#Geir Sundstøl
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2023-10-18 Stein Torleif Bjella - Byscenen
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24-September 散財記録
01(sun) ・Ninjaman / Target Practice (1991, used LP) ・A Friendly Islands Christmas (1981, used LP) 14(sat) ・Flue / Vista (1983, used LP) ・Heiner Goebbels & Alfred Harth / Der Durchdrungene Mensch/Indianer Für Morgen (1981, used LP) 15(sun) ・Swallow / Body Horror (2020, used 12inch) ・Ulterior / 15 (2008, used 12inch) ・Pudel Produkte 1 (2005, used 12inch) ・Gary Young / Hospital (1994, used LP) ・Au Bal Antillais (Franco-Creole Biguines From Martinique) (1988, used LP) ・The Scene Is Now / Total Jive (1986, used LP) ・Joan Wildman & Richard Lottridge / Something New (The Unique Sounds of Jazz Bassoon) (1984, used LP) ・The Olympia Brass Band / The Olympia Brass Band of New Orleans (1971, used LP) 16(mon) ・Butcher Bear / Don't Save Yourself (2016, used LP) ・Charles Hayward & Michael Prime / Wash.Rinse.Spin/Osculation (2000, used 12inch) 19(thu) ・Negative Gemini / Body Work (2016, used LP) ・Mocky / Mickey Mouse Muthaf*..#s!! (2004, used 12inch) ・Alis EP (2003, used 12inch) ・Paul Bley & Scorpio / Paul Bley & Scorpio (1973, used LP) 21(sat) ・Les ANARCHO / OKANE WO MOYASOU (2013, used LP) ・渚十吾 with lakeside / Topo Topo Topo El Topo (2000, used 7inch) ・市松サウンド細工 / ドッケンシマウマ (1998, used 7inch) ・Pagtas / Mew! D.J. (1997, used 7inch) ・マウスピース / PEACE! (1997, used 7inch) ・Kain / The Blue Guerrilla (1970, used LP) 22(sun) ・Alexandre Kittel & Heddy Boubaker / Merci-Merci (2016, used 12inch) ・Archie Pelago / The Archie Pelago EP (2012, used 12inch) ・Pookiesnackenburger / Just One Cornetto (1982, used 7inch) 23(mon) ・Flore / Rituals (2020, used LP) ・その他の短編ズ / HE/ME (2018, LP) ・Sculpture / Membrane Pop (2014, used LP) 25(sat) ・Imbogodom / Metafather (2013, used LP) ・真美鳥 Ulithi Empress Yonaguni San / 一二三 Fairy Tail Chimidoro Phenomenon Satan Inferno Dress Ha Cattlemurarete Yggdrasill ハWa Sasaru (2012, used LP) ・NON, Boyd Rice / Back to Mono (2012, used LP) ・Charles Brown Superstar / Days of Our Drive/Sweet Piece of Ass (1995, used 2LP) ・Wreck / Wreck (1989, used 12inch) ・Stewart Copeland / The Rhythmatist (1985, used LP) 26(thu) ・Bobby Valentino / Sweet Temptation EP (2002, used 10inch) ・Arthur Doyle / Love Ship/Mama Love Papa Love (1995, used 7inch) ・平岡精二とクインテット / 真夜中のブルース/河は呼んでる (1963, used 7inch) 27(fri) ・Geir Sundstøl / Furulund (2015, used LP) ・Boom Bip / Seed to Sun (2002, used 2LP) ・Flowchart / Flutter By Butterfly (1997, used 7inch) ・Rimarimba / Below the Horizon (1985, used LP) 29(sun) ・Kinderzimmer Productions / Die Erste (1998, used LP) ・Amina Claudine Myers Trio / Jumping in the Sugar Bowl (1984, used LP) ・Pedro Ruy-Blas & Dolores / Dolores (1976, used LP) ・Karen James & Isabelita Alonso / Children's Songs From Spain (1963, used LP)
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Legendary Drummer ERLAND DAHLEN Releases New Single 'Auto' from Upcoming Album
When you’ve played on more than 300 albums, with a variety of artists including Norwegian Jazz legends such as NILS PETTER MOLVÆR, EIVIND AARSET, STIAN WESTERHUS and GEIR SUNDSTØL, together with bands and artists such as MADRUGADA, KAADA, JOHN PAUL JONES, ANE BRUN, ANNELI DRECKER, MARIT LARSEN and XPLODING PLASTIX, it’s inevitable that the desire to create and perform something of your own will…
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LEGENDARY DRUMMER ERLAND DAHLEN RELEASES NEW SINGLE FROM UPCOMING ALBUM
When you’ve played on more than 300 albums, with a variety of artists including Norwegian Jazz legends such as NILS PETTER MOLVÆR, EIVIND AARSET, STIAN WESTERHUS and GEIR SUNDSTØL, together with bands and artists such as MADRUGADA, KAADA, JOHN PAUL JONES, ANE BRUN, ANNELI DRECKER, MARIT LARSEN and XPLODING PLASTIX, it’s inevitable that the desire to create and perform something of your own will…
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#Erland Dahlen#IS IT JAZZ? RECORDS#Jazz#Jazz Drummer#Knut Slettetveit#Norway#Session Drummer#Session Jazz Drummer#Solo Drummer
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Trond Kallevåg Hansen. Bedehus & Hawaii, 2019. Hubro. ( Mastered By – Giuseppe Ielasi ) ( Guitar, Marxophone, Keyboards, Xylophone – Geir Sundstøl ) ~ [ Album Review | 1) Bird is the Worm + 2) Brightly Off-coloured Discophile ]
1) There are so many different reasons a particular album will connect with me, and often, it’s more than one reason. It’s a joy to attempt to convey those emotions and thoughts in the written form, to bring the imagery in my head, heart, and soul to life on the page. But occasionally I encounter an album that is so damn beautiful in some ineffable way that all I want to do is simply type the words this is pure beauty over and over again. This is pure beauty this is pure beauty this is pure beauty this is pure beauty. Guitarist Trond Kallevåg Hansen has crafted an album that captures the Nordic countryside and the Pacific ocean shore, and he’s joined by musicians who have a talent at doing the same, especially fellow guitarist Geir Sundstøl, who, also, creates music of pure beauty and has left me equally captivated. 2019 has had its share of gorgeous recordings see the light of day, but perhaps none more oso than Bedehus & Hawaii. This is pure beauty. Sometimes that’s all that can be said, and really, there is nothing more that needs saying.
2) Sometimes when an album creates the mood of the sun warming your skin, with a gentle breeze blowing, and for some reason you’re sitting on a large front porch in some fucking rocking chair, staring out at the horizon, and popping off random “yeps” into the air, it’s easy to ignore. Its sounds drift in so smoothly you don’t realize how it makes the entire space a thousand times more chill. Musicians like Bill Frisell, Ry Cooder, and Gustavo Santaolalla are virtuosos of this “oh, fuck ya” space. These kinds of albums aren’t here to throw bricks through your window, shit in a paper bag and light it on fire, or break down socioeconomic whatever-the-fuck. These albums don’t argue with you. They’re not the fighting type. But they get their way whether you like it or not. All they want is for you to chill the fuck out. Their goal is to create sound waves that relax those shoulders, unclench that jaw, and place you in that perfect happy high state where you softly shut your eyes and smile like some dumb idiot. That’s what Trond does on this album by combining folk instrumentation with fancy-shmancy jazz techniques. It’s a folky jazz bubble bath, motherfuckers. So lie back, take it in, and enjoy.
The slide guitar, or pedal steel, can often be an overlooked instrument. When you do find yourself in front of one, you wonder how the fuck you ever forgot about their beautiful sound and why you ever stopped listening to it in the first place. Their bends and sustained notes have the ability to create twangy melodies that ring out like a swan’s song singing out to a benevolent Hillybilly God named Cletus; this makes sense considering Bedehus is Norwegian for “chill as fuck church house on a bucolic hillside” (not a direct translation). Geir Sundstøl plays this shit with the sensitivity of an eyeball and the foresight of a wizard. There’s not a single strain or ill-placed note in the batch. It all comes and goes with the naturalness of an ocean tide.
Next to the talents of Geir, you’ve got Trond throwing down Frisell-inspired guitar, Alexander Hoholm playing a clean, hearty, and pitch-perfect double bass, and Ivar Myhrset Asheim playing percussion like God fucking intended; bringing attention to what’s already there, not being a fucking centrepiece like some attention-seeking child that shat itself, and Adrian Løseth Waade showing what’s up on the fiddle. Albums like this don’t seem overly impressive at first. They’re easily overlooked. It’s not until you realize how easy it is to ruin such a delightful mood that you understand the talent behind them. One single blip, one blop, one note played too hard or soft and the entire diaphanous sheet of sound gets drenched with piss. And that’s where the tension comes from. To properly execute these kind of jams, you require a team of precise hands. Each instrument must work together to cut back the layers of callousness without ever touching a nerve or hitting the meat. If you’re a jazzhead, you’ll understand these techniques well and enjoy their performance. But if you don’t know or give a fuck about technique, this album may have even more to offer. Sure it’s pretty cool to know how a magic trick is performed, but it’s an entirely different thing to actually believe that it’s magic.
#jazz#jazz fusion#folk music#trond kallevåg hansen#2019#hubro#giuseppe ielasi#geir sundstøl#2010s#2010s jazz#bird is the worm#brightly off-coloured discophile#review
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#ivar orvedal#sanne rambags#geir sundstøl#arve henriksen#knut kvifte nesheim#experimental#jazz#drums#spoken word
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In Memory of John Peel Show 211001 Podcast & Playlist
In Memory of John Peel Show 211001 Podcast & Playlist
Marina Herlop “It’s the busiest time of year in music and this show is doing the leg-work to bring you the best of outsider music” https://radiopublic.com/in-memory-of-john-peel-show-6nVPd6/ >> the best new music, independent of the industry system – back this show on patreon Paypal to [email protected] heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or…
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#Andrew Mbaruk & Th&039; Mole#Babybird#Catherine Graindorge#Fiona Kitschin#Geir Sundstøl#Gerald Cleaver#Jerome Hill#john peel#Joshua White#Kety Fusco#Ljubojna#Lorkin O&039;Reilly#Mandy Indiana#Marina Herlop#new music#Ottis Coeur#Proc Fiskal#Sam Wilkes#Soccer96#Springtime#Steph Richards#The Connells#Turner Williams Jr.#Wayne Adams#Zaph Mann
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Trond Kallevåg Hansen - Flukt Studio Intim, Oslo, October 2018
Performed by Trond Kallevåg Hansen (guitar), Geir Sundstøl (pedal steel guitar), Adrian Løseth Waade (violin), Alexander Hoholm (double bass) and Ivar Myrset Asheim (drums)
From the recording of the album “Bedehus og Hawaii” Recorded by Geir Sundstøl Mixed by Trond Kallevåg Hansen Filmed and edited by Sigurd Ytre-Arne.
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skam song of the day
sheriffen av rotterdam - geir sundstøl 4x6, sana looks out at noora, eva & vilde with sara in the schoolyard
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Bolachas Now Playing, a new music Spotify playlist updated every Tuesday.
Back to normal 🤠this week as we focus on “Undesirable”, the captivating second album by ‘genuine American rock n roller’ Becky Warren. A great week all around as we showcase new and recent songs by Jessica Pratt, Laura Gibson, Eliza Shaddad, Miya Folick, The Furrow Collective, Blonde Redhead, The Good, the Bad and the Queen, Moonface, Geir Sundstøl, Beach House, Protomartyr, Ryley Walker, Bob Mould, Mountain Movers, Ben Dickey, Steve Gunn, Dean Wareham and Cheval Sombre, boygenius (the collaboration between singer-songwriters Julien Baker, Phoebe Bridgers and Lucy Dacus), and David Crosby.
Bolachas Now Playing, 37/2018 (#164):
Jessica Pratt - This Time Around Laura Gibson - Goners Becky Warren - Dabbs Avenue Becky Warren - Carmen Eliza Shaddad - My Body Miya Folick - Thingamajig The Furrow Collective - False True Love Blonde Redhead - We Should Be Holding Hands The Good, the Bad & the Queen - Merrie Land Moonface - Minotaur Forgiving Knossos Geir Sundstøl - Warszaw / Alabama Beach House - Alien Protomartyr - Forbidden Ryley Walker - Diggin' a Ditch Bob Mould - Sunshine Rock The Mountain Movers - Bridge to This World Ben Dickey - I Think It's All Different Steve Gunn - New Moon Dean Wareham and Cheval Sombre - Grand Canyon Julien Baker, Phoebe Bridgers, Lucy Dacus - Ketchum, ID David Crosby - Janet
#bolachas now playing#spotify playlist#spotify#playlist#becky warren#jessica pratt#laura gibson#miya folick#eliza shaddad#blonde redhead#the furrow collective#the good the bad and the queen#geir sundstøl#moonface#beach house#protomartyr#bob mould#ryley walker#the mountain movers#ben dickey#steve gunn#dean wareham and cheval sombre#julien baker#phoebe bridgers#lucy dacus#boygenius#david crosby
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Reveries and Revelations - Mats Eilertsen (2019)
Remarkably, given the range of players on the album, no two of them were ever together to record the album. Instead, after Eilertsen had recorded his parts he sent his files to selected musicians and asked them to add their own touches, which they did in their own studios. It is a great credit to Eilertsen that the finished album does not hint at this cut-and-paste methodology, instead sounding like a coherent, collective venture. That coherence is not solely due to skilful editing and producing but also to Eilertsen's bass work which underpins the album as a solid foundation, and to his memorable, melodic themes that provided inspiration for the others' responses.
Mats Eilertsen, double bass, electric bass, acoustic bass guitar, guitar, harmonium, keyboard; Geir Sundstøl: guitar, national guitar, banjo (1, 9 ); Eivind Aarset: guitar (3); Thomas Strønen: drums, percussion, electronics (5-6, 8); Per Oddvar Johansen: snare drum track (10); Arve Henriksen: trumpet (10).
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My WVUD playlist and stream, 9/26/2020
Andrew Wasylyk - The Violet Hour Barrett Martin - She Dreams Of Snow Erik de Vahl - Cirkadiska Notiser Bibio - The Milky Way over Ratlinghope Quicksails - Melrose Move Suso Saiz & Suzanne Kraft - Nunca Phi-Sonics - Mama Numün - Tranquility Base Emily A. Sprague - Star Gazing Gilroy Mere - Christ’s Hospital [.que] - Thaw Laraaji - Temple of New Light Jamison Isaak - Pattern 18 Wata Igarashi - Relections Julianna Barwick - Nod (feat. Nosaj Thing) Elsa Hewitt - Godly Charms Nailah Hunter - Nacre Meadow Devon Loch - Somnol Mats Eilertsen - Hardanger (feat. Geir Sundstøl) Mary Halvorson & John Dieterich - Balloon Chord Kaitlyn Aurelia Smith - Carrying Gravity Jon Brooks - Geomere Ole Theill - Song for Clarice
(stream on Mixcloud)
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Nils Petter Molvær – Buoyancy (Full Album)
“This is a stupendous album, one of the best of Molvær’s career, proving once again that he’s still way out there on his own” (John D. Buchanan, AllMusic).
Jo Berger Myhre – double bass, bass, baritone guitar, twelve-string guitar, electric guitar, synth, electronics, noises, handclaps, producer, engineer Erland Dahlen – drums, handclaps, bells, drum machine, frame drum, xylophone, piano, shaker Geir Sundstøl – pedal steel guitar, guitar [Shankar guitar], electric guitar, guitar banjo, resonator guitar, handclaps Nils Petter Molvær – trumpet, electronics, vocals, loops, handclaps
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Geir Sundstøl. Langen Ro, 2016. Hubro.
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