Alright, here's another pov, and I'm not saying I'm great at this or something, but c'mon guys thoda acha toh mai bhi likhti hun:))
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POV: Manwa Lage
I never learnt classical dancing, but man did I love it, and that love made me participate in all these dance competitions in intra school level even if I was sure I ended up looking like a cow vibing to nursery rhymes.
With my jhumka set in place, I looked at myself one last time in the mirror. This was it. My first onstage performance after two years of no dancing.
Relax, breathe in and out. You've done this before. Remember, grace.
As soon as I stepped out of the greenroom and into the wings, waiting for my introduction, I knew something was wrong. There were far more people at the back of the hall then required, and I could see a dash of red and grey in the usual pool of white and blue skirts. Before I could give the commotion anymore thoughts, I could hear my name being called.
Right. Grace. Lets go!
As the music started wafting in the air, I allowed my body to softly move from side to side.
Ras bondiyan nayan piya ras rache
Dil dhad dhad dhake shor mache
As I tured around, all I could see was him. Him with his signature stupid smirk, except right now, when his lips were morphed into a smile, with surprise and admiration dripping from his honey brown eyes.
Yun dekh sekh sa lag jaaye
Mai jal jaun bas pyaar bache e e e e.
His eyes were following my movements with a certain...hunger in them, a deep longing embedded in them.
All logic failed me. My eyes were stuck on his. I couldn't, for the live of me, smile at my friends who had made it their personal mission to scream at every move and start a series of applause or my teachers who were as shocked as him, because me and dancing had been as faraway as fire and ice for the last two years.
Aise dore dale, kala jaadu naina kale
Tere mai havale aaja seene se lagale, o mai teraa
I knew I was messing up. Expression was a major criteria in the marking, and currently my eyes were set on certain honeybrown ones that refused to let go of the eye contact.
Oo dono dheeme dheeme chalein
Aaja dono aise milen
There. His smirk was back, his lips falling out of the smile as if it had never been there. Only the dimples still prominent, as though refusing to vanish without my closure. He cockily raised an eyebrow at me.
Zamin pe lage na tere na mere paanv reeeee
I snapped back into reality. This was it. I knew I was not going to win, but man I didnot want to lose because I was distracted, by him, nonetheless.
Manva lage, manva lage,
Lage re saanvre, lage re saanvre
Le tera hua jiya ka jiya ka jiya ka yeh ghav re.
As I did a final twirl, I could feel the push falling out. My left jhumka went for a toss, and landed somehwere with the audience and I was forced to exit the stage. I decided I would come back to look for my jhumka later. Other important concerns were bothering me.
As I exited the stage without looking back to check who was applauding and who wasn't, I was told to go back down to the hall and sit with the other contestants, except, I wasn't told that he would be sitting there.
Exiting the greenroom, I was about to enter the hall when a hand pulled me into the tiny corner adjacent to the hall, used for storing old practical files.
"Aakhir apne jhumke toh sambhal lo, is school ki responsibility baade mein sambhal lena"
There he stood in all his glory, his hand covering my lips in order to prevent me from screaming.
His hands reached for my clammy palms and softly, he dropped the jhumka in my hands. His touch was fleeting and gentle unlike his hands which were big and rough. I couldn't decide which of the two he thought were more fragile, the jhumka or my hand.
"Jhumka girane ka mujhe koi shauk nahi hai. Pata hota tumpe giregi toh mai ghumti hi nahi-"
Cutting me off he leaned closer and whispered,
"Aksar aise mauko pe log thank you bolte hai, lekin aapka pyara jatane ka tareka kuch alag hai, aur us hisab se mujhe thank you se kuch bohot zyada mila chuka hai. So thank you"
And he walked off, winking at me, leaving me with his lingering touch in my hands, and the ghost of his lips on my ears, stupidly making me wonder how they would feel on my neck, or worse, on my lips.
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Tagging: @alhad-si-simran @om-is-ok @hawa-hawaiii @deesi-academia @hectorfrombritain @khwabedaa @indiansapphic @bandarrrrr @oh-munda-kukkad-kamaal-da @kajra-re and anyone else really. Lmk if you want to be tagged. Comments are more than welcome<3
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Streets of Derry #613
Visualizing walking the Streets of Derry listening to the Irish & Celtic Music Podcast.
JuhaRossi, Scottish Fish, Lily Bentley, Arise & Go, Mary Beth Carty, Tim Cummings, Pete Sutherland, Brad Kolodner, Alli Johnson, Corey Purcell, Victoria Johnston, Gordon McLeod, Clare Sands, Brian Finnegan, Brad The Piper, Voice of Lir, The Celtic Kitchen Party, Brass Lassie
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VOTE IN THE CELTIC TOP 20 FOR 2023
This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2023 episode.Vote Now!
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Listen on Spotify and YouTube.
THIS WEEK IN CELTIC MUSIC
0:02 - Intro: Tamsin Silver
0:25 - Juha Rossi "Glen of Aherlow (feat. Valentine Fatout - Bineau)" from Irish Tunes on Mandolin
3:48 - WELCOME
5:37 - Scottish Fish "Freefalling" from Upscale
9:35 - Lily Bentley "Ploughboys in the Gloaming" from Norwood Gothic
12:52 - Arise & Go "Slides & Polkas: Cuz Teehan's #1 / Cuz Teehan's #2 / Mairtin O'Connor's / The Ballydesmond / Jessica's Polka" from Meeting Place
17:29 - Mary Beth Carty "Blueberry Mountain" from Crossing the Causeway
21:36 - FEEDBACK
26:14 - Tim Cummings, Pete Sutherland, Brad Kolodner "Farewell Dundee • Babe of Bethlehem" from The Birds' Flight
29:51 - Alli Johnson "Streets of Derry" from Into the Hollows
34:00 - Corey Purcell "Polkas (Gas Station Sushi/Whiskey and a Fiddle)" from Undaunted
37:13 - Victoria Johnston "Tar Liom" from Where the Lights Glow
Pronunciation: Tar Liom-Tar Lohm
40:41 - Gordon McLeod "Twelve of Sheila's Lads" from Still Fiddlin'
44:22 - THANKS
46:44 - Clare Sands & Brian Finnegan "Dealán Dé"
Pronunciation: Dealán Dé-Deal - awn Day
50:36 - Brad The Piper "Cradle 2 the Grave" from The Forgotten Game
55:05 - The Celtic Kitchen Party "The Ottawa Jail Song" from Lobster Tail and Beer
1:00:07 - The Elders “Moore St. Girls” from The Secret World of Celtic Rock and American Wake
1:04:22 - CLOSING
1:06:13 - Brass Lassie "Moch Diluain Ghabh I 'n Cuan" from Brass Lassie
Pronunciation: Moch Diluain Ghabh I 'n Cuan-Mac Diloon GHav in Gyuan-That GH is a bit of gutral back of your throat kind of thing.
1:09:25 - CREDITS
The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to subscribe to the show. You’ll find links to all of the artists played in this episode. Big thanks to Neill McShea who shared pronunciations for the Celtic song titles.
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I plan to release an album pin to promote the Irish & Celtic Music Podcast. I launched a Kickstarter that goes along with the re - release of our compilation CD, The Secret World of Celtic Rock. The Kickstarter launches at the end of July on the podcasts’ 18th birthday. You’ll be to buy the CD and the album pin and support the podcast.
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What are you doing today while listening to the podcast? You can take a screenshot of the podcast on your phone. You can send a written comment along with a picture of what you're doing while listening. Or how about a picture you took of a band that you saw.
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Email me at celticpodcast@gmail, message me on Facebook, or contact me through Mastodon @
[email protected].
Tom Morley emailed around St Patrick's Day: "Marc, Our Chattanooga - based band Stringer's Ridge played a concert on St. Patrick's Day at the John C. Campbell Folk School in Brasstown, NC. (I am there on the faculty at the famous folk arts school usually once a year teaching beginning or intermediate Irish Fiddle.) We had a wonderful crowd and it was a great way to spend the best Irish day of the year! I am enclosing several photos of us at the historic Keith House where we put on the concert. (Tom Morley - fiddle, Fran Morley - bodhran, Bryant Haynes - guitar)
Thanks for all you do to promote Irish trad music!"
STRINGER'S RIDGE
Marilyn S. Hansen sent a photo about Easter Rising Band: "14 seminarians got together years ago in St. Louis and developed an Irish band. Most of them are married now. They play at each other’s weddings, but they also have regular gigs. The interesting part is how their kids take part… This is last year‘s celebration. I was out of town this year celebrating my sister’s birthday the day before St. Patrick’s Day. Thought I’d send you last year’s photo. I’ll send you a few that they’ve sent to me for this year.
EASTER RISING BAND
Pete Watson emailed St Pat's photos: "Hi Marc, The Bookends had a fabulous time playing a number of shows throughout Ontario around St. Patrick's Day.Attached is a photo of Miriam (left) and Cait (right) on St. Paddy's Day for our gig at The Rec Room, Toronto, with our regular special guest bodhrán player extraordinaire, Romano Di Nillo.Romano is just back from 4+ years with Come From Away on Broadway and we were so glad to have him with us for these shows.The venue was handing out some "paddywhackery" to attendees and these 3 couldn't resist putting some on!"
THE BOOKENDS-PETE WATSON
Bruce Cummings, a Piper emailed a photo: "Hey Marc!Just to say how much I enjoy listening to the Celtic music you provide. You asked for pictures from St. Patrick's Day 2023, so here's a couple. I am part of the Lane Fire Brigade Pipes and Drums in Eugene Ore. We had a great weekend piping in the area.Keep up the good work!"
BRUCE CUMMINGS PIPER
Jim O'Connor of Boston Blackthorne emailed a photo: "Hi Marc -hope you had a fabulous holiday!
Boston Blackthorne played 3 nights in Western MA, centered around St Patrick’s Day as well as the big parade (the nation’s oldest) in Holyoke MA.We played to crowded enthusiastic fans in Northampton MA and Holyoke MA.But perhaps the best gig (and story) was the one that arose spontaneously back in the lobby of our hotel after our St Pat’s evening show.
The hotel lobby is most frequently empty but this night is was crowded with about 100 boisterous folks from Minnesota, visiting Massachusetts to support a Women’s college Hockey team.
We were approached by the unofficial spokesperson who pointed at our guitar and fiddle and asked, “Can you really play those?”
I answered of course we can, and this is your lucky night!Not only has your party been invaded by musicians, we are an Irish band and this is St Patrick’s Day! We proceeded to unpack our instruments and did a set of singalongs like Charlie on the MTA for the Boston connection.Halfway through the set our wives came into the lobby -my wife grumbled to Pete’s wife, “This party is going to keep us up all night!”Pete’s wife Maureen looked a little closer and exclaimed, “Hey that’s Jim and Pete in the center of it all!”They joined the fray, we had the best gig of the year playing for this group of strangers from the Midwest, wonderful folks who doubtless went home with a great tale and the definition of the work “Craic!”
JIM OCONNOR
Check out this episode!
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