#Fort Cavazos Training
Explore tagged Tumblr posts
Text
youtube
#youtube#militarytraining#Fort Cavazos#1-9 Cavalry Regiment#Cavalry Regiments#Combat Readiness#Fort Cavazos Training#Cavalry#US Army#Artillery#Military Training#Military Vehicles#Mortar Gunnery#Defense Training#Tactical Training#Military Drills#Viral Video 2024#Military Operations#Army Life#Army Mortars#Army Exercises#Heavy Weapons
0 notes
Text
The claim: The Texas National Guard has deployed tanks to the border with Mexico
A Jan. 27 Instagram video (direct link, archive link) shows a train carrying dozens of military vehicles through a town.
“The Texas National Guard begins transporting armored vehicles to the border with Mexico, the post caption reads in part.
Start the day smarter. Get all the news you need in your inbox each morning.
A similar post spread on X, formerly Twitter, and a Spanish version of the claim was also shared on Facebook.
More from the Fact-Check Team: How we pick and research claims | Email newsletter | Facebook page
Our rating: False
The Texas National Guard said it is not sending tanks to the U.S. southern border. The transportation of military equipment around Fort Cavazos in Texas, where the video was taken, is routine, according to one military expert.
The video was taken in Texas, but it’s not going to the border with Mexico
The video was taken at the intersection of College St. and 761st Tank Battalion Ave. in Killeen, Texas, close to the U.S. Army's Fort Cavazos. Street signs indicating the location are visible in the video.
But there is no evidence the train is carrying tanks from the Texas National Guard to the U.S. southern border. There are no credible news reports about such a development.
“The Texas National Guard is not sending tanks to the border,” a spokesperson for the Texas Military Department in said an email to USA TODAY.
The state of Texas is currently feuding with the federal government over how to control the southern border as it faces a surge of migrants. The state set up razor wire along the Rio Grande to deter migrants from crossing the border, a move the federal government sees as a step too far. The Supreme Court ruled on Jan. 22 that the federal government can cut and remove the razor wire, but the state continues to set up the wire in certain areas.
The transportation of army equipment around Fort Cavazo is a daily occurrence, according to Eric Rojo, a retired U.S. Army colonel.
“The movement of armored equipment is constant,” Rojo said. “Fort Cavazos is one of the largest armored infantry bases in the U.S. It's the home to the First Cavalry Division, which includes mechanized infantry, using Bradley Fighting Personnel Carriers, armor units such as M-1 Abram tanks, and other combined arms units. Some of these vehicles are what we see in the video.”
Rojo also said the vehicles on the train are not tanks but Bradley Fighting Vehicles, which blend elements of a tank, an armored personnel carrier and other armored vehicles.
"Many people confuse them," Rojo said.
Fact check: False claim Putin, Russia pledged arms to Texas in dispute with US government
USA TODAY reached out to the user who shared the post for comment but did not immediately receive a response.
A similar claim about tanks at the Mexico-U.S. border was debunked by Factchequeado.
17 notes
·
View notes
Text
It feels like its starting to sink in with more people on the left and even among a few centrists that the Republicans aren’t joking and have every intention of launching another civil war. What worries me is that almost nobody seems to appreciate just what that means. Many people on here seem convinced that the worst thing that can happen is that liberals/leftists abandon the Red States, or rather the persecuted peoples living within those states, to their fate. Others have a downright infantile attitude, and think the war will be won relatively quickly (this is unfortunately a pretty common belief among conservatives and liberals). Lets make two things abundantly clear right now: 1.) The Blue States aren’t going to abandon oppressed people in the Red States/allow the Red States to secede and the reason is:
2.) Secession, or even widespread violent insurrection within the Red States would have disastrous consequences for global supply chains, and people nowhere near the fighting would die as a result if we did nothing.
In a highly interconnected global economy, hardly anybody is capable of being self sufficient at the drop of a hat, and that’s true within the borders of the United States. Most of our cereals and livestock feed is grown in Iowa. Most of our oil and gas is refined in Louisiana and Texas, and a lot of it is sourced from North Dakota. Most of our produce is grown in California, our dairy comes mainly from California, Wisconsin, and New York, and most of our Beef comes from Canada but is fed using Iowa grain.
So, what happens when war breaks out and the most complex supply chain on the planet gets interrupted? People die everywhere by the score. Let’s say we get lucky, and the garrison at Fort Cavazos (formerly Fort Hood), manages to secure at least everything south of I-10 and the Marines land and retake New Orleans in the opening months of the war... they’re not gonna be able to secure the oil and gas supplies from East Texas and North Dakota. Even if we get alternate supplies from the Persian Gulf or by reactivating every well in the Gulf of Mexico and California, there will be severe shortages just in time for winter. The worst cases will be in contested territory, where neither side has reliable supply lines (most likely the Midwest). People facing a Midwestern polar vortex with no heating fuel will freeze to death in their own homes, burning garbage just to stay alive. Untold millions will try and flee, either to one of the loyalist zones or into Canada. Its worth mentioning that Minnesota, Wisconsin, Michigan, Illinois, Indiana, Ohio, and Pennsylvania have a combined population of 65.9 million people and Canada has a population of 38.3 million. Ontario on its own has only 14.6 million. During the worst days of the Syrian civil war, about half of the population was displaced. Ottawa would have no way of managing even 10% of the Midwest flooding into their largest province. The government would collapse, and that’s assuming its not already overburdened from a white nationalist rebellion in the western provinces. In New York and Eastern Pennsylvania, the population will be barely holding together as it is before having to deal with tens of millions of refugees. So they’d have no choice but to fight. But even willing to fight, armies don’t advance purely save civilians, especially when facing supply shortages. Now, the Red States will be facing their own supply shortages, but they have plenty of refineries in Oklahoma to fuel trucks and trains to take people to the concentration camps they’ll open about 5 minutes after declaring rebellion/independence. They’ll round up everyone who isn’t a White Christian, yes even the collaborators. The rest of the world will watch this in real time thanks to phone cameras and be powerless to do much about it for however long it takes to restructure the economy and supply the military for an advance into the South and Midwest. This war will last years. The bad guys will lose because the Blue States have the ports and (you better vote to make sure this stays true) the loyalty of the military. But, that victory will come at great cost. The last two civil conflicts (the Revolution and the Civil War) killed between 2-3% of the population. That would be between ~7-10 million people, and there’s no reason this war wouldn’t come in that range, especially with the Red States executing their own holocaust and people freezing to death or starving due to supply chain interruptions. And that’s just in the US. Around the world, many countries will be facing their own food shortages and famines from the interruption in grain and livestock feed being exported out of the US (America is the number one exporter of Wheat post-Ukraine war, and the number two exporter of animal feed or around 8.9% of global supply). The Republicans are going to get tens of millions of people killed in and out of America, probably over losing another election. Countless millions will be left to cope with PTSD, battlefield injuries, and respiratory diseases (they come with every war) for the rest of their lives. There will be nowhere to run, and we’ll all have to stand together to end that nightmare as soon as humanly possible.
#civil war#civil war ii#maga republicans#democrats#centrists#liberals#leftists#marginalized groups#disabled people#transgender#queer#jews#holocaust#freedom
2 notes
·
View notes
Text
why jiu-jitsu will never be mainstream
I will preface this by saying that I absolutely love jiu-jitsu. Aside from debilitating and potentially permanent injuries from zigging instead of zagging, a perpetually bruised ego, and constant gasps for life from training partners using you as a sentient, pyjama-clad Bosu ball, it can be a beneficial fixture in one's life: it can allow for a (relatively) healthy form of stress relief, foster a cult environment in which people can learn from each other, and pressure-test difficult scenarios to achieve optimal results. Jiu-jitsu will also let you know, often in the most miserable ways possible, just how much you don't know.
In a sense, it is its very own Petri dish, complete with its own set of infections.
My Beginnings
The last-known picture of myself (with my 1SG) while I was still in the Army. Notice how perfectly our uniforms blend with the grass.
My jiu-jitsu journey could be classified as an accident, much like me. After I returned from Iraq in 2009, I was scheduled to attend Level 1 of the Modern Army Combatives Program, or MACP. Mandated by Army for NCO development, the week-long course purports to familiarise participants with the bare essentials of hand-to-hand combat, to include strikes and grappling. Though I had a few conflicts in earlier times in my life, I could hardly consider myself a "fighter", and, despite having an above-average PT score, my thorough unfamiliarity with combat techniques sapped my energy like a hungry mosquito in the middle of a blistering Philippine summer.
During live training on one of the final days of the course, I was partnered with someone who was much smaller than my 225-pound self; he could not have been much heavier than 170. This shouldn't be so bad, I thought nervously. What's the worst that could happen? The timer rang.
From the go, I deferred to the tried-and-true, time-tested, culture-spanning methodology utilised by many an untrained individual: the classic hnnngh. I huffed, heaved, and hnnnghed around this dude's short legs for 30 desperate seconds trying to get past them, and just as soon as I thought I was getting somewhere, the last thing I saw was a crotch fly toward my face.
My left arm and my head were suddenly incapacitated and trapped in a vise made entirely of human limbs. I saw every constellation in the known universe in those three long seconds, and it was then that I pulled out my trusty ace in the hole, a technique I had learned earlier to escape any position, no matter how dangerous -- furious and repeated taps. I stared at him with incredulity as he released me from the impending throes of unconsciousness. "What in the hell was that?" I asked laboriously, still struggling to regain my faculties. "A triangle," he responded. "I do jiu-jitsu." Neat.
A few months before my ETS in 2010, a friend and fellow Soldier I originally met in Korea, Larry, told me about a Brazilian jiu-jitsu gym near our home base of Fort Hood (now Fort Cavazos), and proposed that we both go. Why not, I thought, reflecting on my dismal MACP experience. I clearly have a lot to learn.
So I made my choice.
Myself (as a purple belt) and some new friends I had the privilege of training while in Afghanistan.
American Fight Company. Hardcore, I thought. But makes sense. A large, hand-painted mural of Royce Gracie's logo loomed over the gym's white mats, which teemed with students in equally white robes conducting warm-ups. I would apparently require one of those silly garments to train; to that end, I purchased my first "gi", as I learned they were called, and an accompanying crispy white belt. Ripping the plastic packaging open, I examined my new training apparel: the pants' stitching appeared to be quite tough, especially in the crotch area, and the collar on the jacket was extremely thick, especially when compared to my ACUs, which were made of one-ply toilet paper. Flowery embroidery enveloped the upper left of the gi top, whose black threads elegantly trailed down to a bold monochromatic patch on the lower lapel. "BREAKPOINT", it read. Gnarly.
Jarrod, a rugged Texan and veteran with a grizzled, grey-speckled beard, demonstrated a technique on a student. The tattered brown sash which encircled his waist danced through the air like ribbons in the wind as he floated from position to position, methodically settling into an armlock submission at the sequence's conclusion. Now it was our turns to try, and it went about as well as expected for me: I flopped all over my training partner, a much more experienced white belt, with all the grace and finesse of a disoriented three-legged deer, narrowly avoiding clobbering him in the dome with errant knees or heels as I practiced getting to the submission.
Then we had to go live.
To say that I learnt valuable lessons that day was an understatement: while I proved tough and indubitably capable of sustaining a lot of pain, it also made clear that I knew absolutely nothing about grappling, even if I was already pretty sure of that fact before. The trifecta of sheer top pressure, staving off innumerable submission attempts, and overall physical exertion filled my muscles with lactic acid and caused my lungs to burn with the intensity of a thousand thermonuclear explosions.
Despite my exhaustion and ineptitude, I was lauded for my perseverance, and that alone was enough to keep me returning to American Fight Company for more knowledge (and, of course, punishment). I received my first stripe on my white belt from Jarrod before accepting a contract in Korea, where I continued on the pathway of martial arts development in the realms of muaythai, jiu-jitsu, and eventually, mixed martial arts. Jarrod earned his black belt shortly after I departed.
Before my fight in Korea, during which I expertly tore nearly every ligament in my left knee (photographer unknown).
As of this post, I am a three-stripe brown belt, and by all measurable metrics, the world's most awful: I have two herniated cervical discs, including one fusion; my knees are shredded beef, and, in addition to being deconditioned, I experience a myriad of inexplicable, and often sharp, pains throughout my body. Nevertheless, my time around jiu-jitsu, both as a participant and a photographer, has afforded me the opportunity to make a variety of observations and criticisms about my beloved sport, which brings me to my point:
Jiu-jitsu will never be a mainstream spectator sport.
I can hear it already. "Hold your horses, buddy! It's more popular than ever!" Well, actually, you would be 100% correct. It is more popular and practiced than it ever was at any point in history, if only due to the fact that, as a standalone martial art, it is only a century old. An ever-growing list of celebrities, including Meta founder Mark Zuckerberg and actors Tom Hardy and Mario Lopez, have embraced the grappling art and have even competed in it.
youtube
If your martial art can make it into a popular show that is definitely not about your martial art, then something is working, even if no one has a clue what's happening. And yes, even if you're black, I will not call you "master".
The appeal to training it is in its relative ease of access: there is no real bar for entry for anyone regardless of sex, age, or previous martial arts experience, and it is possible for a practitioner to train indefinitely and (mostly) without injury so long as you are doing so safely and intelligently (which I did not, hence my injuries). While competition is encouraged as a test of skill and willpower, it is not a requirement, and a practitioner can advance up the ranks if deemed appropriate by a "professor", as we call sometimes call black belt instructors in BJJ. That said, there is an obvious distinction between popularity as an activity and ubiquity and appeal as a spectator sport, hence this article.
Jiu-jitsu is cursed. No, as far as I know, there aren't any warlocks hidden deep in the forest conjuring hexes specifically to sabotage the community, but it suffers from the same inherently self-limiting handicap as its ancient, much more established, and slightly more naked and action-packed grappling counterpart, wrestling. For all the cartwheels, blast doubles, and the plethora of exciting techniques at a grappler's disposal, its appeal to an audience pales in comparison to striking arts, whose concussive forces produce emphatic impacts and easily discernible and *ahem* striking results. When a precisely placed punch slips through an opponent's guard and leaves them splayed lifelessly on the canvas, relieved of consciousness, there is very little doubt as to what happened and how: somebody just got knocked the fuck out.
The aftermath of Muhammad Ali vs. Sonny Liston II, as captured by Neil Leifer, a sport photojournalist, in 1965. It is likely the most famous shot in all of sporting.
Rulesets such as those of the Abu Dhabi Combat Club (ADCC) and UFC Fight Pass Invitational, itself a derivative of ADCC rules, encourage excitement by penalising grapplers for inaction, but, while these parameters effectively force activity, it must be noted that such constant movement is not necessarily endemic to and can even run contrary to the essence of jiu-jitsu, which emphasises control. Scrambles and chaos do indeed ensue when neither player has control over the other, but what happens when a person has passed their opponent's guard and is working toward a submission? I recall a particular scenario during the 99kg finals 2022 ADCC Worlds in Las Vegas.
With no lack of effort, Kaynan Duarte, the 2019 ADCC's +99kg champion, had just passed fan favourite and 2019 ADCC silver medallist Craig Jones' nearly impenetrable guard, securing the mounted position as the exhausted Mexican Ground Karate grandmaster attempted one of his infamous bottom-side Ezekiel chokes on the powerful Brazilian. The ten-thousand-strong crowd in attendance at the Thomas & Mack Arena erupted in what sounded like a peculiar mix of awe and disappointment. Craig spammed his usual array of unorthodox submission attempts from bottom as Kaynan sought to secure a finish of his own without undoing any of his previous endeavours.
Only one person I can think of will attempt to submit you while you have double unders in mount. Also, if you flip this image, Craig is mercilessly strangling Kaynan from inside his guard, and also in thin air. Photo by Clayton Jones Images (me).
Then something strange happened.
Unsurprisingly, there were warnings for inactivity, but as more time passed without a submission from Kaynan, the penalty points started racking up -- and very quickly. At one time, the negatives were so high that they were equal to the positive points Duarte accumulated from successful passes, which would mean that, had the match ended at that time, the score would have been tied, and it would go into overtime; had he not relented and maintained the position, Craig would have actually gone on to win the match by negatives. Kaynan did go on to score additional points to win and cement himself as the 2022 99kg ADCC champion, but it was nonetheless one of the most bizarre things I have ever witnessed in combat sports.
While absolutely no one wants to see two heavily perspiring people lying motionlessly atop each other for 15 entire minutes like the world's worst attempt at coitus, it is patently absurd that someone who is being controlled can become the victor in a contest primarily dictated by superior control -- that is, unless the dominant player is deliberately stalling and making zero attempts at finishing. The onus should ostensibly lie on the controlled player to facilitate their own escapes and counterattacks.
Furthermore, while strength and conditioning are quintessential elements of any combat athlete's regimen, gratuitous stalling calls put the "art" in "artificial"; they distill the essence of what makes jiu-jitsu formidable in self-defence by overly emphasising physicality and athleticism over technical prowess and forcing competitors to take unnecessary risks, often costing them matches (and however many pennies are being offered) in the process. Of course, competitors are free to go absolutely bananas at their own discretion (and spectators' delight), but that should not be mandatory.
youtube
Even after many years of training, I simply cannot fathom how Floyd can so deftly dodge a flurry of lightning-fast punches and fire off perfect counters all in one motion.
Let's take an example from boxing's Floyd Mayweather. Widely regarded as one of the greatest boxers of all time and known largely for his finely tuned defensive acumen, his style has been decried for being "boring" and too conservative. He was derided for "running" during fights due to what people perceived as fear or an attempt to avoid action, when, in actuality, neither were true: he had incredible ability to avoid punishment in the pocket and proved to be a very effective counter-puncher. More importantly, he embodied what it means to be a boxer: to hit and not be hit. He understood that being consistently clobbered in the noggin for brownie points is stupid, and developed a method which allowed him to remain both relatively unscathed and undefeated as a professional. And winners get paid.
You know who usually doesn't get paid? Losers, and especially jiu-jitsu people who lose. There are certainly outliers in that regard, to be sure, but ultimately, if you are not running a major YouTube platform and/or creating entertaining monetised content, doing seminars, selling loads of instructionals, heading an association or major gym, or competing and winning a lot (or a combination of some or all of these), you really aren't making much, which, when considering that top competitors are professional-level athletes who, more often than not, dedicate their livelihoods to jiu-jitsu, is rather pathetic.
One of the very few people who have managed to make it using only jiu-jitsu, which says a lot. Photo by CJI (me).
The sport is plagued by a glass ceiling and is largely a closed circuit in which, generally, the only people who generate income for jiu-jitsu people are other jiu-jitsu people or combat sports entities and enthusiasts. Almost no one, perhaps aside from ultra-hardcore BJJ enthusiasts, would care to purchase a pay-per-view of IBJJF Pans or Who's Number One like they would a UFC event, and the attendees of the most prestigious events, such as the ADCC World Championships, are almost entirely composed of jiu-jitsu people, many of whom possess only a rudimentary understanding of the rules of the contests they watch.
...and the rules are always changing. Is back control worth three points? Four points? Will I get an advantage for this near-takedown? Is this EBI overtime or sudden death? Nearly every organisation has its own individual ruleset, typically geared toward action, some sort of decisive conclusion, or an amalgam of the two. For example, some submission-only rulesets will call a draw if no finishes occur, and other sub-only entities such as the Eddie Bravo Invitational have three overtime shootout rounds in which competitors start in common finishing positions. The International Brazilian Jiu-Jitsu Federation, or IBJJF, utilises a position-based point system, and the ADCC ruleset emphasises wrestling and rewards action by strongly penalising inactivity or deliberate stalling, and features overtime rounds in the event of an even score or no submission.
Emma Reusing executes a head-and-arm throw at the 2021 IBJJF Worlds. Photo by CJI (me).
While there are certainly merits to facets of these rules, such as the need to keep score and to encourage finishes, the fact remains that, for as much as grappling has grown, there is no real cohesion, regulation, or sanctioning entity in jiu-jitsu. The oft-criticised IBJJF long sat atop the heap as the governing body of all matters jiu-jitsu, but as the sport evolved and outgrew its competitive and regulatory confines, its influence has weakened, although it maintains an iron grip on yes-gi matters. While uncertainty regarding rules can be a recurring theme throughout sports, the lack of parity between the various jiu-jitsu rulesets in addition to the relative absence of a central administrative entity for athlete matters sows confusion amongst viewers and even causes doubts about its legitimacy as a sport to be taken seriously.
The Silver Lining
A select few individuals' attempts at pouring money into grappling may have bolstered the sport's profile, yet few entities have provided a decent payout for participants or winners, even if backed by nearly unlimited resources, and, in some cases, the vast majority of the resources spent have largely gone to every aspect of the grappling event except the athletes, which are the entire reason your event exists.
We don't have the broad appeal of team sports like basketball and soccer or the visceral impact of striking arts, and dorks who wear profanity-laden, dubiously labelled, or flamboyantly coloured clothing articles (or lack thereof) and hug each other aggressively for up to hours at a time in a niche sport that no one understands can hardly afford to take themselves seriously, so it stands to reason that someone has to get top-level competitors a decent chunk of change in lieu of spectatorship.
youtube
Some second thoughts, if you will.
Enter Craig Jones, the knight in silver armour, wielding duffle bags full of duckets and plans to upend the status quo via an eponymously named invitational, commonly referred to as CJI (like me, but with more value), and frequently mispronounced "CGI". The Craig Jones Invitational, which occurs concurrently with ADCC 2024, boasts a $3 million budget, most of which goes to athletes, and promises $1 million for winners of each division. Hosted in the Thomas & Mack Arena, CJI competitors will battle it out in a Karate Combat-inspired depression dubbed "The Alley", and will debut MMA-influenced rounds and an open scoring system. High-profile legends are also rumoured to be participating.
Marcelo Garcia explains a technique at the ADCC "Super Seminar" prior to the 2022 ADCC world championships. Photo by CJI (me).
And it's all streaming on YouTube.
Craig makes several valid points, namely, regarding venues and production. Ultimately, while marketing is certainly paramount in terms of fostering interest, if the sport as a whole is to grow, it must be organic in nature. Grandiloquent displays of pomp and circumstance alone don't bolster the profile of a sport -- people must also be curious about the sport itself. Being "the best" of a thing is useless if no one cares about the thing, and you cannot artificially fill shoes you are not currently capable of wearing.
However, an increased payout will inevitably attract more competition and competitors, which has a net benefit for the sport.
youtube
Except by some miracle, jiu-jitsu will indefinitely drift along down the river of obscurity, discovered and embraced by a select few, but never truly understood or even recognised by the general public, who still think judo people kick and that we do some form of weird extraterrestrial taekwondo. I would love nothing more than to be proven wrong regarding the future of this art we have come to hold dear, but at the very least, the professionals who have become the face of this game through years of steroids hard work and sacrifice should be able to afford to make a decent living from their passions.
|the kid|
#Youtube#Craig Jones Invitational#ADCC#Craig Jones#BJJ#New Wave#B-Team#grappling#Brazilian jiu-jitsu#sports#sports photography#Gordon Ryan#submission#Gracie
1 note
·
View note
Text
DOD Featured Photos
Readiness Training A solider executes a wet gap crossing during Remagen Ready at Fort Cavazos, Texas, Nov. 3, 2023. The… Photo Details > Engine Work Airmen assigned to the 9th Expeditionary Bomb Squadron perform a rapid engine change at RAF Fairford… Photo Details > Nighttime Maintenance A sailor performs routine maintenance on an F/A-18E Super Hornet on the flight deck of the USS Geral… Photo…
View On WordPress
0 notes
Link
4 Min Read NASA C-130 Makes First-Ever Flight to Antarctica for GUSTO Balloon Mission NASA's Wallops Flight Facility C-130 aircraft delivered the agency’s Galactic/Extragalactic ULDB Spectroscopic Terahertz Observatory (GUSTO) payload to McMurdo Station, Antarctica, on Oct. 28, 2023. The GUSTO mission will launch on a scientific balloon in December 2023. Credits: NASA/Scott Battaion On Oct. 28, 2023, NASA’s C-130 Hercules and crew safely touched down at McMurdo Station, Antarctica, after an around-the-globe journey to deliver the agency’s Galactic/Extragalactic ULDB Spectroscopic Terahertz Observatory (GUSTO). The United States research station, operated by the National Science Foundation, is host to NASA’s Antarctic long-duration balloon campaign in which the GUSTO mission will take a scientific balloon flight beginning December 2023. The C-130 crew, which has now completed half of the 26,400-nautical-mile round-trip journey, first stopped at Fort Cavazos, Texas, on Oct. 17, to load the GUSTO observatory and members of its instrument team. Additional stops to service the aircraft and for crew rest included Travis Air Force Base (AFB), California; Hickman AFB, Hawaii; Pago Pago, American Samoa; and Christchurch, New Zealand, before finally reaching McMurdo, Antarctica – a mere 800 miles from the South Pole. Aircraft Office teams prepare the C-130 aircraft for departure at NASA’s Wallops Flight Facility in Virginia. The aircraft will deliver the agency’s Galactic/Extragalactic ULDB Spectroscopic Terahertz Observatory (GUSTO) payload to McMurdo Station, Antarctica. The GUSTO mission will launch on a scientific balloon in December 2023.NASA/Terry Zaperach GUSTO, part of NASA’s Astrophysics Explorers Program, is set to fly aboard a football-stadium-sized, zero-pressure scientific balloon 55 days and beyond, on a mapping mission of a portion of the Milky Way Galaxy and nearby Large Magellanic Cloud. A telescope with carbon, oxygen, and nitrogen emission line detectors will measure the interstellar medium, the cosmic material found between stars, and trace the full lifecycle of that matter. GUSTO’s science observations will be performed in a balloon launch from Antarctica to allow for enough observation time aloft, access to astronomical objects, and solar power provided by the austral summer in the polar region. NASA’s Wallops Flight Facility Aircraft Office in Wallops Island, Virginia, which manages the C-130, spent nearly a year in coordination efforts preparing for GUSTO’s trip to its launch site. From international clearances with agencies, cargo configurations with NASA’s Balloon Program Office, logistical support with the National Science Foundation at McMurdo, to specialized training on nontraditional navigation systems in Antarctica, the Aircraft Office developed an extensive plan to safely deliver the intricate science payload. The first-ever mission to Antarctica for the NASA C-130 aircraft presented several long-haul cargo flight challenges. Mission managers and NASA’s Office of International and Interagency Relations (OIIR) started early to stay ahead of coordination of international flight clearances. “We work very hard to make sure that we execute the mission at a high standard of technical competence and professionalism to maintain NASA’s international reputation,” said John Baycura, Wallops research pilot on the GUSTO mission. Large time-zone changes challenge the crew’s circadian rhythm. Ninety hours in flight across multiple time zones requires an extra pilot and flight engineer on the mission to share the workload. Mandatory crew rest days at strategic locations, per NASA policy, ensure the crew receives enough time to rest, adjust to the schedule, and proceed safely. Visit NASA’s Goddard Space Flight Center Flickr for more photos. Unexpected weather also tops the list of most pressing challenges for this type of flight. Oceanic crossings come with the added risk of weather complicated by no radar coverage over the ocean. The crew uses DOD and civilian weather agencies to identify hazardous weather and adjust flight routes, altitude, and timings accordingly. “For the specific case of McMurdo, while en route, we called the weather shop at McMurdo Station to get a forecast update before we reached our ‘safe return’ point. Using a conservative approach, we decided whether to continue to McMurdo Station or return to Christchurch and try again the next day,” said Baycura. For this mission, no commercial entities supported the final leg to Antarctica. U.S. Air Force C-17’s and the New York Air National Guard LC-130’s that typically transport to McMurdo Station had limited space in their schedules. By using NASA’s C-130 for this specialized cargo mission, “the balloon program gained a dedicated asset with a highly experienced crew and support team. This greatly reduced the standard project risks to schedule, cargo, and cost,” said Baycura. For more information, visit nasa.gov/wallops. Share Details Last Updated Oct 30, 2023 Editor Jamie Adkins Contact Olivia F. [email protected] Location Wallops Flight Facility Related Terms AeronauticsNASA AircraftScientific BalloonsWallops Flight Facility Explore More 4 min read NASA Technologies Receive Multiple Nods in TIME Inventions of 2023 Article 3 days ago 4 min read Aviones de movilidad aérea avanzada: un viaje suave en el futuro Article 4 days ago 3 min read NASA Retires UHF SmallSat Tracking Site Ops at Wallops Article 5 days ago
0 notes
Text
Top 10 of the Week
PRIDE FORT LAUDERDALE The 42nd edition of this beloved event has expanded to a 5 day extravaganza with a Fashion Show, a Parade, a Latin T Dance, a Lesbian T Dance, a couple drag brunches, a block party, and of course the festival. Wed, February 20 through Sunday, February 24; PrideFortLauderdale.org
BROADWAY – Waitress
Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.
Tues, February 26 – Sun, March 3; Arsht Center for the Performing Arts (1300 Biscayne Blvd, Miami); Tix: start at $34; ArshtCenter.org
COMEDIAN – Paula Poundstone
She is one of our country’s preeminent comedians, known for her smart, observational humor and spontaneous wit tours regularly performing over 85 shows a year. She was the first woman, in its then 73rd year, to perform standup comedy at the White House Correspondents’ Dinner. She won an American Comedy Award for Best Female Standup Comic.
Sat, February 23; 8pm; Coral Springs Center for the Arts (2855 Coral Springs Dr.); Tix: Start at $38; TheCenterCS.com
PSYCHIC – Theresa Caputo Live!
She is an American television personality best known for portraying a medium on the TLC reality TV series, Long Island Medium since 2011. She is also the author of two books and tours around the country with her live experience. Sat, February 23; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $60, $75, $90 and $105; seminolehardrockhollywood.com.
BANDS – South Florida Pride Wind Ensemble Renowned composer and clinician, Robert Sheldon, will conduct the 8th Season of the Youth Pride Band of South Florida. The Youth Band is comprised of over 90 high school students from the tri-county area. They will be joined by another 50 members of the South Florida Pride Wind Ensemble for the second half of the performance. Before the night is over, at least 15 students will be awarded with $1,000 college scholarships Sun, February 24; 7pm; The Broward Center for the Performing Arts (201 SW 5th Ave, Fort Lauderdale); Tix: $30; BrowardCenter.org
AGT’s – Puddles Pity Party
The “Sad Clown with the Golden Voice” is back with a suitcase full of all-new emotional anthems and plenty of Kleenex. As with any Pity Party performance, it’s not all sadness and longing. Puddles’s set is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.
Wed, February 27; 8pm; Parker Playhouse (707 NE 8th St, Fort Lauderdale); Tix: $33-$48; ParkerPlayhouse.com
TV – World Of Dance
Season 3 of the Jennifer Lopez-produced dance competition will move to Sundays at 8pm after the premiere episode. Lopez is back as a judge, along with Derek Hough, Ne-Yo and host Scott Evans takes over for Jenna Dewan. This show gives dancers the platform to showcase their talents and the opportunity to receive a life-altering grand prize of $1 million.
Tues, February 26; 9pm; NBC;
MOVIE – How to Train Your Dragon: The Hidden World
In the 3rd and final installment of this much loved animated movie, Hiccup discovers Toothless isn’t the only Night Fury, he must seek “The Hidden World”, a secret Dragon Utopia before a hired tyrant named Grimmel finds it first. This Animation/Action/Adventure/Comedy/Family/Fantasy movie features the voices of: Jay Baruchel, America Ferrera, F. Murray Abraham, and Cate Blanchett.
Premiere’s Friday, February 22; Rated PG; 104 minutes.
OUTSHINE’S – Big Night Out
They invite you to celebrate Hollywood’s biggest night – the 91st Academy Awards watch party event. The night will feature a red carpet, complimentary valet, passed appetizers, full sit down dinner, 3 hour open bar, and will honor Scott Greenberg, De Palazzo, Jacqueline Lorber, Emery Grant and Julian Cavazos. Performers will be Joe Posa, Tony Tripoli, Angeliki Tasic and Cindy Curtis. Benefits the Outshine Film Festivals Education Initiative.
Sun, February 24; 7pm; The Venue (2345 Wilton Dr. Fort Lauderdale); Tix: $150; Outshinefilm.com
BAND – The Beach Boys
These American icons celebrate more than half a century of making music, and are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Tim Bonhomme, John Cowsill, Keith Hubacher, Scott Totten and Christian Love continue the legacy of America’s iconic band. This concert will not feature Brian Wilson, Al Jardine or David Marks. Wed, February 27; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $45, $65 and $85; seminolehardrockhollywood.com
from Hotspots! Magazine https://hotspotsmagazine.com/2019/02/20/top-10-of-the-week-25/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/182939515315
0 notes
Text
Top 10 of the Week
PRIDE FORT LAUDERDALE The 42nd edition of this beloved event has expanded to a 5 day extravaganza with a Fashion Show, a Parade, a Latin T Dance, a Lesbian T Dance, a couple drag brunches, a block party, and of course the festival. Wed, February 20 through Sunday, February 24; PrideFortLauderdale.org
BROADWAY – Waitress
Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.
Tues, February 26 – Sun, March 3; Arsht Center for the Performing Arts (1300 Biscayne Blvd, Miami); Tix: start at $34; ArshtCenter.org
COMEDIAN – Paula Poundstone
She is one of our country’s preeminent comedians, known for her smart, observational humor and spontaneous wit tours regularly performing over 85 shows a year. She was the first woman, in its then 73rd year, to perform standup comedy at the White House Correspondents’ Dinner. She won an American Comedy Award for Best Female Standup Comic.
Sat, February 23; 8pm; Coral Springs Center for the Arts (2855 Coral Springs Dr.); Tix: Start at $38; TheCenterCS.com
PSYCHIC – Theresa Caputo Live!
She is an American television personality best known for portraying a medium on the TLC reality TV series, Long Island Medium since 2011. She is also the author of two books and tours around the country with her live experience. Sat, February 23; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $60, $75, $90 and $105; seminolehardrockhollywood.com.
BANDS – South Florida Pride Wind Ensemble Renowned composer and clinician, Robert Sheldon, will conduct the 8th Season of the Youth Pride Band of South Florida. The Youth Band is comprised of over 90 high school students from the tri-county area. They will be joined by another 50 members of the South Florida Pride Wind Ensemble for the second half of the performance. Before the night is over, at least 15 students will be awarded with $1,000 college scholarships Sun, February 24; 7pm; The Broward Center for the Performing Arts (201 SW 5th Ave, Fort Lauderdale); Tix: $30; BrowardCenter.org
AGT’s – Puddles Pity Party
The “Sad Clown with the Golden Voice” is back with a suitcase full of all-new emotional anthems and plenty of Kleenex. As with any Pity Party performance, it’s not all sadness and longing. Puddles’s set is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.
Wed, February 27; 8pm; Parker Playhouse (707 NE 8th St, Fort Lauderdale); Tix: $33-$48; ParkerPlayhouse.com
TV – World Of Dance
Season 3 of the Jennifer Lopez-produced dance competition will move to Sundays at 8pm after the premiere episode. Lopez is back as a judge, along with Derek Hough, Ne-Yo and host Scott Evans takes over for Jenna Dewan. This show gives dancers the platform to showcase their talents and the opportunity to receive a life-altering grand prize of $1 million.
Tues, February 26; 9pm; NBC;
MOVIE – How to Train Your Dragon: The Hidden World
In the 3rd and final installment of this much loved animated movie, Hiccup discovers Toothless isn’t the only Night Fury, he must seek “The Hidden World”, a secret Dragon Utopia before a hired tyrant named Grimmel finds it first. This Animation/Action/Adventure/Comedy/Family/Fantasy movie features the voices of: Jay Baruchel, America Ferrera, F. Murray Abraham, and Cate Blanchett.
Premiere’s Friday, February 22; Rated PG; 104 minutes.
OUTSHINE’S – Big Night Out
They invite you to celebrate Hollywood’s biggest night – the 91st Academy Awards watch party event. The night will feature a red carpet, complimentary valet, passed appetizers, full sit down dinner, 3 hour open bar, and will honor Scott Greenberg, De Palazzo, Jacqueline Lorber, Emery Grant and Julian Cavazos. Performers will be Joe Posa, Tony Tripoli, Angeliki Tasic and Cindy Curtis. Benefits the Outshine Film Festivals Education Initiative.
Sun, February 24; 7pm; The Venue (2345 Wilton Dr. Fort Lauderdale); Tix: $150; Outshinefilm.com
BAND – The Beach Boys
These American icons celebrate more than half a century of making music, and are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Tim Bonhomme, John Cowsill, Keith Hubacher, Scott Totten and Christian Love continue the legacy of America’s iconic band. This concert will not feature Brian Wilson, Al Jardine or David Marks. Wed, February 27; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $45, $65 and $85; seminolehardrockhollywood.com
source https://hotspotsmagazine.com/2019/02/20/top-10-of-the-week-25/ from Hot Spots Magazine https://hotspotsmagazin.blogspot.com/2019/02/top-10-of-week_20.html
0 notes
Text
Top 10 of the Week
PRIDE FORT LAUDERDALE The 42nd edition of this beloved event has expanded to a 5 day extravaganza with a Fashion Show, a Parade, a Latin T Dance, a Lesbian T Dance, a couple drag brunches, a block party, and of course the festival. Wed, February 20 through Sunday, February 24; PrideFortLauderdale.org
BROADWAY – Waitress
Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.
Tues, February 26 – Sun, March 3; Arsht Center for the Performing Arts (1300 Biscayne Blvd, Miami); Tix: start at $34; ArshtCenter.org
COMEDIAN – Paula Poundstone
She is one of our country’s preeminent comedians, known for her smart, observational humor and spontaneous wit tours regularly performing over 85 shows a year. She was the first woman, in its then 73rd year, to perform standup comedy at the White House Correspondents’ Dinner. She won an American Comedy Award for Best Female Standup Comic.
Sat, February 23; 8pm; Coral Springs Center for the Arts (2855 Coral Springs Dr.); Tix: Start at $38; TheCenterCS.com
PSYCHIC – Theresa Caputo Live!
She is an American television personality best known for portraying a medium on the TLC reality TV series, Long Island Medium since 2011. She is also the author of two books and tours around the country with her live experience. Sat, February 23; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $60, $75, $90 and $105; seminolehardrockhollywood.com.
BANDS – South Florida Pride Wind Ensemble Renowned composer and clinician, Robert Sheldon, will conduct the 8th Season of the Youth Pride Band of South Florida. The Youth Band is comprised of over 90 high school students from the tri-county area. They will be joined by another 50 members of the South Florida Pride Wind Ensemble for the second half of the performance. Before the night is over, at least 15 students will be awarded with $1,000 college scholarships Sun, February 24; 7pm; The Broward Center for the Performing Arts (201 SW 5th Ave, Fort Lauderdale); Tix: $30; BrowardCenter.org
AGT’s – Puddles Pity Party
The “Sad Clown with the Golden Voice” is back with a suitcase full of all-new emotional anthems and plenty of Kleenex. As with any Pity Party performance, it’s not all sadness and longing. Puddles’s set is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.
Wed, February 27; 8pm; Parker Playhouse (707 NE 8th St, Fort Lauderdale); Tix: $33-$48; ParkerPlayhouse.com
TV – World Of Dance
Season 3 of the Jennifer Lopez-produced dance competition will move to Sundays at 8pm after the premiere episode. Lopez is back as a judge, along with Derek Hough, Ne-Yo and host Scott Evans takes over for Jenna Dewan. This show gives dancers the platform to showcase their talents and the opportunity to receive a life-altering grand prize of $1 million.
Tues, February 26; 9pm; NBC;
MOVIE – How to Train Your Dragon: The Hidden World
In the 3rd and final installment of this much loved animated movie, Hiccup discovers Toothless isn’t the only Night Fury, he must seek “The Hidden World”, a secret Dragon Utopia before a hired tyrant named Grimmel finds it first. This Animation/Action/Adventure/Comedy/Family/Fantasy movie features the voices of: Jay Baruchel, America Ferrera, F. Murray Abraham, and Cate Blanchett.
Premiere’s Friday, February 22; Rated PG; 104 minutes.
OUTSHINE’S – Big Night Out
They invite you to celebrate Hollywood’s biggest night – the 91st Academy Awards watch party event. The night will feature a red carpet, complimentary valet, passed appetizers, full sit down dinner, 3 hour open bar, and will honor Scott Greenberg, De Palazzo, Jacqueline Lorber, Emery Grant and Julian Cavazos. Performers will be Joe Posa, Tony Tripoli, Angeliki Tasic and Cindy Curtis. Benefits the Outshine Film Festivals Education Initiative.
Sun, February 24; 7pm; The Venue (2345 Wilton Dr. Fort Lauderdale); Tix: $150; Outshinefilm.com
BAND – The Beach Boys
These American icons celebrate more than half a century of making music, and are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Tim Bonhomme, John Cowsill, Keith Hubacher, Scott Totten and Christian Love continue the legacy of America’s iconic band. This concert will not feature Brian Wilson, Al Jardine or David Marks. Wed, February 27; 8pm; Hard Rock Event Center at Seminole Hard Rock Hotel & Casino (1 Seminole Way, Hollywood); Tix: $45, $65 and $85; seminolehardrockhollywood.com
from Hotspots! Magazine https://hotspotsmagazine.com/2019/02/20/top-10-of-the-week-25/
0 notes
Text
youtube
#youtube#militarytraining#Fort Cavazos#Army National Guard Soldiers#National Guard Soldiers#Army Reserve#Fort Cavazos Training#Army National Guard#Military Training#Army Training#Military Training Exercise#Soldiers#U.S. Army National Guard#Military Exercise#Military Drill#Military Exercise Training#Military Sling Load#Sling Load Training#Army Sling Load#Helicopter Sling Load Exercise#Sling Load Exercise#Helicopter Sling Load
0 notes
Text
youtube
#youtube#militarytraining#Fort Cavazos#First Aid#Military#Healthcare#Texas#Emergency#Army#Combat#Training#Military Training#Medical#Fort Training#Center#Soldiers#Medical Training#Field Medicine#Response#Medical Professionals#Military Personnel#Personnel
0 notes
Text
youtube
Dismounted infantrymen from 1st Battalion, 12th Cavalry Regiment, 3rd Armored Brigade Combat Team, 1st Cavalry Division, assault a trench with help from Bradley Fighting Vehicles during a combined-arms live-fire training exercise (CALFEX) on Fort Cavazos, Texas, Jan 20, 2024. CALFEX helps train Troopers and units by building team cohesion through rigorous and realistic warfighting scenarios.
#youtube#1stCavalryDivision#CALFEX#TrenchAssault#BradleyFightingVehicle#RawPowerUnleashed#MilitaryTraining#ArmyLife#CombatSimulation#Warfare#TankSupport#BattleExperience#USArmy#Soldiers#Troops#WarfareTactics#MilitaryExercise#TrainingDay#Firepower#WarfareTraining#CombatMissions
0 notes