#Fondation Louis Vuitton. Le Centre George Pompidou | Explore Tumblr posts and blogs

chez-mimich · 5 years ago

Text

VERTIGINE DELLA LISTA, OVVERO COSA HO VISTO, LETTO, ASCOLTATO NEL 2019.

“Cold War" di Pawel Pawlikowski, Anteo Milano, 01.01.19

“Racconti parigini” a cura di Corrado Augias, 03.01.19

“La bestia che mi porto dentro” di Francesco Piccolo, 09.01.19

“Il gioco delle coppie” di Olivier Assays. 12.01.19

“Haruna kuyateh & Ararata Ensemble Orchestra”, caserma Passalacqua Novara Jazz Winter, 26.01.19

“La Favorita” di Yorgos Lanthinos, 27.01.19

“L’arte sopravviverà alle sue rovine” di Anselm Kiefer, 27.01.19

"Orchestra Sinfonica Cantelli" Teatro Coccia. Mozart, Haydn, Beethoven, Liszt, 30.01.19

“Green Book”, di Peter Farrely, 01.02.19

“Col Hakolot” coro ebraico, Broletto di Novara, 03.02.19

"My River runs to thee”, Taste of Jazz, Opificio, 07.02.2019

"Santiago, Italia" di Nanni Moretti 09.02.19

"Masahisa Fukase", Fondazione Sozzani, 09.02.19

“The Gumbos”, Taste of Jazz, 21.02.19

“Cuore di cane” di M. Bulgakov, Teatro Grassi Milano,23.02.19

“Shades of Freedom”, Taste of Jazz, Opificio, 28.02.19

“Roma” di Alfonso Cuaròn, 02.03.19

Giorgio Andreotta Calò “Cittadimilano”, Hangar Bicocca 09.03.19

“Capri Revolution” di Mario Martone, 15.03.19

"Broken Nature: Design Takes on Human Survival, Triennale Milano 23.03.18

"Una giusta causa" di Mimi Leder, 30.03.19

"Surrogati. Un amore ideale" Osservatorio prada, Milano, 31.03.19

“Ibrahim Mahama, Firend”, Porta Venezia Milano, 06.04.19

“Design Week-Fuorisalone”. Statale, Meravigli, Cairoli, Brera, Garibaldi. 10.04.19

“Design Week-Fuorisalone”. Centrale Ventura, Via popoli Uniti, 12.04.19

“Design Week-Fuorisalone”, Via Tortona, Base, Vie Bergognkne, 13.04.19

“Musica in scena: Irene Veneziani”, pianoforte, Teato Faraggiana, 24.04.19

“Dilili a Parigi” di Michel Ocelot, 25.04.19

“Christian Marclay”, White Cube Mason’s Yard, Londra, 07.05.19

“Phyllida Barlow, Cul de Sac”, Royal Accademy, Londra, 07.05.19

“Prahabavathi Meppayil, PACE”, Royal Accademy, Londra, 07.05.19

“Dorothea Tanning”, Tate kdern, Londra, 08.05.19

“Franz West”, Tate Modern, Londra, 08.05.19

“Jenny Holzer” Artist Room, Tate Modern, Londra, 08.05.19

“Magic Realism”, Tate Modern, Londra, 08.05.19

“Kaleidoscope”, Saatchi Gallery, Londra, 09.05.19

“Artic New Frontier”, Saatchi Gallery, Londra, 09.05.19

“Ara Güler, Gallery 12”, Saatchi Gallery, Londra, 09.05.19

“Johnnie Cooper” Saatchi Gallery, Londra, 09.05.19

“Boilly, Scenes of Parisian Life”, National Gallery, Londra, 10.05.19

“Sean Scully, Sea Star”, National Gallery, Londra, 10.05.19

“Emme Kunz, Visionary Drawings”, Serpentine Gallery, Londra, 10.05.19

“Hito Steyler, Power Flowers”, Serpentine Sakler Gallery, Londra 10.05.19

“Sylvie Felury, Hypnotic Poison”, Galerie Thaeddeus Ropac, Londra, 10.05.19

“Gerwald Rokenschaub”, Thaeddeus Ropac, Londra, 11.05.19

“Munch” di Steffen Kaverneland, 15.05.19

“The Repetitition (s) Histoire (s) du Theatre” di Milo Rau Teatro Streheler Milano, 11.05.19

“Piano City Milano: Marta Meszaros”, Casa Melis, Milano, 19.05.19

“World Press of the Year 2019”, Fondazione Sozzani, 19.05.19

“People of Tamba”, Fondazione Sozzani Milano, 19.05.2019

“Matteo Bortone solo” Novara Jazz, 25.05.19

“Ariel Tessier & Severin Morfin” Novara Jazz, 25.05.19

“Three Days of Forest” Novara Jazz 25.05.19

“No Tongues” Novara Jazz 25.05.19

“Severin Morfin e Ronan Coutry” Novara Jazz 26.05.19

“Ronan Prual & Matthieu Prual” Novara Jazz, 26.05.19

“Giulio Corini, Libero Motu” Nivara Jazz, 30.05.19

“Elephank Project” Novara Jazz, 30.05.19

“Ill Considered” Novara Jazz, 31.05.19

“Khalab Feat. Tamar Collocutor e Tommaso Cappellato” Novara Jazz, 31.05.19

“Francesco Bigoni Solo” Novara Jazz, 01.06.19

“Italian String Trio” Novara Jazz, 01.06.19

“Olmo”, Novara Jazz, 01.06.19

“Animanz & Juanita Euka”, Novara Jazz, 01.06.19

“Sanne Huijbregts Solo”, Nivara Jazz, 02.06.19

“Erios Junior Jazz Orchestra+Michael Steinman”, Novara Jazz, 02.06.19

“Marco Remondini+Banda Filarmonica di Oleggio”, Novara Jazz, 06.06.19

“Roberta Brighi L.W. 6TET”, Novara Jazz, 06.06.19

“Workshop de Lyon+Trio Impro+L’Effet Vapeur”, Novara Jazz, 07.06.19

“Simone Graziano Frontal”, Novara Jazz, 07.06.19

“Ben Van Gelder” Novara Jazz, 08.06.19

“Jeuselou du Dimanche” Novara Jazz, 08.06.19

“Reiner Baas & Ben Van Gelder” Novara Jazz, 08.06.19

“Marmite Infernale”, Novara Jazz, 08.06.19

“Barre Phillips Solo”, Novara Jazz, 09.06.19

"Serotonina" di Miche Houellebecq, 30.06.19

"Miro, au delà de la peinture" Fondation Maeght, St. Paul de Vence, 06.07.19

"Koln Duo", Ramatuelle, 10.07.2019

“Un mondo in parole” di Paul Auster, 11.07.19

“Edison, l’uomo che illuminò il mondo” di Alfonso Gomez-Dejon, 25.07.19

“Mirò parle” di Joan Mirò, 25.07.19

“Sheela Gowda, Remains”, Hangar Pirelli Bicocca, 31.08.19

“Yossi Rakover si rivolge a Dio” di Zvi Kolitz. 05.08.19

Roger Ballen "The Body, the Mind, the Space", Fondazione Sozzani, 18.08.19

“Anna Maria Maiolino”, Pac Milano, 19.08.19

Gilbert & George,“There were two Young Men”, 25.08.19

“Laurent Hasley,“Too Blessed 2 Be Stressed”, Fondation Vuitton, Parigi, 25.08.19

“Sally Mann, a thousand crossing”, 24.08.19

Marc Pataut, “de proche en proche”, 24.08.19

“Nous les Arbres”, Fondation Cartier Parigi, 26.08.19

“Préhistoire, un enigme moderne”, Centre Pompidou, 27.08.19

"Takesada Matsutani", Centre Pompidou, 27.08.19

"Bernard Frioeze", Centre Pompidou, 28.08.19

"Cao Fei", Centre Pompidou, 28.08.19

“Champs d’Amours”, Hotel de Ville, Parigi, 27.08.19

“Berthe Morisot”, Musée d’Orsay Parigi, 29.08.19

“À la plume, au pinceau, au crayon” Ima, Parigi, 29.08.19

“Hella Hongeriujs”, Lafayette Anticipation, Parigi, 30.08.19

“Ernst Macoba: I shall dance in a different society”, Centre Pompidou Parigi, 27.08.19

“Eloisa Manera, Duende”, Piccolo Coccia EJC, Novara, 11.09.19

“WE3 di Francesco Chiapperini”, Piccolo Coccia, EJC, Novara 12.09.19

“Raffaele Casarano, Mirko Signorile”, Piccolo Coccia, EJC, Novara, 12.09.19

"Piero Bittolo Bon, Bread & Fox”, Sala Borsa Novara, EJC, 13.09.19

"Roberto Ottaviano con “Eternal Love”, PIccolo Coccia Novara, NJC, 13.09.19

"Marco Colonna solo", Basilica di San Gaudenzio Novara, 14.09.19

“Filippo Vignato Quartet”, Teatro Coccia Novara, EJC ,14.09.19

"Andrea Grossi, Songs and Poems", Teatro Coccia. EJC, Novara, 14.09.19

“Crossing Quartet”, Teatro Coccia Novara, EJC, 14.09.19

"Federica Michisanti, Horn Trio", Chiostro della Canonica Novara, EJC, 15.09.19

"L'incredibile viaggio delle piante" di Stefano Mancuso , 20.09.19

"5 E'il numero perfetto" di Igort, 23.09.2019

Alex Prager, "Silver Lake Drive" Fondazione Sozzani Milano, 23.09.19

"C'era una volta a Hollywood" di Quentin Tarantino, 30.09.19

"Danie Steegmann Mangrané, A Leaf-Shaped Animal Drawn the Hand", Hangar Bicocca Milano, 31.09.19

"Joker" di Todd Phillips, 05.10.19

"Anastasiya Pteryshak e Enrica Savigni, suonano Paganini", Chiesa di San marco, 07.10.19

“Training Hunans” Osservatorio Prada Milano, 12.10.19

“Yan Pei-Ming”, Galleria De Carlo Milano, 12.10.19

“Raoul” di e con James Thierrée, Teatro Strehler 12.10.19

Giulia Biagetti, organo. San Gaudenzio 13.10.19

“Romancero Gitano” di Federico Garçia Lorca, con Nuria Espert, Teatro Grassi, 22.10.19

Kevin Browyer organo, San Gaudenzio 23.10.19

"Golden Variations" con Camilla Monga, Novara Jazz, 24.10.19

"Erlend Apneseth Trio", Novara Jazz, 26.10.19

"Dontown Abbey" di Michael Engler, 27.10.19

"Lupi5" Tast of jazz, Opificio Novara 31.10.19

"Canova, Thorvaldsen, la nascita della scultura moderna", Gallerie d'Italia Molano, 01.11.19

"Ritorno a Reims" Teatro Studio Melato, 05.11.19

"Canova Trio" Taste of Jazz, 08.11.19

"Il libro di tutti i libri" di Roberto Calasso, 20.10.19

Cerith Wyn Evans "...Illuminating Gas" Hangar Pirelli Bicocca Milano, 16.11.19

"Florasia", Taste of Jazz, Opificio Novara, 22.11.19

"L'ufficiale e la spia" di Roman Polanski, 28.11.19

"Un giorno di pioggia a New York" di Woody Allen, 2.12.19

"La Belle Epoque" di Nicola Bedos

"Cité. Lieux vides, rues passantes", 05.12.19

"Simone Quatrana e Davide Rinella", Taste of Jazz, 06.11.19

"Wes Anderson, il sarcofago di Spitzmaus e altre meraviglie", Fondazione Prada Milano, 08.12.19

"Tower Jazz Composer Orchestra" recensione, 09.12.19

"Boom Collective", Taset of Jazz, 14.12.19

"Louis Armstrong. Satchmo oltre il mito del jazz", 18.11.19

"Vito Emanuele Galante in solo", San Giovanni decollato, 18.11.19

"Paolo Fabbri Jazz Ensemble" Taste of Jazz, 19.12.19

"1.15 K" Recensione, 19.12.19

"Australia, storie dagli antipodi", Pac Milano, 21.12.19

"La dea fortuna" di Ferzan Opzetek 26.12.19

“Parasite” di Bong Joo-Ho, 29.12.19

“Pinocchio” di Matteo Garrone, 31.12.19

#diario

3 notes · View notes

contemporaryafricanartunframed · 6 years ago

Text

An Introduction to Jean Pigozzi

“When I started, everyone thought that I was an idiot. But now many museums - like Pompidou, Tate, Metropolitan in New York, Los Angeles County Museum - they all want to do shows from my collection,” explains French-born Italian collector Jean Pigozzi in 2016, reacting to the rise in popularity and interest in Contemporary African art. At sixty-four years old, Pigozzi has amassed over 10,000 works of Contemporary African art with a particular focus on artists who live and work in sub-Saharan Africa. Pigozzi’s collection is different from other collections of Contemporary African art (such as the Zeitz collection) which include works by artists who may not be currently living and working in Africa and which feature artists from all different parts of the continent. What is not different, however, is Pigozzi’s desire to help African artists to share their stories with the world. Although his collection does not have a permanent museum or location where it can be shown altogether, the works are frequently on loan to prestigious museums internationally and featured in exhibitions worldwide.

Pigozzi was an artist before he ever became an art collector; he discovered photography at a young age as a way to capture the world around him and express himself without extensive writing, which he struggled with due to dyslexia. Growing up in what he calls a “typical European bourgeois” household, the young aficionado regularly attended art museums with his mother, and his parents even had a modest collection of Impressionist works. It was not until the 1970s, when he attended Harvard University in the United States, however, that Pigozzi exposed himself to art that was more avant-garde. Pigozzi recalls spending weekends in New York visiting MoMA, the Whitney, and galleries downtown. Pigozzi found the art around him fascinating: “It was all so exciting,” he said. “This was the time of Conceptual Art and Minimalism; Carl Andre and Sol LeWitt.” His first purchase was a small Sol LeWitt drawing. At age twenty one, Pigozzi inherited his father’s fortune and became wealthy enough to enjoy a life of leisure dedicated to following his passions - including his burgeoning interest in art - wherever they led him.

In 1989, Pigozzi discovered Contemporary African art when he attended the well-known, yet controversial, exhibition Magiciens de la terre at the Centre Georges Pompidou in Paris. The exhibition, which is seen as one of the major turning points for the art world’s globalization, featured works by more than 100 artists from 50 countries, half of which were so-called “non-Western.” Upon seeing the show, Pigozzi was struck by the creativity of the African artists whose works were featured. Pigozzi was not able to purchase the works in the show, which included those by now relatively more well-known Contemporary African artists Bodys Isek Kingelez and Chéri Samba, because they were owned by a French television station. However, Pigozzi was introduced to André Magnin, who helped curate the show, and he became Pigozzi’s advisor as he began to collect Contemporary African art. Most of the works that the collector has acquired were purchased directly from the artists themselves, and many of them were discovered by Magnin through his journeys into Africa scouting for artistic talent.

While Pigozzi himself has never been to Africa, he remains committed to meeting and talking with the artists whose work he collects, finding collectors who do not do so to be more vulnerable to the tall tales sometimes told by art world professionals when trying to make a sale. Among the 71 artists listed on Pigozzi’s collection website, only some of them have been featured in gallery or museum shows - lending itself well to the interpretation that Pigozzi enjoys discovering new artists. Pigozzi has been credited for essentially launching the careers of artists in his collection who do have more art world visibility. For instance, journalist Tess Thackara argues: “Without Pigozzi’s patronage, it’s easy to imagine that [Kingelez] would never have made it onto the MoMA’s walls; the high-profile collector has undeniably brought visibility to Kingelez’s work and played a crucial role in its preservation.”

When he talks about his motives for collecting the art that he does, Pigozzi never talks about financial viability, stability or even potential to produce any sort of profit. In fact, Pigozzi believes that anyone viewing his collection through a financial lens would see it as a “mistake,” with his most valuable paintings being worth $100,000 at maximum, according to the collector - a small amount of money compared to the millions of dollars that Warhol’s and Basquiat’s achieve at auction. But, Pigozzi does not view his works through a financial lens, explaining that while his choice of category may not make sense of a collector interested in making a long-term profit off his works, it makes sense for Pigozzi because he feels he occupies an interesting and unique niche within the art world.

Artworks from The Contemporary African Art Collection (CAAC), which is what Pigozzi calls his collection, have been featured in what one might argue to be every important exhibition of Contemporary African Art in major art institutions in 2018, including Romuald Hazoumè at Gagosian, Park & 75, New York; Platform: Barthélémy Toguo: The Beauty of Our Voice at the Parrish Art Museum, Water Mill, New York; and Bodys Isek Kingelez: City of Dreams at the Museum of Modern Art, New York. All of those exhibitions have gotten major press coverage, including mentions or full articles in The New York Times, The Wall Street Journal, TIME, and Forbes.

In terms of his plans for the future, Pigozzi has expressed a desire to contain his collection within one place and make it available to the public without having to be dispersed among various museums. “It would be sad if 30 years of work disappeared, and the 10,000-strong collection was dispersed,” Pigozzi laments. Yet, Pigozzi realizes that he may not have the resources to put all of his art in one place right now - at least not in a place that he himself funds. “If I [were] Bill Gates,” he says, “I would build a museum. But I’m not Bill Gates. So, I’m open to suggestions,” Pigozzi discloses in an interview with an implied sense of humor. In the meantime, viewing sublime works from Pigozzi’s collection, like the imaginative Bodys Isek Kingelez’s utopian city sculptures at MoMA, is not a bad option for those of us interested in unveiling the stories that Pigozzi readily makes available to the art-viewing public.

Jean Pigozzi and Chéri Samba, Paris, 2002. Source: Les Initiés: un choix d’oeuvres (1989-2009) dans la collection d’art contemporain africain de Jean Pigozzi, Fondation Louis Vuitton, 2017.

Photo at top: Jean Pigozzi. Source: https://www.youtube.com/watch?v=-Jy-ggtttZQ.

Bibliography:

Artforum. “Jean Pigozzi to Build Foundation for Contemporary African Art.” April 26, 2017. Accessed November 4, 2018. https://www.artforum.com/news/jean-pigozzi-to-build-foundation-for-contemporary-african-art-68078.

Baumgardner, Julie. “Inside the World’s Largest Collection of Contemporary African Art.” Artsy. October 12, 2015. Accessed November 4, 2018. https://www.artsy.net/article/artsy-editorial-inside-the-world-of-jean-pigozzi-the-tech.

Buffenstein, Alyssa. “Investor and Celeb Photographer Jean Pigozzi Is Searching for a Home for His African Art Collection.” artnet News. April 27, 2017. Accessed November 4, 2018. https://news.artnet.com/art-world/jean-pigozzi-foundation-contemporary-african-art-938897.

Caacart.com. “Artists.” Accessed November 4, 2018. http://caacart.com/caacart-artists.php. Caacart.com. “Exhibitions.” Accessed November 4, 2018. http://caacart.com/caacart-exhibitions.php.

Caacart.com. “Home.” Accessed November 4, 2018. http://caacart.com/.

Christie’s. “The Insider’s guide to Contemporary African art.” February 15, 2018. https://www.christies.com/features/The-insider-guide-to-Contemporary-African-art-8887-1.aspx.

Delson, Susan. “In the Hamptons, This Artist Builds the Boat And Serves the Coffee.” The Wall Street Journal. July 26, 2018. Accessed November 4, 2018. https://www.wsj.com/articles/in-the-hamptons-this-artist-builds-the-boat-and-serves-the-coffee-1532617982.

Edwards, Natasha. “Jean Pigozzi’s Massive Collection of African Art.” Surface. November 30, 2015. Accessed November 4, 2018. https://www.surfacemag.com/articles/20151130jean-pigozzis-massive-collection-of-african-art/.

Friedel, Julia. “Magiciens de la Terre.” Contemporary And. August 12, 2016. Accessed November 4, 2018. https://www.contemporaryand.com/magazines/magiciens-de-la-terre/.

Harris, Gareth. “Venture capitalist Jean Pigozzi plans foundation to house contemporary African art collection.” The Art Newspaper. April 26, 2017. Accessed November 4, 2018. https://www.theartnewspaper.com/news/venture-capitalist-jean-pigozzi-plans-foundation-to-house-huge-contemporary-african-art-collection

Meistere, Una. “Jean Pigozzi.” Independent Collectors. July 19, 2016. Accessed November 4, 2018. https://independent-collectors.com/collectors/jean-pigozzi-arterritory/.

Pigozzi, Jean. “Jean Pigozzi: The Collecting Life.” Caacart.com. June 2005. Accessed November 4, 2018. http://caacart.com/about_jp_en.php.

Press, Clayton. “Romauld Hazoumé, Gagosian, Park & 75, New York.” Forbes. September 23, 2018. Accessed November 4, 2018. https://www.forbes.com/sites/claytonpress/2018/09/23/romuald-hazoume-gagosian-park-75th-new-york/#5227dbdf3b58.

Schwendener, Martha, Will Heinrich, and Jillian Steinhauer. “What to See in New York Art Galleries This Week.” The New York Times. September 13, 2018. Accessed November 4, 2018. https://www.nytimes.com/2018/09/13/arts/design/what-to-see-in-new-york-art-galleries-this-week.html.

Shapiro, Eben. “At MoMA, a Genius Finally Gets His Due.” Time. June 28, 2018. Accessed November 4, 2018. http://time.com/5324720/body-isek-kingelez-moma/.

Smith, Roberta. “Fantastical Cityscapes of Cardboard and Glue at MoMA.” The New York Times. May 31, 2018. Accessed November 4, 2018. https://www.nytimes.com/2018/05/31/arts/design/bodys-isek-kingelez-review-moma.html.

Thackara, Tess. “Bodys Isek Kingelez, Maker of Utopian Cities, Finally Gets the Retrospective He Deserves.” Artsy. May 24, 2018. Accessed November 4, 2018. https://www.artsy.net/article/artsy-editorial-finally-notice-bodys-isek-kingelezs-utopian-vision.

#jean pigozzi #pigozzi #jeanpigozzi #contemporary african art #contemporary art #african art #african contemporary art #blog #art blog #art blogger #contemporary art blog #art collectors #art collector #collectors #art collector profile #art collecting #cheri samba

2 notes · View notes

sitographie-aa · 5 years ago

Text

• LIEUX / ÉVÉNEMENTS

agenda des expositions sur le site de Beaux Arts magazine

expositions Paris et Île de France sur le site de l’Officiel des spectacles

liste des sites Internet des musées de France

liste des centres d’art contemporain en France

Platform (réseau des FRAC (fonds régionaux d’art contemporain) de France)

Le Bonbon Lyon (événements)

Musée de l’Imprimerie et de la Communication Graphique (Lyon)

Musée d’art contemporain (Lyon)

Maison de la Danse (Lyon)

Institut d’art contemporain Rhône Alpes (Villeurbanne)

Cité du Design (Saint-Étienne)

Biennale du Design (Saint-Étienne)

MAMC (Saint-Étienne)

Le Magasin (Grenoble)

Le Tracé (Échirolles)

Centre Pompidou-Metz (Metz)

Cité Internationale de la bande dessinée et de l’image (Angoulême)

Les Abattoirs (Toulouse)

Musée d’art de Nantes

Mucem (Marseille)

Fondation Maeght (Saint-Paul-de-Vence)

MAMAC (Nice)

Musée des Arts Décoratifs (Paris)

Centre Georges Pompidou (Paris)

Cité de la Mode et du Design (Paris)

Palais Galliera (Paris)

Cité de l’Architecture et du Patrimoine (Paris)

Pavillon de l’Arsenal (Paris)

Musée du Quai Branly (Paris)

Cité des Sciences et de l’Industrie (Paris)

Mobilier National (Paris)

Fondation Louis Vuitton (Paris)

Maison Européenne de la Photographie (Paris)

Cent Quatre (Paris)

Cité de la Céramique (Sèvres)

MAC VAL (Vitry sur Seine)

Mudac (Lausanne)

Vitra Design Museum (Weil am Rhein)

Design Museum (Gent)

MUDE (Lisbonne)

The Design Museum (Londres)

Mudam (Luxembourg)

MoMA (New York)

#design #museum #event #exhibition #exposition #musée

1 note · View note

alrdbkanggg · 6 years ago

Text

‘Quick

Stop by the following bars:

-Le Syndicat (le marais)

-Mezcaleria Speak Easy in Blue Hotel (pass through kitchen)

-Bisou (energetic) FAVORITE tell them folks that Barbara sent you; outstanding hospitality.

-Le Mary Celeste (le marais)

-Nelson’s: try the outdoor terrace upstairs (nice place to kick it for hours after work. grab a glass of le titi côte du bordeaux and smoke your stress away, food is pricy but service is perfecto)

-Moonshiner (highly recommend to stop by during warmer weather months, strong, well-balanced old-fashions)

-La Bonne Décision

-GATSBY bar near École Militaire

-Candelaria

Avoid tourists at: Lavomatic, Little Red Door

Cafes:

-NEIGHBOURS in Le Marais (Favorite; Great Banana Bread & Espresso Butter + Sourdough Crumpets avec smash avocados on top)

-Coutume

-IBRIK

-Café Mericourt

-Holybelly 5 (before taking Eurostar, near Gare Du Nord)

-Blackburn (cheap brunch for the amount and quality of food!)

-Ob-La-Di sources their coffee from LOMI (therefore, great coffee)

-standing Espresso fixes at Tabac Stores

Skip tourist traps: Café de Flore, Fragments, Kozy Bosquet

Have not tried and want to try: Café Oberkampf

Manger <to eat>:

-POKAWA in Oberkampf best poké I’ve had. There’s a lot of mediocre poké in Paris

-Chambelland (gluten-free bakery) great spot to peer into the street in silence whilst sitting in their terrace.

-Culinary Experiences: Pierre Sang In Oberkampf, Septime

-Check out restaurants in Galerie Panoramas (Lombem BEST STEAK et Gratin and amazing service, Kapunka Panoramas, and so many more restaurants)

-L’as du Fallafel! If the line is too long head next door to Miznon and you’ll encounter another long line :)

-New French/French: Le Bon Georges, Ellsworth, Quinsou, Les Pantins, Le 975, MOKONUTS

-Ober Mamma, Pink Mamma, East Mamma (under same establishment, but meh)

-Daroco (beautiful infrastructure)

-Asian: BAMBOU, James Bun, Kapunka Panoramas, Bien Bien, Little Hanoï, Kodawari Ramen, MY NOODLES (noodles made on the spot), Mussubï’s bento box special, pour authentic Izakaya—Toritcho, Guo Xian (house made dumplings but hands down the worst and most unusual service I have ever received each time but I will always go back since it’s €5 for 15 portions!!!

-Mexican: tried Bocamexa and it’s meh. I hail from California so Mexican food elsewhere is undeniably bad.

-Patisseries: Sadaharu Aoki, Pierre Hermé

Skip: Breizh crepe bullshit and restaurants that have pictures of food on their menus, Poké bowls are horrifying in Paris

To play:

-Concrete and few others, but my clubbing days are over, BRIDGE, Andy Wahloo (some clubs do have cover), Cafe Oz, Le Comptoir General (good music)

Visit and flash student IDs at:

-Fondation Louis Vuitton

-Musee d’Orsay

-Louvre

-Centre du Pompidou

To do:

Go to your local boulangerie, fromagerie (my favorites are Comté, Camembert) to establish a cordial relationship with the owner, seller, worker.

Wine tasting!!! Préfére Bordeaux, Beaujolais

PICNIC BY THE SEINE

Shop:

The Kooples, A.P.C, Acne Studios, IRO, Maje, Sandro, Diptyque, & Other Stories, Le Labo, ba&sh, Zadig & Voltaire, Kilo shop, Carhartt

0 notes

isemparis-leblog · 7 years ago

Text

Les expos de l’automne / Fall exhibitions

La Fiac se tiendra comme chaque année au Grand Palais du 19 au 22 octobre

Fiac will be held at the Grand Palais from 19 to 22 October

Harmony Korine au Centre Pompidou.

Maître du cinéma underground, le cinéaste américain expose sa fascination pour les pop stars et sa production artistique depuis l’adolescence. Réalisateur du film très controversé « Kids » sortie en 1995 mais également du clip de Rihanna « Needed me » l’an dernier, il est également l’auteur des paroles de « Harm of Will » de Björk en 2001. L’artiste présentera des photographies, peintures, installations en parallèle de la projection de ses films et sera présents sur des évènements live. Jusqu’au 5 novembre.

Harmony Korine at the Pompidou Center.

A master of the cinema underground, the American filmmaker exposes his fascination for pop stars and his artistic production since adolescence. Director of the highly controversial film "Kids" released in 1995 but also of Rihanna's "Needed Me" clip last year, he is also the author of the lyrics of "Harm of Will" by Björk in 2001. The artist will present photographs, paintings, installations in parallel of the projection of his films and will be present on live events. Until November 5th.

Lettres ouvertes, de la calligraphie au street art at the Institute of Islamiques cultures.

Quand la lettre devient un terrain d’expérimentation graphique et esthétique…. Un véritable dialogue entre toiles de maîtres et œuvres d’artistes émergents. De nombreux événements : arts de la scène, projections, conférences, débats, poésie et chorégraphie, danse contemporaine et hip-hop, tableaux de calligraphie lumineuse, contes, lectures performées et des concerts sont organisés en marge de l’exposition. Jusqu’au 21 janvier 2018.

Open letters, from calligraphy to street art at l’Institut des Cultures Islamiques.When the letter becomes a field of graphic and aesthetic experimentation .... A real dialogue between masterpieces and works by emerging artists. Many events: performing arts, screenings, lectures, debates, poetry and choreography, contemporary dance and hip-hop, luminous calligraphy, storytelling, performances and concerts are organized on the sidelines of the exhibition. Until January 21, 2018.

Irving Penn au Grand Palais.

2017 célèbre le centenaire de sa naissance, Irving Penn est sans doute l’un des plus grands photographes du XXème siècle et un véritable précurseur de la photographie de mode. Il photographie également des célébrités entre 1947 et 1948, Dali, Pablo Picasso, Yves Saint Laurent et Audrey Hepburn, entre-autre, sont passés devant son objectif. Jusqu’au 29 janvier 2018.

Irving Penn at the Grand Palais.

2017 celebrates the centenary of his birth, Irving Penn is undoubtedly one of the greatest photographers of the 20th century and a true precursor of fashion photography. He also photographed celebrities between 1947 and 1948, Dali, Pablo Picasso, Yves Saint Laurent and Audrey Hepburn, among others, passed his objective. Until 29 January 2018.

Picasso 1932 au musée Picasso.

Retrouvez ses chefs-d’œuvre essentiels produit en 1932. Une année riche en production, placée sous le signe de l’érotisme, qui permet de découvrir l’évolution de son art de manière chronologique. Jusqu’au 11 février 2018.

Picasso 1932 at the Picasso Muséum.

Find the essential masterpieces produced by the artist in 1932. A year rich in production under the sign of eroticism that allows to discover the evolution of his art chronologically. Until 11 February 2018.

Mali twist à la Fondation Cartier pour l’art contemporain.

Véritable hommage à l’œuvre de Malick Sidibé. Surnommé « l’oeil de Bamako », le photographe a su capter la vitalité de la jeunesse Bamakaise dès les années 60 avec un style unique et reconnu. Jusqu’au 25 février 2018.

Mali twist at the Cartier Foundation for contemporary art.

A true tribute to the work of Malick Sidibé. Nicknamed "the eye of Bamako", the photographer knew how to capture the vitality of the youth Bamakaise since the 60s with a unique and recognized style. Until 25 February 2018.

Le MoMA à la Fondation Louis Vuitton

Un véritable Paris- New York en plein 16ème arrondissement ! Retrouvez pour la première fois les collections exceptionnelles du Museum of Modern Art à travers 200 œuvres qui retracent l’histoire du MoMA comme collectionneur. Peintures, sculptures, photographies, films, performances, œuvres numériques, cette sélection transdisciplinaire reflète la diversité et la richesse du musée New Yorkais. Jusqu’au 5 mars 2018.

The MoMA at the Louis Vuitton Foundation.

A real Paris-New York in the 16th arrondissement! Discover for the first time the outstanding collections of the Museum of Modern Art through 200 works that retrace the history of MoMA as a collector. Paintings, sculptures, photographs, films, performances, digital works, this transdisciplinary selection reflects the diversity and richness of the New York Museum. Until March 5, 2018.

Le nouveau musée Yves Saint Laurent « Parcours inaugural ».

Situé à l’adresse historique du 5 avenue Marceau dans le 16ème arrondissement, son ancienne maison de couture, c’est toute l’œuvre du couturier qui s’expose comme une rétrospective. Pas de panique, vous avez jusqu’au 9 septembre 2018 pour découvrir cette première exposition inédite.

The new Yves Saint Laurent Museum "Inaugural Route".

Located at the historic address of 5 avenue Marceau in the 16th arrondissement, its former couture house, it is all the work of the couturier who exposes itself as a retrospective. Do not panic, you have until September 9, 2018 to discover this first exhibition unpublished.

Pop Art - Icons that matter, au Musée Maillol.

Redécouvrez le mouvement en révisant vos classiques avec des noms comme Roy Lichtenstein, Alex Katz, Tom Wesselmann et bien sûr Andy Warhol mais découvrez également des œuvres moins connus comme celles de George Segal ou de John Wesley. La collection du Whitney Museum of American Art de New York offre une véritable anthologie de l’art américain du XXe siècle et XXIe siècle, dont des pièces maîtresses du « Pop Art » : peintures, sculptures, sérigraphies... Jusqu’au 21 janvier 2018.

Pop Art - Icons that matter, at the Maillol Museum.

Rediscover the movement by revising your classics with names such as Roy Lichtenstein, Alex Katz, Tom Wesselmann and of course Andy Warhol, but also discover lesser known works like those of George Segal or John Wesley. The collection of the Whitney Museum of American Art in New York offers a true anthology of 20th and 21st century American art, including masterpieces of "Pop Art": paintings, sculptures, serigraphs ... Until January 21, 2018.

#expo #paris #sortir #culture

0 notes

aamjp · 7 years ago

Text

★ Travel log (updated throughout)

June 5 — Venice

Damien Hirst, 'Treasures from the WRECK of the Unbelievable', Palazzo Grassi and Punta della Dogana, Venice

Evan Penny, 'Ask Your Body', Chiesa di Samuele, Venice

Peggy Guggenheim Collection and Mark Tobey, 'Threading Light', Peggy Guggenheim Collection, Venice

June 6

Viva Arte Viva, Venice Biennale, Giardini

National pavilions within Giardini:

Tracey Moffat, 'My Horizon', Australian pavilion

Brigitte Kowanz and Erwin Wurm, Austrian pavilion

Cinthia Marcelle, 'Chãl de caça', Brazilian pavilion

Geoffrey Farmer, 'A way out of the mirror', Canadian pavilion

Jana Želibská, 'Swan Song Now', Czech and Slovak Republic pavilion

Erkka Nissinen and Nathaniel Mellors, 'The Aalto Natives', Finnish pavilion

Xavier Veilhan, 'Studio Venezia', French pavilion

Anne Imhof, German pavilion

Phyllida Barlow, 'folly', Great British pavilion

George Drivas, 'Laboratory of Dilemmas', Greek pavilion

Gyula Várnai, 'Peace on Earth!', Hungarian pavilion

Gal Weinstein, 'Sun Stand Still', Israeli pavilion

Takahiro Iwasaki, 'Turned Upside Down, It's a Forest', Japanese pavilion

'Counterbalance: The Stone and the Mountain', Korean pavilion

'Mirrored', Nordic pavilion

'Geta Brâtescu – Apparitions', Romanian pavilion

Grisha Bruskin, 'Scene Change', Recycle Group, 'Blocked Content', Sasha Pirogova, 'Garden', Russian pavilion

Mark Bradford, 'Tomorrow is Another Day', US pavilion

'Luxus', Venetian pavilion, Giardini

June 7

Viva Arte Viva, Venice Biennale, Arsenale

National pavilions within Arsenale:

Leonard Qylafi, 'Occurrence in Present Tense, Albanian pavilion

Claudia Fontes, 'The Horse Problem, Argentinian pavilion

Bernardo Oyarzún, 'Caligrafía, Chilean pavilion

'Continuum-Generation by Generation', Chinese pavilion

'Horizon of Expectations', Croatian pavilion

Vajiko Chachkhiani, 'Living Dog Among Dead Lions', Georgian pavilions

Tintin Wulia, '1001 Martian Homes', Indonesian pavilion

'Il Mondo Mágico', Italian pavilion

Carlos Amorales, 'Life in the Folds', Mexican pavilion

Juan Javier Salazar, 'Land of Tomorrow', Peruvian pavilion

Manuel Ocampo, 'The Spectre of Comparison', Philipino pavilion

Dapunta Hyang, 'Transmission of Knowledge', Singaporean pavilion

Mohau Modisakeng, South African pavilion

Adam de Neige, 'The machine was a ball, and I was a cold star', Spazio Tana

'Deconstructing Boundaries: Exploring Ideas of Belonging', Zimbabwean pavilion; Lost in Tngri (Lost in Heaven), Mongolian pavilion; Eve Ariza, 'Murmuri', Andorran pavilion, Instituto Provincionale

June 8

'Intuition', Palazzo Fortuny

'Philip Guston and the Poets', Gallerie dell’Accademia di Venezia, Venice

National pavilions of Diaspora, Luxembourg, Ethiopia

Fernando Zobel, 'Contrapuntos', Fondaco Marcello, Venice

June 9

Scuola Grande di San Rocco

Stephen Chambers, 'The Court of Redonda', Ca' Dándolo, Venice

Michelangelo Pistoletto, 'One and One makes Three', Chiesa di San Giorgio Maggiore

Ettore Sottsass, 'The Glass', Le Stanze del Vetro, Venice

Andy Warhol and Robert Rauschenberg, 'Us Silkscreeners...' & Robert Rauschenberg, 'Late Series', Fondazione Cini, Venice

Paul McCarthy and Christian Lemmerz, 'New Media Virtual Reality', Fondazione Cini, Venice

Alighiero Boetti, 'Maximum Minimum', Fondazione Cini, Venice

David LaChapelle, 'Lost + Found', Tre Oci, Venice

Frank Walter, Antigua & Barbuda National Pavilion

'Space Force Construction', V-A-C Foundation

On Kawara, 'One Million Years (Reading)', Oratorio di San Ludovico, Chiesa della Pieta

Palazzo Ducale

June 11 — Munich

'Cy Twombly: In the Studio', Museum Brandhorst, Munich

Alte Pinakothek

Neue Pinakothek

Pinakothek Der Moderne

June 12 — Kassel

Theo Eshetu artist talk

June 13

Dale Harding and Bonita Ely artist talks

Neue Gallery with tour

June 14

Documenta Halle

Naturkunde Museum Im Ottoneum (Unsere Ausstellungen?)

Museum Fridericanum, 'Antidoron: The EMST Collection'

June 17 — Berlin

John Bock, In the Moloch of the Presence of Being; Christine Streuli, 'Fred Thieler Prize for Painting 2017', Emilio Vedova, 'Absurd Berlin Diary '64'; Die Fotografierte Ferne – Faraway Focus: Heide Specker, Wolfgang Tillmans, Max Baumann, Sven Johne, Tobias Zielony; 'Art in Berlin 1880-1980', Berlinesche Galerie

- Cherchez la femme, Jewish Museum

June 18

Sigmar Polke, 'The Editions'; Wunderkammer Olbricht, me Collectors Room, Berlin

Hamburger Bahnhof

June 19

Neues Museum

Monument for the Murdered Jews of Europe

June 20 — Kassel

Kulturbahnhof

Glass Pavilion

Neue Neue Galerie

June 21

Neue Galerie

Palais Bellevue

Grimmwelt Museum

Elder Meid Apartment

Ben Russell, Friedrichsplatz

June 22

Torwachen

Tofufabrik

Neue Neue Galerie

Hessisches Landesmuseum

June 23

Elder Meid Apartment

Peppermint

Westpavilion (Orangerie)

June 25 — Paris

Espace Dalí

Matisse Mesnil, 'Trace', Galerie Chappe

June 26

Musée du Louvre

June 27

'Portraits de Cézanne' and collection, Musée d'Orsay

Arc d'Triomf

June 28

Centre Pompidou

June 29

'Tokyo-Paris: Chefs d'œuvre du Bridgestone Museum of Art de Tokyo Collection Ishibashi Foundation'; La Collection Jean Walter & Paul Guillaume; and Les Nymphéas de Claude Monet, Musée de l'Orangerie

Oscar Murillo, 'Estructuras Resonantes'; Ed Van Der Elsken, 'Camera in Love'; Ismaïl Bahri, 'Instruments', Jeu de Paume

June 30

Walker Evans retrospective; David Hockney retrospective; Ross Lovegrove, 'Convergence', Centre Pompidou

July 1

'Olga Picssso' and collection, Musée Picasso

Galerie de paléontologie et d'anatomie comparée

'Les Initiés'; Êtte Là: Afrique du Sud, une scène contemporaine', La Fondation Louis Vuitton

To do:

Frank Walter, Antigua Barbados

V-A-C Foundation

http://www.artnews.com/2017/05/13/golden-lions-in-venice-for-anne-imhof-and-franz-erhard-walther-silver-for-hassan-khan/

Hirst, Palazzo Grassi and the Punta della Dogana,

http://www.artnews.com/2017/05/12/271586-271587-271588-on-kawaras-one-million-years-in-venice/ Dorsoduro neighborhood

Faurschou Foundation, Rauschenberg

Basilica di San Giorgio Maggiore, where the Associazione Arte Continua and Galleria Continua have installed “Michelangelo Pistoletto: One and One Makes Three,

Hamish Fulton, Giudecca, right next to the Icelandic Pavilion, at Galleria Michela Rizzo

Mark Bradford, US pavilion

Louis Vuitton http://www.artnews.com/2017/05/10/a-penguin-in-venice/

Chris Ofili’s exhibition at the new space that London gallery Victoria Miro > http://www.artnews.com/2017/05/10/water-ways-chris-ofili-delivers-a-stunning-show-of-drawings-at-victoria-miro-in-venice/

http://www.artnews.com/2017/05/09/a-look-at-viva-arte-viva-the-hippie-heal-the-world-venice-biennale/

Korean Pavilion

Philip Guston and the Poets” at Gallerie dell’Accademia in Venice.

Christine Macel’s biennale, which includes a “Pavilion of Artists and Books

image.wool.crystals // anonymous stateless immigrants image.wool.crystals // The Absence of Paths storm.inserted.enlarge // bakery and bar AMAZINF known.writings.icicles PIGMENTS spreads.frozen.snitch // Andrea Tardini Gallery, Valter Adam Casayti deny.palace.scouting // Palazzo Grassi Circle of Naff

#2433QCA.tour

0 notes

leblogdemarinaetjeanmarie · 8 years ago

Photo

LUNDI 27 MARS 2017 (Billet 1 / 3) J-41

Notre nièce Maïlys est venue passer avec son compagnon Fabrice 2 jours chez nous, pour notre plus grand plaisir.

La dernière fois (en novembre 2016), nous leur avions proposé de voir l’Exposition Chtchoukine à la Fondation Louis Vuitton. Ils l’avaient beaucoup appréciée.

Cette fois-ci, nous avions opté pour l’Expo « 21 rue La Boétie » au Musée Maillol… qui nous a laissés un peu sur notre faim (malgré un copieux « déjeuner corse » cuisiné par Marina).

Beaucoup de textes sur les murs (souvent redondants avec les commentaires de l’audio-guide)… et finalement peu de tableaux.

L’histoire de Paul Rosenberg aurait été plus intéressante racontée dans un documentaire à la télé.

Mais bon, quelques beaux tableaux quand même…

Un dernier point : on a trouvé un peu prétentieux de réserver la dernière salle de l’Expo à un petit tableau représentant Anne Sinclair enfant, peinte par Marie Laurencin. De plus, alors que c’était autorisé pour quasiment tous les autres, il y avait un gardien en faction uniquement chargé d’empêcher les gens de le photographier. Nous nous souvenions pourtant que nous avions pu le prendre en photo il y a 2 ou 3 ans lors de la très belle Expo consacrée à Marie Laurencin au Musée Marmottan. Nous avons du scanner la repro dans le catalogue pour vous le montrer.

Ci-dessous, pour que vous en sachiez un peu plus, un petit texte extrait de la plaquette de l’Expo :

« L’exposition "21 rue La Boétie" retrace le parcours singulier de Paul Rosenberg (1881-1959) qui fut l’un des plus grands marchands d’art de la première moitié du XXe siècle. Elle rassemble une soixantaine de chefs-d’œuvre de l’art moderne (Pablo Picasso, Fernand Léger, Georges Braque, Henri Matisse, Marie Laurencin...), pour certains inédits en France et provenant de collections publiques majeures telles le Centre Pompidou, le Musée d’Orsay, le Musée Picasso à Paris, ou d’importantes collections particulières.

Cette exposition bénéficie du soutien actif de la petite-fille de Paul Rosenberg, Anne Sinclair, auteur du livre éponyme "21 rue La Boétie".

Marchand d’art passionné, homme d’affaires avisé et amateur éclairé, Paul Rosenberg fut l’ami et l’agent des plus grands artistes de son temps, qui allaient devenir des maîtres incontestés de l’art moderne. Sa galerie mythique a servi de pivot à la peinture moderne en France, et plus largement en Europe et aux Etats-Unis.

La carrière de Paul Rosenberg permet d’appréhender sous un prisme nouveau le double tournant, dans l’histoire de l’art, que représentent l’émergence de l’art moderne, puis, dans la tourmente de la Seconde Guerre mondiale, le déplacement du centre mondial de l’histoire de l’art de Paris vers New York, en pleine crise de la Seconde Guerre mondiale. Mêlant histoire de l’art, histoire sociale et politique, l’exposition met en lumière un moment crucial du XXe siècle, dont Paul Rosenberg a été un témoin emblématique, à la fois acteur et victime. »

0 notes