#Frank Sinatrs

[rosen01]

THE FRANK SINATRA SHOW - Airdate: October 15, 1959. (Photo by ABC Photo Archives/Disney General Entertainment Content via Getty Images) L-R: JIMMY DURANTE;MITZI GAYNOR;BING CROSBY;DEAN MARTIN;FRANK SINATRA

Rest in Peace Mitzi Gaynor (born Francesca Marlene de Czanyi von Gerber; September 4, 1931 – October 17, 2024).

"Gaynor’s biggest international fame came from her starring role as Ensign Nellie Forbush in the film version of Rodgers and Hammerstein's South Pacific. For her performance, she was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical at the 1959 awards." -- Wikipedia

[brawley1492]

For Once In My Life - Frank Sinatra | Concert Collection

Song and music for the moment ... William 

[imeverywoman420]

Ai fetty wap singing frank sinatrer

[botanistbard]

Musical Environments

Is there value in examining the intersection of sound and natural environments?  

What do the subjects of music and natural resources share?  

On the surface, there is little to connect between life sciences and performance arts. Some instruments are crafted from natural materials, though many in the modern day are not. Certainly many scientists happen to be musical, play an instrument, or perform in an ensemble, but their practice of self expression likely doesn't impact their profession.  

In sincerity, the way these subjects relate to each other is of an abstract nature; these subjects inspire connection. Connection to self, connection to others, and connection to the environment. This series will illustrate several interdisciplinary practices that involve sound and the natural world. 

Soundscapes 

From birdsong choruses to the atonal cacophony of rush hour traffic, rarely is there a moment without music in the world. 

Music is usually defined by human composition - the intentional application of music theory to make pieces using voice or instruments – but even modern musicians have challenged that expectation. A renowned work of the 20th century is 4’33 by John Cage, a work in three movements, where not a single note is played. Instead, a performer sits at a piano, opening and closing the hood to mark the different movements. Where is the music in this performance?  

Whether in a concert hall or in the great outdoors, our day to day is saturated in sound.  To describe the qualities of sound in a given area is to describe a soundscape. 

Soundscapes are inherent to every environment. Factors like climate, geography, proximity to civilization, and wildlife will affect the unique sound signature of an area. These characteristics can be summarized in three parts; the biophony, the geophony, and the anthrophony ().  

Sounds produced by “biological organisms” - from whale songs to bird songs, barnyard moos and thundering hooves- are all of the biophony. The geophony is sounds from “nonbiological sources” - the ambience of falling rain and thunderstorms, crackling fire, or wind singing through trees. Anthrophony was the most recent term to be defined, considered to be any sounds produced by humans and our tools. The anthrophony includes beautiful sounds, as we’ve crafted rich soundscapes of symphonies, though arguably, anthrophony is the most disruptive of the natural world, with noise pollution  

The soundscape ecologist, Bernie Krause, pioneered these definitions.  His work has used soundscapes to analyze trends in natural resources, many of his studies tracking animal populations through changes in their environment (for example, bird species present before/after a forest clear cut). Krause has spent his life and career recording soundscapes and using his experiences to bring awareness to the importance of sound in our surroundings. 

These definitions provide a new framework to listening to the world around you. The anthrophony is colored with noise pollution, but also contains all composed and improvised music. John Cage’s 4’33 wasn’t a silent performance – the concert hall was filled with a cacophony of shuffling and murmurs, coughs and conversation. An act in three movements that centered on the anthrophic orchestration of the audience. 

Composed Mindfulness 

The natural world has inspired inspiration for music for time uncounted.  

Within a vale of western mountains, a small cabin by Shotpouch creek hosted a unique experience - a meditation of sound. On a grassy knoll, a creek steadily bubbling nearby, and within walls of towering Douglas firs, a violin sang out into the clearing. This song had been primed with a call to awareness, to pursue immersion in the landscape and sounds.  

This meditation was led by Rebecca Sabine - a professional musician, a mother, and a lifelong learner. Her career with the Las Vegas Philharmonic () has spanned 5 decades, allowing her to perform with artist like Frank Sinatra, Celine Dion, and Adele. Over the course of her life, her relationship to music has developed, unfurling into a journey that allows her to explore realms of self, musicianship, and community.  

Rebecca has published several different works that utilize different compositional techniques to convey symbolism of place and inspire reflection.  

Her album, Siloheuttes of Zion, was born after she experience Zion National Park, in Utah. Each song is connected to a part of that experience, and the songs are composed with different timbres and moods to convey an impression of the park. Each song is purely orchestral, program music. 

Many of her pieces are meant to accompany meditation, and are published through her venture Violin Sound Sanctuary, or through the meditation app Insight Timer. These works often feature recordings of natural soundscapes, which center connection to nature as part of self reflection.  

These are only a small part of her musical practice. The meditation of sound at Shotpouch Cabin was a true showcase of her talent - leading a guided meditation, with an improvised violin song in harmony with the environment around her. This craft invited the listeners into  

Rebecca has cultivated a practice of mindfulness that utilizes several different compositional techniques to cultivate an environment of awareness. Her work inspires connection to self and the environment around you, regardless of in person performance or recording.  

Rebecca Sabine performs her mindfulness workshops worldwide. She received her Bachelors from Oregon State University, and is currently pursuing a Masters at the Pacifica Graduate Institute. 

Amplifying Science 

Arts and science are often painted as subject in total opposition. Though, from common tools to industry innovations, theres many ways the two are used in synchronicity.  

Using sound to convey data is not a new practice - from the clicks of geiger counters to illustrate radioactivity, to wind chimes that sing the intensity of the weather, data-sonfication is an emergent practice that has many applications. Large datasets converted to sound can help researchers find patterns, it can be used to introduce engineering and technology concepts in a way that engages creative thinking, and it can inspire collaboration between broad communities of arts and science. 

Chet Udell, a researcher at Oregon State University, is in the process of developing a technology that sonifies data about climate. Udell is working on the development of “WeatherChimes”, a gadget that collects environmental data to be converted into musical material. This technology is already being used in a study about Alaska’s weather. Initial experiments have demonstrated how environmental phenomenon can resemble musical structures - inverse relationships such as temperature and humidity (ex. as temperature gets hotter there’s less moisture in the air) can be interpreted in similar patterns as proper counterpoint.  

Victor Villegas is a technologist that works for the Oregon State Extension Service, and through his work and his mentorship, he advocates for comprehensive STEAM education, with an emphasis of reaching out to communities that have been underrepresented. Victor is familiar with many data-sonification technologies, including PlantWave. PlantWave is a gadget where you attach electrical nodes to leaves of a plant. It measures the electric signal between the nodes, which fluctuates from a plant photosynthesizing, growing, or responding to it's environment. The electrical signals are interpreted through a simple user interface to create music. Victor uses PlantWave to engage with students that are interested in science or creative projects. 

A final example of data-sonification comes from the University of Florida usic department. In a collaboration with a researcher who studies red algae blooms and coral reef health, they composed a piece in two parts - Sanctuary, a percussive section that represents data of coral reefs, and Cardinal Flow, a wind ensemble section that illustrates tension and dissonance born from the effects of red algae blooms. This collaboration led to the founding of the group CRESCENDO - Communicating Research Expansively through Sonification and Community-Engaged Neuroaesthetic Data-literacy Opportunities.  

Data-sonification can be applied to any field or research that works with data. Incorporating sound into science, this interdisciplinary approach is already driving innovation. 

An Invitation to Community 

Through harmonies or lyrics, music is valuable in how it inspires connection. This segment is not to examine a composition, but to examine how sharing a listening contributes to a culture of connection.  

Corvallis, Oregon, nestled in the Mid-Willamette Valley, bears a rich ecological history shaped by the stewardship of the Kalapuya people and neighboring tribes. Traditionally, these indigenous communities managed the land to sustain diverse ecosystems, but the arrival of settlers displaced them and disrupted the ecology of the Valley. In the last 200 years, western Oregon has been divided between industries of logging, farming, and manufacturing, and further subdivided between cities and suburbs. Despite, or because of this industrialization, there’s innumerable efforts to encourage sustainable natural resource management.  

It is a difficult task to negotiate ecological restoration between the patchwork of public and private landowners. Beyond the task of any individual, grassroots community organizing has become pivotal in shaping the landscape.   

Land trusts are a type of non-profit organization that can facilitate large scale habitat restoration by collaborating with landowners to conserve ecologically important areas, as well as providing educational and recreational opportunities for their local communities. In the Mid-Willamette Valley, Greenbelt Land Trust conserves over 5500 acres between the Eugene and Salem areas, encompassing riversides, wetlands, woodlands and more. Besides stewarding these diverse ecosystems, Greenbelt makes a considerable effort to engage with their local community, taking form in wildlife walks, volunteer native plant cultivation, and outreach events hosted on their properties.  

One such event is a concert hosted on Bald Hill Farm, a property owned by Greenbelt and connected to the city of Corvallis through trails open to bikers and hikers. The first concert premiered as Symphony on the Land, a collaboration with the Oregon State Symphony, where classical musicians arranged in a cow pasture, performing for picnickers and volunteers. Symphony on the Land was organized shortly after Greenbelt purchased the Bald Hill Farm property in 2013. The property is a short distance away from the Benton county fairgrounds, and is connected to the city of Corvallis through accessible hiking trails. Since it’s inception, concert-goers are encouraged to embrace sustainable modes of transportation, whether hiking, biking, or utilizing shuttles from the nearby Benton County Fairgrounds.  

As with many events, The COVID-19  pandemic interrupted the concert's continuity. The current Outreach Coordinator, Matt Benotsch, came into his role in Winter 2020, and has had to rebuild this event from the ground up.  

Matt's philosophy for community engagement is centered on inclusivity, with extreme care given to how language shapes awareness. Beginning in 2020, Symphony on the Land was retitled to Music on the Land – in part because the 2020 performance was recordings of individual musicians rather than a full symphony, but also from the recognition that symphonies and classical music hold an association with intentionally exclusionary histories and cultures.  

Since 2022, Music on the Land hosts multicultural ensembles, who’s sounds harmonize with the audience and ambience of the event. This year, the concert will open with Corvallis' women's choir Jubilate! The headliner, Outer Orbit, is a soul/funk band from the Portland area, and the DTW Street Band is meant to inspire some movement, playing New Orleans style jazz.  

The role of Music on the Land is not necessarily to promote Greenbelt or to fundraise. As Matt puts it, the concert is “a celebration of conservation and community”. Allowing people to bask in the beautiful space of the foothills of Corvallis, anyone is welcome to attend, and hopefully the experience allows them to connection to their community and surroundings.   

Greenbelt's commitment to grassroots activism is embodied in initiatives like Music on the Land. Simply from sharing space and sound, the event promotes awareness and appreciation for the local environment, helping cultivate a community of change. 

To Conclude 

What could be valuable in examining the intersection of sound and natural environments? What does music and natural resources share? 

Through this series, we've seen creative ways that sound inspires awareness, connection, and community. Humans have never been independent of the natural world - we are a a keystone species that has a unique power to cultivate our surroundings.  

Be observant of sound. Explore community and find opportunities to connect to others. 

This work was composed as part of a class at Oregon State University, and was informed by many community members from the Willamette Valley. 

Sources :  

1. Pijanowski, B. C., Villanueva-Rivera, L. J., Dumyahn, S. L., Farina, A., Krause, B. L., Napoletano, B. M., Gage, S. H., & Pieretti, N. (2011). Soundscape Ecology: The Science of Sound in the Landscape. BioScience, 61(3), 203–216. https://doi.org/10.1525/bio.2011.61.3.6 

2. Gray, P. M., Krause, B., Atema, J., Payne, R., Krumhansl, C., & Baptista, L. (2001). The Music of Nature and the Nature of Music. Science, 291(5501), 52–54. http://www.jstor.org/stable/3082167 

[romanlightman001]

Amy Winehouse INEDIT ...... Sentimental Journey.......( Frank Sinatr...

[anotherpapercut]

I've been listening to oldies all day and i knew my coworker liked Patsy Cline so I was telling her about some that I've been listening to that are adjacent to her and she made a face and told me she actually hates oldies and only likes new country music. this like 55+ year old woman, looked at me, a 23 year old, and called me weird because I said Johnny Cash was one of my all time favorites. hello????

[billionaireaddresses]

Frank Sinatra's Malibu Beach House Is On the Market for $12.9 Million

Frank Sinatra’s Malibu Beach House Is On the Market for $12.9 Million

The main area of Fran Sinatra’s Beach House in Malibu – Photo By Mike Helfrich

A two-story home that Frank Sinatra built on the beach in Malibu, California is on the market for the first time. The 5,800-square-foot house is where Sinatra and his fourth wife, Barbara, regularly hosted Hollywood stars like Jack Lemmon, Gregory Peck, and Dick Van Dyke.

Looks to us like it might really be worth…

[365days365movies]

Musical December I: Singin’ in the Rain (1952) - Recap: Part One

Yeah. I don’t know how I haven’t seen this yet either.

Literally the greatest movie musical of all time, and I haven’t seen it? AFI’s got it as the best musical film ever, and the fifth best film (as of 2007, so take from that what you will). Some people think it IS the best film ever made, and definitely the best musical film ever made. As for my showtune-loving ass, I know a number of the songs BY HEART, and I haven’t actually seen this movie? I don’t even know what it’s about! Man. 

But OK, what is this musical, exactly? To understand that, you have to go into, funnily enough, the film’s producer. Arthur Frees was a pianist born in South Carolina. After working the the Marx Brothers’ original vaudeville act (check out their history here if you’re interested), he was hired as lyricist by Metro-Goldwyn-Meyer Studios, AKA MGM. He eventually became an associate producer for a smaller film of theirs.

Obviously, things were going well.

His career as producer begins in earnest with another Judy Garland film, Babes in Arms, and that begin a five-film series starring the two, all produced by Freed. MGM quickly climbs to the top of Hollywood, and Freed was a part of that climb. In the process, major film stars were brought into the fray. Judy Garland, Mickey Rooney, Shirley Temple, and Zero Mostel, for starters.

But then, Freed also went to his perforing roots and brought people from the stage to perform in his productions. Singers like Frank Sinatre and Lena Horne; stage stars like Mostel, Red Skelton, and Vincente Minnelli, and famous dancers like the legendary Fred Astaire, and of course...

I swear, Gene Kelly’s dance moves are hypnotic to me.

With all these people under the fray, Freed became a Hollywood sensation. An American in Paris, Gigi, Show Boat, Easter Parade, all massive musical films, and al massive successes. Freed-produced musicals were a huge smash, and that’s mostly because he was very hands-off in the making of these musicals. He took a step back from the actual filmmaking for the most part, and quite literally Freed them of the normal trappings of movie musicals.

And it worked! An American in Paris and Gigi were both Oscar-winners for Best Picture, and Freed was the first person to be nominated and win as the producer for the film, as opposed to the studio as a whole being nominated. This was in 1951. The following year’s film wouldn’t receive any Oscars at all, but would also be a critical and commercial hit. And so...

This film, this legendary picture, is actually the child of a back catalog. With any given musical, stage or screen, you’ll form a catalog of used and unused songs. Freed wanted to use a number of his songs from previous musicals, and hired writers Betty Comden and Adolph Green to write a story that could bring the songs together. The result was one of the most famous musicals ever made, containing some of the most famous songs ever written.

And I’ll say this again, for the back room. If you’ve seen this film, and haven’t thought of the song “Singing in the Rain” while walking around in the rain AT LEAST ONCE, you are clinically dead inside. I haven’t seen this movie, and even I’ve twirled an umbrella and spun around a light post once or twice! The song itself is a symbol of joy within surrounding gloom. It carves out happiness in an environment associated with falling tears. So, goddamn it, grab and umbrella and start spinning a little, OK? It’s a classic film moment that I knew, and again, HAVE NOT SEEN THE FILM!

OK, enough. Let’s watch the actual movie!

SPOILERS AHEAD!!!

Recap: Part One

It’s 1926, and a new film is about to premiere. The fans are going fuckin' crazy as the stars of the silver screen show up to the premiere. But they all REALLY freak out when the stars of the film show up. And I’m talking Foaming Mouth Guy freaking out, to be clear. Beatlemania, women fainting, literally a dude just SCREAMING. Jesus. The stars in question are Don Lockwood (Gene Kelly) and Lena Lamont (Jean Hagen), household names and faint-inducing stars.

Rumors state that the two will be married soon, but Don insists that they’re only good friends at the moment. The newscaster prompts them to tell the story of their success from the beginning, which includes them and musician Cosmo Brown (Donald O’Connor). And from there, we launch into a flashback.

Said flashback is chock-full of lies, as we see the truth of their origins over a false narration. They began with nothing, and stayed having nothing, as the two friends became a vaudeville act during the golden age of vaudeville. And, unsurprisingly, their introductory song and dance (“Fit as a Fiddle (and Ready for Love)”) is spectacular. God, Kelly and O’Connor’s dance moves are just...hypnotic. I’m in love with it.

Unfortunately, audiences disagree, and the two have essentially no success. They try their look playing scores for silent movies, for the studio known as Monument Pictures. However, once Don subs in for a downed stuntman with his superior agility, he begins a new career as a stuntman. Which is, then and now, a severely under-appreciated job in film. So, yeah, credit where credit’s due.

This is also where and how he met Lina Lamont, who initially gives him a complete cold shoulder. And when he finally obtains success, and Lina tries to cuddle up to him as a result, he turns her down. So, yeah, they hate each other. From there, the new film begins. This silent film is The Royal Rascal, in which Don plays a swashbuckler. After the film concludes, the two actors get on stage to thank the standing audience. However, each time Lina tries to talk, Don cuts her off. We find out exactly why when they go backstage: she’s Harley Quinn.

And I absolutely mean that; couldn’t unhear it for the entire movie. Kept thinking about that one musical number in Harlequinade in Batman: The Animated Series, where she gets on stage and sings. Honestly, I wouldn’t be surprised if this voice was the inspiration for Arleen Sorkin’s original voice for Harleen. But in terms of Lina Lamont, it’s apparently not the best voice for public speaking. Lina’s upset by this, as well as by her continually rejected advances towards Don. Although, to be fair, she doesn’t even seem to acknowledge these rejections.

Don makes his way out of the theatre, escaping from rabid fans by…Jesus, jumping onto a passing bus? Talk about a try hard, geez. He jumps off a bus into the car of an understandably startled Cathy Selden (Debbie Reynolds), who tries to sic the cops on him before realizing who he is. After that, she offers to give him a ride to Beverly Hills. On the way, she notes her opinion of film actors, which is far less than that of those on the stage. In fact, she wishes to become one of those same performers, if she can make it to New York. This offends Don, also understandably, and the two trade banter and part ways.

At the wrap-up party for the movie (”Temptation”, from Going Hollywood), head of the studio R.F. Simpson (Millard Mitchell) shows the partygoers a new film technology: synchronized video and sound. Yup. This film is about the rise of the talkie. And since this is a movie about silent film stars, I think we know how this is gonna go.

After the partygoers leave the show, they’re treated to another one, as a woman bursts from a cake. And yup, this woman is Cathy, working at the party with a troupe of dancers. They perform a song and dance (“All I Do Is Dream of You”, from Sadie McKee), and Cathy tries to take off right afterwards. But when Don tries to stop her (with insults, to be fair), she tries to retaliate with a pie to his face…which hits Lina instead. Whoops.

Seeing the score, Cathy takes off in a hurry. This results in her losing her job, which makes Don feel lousy. As, to be fair, she should. Time moves on, and a film is released that changes the entire scope of film. This is The Jazz Singer, and if you know your film history, you’ll know three things about this movie. One, it’s the first talkie, and was a game-changing revolution for the industry. Two, it was a musical, making this kind of a meta-commentary, and I can dig it! And three: blackface. Fuckin’…yeah. Different conversation for a different day.

Anyway, this change results in some changes for Don as well. But that’s preceded by a pep-talk from Cosmo, in the form of the song “Make ‘Em Laugh”. Which, to be clear, is a great song on its own, and possibly based on a song by Cole Porter called “Be a Clown”. I’d had it on my playlist long before seeing this movie. But actually seeing it with Donald O’Connor’s amazing dance and comedic choreography…holy fucking shit, it’s spectacularly funny as well. I love it. It’s absolutely a masterpiece.

Soon after, filming is set to begin on a new film, taking place during the French Revolution. In another funny scene, Don and Lina start doing their silent acting of being in love, while speaking words of pure acrimony out loud. See, out of spite and jealousy, Lina got Cathy fired from her job by talking with her boss. And while Don already hated her, it’s FAR worse now. And if that wasn’t enough, The Jazz Singer��is a smash success.

This means that Mr. Simpson is turning the silent film studio over to making talkies. Cosmo is now head of the studio’s music department, so good for him! And as the men in charge discuss the change, they all come to a realization that Lina’s voice…is fucking horrible. But the film must move forward, so the studio shuts down to make the preparations.

After a spirited musical montage showing the advancement of talkies (“Beautiful Girl Montage”, from multiple sources), we find Cathy working as a dance girl for a film set. She’s spotted there both by Mr. Simpson and finally by Don, who’d been looking for her. While she assumed he hated her, he’s actually very happy to see her. And yes, she is the Inevitable Love Interest of the film. She gets hired on Don’s film, and the two finally have their own song and dance together (“You Were Meant for Me” from The Broadway Melody). This is, of course, a love ballad, nearly culminating in a kiss.

I fucking already adore this film. Can’t wait for Part Two!

[krissy-b]

The big lesson in life, baby, is never be scared of anyone or anything-

Frank Sinatr

[manuelamaiafagundes]

Frank Sinatra Greatest Hits Full Album 2018 - Best Songs Of Frank Sinatr...

[instantharmonyblizzard]

Strangers in the night,Frank Sinatr#MUSIC VIDEO CLAVIER, #La Chaîne You Tube      Merci pour le temps de visionnage et d'écoute, n'hésitez pas à vous abonner et à partager. Pour une qualité sonore optimale, utilisez un casque  Cordialement, «Daniel Garcia »     Aujourd’hui je vous interprète une chanson qui a fait le tour du monde, interprété par Monsieur  Frank  Sinatra « Strangers InThe Night », dont la version française,  « Etrangers Dans La Nuit »Dans ma chaine tous les styles et tous les genres de Musique sont représenté          Pour vous abonner à la chaîne, il suffit d’un simple click sur l’icone de la vidéo en cours, c’est tout gratuit Merci pour votre fidélité, à samedi prochain, Musicalement Votre ♫    A Bientôt les amis(es) ♫             A Partager sans modération ♫Mon Site Internet : https://videomusiquepourtous.com/TIK TOK :               https://www.tiktok.com/@musicvideoclavierMa Page Facebook :    https://www.facebook.com/profile.php?id=100003975628536                                                                             a, au #KORG PA3X, par Daniel Garcia

[rj100789]

Watch "Frank Sinatra - My Way (Karaoke Version)" on YouTube

[devilishdescent]

“It’s called My Way,”* Frank sinatraled, his ol blue orbs bulging drunkingly.

*a/n: i know its like naruto but thats what its called ok >________<

frank sinatra: “let’s go see what”… no no… “let me see what spring is like on”-

me, helping: venus :)

frank: no

me: uranus >:P

frank: no!!!!!!

[yonas47]

Day#6. Sammy Davis Jr. was a successful Crooner, comedian, actor, impressionist, vaudeville, dancer and singer. Born in Harlem, son of Cuban dancer Elvera Davis and African American Vaudeville star Sammy Davis Sr., Sammy Jr. was surrounded by talented people. From the age of 3 Sammy Jr. would often join his father on tour. That's were Sammy Jr. soaked up everything, he was a natural entertainer, known to do it all; sing, dance, play instruments, act, do stand-up comedy act. Alongside his father and uncle Sammy Jr. Would join them and they toured as the group "Will Mastin Trio" Sammy Jr. was often dubbed "the Greatest Entertainer in the World." He later joined the Rat Pack, with  Frank Sinatrs, Dean Martin, Peter Lawford and Joey Bishop. That's where Sammy Jr would amass the majority of his fame and success. He went on to star in movies and toured the world numerous times. Sammy Jr. was an activist as well, he would to perform in any clubs that practiced racial segregation. Which led to the integration of several venues in Miami Beach and Las Vegas.  #BHMChallenge2020 #blackhistorymonth #blackpower #blackexcellence #staywoke #blackandproud #blackisbeautiful #Legend #Crooner #triplethreat #SammyDavisJr #WillMastinTrio #theRatPack (at Harlem, New York) https://www.instagram.com/p/B8OpU5cBXpf/?igshid=dxk8sq6cewk0

[sweatpants-and-seduction]

1. Frank Sinatra - Young At Heart

2. Frank Sinatra - Over The Rainbow

3. Frank Sinatra - It Was A Very Good Year

4. Frank Sinatra - My Funny Valentine

5. Frank Sinatra - Something Stupid

6. Frank Sinatra - You Make Me Feel So Young

7. Frank Sinatra - I've Got You Under My Skin

8. Frank Sinatra - That Old Black Magic

9. Frank Sinatra - The Coffee Song

10. Frank Sinatra - You're The One

11. Frank Sinatra - Only The Lonely

12. Frank Sinatra - One For My Baby (And One More For The Road)

13. Frank Sinatra - All Of Me

14. Frank Sinatra - Somewhere Beyond The Sea

15. Frank Sinatra - Strangers In The Night