am i blanchin?
girl we blanchin!!
HI HIII happy birthday to everyone's favorite mystery twins!! how did they grow up so fast!!!!
Palestine: Funds | Action | eSims | Info
Sudan Resources | Congo Resources
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saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ
first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it
you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh
im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you
i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life
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hattercrow ❌
scriddler❌
SCRIDDLEHAT ✔️✔️✔️💋💋💋💖💖💖💗💗💞💞💘💘💖💕💖💗💕💞💕💕💝💕💕💓💕💓
(I don’t take constructive criticism <3)
I LOVE ALL OF THESE SHIPS BUT I CANNOT DENY THE FACT I LOVE THEM AS A POLY!!
I think I only shared these little doodles on insta so now they're here but uhh take the contexts as you will.
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youve heard of sex flowers get ready for the flower that makes you into a celestial shoujo herione complete with particle effects you cannot turn the fuck off and creates a wifebeam so powerful it can incapacitate and maim and keeps making you burst into tears and fall on your ass which makes the wifebeam More Powerful and you also cannot turn this off either.
and is also still, sort of, a sex flower
from one of my favorite fanfictions, Celestial Afterglow by elanor_pam, a fic that defies description in the best possible way
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*holds head in hands* Somehow, it hasn’t ever clicked before how Wolfwood must have told Vash about the orphanage. That Wolfwood, someone deeply driven by fear and trauma, who has actively and openly feared Vash himself, must have confessed about Hopeland. About what it meant to him. About his fears for it, maybe even. Because Vash came to aid him so quickly, he must have known. And yeah, logically, Vash should have been going after Knives, but he knew how important that battle was to Wolfwood and came anyway. This was a place that Wolfwood was willing to—and did—die for. And Vash came because they trusted each other implicitly to always have each other’s backs. Vash knew the stakes, but he came. Wolfwood was terrified of Vash, but he trusted him.
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Can you draw Cross?
- Paper Fish Anon.
there you go, anon!
i’ve been meaning to draw cross more so thanks for requesting >:))
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15 Days of FatT - BRANCH
KEITH: Phrygian tells [Saffron] that when people are war-weary, they go home.
when "Once the War’s Over" got introduced I got really excited about the possibility of hearing about Phrygian's home - the Golden Branch, the places and people they cared about...
I really love what we got instead, but I do still think about it sometimes.
(Branched ideas crowdsourced from @podcastingpineapple, @violentandmagnificent and @banneduser-on-cohost)
(+ just the lines)
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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