#Frank Lorimer Mayo

[from1837to1945]

"This is one of my dreams: The other day a very famous motion-picture producer came to me and asked me to be leading lady in his forthcoming picture. Also, that I might have the choice of my leading man—oh—a Dix, La Rocque, a Cortez, Barthelmess—imagine, any one I wanted! But calmly I waved them all aside. I should not have even consider being in the picture unless I could have Frank Mayo as my leading man. I told this very famous producer there was not a more fascinating actor on the screen—his wonderfully firm expression, and yet at times tender beyond words. A man of much experience, aware of every side of life—sophisticated, still delightfully shy when shyness should be expected—his lovemaking having great appeal to me because of his fine respect for it. I should call him a perfect actor. I turned presently to this famous producer and asked him if he agreed with me. He did indeed."

-When Frank Mayo's movie career was going downhill, a girl named Marie Colt of Providence, Rhode Island, wrote a piece for the September 1925 issue of Picture-Play Magazine.

Original piece

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2022: L.Q. Jones, nato Justus Ellis McQueen, Jr., attore, regista e produttore cinematografico statunitense, noto per il lavoro svolto a fianco del regista Sam Peckinpah. Debuttò nel 1955 in Prima dell’uragano. Il nome del personaggio che interpretava era L.Q. Jones e dunque i produttori gli suggerirono di cambiare il proprio nome. Jones apparve anche, oltre film importanti, sul piccolo schermo,…

[from1837to1945]

<Frank Mayo's biography version 2> (written by me)

Upper picture - Frank Mayo I (Frank Maguire Mayo) Center - Frank Mayo II (Edwin F. Mayo) Bottom - Frank Mayo III (Frank Lorimer Mayo) (Photoplay, May 1920)

Frank Mayo's grandfather Frank Maguire Mayo had created stage version of ''Davy Crockett" and "Puddin' Head Wilson," and is remembered for his sterling characterizations.

His son Edwin Frank Mayo also was a famous stage actor. In 12 September, 1888, he married an actress, Frances Graham. Her real name was Frances Johnstone. The daughter of George Lorimer Johnstone, Sr., and Frances Hoy.

Frank Mayo was born in 28 June, 1889. He was the only child. He had happened to be christened "Lorimer Frank," and he wanted to be called as 'Lorimer' instead of 'Frank' when he was a child. He was born in New York City, but during the years of his young boyhood home to him meant the little Pennsylvania town, Canton.(*Motion Picture Magazine, Jan 1918) Lormy made his stage debut at the age of five in his grandfather's company. At the age of 6, he plays with grease paint and smears it all over his face, and ends up on stage with it. This gets him fired by his grandfather, only to be hired back the next day.

Later, when Lormy became an motion picture actor in the United States, he was asked, what your grandfather and your father would have thought of motion picture as an art. he replied, "I fear grandfather would never have considered them seriously, for he was too much of the old school to welcome such a radical step. But I'm sure father would have welcomed them as a marvelous means of perpetuating the work of great actors."(*Motion Picture Magazine, Sep 1920)

Lormy continued to work as an actor until his grandfather's death.

Lormy in Wild Oranges (1924) / Lormy at age ten (*Motion Picture Magazine, Jan 1919)

His grandfather was died June 8, 1896. Lormy was on the train with him when he died.(*Moving Picture World, 1 Jan 1916) Lormy was placed in a military school in Peekskill, New York.(*Motion Picture Magazine, Sep 1920)

Lormy remembered Belle Stoddard Johnston (wife of Lormy's uncle, Paul Manifee Johnstone) as “like a mother to me than aunt.” He said, "At the time I was sent to school at Peekskill my mother and father were both on the road, while my aunt had married Manifee Johnstone and decided to retire from the stage for a while. So I was left in my aunt's care for many years. Whenever my parents played in any city near New York my aunt would take me to visit them, and always on Christmas and at Easter time we would join my father and mother wherever they happened to be."(*The Canaseraga Times, Canaseraga, New York, Oct 1, 1920) Decades later, Lormy wrote "Isabelle Johnstone(aunt)" on the space 'Name and address of person who will always know your address' on his WW2 draft registration, and here 'Isabelle Johnstone' may have meant Belle Stoddard.

Later, his father died February 19, 1900. He and his mother left United States and spent several years traveling thru Europe. Few years later, they were settled in Liverpool, England. He attended Bebington college there.(*Motion Picture Magazine, Sep 1920)

According to England and Wales, Census, 1911, his mother, Frances Johnstone, may have remarried in England to a man named Palmer and had a child named Spencer Palmer in 1907.

Lormy's uncle, George Lorimer Johnston, Jr., who worked as a producer at the Santa Barbara Film Company(=American Film Manufacturing Company=Flying “A” Studios), invited Frank Mayo to join him, so Frank Mayo left his mother in England for the United States to join his uncle.(*Motion Picture Magazine, Sep 1920)

"When I sailed from Liverpool the last time, I watched my mother standing on the wharf until she was lost in the fog, and the memory of those moments calls up every ounce of emotion in me." -Frank Mayo(*Motion Picture Magazine, Sep 1920)

In terms of his early career, Mayo worked first at American Film Manufacturing Company, then at Selig.

And then, he was at Balboa during 1915-17. At Balboa, His frequent leading lady was Ruth Roland. Mr. Mayo was described as "a very quiet, unassuming young man,"(*The Moving Picture World, 23 Jan 1915) "the star with the British accent,"(*Motion Picture Magazine, Dec 1919) etc. During his very early film career, he unintentionally rode on his grandfather's coattails. One article said, "His grandfather, Frank Mayo, one of the foremost American actors of a generation ago, is still remembered for his sterling characterizations in "Davy Crockett" and "Puddin' Head Wilson. Although American born, Americans do not know much of this young man, for the greater part of his professional life has been spent abroad."(*Moving Picture World, 1 Jan 1916)

"He is a grandson of that sterling American actor of the same name who was known to all theatergoers a quarter of a century ago. The young man is an actor worthy of his name. He has a pleasing appearance; he possesses magnetism." -Moving Picture World, 20 Nov 1915

Lormy was likely signed with World in 1918. At World, Mr. Mayo was usually portrayed as villain characters and often co-starred with June Elvidge.

Since about 1919, Lormy started to work for Universal. But there wasn't enough insistent demand for Mayo to warrant owner of Universal Pictures, Carl Laemmle's giving him a raise and retaining his service.(*Screenland, Feb 1924) Anyway, Mayo reportedly worked at Universal Studios for three years. "Mayo is shaking the dust of Universal City from his feet forever."(*Photoplay, Jan 1923)

"Out of Universal, Mayo sold his services to Goldwyn for several times the amount he received at Universal City. But he didn't sign as a star; he signed as a supporting player. In other words, Goldwyn considers Frank Mayo several times more valuable to have around the studio than did Universal."(*Screenland, Feb 1924) His career took a downward spiral at least since 1925. "He's tall, dark, with grey eyes; has a most impressive manner, and looks just a wee bit bored with life in general," one person described him of the time.(*Screenland, May 1925)

<Mayo's complicated relationships with women version 2> (written by me)

His first wife was Joyce Eleanor Moore. They were married in England.(*Photoplay, Apr 1917)

Joyce Moore and Frank Mayo in a group photo of Balboa Players at a ball at the Hotel Virginia. (*The Moving Picture World, 4 March 1916)

Later, they moved to America and worked at Balboa Studios. One article describes Joyce Moore's conjugal pastime was throwing lamps at her husband.(*Motion Picture Magazine, January 1922) In 1919, they are separated. In 1920, Joyce Moore charged Dagmar Godowsky, a vamp-type actress and a daughter of famous pianist Leopold Godowsky, with being the home-breaker.(*Photoplay, May 1920) Frank Mayo married Dagmar Godowsky in Tia Juana three days after his interlocutory decree. In other words, Mayo has gone through the ceremony before his divorce decree became final. The wedding day was October 1, 1921.

Like Rudolph Valentino, Henry Walthall (When Mr. Walthall was enjoined from marrying in that state for a year after his divorce from his wife Isabelle in California, after 5~10 days later he fled to Indiana and married his mistress, Mary Charleson, who had given birth to his baby Mary Patricia eight months earlier and was raising her.), Mayo was investigated for bigamy and had the disgrace of having his photo published in the newspapers alongside those two people.

Frank Mayo was against Dagmar working. "I don't believe a woman should work after she is married.(*Photoplay, June 1922) I personally think that home life is happier for a woman's remaining in the home and making a career of domestic life; yet I sympathize with my wife's ambitions, and I know we shall continue to be happy no matter what happens,"(*Picture-Play, April 1922) Mr. Mayo said. His idealized image of a woman seems to reflect that of his aunt, Belle Stoddard Johnston.

Lormy and Dagmar (Picture-Play, Jul 1923)

Lormy and Dagmar (Motion Picture Magazine, Sep 1923)

In 1923, for some reason, Frank Mayo and Joyce Moore believed they were legally divorced. In the same year, Joyce attempted to have the decree of divorce set aside. Joyce Moore said that she was not notified of the divorce proceedings. Frank Mayo said that she was.(*Photoplay, January 1923)

Anna Luther (Motion Picture Magazine, Nov 1918)

Anna Luther (Motion Picture Magazine, Feb 1920)

In 1925, one article reported that "Here it is almost the season for brides and not a single film star has announced her engagement. More of them seem to be contemplating divorce. Dagmar Godowsky is getting one from Frank Mayo but it seems to be that the papers have been full of that for years."(*Picture-Play, Jun 1925) The event that cemented Dagmar Godowsky's decision to divorce was her husband's involvement with Anna Luther.

"Anna Luther was a Keystone-Triangle leading lady during 1915-16, who left for Foxfilm comedies and feature films in the 1920s."(*Brent E. Walker, Mack Sennett's Fun Factory, p.591) Dagmar Godowsky named Anna Luther as co-respondent in a suit brought against Frank Mayo in March 1925. Dagmar Godowsky discovered her husband with Anna Luther in his apartment. She claimed that her husband was wearing only a bathrobe and Anna Luther was trying to get dressed in a hurry. Meanwhile, Anna Luther claimed that she had been friends with Frank Mayo since the days when she was still at Keystone Studios and was merely comforting Mayo, who was suffering from a headache. "It looks pretty funny to me, Don't forget that Dagmar herself was the co-respondent in Frank Mayo's first divorce suit," unashamed and witty Anna Luther said.

In the same year, 1925, Frank Mayo applied for $2500 attorney fees to permit Joyce Moore to appear in connection with a suit between them over a property settlement that they had entered into in 1923. Joyce Moore was said to be in England and without means to come to America and appear in the suit over the contract under which Frank Mayo was to pay her $150 a week alimony. Joyce Moore also filed a motion after the interlocutory decree was entered, asking her default be set aside on the ground that she had been unable to come to America and fight the divorce suit. She was said to have been working at the time in Paris, France, as a chorus girl at a salary of $25 a week. During the arguments in the new case it developed that a final decree of divorce had never been entered.(*Photoplay, January 1925)

But it was much later that the marriage between Frank Mayo and Dagmar Godowsky was annulled.

In May 29, 1925, He is granted a final decree of divorce from Joyce Moore.

An article about the preview of the 1927 film Ragtime, directed by Scott Pembroke, reveals that the hostess of the preview was Joyce Moore. The article describes Joyce Moore as “Mrs. Frank Mayo” and “known in stage and screen circles as Joyce Mayo”.(*Moving Picture World, 27 Aug 1927)

Margaret Shorey (The Evening Independent, St. Petersburg, Florida, Dec 7, 1925)

Later, Frank Mayo married vaudeville actress Margaret Louise Shorey in August 25, 1928. They lived together according to United States Census, 1930 and United States Census in 1940.

Nevertheless, Lormy wrote "Isabelle Johnstone(aunt)" on the space 'Name and address of person who will always know your address' on his WW2 draft registration.

Lormy may have married English-born woman named Evelyn according to the United States Census, 1950.

[from1837to1945]

[from1837to1945]

"Frank Mayo needs no comment, as his growing popularity proves him one of the most unusual actors on the screen. Whatever he does seems so convincing and sincere."

-Picture-Play, Aug 1921, p.107

*Photo Photoplay, September 1920

[from1837to1945]

Motion Picture Magazine, August 1923, p.58

[from1837to1945]

Motion Picture Magazine, November 1918, p.23

[from1837to1945]

<Frank Mayo's biography> (written by me)

Upper picture - Frank Mayo I (Frank Maguire Mayo) Center - Frank Mayo II (Edwin F. Mayo) Bottom - Frank Mayo III (Frank Lorimer Mayo) (Photoplay, May 1920)

Frank Mayo's grandfather Frank Maguire Mayo had created stage version of ''Davy Crockett" and "Puddin' Head Wilson," and is remembered for his sterling characterizations.

His son Edwin Frank Mayo also was a famous stage actor. In 12 September, 1888, he married an actress, Frances Graham. Her real name was Frances Johnstone. The daughter of George Lorimer Johnstone, Sr., and Frances Hoy.

Frank Mayo was born in 28 June, 1889. He was the only child. He had happened to be christened "Lorimer Frank," and he wanted to be called as 'Lorimer' instead of 'Frank' when he was a child. He was born in New York City, but during the years of his young boyhood home to him meant the little Pennsylvania town, Canton.(*Motion Picture Magazine, Jan 1918) Lormy made his stage debut at the age of five in his grandfather's company. At the age of 6, he plays with grease paint and smears it all over his face, and ends up on stage with it. This gets him fired by his grandfather, only to be hired back the next day.

Later, when Lormy became an motion picture actor in the United States, he was asked, what your grandfather and your father would have thought of motion picture as an art. he replied, "I fear grandfather would never have considered them seriously, for he was too much of the old school to welcome such a radical step. But I'm sure father would have welcomed them as a marvelous means of perpetuating the work of great actors."(*Motion Picture Magazine, Sep 1920)

Lormy continued to work as an actor until his grandfather's death.

Lormy in Wild Oranges (1924) / Lormy at age ten (*Motion Picture Magazine, Jan 1919)

His grandfather was died June 8, 1896. Lormy was on the train with him when he died.(*Moving Picture World, 1 Jan 1916) Lormy was placed in a military school in Peekskill, New York.(*Motion Picture Magazine, Sep 1920)

Lormy remembered Belle Stoddard Johnston (wife of Lormy's uncle, Paul Manifee Johnstone) as “like a mother to me than aunt.” He said, "At the time I was sent to school at Peekskill my mother and father were both on the road, while my aunt had married Manifee Johnstone and decided to retire from the stage for a while. So I was left in my aunt's care for many years. Whenever my parents played in any city near New York my aunt would take me to visit them, and always on Christmas and at Easter time we would join my father and mother wherever they happened to be."(*The Canaseraga Times, Canaseraga, New York, Oct 1, 1920) Decades later, Lormy wrote "Isabelle Johnstone(aunt)" on the space 'Name and address of person who will always know your address' on his WW2 draft registration, and here 'Isabelle Johnstone' may have meant Belle Stoddard.

Later, his father died February 19, 1900. He and his mother left United States and spent several years traveling thru Europe. Few years later, they were settled in Liverpool, England. He attended Bebington college there.(*Motion Picture Magazine, Sep 1920)

According to England and Wales, Census, 1911, his mother, Frances Johnstone, may have remarried in England to a man named Palmer and had a child named Spencer Palmer in 1907.

Lormy's uncle, George Lorimer Johnston, Jr., who worked as a producer at the Santa Barbara Film Company(=American Film Manufacturing Company=Flying “A” Studios), invited Frank Mayo to join him, so Frank Mayo left his mother in England for the United States to join his uncle.(*Motion Picture Magazine, Sep 1920)

"When I sailed from Liverpool the last time, I watched my mother standing on the wharf until she was lost in the fog, and the memory of those moments calls up every ounce of emotion in me." -Frank Mayo(*Motion Picture Magazine, Sep 1920)

In terms of his early career, Mayo worked first at American Film Manufacturing Company, then at Selig.

And then, he was at Balboa during 1915-17. At Balboa, His frequent leading lady was Ruth Roland. Mr. Mayo was described as "a very quiet, unassuming young man,"(*The Moving Picture World, 23 Jan 1915) "the star with the British accent,"(*Motion Picture Magazine, Dec 1919) etc. During his very early film career, he unintentionally rode on his grandfather's coattails. One article said, "His grandfather, Frank Mayo, one of the foremost American actors of a generation ago, is still remembered for his sterling characterizations in "Davy Crockett" and "Puddin' Head Wilson. Although American born, Americans do not know much of this young man, for the greater part of his professional life has been spent abroad."(*Moving Picture World, 1 Jan 1916)

"He is a grandson of that sterling American actor of the same name who was known to all theatergoers a quarter of a century ago. The young man is an actor worthy of his name. He has a pleasing appearance; he possesses magnetism." -Moving Picture World, 20 Nov 1915

Lormy was likely signed with World in 1918. At World, Mr. Mayo was usually portrayed as villain characters and often co-starred with June Elvidge.

Since about 1919, Lormy started to work for Universal. But there wasn't enough insistent demand for Mayo to warrant owner of Universal Pictures, Carl Laemmle's giving him a raise and retaining his service.(*Screenland, Feb 1924) Anyway, Mayo reportedly worked at Universal Studios for three years. "Mayo is shaking the dust of Universal City from his feet forever."(*Photoplay, Jan 1923)

"Out of Universal, Mayo sold his services to Goldwyn for several times the amount he received at Universal City. But he didn't sign as a star; he signed as a supporting player. In other words, Goldwyn considers Frank Mayo several times more valuable to have around the studio than did Universal."(*Screenland, Feb 1924) His career took a downward spiral at least since 1925. "He's tall, dark, with grey eyes; has a most impressive manner, and looks just a wee bit bored with life in general," one person described him of the time.(*Screenland, May 1925)

<Mayo's complicated relationships with women> (written by me)

His first wife was Joyce Eleanor Moore. They were married in England.(*Photoplay, Apr 1917)

Joyce Moore and Frank Mayo in a group photo of Balboa Players at a ball at the Hotel Virginia. (*The Moving Picture World, 4 March 1916)

Later, they moved to America and worked at Balboa Studios. One article describes Joyce Moore's conjugal pastime was throwing lamps at her husband.(*Motion Picture Magazine, January 1922) In 1919, they are separated. In 1920, Joyce Moore charged Dagmar Godowsky, a vamp-type actress and a daughter of famous pianist Leopold Godowsky, with being the home-breaker.(*Photoplay, May 1920) Frank Mayo married Dagmar Godowsky in Tia Juana three days after his interlocutory decree. In other words, Mayo has gone through the ceremony before his divorce decree became final. The wedding day was October 1, 1921.

Like Rudolph Valentino, Henry Walthall (When Mr. Walthall was enjoined from marrying in that state for a year after his divorce from his wife Isabelle in California, after 5~10 days later he fled to Indiana and married his mistress, Mary Charleson, who had given birth to his baby Mary Patricia eight months earlier and was raising her.), Mayo was investigated for bigamy and had the disgrace of having his photo published in the newspapers alongside those two people.

Frank Mayo was against Dagmar working. "I don't believe a woman should work after she is married.(*Photoplay, June 1922) I personally think that home life is happier for a woman's remaining in the home and making a career of domestic life; yet I sympathize with my wife's ambitions, and I know we shall continue to be happy no matter what happens,"(*Picture-Play, April 1922) Mr. Mayo said. His idealized image of a woman seems to reflect that of his aunt, Belle Stoddard Johnston.

Frank Mayo and Dagmar Godowsky (Picture-Play, April 1922)

Frank Mayo and Dagmar Godowsky (Motion Picture Magazine, July 1922)

Frank Mayo and Dagmar Godowsky (Photoplay, April 1923)

In 1923, for some reason, Frank Mayo and Joyce Moore believed they were legally divorced. In the same year, Joyce attempted to have the decree of divorce set aside. Joyce Moore said that she was not notified of the divorce proceedings. Frank Mayo said that she was.(*Photoplay, January 1923)

Anna Luther (Motion Picture Magazine, August 1918)

In 1925, one article reported that "Here it is almost the season for brides and not a single film star has announced her engagement. More of them seem to be contemplating divorce. Dagmar Godowsky is getting one from Frank Mayo but it seems to be that the papers have been full of that for years."(*Picture-Play, Jun 1925) The event that cemented Dagmar Godowsky's decision to divorce was her husband's involvement with Anna Luther.

"Anna Luther was a Keystone-Triangle leading lady during 1915-16, who left for Foxfilm comedies and feature films in the 1920s."(*Brent E. Walker, Mack Sennett's Fun Factory, p.591) Dagmar Godowsky named Anna Luther as co-respondent in a suit brought against Frank Mayo in March 1925. Dagmar Godowsky discovered her husband with Anna Luther in his apartment. She claimed that her husband was wearing only a bathrobe and Anna Luther was trying to get dressed in a hurry. Meanwhile, Anna Luther claimed that she had been friends with Frank Mayo since the days when she was still at Keystone Studios and was merely comforting Mayo, who was suffering from a headache. "It looks pretty funny to me, Don't forget that Dagmar herself was the co-respondent in Frank Mayo's first divorce suit," unashamed and witty Anna Luther said.

In the same year, 1925, Frank Mayo applied for $2500 attorney fees to permit Joyce Moore to appear in connection with a suit between them over a property settlement that they had entered into in 1923. Joyce Moore was said to be in England and without means to come to America and appear in the suit over the contract under which Frank Mayo was to pay her $150 a week alimony. Joyce Moore also filed a motion after the interlocutory decree was entered, asking her default be set aside on the ground that she had been unable to come to America and fight the divorce suit. She was said to have been working at the time in Paris, France, as a chorus girl at a salary of $25 a week. During the arguments in the new case it developed that a final decree of divorce had never been entered.(*Photoplay, January 1925)

But it was much later that the marriage between Frank Mayo and Dagmar Godowsky was annulled.

In May 29, 1925, He is granted a final decree of divorce from Joyce Moore.

An article about the preview of the 1927 film Ragtime, directed by Scott Pembroke, reveals that the hostess of the preview was Joyce Moore. The article describes Joyce Moore as “Mrs. Frank Mayo” and “known in stage and screen circles as Joyce Mayo”.(*Moving Picture World, 27 Aug 1927)

Margaret Shorey (The Evening Independent, St. Petersburg, Florida, Dec 7, 1925)

Later, Frank Mayo married vaudeville actress Margaret Louise Shorey in August 25, 1928. They lived together according to United States Census, 1930 and United States Census in 1940.

Nevertheless, Lormy wrote "Isabelle Johnstone(aunt)" on the space 'Name and address of person who will always know your address' on his WW2 draft registration.

Lormy may have married English-born woman named Evelyn according to the United States Census, 1950.

[from1837to1945]

"Frank Mayo at the very mature age of eight years. Even then, Frank wore a Thespian air. Families do make a difference and the Mayo family was always of the theater."

-Motion Picture Magazine, Aug 1923, p.40

* ੈ✩‧₊˚* ੈ✩‧₊

(Frank Mayo at ten)

In the meantime there had been born to "young Frank" and his wife a lusty, brown-eyed, golden-haired son, Frank Mayo, third, who is really the reason for this story. The youngster was born in New York City, but during the years of his young boyhood home to him meant the little Pennsylvania town among the hills. The boy was not very old before he rebelled at his family name, "Frank." "What do you mean—Frank?" he said, scornfully. "Dear old granddad had to be 'old Frank' because father was 'young Frank.' Now what am I? I happened to be christened Lorimer Frank, so from now on I am Lorimer Mayo," he announced to all whom it might concern.

-Lillian Montanye, "Frank Mayo and How He Grew," Motion Picture Magazine, Jan 1919, p.64

* ੈ✩‧₊˚* ੈ✩‧₊

*Frank Mayo at ten (photo)

Motion Picture Magazine, Jan 1919, p.64

* ੈ✩‧₊˚* ੈ✩‧₊

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9 luglio … ricordiamo …

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2019: Rip Torn, all’anagrafe Elmore Rual Torn Jr., è stato un attore statunitense, attivo in campo televisivo e cinematografico, candidato all’Oscar nel 1984 per la sua interpretazione ne La foresta silenziosa. Cugino dell’attrice Sissy Spacek. (n. 1931) 2017: Paquita Rico, Francisca Rico Martinez, attrice e cantante spagnola. (n. 1929) 2012: Dino Cassio, attore e cantante italiano. Inizia…

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9 luglio … ricordiamo …

9 luglio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic #felicementechic #lynda

2019: Rip Torn, all’anagrafe Elmore Rual Torn Jr., è stato un attore statunitense, attivo in campo televisivo e cinematografico, candidato all’Oscar nel 1984 per la sua interpretazione ne La foresta silenziosa. Cugino dell’attrice Sissy Spacek.. (n. 1931) 2017: Paquita Rico, Francisca Rico Martinez, attrice e cantante spagnola. (n. 1929) 2012: Dino Cassio, attore e cantante italiano. Inizia…