang enters the scene, our furry felons must put aside their rivalry and pull off their biggest heist yet to ensure their turf – and tails – remain safe.

Characters:

Mittens (Voice): A sophisticated Siamese cat with a penchant for luxury and a talent for cracking safes. He leads the "Petty Paw" gang, a crew of pampered pets who utilize their owners' routines to their criminal advantage.

Duchess (Voice): A tough-as-nails Doberman Pinscher with a surprising amount of finesse. She heads the "Doggone Dirty Dogs," a rival pet gang known for their brute force tactics. Despite their rivalry, Duchess has a grudging respect for Mittens' skills.

Squeaks (Voice): A nervous but enthusiastic hamster, the getaway driver for the Petty Paw gang. He uses his hamster wheel to power a miniature but surprisingly fast remote-controlled car.

Biggles (Voice): A cynical parrot with a gambling addiction, the lookout for the Petty Paw gang. He provides intel from his perch on the highest shelf.

Rex (Voice): A hulking Rottweiler, the muscle for the Doggone Dirty Dogs. He lacks intelligence but makes up for it with sheer size and intimidation.

Frankie "The Ferret" (Voice): A smooth-talking ferret, the brains behind the Doggone Dirty Dogs. He relies on cunning schemes and inside information to pull off his heists.

Plot Summary:

Mittens, the notorious cat burglar, leads his crew – Squeaks the hamster getaway driver and Biggles the lookout parrot – on a daring heist to steal a priceless diamond necklace. Their plan is flawless, relying on their owner's predictable schedule and Mittens' nimble paws. However, their victory is short-lived when a new dog gang, the Doggone Dirty Dogs, led by the ruthless Frankie "The Ferret," announces their arrival on the scene.

The Doggone Dirty Dogs utilize a more aggressive approach, terrorizing owners and leaving a trail of chaos in their wake. This disrupts the delicate balance of the "pet underworld" and threatens to expose the entire criminal animal network. With their territories and reputations at stake, Mittens and Duchess are forced to swallow their pride and form an uneasy alliance.

Their combined skills – Mittens' cunning and Duchess' brute force – make them a formidable team. They plan an elaborate heist to steal "The Emerald Eye of Cleopawtra," a legendary feline artifact, hoping to lure Frankie and his gang into a trap. The action-packed climax sees the two rival pet gangs facing off in a hilarious showdown, with Squeaks' high-speed car chase and Biggles' sharp beak playing pivotal roles.

Themes:

Teamwork and the importance of overcoming rivalry for a common goal.

Finding humor and adventure in the seemingly mundane lives of pets.

The unexpected skills and intelligence hidden within our furry (and feathered) companions.

Visual Style:

The film utilizes a combination of live-action shots (showing the "normal" lives of the pets) and animated sequences (depicting their criminal activities) seamlessly blended together. The animation style for the pets is expressive and cartoony, capturing their personalities and adding a touch of humor to their daring heists. The action sequences are fast-paced and visually exciting, showcasing the unique skills and gadgets used by the different animal gangs.

Pawsecuted is a hilarious and action-packed adventure that takes viewers on a wild ride through the secret lives of pets. It's a story that reminds us that even the most pampered and domesticated creatures can harbor unexpected talents and a thirst for adventure (and maybe a little bit of bling).

[averrse]

i'm feeling the dark urge to reread mistborn