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fawnforevergone · 1 year ago

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The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

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roomsofangel · 4 months ago

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pairing god of death!seonghwa x fem!reader | established relationship

genre honestly just crack.. nothing serious, just some good fun and giggles :p

word count 2.3k

synopsis since dating the god of death, you never had a dull moment when he decided to stay back and live his life as a mortal (with the exceptions here and there, he cannot help it after all. he is who he is) — whether it be helping him work the washing machine, explaining that ‘lit’ doesn’t actually mean anything caught on fire, or simply also trying to help seven other deities work their way into blending in. today’s quest? the air fryer.

mini wooyoung + san cameo :p !

a/n hi my loves! long time no see </3 i do genuinely apologize for my lack of updates, i have been overwhelmed with a lot since my last post! with ateez concert prep, moving, and my grandmothers eye surgery so things have been quite hectic! i’ve had some work be deleted by mistake so i have been rewriting a lot :( however!! i had some time and an idea.. so i decided to whip up this short work for you all as an apology! (and reminder that i’m still here:p)

decided to try out something new (or at least new to my blog) third person pov is my more stronger point than second person and it felt fitting for this in particular, so i decided to try it out here! so let me know what you think! (and who knows i might end up turning this into a mini series of things like this.. perhaps also with the other boys??)

seonghwa stood in front of the air fryer, eyeing the device with a mixture of confusion and frustration. with a sigh, he approached y/n, who was diligently working on her laptop. “yn, darling," seonghwa called out, a hint of annoyance in his voice. "how do you operate this confounded thing?"

y/n glanced up at seonghwa and couldn’t help but smile at his perplexed expression. she set aside her laptop and made her way over to him. “my love,” she began with a soft laugh, studying the air fryer before them. “what is giving you trouble this time?”

seonghwa gestured towards the air fryer, a hint of irritation and embarrassment on his face. "this contraption," he said, a slight pout in his voice. "i’ve been trying to figure out how to use it, but it's more bewildering than a newborn god's first thunderstorm."

y/n chuckled, her eyes darting between seonghwa and the air fryer. she couldn't help but find his struggle with modern appliances endearing. “let me guess," she teased, a twinkle in her eyes, "you’ve decided to take up cooking, and this little demon is giving you grief?"

seonghwa grumbled, crossing his arms across his chest. "i merely wanted to cook a simple meal for us, my sweet," he said, his irritation giving way to a hint of embarrassment. "but this device is more stubborn than a mortal refusing their fate." he tapped the side of the air fryer with a touch of disdain, as if it were more than just an appliance. "it has no respect for a god, i tell you."

y/n couldn’t help but chuckle again, a mixture of amusement and affection in her tone. "well, my dear lord of death, i think it's safe to say appliances don't care about your godly status." she sidled closer to him, looking at the air fryer with a smirk. "but don't worry, i shall attempt to guide you through this fearsome battle."

seonghwa let out a huff, but his expression softened as y/n approached further. he secretly relished her banter, even if it did jab at his ego. “your guidance would be greatly appreciated, my darling,” he said, a hint of mock formality in his voice. “please help me tame this infernal contraption before it becomes the cause of my first minor divine tantrum.”

y/n couldn't help but giggle at seonghwa’s formal tone. she loved it when he tried to maintain his air of divinity, even in mundane situations. "of course, my fearless deity," she replied, playing along. "let’s begin by turning the dial to the temperature you desire."

she pointed to the temperature control knob on the air fryer. "this little knob here is your first step to claiming victory over this beastly appliance."

seonghwa watched intently, his irritation melting away as he listened to her instructions. he took the knob and twirled it cautiously, setting the temperature to the desired level. "and now?" he asked, his voice laced with a hint of child-like excitement.

"okay, great!," y/n chimed in, clearly enjoying the moment. "now, we select the cooking function. It should be labeled as 'air fry,' 'bake,' or 'roast.' since you want to cook us a meal, 'air fry' is the one you're looking for." she pointed to the selection dial next to the temperature knob. "this knob here will help you choose the cooking function. go ahead and give it a little turn."

seonghwa's eyes followed her finger as it indicated the selection dial. he gave it a careful twist, a sense of accomplishment slowly building in his chest. "ah, i see," he murmured, his voice laced with determination. "so far, so good. what’s the next step, my beautiful guide?"

y/n smiled, noticing the hint of pride in seonghwa's eyes. "you’re doing great, hwa," she reassured him. "now that we have the temperature set and the function selected, we need to place the food inside."

she gestured towards the basket inside the air fryer. "this part," she explained, "is where you put whatever it is you want to cook. it could be chicken, fish, fries, anything really. you just need to arrange it in a single layer here, not too crowded."

seonghwa examined the air fryer's basket with a mix of contemplation and concentration. "ah, so it's like a cooking chariot," he said, "i must arrange my offering within its depths, like placing souls in my domain."

y/n chuckled at the analogy, "exactly," she affirmed

with a nod, seonghwa began to place a few frozen french fries into the basket, his movements surprisingly methodical. "like this?" he asked, glancing at y/n for reassurance, and perhaps a bit of praise.

"you’re doing great. just make sure they're not too close to each other. they need some space to cook nice and crispy." she smiled, secretly enjoying the sight of the god of death arranging frozen french fries with careful precision. "once you've got all your food in there, we can move on to the final step."

seonghwa nodded, placing down the last few french fries, ensuring they weren't too close to one another. a sense of accomplishment washed over him as he completed the task. "very well," he said, his voice tinged with triumph. "i’ve arranged the offering within the cooking chariot. what’s the final step in this culinary quest?"

y/n couldn't help but grin, "the final step," she began, trying not to laugh, "involves closing the lid and setting the timer for the desired cooking time." she pointed to the lid of the air fryer, gesturing for him to lower it. "just gently place the lid back on top of the air fryer, and we're almost there."

seonghwa carefully placed the lid on the air fryer, his hands treating it with a respectful touch. "like this?" he asked, double-checking that he had completed the task to her satisfaction.

“yes, just like that," she confirmed, nodding in approval. "you’re catching on faster than i expected, my love."

he then turned his attention to the timer dial, a sense of accomplishment swelling within him. "and what about the timing? how long must i wait before these french fries offer themselves to me as a delicious sacrifice?"

she glanced at the timer dial and then back at him, chuckling quietly. "for these french fries, a few minutes should suffice," she replied. "let’s start with... eight minutes and adjust from there if needed. just give that timer dial a gentle turn to set the desired time."

seonghwa obediently gave the timer dial a few rotations, setting it to eight minutes. he stood back, admiring his handiwork with a mix of pride and curiosity. "there, i’ve set the timer for our sacrificial fries," he declared, his voice filled with authority. "what now, my wise advisor? do we sit and wait for the air fryer to perform its magic?"

y/n laughed at seoonghwa's use of the term ‘sacrificial fries.’ "that’s right, my love," she replied. "now, we wait for the air fryer to work its magic and transform those ordinary frozen fries into a crispy, scrumptious snack." she leaned against the counter, watching him with a fond smile.

seonghwa nodded, his eyes transfixed on the air fryer. "i see," he said, his voice filled with anticipation. "so, we simply wait and allow the air friar to carry out its process of transformation. it’s fascinating how mortals rely on these contraptions for their meals."

he moved closer to y/n, wrapping an arm around her waist. "and what shall we do while we wait, my sweet guide?"

y/n relaxed into seonghwa’s embrace, enjoying the feeling of his arm around her. however, before she could respond to his question, they were interrupted by the unexpected knock on the window. they both swung their gazes towards the source of the disturbance.

y/n chuckled, recognizing who it was, and excused herself from seonghwa's embrace to head towards the window. "sounds like wooyoung," she muttered with a knowing smile.

as y/n approached the window, she found wooyoung standing outside, a perplexed expression on his face. "you locked the window, you dolt," wooyoung called out, an amused grin playing on his lips. "now let me in."

y/n laughed softly, shaking her head at wooyoung's impatient tone. "hold on, you impatient fool," she called back, her tone light and teasing. "i’m opening the window." she undid the latch and pulled the window open, allowing wooyoung to enter.

wooyoung casually stepped inside, his eyes flickering from y/n to seonghwa and back. he quickly assessed the situation and smirked. "ah, i see our dark and broody friend is struggling with modern appliances again," he said, his tone laced with playful mockery.

seonghwa frowned, his irritation flaring at wooyoung's teasing remark. "watch your tongue, lover boy," he warned, his eyes narrowing. "i’ll have you know i’m simply learning the ways of modern cooking."

wooyoung chuckled, his smirk widening. "ah, yes, the mighty god of death struggling with an air fryer," he teased, thoroughly amused by the situation. "must be quite a humbling experience for you."

seonghwa's jaw clenched, his patience wearing thin. "humbling indeed," he muttered, his voice laced with annoyance. "but i assure you, i will master this contraption in no time."

y/n interjected, trying to diffuse the situation between the two gods. "alright, enough you two," she said, her tone light but firm. "wooyoung, stop teasing dear seonghwa, and hwa, stop taking everything he says so seriously."

seonghwa grumbled, still clearly annoyed, but he settled down, his irritation slightly eased by y/n’s intervention. wooyoung, on the other hand, chuckled, apparently enjoying the banter. "oh come on, yn," he protested, a mischievous grin on his face. "i’m just having a bit of fun. it’s rare to see the broody one so frazzled."

y/n rolled her eyes, but a hint of a smile played on her lips. "yes, yes, we're all amused by seonghwa's culinary struggles," she agreed, glancing at seonghwa lovingly.

seonghwa, still disgruntled but slightly calmer, shot wooyoung a glare, silently warning him not to push his buttons further.

wooyoung chuckled again, his eyes darting between y/n and seoonghwa, clearly enjoying the tension. "oh, come on, hwa," he said, using seonghwa's nickname casually. "lighten up a little. it’s not like i’m challenging your divine status on the battlefield."

seonghwa’s eyes narrowed, a hint of irritation in his gaze. "no you're just mocking my struggle to understand a simple mortal contraption," he retorted, his voice still gruff. "and stop calling me hwa. only yn gets to call me that."

wooyoung feigned innocence, raising his hands in mock surrender. "ah, my apologies, oh great lord of death," he said, his tone dripping with sarcasm. "but you have to admit, it's quite entertaining to see you in this domestic setting, trying to figure out how an air fryer works."

seonghwa’s jaw clenched, his patience wearing thin under wooyoung's relentless teasing. "i fail to see the humor in this," he said curtly. "and for your information, i’m only familiar with weapons and tactics, not kitchen gadgets. but i assure you, i will master this air fryer before you can say 'i love you' in greek."

wooyoung burst into laughter, thoroughly enjoying seeonghwa's response. "oh, you're a riot, hwa," he chuckled, wiping a tear from his eye. "and good luck with that. i can say 'i love you' in greek quicker than you can figure out how to change the temperature on that air fryer."

y/n tried to maintain her composure, but a laugh escaped her lips at wooyoung’s retort. "oh, honestly, you two," she said, shaking her head amusedly. "i swear sometimes you're like children."

she stepped closer to seonghwa, placing a comforting hand on his arm. "darling, don't let him get to you. you’re doing fine."

seonghwa huffed, his irritation slowly subsiding in her presence. "i know," he mumbled, his voice softer now. "it’s just... he knows how to push my buttons." he glanced at wooyoung, who was still smirking, seemingly enjoying their banter. seonghwa rolled his eyes but a hint of a smile tugged at the corner of his lips.

wooyoung, seeing seonghwa's slight smile, chuckled. "oh come on, hwa, you know you love our banter," he teased, leaning against the wall. "admit it, it adds some variety to your brooding existence."

seonghwa's smile widened slightly, but he feigned indifference. "i assure you, i do not enjoy your childish antics," he replied, his tone lacking its usual grouchy tone. "but i suppose you have a point. it’s always amusing to see how far you're willing to push my patience."

wooyoung grinned, pleased that he was slowly breaking through seonghwa's tough exterior. "ah, you see, hwa," he said, a smug expression on his face. "you’re actually starting to enjoy our little banter. soon enough, you'll be begging me to stay and keep you company."

as wooyoung finished speaking, they all heard a sound from the kitchen, as if something had been knocked over. y/n turned her attention to the kitchen, a frown on her face. "what on earth was that?" she said, already on her way to investigate the source of the sound.

when they entered the kitchen, they found san sitting on the counter, with a mouthful of fries. surprisingly, he looked guilty, like a child caught with his hand in the cookie jar. but the source of the sound was obvious: a bottle of ketchup that had been knocked over, leaving a growing red pool on the floor.

san’s eyes widened as he noticed them, his cheeks still puffed with fries. he quickly swallowed the food before speaking, his voice laced with guilt. "uh, hey," he said, offering a sheepish smile.

y/n crossed her arms, a mix of surprise and irritation in her gaze. "you left the back door unlocked again?" she asked, mainly towards seonghwa, shaking her head. "san, how many times do i have to tell you?"

san shrugged, unabashedly continuing to munch on his fries. "i was hungry," he said simply. "and the door looked inviting."

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divinegrapes · 1 year ago

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FEEL THE LAW!

a challenge.

Are you tired of affirming and persisting? Are tired of consistent spiraling? Are you so focused on your circumstances you feel hopeless? STOP right there. @aphrodieties and I GOT YOU.

The law of assumption governs the universe and no one is exempt from this phenomena. Understanding the law is truly a privilege however feeling the law is priceless and the key to a fruitful existence.

The goal of the next 7 days is to consistently identify with your true self, Your godliness.

"I ask you: are you really keeping the faith? Do you always turn to your imagination and, no matter what happens, do you remain faithful to the state imagined? If you do, you have passed the test." - Neville (this quote here is your BIBLE).

Rules.

1) Stop asking questions and start doing. (no running to blogs for reassurance, reassure yourself, God is capable of reassuring,he reassures the world)

2) STICK TO THE BASICS! No void, vain repetition, and following the newest community trend.

The basics : Accept it and Sustain it.

3) Don’t question yourself and do what feels correct.

The whole purpose of this challenge is to identify with your inner man, your eternal being. Your eternal being has no questions for it is ALL KNOWING. You are all knowing.

4) Ask yourself in times of doubt . “Would God be worrying about this? Should I be worried about this?” YOUR I is GOD. It is EVERYTHING and Nothing at the same time. You are not your body, personality,thoughts and emotions. That’s not who you truly are, It’s who you CHOOSE to be. Ultimately you are nothingness.

5) Do this mediation, EVERYDAY. Feel the law and feel that you are God.

youtube

It is in no one’s best interest to say that reality is fake but I will say that your reality is what you make it.

Lectures to listen to this week (not mandatory for the challenge but highly recommended.)

Be angry and not sin - Edward Art

Law and Liberty - Neville Goddard

Fulfillment of God’s Promise- Neville Goddard

The pearl of great price - Neville Goddard.

Try to internalize these in the best way you know how , whether that be : to listen on repeat, journal your thoughts and/or meditate on the message. Just internalize the information and feel it to be true.

By the end of this challenge your self concept should be rock solid and you shall view your outer man in your desired light because your inner man has been fully embraced. All your “desires” will be realized.

Please update @aphrodieties and I !! we’ll love to hear about your successes, your new found faith and unshakable confidence.

#Youtube #law of assumption #void state #states #neville goddard

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addomfarm-ogf-updates · 3 months ago

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I have started the outline over!!

I’ve got a good idea of the structure now, which storylines i want to focus on.

I’m going beat by beat of what i want to present in order, focusing on the emotional states of the characters.

I’ll share more of my progress soon!

#updates #writing #writeblr #fantasy #outline #once godly frame

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kaszuma · 5 months ago

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Aera Perennius | Hoshina Soshiro

Part 7 of “Certainly Yours”

pairing: Hoshina Soshiro x fem!reader

summary: soshiro was never one to raise his voice at anyone. But the one time he did, it was because he almost lost you for good.

warnings: Slight Kn8 Manga Spoilers, Description of Pain / Injuries / Hospitalizations, Angst, Hurt/Comfort, Arguments, Cursing, Slight mention of self-harm

wc: 9,793

–

note: I finiahed it earlier than anticipated so here you go-- I had such a difficult time writing this because I've been so busy. There were so many changes and the original draft had been scrapped so many times that it almost made me want to give up and start over. But lucky I didn't or I would've not updated in time. So, yay!

English is hard haha and sometimes it hates me and just doesn't make sense when I read it in my mind versus when I read it outloud. Anyways I will be doing slower updates, so no definitive dates nor titles for the next parts yet. But Part 8 and 9 will be back-to-back spicy NSFW stuff (courtesy of reaching 200 Followers. Thank you lots by the way), So stay tuned!! This is not proofread. So if I missed any warnings feel free to tell me. 🫶

–

Sleep had come naturally to you.

The sound of rapid footsteps and muffled yelling had all but faded into the distance as mere whispers against your ears.

Such rapidness did not seem to fit the silence of what had initially surrounded you. The sudden weight of your own body being dragged left and right until your vision blurs. The stark darkness of city skylines transformed into the unnatural shine of the hospital's fluorescent lights; one that made it hard to pick people's silhouettes apart.

And as such, it reminds you of the distant past.

One that was filled with vast open fields, very unlike the corporate labs you had been accustomed with. A stark contrast to the very corners of Japan, in the countryside where your grandparents had established a simple life for themselves. Filled to the brim with rice crops and summer cicadas.

And it makes you reminisce about the short time you'd spend there. On the cool nights after your summer school days would inevitably end. And you'd be dragged to a summer house where cousins and relatives had doted on you.

Such a homeward bound place was a far cry to the bustling streets of Tokyo's Eastern divisions. Which had often been endowed with the familiar cries of loud music and the steady rumbles of heavy railways underneath you.

One that Kaiju had lamented no peace from.

Even in the midst of high-story buildings where your workplace had boasted the use of sound proof walls. The cityscapes nearest Izumo Tech Corporation could not even be muzzled by its titanium doors, of which Japan's Top Secret Bioweapons had been kept. Schematics and all.

You had grown used to such a taciturn work environment.

Your existence is thrown into the small bubble of your private lab. Segregated from your coworker who valued work over social relations. And you had been much the same.

You and the rest of the technicians were far too focused on your projects. Tinkering away at the prototype suits that the company had sent your way. A partnership between your parent company and Japan’s Defense Force. A task of which you and a few others had been selected to create and maintain.

And how lucky you had been, to land yourself a snug spot in the notoriety of the Third Division's wake. The very same division that had boasted the least amount of casualties in the case of a large-scale Kaiju attack.

The very same division where Mina Ashiro had led and mounted into victory.

And you'd consider yourself lucky to have known such an amazing person in this lifetime.

For fate to have led her to you, you'd assume you've somehow accumulated some sort of good karma in your past life. The reward to you had been fresh in this new one. An action that had garnered some godly being to bestow upon you a chance to meet your soulmate.

You'd be remiss with disappointment if you hadn't met Soshiro Hoshina in this lifetime.

But prior to that. Before Ashiro had recruited you into her division, you had little to no contact with the officers on-field. Delegated to the simple task of sending blueprints in and out of Tachikawa's base should the time arise; begrudgingly in the early mornings of every month too.

Back then, you had befriended a bespectacled girl named Okonogi. Who wore a slightly bigger uniform than the rest of the recruits. A quirk of hers which you found rather amusing. She, who wholeheartedly believed she might still grow into the uniform that was two sizes too bigger than what was recommended of her.

And you had remembered the day you had met her too.

It was another typical day in your routine. Delivering notes to Captain Ashiro in and out of bases. Though this time, you had decided upon taking a detour. Seeing the empty spaces of the mess hall which granted you an opportune moment of grabbing some coffee.

And such a detour had led you upon the bespectacled girl. Your documents slipping from your very fingertips. And your other hand, which held the coffee mind you. Accidentally toppling over. Spilling the liquid against her pristine ivory lab coat. Staining it.

Lucky it had not been hot, or else that could've been an accident in the making.

“I am… so sorry about that.” Your eye catches the glimpse of her nametag, stained with a bit of caffeine. Okonogi was what it read. And you were already pulling out a handkerchief from your pocket. Intent on correcting the mistake you made.

“No, it's okay. Really.”

The sincerity in her voice made you visibly flinch. And you had half a mind to just shove her your wallet, a chance given to compensate her for the coat you ruined. But the look on her eyes was determined. Abrupt in the way she had declined you.

“Are you sure? Money shouldn't be a problem. I can definitely get you a better coat within the day..” You spoke with much guilt. And yet she insisted.

“No need, really! It's just a stain. Nothing a bit of bleach can't handle.” She moves lower with a smile, one hand tucked behind her knees as she tries to pick up the few folders scattered on the ground.

“-Lucky it didn't hit the documents! Or the Director would definitely have our heads for it.” Okonogi had surprisingly jested your way. And a small laugh bubbles between the two of you in turn. As if you had known each other for quite some time now.

“I suppose so.” You had spoken between giggles. The sentiment shared between the two had all but eased the tension of the room.

And the brunette had gingerly handed you the pile of documents that had been untarnished. Though, one in particular catches her trained eye.

It was a simple list of materials used for the next batch of combat suits to-be-made. Or at least, that was the pitch you had planned to present today. In the hopes that Mina Ashiro would give it enough attention and send it to command for a much more direct approval.

And Okonogi, who was a newbie at the time. Had known all too well of the budding genius you had been. A technician far too enraptured in improving Combat Suits and weapons catering for strange combat. One that did not conform to the normalcy of firearms which had modernized the era.

And it seems one of your papers in particular had caught her attention. Like a hammer against glass.

It was a series of notes and drawings involving bronze wires that resembled the muscle groups of a Kaiju's inner workings. All built into the combat suit that had been Izumo Tech's symbolic masterpiece.

And its Kaiju plating was as amazing as it was unconventional. Built to last no doubt in the wake of an ever evolving organization.

Okonogi could not help but stare at it. Admiring the artistry and engineering involved in such a concept.

“An idea of yours?” She asks. And you nod in turn. Surprised by the way she did not immediately question the schematics.

Normally you'd be met with strange looks. One that questioned the very ethics of your research for involving Kaiju parts into the combat suits.

But the Defense Force had long since been converting strong Kaiju into weaponry. And applying the same sentiments to a combat suit, should be no different. “That's right.”

“I was hoping to improve the current designs of the Combat Suits.” You admitted. “If it succeeds, it might help our soldiers a lot more. Survivability wise..I mean.”

And Okonogi smiles at this. A layer of irony mixed in with the few laughs that bubbled within her chest.

She knew how fragile lives can be. Especially in their line of work where they had faced massive enemies almost on a daily basis. And a battle of attrition against such monsters? It was never a pretty picture.

But still, it had been a rare sight to see one so dedicated with quality of life improvements. And it was as if Okonogi knew that she'd be able to trust you with such a task.

“Glad to see you working on it! People have been volunteering less and less these days. But if we had better tech, I'm sure our members would increase by a large margin.”

Her assurance made you nod. Already taking the paper from her hands and delicately sliding it back to the rest of the folders you held. Carefully standing as the both of you had come to smile at each other.

“If there's a chance it can save lives. There's no harm in trying. It's just a part of the job.”

“There's definitely a truth in that.” Okonogi remained positive with a dip to her head. Making her rimmed glasses slide gently from the bridge of her nose. A tilt in her head as she next spoke.

“-But, why use bronze by the way? Wouldn't steel or alloy be a better alternative?”

You had looked over to the notes peeking from your file. And a smile is etched on the very corner of your lips. Complacent in the way you had so easily looked at her, as if you knew something she did not.

“There's a saying you see.”

Okonogi tilts her head upward. Who had finally moved to fixate her gaze to you. Eyes meeting with the absolute tenacity and confidence at your craft. “...a saying?”

You nod. “They say that some people should seek things that are more lasting than bronze.”

“Does bronze not last very long?”

“Oh it does. But even in metals, people try to find something much better right?” Okonogi who had paused to think about your words. Had only nodded in turn. Your sentiment was a much more refreshing and positive take than she had imagined it to be.

“I intend to find that material. One that would make a monument more lasting than the lives we lost.”

And Okonogi’s breath hitches. And you had looked her in the eye, with a determination she was sure would last you a lifetime. “Even if that means I have to dissect a Kaiju and use its very skin as armor.”

A bit morbid for her take. But still, she couldn't help but admire your tenacity. It was the same sentiment she'd see with the soldiers. And somehow, it reminds her of a certain someone who was all smiles despite wielding a blade.

“I suppose most Kaiju do have a layer of tough skin..” She jested. And your shoulders shake with a bubbling smile. The start of a silly friendship perhaps, where Soshiro's eyes would soon flicker your way.

And somehow things just started to click into place.

You didn't know if it was fate. Had it been Okonogi or Mina Ashiro that led you to him. But it wasn't until a few weeks later, you had found yourself responsible for the Third's technical division. Overseeing much of the repairs and weapon upgrades needed for Kaiju slaying. And it was in that very same division where you had grown much closer to him.

A strange recruit, scouted from the Kansai district. Where Captain Ashiro had particularly shown a keen interest in. His skill in the blade had been incomparable to his peers. And although he boasted the highest individual body-count when it came to handling melee pursuits. You had once thought him stupid for sticking to a fighting technique that had long since aged from the existence of firearms.

But how wrong you had been in judging him for that.

Okonogi often reminded you not to be too harsh on him whenever the two of you had just so happened to meet. Jesting that you two would've made a stellar couple, had you both given each other a chance. And although you've denied such things a few times before, Soshiro would always take a glance at you as if reading the expressions on your face. Thoroughly investigating the subtle expressions you wore that would've reached his conclusion.

And each time after that, he too would answer for you. A denial. A white lie.

And Okonogi always saw through it of course. She had been there since the beginning. Serving cupid for the both of you.

And when she can, she had always been peppy in her step. Pushing the both of you in a particular direction. Waiting for one of you to make a move. Calculated like masters playing chess on a board. By far you two had been hopeless. If it wasn’t for Okonogi’s encouragement, Soshiro wouldn’t have thought to visit you between breaks. And how lucky you had been to have the girl pry him out of his skittish shell.

It’s a wonder you two had gotten together like this.

You had rarely seen the girl frown or be frustrated over anything. Let alone your own bite when it comes to Soshiro's mixed signals.

So it had been a sudden whiplash, seeing her so frightened above you. Her voice had been unusually drawled and shaky as she repeated your name. Trying to keep you awake despite the far off look you had in the depths of your irises.

Wait.

Why was it so blurry all of a sudden?

Where were you again?

Right.

You were injured. And from the look on her face, it was probably worse than you had realized. The trickle of an unfamiliar liquid slid down your forehead to the very height of your cheek. Where you could’ve sworn a clawed hand had been there to comfort you.

Larger than your own, and definitely plated with armor. Gently grazing the very skin of your cheek.

Shit. Shit. Shit. Shit.

It's starting to hurt. The pain on your lower back had suddenly hit you like a metric ton of weighted bricks. Like something jagged and sharp had punctured through you. A result from a bad fall.

“Sweetheart. Keep yer’ eyes open alright?”

You heard a deep rumble from the side. And your eyes pried away from Okonogi's disturbed features. Suddenly enamored by the wine red irises that looked at you as if you had gone through hell and back.

Had it really been that bad?

Last you checked, you were narrowly able to escape Kaiju's attacks. The flashes of its flaky features had encompassed your mind’s eye. And the ground below you had bellowed like a monster’s mouth. Suddenly ripping open as a shockwave had violently lifted you from your feet.

And like a leaf on a windy day, you were blown to the side. Crashing harshly against the window of a boutique. A stray shard puncturing your lower back to the point of near paralysis. And it leaves you barely conscious to see the not so lucky victims that tried to escape the Kaiju.

One group in particular had been crushed by the rubble of a building. And somehow the scent of blood and bones was enough to knock you out cold. Their downfall would’ve made you vomit, had you not been injured and too dizzy to think about it all.

And as morbid as it sounded, you had been fortunate enough to have only been thrown aside. Sacked into a world of pain which had reminded you that you were very much alive. It had been a miracle that Soshiro found you when he did. Despite the slight sprain on his ankle and the sores he felt in the muscles of his arms. He forced himself to run. Empowered to meet with you, ushered by the help of Number 10’s powers.

And like clockwork he was led straight to you. The fears he had once buried deep in the back of his brain had all came flooding through.

And he didn’t know what to do.

…

You heard a few voices then.

Although it was barely comprehensible, you could make out a few distinct ones from the array of shouts. Your name in particular was whispered in a prayer. Begging you not to fall asleep despite the odd temptation to. And sure enough, the back and forth argument you heard between two figures was enough to keep your mind and heart racing with urgency. The look between Okonogi and Soshiro’s face had all been so different than usual that it frightens you so.

But despite the noise, despite the shouting. You heard him in clear daylight. Like it had been the only voice in the room. Isolated from the rest who had rushed in a frenzy.

“I got ya’ alright? I’m here baby. I’m right here.”

His reassurances had blanked when his voice cracked. Desperate like he had been ready to cry. The way your name had escaped his lips was almost hesitant. As if he didn't deserve to call you out. And you wanted to stop him before his thoughts could drift further. But your voice had failed you when you needed it most. A soft cry escaping your lips instead.

I'm okay.

I'm here.

I'm alive.

All of that died the moment it tried to leave your throat. And without those very words. Soshiro's face was left to contort. As if he were the one in pain instead of you. And how he'd wished that were the case.

“Let me through!”

You heard him scream. And your eyes had focused just enough to see Okonogi and a few nurses blocking his pathway to you. Desperately trying to push past them despite the grievances.

The sight had been a blur.

One second your vision was fine. The next you had felt the telltale signs of drowsiness hit you. And you feel the way the pain medication had started to kick in when your eyes had isolated itself from the world. Your body’s exhaustion hits you squarely on the chest down to your very toes. And when you had been dragged to the next room over. Soshiro had been the last face you had seen before separation. Sleep pulling you over until your breath is taken from you in that instance.

Your name had been the only thing Soshiro could say afterwards.

“I said let me through–That's an order from your Superior Officer, Okonogi.” Soshiro had warned her. Voice uncharacteristically deep when issuing an order. It was normally never used in this way. Such a tone was only ever used to command Number 10 when he had been too stubborn to listen.

But the bespectacled girl knew better than to fan the flame. And in retrospect, she out of anyone would understand his frustrations the most. Yet she stood her ground. Gently shaking her head at her heated friend.

“Vice Captain.” Okonogi started. Hands already raised to try and calm him down. And she could see it in his eyes; the way it subconsciously followed the rolling bed they had put you in.

Dragging your bed into another room where only the best medical practitioners had worked on you. And yet despite that, he couldn't find it in himself to sit still. His gut sinking at the mere thought of you getting worse than when he had already found you in. And he was willing to bet Weapons 10 had all but read the blatant emotions he displayed on his sleeve. With or without having to delve into his mind.

He was in utter ruin just from your condition.

“-Please understand. You cannot, in under any circumstances enter the surgery room, sir.”

“To hell with that!”

The scream had made Okonogi frown. And Soshiro had half a mind to push past the smaller woman. And rush forward with Number 10's help. But he stopped midway. Reminding himself that his suit could go on a rampage at any time. And right now, he did not want to expose Okonogi and a handful of civilians to Number 10's war-ridden desires. His deep baritones had instead vanished for more firm ones. Unlike the resentment from prior. Oddly curt in his delivery.

“Move. Or I’ll do somethin’ drastic.” He steps forward.

A threat is a threat, and he hoped that would at least be enough to convince the bespectacled girl to move. Yet Okonogi had known him for far too long to actually perceive it as one. And she looks unfazed by his words.

“Sir please.” She pleaded. “It'll only worry you more.”

Her voice was gentle. Understanding even. It almost reminded him of the way you speak at times. Stern but with a hint of softness when it came to his stubbornness. And how he wished it was you he was talking to right now.

“Just please try to calm down. We should get your own wounds treated first and then we can-”

“Fuck no. I'm going in there and-”

“Hoshina.” The stern voice of their Captain had made them both flinch. And the heavy cleats of Mina Ashiro'a footsteps had gotten louder as she had made her way closer to the two.

“Captain Ashiro.” Soshiro had spoken with a much more leveled tone than he did earlier. Hand raising into a salute as the rest followed suit. Though even in his greeting, his frustrations had still been made entirely clear. And he was more than willing to face insubordination just to get to you. But Mina was one step ahead of him.

“Hoshina. You’re causing a disturbance and deliberately disrupting the medical wing from doing their job--I'd let you run some laps. But I can see you're injured.”

Soshiro had glanced down at his body, a light scoff emerging from his lips when she had noticed the way he stood, limping.

“Patch your own wounds up and we can discuss it later.”

And Soshiro had frowned at the way she immediately knew. A sixth sense perhaps that he had been getting sloppy. And sometimes he feared Mina Ashiro would kick him out of the Third because of it. But Mina made no such accusation, instead her eyes had been understanding.

Firm as they usually are, she, like Okonogi, was quite aware of your relationship with Soshiro. And by all means, she understood his sentiment.

Today had been a jumbled mess. And Soshiro was practically facing the very brunt of it all.

With you as its victim.

“But-”

“That's an order, Vice Captain. Do not make me repeat myself.” Her stern reply had been met with his half-meant glare. Red irises swirling with thoughts before ultimately concluding that Mina had been right. Okonogi too. He'd just been too stubborn to see it.

And for a good few seconds, he finally drops his own staring.

Reluctant as he had finally turned around. Facing Okonogi with a sort of defeated look in his eyes. Uncharacteristic to her as he'd normally be so cheery, even in the face of impending death.

He'd be thrown into a pit. And as long as he was still kickin’ he'd probably end up smiling and joking about it the next day.

This had definitely been a first for the two to witness.

And although Mina had not usually been the closest to Soshiro. He couldn't help but make an exception this time. She'd waive him of running laps, not as an officer. But as her friend. And a stern hand was placed squarely on his shoulder. Gently giving it a pat of reassurance. One that Okonogi would follow up with her own.

“It'll be okay. Right Captain?” Okonogi glanced between the two.

“That's right. I'll see to it personally that she gets the best care. For now, get yourself patched up–That'll be the punishment you get for speaking to your superior officer.” She awkwardly spoke. Though a small reassuring smile had cracked on the face of her usually hardened expressions.

And such a sentiment from both the girls had silenced him before he could think of another protest to answer with.

“understood.” He begrudgingly spoke. His hand balling into tight fists at the possibility that you'd wake up without him by your side.

Bronze was made to last, yet it wasn't exempt from tarnish after all.

“Good. I'll inform you shortly once her treatment is done–Okonogi.”

“Yes?” Her reply had been immediate.

“Make sure his wounds are treated. And, I expect a detailed report on Number 10's latest excursion later.”

“Roger.” Okonogi had saluted. And Soshiro watched her as she slowly walked past them. Entering the very same room where he had not even had the chance to take a glimpse in.

His arms had gently felt the pull to another direction. Okonogi had done well at Mina's request as he had all but dragged his feet further away from the blaring red lights of the operating room.

And the flicker of your sleeping face was all that’s left before he too was separated somewhere else.

A place where he was left to wonder what will become of you. And for a moment, his distinct thought was a scenario where he hadn't met you.

If only he hadn't asked you out that day..things would've turned differently.

Right?

…

Your eyes blew wide open. The strangled breaths you took were caught on your throat as you could smell the bitter antiseptics nip the back of your nostrils. It reminded you of a hospital. That of which you had the unpleasant experience of having to frequent anytime Soshiro would come back to base injured.

Often you'd be on the other side of his bed. A frown on your face as the condition of his health had been on the top of your mind. And each time with a smile, he'd make a joke to ease the tension in the room. A signal to indicate he had been alright. Despite the lack of words you two would exchange.

Habitually it was you unharmed. You left to worry at his bedside.

So it had been a rare sight indeed, to find yourself on the opposite side of the spectrum.

Laid in thin hospital robes. Connected to a needle of an IV drip. The constant flow of medicine made you drowsy and your thoughts jumbled into a mesa of numbness. And if you had looked at the amount of bandages wrapped around your torso you'd surely start squirming in place.

But just when you were about to scrutinize the heavy onset of your heartrate’s monitor. The blaring sound was all but silenced when you heard the familiar tremors of his voice. Smooth and soft, like you had always heard them as.

“Yer’ finally awake.”

You turned to his direction. Bright eyes had met his own which had been as familiar as it was squinted. His irises were more crystalline and tired than usual. Puffy on the corners, like he hadn't been given a chance to get a good night’s sleep between your hospitalization.

And yet, despite the unfamiliarity of his somber tone; the despondent frowns he'd make.

His voice had been the sound you missed the most.

“Soshiro..” You croak out. Voice dry like someone had stuffed cotton down your throat. And you try your best to scoot closer. To move and stand like you had always done when faced towards him. But this greeting would cut short. Hands restrained by firm bandages and hollow tubes that weighed heavily on your skin. And you hadn't realized the mumble of a barely audible whimper from your mouth. One that Soshiro could not miss even if he tried to.

Soshiro noticed the way you had squirmed. Struggling to sit up. Which made him all the more vigilant. And he ends up closing the small leatherbound book he'd always brought with him. Sinking it back on his pocket where you had been accustomed to seeing it.

Walking much closer to you in an attempt to calm and shush you.

“Where are we?” You asked him. And his fingers hesitantly graze your cheek. The same way when you had blood trickling down it moments prior. “Base. The Medical wing took ya’ in.”

His words were oddly curt in delivery. And although the average person who knew Soshiro on a surface level could probably not tell. You were able to differentiate the distinct way his voice had sounded odd. Such sentiments laid rather clearly for you. And you can see the layer of guilt etched on his stiff face.

“Okonogi?” You inquired. And he gives you a nod.

“Safe. I'll call her for ya’ later so she doesn't worry.” and you let out a breathless sigh. Your head slumping against the cushion of the soft pillow. The lingering feeling of glass and cement on you had all been but a pipe dream now. A memory that you'd soon forget.

And how Soshiro wished it was that easy for him to forget.

“How are you feelin? I can call the nurse for ya if anything hurts.” He moves to turn around.

Eyes already searching for the small caller that was given to him in case of emergencies. Though your hand, as painful as it felt, had pulled him in. Weak fingertips grabbing the sleeves of his jacket to refuse him. Your eyes remained squinted as they were sharp despite the fatigue. And you caught the glimpse of bandages wrapped around his skin. A stark testament to the rest of his unblemished face.

“What happened?” You had immediately tried to get up. Alert in the way you had wanted to reach out and inspect his own injuries. But the fatigue of your body had stopped you. Causing you to slump forward and unto his willing arms who had been cautious in the way he handled you.

“Easy. You're still…not well.” Soshiro gently nudged you back down. Hand placed squarely on your chest to ease you into the pillow. But you stubbornly persisted. Compromising by sitting up against the bed's headboard instead.

“That doesn't matter. What's more important is, what happened to you. Are you alright?”

“That doesn't matter? Are you seriously askin’ me that right now?” For a moment you mistake his scoff for a laugh. His hands which had held you firmly had just as quickly left leaving the spot on your skin cold and yearning for his proximity.

Had you said something wrong? This aggression was unlike him.

Soshiro was rarely this agitated. And your voice couldn't help shrivel in meek irritation. Unsure whether you should respond back with much the same turbulence.

“Should I…not be asking you that?” You spoke unsure. And he shakes his head in turn.

“You were dead-still for five days straight and yer tellin’ me THAT doesn't matter right now?”

You didn't know how else to reply. The way his tone had shifted into a scoff had made you double back to glare at his face. For once since you awoke, you truly saw how tense he had been. Gone was his usual suave smile that made you laugh or cry in between meetings.

He had been too worried to focus on that. But you had been too frustrated at this sudden change. That it made your voice come more forcefully than you anticipated. “Well isn't it obvious? I'm worried about you.”

You replied. Your own expression had squished into rapid vexation. And you see the way he takes a few steps back, too far for your touch to reach. And it pained you that you couldn't just stand up and make him face you like you usually could.

“And you think I don't feel the same!?” He spoke loudly. Causing your shoulders to flinch in turn. One he had regretted as soon as he spoke. And yet, he continued.

“You don't think..that I didn't nearly kill myself when I found you bleeding in the middle of that goddamn street?” He pointed out the window.

And your expression had turned liquid at the images that flash in your mind. Imagining how he had found you. His thoughts, his expressions..you could only imagine the torment he felt the moment he found you. Barely breathing.

His breaths came in gasps. Eyes widened so that you can clearly see the crimson of his eyes peeking through. And suddenly you notice the way Soshiro had oddly been so vulnerable in front of you. The quips on your sore throat began to die down when you saw how frustrated–how fearful he had looked in the moment. And gods did you wish you woke up sooner just to comfort him.

“No–that’s not what I meant. I only wanted to know if you were okay. Is it so wrong to ask?”

“Well maybe ya’ shouldn't have asked at all.” He huffed out. Looking away from you with regret lingering on his features.

It was stupid. He thought To get so frustrated over something so tiny. But as much as Soshiro Hoshina excluded the guise of a proper adult. He had been flawed just like the rest of everyone else. And he'd be lying if he didn't have his moments of doubt. Often scrutinizing in the lonely privacy of his home. Where he knew no one would bother him.

That is of course, before you had entered his life.

But not everything was understood between the two of you. Okonogi was a witness to the piles of misunderstandings you both had caused. And without help you two were likely never to get along, habitually falling for the same skittish routine you had played at.

But a miracle happened. With him belonging to you. And you belonging to him.

So why was it that your heart cramped so much? Surely it was not the pains of a physical injury. Let alone a type of sickness.

Instead it was struck by simple bad habits and insecurities. One of which even you had trouble dealing with. And the loud firmness of his voice had made such an impact on your heart that you began to frown. Unable to hold back your bite.

“What is your problem!?” You started. “Listen, can we just please have this conversation some other time. And then we can-”

“And then we can, what? Do you want me to just sit here and forget that all happened?” He had interjected.

And suddenly you feel your brows knit tightly. Eyes feeling heavy from the burst of a headache you had gotten. Of all the times Soshiro wanted to argue, it's the time you had just woken up.

But he wasn't entirely unjustified.

There have been plenty of moments where you had fanned the flames of a fire that should've ended right then and there. Your word choice is poor and your temperament less than ideal.

For as frustrated as you had been, you understood Soshiro's sentiments. And your hands had raised as a sort of white flag. Not needing this fight to escalate more than it should.

Not when you were both injured and all you wanted to do was crawl into his arms.

“-Listen Soshiro, I didn't mean to upset you. I only wanted to know if you were okay.”

“Does that matter?” He repeats your own words. And you had to hold back another jab of acknowledgement. Smart in the way he played his words. It almost made you want to laugh. But this time, your intent came from sincerity.

And his small play of mockery had been a sight for sore eyes, since you had quickly gotten the gist of what he had been trying to convey. Wrong in your choice of words. This time, you correct your mistake. Sincerity and all.

“Yes it matters. More than anything– of course it matters.” You had told him. And you see the way Soshiro’s mouth quivers into a small tremble. Uncanny when he'd normally be so laid-back and sweet when it came to you.

And how you'd wish he just took a breather and relaxed. Maybe take a break so that they could talk things out. Without yelling preferably. But that had not been possible. At least not just yet from the way he replied.

“Well had I not made it in time, you woulda’ been dead. Do you hear me?”

“And yet, Here. I. Am. A witness to your unwarranted behavior.”

“Behavior that's justified because I shouldn't have let you outta my sight.”

Silence had followed soon after. Your mouth gapes for a moment to think of a reply when the words slip past your lips. And Soshiro would note how uncharacteristic that was, even for you. He, who was always used to your quick replies and clever jabs. But it seems his words had cut too far this time.

And he pried his eyes away from you. Chest heaving as he ran a hand through his face. “I shouldn't have..”

He composed himself. Clearing his throat whilst you looked at him with an etched frown on your face. One that he wished would go away. But he had been the cause of this.

He had been the one to make your smile go away. And it somehow makes him feel even worse.

“I'm sorry. I didn't mean to yell at you. I just-”

“Soshiro.” Your voice sounded like bells. And when he looked up, relief had immediately sagged his shoulders upon seeing your gaze blown wide open. Not at all restrained by the pain medication and exhaustion you had felt.

And your hand had gently reached up to grab his own. Gentle in the way her thumb caressed his knuckle which had been previously so bruised and bloodied.

And although there was a struggle to reach for his hand. Your touch was met halfway. Gently threading your much softer skin that would've paled in comparison to a blanket had he not taken glances.

“What happened back there wasn't your fault. We couldn't have known that the Kaiju would follow me back to the shelter.” You whisper. And Soshiro's expression had turned serious. Like he held a weight that you couldn't possibly fathom even if you tried.

“And yet I let it slip away.”

“I let it get to you, and now you're in here because of me.” He had wanted to so badly pull away from you. To walk himself out before he could be tempted to lean back into those pretty eyes of yours. But the moment he met your sight.

Those sad eyes of yours had been his journey's end. And he couldn't do that to you. Not when your expression had frustratingly asked him to stay.

“And yet it was also because of you that I'm still alive and breathing, Soshiro.” You reasoned. “You don't give yourself enough credit. If it hadn't been for you I would've been-”

“Dead.” He cut you off. “You would've been dead.”

“No. You wouldn't have allowed that. You're the Vice Captain, remember? If there's anywhere safer for me, it's by your side.” You didn't know whether such assurances had really made him listen. The way he was assured in that answer of his wasn't a mere fortnight conclusion. It was as if he had been thinking of such consequences for a much longer time, and that alone makes your heart sink.

So you scooted closer. Moving in to try and pull him down so that you could wrap your arms around his neck. And just when you were snaking it through his shoulders. His hands had stopped you midway.

His calloused palms holding on to the points of your elbows as he gently pries you off of him.

Normally this would be met with your pout. Maybe another bout of force just let the stubborn man look your way. But you had been too weak, still healing from an injury you had no control over. And his response is far too swift for your liking. Leaving your arms missing the warmth his body could provide you.

“No, no, no, no, no–no. You don't understand. I don't deserve to be anywhere near you right now.” He had managed to convince himself. Looking away as the anxiety within you had spiked upon his words.

“Soshiro. Listen to me we can-”

“What I’m saying is that we're done here.”

You had blinked. Looking up at him who had towered above your bed. A somber look on his expression despite the daunting words he had spoken. He looked passive. Unaffected even. Like he had been ready for this moment which had been planned for a long time coming. And your voice could only muster a feeble whisper.

“What do you mean we're done?”

“It's over.” Soshiro continued. Not once paying your face any heed. Lest he change his mind from doing you a greater good he deemed correct. “I don't want anything to do with ya’ anymore.”

If this had been a dream you would've laughed at the way he delivered such a sentiment.

You'd somehow suppress the inner workings of your shock and you'd wake up to find the morning documents you promised yourself to do; in the desk untouched where it usually had been.

And by the time you left your room, you'd habitually laugh it off and tell Soshiro about it in the afternoon just to get a chuckle and light scolding out of him. The usual banter that admittedly, had always been the highlight of your day.

But this had not been a dream.

And hearing him say that. Had hurt more than you anticipated it seemed. And your voice cracks before you can even register yourself speaking.

"Is this because you think I can't love you?" The sudden appearance of tears had painted your face. And you had tried to sniff away the bigger ones that threatened to spill over. But to no avail.

And Soshiro’s eyes widen at the telltale signs of your crying. An unexpected third party which had not been invited to the list of things he ought to do. And his head reels to face you once more. Seeing your face redden with a shame he'd never thought he'd see.

"Do you really think that I'm incapable of willingly loving you? Even beyond that fucking sword of yours-" And Soshiro had all but shook his head. Remorseful in the way tears had jerked from your eyes.

"That ain't the point!"

"Then what IS the point!?" Your tears had blurred your vision. And your hand had embarrassingly moved up to wipe it. One that Soshiro had wished to do for himself had he not been so stubborn.

“-What is the point if I can't make sense of you trying to leave me?"

The turmoil in your voice had been made present. One so encompassing that Soshiro couldn't ignore. And as much as it hurts you to scream. It hurt him to see you suddenly cry like this. Someone he associated as being so usually strong-willed, crumbling in a few short words from him. And suddenly, it feels as if he wants to swallow back his words. Mouth churned into regret when he had moved to take a step closer to you.

“Sweetheart, please..I-”

He shook his head. Suddenly finding himself kneeling down in front of your bed. And when your eyes had met his, it was as if his heart had stopped momentarily. Too focused on the way you had looked at him in desperation. Mixed with both physical and emotional pain.

And he had been the cause of that. Regrettably he knew he had been the cause of that.

"Is the idea of me loving you THAT terrible of a concept to you?" you spoke flimsily. Words betraying the tone you wanted to convey. And somehow you felt worse than when blood was unnaturally seeping out of your wound.

And his own body. One that betrayed his own commands, had a mind of its own. Strong arms wrapping around your bandaged ones that had still been healing from the minor cuts you had accumulated. And the warm steady beat of his heart had drowned you back into reality. Cheeks pressed against his and regrettably, soiling his jacket.

Not that he minded of course. Far too focused on wiping your tears away. Shushing you when you'd shudder from the breathless sniffles he'd been the cause of.

"Shit- no sweetheart no. I didn't mean it."

“I didn't mean it. I'm sorry. I'm sorry.” His instant apologies and regrets had echoed for a few moments. The sudden urge to calm you down had him reeling just to caress your shoulders. Weary of the injuries you were faced with as you cried in his arms.

And the struggling shudders you were faced with had all been too painful to see. Comical in the way he had all but worsened your condition when stressing a healing patient had been the last thing people needed to be reminded of.

Yet here you were, struggling to even cry when every breath would agitate any bandaged injuries you'd gotten. And it had been his fault entirely.

“I'm not leaving ya. I'm right here..” He whispered. And you had forcibly glanced up. Seeing the way his distress had wrinkled those usually foxy eyes. Like he had suddenly gained a keen sense of his stupidity and finally realized that his sentiments were not helping you. And upon realization you couldn't help but feel how silly all this had been.

You would've laughed had you not wasted such excess energy into crying your heart out in front of him. Likely an accumulation from the week's worth of not being able to see each other.

That and other things, which were obvious enough.

But you spoke. Wanting to pick his thoughts apart. Reason with him the next time this may happen. And your eyes flutter away the tears as you had finally managed to calm down enough to ask him.

“Then why? Why even suggest that?” Your voice had been soft. His thumbs move to caress the stray tears away from your face. Even moving to casually use his sleeves to gently wipe your cheeks in assurance of his presence. And you close your eyes at the simple gesture. Suddenly feeling much better now that he had been so close to you like this.

Crap, he set himself up didn't he? And just when he had this all planned out too.

In the wake of your hospitalization, he had planned to leave you. Somehow make you change occupations. Maybe work for a tech company where your life wouldn't be on the line. Where you'd be far away from his life and you could live a happy, seperate life from him.

But who was he kidding? Even he thinks it's stupid. The idea of doing you the greater good.

It had sounded conclusive back then.

He'd likely die young, a Kaiju attack that he had lacked defenses in no doubt. And somehow, you'd weasel your way out and live an old happy life.

Like bronze. Tarnished but long lasting.

But you had seen through his intention. And every right to refuse such a concept had knocked him over the head. A simple shed of tears was all it took for such a carefully built wall to crumble. His resolve in shambles at the mere thought of you leaving.

And to take that away from you. To separate the both of you like that? It felt wrong. And somehow his stupidity makes him laugh.

And the next words uttered had been voluntary on his part. Sloppy but it came out from an honest place. That even he doubted its power.

"Because, it scares me how much I need you. Okay?" He leans in. Head against your own so that your noses would touch. And you could see the little cracks on that smile of his. A stark contrast to the facade of laughs he'd usually give off. And it makes your heart flutter upon such fleeting confessions.

"Just hearing that voice of yours is enough to wreck me. And ruin me for anybody else."

"And when I saw you. Layin' there with that faraway look on your eyes. I just couldn't fucking breathe."

The way his eyes had not once left yours had felt like the first time you had met him. In that room with the Captain watching your interactions.

You had been less amicable to each other by then. Always second guessing each other by investigating the little nuances of your expressions. But somehow, the difficulties in reading each other had not been so far fetched. And the longer you two would spend time together. The more you had an inkling of what the other was thinking. And eventually an unspoken understanding had come between the both of you.

One that required no words to speak. Nor assistance from anywhere else. Just you and him. Nothing more.

"What If I lose you? You're all I fucking have.."

"Soshiro.” You whispered. Suddenly feeling the weight of his words drop down on you upon his realization. And you shake your head in turn. Immediately running your hands on the soft tresses of his hair. “You’re not going to lose me.”

“And what if I did?” He was quick to interject. “What if I had been a second too late and you were killed?”

“-And yet I'm still here. See?” You moved his intertwined hands to your chest. Firmly letting him feel the pulse of your heart. A repetition had to be made in order to convince him. And if you had to do such things a million times, there was no doubt you’d do it a thousand more times.

And his hand couldn't help but press firmly. Gingerly looking everywhere to check your wellbeing. Satisfied when he had settled in your slightly puffy eyes that he had been all too remorseful of when he found it too pretty to look away from.

You leaned in. Pressing light kisses against his cheeks to calm his thoughts. The voice in the back of his head all but silenced. When the adrenaline kicked in, because somehow he found himself unfocused when he caught your lips in his.

It was short and sweet.

Far different from the many picturesque and grandiose kisses he'd read about in books. And far too slow amidst the rush hours of your working breaks. Where you'd snag a few touches here and there just to get a rise out of each other. No this had been far too different. Far too gentle than it normally was. But despite the innocence of such a contact. It had made a more lasting impact on him.

The hesitation implied vulnerability, and without it. You'd be remiss to see Soshiro's true feelings underneath it. And it makes you pull away to rub your own hands against his chest. Admiring the way his uniform had engulfed him warmly in the cold air conditioning in the room.

All that matters was that they were okay now.

All that matters is that they are together now. Is that so much to ask?

“I won't die so easily, Soshiro.” Your assurances had made him perk up. Head still leaning against yours where you could see the pretty hallmarks of his tired eyes.

“I may not be able to know..everything in that damn head of yours. But what I do know? Is that I have unwavering trust in you. And that's the only reason I made it out alive today.” Your voice had made him crack a smile. One that makes you raise a brow at him. Suddenly fixated on the way his demeanor had changed so easily when you had spoken your piece.

And Soshiro, ever the enigma that he was. Had stopped his reluctance around you. Finally getting a chance to relax as his hands slotted its way to the bounce of your cheek and jaw, which he had always found so endearing to touch and look at.

He couldn't help but run soothing circles on your flesh. A habit he might've picked up on when reading a few romances here and there.And it makes you wonder if he had always been this sweet. A layer unknown go you that you'd love to rediscover, if only he'd put down that smart mouth of his.

“I think that was ‘bout a week ago.” He corrected you. His face is as snarky as his comment. And that was enough to shake your head.

But of course, that had been too much to ask. Too far and few inbetween. You spoke too soon.

“Fine. A week ago.” You affirmed. Though this time you had rolled your eyes with a laugh of your own.

And the two of you had simply sat there. Soshiro rocking you back and forth as best he could without risking your injuries. Hands against the plush of your waistline, carefully making sure the stitches were still intact. But the warmth had remained.

This time he had been less distant. More calm and understanding like he had usually been. And that was enough for you. For now.

“Do you mean that?”

“Mean what?” You had blinked with a smile on your face. Sweet as it came, you had a viper that you knew how to use. And Soshiro wasn't ever one to stop confronting it. Even if he had to break out of his shell to ask the harder questions between you both.

“When you said you loved me.” He added.

And he wouldn't be able to miss that pretty smile forming on the corners of your lips. Leaning against him until the softness of your lips had grazed his chapped ones. Though you’d note, it was still gentle. Still his. And still yours to capture should you want it.

“Do I have to kiss you again and prove it?” You mutter out.

“Do you not want to right now?”

And without a doubt did you lean in. Capturing his lips with a crooked smile in between. Soft and sensual. And you had missed this. Missed him who had not gotten the chance to set things right by you.

How long had it been since you had taken the time to really kiss him? Without the rush of prying eyes, nor the responsibilities that came with their work. It was just a kiss, yet in this moment it felt like everything.

Slow and reassuring. Without the need of words to complicate things. It had conveyed everything he needed to know. And when you pulled back, Soshiro could see the pretty pearls of your teeth. Admiring the way your lips had bruised red from how eagerly he had captured your mouth. And he wouldn't dream of being anywhere else in the world right now. Not when you had looked so perfect. Hospital gown and all.

“Does that prove my point?”

He laughs. Something you had always thought to be pretty.

“Maybe.” The familiar trace of his hand had brushed past your hair. Straightening out the few loose strands that could obscure him from your face. And his smile, although back to the usual cat-like facade, had now softened up significantly upon your presence. And you had prided the way this man had looked at you like you had offered him the world.

“I'm sorry. I didn't mean to yell at ya. I just-”

“Shh..I know.” Your hand had touched his lips. Admiring the way it too, had reddened from your previous kisses.

“I'm tougher than bronze, you know? I'm not so simple as to let a few words bend me sideways.”

“Okonogi tells me the same.”

“And right she was. You should learn a thing or two from her.” And a laugh bubbles between the two of you. He had to remind himself to save his apologies later for Okonogi. For despite her absence, even now she was playing cupid for them. The small voice in his head urging him to tell you how he truly felt.

And without warning. He managed to say it outloud.

“I love you.”

Those words had struck a melodic chord in you. Ones that made you look back at him in temporary stupor. Before finally turning giddy at the way he so gently said it. No remorse. No regret. A fact even she couldn't deface as mockery. When there'd normally be a trick of a joke involved.

And in your quiet smiles held a deep admiration for him. Ones that squeezed Soshiro's hand despite the difficulty of your injuries.

But that didn't matter. Injuries heal after all. And right now, you had been far too focused on him to mind the slowly subsiding pain on your body.

“What's this all of a sudden? You're not joking are you?” You ask cautiously. Though a smile still remained on your face. Far too elated at hearing those words. And from the look on his face, you could tell he had been serious in his admission.

“It's not sudden. I just–” Soshiro lets out a small chuckle. Not entirely sure why he feels so nervous in the wake of your question.

“I meant to say it that day. Before the Kaiju attacked. I wanted it to be perfect for ya and..” His voice stops when you lean in. Cuddling him down as best you could in the safety of the hospital's bedsheets. The understanding look in your eyes had all but told him that you knew. And it makes him think twice about having to explain things to you again. Not when you could now read him so well. Especially in the most important aspects of his life.

“I know. You don't need to tell me twice."

He heard you speak. Though the hint of playfulness in your voice hadn't subsided. A reminder that you had been slowly regaining your strength. And pretty soon, you'd be pulling him down by the collar just to kiss him breathless if you wanted to.

But for now, he was gonna have to take care of you. Take the lead and deal with your smart comments. And it makes him smile knowing he'd get to hear such witty banters from you again. More so now that you were awake.

“Really now? And I thought you'd be happy to have me say it outloud for ya.”

His chuckle had made his chest rumble. And you could feel the pleasant vibration as your head fell squarely on his chest. A roll in your eyes as you had hummed in reply.

“Well…I suppose it couldn't hurt for you to say it again.”

And he would. He'd do it as long as you'd allow him that privilege.

And this time, he too had read you like an open book. Somehow fitting perfectly in the way they understand the other without needing to speak. They needed to work on it. They needed each other more than ever before.

So it was lucky their bonds were more lasting than bronze. And fate had brought them together.

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