#Fushan

[psikonauti]

Luis Chan (Chinese,1905-1995) 

Eagle in the Sun

ink and colour on paper

[balkanparamo]

Utopia: Chen Fushan (Luis Chan, 1905-1995) 

[uwmspeccoll]

Chinese Finger Painting

Traditional Chinese finger painting uses the tips of the fingers and the nail instead of a brush to paint on surfaces. This style of painting offers a spontaneous and somewhat impressionistic presentation. The painting shown from the early 20th century is drawn from our Tse-Tsung Chow Collection of Chinese Scrolls and Fan Paintings. It appears to depict a rather animated discussion over a picnic meal. The title doesn't help much, it simply notes that this is Fushan Lu's figure finger painting executed in winter.

We know quite a bit about many of the artists in our Chinese calligraphy and painting collection, but we know nothing about Fushan Lu, whose art name is Shouyan. Still, he seems to be a very accomplished finger painter. There are three Chinese seals or chops, one for Fushan Lu, another for Shouyan, and the third for the collector, Zhou Cezong (i.e., Tse Tsung Chow).

View more posts from our Tse-Tsung Chow Collection.

[lcdrepair-machine-official]

Walk with my video and let me show you Josion's 14 years of hard work and achievements. our partners include Google, huawei, compal vietnam, shenzhen foxconn, fushan hainan, indian foxconn, compal electronics, china star optoelectronics, indian star optoelectronics, laobao high-tech, AUO, xiamen tianma, shenzhen guoxian, shanghai hehui, huayang general, desay Sv, Truly group etcs, we have more key major confidentialcustomers than that.

Our clients are spread across the globe, spanning industries including pharmaceuticals, all visible fields, electronics, glass, packaging, intelligent manufacturing, naval and aerospace. Our technology has passed the most stringent certification tests. that is Josion! Our company's mission is always to help our clients elevate their business to a new level, with the lowest cost and highest efficiency

[esgdatainrate]

Bag-in-Box Container In-Depth Profiling With Key Players and Recent Developments, Forecast Period: 2021-2031

Bag-in-Box Container Market Research, 2031

The global bag-in-box container market size was valued at $3.9 billion in 2021, and is projected to reach $7 billion by 2031, growing at a CAGR of 5.8% from 2022 to 2031. Bag-in-box container packaging is a combination of flexible and a rigid packaging. It includes a flexible bag typically made of plastic, which is kept inside a cardboard box to provide shape and extra strength to the plastic bag; therefore, it is called bag-in-box container.

Packaging helps in keeping the product safe during transportation and enhances its shelf life, and its shelf presence. Bag-in-Box technology has become increasingly popular in the industry, owing to it being a sustainable packaging method that uses less plastic and more of paperboard, which is easily recyclable. Moreover, it is essentially a flat packaging; thus, it is easier to transport as it occupies less space as compared to any bottle. In addition, it can be used for packing a wide range of dry and liquid products across the industry, such as wine, juices, & other liquid consumer products, as well as products such as for storing chemicals, motor oil, lubricants, and others.

Food & beverage industry has witnessed growth owing to factors such as rise in disposable income of people especially in the developed & developing nations, growth of online food retail, and rise in the trend of dining out especially in developing nations. Food & beverage industry is a major user of the bag-in-box packaging owing to its aforementioned advantages. Furthermore, bag-in-box packaging is widely used by automotive industry to supply essential fluids used by automobiles such as lubricants and motor oil. Moreover, personal care and hygiene products industry uses bag-in-box packaging for its products such as shampoos, detergents and others similar products. Furthermore, rise in disposable income, surge in population, and favorable government guidelines toward businesses in many countries play an important role in driving industrialization. Thus, the rise in all the above-mentioned industries that extensively uses bag-in-box containers is anticipated to drive the bag-in-box container market growth during the forecast period.

The bag-in-box container market is segmented into End User Industry, Material and Application. By material, the market is bifurcated into plastic and paper & paperboard. On the basis of application, it is categorized into semi-liquid, liquid, and dry. By end user industry, the market is categorized into food & beverage, industrial, personal care, and others. Region wise, the market is analyzed across North America, Europe, Asia-Pacific, and LAMEA. North America dominated the market in 2021, held the largest bag-in-box container market share, and is anticipated to maintain this trend throughout the forecast period. This is attributed to increase the demand in food and beverages sector.

Competition Analysis

Key companies profiled in the bag-in-box container market forecast report include ABCO Automation, Inc., Accurate Box, Amcor plc, Aran Group, Arlington Packaging (Rental) Limited, BiBP Sp. z O.O, CDF Corporation, Changzhou Kaiguan Packaging & Technology Co., Ltd., DS Smith Plc, Liquibox, Optopack, Scholle IPN, Smurfit Kappa Group plc, TPS Rental System Ltd, Vine Valley Ventures LLC, Yantai Fushan Nanhua Packing Factory, and Zacros America, Inc.

Full Report With TOC:-https://www.alliedmarketresearch.com/bag-in-box-container-market-A13467

[loveinsulator]

2020/12/26~2020/12/27 [2D1N] 福山植物園 Fushan Botanical Garden (宜蘭縣員山鄉 Yuanshan Township, Yilan County & 新北市烏來區 Wulai District, New Taipei City)

[2D1N] 2020/12/26 (星期六 Saturday) ~ 2020/12/27 (星期日 Sunday)

宜蘭縣員山鄉 & 新北市烏來區

Yuanshan Township, Yilan County & Wulai District, New Taipei City

福山植物園 Fushan Botanical Garden

山羌 Reeves's Muntjac (Chinese Muntjac)

棕蓑貓 Crab-Eating Mongoose

福山池 Fushan Pond

水杉 Dawn Redwood (Metasequoia)

蕨類植物 Fern

路線圖 Route Map

[Day I 第一天 : Cloudy Day 陰天]

[Day II 第二天 : Sunny Day 晴天]

[gianlucacantaro]

yesterday screening. beautiful zhang ziyi in "the grand master" by wong kar-wai 🥰❤️ #zhangziyi #gonger #wongkarwai #thegrandmaster #ipman #kungfu #wingchun #gongbaosen #fushan #china https://www.instagram.com/p/CLOhHpvlGrU/?igshid=e3b6zxzvmwr

[luxeventhn]

Gần 3000 ngôi sao Fushan không ngừng thắp lên những ánh sáng rực rỡ trong đêm hội với nguồn năng lượng bắt nguồn từ sự gắn kết và tình yêu sâu sắc với Fushan - môi trường làm việc quốc tế đa sắc tộc luôn tôn trọng sự sáng tạo và tập trung vào phát triển con người, một trong những nhà máy có không gian làm việc tốt nhất tại Việt Nam.

[alexsantosa]

At the corner #old #building #tweegram #photooftheday #amazing #look #igers #picoftheday #instadaily  #instagood #bestoftheday #instago #all_shots #travel #mytravelgram #travelgram #lonelyplanet #bestintravel #natgeotravelpic #fushan #china #latepost (at Fushan, Guangdong, China) https://www.instagram.com/p/BuJLWc0BKnt/?utm_source=ig_tumblr_share&igshid=1u8e97h6p35bw

[psikonauti]

Luis Chan (Chinese,1905-1995)

Wanchai - View from the Red Cross, 1976

watercolor and collage on paperboard

[mineralsandsomerocks]

Vesuvianite

Locality: Fushan Mine, China

[lettersfromtaiwan]

Birthday In Wulai

To mark another completed orbit of the Earth around the Sun since the day I stopped not existing, EVA and I decided to head out to the Atayal Tribal town of Wulai, and then on to a small village that lies deep in the mountains at the end of Route 107, Fushan:

As you can see from the zoom-in map below ... this is literally as far as you can go in this direction. There’s one road in and the same road out. When Typhoon Souledor recently wrecked havoc in Wulai this road got blocked by landslides. Villagers along the route, unable to ride out for supplies had to hike instead. Where the journey would normally take them an hour tops, they walked for 12 hours to reach help. You can see no other road even comes close to Fushan. Once you’re off the road, you’re deep in a forest of vertiginous and fatal slopes liable to mudslides and raging floods. It’s a uniquely inhospitable environment for anyone unfamiliar with it. 

On Saturday afternoon, we hopped on my trusty steed scooter and rode over the mountain through Cemetery City to Liuzhangli and then on down to Xindian where we took a break at Bitan Riverside Park, before completing the relatively shot but winding hop upstream to Wulai.  Once there we checked into our hot spring hotel (an expensive treat), popped into town for dinner then returned to steam in the spa before hitting the sack early to save energy for the next day.

After about forty-five minutes out from Wulai we finally arrived at Fushan Village. Lots of signage, in various conditions and accessibility, is available to guide the visitor. Note the romanised Atayal language ...

We decided to walk the ancient canal trail to the butterfly park  but first I took a snap of this wall design ...

Walking along the canal high above the village ...

The park itself was still under construction and butterfly season is Spring and early Summer so it didn’t take long to complete the park ...

The obligatory flora shot ...

Then it was back to the village ...

Brick, unlike tile over concrete, ages well in colour and texture ...

Fushan Village has different sections. There are useful signs like this to help you learn more about where you are ...

It says the Atayal originally settled in Fushan Village which omits the fact that the original settlers here arrived after journeying from locations in Nantou County in the center of the country.  Some of the restaurants in Tranan ...

And the picturesque river beside it ...

Tranan marks the end of Route 107 ...

Back to the main village around mountain, we took some time to walk through the buildings ...

... a field of fruit cacti ...

Everywhere, the village is decorated with distinct designs ...

The local elementary school is a centre of the community and functions as an emergency helipad ...

Then it was up the hill to the Presbyterian Church ...

This is the old church ...

... and this is the new one ...

We also briefly met the minister who was leaving after completing the Sunday morning service and tending to his congregation.  This is him below on a modified promotional poster for the film Seediq Bale in which he played Seediq revolt leader Mona Rudao ... (Note: it is an appropriative liberal interpretation / act of historical revisionism to say the Wushe Revolt was a part of the Taiwan Independence struggle) ...

... in real life I didn’t recognise him until EVA pointed out he was the very same guy.  The church, and faith, is also a major pillar of the community ...

Quite a few dogs milled around the village including a pack of five all slightly disabled canines hopping around.  The dogs were friendly but I generally kept my distance (literally once bitten twice shy) ...

Most of the buildings had painted murals on them, which one youngster explained were done by the families themselves ...

With time getting on and light fading we decided to make our way back to Wulai, stopping along the sheer mountainside road to take in the views ...

Taiwan is (should be) famous worldwide for it’s suspension bridges.  There are a plethora of them amongst the mountains, nearly all of them decorated beautifully and many of them at great height about the valley floor. Here’s one such example ...

Even the stone wall next to the road was carved with Atayal patterns ...

Two prominent components of Atayal culture are hunting and weaving, success at which are used as traditional markers of, respectively, male and female status and maturity within the community. Every male got a forehead tattoo at the age of fifteen or sixteen but only those who had completed a head hunt earned the right to have a prestigious chin tattoo. Likewise, women who demonstrated the ability to weave complex patterns and thread arrangements would earn the facial tattoo that stretched from ear to ear through and around the mouth. Hunting, and specifically with dogs, was a way for the community to add important component to their diet, hunting expeditions often taking up to two weeks or more out in the mountain forests.  The capture and killing of wild boar was both a key way for a hunter to gain respect / status but also a big boost for a village running low on food, especially in winter.  Thus we see this reflected in statues that can be found in most Atayal villages ...

On our way down to Wulai we stopped at Wulai Waterfall ...

There is a museum here that describes the history of the area as well as introduce the logging business and logging railway that economically transformed the valley and local communities. Apparently the railway which now runs from Wulai to the waterfall but used to run all the way up the valley almost as far as Fushan became a major tourist attraction in the 50s and 60s but was knocked out of commission by Typhoon Souledor. Work is currently underway to fix it.  The waterfall area is marked by a collection of hotels and spas, a cable car that spans the valley, and a street of restaurants and shops where you can buy various Atayal and indigenous themed souvenirs. We ate at a place called Ganafu (open weekends only) which served an absolutely amazing Trout burger.  The owners were super friendly and took the time to chat with us about Atayal culture and the local economy ...

We learned from them that Fushan Village was adapting to survive economically, most recently by increasing tourism (e.g. Butterfly Park, trails, hot spring spa) and will soon provide local guided tours. We noted one restaurant in Tranan was booked that day for a group of one hundred.  

Finally, we glided down the small road to Wulai (in mountains I usually run the engine on neutral and coast down the roads to eliminate engine noise and avoid disturbing hikers and wildlife I’m sharing the road with) and stopped by the Wulai Atayal Museum (Mandarin only site) ...

It’s a fascinating place and in it we met one Atayal woman who runs weaving classes and a souvenir shop. I asked why so many Atayal patterns were red, black, and white and was told that it was mostly owing to a lack of available materials to dye the thread in other colours. Personally, I find this tricolour motif of Atayal clothing and weaved products to be the most distinct and aesthetically pleasing of all the indigenous styles in Taiwan. Somewhat macabrely, the museum has a map showing where each indigenous group largely resides / originates from in Taiwan and appears to have a running tally of the number of members (who comprise about 550,000 or 2.6% of Taiwan’s total population).  It was a sombre to reflect that many of the tribes down to hundreds of members would, along with their languages, oral histories, and culture, probably expire in the coming decades.  Here’s the info board in question (apologies for the poor quality) ...

The museum is definitely worth a visit and contains enough material on three floors to spend a good few hours. There’s also lots of interesting quirks such as this sign on the Atayal tradition of head hunting which seems to have been written by someone keen to rebut certain allegations ...

I think we’ll be returning to Fushan Village again for the Butterflies and the trails sometime in the Spring or Summer, if only to walk one of two famous hiking routes that run from the village all the way to the plains of Taoyuan in the west or the Yilan delta in the East.  (The hikes both take about eight to ten hours, one way).

[cyberhideoutflower]

View the most recent Shougang Fushan Resources Group Ltd annual financial report information including stock and share prices, market share, sales growth & profit.

[joilieder]

Yanbu Church (Violin Church) in Guangdong Province, Foshan (Fushan) city, China. Built in 2016

[luxeventhn]

Luxevent tổ chức thành công chương trình tiệc cuối năm cho 300 thành viên Công ty TNHH Fushan Technology Việt Nam với concept độc đáo Fushan Universe.

[cma-chinese-art]

Fushan Monastery, Song Xu, 1500s, Cleveland Museum of Art: Chinese Art

This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China. The artist, Song Xu, was not a native of that city, but must have visited it when he accepted the commission, for he carefully depicted all eighteen views and wrote comments on each of them. These places were all known for their natural beauty, but in addition, a number were distingusihed by their links to eminent historical figures and events. Unlike other artists of his time, Song Xu favored a painting style that was technically polished and focused attention on specific, realistic details. Such an approach was well suited to projects like this one, for which the artist was in great demand. Size: Sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.) Medium: album; ink and color on silk

https://clevelandart.org/art/1998.78.8